Luigi Pericle
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The Leeds Arts Club and the New Age: Art and Ideas in a Time of War by Tom Steele Thank You Very Much Nigel, That's a Very Generous Introduction
TRANSCRIPT Into the Vortex: The Leeds Arts Club and the New Age: Art and Ideas in a Time of War by Tom Steele Thank you very much Nigel, that's a very generous introduction. Thank you for inviting me back to the Leeds Art Gallery where I spent so many happy hours. As Nigel said, the book was actually published in 1990, but it was a process of about 5 or 6 year work, in fact it's turned into a PHD. I've not done a lot of other work on it since, I have to say some very very good work has been done on Tom Perry and other peoples in the meantime, and it's grievously in danger of being the new edition, which I might or might not get around to, but maybe somebody else will. Anyway, what I'm going to do is to read a text. I'm not very good at talking extensively, and it should take about 40 minutes, 45 minutes. This should leave us some time for a discussion afterwards, I hope. Right, I wish I'd thought about the title and raw text before I offered the loan up to the gallery, because it makes more sense, and you'll see why as we go along. I want to take the liberty of extending the idea of war to cover the entire decade 1910-1920, one of the most rebellious and innovative periods in the history of British art. By contrast, in cultural terms, we now live in a comparatively quiet period. -
Fotografia Arte Moderna E Contemporanea
FotograFia lunedì 29 aprile 2013 arte Moderna e ConteMporanea martedì 30 aprile 2013 AstA di dipinti e disegni Antichi e Arte del XiX secolo Martedì 28 maggio 2013 Preview a Milano, Borgonuovo Eventi Via Borgonuovo 1 lunedì 22 e martedì 23 aprile info: Valentina Ciancio [email protected] Pittore di Palazzo Lonati Verri AutorittrAtto del Pittore con AnimAli Olio su tela, 275 x 165 cm MINERVA AUCTIONS Arte Moderna e Contemporanea mARTEDì 30 ApRIlE 2013 ORE 16.00 Roma, palazzo Odescalchi, piazza ss. Apostoli 80 Roma 90 TORNATA UNICA (Lotti 1 – 150) Esperto / spECIAlIsT Georgia Bava [email protected] REparto / DEpartmENT silvia possanza [email protected] EspOsIZIONE / vIEWING MILANO Borgonuovo Eventi, via Borgonuovo 1 Lunedì 22 aprile, ore 14.00 - 20.00 Martedì 23 aprile, ore 10.00 - 18.00 ROMA Da Venerdì 26 a Lunedì 29 aprile, ore 10.00 - 19.00 Martedì 30 aprile, ore 10.00 - 13.00 Per partecipare a questa asta online: www.liveauctioneers.com mINERvA AUCTIONs Palazzo Odescalchi Piazza SS. Apostoli 80 00187 Roma Per visionare i nostri cataloghi visitate Tel: +39 06 679 1107 il sito: Fax: +39 06 699 23077 www.minervaauctions.com [email protected] www.minervaauctions.com MINERVA AUCTIONS | 1 2 | MINERVA AUCTIONS Lotto 1 α1 Nicola Carrino (Taranto, 1932) Costruttivo, 1971 litocalcografia, es. 104/150, cm 50 x 64 (misure del foglio) Firma e data a matita in basso a destra Titolo e data a matita in basso al centro foglio leggermente gualcito €150 – €200 α2 Arnaldo Pomodoro (Morciano di Romagna, 1926) Forma X, (1970 ) rilievo calcografico e alluminio, es. -
Catalogo 144 TENDENZE INFORMALI
COMUNE DI BRESCIA CIVICI MUSEI D’ARTE E STORIA PROVINCIA DI BRESCIA ASSOCIAZIONE ARTISTI BRESCIANI TENDENZE INFORMALI DAGLI ANNI CINQUANTA AI PRIMI ANNI classici del contemporaneo SETTANTA NELLE COLLEZIONI BRESCIANE mostra a cura di Alessandra Corna Pellegrini 144 aab - vicolo delle stelle 4 - brescia 22 settembre - 17 ottobre 2007 orario feriale e festivo 15.30 - 19.30 edizioni aab lunedì chiuso L’AAB è orgogliosa di inaugurare la stagione 2007/2008 con una prestigiosa esposizione, di rilievo certamente non solo locale, che propone opere di artisti fra i più rappresentativi dell’Informale. La mostra prosegue la fortunata serie “Classici del contemporaneo” dedicata al collezionismo della nostra provincia, che ha già