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Book of Abstracts: Studying Old Master Paintings
BOOK OF ABSTRACTS STUDYING OLD MASTER PAINTINGS TECHNOLOGY AND PRACTICE THE NATIONAL GALLERY TECHNICAL BULLETIN 30TH ANNIVERSARY CONFERENCE 1618 September 2009, Sainsbury Wing Theatre, National Gallery, London Supported by The Elizabeth Cayzer Charitable Trust STUDYING OLD MASTER PAINTINGS TECHNOLOGY AND PRACTICE THE NATIONAL GALLERY TECHNICAL BULLETIN 30TH ANNIVERSARY CONFERENCE BOOK OF ABSTRACTS 1618 September 2009 Sainsbury Wing Theatre, National Gallery, London The Proceedings of this Conference will be published by Archetype Publications, London in 2010 Contents Presentations Page Presentations (cont’d) Page The Paliotto by Guido da Siena from the Pinacoteca Nazionale of Siena 3 The rediscovery of sublimated arsenic sulphide pigments in painting 25 Marco Ciatti, Roberto Bellucci, Cecilia Frosinini, Linda Lucarelli, Luciano Sostegni, and polychromy: Applications of Raman microspectroscopy Camilla Fracassi, Carlo Lalli Günter Grundmann, Natalia Ivleva, Mark Richter, Heike Stege, Christoph Haisch Painting on parchment and panels: An exploration of Pacino di 5 The use of blue and green verditer in green colours in seventeenthcentury 27 Bonaguida’s technique Netherlandish painting practice Carole Namowicz, Catherine M. Schmidt, Christine Sciacca, Yvonne Szafran, Annelies van Loon, Lidwein Speleers Karen Trentelman, Nancy Turner Alterations in paintings: From noninvasive insitu assessment to 29 Technical similarities between mural painting and panel painting in 7 laboratory research the works of Giovanni da Milano: The Rinuccini -
Picturing France
Picturing France Classroom Guide VISUAL ARTS PHOTOGRAPHY ORIENTATION ART APPRECIATION STUDIO Traveling around France SOCIAL STUDIES Seeing Time and Pl ace Introduction to Color CULTURE / HISTORY PARIS GEOGRAPHY PaintingStyles GOVERNMENT / CIVICS Paris by Night Private Inve stigation LITERATURELANGUAGE / CRITICISM ARTS Casual and Formal Composition Modernizing Paris SPEAKING / WRITING Department Stores FRENCH LANGUAGE Haute Couture FONTAINEBLEAU Focus and Mo vement Painters, Politics, an d Parks MUSIC / DANCENATURAL / DRAMA SCIENCE I y Fontainebleau MATH Into the Forest ATreebyAnyOther Nam e Photograph or Painting, M. Pa scal? ÎLE-DE-FRANCE A Fore st Outing Think L ike a Salon Juror Form Your Own Ava nt-Garde The Flo ating Studio AUVERGNE/ On the River FRANCHE-COMTÉ Stream of Con sciousness Cheese! Mountains of Fra nce Volcanoes in France? NORMANDY “I Cannot Pain tan Angel” Writing en Plein Air Culture Clash Do-It-Yourself Pointillist Painting BRITTANY Comparing Two Studie s Wish You W ere Here Synthétisme Creating a Moo d Celtic Culture PROVENCE Dressing the Part Regional Still Life Color and Emo tion Expressive Marks Color Collectio n Japanese Prin ts Legend o f the Château Noir The Mistral REVIEW Winds Worldwide Poster Puzzle Travelby Clue Picturing France Classroom Guide NATIONAL GALLERY OF ART, WASHINGTON page ii This Classroom Guide is a component of the Picturing France teaching packet. © 2008 Board of Trustees of the National Gallery of Art, Washington Prepared by the Division of Education, with contributions by Robyn Asleson, Elsa Bénard, Carla Brenner, Sarah Diallo, Rachel Goldberg, Leo Kasun, Amy Lewis, Donna Mann, Marjorie McMahon, Lisa Meyerowitz, Barbara Moore, Rachel Richards, Jennifer Riddell, and Paige Simpson. -
Henderson Street Names A
