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Book of Abstracts: Studying Old Master Paintings
BOOK OF ABSTRACTS STUDYING OLD MASTER PAINTINGS TECHNOLOGY AND PRACTICE THE NATIONAL GALLERY TECHNICAL BULLETIN 30TH ANNIVERSARY CONFERENCE 1618 September 2009, Sainsbury Wing Theatre, National Gallery, London Supported by The Elizabeth Cayzer Charitable Trust STUDYING OLD MASTER PAINTINGS TECHNOLOGY AND PRACTICE THE NATIONAL GALLERY TECHNICAL BULLETIN 30TH ANNIVERSARY CONFERENCE BOOK OF ABSTRACTS 1618 September 2009 Sainsbury Wing Theatre, National Gallery, London The Proceedings of this Conference will be published by Archetype Publications, London in 2010 Contents Presentations Page Presentations (cont’d) Page The Paliotto by Guido da Siena from the Pinacoteca Nazionale of Siena 3 The rediscovery of sublimated arsenic sulphide pigments in painting 25 Marco Ciatti, Roberto Bellucci, Cecilia Frosinini, Linda Lucarelli, Luciano Sostegni, and polychromy: Applications of Raman microspectroscopy Camilla Fracassi, Carlo Lalli Günter Grundmann, Natalia Ivleva, Mark Richter, Heike Stege, Christoph Haisch Painting on parchment and panels: An exploration of Pacino di 5 The use of blue and green verditer in green colours in seventeenthcentury 27 Bonaguida’s technique Netherlandish painting practice Carole Namowicz, Catherine M. Schmidt, Christine Sciacca, Yvonne Szafran, Annelies van Loon, Lidwein Speleers Karen Trentelman, Nancy Turner Alterations in paintings: From noninvasive insitu assessment to 29 Technical similarities between mural painting and panel painting in 7 laboratory research the works of Giovanni da Milano: The Rinuccini -
Producing MIDS NAC Dems from MESSENGER Images
Producing MESSENGER DEMs from MDIS NAC Images MANHEIM1, HENRIKSEN, ROBINSON, AND THE MESSENGER TEAM 1ARIZONA STATE UNIVERSITY, TEMPE AZ—[email protected] Launched: August 2004 MESSENGER Mercury Orbit: March 2011 Completed: April 2015 Mercury Dual Imaging System (MDIS) 2 framing cameras: a monochrome NAC and a multispectral WAC NAC wasn’t a stereo camera, but off-nadir observations enable the creation of DEMs NACs have 5 m pixel scale at closest approach Mercury Laser Altimeter (MLA) Radial accuracy of < 20 m Only available between 90° N and 18° S Highly Elliptical Orbit Periapsis: 200 – 500 km (near North Pole) Apoapsis: 10,000 – 15,000 km Methodology: Overview Site Selection & Image Selection Illumination Conditions Imaging Geometry DEM Production Using the USGS Integrated Software for Imagers and Spectrometers (ISIS) and SOCET SET 5.6 Error analysis Creating data products for PDS release Image Selection Selecting stereo images requires compromise between finding optimal images and building up desired coverage. These parameters will dictate the precision of the final product. Strength of stereo: parallax between the two images / unit height Illumination compatibility: distance between the tips of shadows in two images / unit height *Guidelines adapted from Becker, et al. 2015. Images Selected for Our DEMs n=49 Selecting Images to Build Mosaics Sander Crater mosaic: 21 images Selecting Images to Build Mosaics Sander Crater mosaic: 21 images 36 stereo pairs (areas of overlap producing ‘good’ stereo) Selecting Images to Build Mosaics Sander Crater mosaic: 21 images 36 stereo pairs (areas of overlap producing ‘good’ stereo) Resulting DEMs can be mosaicked together (using ISIS) to create one large-area DEM Processing in SOCET SET: Overview Import into SOCET SET 5.6 Relative Triangulation Registration to MLA tracks DEM Extraction Orthophoto Generation Creating Additional Data Products PDS Release *This process is quite similar to that described for LROC NAC DEMs in Henriksen, et al. -
