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Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
Alvin Queen Frank Lowe
ENCORE Young Queen used to take his radio to bed, was big then—especially in Harlem. “All the clubs in listening to Symphony Sid with the volume turned Harlem had Hammond organs,” Queen recalls. ALVIN low. “You had to really love jazz to do that,” he said. By Queen was a confirmed bebopper, but when he this point, Queen’s family had moved to Mount Vernon, began playing in Europe he had to acquaint himself NY. When he was 10 or 11, the band at a bar his father with some earlier styles. “A lot of the older musicians, was managing lost its drummer and the musicians some of them ex-Duke Ellington, had come to Europe QUEEN wanted to know if they could “use the kid”. A as individual players and I had to fit in with what they delegation was sent to Queen’s house and the little were doing,” he said. He name-checks Jimmy Woode, by jim motavalli prodigy was brought out. “What kind of music do you Harry “Sweets” Edison, Eddie “Cleanhead” Vinson, play?” was the only question he asked. When he Red Holloway, Buddy Tate, Benny Bailey and Clark Drummer Alvin Queen, born in the Bronx 70 years learned it was jazz everything was fine and he went Terry. “I started playing all over Europe, so I asked ago this month, is a great storyteller and so what if and got his best suit for the evening’s session. The myself, ‘Why should I go back to New York?’,” Queen many of his compelling stories are from before he drum pedals had to be adjusted. -
Carla Bley Wurde Im Kalifornischen Oakland Geboren Und Lebt Heute in Den Catskill Mountains Im US-Bundes- Staat New York
Bley, Carla Carla Bley wurde im kalifornischen Oakland geboren und lebt heute in den Catskill Mountains im US-Bundes- staat New York. Mit verschiedenen Bands, kammermusi- kalischen Ensembles und Orchestern hat sie die ganze Welt bereist, vor allem Europa und Südostasien. Als „composer-in-residence“ war sie unter anderem beim Glasgow Festival und wurde in die Essener Philharmo- nie eingeladen. Biografie Carla Bley wurde am 11. Mai 1936 als Lovella May Borg in Oakland, Kalifornien, als Tochter zweier Musiker gebo- ren. Bei ihrem Vater Emil Borg erhielt sie ersten Klavier- und Orgelunterricht und begleitete bereits im Alter von vier Jahren Hochzeiten und Begräbnisse. Mit acht Jah- ren verweigerte sie jeden weiteren Unterricht (Carla Bley betrachtet sich selbst als Autodidaktin). Im selben Jahr starb ihre Mutter Arline Borg. Fünfzehnjährig brach sie die Schule ab und jobbte in einem Plattenladen. Zusätzli- ches Geld verdiente sie mit Auftritten in örtlichen Piano- Bars. Insbesondere die Musik Erik Saties, die sie zufällig Carla Bley im Radio gehört hatte, beschäftigte ihre Fantasie. Carla Bley 1957 verließ sie Kalifornien und ging nach New York, wo Geburtsname: Carla Lovella Borg sie sich Carla Borg nannte. In den einschlägigen Jazz- clubs der Stadt nahm sie diverse Jobs von der Zigaretten- * 11. Mai 1936 in Oakland, Kalifornien, USA verkäuferin bis zur Tischfotografin an, um so die großen Musiker live hören zu können: „That is where I learned Komponistin, Pianistin, Organistin, Bandleaderin, everything“, sagte sie über diese intensive Zeit, in der sie Improvisateurin, Arrangeurin, Musik-Verlegerin, alles wie einen Schwamm aufgesogen habe (Frank Oteri, Herausgeberin On Her Own. New York, 2003, S. -
SPLASHDOWN Down a Ramp in a Variety of Costumes to Launch Themselves Off a Jump Before Inevitably Landing in a Pool Filled with Freezing Water