Henderson Street Names STREET NAMEP* FIRE SAM NUMBERING ADDRESS LOCATION MAP MAP STARTS/ENDS A Abbeystone Circle 3728-94 86 Mystical / 360’ CDS 2484-2495 Sunridge Lot 21 Abbington Street 3328-43 77 Courtland / Muirfield 300-381 Pardee GV South Abby Avenue 3231-64 120 Dunbar / Sheffield 1604-1622 Camarlo Park Aberdeen Lane 3229-23 102 Albermarle / Kilmaron 2513-2525 Highland Park Abetone Avenue 4226-16 422 CDS/Cingoli Inspirada Pod 3-1 Phase 2 Abilene Street (Private 3637-94, 260 Waterloo / Mission / San 901-910 Desert Highlands; Blk Mt Ranch within Blk Mtn Ranch) 3737-14 Bruno Ability Point Court 3533-48 169 Integrity Point / 231-234 Blk Mt Vistas Parcel C Unit 3 Abracadabra Avenue 3637-39 259 Hocus Pocus / Houdini 1168-1196 Magic View Ests Phs 2 Abundance Ridge Street 3533-46/56 169 Solitude Point / Value 210-299 Blk Mt Vistas Parcel C Unit 2, 3 Ridge Acadia Parkway 3332-92 143 Bear Brook/American Acadia Phase I Pacific Acadia Place 3329-63 99 Silver Springs / Big Bend No #’s Parkside Village Acapulco Street 3638-42 270 DeAnza / Encanto 2005-2077 Villa Hermosa Accelerando Way 3236-85 233 Barcarolle/Fortissimo Cadence Village Phase 1-G4 Ackerman Lane 3329-16 100 Magnolia / CDS 400-435 The Vineyards Acorn Way 3427-52 54 Wigwam / Pine Nut No #’s Oak Forest Acoustic Street 3537-29 257 Canlite / Decidedly 1148-1176 The Downs Unit 3 Adagietto Drive 3828- 87, 88 Moresca / Reunion 1361-1399 Coventry Homes @ Anthem 3, 4 66/56/46 Adagio Street 3728-11 85 Anchorgate / Day Canyon 801-813 Sunridge Lot 18 Adams Run Court 3735-63 218 155' CDS -
Complete Production History 2018-2019 SEASON
THEATER EMORY A Complete Production History 2018-2019 SEASON Three Productions in Rotating Repertory The Elaborate Entrance of Chad Deity October 23-24, November 3-4, 8-9 • Written by Kristoffer Diaz • Directed by Lydia Fort A satirical smack-down of culture, stereotypes, and geopolitics set in the world of wrestling entertainment. Mary Gray Munroe Theater We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as Southwest Africa, From the German Südwestafrika, Between the Years 1884-1915 October 25-26, 30-31, November 10-11 • Written by Jackie Sibblies Drury • Directed by Eric J. Little The story of the first genocide of the twentieth century—but whose story is actually being told? Mary Gray Munroe Theater The Moors October 27-28, November 1-2, 6-7 • Written by Jen Silverman • Directed by Matt Huff In this dark comedy, two sisters and a dog dream of love and power on the bleak English moors. Mary Gray Munroe Theater Sara Juli’s Tense Vagina: an actual diagnosis November 29-30 • Written, directed, and performed by Sara Juli Visiting artist Sara Juli presents her solo performance about motherhood. Theater Lab, Schwartz Center for the Performing Arts The Tatischeff Café April 4-14 • Written by John Ammerman • Directed by John Ammerman and Clinton Wade Thorton A comic pantomime tribute to great filmmaker and mime Jacques Tati Mary Gray Munroe Theater 2 2017-2018 SEASON Midnight Pillow September 21 - October 1, 2017 • Inspired by Mary Shelley • Directed by Park Krausen 13 Playwrights, 6 Actors, and a bedroom. What dreams haunt your midnight pillow? Theater Lab, Schwartz Center for the Performing Arts The Anointing of Dracula: A Grand Guignol October 26 - November 5, 2017 • Written and directed by Brent Glenn • Inspired by the works of Bram Stoker and others. -
Get Smart with Art Is Made Possible with Support from the William K
From the Headlines About the Artist From the Artist Based on the critics’ comments, what aspects of Albert Bierstadt (1830–1902) is Germany in 1830, Albert Bierstadt Bierstadt’s paintings defined his popularity? best known for capturing majestic moved to Massachusetts when he western landscapes with his was a year old. He demonstrated an paintings of awe-inspiring mountain early interest in art and at the age The striking merit of Bierstadt in his treatment of ranges, vast canyons, and tumbling of twenty-one had his first exhibit Yosemite, as of other western landscapes, lies in his waterfalls. The sheer physical at the New England Art Union in power of grasping distances, handling wide spaces, beauty of the newly explored West Boston. After spending several years truthfully massing huge objects, and realizing splendid is evident in his paintings. Born in studying in Germany at the German atmospheric effects. The success with which he does Art Academy in Düsseldorf, Bierstadt this, and so reproduces the noblest aspects of grand returned to the United States. ALBERT