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Quaderno 2012
Catalogo_jazz_2012_Catalogo_jazz_2009 21/05/12 17:08 Pagina 1 Alla Fiera dell’Est Sulle rotte di Marco Polo e Thelonious Monk 2012 DICIASSETTESIMA EDIZIONE DICIASSETTESIMA Catalogo_jazz_2012_Catalogo_jazz_2009 21/05/12 17:08 Pagina 2 La maturità di un festival di Francesca Lazzari* La XVII edizione di Vicenza Jazz cre do possa segnare quasi un punto fermo, nel segno della matu- rità di un festival che è comunque da tempo nelle aspettative di tanti appassionati, oltre che degli addetti ai lavori ma anche, in generale, di tantissimi vicentini che a questa manifestazione sono affezionati. Parlo di punto fermo perché, in un momento come l’attuale, do - 2 ve da anni il mondo musicale e dello spettacolo sembra sempre più ripiegarsi fra le pieghe dello star system, questo festival risponde credendo fermamente ai progetti e alla qualità. Personalmente ho sempre creduto che un’autentica politica cul- turale non possa prescindere dalla qualità, se occorre anche a costo di non badare ai meri numeri. In realtà, Vicenza Jazz ha senza dubbio le spalle forti da potersi permettere il lusso di rad- doppiare i progetti speciali e le produzioni, e il programma 2012 lo mostra in maniera del tutto evidente. Questa edizione mi sembra anche, infine, quasi una piccola con- clusione dell’arco dell’ultimo quadriennio, da quando cioè ci siamo ritrovati con Riccardo Brazzale, Luca Trivellato e Luca Ber - ton per programmare un ciclo che potesse ridare linfa e vitalità a una grande idea nata tanti anni prima; linfa e vitalità che oggi - grazie anche all’apporto del gruppo Aim e di Fondazione Cari - ve rona - siamo felici di poter dire di aver dato. -
Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
Alvin Queen Frank Lowe
ENCORE Young Queen used to take his radio to bed, was big then—especially in Harlem. “All the clubs in listening to Symphony Sid with the volume turned Harlem had Hammond organs,” Queen recalls. ALVIN low. “You had to really love jazz to do that,” he said. By Queen was a confirmed bebopper, but when he this point, Queen’s family had moved to Mount Vernon, began playing in Europe he had to acquaint himself NY. When he was 10 or 11, the band at a bar his father with some earlier styles. “A lot of the older musicians, was managing lost its drummer and the musicians some of them ex-Duke Ellington, had come to Europe QUEEN wanted to know if they could “use the kid”. A as individual players and I had to fit in with what they delegation was sent to Queen’s house and the little were doing,” he said. He name-checks Jimmy Woode, by jim motavalli prodigy was brought out. “What kind of music do you Harry “Sweets” Edison, Eddie “Cleanhead” Vinson, play?” was the only question he asked. When he Red Holloway, Buddy Tate, Benny Bailey and Clark Drummer Alvin Queen, born in the Bronx 70 years learned it was jazz everything was fine and he went Terry. “I started playing all over Europe, so I asked ago this month, is a great storyteller and so what if and got his best suit for the evening’s session. The myself, ‘Why should I go back to New York?’,” Queen many of his compelling stories are from before he drum pedals had to be adjusted. -
Carla Bley Wurde Im Kalifornischen Oakland Geboren Und Lebt Heute in Den Catskill Mountains Im US-Bundes- Staat New York
