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Expanded Cinema — 3 Раcширенное Кино

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Раcширенное кино — 3 XIV Медиа Форум 35 Московского международного кинофестиваля Expanded XIV Media Forum of 35 Moscow International Film Festival Cinema — 3 Каталог–исследование Research Catalogue Мокьюментари: Реальности недостаточно Mocumentary: Reality Is Not Enough Куратор — Ольга Шишко Curator — Olga Shishko Каталог–исследование Research Catalogue Стратегический партнер / Strategic partner Москва / Moscow 2013 РАСШИРЕННОЕ КИНО EXPANDED CINEMA Каталог-исследование Research Catalogue «Кино — это лоскутное одеяло, сшитое Издание Центра культуры и искусства «МедиаАртЛаб» подготовлено Published by The MediaArtLab Centre for Art and Culture из кусочков реальности и вымысла. к выставке "Мокьюментари: Реальности недостаточно", Московский музей for the exhibition "Mocumentary: Reality Is Not Enough", Moscow Museum of Modern Art, June, 24 — July, 26, 2013 современного искусства, 24 июня — 26 июля 2013 Документальное кино фиксируется Strategic partner: Triumph Gallery Стратегический партнер: Галерея «Триумф» на первом, игровое — на втором, With the support of: The Goethe Institute in Moscow, The При поддержке: Гёте-Института в Москве, Посольства Государства Израиль в РФ, Embassy of Israel in Russia, The Embassy of France in Russia, и только мокьюментари исследует Посольства Франции в РФ, Фонда "Pro Helvetia", Холидей Инн Москва Лесная The “Pro Helvetia” Foundation, Holiday Inn Moscow Lesnaya швы, соединяющие одно с другим». Алексей Медведев Общая концепция: Ольга Шишко Concept: Olga Shishko Editor: Alisa Taezhnaya Редактор: Алиса Таёжная Author and compiler: Olga Shishko "Cinema is a quilt made out of pieces of reality and Автор-составитель: Ольга Шишко Compiled by Alisa Taezhnaya, Elena Rumyantseva Составители: Алиса Таёжная, Елена Румянцева fiction. Documentaries are obsessed with the former, Design: Armen Arutyunian Дизайн макета: Армен Арутюнян Layout: Olga Selivanova fiction films — with the latter, and only mockumen- Верстка: Ольга Селиванова Literary editing: Oksana Androsova taries explore the seams between the two". Литературное редактирование: Оксана Андросова English proofreading: Susannah Garden Корректура английского текста: Сюзанна Гарден Alexey Medvedev Exhibition project producer: Elena Rumyantseva Продюсер выставочного проекта: Елена Румянцева Translated by Alexandra Litvina, Kirill Melamud, Eugeniaya Pavlova, Anna Buali, Kseniya Golubovich Переводы: Александра Литвина, Кирилл Меламуд, Евгения Павлова, Анна Буали, Ксения Голубович Media Forum would like to thank Kirill Razlogov and Natalya Semina, Eve Sussman and Simon Lee, Paula Cooper Gallery «Медиа Форум» благодарит: Кирилла Разлогова и Наталию Семину, Ив and Anthony Allen, Matthias Rajmann, The Moscow Mu- Суссман и Саймона Ли, Paula Cooper Gallery и лично Энтони Аллена, seum of Modern Art and Vasily Tsereteli, Alexey Novoselov Маттиаса Райманна, Московский музей современного искусства и лично and Parviz Niazmuchamedov, SBIC "Manege MEA" and Василия Церетели, Алексея Новоселова и Парвиза Ниязмухамедова, Irina Tolpina and Marina Loshak, Triumph Gallery and Dmitry МВО "Манеж" и лично Ирину Толпину и Марину Лошак, Галерею «Триумф» Khankin,The Embassy of France in Moscow and Igor Sokol- ogorsky, The Embassy of Israel in Moscow and Yaffa Olivitsky и лично Дмитрия Ханкина, Посольство Франции в Москве и лично Игоря and Janna Gavriluk, The “Pro Helvetia” Foundation and Pascal Сокологорского, Посольство Израиля в Москве и лично Яффу Оливицки Halter and Anastasia Alexandrova, The Goethe-Institute in и Жанну Гаврилюк, Фонд "Pro Helvetia" и лично Паскаля Хальтера Moscow and Wolf Iro and Lisa Velichko, Dmitry Model, the и