BIERSTADT scenery, filling the mind of the spectator with the very (1830–1902) sentiment of the original, is the proof of his genius. A great adventurer with a pioneering California Spring, 1875 Oil on canvas, 54¼ x 84¼ in. There are others who are more literal, who realize details spirit, Bierstadt joined Frederick W. Lander’s Military Expeditionary Presented to the City and County of more carefully, who paint figures and animals better, San Francisco by Gordon Blanding force, traveling west on the overland who finish more smoothly; but none except Church, and 1941.6 he in a different manner, is so happy as Bierstadt in the wagon route from Saint Joseph, Watkins Yosemite Art Gallery, San Francisco. -
2D Mercury Crater Wordsearch V2
3/24/2019 Word Search Generator :: Create your own printable word find worksheets @ A to Z Teacher Stuff MAKE YOUR OWN WORKSHEETS ONLINE @ WWW.ATOZTEACHERSTUFF.COM NAME:_______________________________ DATE:_____________ Craters on Mercury SICINIMODFIQPVMRQSLJ BEETHOVEN MICHELANGELO BLTVPTSDUOMRCIPDRAEN BYRON RAPHAEL YAPVWYPXSEHAUEHSEVDI CUNNINGHAM SAVAGE RRZAYRKFJROGNIGSNAIA DAMER SHAKESPEARE ORTNPIVOCDTJNRRSKGSW DOMINICI SVEINSDOTTIR NOMGETIKLKEUIAAGLEYT DRISCOLL TOLSTOI PCLOLTVLOEPSNDPNUMQK ELLINGTON VANGOGH YHEGLOAAEIGEGAHQAPRR FAULKNER VIEIRADASILVA NANHIDLNTNNNHSAOFVLA HEMINGWAY VIVALDI VDGYNSDGGMNGAIEDMRAM HOLST GALQGNIEBIMOMLLCNEZG HOMER VMESTIWWKWCANVEKLVRU IMHOTEP ZELTOEPSBOAWMAUHKCIS IZQUIERDO JRQGNVMODREIUQZICDTH JOPLIN SHAKESPEARETOLSTOIOX KIPLING BBCZWAQSZRSLPKOJHLMA LANGE SFRLLOCSIRDIYGSSSTQT LARROCHA FKUIDTISIYYFAIITRODE LENGLE NILPOJHEMINGWAYEGXLM LENNON BEETHOVENRYSKIPLINGV MARKTWAIN 1/2 Mercury Craters: Famous Writers, Artists, and Composers: Location and Sizes Beethoven: Ludwig van Beethoven (1770−1827). German composer and pianist. 20.9°S, 124.2°W; Diameter = 630 km. Byron: Lord Byron (George Byron) (1788−1824). British poet and politician. 8.4°S, 33°W; Diameter = 106.6 km. Cunningham: Imogen Cunningham (1883−1976). American photographer. 30.4°N, 157.1°E; Diameter = 37 km. Damer: Anne Seymour Damer (1748−1828). English sculptor. 36.4°N, 115.8°W; Diameter = 60 km. Dominici: Maria de Dominici (1645−1703). Maltese painter, sculptor, and Carmelite nun. 1.3°N, 36.5°W; Diameter = 20 km. Driscoll: Clara Driscoll (1861−1944). American glass designer. 30.6°N, 33.6°W; Diameter = 30 km. Ellington: Edward Kennedy “Duke” Ellington (1899−1974). American composer, pianist, and jazz orchestra leader. 12.9°S, 26.1°E; Diameter = 216 km. Faulkner: William Faulkner (1897−1962). American writer and Nobel Prize laureate. 8.1°N, 77.0°E; Diameter = 168 km. Hemingway: Ernest Hemingway (1899−1961). American journalist, novelist, and short-story writer. 17.4°N, 3.1°W; Diameter = 126 km. -
UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Abstract Art in 1980s Shanghai / Permalink https://escholarship.org/uc/item/16g2v1dm Author Jung, Ha Yoon Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Abstract Art in 1980s Shanghai A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Art History, Theory, and Criticism by Ha Yoon Jung Committee in charge: Professor Kuiyi Shen, Chair Professor Norman Bryson Professor Todd Henry Professor Paul Pickowicz Professor Mariana Wardwell 2014 The Dissertation of Ha Yoon Jung is approved, and it is acceptable in quality and form for publication on microfilm and electronically. ____________________________________________________________________ ____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ Chair University of California, San Diego 2014 iii TABLE OF CONTENTS Signature Page ………………………………………………………………....……. iii Table of Contents ………………………………………………………….…...……. iv List of Illustrations …………………………………………………………………... v Vita ……………………………………………………………………….……….… vii Abstract ……………………………………………………….………………..……. xi Chapter 1 Introduction ……………………………………………………….……………….. 1 Chapter 2 Abstract -
Autumn Winter