proposto artisti come Kolàr, Demarco, Fontana, Munari, Birolli, Dorazio, Vedova, Fieschi, Adami, Baj ed esponenti della Nuova Figurazione. La curatrice della rassegna, la storica dell’arte Alessandra Corna Pellegrini, ha selezionato un nucleo essenziale di opere (34) che rappresentano esempi molto significativi dell’esperienza e del linguaggio di un movimento pur tanto complesso e così difficile da circoscrivere come l’Informale e dimostrano l’alta qualità delle collezioni bresciane, sia pubbliche sia private. L’impegno dell’AAB, scientifico organizzativo finanziario, può ben essere documentato dall’importanza internazionale degli autori proposti, da Dubuffet Mathieu Schneider a Afro Basaldella Corpora Dorazio Fontana Morlotti Santomaso Scanavino Scialoja Tancredi Turcato. L’esposizione, come è prassi costante dell’Associazione, -
Biographical Sketches of Key Pupils
Appendix E Biographical Sketches of Key Pupils John Godolphin Bennett (1897–1974) was a scientist and philosopher who first met Gurdjieff in Istanbul in 1921 when he was working as an interpreter and personal intel- ligence officer in the British Army. In London that year Bennett began attending meet- ings held by Ouspensky on Gurdjieff’s teaching, and in 1922 he met Gurdjieff again. Bennett made brief visits to Gurdjieff’s Institute at Fontainebleau in February and August of 1923. In the 1930s Bennett formed his own group of followers, and rejoined Ouspensky’s group. In 1946 Bennett established an Institute at Coombe Springs, Kingston-on-Thames in Surrey. After a twenty-five year break Bennett renewed his ties with Gurdjieff in Paris in 1948 and 1949, at which time Gurdjieff taught him his new Movements. In 1949 Gurdjieff named Bennett his ‘official representative’ in England, with reference to the publication of Tales. After Gurdjieff’s death Bennett became an independent teacher, drawing from Sufi, Indian, Turkish, and Subud traditions. In 1953 he travelled through the Middle East hoping to locate the sources of Gurdjieff’s teach- ing among Sufi masters. By the end of his life he had written around thirty-five books related to Gurdjieff’s teaching.1 Maurice Nicoll (1884–1953) studied science at the University of Cambridge before travelling through Vienna, Berlin, and Zurich, eventually to become an eminent psy- chiatrist and colleague of Carl Gustav Jung. Nicoll was a member of the Psychosynthesis group, which met regularly under A.R. Orage, and this connection led Nicoll to Ouspensky in London in 1921. -
The New Age Under Orage
THE NEW AGE UNDER ORAGE CHAPTERS IN ENGLISH CULTURAL HISTORY by WALLACE MARTIN MANCHESTER UNIVERSITY PRESS BARNES & NOBLE, INC., NEW YORK Frontispiece A. R. ORAGE © 1967 Wallace Martin All rights reserved MANCHESTER UNIVERSITY PRESS 316-324 Oxford Road, Manchester 13, England U.S.A. BARNES & NOBLE, INC. 105 Fifth Avenue, New York, N.Y. 10003 Printed in Great Britain by Butler & Tanner Ltd, Frome and London This digital edition has been produced by the Modernist Journals Project with the permission of Wallace T. Martin, granted on 28 July 1999. Users may download and reproduce any of these pages, provided that proper credit is given the author and the Project. FOR MY PARENTS CONTENTS PART ONE. ORIGINS Page I. Introduction: The New Age and its Contemporaries 1 II. The Purchase of The New Age 17 III. Orage’s Editorial Methods 32 PART TWO. ‘THE NEW AGE’, 1908-1910: LITERARY REALISM AND THE SOCIAL REVOLUTION IV. The ‘New Drama’ 61 V. The Realistic Novel 81 VI. The Rejection of Realism 108 PART THREE. 1911-1914: NEW DIRECTIONS VII. Contributors and Contents 120 VIII. The Cultural Awakening 128 IX. The Origins of Imagism 145 X. Other Movements 182 PART FOUR. 1915-1918: THE SEARCH FOR VALUES XI. Guild Socialism 193 XII. A Conservative Philosophy 212 XIII. Orage’s Literary Criticism 235 PART FIVE. 1919-1922: SOCIAL CREDIT AND MYSTICISM XIV. The Economic Crisis 266 XV. Orage’s Religious Quest 284 Appendix: Contributors to The New Age 295 Index 297 vii LIST OF ILLUSTRATIONS A. R. Orage Frontispiece 1 * Tom Titt: Mr G. Bernard Shaw 25 2 * Tom Titt: Mr G. -
