Latin Verb Tenses: Applying Second Language 1 Acquisition Research and Analyses of Verb Uses in Context Rebecca Harrison
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Early Life and Education San Francisco (1990S)
AMATO BIO + LINKS Matt Amato is an American film writer and director. A "radical filmmaker,” his work has been described as "gorgeous, incredibly cinematic” and “visionary". As an influential music video director, he has worked with some of the greatest musicians of this generation. His major works include music videos for popular artists such as Barbra Streisand, Beach House, Bon Iver, Dido, Edward Sharpe and the Magnetic Zeros, Soko, and Wild Nothing. He also co-founded the iconoclastic Los Angeles based visual arts collective, The Masses. In 2020, he completed his debut feature, Never My Love. Amato is now documenting the efforts of historic preservationist Larry Giles at the National Building Arts Center. Amato is a radical filmmaker, willing to make a movie that travels like a river, or unfolds like a piece of music or a real human life, something that seems alien after we’ve slumped in theater seats, overdazzling our retinas with exploding cars and exploding planets. He realizes the transformative power of seeing—and not seeing. Of showing the full spectrum of a full human life, with a slice hidden in shadow. That unsettled, mysterious place makes room for the watcher but throws down the challenge to do more than just watch. - Stefene Russell, St. Louis Magazine Early life and education Amato filming Red House Painters music video in San Fransisco, CA. Amato grew up in St. Louis, MO and was educated by the Benedictine monks at St. Louis Priory. He briefly attended film school at Columbia College in Chicago before venturing to California. San Francisco (1990s) Amato began his directing career in the mid-1990s while living in San Francisco. -
New Latin Grammar
NEW LATIN GRAMMAR BY CHARLES E. BENNETT Goldwin Smith Professor of Latin in Cornell University Quicquid praecipies, esto brevis, ut cito dicta Percipiant animi dociles teneantque fideles: Omne supervacuum pleno de pectore manat. —HORACE, Ars Poetica. COPYRIGHT, 1895; 1908; 1918 BY CHARLES E. BENNETT PREFACE. The present work is a revision of that published in 1908. No radical alterations have been introduced, although a number of minor changes will be noted. I have added an Introduction on the origin and development of the Latin language, which it is hoped will prove interesting and instructive to the more ambitious pupil. At the end of the book will be found an Index to the Sources of the Illustrative Examples cited in the Syntax. C.E.B. ITHACA, NEW YORK, May 4, 1918 PREFACE TO THE SECOND EDITION. The present book is a revision of my Latin Grammar originally published in 1895. Wherever greater accuracy or precision of statement seemed possible, I have endeavored to secure this. The rules for syllable division have been changed and made to conform to the prevailing practice of the Romans themselves. In the Perfect Subjunctive Active, the endings -īs, -īmus, -ītis are now marked long. The theory of vowel length before the suffixes -gnus, -gna, -gnum, and also before j, has been discarded. In the Syntax I have recognized a special category of Ablative of Association, and have abandoned the original doctrine as to the force of tenses in the Prohibitive. Apart from the foregoing, only minor and unessential modifications have been introduced. In its main lines the work remains unchanged. -
Bradley's Arnold Latin Prose Composition
Bradley’s ARNOLD LATIN PROSE COMPOSITION Edited by J. F. Mountford Bolchazy-Carducci Publishers, Inc. Wauconda, IL 60084 CCopyrightPg.011105.inddopyrightPg.011105.indd 1 55/13/2005/13/2005 111:07:521:07:52 AAMM BRADLEY’S ARNOLD LATIN PROSE COMPOSITION Edited and Revised with an Appendix on Continuous Prose Composition by SIR JAMES MOUNTFORD 1938 David McKay Company, Inc. & Longmans, Green and Co. 2005 Edition Foreword and Updates Donald Sprague Cover Design Adam Phillip Velez Typesetting Dominic Roberti Foreword, Revisions, Typography, Cover © 2005 Bolchazy-Carducci Publishers, Inc. All rights reserved. BOLCHAZY-CARDUCCI PUBLISHERS, INC. 1000 Brown Street Wauconda, IL 60084 USA www.bolchazy.com Printed in the United States of America 2005 by printer name here ISBN 0-86516-595-5 ———————————————————————————————————— Library of Congress Cataloging-in-Publication Data Arnold, Thomas Kerchever, 1800-1853. Bradley’s Arnold Latin prose composition / edited and revised with an appendix on continuous prose composition by Sir James Mountford.-- 1st ed. p. cm. Includes indexes. Rev. ed. of Bradley’s Arnold, 1938. ISBN 0-86516-595-5 (pbk. : alk. paper) 1. Latin language--Composition and exercises. 2. Latin language-- Grammar--Problems, exercises, etc. I. Mountford, J. F. (James Frederick), b. 1897. II. Bradley, George Granville, 1821-1903. III. Bradley’s Arnold. IV. Title. PA2313.A76 2005 808’.0471--dc22 2004029648 CCopyrightPg.011105.inddopyrightPg.011105.indd 2 55/13/2005/13/2005 111:08:281:08:28 AAMM vii Foreword Bring up the topic of Latin prose composition and Bradley’s Arnold is the textbook most often mentioned in response. It’s an almost guaranteed word association match! Indeed, for generations of Latin students, Bradley’s Arnold Latin Prose Composition served as the bible for rendering English into proper Latin. -