Picturing France
Picturing France Classroom Guide VISUAL ARTS PHOTOGRAPHY ORIENTATION ART APPRECIATION STUDIO Traveling around France SOCIAL STUDIES Seeing Time and Pl ace Introduction to Color CULTURE / HISTORY PARIS GEOGRAPHY PaintingStyles GOVERNMENT / CIVICS Paris by Night Private Inve stigation LITERATURELANGUAGE / CRITICISM ARTS Casual and Formal Composition Modernizing Paris SPEAKING / WRITING Department Stores FRENCH LANGUAGE Haute Couture FONTAINEBLEAU Focus and Mo vement Painters, Politics, an d Parks MUSIC / DANCENATURAL / DRAMA SCIENCE I y Fontainebleau MATH Into the Forest ATreebyAnyOther Nam e Photograph or Painting, M. Pa scal? ÎLE-DE-FRANCE A Fore st Outing Think L ike a Salon Juror Form Your Own Ava nt-Garde The Flo ating Studio AUVERGNE/ On the River FRANCHE-COMTÉ Stream of Con sciousness Cheese! Mountains of Fra nce Volcanoes in France? NORMANDY “I Cannot Pain tan Angel” Writing en Plein Air Culture Clash Do-It-Yourself Pointillist Painting BRITTANY Comparing Two Studie s Wish You W ere Here Synthétisme Creating a Moo d Celtic Culture PROVENCE Dressing the Part Regional Still Life Color and Emo tion Expressive Marks Color Collectio n Japanese Prin ts Legend o f the Château Noir The Mistral REVIEW Winds Worldwide Poster Puzzle Travelby Clue Picturing France Classroom Guide NATIONAL GALLERY OF ART, WASHINGTON page ii This Classroom Guide is a component of the Picturing France teaching packet. © 2008 Board of Trustees of the National Gallery of Art, Washington Prepared by the Division of Education, with contributions by Robyn Asleson, Elsa Bénard, Carla Brenner, Sarah Diallo, Rachel Goldberg, Leo Kasun, Amy Lewis, Donna Mann, Marjorie McMahon, Lisa Meyerowitz, Barbara Moore, Rachel Richards, Jennifer Riddell, and Paige Simpson. -
Henderson Street Names A
Henderson Street Names STREET NAMEP* FIRE SAM NUMBERING ADDRESS LOCATION MAP MAP STARTS/ENDS A Abbeystone Circle 3728-94 86 Mystical / 360’ CDS 2484-2495 Sunridge Lot 21 Abbington Street 3328-43 77 Courtland / Muirfield 300-381 Pardee GV South Abby Avenue 3231-64 120 Dunbar / Sheffield 1604-1622 Camarlo Park Aberdeen Lane 3229-23 102 Albermarle / Kilmaron 2513-2525 Highland Park Abetone Avenue 4226-16 422 CDS/Cingoli Inspirada Pod 3-1 Phase 2 Abilene Street (Private 3637-94, 260 Waterloo / Mission / San 901-910 Desert Highlands; Blk Mt Ranch within Blk Mtn Ranch) 3737-14 Bruno Ability Point Court 3533-48 169 Integrity Point / 231-234 Blk Mt Vistas Parcel C Unit 3 Abracadabra Avenue 3637-39 259 Hocus Pocus / Houdini 1168-1196 Magic View Ests Phs 2 Abundance Ridge Street 3533-46/56 169 Solitude Point / Value 210-299 Blk Mt Vistas Parcel C Unit 2, 3 Ridge Acadia Parkway 3332-92 143 Bear Brook/American Acadia Phase I Pacific Acadia Place 3329-63 99 Silver Springs / Big Bend No #’s Parkside Village Acapulco Street 3638-42 270 DeAnza / Encanto 2005-2077 Villa Hermosa Accelerando Way 3236-85 233 Barcarolle/Fortissimo Cadence Village Phase 1-G4 Ackerman Lane 3329-16 100 Magnolia / CDS 400-435 The Vineyards Acorn Way 3427-52 54 Wigwam / Pine Nut No #’s Oak Forest Acoustic Street 3537-29 257 Canlite / Decidedly 1148-1176 The Downs Unit 3 Adagietto Drive 3828- 87, 88 Moresca / Reunion 1361-1399 Coventry Homes @ Anthem 3, 4 66/56/46 Adagio Street 3728-11 85 Anchorgate / Day Canyon 801-813 Sunridge Lot 18 Adams Run Court 3735-63 218 155' CDS -
Meeting Program