NO. 14 (1806) САНКТ-ПЕТЕРБУРГ-ТАЙМС WEDNESDAY, APRIL 16, 2014 WWW.SPTIMES.RU DMITRY LOVETSKY / AP LOVETSKY DMITRY A competitor participates in the Red Bull Jump and Freeze event at the Igora ski resort, 100 kilometers northwest of St. Petersburg, on Apr. 12. Entrants sped SPLASHDOWN down a ramp in a variety of costumes to launch themselves off a jump before inevitably landing in a pool filled with freezing water. ADVERTISING RUSSIAN St. Petersburg – ROYAL Stroganov Yard KITCHEN Beautifully restored rooms, secret 17 Nevsky Prospeсt rooms of A.S. Stroganoff and, of (in the yard of Stroganov Palace) TOUR course, restored wine cellars, which +7 (812) 571-24-09 OF THE houses the most luxurious wine col- www.russianampir.ru PALACE lection of the XXI century. LocalNews www.sptimes.ru | Wednesday, April 16, 2014 ❖ 2 Opposition Prepares for May Day Celebrations By Sergey Chernov Petersburg would unite as a “single, THE ST. PETERSBURG TIMES democratic, anti-militarist, anti-impe- As local democrats argued over their rial” group on May 1. slogans ahead of the upcoming May Andrei Pivovarov, a co-chairman of Day march, anti-war protests contin- the local branch of the Republican ued on Sunday with an unauthorized Party of Russia-People’s Freedom gathering near Kazan Cathedral and a Party, also known as RPR-Parnas, said series of one-man protests on Nevsky that the differences were caused not by Prospect, St. Petersburg’s main street. the anti-war stance but the long-stand- About 200 people gathered at Ka- ing differences between Democratic zan Cathedral on Sunday to protest St. -
1974 Vol.2 No
program guide . Much August. 1974 vol.2 no. 7 8:00 AARON COPLAND - Symphony for Organ and Orchestra. Perfomed by Organist E. Thursday 1 Power Biggs and ,the New York Philharmonic . Monday 5 conducted by Leon'ard Berns tei n. 8:30 ROGER BLUCK MEETS THE MINCING DEATH: 6 30 EARLIE MUSICKE - Randy r~cCarty 6:30 EARLIE MUSICKE - Randy McCarty 10 00 EARTH MUSIC - Clare Conrad LIVE RADIO THEATRE "Here, gentlemen, in 10:00 EARTH MUSIC - Jeff Follette 11 55 PROGRAM NOTES my hand, I hold what possibly is the 11:55 PROGRAM NOTES 12 00 "THE SIA IS NOT DEAD" Thi s program world's largest selection of miniaturized 12:00 WOMAN POWER - Chris Bose documents the expression of support for pornography taken from the body of the 1:00 THE WOMAN'S SURVIVAL KIT - The Lesbian the Syntionese Liberation Army follaHin!! Duchess of Portwithie the very day my Feminist Radio Collective will present the battle with police in Los Angeles, cat came into heat. I ask you to analyze a critical examination of therapy for on May 17, . 1974. It contains interviews this material under the electron microscope. lesbians. Includes an actual therapy at Compton, the scene of the battle, You will note its superficial resemblance presentati on of a versi on' therapy. With actualities from· General Field Marshall to the tobacco masaic virus." So begins interviews and commentary MUSic, and KRAB's 0\'1n live lunacy, produced and a play Edward the DYKE. Cinque's funeral, and excerpts from SIA written by Ted Smith. 4:00 SPONTANEOUS GENERATION tapes. -
Art and Technology Meet in St. Petersburg: an Interview with Five Female Artists of the CYLAND Media Art Laboratory
Art and Technology Meet in St. Petersburg: An Interview with Five Female Artists of the CYLAND Media Art Laboratory DARIA CHERKASHINA CYLAND Media Art Lab St. Petersburg Abstract: New media art is an extensive concept, which unites a number of different art forms made with the help of media technologies such as digital art, computer graphics, com- puter animation, virtual art, internet art, interactive art, video games, computer robotics, 3D printing, cyborg art and art as biotechnology. Media art has existed in Russia for more than twenty years and female artists were the core developers of media art in St. Petersburg. Tak- ing the CYLAND media art