Otiziario Bibliografico Periodico Della Giunta Regionale Del Veneto 44
otiziario Bibliografico periodico della Giunta regionale del Veneto 44 n. 44 - dicembre 2003 - sped. in abb. postale art. 2 comma 20/c Legge 662/96 - taxe perçue - tassa riscossa - Filiale di Padova Notiziario Bibliografico n. 44, dicembre 2003 I n d i c e periodico quadrimestrale d’informazione bibliografica a cura della Giunta regionale del Veneto Comitato promotore Giancarlo Galan (presidente della Giunta regiona- le), Ermanno Serrajotto (assessore per la Cultura e l’Identità Veneta), Angelo Tabaro (dirigente regio- nale Cultura) Comitato di redazione Claudio Bellinati (direttore dell’Archivio Vescovile e della Biblioteca Capitolare di Padova), Massimo Canella (dirigente Servizio editoria, beni librari e archivistici e musei), Chiara Finesso, Bianca Lan- La mediateca regionale 1983-2003: vent’anni di attività franchi Strina (già sovrintendente ai Beni archivistici Giancarlo Galan, Presidente della Giunta Regionale del Veneto), Anelio Pellizzon, † Silvio Tramontin, Marino Zorzi (direttore della Biblioteca Nazionale Ermanno Serrajotto, Assessore regionale alle Politiche per la Cultura, Marciana) l’Identità Veneta e l’Istruzione 7 Direttore responsabile Anelio Pellizzon Il patrimonio audiovisivo della Regione Veneto Responsabile di redazione Chiara Finesso Angelo Tabaro, Direzione regionale Cultura 8 Segreteria di redazione Giovanna Battiston, Sandra Bortolazzo, Susanna Falchero Collaboratori alla redazione di questo numero RECENSIONI E SEGNALAZIONI Cinzia Agostini, Giovanna Battiston, Sandra Bor- tolazzo, Ilaria Busetto, Marilia Ciampi -
Arti Decorative Del XX Secolo E Design 13 Dicembre 2010 CAMBI Castello Mackenzie Mura Di S
A STA 105 Arti Decorative del XX secolo e Design 13 Dicembre 2010 ARTI DECORATIVE DEL XX SECOLO Cambi Casa d’Aste E DESIGN Castello Mackenzie Mura di S. Bartolomeo 16 - 16122 Genova CAMBI Tel. +39 010 8395029 - Fax +39 010 879482 - +39 010 812613 www.cambiaste.com - e-mail: [email protected] 13 DICEMBRE 2010 cop Novecento 1210.indd 1 18/11/10 11:30 Asta di Arti DecorAtive Del XX secolo e Design Lunedì 13 dicembre 2010 TornaTa unica: ore 15.30 • Lotti 1-260 Asta 105 esposizione mercoLedì 8 dicembre • ore 10.00-19.00 Giovedì 9 dicembre • ore 10.00-19.00 venerdì 10 dicembre • ore 10.00-19.00 Cambi Casa d’Aste sabaTo 11 dicembre • ore 10.00-19.00 Castello Mackenzie domenica 12 dicembre • ore 10.00-19.00 Mura di S. Bartolomeo 16 - 16122 Genova Tel. +39 010 8395029 Fax +39 010 879482 - +39 010 812613 www.cambiaste.com - e-mail: [email protected] 1 Condizioni di vendita La Cambi S.a.S. di Matteo Cambi & C. sarà di seguito denominata 8 Per quanto riguarda i libri, non si accettano contestazioni cura, rischio e spesa non oltre dieci giorni dalla fine della vendita. “Cambi”. relative a danni alla legatura, macchie, fori di tarlo, carte o tavole In caso di mancato pagamento, in tutto o in parte, dell’ammon- rifilate e ogni altro difetto che non leda la completezza del testo tare totale dovuto dall’aggiudicatario entro tale termine, la 1 Le vendite si effettuano al maggior offerente e si intendono e/o dell’apparato illustrativo; ne’ per mancanza di indici di tavole, Cambi avrà diritto, a propria discrezione, di: per “contanti”. -
Export / Import: the Promotion of Contemporary Italian Art in the United States, 1935–1969