Corpus Antville
Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr. -
Exercises on Latin Syntax;
HM •# Qass. Ag.osi E X E It C I S E S LATIN SYNTAX; ADAPTED TO ZUMPT'S GRAMMAR. TO WHICH ARE ADDED EXTRACTS FROM THE WRITINGS OF MURETUS. The Rev. JOHN KENRICK, M.A. FOURTH EDITION. ^c^f ^fL LONDON: B. FELLOWES, LUDGATE STREET. MDCCCXXXVIII. * „ If *\<** PRINTED BY RICHARD KINDER. GREEN ARBOUR COURT. OLD BAILEY. PREFACE. I have adapted this book of Exercises to my Translation of Zumpt's Latin Grammar, in or- der to extend its utility, by enabling the teachers who use it to conduct their pupils through a regular course of Latin composition, in the or- der of that work. In Germany, where the ori- ginal Grammar has been very generally intro- duced into the Gymnasia, two Exercise Books have been published, which, from their titles, appear to be adapted to it. I have not, how- ever, seen either of them, and the passages which are here given have been, with few ex- ceptions, selected by myself from the original authors. Cicero has, of course, furnished the largest part ; the authors of the silver age, with the exception of Curtius, have been spa- ringly used. As there is comparatively little difference in the declensions and conjugations in different Grammars, I have confined myself VI PREFACE. to the illustration of the Syntax, and in this I have generally proportioned the number of ex- amples to the difficulty of the rule to be exem- plified. The important Chapter, of the Signi- fication and Government of Prepositions, would not have been passed over, had not the excel- lent Praxis of Dr. -
Latin Verb Tenses: Applying Second Language Acquisition Research and Analyses of Verb Uses in Context1
Teaching Classical Languages Volume 10, Issue 2 Harrison 1 Learning (and Teaching) Latin Verb Tenses: Applying Second Language Acquisition Research and Analyses of Verb Uses in Context1 Rebecca Harrison Truman State University ABSTRACT This article uses research from Second Language Acquisition and from analyses of tense and verb uses in Latin authors to shed light on how students acquire verb tenses, especially past tenses, and to show how to enhance student learning of Latin verb tenses. I argue that 1) only one tense and one translation/use of a tense should be taught at a time; 2) the simple past meaning of the perfect should be the first past tense taught, then the stative use of imperfect, followed by the past progressive use, the present perfect, and pluperfect; 3) it makes a difference what verbs are used in teaching a tense; there are different semantic categories of verbs, such as stative, based on their inherent meaning, and tenses are acquired best with the category of verb that best matches the tense aspect; the combination of category of verb and tense can also sometimes aid in distinguishing translations of tenses; and 4) tenses occur in typical semantic and syntactic contexts, and these contexts are important to enhance acquisition and to aid in distinguishing different tense uses/translations. Finally, I provide teaching suggestions, sample exercises, methods for adapting and supplementing textbooks, and a review of textbooks in relation to teaching verb tenses. KEY WORDS Verb tenses in Latin, perfect tense, imperfect tense, pluperfect tense, Caesar, Vergil, lexical aspect Many of today’s Latin textbooks present the imperfect as the first past tense, often at the same time as the future, and the perfect tense after the imperfect, some- times together with the pluperfect and future perfect. -
Local 706 Hair & Makeup Union