laboratory as its vantage point, this interview with five artists aims to give an account of the history, key works, exhibitions and ideas in St. Petersburg media art. The artists participating in this interview are Anna Frants, Ludmila Belova, Alexandra Dementieva, Victoria Ilyushkina and Elena Gubanova. They all have exhibited their works extensively both in Russia and abroad and contributed significantly to the devel- opment of Russian media art and CYLAND’s development as one of the leading media art institutions in Russia. Keywords: media art, female artists, digital technology, computer programming, curating ew media art is an extensive concept, which unites a number of different art forms N made with the help of media technologies such as digital art, computer graphics, com- puter animation, virtual art, internet art, interactive art, video games, computer robotics, 3D printing, cyborg art and art as biotechnology. Sometimes it involves interactive observers’ participation and is thematically about technology, but not always. -
Spiritualität in Jazz Und Improvisierter Mu Sik
Spiritualität in Jazz und improvisierter Mu sik Amerikanische schwarze Musiker waren durch die Rassen und Kulturvorurteile in ih rer Ausübung lange Zeit nur auf Volks und Unterhaltungsmusik beschränkt. Wahr scheinlich deswegen und wegen seiner von der europäischen Klassik verschiedenen Äs thetik wird Jazz bei uns immer noch meistens als eine sehr weltliche, dem Genuss ver bundene Musik dargestellt. Die Sendung beleuchtet einmal die anderen, die metaphysi schen Inhalte des Jazz und führt bis zur heutigen frei improvisierten Musik. LP/CD MINGUS MINGUS: Take Better Get Hit In Your Soul Charles Mingus: Better Get Hit In Yo'Soul CHARLES MINGUS: MINGUS MINGUS MINGUS – Impulse IMP 12702 Die Big Band des Bassisten und Komponisten Charles Mingus mit «Better Get Hit In Your Soul» aus dem Jahre 1963. Dieses Stück ist formal und emotional geprägt vom Blues und vom lebhaften Gottesdienst in den evangelischen Kirchen der Schwarzen der USA, die Mingus zumindest in seiner Kindheit in Los Angeles miterlebte. Diese Ekstatik, die mitunter etwas Wildes oder gar Chaotisches hat, prägte Mingus Musik sehr und hatte generell Einfluss auf die Ästhetik und Strukturen des Free Jazz. Mingus war nicht nur ein Rebell, sondern auch ein gläubiger Mensch. Nach seinem Tode im Jahre 1979 streute seine Witwe – seinem Wunsch entsprechend – seine Asche in den Ganges, den heiligen Fluss Indiens. Religiosität oder allgemeiner: Spiritualität ist eigentlich ein zentrales, ständiges Element des Jazz seit seiner Entstehung. Der älteste Strom der afroamerikanischen Musik der USA Black Spiritual und Gospel Song wird aber in europäischen Jazzkreisen nur begrenzt wahr genommen. Das hängt damit zusammen, wie die Musik und Subkultur der amerikanischen Schwarzen von den Weissen und auch den Europäern wahrgenommen worden ist. -
Brown James P 2019 Masters.Pdf (3.164Mo)
THE MOSLEY STREET SUITE A THIRD STREAM CHAMBER WORK FOR SIX PLAYERS JAMES PETER BROWN A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO JUNE, 2019 © JAMES PETER BROWN, 2019 Abstract In 1957 Gunther Schuller coined the term Third Stream as a description of a developing trend wherein elements of jazz and 20th century art music were being combined, creating a new body of compositions, performances and recordings by a diverse community of musicians. This thesis presents an original composition entitled The Mosley Street Suite, demonstrating some of the trends of third stream music and consisting four movements entitled: "Song Within The Story”, “Paper Air Plane”, “Chalet Music” and “Mbira Kids.” A brief overview of third stream music from its inception in 1957 to the present day