A A S MEETING PROGRAM 211TH MEETING OF THE AMERICAN ASTRONOMICAL SOCIETY WITH THE HIGH ENERGY ASTROPHYSICS DIVISION (HEAD) AND THE HISTORICAL ASTRONOMY DIVISION (HAD) 7-11 JANUARY 2008 AUSTIN, TX All scientific session will be held at the: Austin Convention Center COUNCIL .......................... 2 500 East Cesar Chavez St. Austin, TX 78701 EXHIBITS ........................... 4 FURTHER IN GRATITUDE INFORMATION ............... 6 AAS Paper Sorters SCHEDULE ....................... 7 Rachel Akeson, David Bartlett, Elizabeth Barton, SUNDAY ........................17 Joan Centrella, Jun Cui, Susana Deustua, Tapasi Ghosh, Jennifer Grier, Joe Hahn, Hugh Harris, MONDAY .......................21 Chryssa Kouveliotou, John Martin, Kevin Marvel, Kristen Menou, Brian Patten, Robert Quimby, Chris Springob, Joe Tenn, Dirk Terrell, Dave TUESDAY .......................25 Thompson, Liese van Zee, and Amy Winebarger WEDNESDAY ................77 We would like to thank the THURSDAY ................. 143 following sponsors: FRIDAY ......................... 203 Elsevier Northrop Grumman SATURDAY .................. 241 Lockheed Martin The TABASGO Foundation AUTHOR INDEX ........ 242 AAS COUNCIL J. Craig Wheeler Univ. of Texas President (6/2006-6/2008) John P. Huchra Harvard-Smithsonian, President-Elect CfA (6/2007-6/2008) Paul Vanden Bout NRAO Vice-President (6/2005-6/2008) Robert W. O’Connell Univ. of Virginia Vice-President (6/2006-6/2009) Lee W. Hartman Univ. of Michigan Vice-President (6/2007-6/2010) John Graham CIW Secretary (6/2004-6/2010) OFFICERS Hervey (Peter) STScI Treasurer Stockman (6/2005-6/2008) Timothy F. Slater Univ. of Arizona Education Officer (6/2006-6/2009) Mike A’Hearn Univ. of Maryland Pub. Board Chair (6/2005-6/2008) Kevin Marvel AAS Executive Officer (6/2006-Present) Gary J. Ferland Univ. of Kentucky (6/2007-6/2008) Suzanne Hawley Univ. -
Complete Production History 2018-2019 SEASON
THEATER EMORY A Complete Production History 2018-2019 SEASON Three Productions in Rotating Repertory The Elaborate Entrance of Chad Deity October 23-24, November 3-4, 8-9 • Written by Kristoffer Diaz • Directed by Lydia Fort A satirical smack-down of culture, stereotypes, and geopolitics set in the world of wrestling entertainment. Mary Gray Munroe Theater We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as Southwest Africa, From the German Südwestafrika, Between the Years 1884-1915 October 25-26, 30-31, November 10-11 • Written by Jackie Sibblies Drury • Directed by Eric J. Little The story of the first genocide of the twentieth century—but whose story is actually being told? Mary Gray Munroe Theater The Moors October 27-28, November 1-2, 6-7 • Written by Jen Silverman • Directed by Matt Huff In this dark comedy, two sisters and a dog dream of love and power on the bleak English moors. Mary Gray Munroe Theater Sara Juli’s Tense Vagina: an actual diagnosis November 29-30 • Written, directed, and performed by Sara Juli Visiting artist Sara Juli presents her solo performance about motherhood. Theater Lab, Schwartz Center for the Performing Arts The Tatischeff Café April 4-14 • Written by John Ammerman • Directed by John Ammerman and Clinton Wade Thorton A comic pantomime tribute to great filmmaker and mime Jacques Tati Mary Gray Munroe Theater 2 2017-2018 SEASON Midnight Pillow September 21 - October 1, 2017 • Inspired by Mary Shelley • Directed by Park Krausen 13 Playwrights, 6 Actors, and a bedroom. What dreams haunt your midnight pillow? Theater Lab, Schwartz Center for the Performing Arts The Anointing of Dracula: A Grand Guignol October 26 - November 5, 2017 • Written and directed by Brent Glenn • Inspired by the works of Bram Stoker and others. -
Postscripts Fall 2019