Анастасию Александрову, Гёте-Институт в Москве и лично Вольфа students of the "Open School Manege/MediaArtLab" Иро и Елизавету Величко, Дмитрия Моделя, студентов «Открытой школы "Media mentality, media culture, media technology" Манеж / МедиаАртЛаб» series edition Chief editor of the series , Olga Shisko Издание серии «Медиасознание, медиакультура, медиатехнология» Alexei Isaev Главный редактор серии — Алексей Исаев , Ольга Шишко Printing: Advertising and Production Company "Artcodex" ISBN: 978-5-904334-42-0 Печать: рекламно-производственная группа «Арткодекс» © 2013 MediaArtLab Center for art and culture ISBN: 978-5-904334-42-0 © 2013 Центр культуры и искусства «МедиаАртЛаб» СтратегичЕСКИй ПАРТНЕР / strategic partner – 5 4 ПАРТНЕРы МЕДИА ФОРуМА / Media ForUM Partners На обложке / Cover photo: Omer Fast, Continuity, 2012. Courtesy of the artist; Arratia Beer, Berlin; gb agency, Paris. Commissioned by dOCUMENTA(13) and Thyssen-Bornemisza Art Contemporary, Vienna, with the support of 3sat, Medienboard Berlin-Brandenburg GmbH, Berlin, and OK Offenes Kulturhaus Oberösterreich. Produced by Filmgalerie 451, Berlin Содержание Contents 1. Теоретическая часть 1. Theory 10 ........ Ольга Шишко. Мокьюментари: реальности недостаточно 10 ........Olga Shishko. Mocumentary: reality is not enough 22 .......Мнение: Кирилл Разлогов 22 .......Opinion: Kirill Razlogov 24 .......Мнение: Дмитрий Ханкин 24 .......Opinion: Dmitry Khankin 26 .......Алиса Таёжная. Фэйкюментари 26 ....... Alisa Taezhnaya. Fakumentary 2. Проекты 2. Projects 42 .......Документ и свидетельство — переписывая историю, возвращая факты 42 .......A Document and a Testimonial — Rewriting History, Retrieving Facts 44 .......Мнение: Валид Раад, Елена Коптяева, Злата Понировская, Дмитрий Венков 44 .......Opinion: Walid Ra'ad, Elena Koptyaeva, Zlata Ponirovskaya, Dimitri Venkov 62 .......Манипулирование виртуальностью — создание своих миров 62 .......Manipulating Virtuality — Creating One's Own Worlds 64 .......Мнение: Сьюзен Сонтаг, Мария Крамар, Моника Штудер, Джек и Ли Руби, Харун Фароки, 64 .......Opinion: Susan Sontag, Maria Kramar, Monica Studer, Jack and Leigh Ruby, Harun Farocki, Peter Питер Гринуэй Greenaway 80 .......Мнимая реальность — искусство и вымысел 80 .......Imaginary Reality — Art or Fiction 82 .......Мнение: Омер Фаст, Вернер Херцог, Маршалл Маклюэн, Джилл Годмилоу 82 .......Opinion: Omer Fast, Werner Herzog, Marshall McLuhan, Jill Godmilow 96 .......Кинопоказы 96 .......Screenings 98 .......Мнение: Жан-Люк Годар, Андре Базен, Жак Рансьер, Вадим Карташев, Алиса Таёжная 98 .......Opinion: Jean-Luc Godard, Andre Bazin, Jacques Ranciere, Vadim Kartashov, Alisa Taezhnaya 3. Справочная информация 3. Reference Information 112 .....Биографии участников 112 .....Catalogue Participants 118 .....Планы экспозиции 118 .....Exhibition Plans – 7 6 Теоретическая часть Theory 1. Omer Fast, Continuity, 2012. Courtesy of the artist; Arratia Beer, Berlin; gb agency, Paris. Commissioned by dOCU- MENTA(13) and Thyssen- Bornemisza Art Contempo- rary, Vienna, with the support of 3sat, Medienboard Berlin- Brandenburg GmbH, Berlin, and OK Offenes Kulturhaus Oberösterreich. Produced by Filmgalerie 451, Berlin Ольга Шишко Olga Shishko Мокьюментари: Mocumentary: реальности недостаточно reality is not enough На границе вымысла и реальности At the Border of Fiction and Reality If we are to understand the datasphere as an extension «Если мы можем понять инфосферу как расширение планетарной of the planetary ecosystem or even just the breeding экосистемы или хотя бы как питательную среду, в которой развива‑ ground for new ideas in our culture, then we must come ются новые идеи нашей культуры, тогда мы должны признать тот факт, to terms with the fact that media events provoking real что