Yale Yale Yale 2019 Autumn • Winter 2019 Autumn • Autumn Winter Contents Architecture & Urban Studies 5,42,43,55,58–61,65,68,69 Art History, Photography & Film i,21,24,37,41–69 Biography & Memoir 2,12,13,17,20,28,35,37,38 Business & Economics 15,32,35,62,70 Current & International Affairs 14,15,29,35–37,39,63,72 Evolution, Ecology, Environment, Natural History 78,79,84 Fashion, Design & Decorative Art 8,18–20,43–45,50,51,56,59,60 History 1,3–7,9–14,16,22,23,26,27,31,34–36,38,39,72–74,80 Jewish Studies 28,31,34,77,84 Literary & Cultural Studies 2,14,15,29,30,33,37–39,82–84 Music & Language 17,28,38,40 New in Paperback & Series 28,30,33–42,83,84 Religion & Philosophy 14,28,33,34,39,40,69,75–77,84 Science & Technology 25,29,39,40,70,71,81 U.S. Studies 39,40,80–81 Picture Credits & Index 85–87 Sales Information 88,89 Rights, Inspection/Review Copy Information 89 Edvard Munch NEW RE-ISSUE Sue Prideaux Who was the man behind The Scream, the iconic painting that so acutely expresses the anguish of the 20th century? Edvard Munch (1863–1944) was twenty-eight when he embarked on a lifelong effort to paint his ‘soul’s diary’ – and began a perverse love affair with self-destruction. This intimate and moving life of the Norwegian artist explores his turbulent early years, his time as a recluse and his intense efforts to paint not what he saw, but what he experienced. -
Annual Report 2005
NATIONAL GALLERY BOARD OF TRUSTEES (as of 30 September 2005) Victoria P. Sant John C. Fontaine Chairman Chair Earl A. Powell III Frederick W. Beinecke Robert F. Erburu Heidi L. Berry John C. Fontaine W. Russell G. Byers, Jr. Sharon P. Rockefeller Melvin S. Cohen John Wilmerding Edwin L. Cox Robert W. Duemling James T. Dyke Victoria P. Sant Barney A. Ebsworth Chairman Mark D. Ein John W. Snow Gregory W. Fazakerley Secretary of the Treasury Doris Fisher Robert F. Erburu Victoria P. Sant Robert F. Erburu Aaron I. Fleischman Chairman President John C. Fontaine Juliet C. Folger Sharon P. Rockefeller John Freidenrich John Wilmerding Marina K. French Morton Funger Lenore Greenberg Robert F. Erburu Rose Ellen Meyerhoff Greene Chairman Richard C. Hedreen John W. Snow Eric H. Holder, Jr. Secretary of the Treasury Victoria P. Sant Robert J. Hurst Alberto Ibarguen John C. Fontaine Betsy K. Karel Sharon P. Rockefeller Linda H. Kaufman John Wilmerding James V. Kimsey Mark J. Kington Robert L. Kirk Ruth Carter Stevenson Leonard A. Lauder Alexander M. Laughlin Alexander M. Laughlin Robert H. Smith LaSalle D. Leffall Julian Ganz, Jr. Joyce Menschel David O. Maxwell Harvey S. Shipley Miller Diane A. Nixon John Wilmerding John G. Roberts, Jr. John G. Pappajohn Chief Justice of the Victoria P. Sant United States President Sally Engelhard Pingree Earl A. Powell III Diana Prince Director Mitchell P. Rales Alan Shestack Catherine B. Reynolds Deputy Director David M. Rubenstein Elizabeth Cropper RogerW. Sant Dean, Center for Advanced Study in the Visual Arts B. Francis Saul II Darrell R. Willson Thomas A. -
Exemplar Texts for Grades
COMMON CORE STATE STANDARDS FOR English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects _____ Appendix B: Text Exemplars and Sample Performance Tasks OREGON COMMON CORE STATE STANDARDS FOR English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects Exemplars of Reading Text Complexity, Quality, and Range & Sample Performance Tasks Related to Core Standards Selecting Text Exemplars The following text samples primarily serve to exemplify the level of complexity and quality that the Standards require all students in a given grade band to engage with. Additionally, they are suggestive of the breadth of texts that students should encounter in the text types required by the Standards. The choices should serve as useful guideposts in helping educators select texts of similar complexity, quality, and range for their own classrooms. They expressly do not represent a partial or complete reading list. The process of text selection was guided by the following criteria: Complexity. Appendix A describes in detail a three-part