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2016 Export / Import: The Promotion of Contemporary Italian Art in the United States, 1935–1969 Raffaele Bedarida Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/736 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by RAFFAELE BEDARIDA A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 RAFFAELE BEDARIDA All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy ___________________________________________________________ Date Professor Emily Braun Chair of Examining Committee ___________________________________________________________ Date Professor Rachel Kousser Executive Officer ________________________________ Professor Romy Golan ________________________________ Professor Antonella Pelizzari ________________________________ Professor Lucia Re THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by Raffaele Bedarida Advisor: Professor Emily Braun Export / Import examines the exportation of contemporary Italian art to the United States from 1935 to 1969 and how it refashioned Italian national identity in the process. -
Van Gogh Museum Journal 2002
Van Gogh Museum Journal 2002 bron Van Gogh Museum Journal 2002. Van Gogh Museum, Amsterdam 2002 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012200201_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 7 Director's foreword In 2003 the Van Gogh Museum will have been in existence for 30 years. Our museum is thus still a relative newcomer on the international scene. Nonetheless, in this fairly short period, the Van Gogh Museum has established itself as one of the liveliest institutions of its kind, with a growing reputation for its collections, exhibitions and research programmes. The past year has been marked by particular success: the Van Gogh and Gauguin exhibition attracted record numbers of visitors to its Amsterdam venue. And in this Journal we publish our latest acquisitions, including Manet's The jetty at Boulogne-sur-mer, the first important work by this artist to enter any Dutch public collection. By a happy coincidence, our 30th anniversary coincides with the 150th of the birth of Vincent van Gogh. As we approach this milestone it seemed to us a good moment to reflect on the current state of Van Gogh studies. For this issue of the Journal we asked a number of experts to look back on the most significant developments in Van Gogh research since the last major anniversary in 1990, the centenary of the artist's death. Our authors were asked to filter a mass of published material in differing areas, from exhibition publications to writings about fakes and forgeries. To complement this, we also invited a number of specialists to write a short piece on one picture from our collection, an exercise that is intended to evoke the variety and resourcefulness of current writing on Van Gogh. -
V a N D E R C a M & D O T R E M O
V A N œuvres partagées D E BOUES R C A M & D O T Vandercam & Dotremont R E M O N T Via Manzoni, 46 - 20121 Milano Tel. +39.02.794218 Fax +39.02.783578 e-mail: [email protected] www.sancarlogallery.com Si ringrazia per la gentile collaborazione il Sig. Guy Dotremont Progetto grafico: Gian Carlo de Magistris La Fotolito Poviglio (RE) Foto di copertina: Le centre de la terre crie crache, 1958 - 1994 bronzo - 28x25x16,5 Tutti i diritti sulle fotografie sono riservati Tutte le fotografie delle opere riprodotte sono dello studio Michele Dell’Utri - Milano Coordinatore Generale: Gian Carlo de Magistris Finito di Stampare: nel mese di Marzo 2010 da Arti Grafiche De Pietri Castelnovo di Sotto (RE) Serge Vandercam e Christian Dotremont BOUES ŒUVRES PARTAGEES Catalogo a cura di Denis Laoureux e con un elogio a Serge Vandercam di Jean Pierre Point Con il patrocinio Consolato Generale del Belgio a Milano Maggio 2004 - Talia, Joel e Serge Vandercam a Bierges 5 Christian Dotremont e Serge Vandercam La presenza di Un immaginario delle profondità della terra Jorn a Bruxelles nel 1956 sembra Denis Laoureux aver confermato Dotremont nella Cobra dopo Cobra sua volontà di ri- Nel 1953, Asjer Jorn soggiorna in Liguria, ad Albisola, lanciare le attività dove si stabilisce l’anno seguente. Enrico Baj gli aveva di Cobra. Poco parlato delle manifatture di ceramica presenti in quel dopo, sempre in borgo situato lungo la costa. La qualità dei laboratori e seno a Taptoe, la maestria degli artigiani consentono ai pittori di esplo- Dotremont orga- rare un medium allora ristretto quasi esclusivamente nizza un’esposi- 1959 - Vernissage mostra Boues di Serge Van- dercam e Christian Dotremont - presso la So- alle arti decorative. -