is included, as well as a discussion of some of the musical techniques and styles that embody third stream, citing examples from a variety of composers, arrangers and performers. A final section of this thesis contains a detailed description of the methodology and score of The Mosley Street Suite. !ii ACKNOWLEDGEMENTS I would like to thank Professors Al Henderson and Dr. Mark Chambers for their guidance and assistance. I would also like to thank my parents for supporting my musical journey from the very beginning and my children for inspiring my creative spirit. Finally, a special thanks to my partner Lisa for her encouragement, -
Title Format Released & His Orchestra South Pacific 12" 1958 Abdo
Title Format Released & His Orchestra South Pacific 12" 1958 Abdo, George & The Flames of Araby Orchestra Joy of Belly Dancing 12" 1975 Abdo, Geroge & The Flames of Araby Orchestra Art of Belly Dancing 12" 1973 Abney, Don, Jimmy Raney, Oscar Pettiford Music Minus One: A Rhythm Background Record For Any Musician Or Vocalist 12" 19NA Abrams, Muhal Richard Duet 12" 1981 Adderley, Cannonball The Cannonball Adderley Collection - Vol. 7: Cannonball in Europe 12" 1986 Somethin' Else 12" 1984 Domination 12" 1964 Cannonball Adderley Quintet In Chicago 12" 1959 African Waltz 12" 1961 Cannonball Takes Charge 12" 1959 Adderley, Cannonball Quintet Mercy, Mercy, Mercy! Live at 'The Club' 12" 19NA Ade, King Sunny Synchro System 12" 1983 Adelade Robbins Trio, Barbara Carroll Trio Lookin' for a Boy 12" 1958 Akiyosh, Toshiko-Lew Tabackin Big Band Road Time 12" 2 LPs 1976 Akiyoshi, Toshiko Lew Tabackin Big Band Tales of a Courtesan (Oirantan) 12" 1976 Albam, Manny Jazz Heritage: Jazz Greats of Our Time, Vol. 2 12" 1958 Alexander, Monty Alexander The Great 12" 1965 Facets 12" 1980 Monty Strikes Again: Monty Alexander Live In Germany 12" 1976 Duke Ellington Songbook 12" 1984 Spunky 12" 1965 Alexander, Monty & Ernest Ranglin Just Friends 12" 1981 Alexandria, Lorez The Band Swings Lorez Sings 12" 1988 Alexandria the Great 12" 1964 Lorez Sings Pres: A Tribute to Lester Young 12" 1987 For Swingers Only 12" 1963 Page 1 of 67 Title Format Released Alexandria, Lorez This Is Lorez 12" 1958 More Of The Great Lorez Alexandria 12" 1964 Allen, "Red" With Jack Teagarden And Kid Ory At Newport 12" 1982 Allen, Henry "Red" Giants Of Jazz 3 LP Box Set 1981 Ride, Red, Ride in Hi-Fi 12" 1957 Ridin' With Red 10" 1955 Allison, Mose V-8 Ford Blues 12" 1961 Back Country Suite 12" 1957 Western Man 12" 1971 Young Man Mose 12" 1958 Almeida, Laurindo with Bud Shank Brazilliance, Vol. -
Political Youth Organisations, Music and National
www.ssoar.info Political youth organisations, music and national identity in contemporary Russia Pierobon, Chiara Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Pierobon, C. (2014). Political youth organisations, music and national identity in contemporary Russia. Studies of Transition States and Societies, 6(2), 39-56. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-407694 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de STSS Vol 6 / Issue 2 39 Studies of Transition States and Societies Political Youth Organisations, Music and National Identity in Contemporary Russia Chiara Pierobon* Abstract This article analyses the relationship between political youth organisations, music and national identity in contemporary Russia. It focuses on four of the most representative political youth groups present in the city of St. Petersburg – the Young Guard, the National Bolsheviks, the Movement Against Illegal Immigration (DPNI), and Oborona [Defence] – and describes their conceptualisation of post-Soviet Russianness, as captured through an analysis of their lyrics. The main contribution of this empirical study is the detection of convergences and divergences with regard to the national identity issue characterising youth organisations that position themselves diff erently in the Russian political spectrum. Keywords: Russian civil society, Russian music, post-Soviet Russian national identity, cultural trauma. -