model of measuring text complexity based on qualitative and quantitative indices of inherent text difficulty balanced with educators’ professional judgment in matching readers and texts in light of particular tasks. In selecting texts to serve as exemplars, the work group began by soliciting contributions from teachers, educational leaders, and researchers who have experience working with students in the grades for which the texts have been selected. These contributors were asked to recommend texts that they or their colleagues have used successfully with students in a given grade band. The work group made final selections based in part on whether qualitative and quantitative measures indicated that the recommended texts were of sufficient complexity for the grade band. -
(TEA) Effective: 1/1/2013
SAN DIEGO REGIONAL ENTERPRISE ZONE Targeted Employment Area (TEA) Effective: 1/1/2013 Road Name From To EVEN/ODD Census Tract City 01ST AV 1200 1220 ODD 132.03 Chula Vista 01ST AV 1221 1259 132.03 Chula Vista 01ST AV 1260 1300 EVEN 132.03 Chula Vista 01ST AV 1 1199 (123.03-123.04-128-129-131.02) Chula Vista 01ST AV 1301 1499 (132.03-133.03) Chula Vista 01ST AV 600 4249 (3-4-53-56-57-59-60) San Diego 02ND AV 1 1499 (123.03-123.04-128-129-131.02-132.03-133.03) Chula Vista 02ND AV 600 3499 (3-53-56-57-59-60) San Diego 03RD AV 1 38 EVEN 124.01 Chula Vista 03RD AV 40 1699 (123.02-123.03-124.01-124.02-127-128-129-130-131.02-132.03-132.04) Chula Vista 03RD AV 600 4329 (3-4-53-56-57-59-60) San Diego 03RD AVENUE EXT 1 63 (123.03-124.01) Chula Vista 04TH AV 1 1799 (123.02-124.01-124.02-127-130-131.02-131.04-132.03-132.04-132.06) Chula Vista 04TH AV 1 4299 (3-4-53-56-57-59-60) San Diego 05TH AV 1356 1398 132.06 Chula Vista 05TH AV 1 499 (124.01-124.02-127) Chula Vista 05TH AV 600 1355 (130-131.04-132.06) Chula Vista 05TH AV 600 4329 (3-4-53-56-57-59-60) San Diego 06TH AV 4140 4329 4 San Diego 06TH AV 600 3899 (3-53-56-57-59-60) San Diego 06TH EX ST 3900 4199 (4-6) San Diego 07TH AV 3400 3999 (3-4) San Diego 07TH AV 600 1699 (53-56) San Diego 07TH ST 100 109 132.06 Chula Vista 08TH AV 3600 4099 (3-4) San Diego 08TH AV 600 1699 (53-56) San Diego 08TH AVENUE DR 300 2399 56 San Diego 08TH ST 301 399 ODD 101.03 San Diego 09TH AV 3900 3999 4 San Diego 09TH AV 401 599 ODD 51 San Diego 09TH AV 4200 4299 56 San Diego 09TH AV 600 1699 (52-53-56) San Diego -
By KU SANG Translated from the Korean by Brother Anthony, of Taizé
Poems by KU SANG Translated from the Korean by Brother Anthony, of Taizé Contents 1. Mystery ................................................................................................................................. 1 Myself ................................................................................................................................ 1 Meditation .......................................................................................................................... 3 Here and There ................................................................................................................... 4 Within Creation .................................................................................................................. 5 In a Winter Orchard ........................................................................................................... 7 Mystery .............................................................................................................................. 8 Midday Prayer .................................................................................................................... 9 Within an Apple ............................................................................................................... 10 A Pebble ........................................................................................................................... 11 A Bundle of Stray Thoughts ............................................................................................ 12 Concerning