медиасобытия, вызывающие подлинные социальные перемены, — social change are more than simple Trojan horses. They are media viruses. это не просто троянские кони. Это медиавирусы». self and freeing them from ideological violence and Иногда нет смысла бороться с реальностью, государством, социу- Douglas Rushkoff social formalities. Дуглас Рашкофф мом — можно просто создать свою альтернативу и, может быть, это Sometimes there’s no point in fighting reality, новое пространство заменит то, с чем сегодня бороться невозможно. According to Plato, people who live in the real, state or society — you can simply create your own al- По Платону, люди, живущие в реальном чувственном мире, sensual world are like prisoners chained inside a cave ternative and perhaps this new space will replace that Художники, используя коммуникационный потенциал элек- подобны узникам, прикованным в пещере, видящим тени на ее стене that watch the shadows on its wall believing that they which cannot be fought against at present. тронных и цифровых медиа, выступают посредниками между обще- и полагающим, что познают истинную реальность. В наши дни, когда are experiencing true reality. Nowadays when the Artists use the communicative potential of the ством и государством, социумом и властью, жонглируя языком окружающая нас реальность становится все более виртуальной, в поле reality around us has become more and more virtual, electronic and digital media and so act as intermediaries и средствами, доступными для современных зрителей, параллельно интересов художников включается учение Платона, и оно оказывается Plato’s teachings are included into the artists’ sphere of between state and society, society and power. They jug- активизируя новую волну интереса к художественной культуре interests and become prophetic. пророческим. gle with language and tools available to contemporary и создавая свою инфосферу. Mocumentary, fakes, simulations, found foot- Мокьюментари, фэйки, симуляции, фаунд-футаджи, псевдо-доку- viewers while simultaneously promoting a new wave of age and pseudo-documentary — this list of what the interest in art culture and creating their own datasphere. менталистика
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    1. Longass chapter title goes here NARVA IS NEXT Narva Candidate City European Capital of Culture 2024 Narva. Candidate City European Capital of Culture 2024 1 1. Longass chapter title goes here NARVA IS NEXT Narva Candidate City European Capital of Culture 2024 2 Narva. Candidate City European Capital of Culture 2024 Kirkenes 1. Contribution to the long-term strategyMurmansk 5 2. NorvegianCultural sea and artistic content 14 3. European dimension 53 4. Outreach 64 Introduction 5. Management 69 6. Capacity to deliver 97 – General considerations Iceland Ume 8 5 0 k m inland 4 2 5 HAS THE CONCEPT OF THE ropean Union); a small nation with big which can be overcome by a bridge con- Tampere k m PROGRAMME DESCRIBED ideas (Estonia); and a neighbour in the necting people, identities, art forms, dis- 2 Noray 00 FOR THE ECOC YEAR process of reconstructing its national ciplines and destinies, also remains un- Helsinki k m CHANGED BETWEEN THE story (Russia). Narva 2024 is driven by changed. But we are also building the Oslo Stockholm St Petersburg Narva PRE-SELECTION AND THE a passion for revitalising the city and idea of the river as a shared resource, Sweden Tallinn Ivangorod SELECTION STAGE? IF YES, region in this wider historical and ge- as something touching both banks, as Etonia Baltic sea PLEASE DESCRIBE THE NEW opolitical context, but it is also a sym- something that connects rather than di- uia CONCEPT AND EXPLAIN THE bol of hope and tolerance. It is con- vides. The symbols of the river-border- Pskov Riga REASONS FOR THE CHANGE.