Local 706 Hair & Makeup Union SELECTED FILM/TELEVISION: THE MAKINGS OF YOU – The Masses – Department Head Hair NON-STOP – Check Entertainment/Lifetime – Department Head Hair THE WRONG WOMAN – A&E/Lifetime – Department Head Hair THE GOOD MOTHER – A&E/Lifetime – Department Head Hair THE CANYONS - Prettybird - Department Head Hair 37 : THE FINAL PROMISE – 37 Productions – Department Head Hair DUKE – Indy Entertainment – Department Head Hair WE HAVE YOUR HUSBAND – Lifetime - Key Hair SHADOW WITNESS – Berachah Productions – Department Head Hair SWEET TALK- Sweet Talk Productions - Key Hair FROM PRADA TO NADA – Lionsgate — Department Head Hair THE PRESENCE - Khartoum Films – Department Head Hair CHILDLESS - Granite Films – Department Head Hair KING LEAR “The Fool” - Diane Venora – Wig Designer SHOWTIME- TELEVISION CRITICS ASSOC. - Department Head Hair GRAMMY AWARDS - Key Hair AMERICAN IDOL/FORD– Department Head Hair NIP TUCK SEASON 6 PROMO – Department Head Hair SYNCRATIC PRADA FILM CAMPAIGN – Key Hair SHOWTIME TELEVISION IMAGE/PROMO CAMPAIGN: – Key Hair: CALIFORNICATION, WEEDS, DEXTER, BROTHERHOOD, TRACEY ULLMAN’S STATE OF THE UNION, THE L WORD SELECTED MUSIC VIDEO: DUM DUM GIRLS “Are You Ok?” – Prettybird – Department Head Hair THE KILLERS “Runaway” – Partizan - Department Head Hair KATE NASH “Fri-end”- Department Head Hair -Windward Entertainment KATE NASH “Death Proof”- Department Head Hair -Windward Entertainment KATE NASH “OMyGod”- Department Head Hair -Windward Entertainment KATE NASH “Sister”- Department Head Hair -Windward Entertainment -
We Used to Wait: Music Videos and Creative Literacy
We Used to Wait This report was made possible by grants from the John D. and Catherine T. MacArthur Foundation in connection with its grant making initiative on Digital Media and Learning. For more infor- mation on the initiative visit http://www.macfound.org. The John D. and Catherine T. MacArthur Foundation Reports on Digital Media and Learning Peer Participation and Software: What Mozilla Has to Teach Government by David R. Booth The Future of Thinking: Learning Institutions in a Digital Age by Cathy N. Davidson and David Theo Goldberg with the assistance of Zoë Marie Jones Kids and Credibility: An Empirical Examination of Youth, Digital Media Use, and Information Credibility by Andrew J. Flanagin and Miriam Metzger with Ethan Hartsell, Alex Markov, Ryan Medders, Rebekah Pure, and Eli- sia Choi New Digital Media and Learning as an Emerging Area and “Worked Exam- ples” as One Way Forward by James Paul Gee Digital Media and Technology in Afterschool Programs, Libraries, and Muse- ums by Becky Herr-Stephenson, Diana Rhoten, Dan Perkel, and Christo Sims with contributions from Anne Balsamo, Maura Klosterman, and Susana Smith Bautista Young People, Ethics, and the New Digital Media: A Synthesis from the Good- Play Project by Carrie James with Katie Davis, Andrea Flores, John M. Francis, Lindsay Pettingill, Margaret Rundle, and Howard Gardner Confronting the Challenges of Participatory Culture: Media Education for the 21st Century by Henry Jenkins (P.I.) with Ravi Purushotma, Margaret Weigel, Katie Clinton, and Alice J. Robison The Civic Potential of Video Games by Joseph Kahne, Ellen Middaugh, and Chris Evans We Used to Wait: Music Videos and Creative Literacy By Rebecca Kinskey Quest to Learn: Developing the School for Digital Kids by Katie Salen, Robert Torres, Loretta Wolozin, Rebecca Rufo-Tepper, and Arana Shapiro Measuring What Matters Most: Choice-Based Assessments for the Digital Age by Daniel L. -
New Latin Grammar 1 New Latin Grammar
New Latin Grammar 1 New Latin Grammar The Project Gutenberg EBook of New Latin Grammar, by Charles E. Bennett This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re−use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: New Latin Grammar Author: Charles E. Bennett Release Date: April 20, 2005 [EBook #15665] Language: English Character set encoding: Unicode UTF−8 *** START OF THIS PROJECT GUTENBERG EBOOK NEW LATIN GRAMMAR *** Produced by Nathan Gibson, Keith Edkins and the Online Distributed Proofreading Team. NEW LATIN GRAMMAR BY CHARLES E. BENNETT Goldwin Smith Professor of Latin in Cornell University _Quicquid praecipies, esto brevis, ut cito dicta_ _Percipiant animi dociles teneantque fideles:_ _Omne supervacuum pleno de pectore manat._ −−HORACE, Ars Poetica. COPYRIGHT, 1895; 1908; 1918 BY CHARLES E. BENNETT * * * * * PREFACE. The present work is a revision of that published in 1908. No radical alterations have been introduced, although a number of minor changes will be noted. I have added an Introduction on the origin and development of the Latin language, which it is hoped will prove interesting and instructive to the more ambitious pupil. At the end of the book will be found an Index to the Sources of the Illustrative Examples cited in the Syntax. C.E.B. ITHACA, NEW YORK, May 4, 1918 * * * * * PREFACE TO THE SECOND EDITION. PART I. 2 The present book is a revision of my Latin Grammar originally published in 1895. -
The Project Gutenberg Ebook of New Latin Grammar, by Charles E. Bennett This Ebook Is for the Use of Anyone Anywhere at No Cost