Ed 400 399 Author Title Institution Report No Pub Date Available from Pub Type Edrs Price Descriptors Abstract Document Resume C
DOCUMENT RESUME ED 400 399 CE 072 717 AUTHOR Marriott, Stuart, Ed.; Hake, Barry J., Ed. TITLE Cultural and Intercultural Experiences in European Adult Education. Essays on Popular and Higher Education since 1890. Leeds Studies in Continuing Education. Cross-Cultural Studies in the Education of Adults, Number 3. INSTITUTION Leeds Univ. (England). Dept. of Adult and Continuing Education. REPORT NO ISBN-0-900960-67-1; ISSN-0965-0342 PUB DATE 94 NOTE 322p.; For a related document in the Cross-Cultural Studies series, see CE 072 716. AVAILABLE FROMLeeds Studies in Continuing Education/Museum of the History of Education, Rm. 14, Parkinson Court, University of Leeds, Leeds LS2 9JT, United Kingdom. PUB TYPE Reports Research/Technical (143) EDRS PRICE MFO1 /PC13 Plus Postage. DESCRIPTORS *Adult Education; Andragogy; Case Studies; Continuing Education; Cross Cultural Studies; *Cultural Context; Cultural Differences; *Cultural Exchange; Educational Change; Educational History; Educational. Objectives; Educational Policy; *Educational Practices; *Educational Trends; Extension Education; Foreign Countries; Higher Education; *Role of Education IDENTIFIERS *Europe; Folk High Schools; Popular Education ABSTRACT This book contains the following papers from a European research seminar examining the history and theory of cross-cultural communication in adult education: "Introduction" (Stuart Marriott, Barry J. Hake); "Formative Periods in the History of Adult Education: The Role of Social and Cultural Movements in Cross-Cultural Communication" (Barry J. -
Palazzo Querini Stampalia Portego
Palazzo Querini Stampalia Museum Portego entrance Giovanni Mythology Bellini room room The earliest documents concerning the construction of the palace are from 1513-14 and point to Nicolò Querini as commissioner of the works. Grandson Francesco continued the works of enlargement and restoration in various stages throughout the first half of the century. From this period archival documents note nothing of importance until the acquisitions of the following century: in 1614 the building which is now the east wing of the palace and in 1653 part of the house between the canal and the church in Campo Santa Maria Formosa. The last radical transformation of Ca’ Querini was between 1789 and 1797 for the occasion of the marriage in 1790 between Alvise, son of Zuanne, and Maria Teresa Lippomano. In addition to the elevation of the third floor, completed after 1795, there was a large scale restructuring of the interiors with the reduction of the length of the portego and the evolution of the decorative scheme on which worked Jacopo Guarana, Davide Rossi, ornamentalist Giuseppe Bernardino Bison, gilder Domenico Sartori and brothers and stucco workers Giuseppe and Pietro Castelli. The museum is presented in such a way as to recall a patrician residence of the eighteenth century with the display of all of the collections of the family: furnishings, porcelain, sculpture, fabrics, chandeliers, globes, as well as paintings, in order to bring to life the spaces once truly inhabited by the Querini. A rich theatre where every detail plays an important role, from the fabrics in some rooms woven according to original patterns, to the curtains and the pelmets which adorn the windows to the original chandeliers.