The Jacksonville State University English Department Alumni Newsletter Postscripts Fall 2019 Grand Prismatic Hot Spring in Yellowstone National Park taken by Stephen Kinney & submitted by Jennifer Foster 2-8 JSU’s Adventures Out West 9-12 Hail and Farewell: Dr. Harding Retires 12-14 The Shakespeare Project 15-18 All the World’s a Stage: Spotlight on Emily Duncan 19-20 Miscellany 20 Imagining the Holocaust 21-22 Writers Bowl 23 Writer’s Club 23 Southern Playwrights Competition 23 Sigma Tau Delta 24-31 Postscripts Bios 31 English Department Foundation 32-34 Student Sampler 1 JSU’s Adventures Out West by Jennifer Foster In December of 2017, JSU’s provost and long-time supporter of the American Democracy Project (ADP), Dr. Rebecca Turner, sent out a call for JSU faculty volunteers to attend a week- long seminar, scheduled for May 2018, on the stewardship of public lands in Yellowstone National Park (YNP). I quickly responded with a request to be considered as an attendee because while I had travelled to the park a couple of times, I had never been in the spring, and I had never been to the northern range. My initial justification for going was to experience, yet again, the beauty and diversity of ecosystems and wildlife unique to YNP. I wish I could truthfully write that I had the foresight to envision what would happen over the next year as a result of this trip, but that isn’t the case. I’m still not exactly sure how the ADP’s seminar evolved into a large JSU group returning in 2019 with the potential for subsequent groups to follow, and I have to fight myself not to overly romanticize my experiences. -
High-Resolution Local-Area Digital Elevation Models and Derived Products for Mercury from Messenger Images
3rd Planetary Data Workshop 2017 (LPI Contrib. No. 1986) 7001.pdf HIGH-RESOLUTION LOCAL-AREA DIGITAL ELEVATION MODELS AND DERIVED PRODUCTS FOR MERCURY FROM MESSENGER IMAGES. Madeleine R. Manheim1, Megan R. Henriksen1, Mark S. Robinson1, and the MESSENGER Team, 1School of Earth and Space Exploration, Arizona State University, 1100 South Cady Mall, Tempe, AZ 85287, [email protected]. Introduction: The Mercury Dual Imaging System acceptable stereo pairs were identified on the basis of (MDIS) on the MErcury Surface, Space ENvironment, common surface coverage, resolution ratio, stereo GEochemistry, and Ranging (MESSENGER) space- strength (parallax/height ratio), and illumination com- craft provided global images of Mercury’s surface. patibility [7]. MDIS consisted of two cameras: a monochrome nar- Pre-Processing. The selected images were ingested row-angle camera (NAC) and a multispectral wide- into ISIS, radiometrically calibrated, and initialized angle camera (WAC) [1]. Although MDIS was not with orientation parameters stored in SPICE kernels. designed as a stereo camera, off-nadir observations These parameters were converted to a format compati- acquired at different times resulted in near-global ste- ble with SOCET SET 5.6, and, along with the images, reo coverage and enabled the creation of digital eleva- imported into SOCET SET [6]. tion models (DEMs) [1]. Low altitude stereo sequences Relative Orientation. Before controlling the images acquired later in the mission allow the creation of local to the geodetically accurate MLA tracks, each image area DTMs with spatial scales more than 8x better than was corrected for relative orientation to the other im- the global product [2]. The local DEMs were computed ages in the stereo model. -
Get Smart with Art Is Made Possible with Support from the William K