The Project Gutenberg EBook of New Latin Grammar, by Charles E. Bennett This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: New Latin Grammar Author: Charles E. Bennett Release Date: April 20, 2005 [EBook #15665] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK NEW LATIN GRAMMAR *** Produced by Nathan Gibson, Keith Edkins and the Online Distributed Proofreading Team. NEW LATIN GRAMMAR BY CHARLES E. BENNETT Goldwin Smith Professor of Latin in Cornell University /Quicquid praecipies, esto brevis, ut cito dicta/ /Percipiant animi dociles teneantque fideles:/ /Omne supervacuum pleno de pectore manat./ ?HORACE, /Ars Poetica/. COPYRIGHT, 1895; 1908; 1918 BY CHARLES E. BENNETT ------------------------------------------------------------------------ PREFACE. The present work is a revision of that published in 1908. No radical alterations have been introduced, although a number of minor changes will be noted. I have added an Introduction on the origin and development of the Latin language, which it is hoped will prove interesting and instructive to the more ambitious pupil. At the end of the book will be found an Index to the Sources of the Illustrative Examples cited in the Syntax. C.E.B. ITHACA, NEW YORK, May 4, 1918 ------------------------------------------------------------------------ PREFACE TO THE SECOND EDITION. The present book is a revision of my /Latin Grammar/ originally published in 1895. Wherever greater accuracy or precision of statement seemed possible, I have endeavored to secure this. -
By the Natural Method
LATIN BY THE NATURAL METHOD FIRST YEAR ( Third Revised Edition) by WILLIAM G. MOST, PH.D. Professor of Latin Loras College Dubuque, Iowa Henry Regnery Company 114 West Illinois St. Chicago, Ill. 60610 Circuluslatinus.org Copyright 1957, 1960, 1964 by Wm. G. Most Printed in the United States of America Circuluslatinus.org FOREWORD On December 31, 1939, in the encyclical On Educa it might be used as a means of communicating thought, tion His Holiness Pope Pius XI wrote about the or, in other words, as an indispensable tool in all higher Christian teacher: studies and then in later life. They made extensive use of Latin conversation and of textbooks of easy Latin, such ... in accepting the new, he will not hastily abandon the old, which the experience of centuries has found as dialogues, or "colloquia" about everyday life, the expedient and profitable. This is particularly true in Pater, Ave, psalms, and Gospels. Thus by means of easy the teaching of Latin, which in our days is falling more materials the teachers gave their pupils the copious prac and more into disuse, because of the unreasonable re jection of methods so successfully used by that sane tice and repetition which alone develop a set of habits humanism, whose highest development was reached in and that is the essence of learning a language success the schools of the Church.1 fully. The pupils, in truth, felt a sense of achievement The thirteenth and sixteenth centuries were certainly in expressing their thought in a new language. Learning eras when Christian humanism flourished. -
AP® Latin How Grammar Contributes to Literal Translation and Reading Comprehension
PROFESSIONAL DEVELOPMENT AP® Latin How Grammar Contributes to Literal Translation and Reading Comprehension Special Focus The College Board: Connecting Students to College Success The College Board is a not-for-profit membership association whose mission is to connect students to college success and opportunity. Founded in 1900, the association is composed of more than 5,400 schools, colleges, universities, and other educational organizations. Each year, the College Board serves seven million students and their parents, 23,000 high schools, and 3,500 colleges through major programs and services in college admissions, guidance, assessment, financial aid, enrollment, and teaching and learning. Among its best-known programs are the SAT®, the PSAT/NMSQT®, and the Advanced Placement Program® (AP®). The College Board is committed to the principles of excellence and equity, and that commitment is embodied in all of its programs, services, activities, and concerns. For further information, visit www.collegeboard.com. The College Board acknowledges all the third-party content that has been included in these materials and respects the intellectual property rights of others. If we have incorrectly attributed a source or overlooked a publisher, please contact us. © 2008 The College Board. All rights reserved. College Board, Advanced Placement Program, AP, connect to college success, SAT, and the acorn logo are registered trademarks of the College Board. PSAT/NMSQT is a registered trademark of the College Board and National Merit Scholarship Corporation. Excel is a registered trademark of Microsoft Corporation. All other products and services may be trademarks of their respective owners. Visit the College Board on the Web: www.collegeboard.com.