Bley, Carla Carla Bley wurde im kalifornischen Oakland geboren und lebt heute in den Catskill Mountains im US-Bundes- staat New York. Mit verschiedenen Bands, kammermusi- kalischen Ensembles und Orchestern hat sie die ganze Welt bereist, vor allem Europa und Südostasien. Als „composer-in-residence“ war sie unter anderem beim Glasgow Festival und wurde in die Essener Philharmo- nie eingeladen. Biografie Carla Bley wurde am 11. Mai 1936 als Lovella May Borg in Oakland, Kalifornien, als Tochter zweier Musiker gebo- ren. Bei ihrem Vater Emil Borg erhielt sie ersten Klavier- und Orgelunterricht und begleitete bereits im Alter von vier Jahren Hochzeiten und Begräbnisse. Mit acht Jah- ren verweigerte sie jeden weiteren Unterricht (Carla Bley betrachtet sich selbst als Autodidaktin). Im selben Jahr starb ihre Mutter Arline Borg. Fünfzehnjährig brach sie die Schule ab und jobbte in einem Plattenladen. Zusätzli- ches Geld verdiente sie mit Auftritten in örtlichen Piano- Bars. Insbesondere die Musik Erik Saties, die sie zufällig Carla Bley im Radio gehört hatte, beschäftigte ihre Fantasie. Carla Bley 1957 verließ sie Kalifornien und ging nach New York, wo Geburtsname: Carla Lovella Borg sie sich Carla Borg nannte. In den einschlägigen Jazz- clubs der Stadt nahm sie diverse Jobs von der Zigaretten- * 11. Mai 1936 in Oakland, Kalifornien, USA verkäuferin bis zur Tischfotografin an, um so die großen Musiker live hören zu können: „That is where I learned Komponistin, Pianistin, Organistin, Bandleaderin, everything“, sagte sie über diese intensive Zeit, in der sie Improvisateurin, Arrangeurin, Musik-Verlegerin, alles wie einen Schwamm aufgesogen habe (Frank Oteri, Herausgeberin On Her Own. New York, 2003, S. -
Spiritualität in Jazz Und Improvisierter Mu Sik
Spiritualität in Jazz und improvisierter Mu sik Amerikanische schwarze Musiker waren durch die Rassen und Kulturvorurteile in ih rer Ausübung lange Zeit nur auf Volks und Unterhaltungsmusik beschränkt. Wahr scheinlich deswegen und wegen seiner von der europäischen Klassik verschiedenen Äs thetik wird Jazz bei uns immer noch meistens als eine sehr weltliche, dem Genuss ver bundene Musik dargestellt. Die Sendung beleuchtet einmal die anderen, die metaphysi schen Inhalte des Jazz und führt bis zur heutigen frei improvisierten Musik. LP/CD MINGUS MINGUS: Take Better Get Hit In Your Soul Charles Mingus: Better Get Hit In Yo'Soul CHARLES MINGUS: MINGUS MINGUS MINGUS – Impulse IMP 12702 Die Big Band des Bassisten und Komponisten Charles Mingus mit «Better Get Hit In Your Soul» aus dem Jahre 1963. Dieses Stück ist formal und emotional geprägt vom Blues und vom lebhaften Gottesdienst in den evangelischen Kirchen der Schwarzen der USA, die Mingus zumindest in seiner Kindheit in Los Angeles miterlebte. Diese Ekstatik, die mitunter etwas Wildes oder gar Chaotisches hat, prägte Mingus Musik sehr und hatte generell Einfluss auf die Ästhetik und Strukturen des Free Jazz. Mingus war nicht nur ein Rebell, sondern auch ein gläubiger Mensch. Nach seinem Tode im Jahre 1979 streute seine Witwe – seinem Wunsch entsprechend – seine Asche in den Ganges, den heiligen Fluss Indiens. Religiosität oder allgemeiner: Spiritualität ist eigentlich ein zentrales, ständiges Element des Jazz seit seiner Entstehung. Der älteste Strom der afroamerikanischen Musik der USA Black Spiritual und Gospel Song wird aber in europäischen Jazzkreisen nur begrenzt wahr genommen. Das hängt damit zusammen, wie die Musik und Subkultur der amerikanischen Schwarzen von den Weissen und auch den Europäern wahrgenommen worden ist. -
Brown James P 2019 Masters.Pdf (3.164Mo)