From the Headlines About the Artist From the Artist Based on the critics’ comments, what aspects of Albert Bierstadt (1830–1902) is Germany in 1830, Albert Bierstadt Bierstadt’s paintings defined his popularity? best known for capturing majestic moved to Massachusetts when he western landscapes with his was a year old. He demonstrated an paintings of awe-inspiring mountain early interest in art and at the age The striking merit of Bierstadt in his treatment of ranges, vast canyons, and tumbling of twenty-one had his first exhibit Yosemite, as of other western landscapes, lies in his waterfalls. The sheer physical at the New England Art Union in power of grasping distances, handling wide spaces, beauty of the newly explored West Boston. After spending several years truthfully massing huge objects, and realizing splendid is evident in his paintings. Born in studying in Germany at the German atmospheric effects. The success with which he does Art Academy in Düsseldorf, Bierstadt this, and so reproduces the noblest aspects of grand returned to the United States. ALBERT BIERSTADT scenery, filling the mind of the spectator with the very (1830–1902) sentiment of the original, is the proof of his genius. A great adventurer with a pioneering California Spring, 1875 Oil on canvas, 54¼ x 84¼ in. There are others who are more literal, who realize details spirit, Bierstadt joined Frederick W. Lander’s Military Expeditionary Presented to the City and County of more carefully, who paint figures and animals better, San Francisco by Gordon Blanding force, traveling west on the overland who finish more smoothly; but none except Church, and 1941.6 he in a different manner, is so happy as Bierstadt in the wagon route from Saint Joseph, Watkins Yosemite Art Gallery, San Francisco. -
Catalogue Number [Of the Bulletin]
BULLETIN OF WELLESLEY COLLEGE CATALOGUE NUMBER 1967-1968 JULY 1967 CATALOGUE NUMBER BULLETIN OF WELLESLEY COLLEGE July 1967 Bulletins published six times a year by Wellesley College, Green Hall, Wellesley, Massachusetts 02181. January, one; April, one; July, one; Ocober, one; Novem- ber, two. Second-Class postage paid at Boston, Massachusetts and at additional mailing offices. Volume 57 Number 1 CALENDAR Academic Year 1967-1968 Term I Registration of new students, 9:00 a.m. to 11:00 p.m Sunday, September 10 Registration closes for all students, 11:00 p.m Tuesday, September 12 Opening Convocation, 8:30 a.m Wednesday, September 13 Classes begin Thursday, September 14 _, , . C Wednesday, November 22 . after classes iiianksgivmg recess ° <. , ^^ a^ j m i a-r ^ ) to 1:00 A.M Monday, November 27 _, ( from Tuesday, December 12 Exammations: <,, , c i. j rA u ic y through Saturday, December lb Christmas vacation begins after the student's last examination. Term II Registration closes for all students, 1:00 a.m. .Thursday, January 4 „ (after classes Wednesday, February 21 /to 1:00 a.m Monday, February 26 from Tuesday, April 2 Examinations: <., , through Saturday,c i. i Aprila i bc I Spring vacation begins after the student's last examination. Term III Registration closes for all students, 1:00 a.m. .Tuesday, April 16 ^ ( from Monday, May 27 Exammations: <^, , t- j a/t oc ) through Tuesday, May 28 Commencement Saturday, June 1 2 TABLE OF CONTENTS Visitors; Correspondence 5 Board of Trustees . 6 Officers of Instruction and Administration 7 The College 21 The Curriculum 26 Requirements for the Degree of Bachelor of Arts; Exemp- tion; Advanced Placement; Credit Outside the Regular Course Program; Course and Special Examinations; Research or In- dividual Study; Academic Distinctions and Honors; Require- ments for Master of Arts Degree Special Programs and Preparation for Careers . -
2D Mercury Crater Wordsearch V2