Sergei Borisov. Studio 50А 19 November – 6 December
Sergei Borisov. Studio 50А 19 November – 6 December “Borisov’s works need no commentary. They could be expanded to other dimensions with poetry, music and paintings”. Viktor Erofeev. November 18, RuArts Gallery of contemporary art with the support of Harper’s Bazaar Art, Mondoro and Prime concierge service will present Sergei Borisov’s personal exhibition, dedicated to the presentation of his album Studio 50A. Borisov is one of the most famous and honored Russian photographers. Project Studio 50A gathers photographs that show the unique place of Sergei Borisov on the Russian art scene. The exhibition includes both classic and new works. In 1979 Sergei Borisov settled at Znamenka, since 1983 known as Studio 50A. There he worked on an illustration assignment for “Le Monde” article on Soviet rock music that recently became a subject in the West. As the piece’s central figure Borisov suggested ‘the tsar of Russian rock’ Boris Grebenshchikov and his band Aquarium with their brand new album “Radio Africa”. That’s how the journey to the world of Leningrad underground music started. As new music and art forms gained momentum, Studio 50 A quickly became a communication centre for artists between Moscow and Leningrad, as well as a stepping stone for modern culture and art movement. Borisov showed another side of Soviet life with his photo stories starring underground artists. The first Soviet rock diva Zhanna Aguzarova, World Champions art group, Roman Viktyuk, Viktor Tsoi, Vladislav Monroe, Georgy Guryanov and Timur Novikov – all were natural and spontaneous during photoshoots and performance shows, climbing city monuments and undressing in the studio as well as on the street. -
Vinyls-Collection.Com Page 1/55 - Total : 2125 Vinyls Au 25/09/2021 Collection "Jazz" De Cush
Collection "Jazz" de cush Artiste Titre Format Ref Pays de pressage A.r. Penck Going Through LP none Allemagne Aacm L'avanguardia Di Chicago LP BSRMJ 001 Italie Abbey Lincoln Painted Lady LP 1003 France Abraham Inc. Tweet Tweet LP LBLC 1711 EU Abus Dangereux Happy French Band LP JB 105 M7 660 France Acid Birds Acid Birds LP QBICO 85 Italie Acting Trio Acting Trio LP 529314 France Adam Rudolph's Moving Pictures... Glare Of The Tiger 2LP Inconnu Ahmad Jamal At The Blackhawk LP 515002 France Aidan Baker With Richard Baker... Smudging LP BW06 Italie Air Open Air Suite LP AN 3002 Etats Unis Amerique Air Live Air LP Inconnu Air Air Mail LP BSR 0049 Italie Air 8o° Below '82 LP 6313 385 France Al Basim Revival LP none Etats Unis Amerique Al Cohn Xanadu In Africa LP Xanadu 180 Etats Unis Amerique Al Cohn & Zoot Sims Either Way LP ZMS-2002 Etats Unis Amerique Alan Silva Skillfullness LP 1091 Etats Unis Amerique Alan Silva Inner Song LP CW005 France Alan Silva Alan Silva & The Celestial Com...3LP Actuel 5293042-43-44France Alan Silva And His Celestrial ... Luna Surface LP 529.312 France Alan Silva, The Celestrial Com... The Shout - Portrait For A Sma...LP Inconnu Alan Skidmore, Tony Oxley, Ali... Soh LP VS 0018 Allemagne Albert Ayler Witches & Devils LP FLP 40101 France Albert Ayler Vibrations LP AL 1000 Etats Unis Amerique Albert Ayler The Village Concerts 2LP AS 9336/2 Etats Unis Amerique Albert Ayler The Last Album LP AS 9208 France Albert Ayler The Last Album LP AS-9208 Etats Unis Amerique Albert Ayler The Hilversum Session LP 6001 Pays-Bas