THE MOSLEY STREET SUITE A THIRD STREAM CHAMBER WORK FOR SIX PLAYERS JAMES PETER BROWN A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO JUNE, 2019 © JAMES PETER BROWN, 2019 Abstract In 1957 Gunther Schuller coined the term Third Stream as a description of a developing trend wherein elements of jazz and 20th century art music were being combined, creating a new body of compositions, performances and recordings by a diverse community of musicians. This thesis presents an original composition entitled The Mosley Street Suite, demonstrating some of the trends of third stream music and consisting four movements entitled: "Song Within The Story”, “Paper Air Plane”, “Chalet Music” and “Mbira Kids.” A brief overview of third stream music from its inception in 1957 to the present day is included, as well as a discussion of some of the musical techniques and styles that embody third stream, citing examples from a variety of composers, arrangers and performers. A final section of this thesis contains a detailed description of the methodology and score of The Mosley Street Suite. !ii ACKNOWLEDGEMENTS I would like to thank Professors Al Henderson and Dr. Mark Chambers for their guidance and assistance. I would also like to thank my parents for supporting my musical journey from the very beginning and my children for inspiring my creative spirit. Finally, a special thanks to my partner Lisa for her encouragement, -
Title Format Released & His Orchestra South Pacific 12" 1958 Abdo
Title Format Released & His Orchestra South Pacific 12" 1958 Abdo, George & The Flames of Araby Orchestra Joy of Belly Dancing 12" 1975 Abdo, Geroge & The Flames of Araby Orchestra Art of Belly Dancing 12" 1973 Abney, Don, Jimmy Raney, Oscar Pettiford Music Minus One: A Rhythm Background Record For Any Musician Or Vocalist 12" 19NA Abrams, Muhal Richard Duet 12" 1981 Adderley, Cannonball The Cannonball Adderley Collection - Vol. 7: Cannonball in Europe 12" 1986 Somethin' Else 12" 1984 Domination 12" 1964 Cannonball Adderley Quintet In Chicago 12" 1959 African Waltz 12" 1961 Cannonball Takes Charge 12" 1959 Adderley, Cannonball Quintet Mercy, Mercy, Mercy! Live at 'The Club' 12" 19NA Ade, King Sunny Synchro System 12" 1983 Adelade Robbins Trio, Barbara Carroll Trio Lookin' for a Boy 12" 1958 Akiyosh, Toshiko-Lew Tabackin Big Band Road Time 12" 2 LPs 1976 Akiyoshi, Toshiko Lew Tabackin Big Band Tales of a Courtesan (Oirantan) 12" 1976 Albam, Manny Jazz Heritage: Jazz Greats of Our Time, Vol. 2 12" 1958 Alexander, Monty Alexander The Great 12" 1965 Facets 12" 1980 Monty Strikes Again: Monty Alexander Live In Germany 12" 1976 Duke Ellington Songbook 12" 1984 Spunky 12" 1965 Alexander, Monty & Ernest Ranglin Just Friends 12" 1981 Alexandria, Lorez The Band Swings Lorez Sings 12" 1988 Alexandria the Great 12" 1964 Lorez Sings Pres: A Tribute to Lester Young 12" 1987 For Swingers Only 12" 1963 Page 1 of 67 Title Format Released Alexandria, Lorez This Is Lorez 12" 1958 More Of The Great Lorez Alexandria 12" 1964 Allen, "Red" With Jack Teagarden And Kid Ory At Newport 12" 1982 Allen, Henry "Red" Giants Of Jazz 3 LP Box Set 1981 Ride, Red, Ride in Hi-Fi 12" 1957 Ridin' With Red 10" 1955 Allison, Mose V-8 Ford Blues 12" 1961 Back Country Suite 12" 1957 Western Man 12" 1971 Young Man Mose 12" 1958 Almeida, Laurindo with Bud Shank Brazilliance, Vol. -
Vinyls-Collection.Com Page 1/55 - Total : 2125 Vinyls Au 25/09/2021 Collection "Jazz" De Cush
Collection "Jazz" de cush Artiste Titre Format Ref Pays de pressage A.r. Penck Going Through LP none Allemagne Aacm L'avanguardia Di Chicago LP BSRMJ 001 Italie Abbey Lincoln Painted Lady LP 1003 France Abraham Inc. Tweet Tweet LP LBLC 1711 EU Abus Dangereux Happy French Band LP JB 105 M7 660 France Acid Birds Acid Birds LP QBICO 85 Italie Acting Trio Acting Trio LP 529314 France Adam Rudolph's Moving Pictures... Glare Of The Tiger 2LP Inconnu Ahmad Jamal At The Blackhawk LP 515002 France Aidan Baker With Richard Baker... Smudging LP BW06 Italie Air Open Air Suite LP AN 3002 Etats Unis Amerique Air Live Air LP Inconnu Air Air Mail LP BSR 0049 Italie Air 8o° Below '82 LP 6313 385 France Al Basim Revival LP none Etats Unis Amerique Al Cohn Xanadu In Africa LP Xanadu 180 Etats Unis Amerique Al Cohn & Zoot Sims Either Way LP ZMS-2002 Etats Unis Amerique Alan Silva Skillfullness LP 1091 Etats Unis Amerique Alan Silva Inner Song LP CW005 France Alan Silva Alan Silva & The Celestial Com...3LP Actuel 5293042-43-44France Alan Silva And His Celestrial ... Luna Surface LP 529.312 France Alan Silva, The Celestrial Com... The Shout - Portrait For A Sma...LP Inconnu Alan Skidmore, Tony Oxley, Ali... Soh LP VS 0018 Allemagne Albert Ayler Witches & Devils LP FLP 40101 France Albert Ayler Vibrations LP AL 1000 Etats Unis Amerique Albert Ayler The Village Concerts 2LP AS 9336/2 Etats Unis Amerique Albert Ayler The Last Album LP AS 9208 France Albert Ayler The Last Album LP AS-9208 Etats Unis Amerique Albert Ayler The Hilversum Session LP 6001 Pays-Bas -
Don Cherry Organic Music Society Mp3, Flac, Wma
Don Cherry Organic Music Society mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Folk, World, & Country Album: Organic Music Society Country: Sweden Released: 1973 Style: Free Jazz, Free Improvisation MP3 version RAR size: 1362 mb FLAC version RAR size: 1604 mb WMA version RAR size: 1412 mb Rating: 4.2 Votes: 235 Other Formats: AA MP3 ASF WAV MMF MOD AHX Tracklist Hide Credits A1 North Brazilian Ceremonial Hym 12:30 Elixir & Manusha Raga Kamboji (8:15) A2a Elixir 6:00 A2b Manusha Raga Kamboji 2:15 B1 Relativity Suite Part One 6:45 B2 Relativity Suite Part Two 11:55 Terry's Tune, Hope, The Creator Has A Master Plan, (20:30) Sidharta Terry's Tune C.1 2:00 Written-By – T. Riley* C.2 Hope 10:00 The Creator Has A Master Plan C.3 6:35 Written-By – L. Thomas*, P. Sanders* C.4 Sidharta 1:55 D1 Utopia & Visions 6:30 Bra Joe From Kilimanjaro & Terry's Tune (7:40) Bra Joe From Kilimanjaro D2a 2:00 Written-By – D. Brand* Terry's Tune D2b 5:40 Written-By – T. Riley* D3 Resa 5:40 Credits Bass – Tage Sivén Berimbau, Percussion – Nana Vasconcelos* Cover [Album], Painting – Moki* Drums – Okay Temiz Drums, Percussion – Bengt Berger Edited By, Mastered By – Göran Freese Flute – Tommy Goldman, Tommy Koverhult Liner Notes – Jan Bruér Liner Notes [English Translation] – Keith Knox Liner Notes [German Translation] – Juliane Backman Ngoni [Duoss N'Gouni] – Christer Bothén Producer – Jan Bruér, Keith Knox, Rita Knox Recorded By – Göran Freese, Jan Bruér, Rita Knox Sarangi – Hans Isgren Tambura, Vocals – Helen Eggert, Moki Cherry Trumpet [Muted] – Maffy Falay Trumpet, Piano, Harmonium, Vocals – Don Cherry Written-By – D. -
Elenco Codici Lp Completo 29 01 15
1 LADNIER TOMMY Play That Thing L/US.2.LAD 2 WOODS PHIL Great Art Of Jazz L/US.2.WOO 3 PARKER CHARLIE Volume 3 L/US.2.PAR 4 ZEITLIN DENNY Live At The Trident L/US.2.ZET 5 COLTRANE JOHN Tanganyika Strut L/US.2.COL 6 MCPHEE JOE Underground Railroad L/US.2.MCP 7 ELLIS DON Shock Treatment L/US.2.ELL 8 MCPHEE/SNYDER Pieces Of Light L/US.2.MCP 9 ROACH MAX The Many Sides Of... L/US.2.ROA 10 MCPHEE JOE Trinity L/US.2.MCP 11 ELLINGTON DUKE The Intimate Ellington L/US.2.ELL 12 V.S.O.P V.S.O.P. L/US.2.VSO 13 MILLER/COXHILL Coxhill/Miller L/EU.2.MIL 14 PARKER CHARLIE The "Bird" Return L/US.2.PAR 15 LEE JEANNE Conspiracy L/US.2.LEE 16 MANGELSDORFF ALBERT Birds Of Underground L/EU.2.MAN 17 STITT SONNY Stitt's Bits Vol.1 L/US.2.STI 18 ABRAMS MUHAL RICHARD Things To Come From Those Now Gone L/US.2.ABR 19 MAUPIN BENNIE The Jewel In The Lotus L/US.2.MAU 20 BRAXTON ANTHONY Live At Moers Festival L/US.2.BRA 21 THORNTON CLIFFORD Communications Network L/US.2.THO 22 COLE NAT KING The Best Of Nat King Cole L/US.2.COL 23 POWELL BUD Swngin' With Bud Vol. 2 L/US.2.POW 24 LITTLE BOOKER Series 2000 L/US.2.LIT 25 BRAXTON ANTHONY This Time... L/US.2.BRA 26 DAMERON TODD Memorial Album L/US.2.DAM 27 MINGUS CHARLES Live With Eric Dolphy L/US.2.MIN 28 AMBROSETTI FRANCO Dire Vol. -