3/24/2019 Word Search Generator :: Create your own printable word find worksheets @ A to Z Teacher Stuff MAKE YOUR OWN WORKSHEETS ONLINE @ WWW.ATOZTEACHERSTUFF.COM NAME:_______________________________ DATE:_____________ Craters on Mercury SICINIMODFIQPVMRQSLJ BEETHOVEN MICHELANGELO BLTVPTSDUOMRCIPDRAEN BYRON RAPHAEL YAPVWYPXSEHAUEHSEVDI CUNNINGHAM SAVAGE RRZAYRKFJROGNIGSNAIA DAMER SHAKESPEARE ORTNPIVOCDTJNRRSKGSW DOMINICI SVEINSDOTTIR NOMGETIKLKEUIAAGLEYT DRISCOLL TOLSTOI PCLOLTVLOEPSNDPNUMQK ELLINGTON VANGOGH YHEGLOAAEIGEGAHQAPRR FAULKNER VIEIRADASILVA NANHIDLNTNNNHSAOFVLA HEMINGWAY VIVALDI VDGYNSDGGMNGAIEDMRAM HOLST GALQGNIEBIMOMLLCNEZG HOMER VMESTIWWKWCANVEKLVRU IMHOTEP ZELTOEPSBOAWMAUHKCIS IZQUIERDO JRQGNVMODREIUQZICDTH JOPLIN SHAKESPEARETOLSTOIOX KIPLING BBCZWAQSZRSLPKOJHLMA LANGE SFRLLOCSIRDIYGSSSTQT LARROCHA FKUIDTISIYYFAIITRODE LENGLE NILPOJHEMINGWAYEGXLM LENNON BEETHOVENRYSKIPLINGV MARKTWAIN 1/2 Mercury Craters: Famous Writers, Artists, and Composers: Location and Sizes Beethoven: Ludwig van Beethoven (1770−1827). German composer and pianist. 20.9°S, 124.2°W; Diameter = 630 km. Byron: Lord Byron (George Byron) (1788−1824). British poet and politician. 8.4°S, 33°W; Diameter = 106.6 km. Cunningham: Imogen Cunningham (1883−1976). American photographer. 30.4°N, 157.1°E; Diameter = 37 km. Damer: Anne Seymour Damer (1748−1828). English sculptor. 36.4°N, 115.8°W; Diameter = 60 km. Dominici: Maria de Dominici (1645−1703). Maltese painter, sculptor, and Carmelite nun. 1.3°N, 36.5°W; Diameter = 20 km. Driscoll: Clara Driscoll (1861−1944). American glass designer. 30.6°N, 33.6°W; Diameter = 30 km. Ellington: Edward Kennedy “Duke” Ellington (1899−1974). American composer, pianist, and jazz orchestra leader. 12.9°S, 26.1°E; Diameter = 216 km. Faulkner: William Faulkner (1897−1962). American writer and Nobel Prize laureate. 8.1°N, 77.0°E; Diameter = 168 km. Hemingway: Ernest Hemingway (1899−1961). American journalist, novelist, and short-story writer. 17.4°N, 3.1°W; Diameter = 126 km. -
Sophie's World
Sophie’s World Jostien Gaarder Reviews: More praise for the international bestseller that has become “Europe’s oddball literary sensation of the decade” (New York Newsday) “A page-turner.” —Entertainment Weekly “First, think of a beginner’s guide to philosophy, written by a schoolteacher ... Next, imagine a fantasy novel— something like a modern-day version of Through the Looking Glass. Meld these disparate genres, and what do you get? Well, what you get is an improbable international bestseller ... a runaway hit... [a] tour deforce.” —Time “Compelling.” —Los Angeles Times “Its depth of learning, its intelligence and its totally original conception give it enormous magnetic appeal ... To be fully human, and to feel our continuity with 3,000 years of philosophical inquiry, we need to put ourselves in Sophie’s world.” —Boston Sunday Globe “Involving and often humorous.” —USA Today “In the adroit hands of Jostein Gaarder, the whole sweep of three millennia of Western philosophy is rendered as lively as a gossip column ... Literary sorcery of the first rank.” —Fort Worth Star-Telegram “A comprehensive history of Western philosophy as recounted to a 14-year-old Norwegian schoolgirl... The book will serve as a first-rate introduction to anyone who never took an introductory philosophy course, and as a pleasant refresher for those who have and have forgotten most of it... [Sophie’s mother] is a marvelous comic foil.” —Newsweek “Terrifically entertaining and imaginative ... I’ll read Sophie’s World again.” — Daily Mail “What is admirable in the novel is the utter unpretentious-ness of the philosophical lessons, the plain and workmanlike prose which manages to deliver Western philosophy in accounts that are crystal clear.