BANDA BELZONI LUCIANO BASSO MICHELE CONTA WALTER MARCHETTI the WHO Le Tastiere Distefano PANTALEONI
MAT2020 - cinquantacinque - 0120 - cinquantacinque MAT2020 BANDA BELZONI LUCIANO BASSO MICHELE CONTA WALTER MARCHETTI THE WHO Le tastiere di STEFANO PANTALEONI Gennaio/Febbraio 2020 Il primo numero del 2020 di MAT2020 contiene articoli davvero speciali, che oltrepassano la routine legata alle varie recensioni, che restano in ogni caso le assi portanti del web magazine. Ma è proprio dai commenti ai nuovi album che partiamo per descrivere i contenuti di gennaio: Iniziamo dalla Banda Belzoni e dall’omonima opera rock descritta da Franco Vassia; Luca Nappo si occupa dell’ultimo lavoro di Officina F.lli Seravalle ed Evandro Piantelli commenta gli album di ALGEBRA e WISH, e ancora: MAT 2020 - MusicArTeam racconta... -Antonio Pellegrini propone l’atteso ritorno ai brani originali dei The Who; [email protected] -Athos Enrile presenta il disco dei Coldplay; -Luca Paoli è presente con l’analisi del recente disco de Il Giardino Onirico; Angelo De Negri - Alberto Sgarlato analizza il fresco progetto di Franck Carducci; General Manager and Web Designer -Max Polis disegna per MAT gli appena nati album di Metronhomme e Trio Kadabra; -Edmondo Romano fa luce sul progetto di Franco Olivero; Athos Enrile -Doppio lavoro anche per Mauro Costa che entra nei dettagli del secondo album di Mauro Manicardi e 1st Vice General Manager and Chief Editor dell’ennesimo live di Davide Van De Sfroos; -Oscar Piaggerella ritorna a descrivere la musica di Felix Jay; Massimo ‘Max’ Pacini -Nell’angolo metal Alessio Secondini Morelli ci parla di MOONREFLEX; 2nd Vice General Manager, Chief Editor and Webmaster - Riccardo Storti termina l’analisi iniziata nel numero precedente relativa ad un vecchio disco diChris Squire; -Discorso a parte per l’ex Locanda delle Fate Michele Conta, il cui esordio è commentato da Andrea Pintelli, coadiuvato nell’analisi da Marco Francione che ha intervistato il musicista. -
In This Issue Obo Addy Carla Bley Avishai Cohen Roy Haynes Bernard Purdie Sonny Rollins Steve Swallow
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC In This Issue Obo Addy Carla Bley Avishai Cohen Roy Haynes Bernard Purdie Sonny Rollins Steve Swallow Volume 38 Number 4 Oct nov dec 2012 Danilo Perez Trio/Andy Clausen’s Wishbone Ab Baars & Ig Henneman Matthew Shipp/Trio X: New York is NOW Tatsuya Nakatani Vijay Iyer Trio/Cuong Vu’s Triggerfish Evan Flory-Barnes, Featured Artist Nik Bärtsch’s Ronin Phil Dadson Ensemble Buster Williams/Ernie Watts w/ Marc Seales Arga Bileg Lionel Loueke Trio/Dos y Mas Anat Cohen Jake Shimabukuro Tony Malaby’s Tamarindo/Shuffleboil Tom Varner Philip Glass w/ Foday Musa Suso Chris Lightcap’s Bigmouth/Kate Olson & Naomi Siegel Jaap Blonk Sumi Tonooka Robert Glasper Experiment And many more… Evan Flory-Barnes photo by Daniel Sheehan October 12 – November 4 More than 50 events in venues all around Seattle Buy tickets at www.earshot.org & 206-547-6763 “Simply the hippest journal about jazz in New York that has ever been published” - Joe Lovano “The most comprehensive periodical on the music that I have ever read” - Andrew Cyrille The New York City Jazz Record EXCLUSIVE CONTENT ON JAZZ & IMPROVISED MUSIC IN NEW YORK CITY COMPETITIVE & EFFECTIVE ADVERTISING: [email protected] SUBSCRIPTIONS AND GENERAL INFO: [email protected] FOLLOW US ON TWITTER: @NYCJAZZRECORD www.nycjazzrecord.com Cadence The Independent Journal of Creative Improvised Music ABBREVIATIONS USED October, November, December 2012 IN CADENCE Vol. 38 No. 4 (402) acc: accordion Cadence ISSN01626973 as: alto sax is published quarterly online bari s : baritone sax and annually in print by b cl: bass clarinet Cadence Media LLC, bs: bass sax P.O.