Iso/Iec Jtc1/Sc2/Wg2 N4838 L2/17-238
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Unicode Alphabets for L ATEX
Unicode Alphabets for LATEX Specimen Mikkel Eide Eriksen March 11, 2020 2 Contents MUFI 5 SIL 21 TITUS 29 UNZ 117 3 4 CONTENTS MUFI Using the font PalemonasMUFI(0) from http://mufi.info/. Code MUFI Point Glyph Entity Name Unicode Name E262 � OEligogon LATIN CAPITAL LIGATURE OE WITH OGONEK E268 � Pdblac LATIN CAPITAL LETTER P WITH DOUBLE ACUTE E34E � Vvertline LATIN CAPITAL LETTER V WITH VERTICAL LINE ABOVE E662 � oeligogon LATIN SMALL LIGATURE OE WITH OGONEK E668 � pdblac LATIN SMALL LETTER P WITH DOUBLE ACUTE E74F � vvertline LATIN SMALL LETTER V WITH VERTICAL LINE ABOVE E8A1 � idblstrok LATIN SMALL LETTER I WITH TWO STROKES E8A2 � jdblstrok LATIN SMALL LETTER J WITH TWO STROKES E8A3 � autem LATIN ABBREVIATION SIGN AUTEM E8BB � vslashura LATIN SMALL LETTER V WITH SHORT SLASH ABOVE RIGHT E8BC � vslashuradbl LATIN SMALL LETTER V WITH TWO SHORT SLASHES ABOVE RIGHT E8C1 � thornrarmlig LATIN SMALL LETTER THORN LIGATED WITH ARM OF LATIN SMALL LETTER R E8C2 � Hrarmlig LATIN CAPITAL LETTER H LIGATED WITH ARM OF LATIN SMALL LETTER R E8C3 � hrarmlig LATIN SMALL LETTER H LIGATED WITH ARM OF LATIN SMALL LETTER R E8C5 � krarmlig LATIN SMALL LETTER K LIGATED WITH ARM OF LATIN SMALL LETTER R E8C6 UU UUlig LATIN CAPITAL LIGATURE UU E8C7 uu uulig LATIN SMALL LIGATURE UU E8C8 UE UElig LATIN CAPITAL LIGATURE UE E8C9 ue uelig LATIN SMALL LIGATURE UE E8CE � xslashlradbl LATIN SMALL LETTER X WITH TWO SHORT SLASHES BELOW RIGHT E8D1 æ̊ aeligring LATIN SMALL LETTER AE WITH RING ABOVE E8D3 ǽ̨ aeligogonacute LATIN SMALL LETTER AE WITH OGONEK AND ACUTE 5 6 CONTENTS -
Chapter 5. Characters: Typology and Page Encoding 1
Chapter 5. Characters: typology and page encoding 1 Chapter 5. Characters: typology and encoding Version 2.0 (16 May 2008) 5.1 Introduction PDF of chapter 5. The basic characters a-z / A-Z in the Latin alphabet can be encoded in virtually any electronic system and transferred from one system to another without loss of information. Any other characters may cause problems, even well established ones such as Modern Scandinavian ‘æ’, ‘ø’ and ‘å’. In v. 1 of The Menota handbook we therefore recommended that all characters outside a-z / A-Z should be encoded as entities, i.e. given an appropriate description and placed between the delimiters ‘&’ and ‘;’. In the last years, however, all major operating systems have implemented full Unicode support and a growing number of applications, including most web browsers, also support Unicode. We therefore believe that encoders should take full advantage of the Unicode Standard, as recommended in ch. 2.2.2 above. As of version 2.0, the character encoding recommended in The Menota handbook has been synchronised with the recommendations by the Medieval Unicode Font Initiative . The character recommendations by MUFI contain more than 1,300 characters in the Latin alphabet of potential use for the encoding of Medieval Nordic texts. As a consequence of the synchronisation, the list of entities which is part of the Menota scheme is identical to the one by MUFI. In other words, if a character is encoded with a code point or an entity in the MUFI character recommendation, it will be a valid character encoding also in a Menota text. -
MUFI Character Recommendation V. 3.0: Code Chart Order
MUFI character recommendation Characters in the official Unicode Standard and in the Private Use Area for Medieval texts written in the Latin alphabet ⁋ ※ ð ƿ ᵹ ᴆ ※ ¶ ※ Part 2: Code chart order ※ Version 3.0 (5 July 2009) ※ Compliant with the Unicode Standard version 5.1 ____________________________________________________________________________________________________________________ ※ Medieval Unicode Font Initiative (MUFI) ※ www.mufi.info ISBN 978-82-8088-403-9 MUFI character recommendation ※ Part 2: code chart order version 3.0 p. 2 / 245 Editor Odd Einar Haugen, University of Bergen, Norway. Background Version 1.0 of the MUFI recommendation was published electronically and in hard copy on 8 December 2003. It was the result of an almost two-year-long electronic discussion within the Medieval Unicode Font Initiative (http://www.mufi.info), which was established in July 2001 at the International Medi- eval Congress in Leeds. Version 1.0 contained a total of 828 characters, of which 473 characters were selected from various charts in the official part of the Unicode Standard and 355 were located in the Private Use Area. Version 1.0 of the recommendation is compliant with the Unicode Standard version 4.0. Version 2.0 is a major update, published electronically on 22 December 2006. It contains a few corrections of misprints in version 1.0 and 516 additional char- acters (of which 123 are from charts in the official part of the Unicode Standard and 393 are additions to the Private Use Area). There are also 18 characters which have been decommissioned from the Private Use Area due to the fact that they have been included in later versions of the Unicode Standard (and, in one case, because a character has been withdrawn). -
Ronald D. Rotunda, the Notice of Withdrawal and the New Model
RONALD D. ROTUNDA* The Notice of Withdrawal and the New Model Rules of Professional Conduct: Blowing the Whistle and Waving the Red Flag I A problem that has been a leitmotif in the literature and case law of legal ethics concerns the ethical responsibility of the lawyer who learns that a client has committed or plans to commit perjury, or through a lie or misrepresentation commits some other fraud on a tribunal or on another party. Although this problem has been much debated by courts’ and commentators,2 and is the sub- * Professor of Law, University of Illinois. The author gratefully acknowledges the support provided to him by the 1984 David C. Baum Memorial Research Award of the University of Illinois College of Law and a grant from the National Institute of Dispute Resolution in Washington, D.C. The author also wishes to thank Professors Bryant Garth, Sanford Levinson, Patricia Marschall, Deborah mode, Eugene Smith, and John Sutton, who read the manuscript and offered helpful suggestions, and Ms. Marie T. Reilly, for her helpful research and suggestions. I am pleased to contribute this article to the issue dedicated to my good friend and colleague, Eugene Scoles. I See People v. Schultheis, 638 P.2d 8 (Colo. 1981) (witness perjury); In re Fried- man, 76 111. 2d 392: 392 N.E.2d 1333 (1979) (use of false testimony to trap bribers); Comm. on Prof. Ethics and Conduct of the Iowa State Bar Ass’n v. Crary, 245 N.W.2d 298 (Iowa 1976) (client perjury during deposition); Louisiana State Bar Ass’n v. -
Fonts for Latin Paleography
FONTS FOR LATIN PALEOGRAPHY Capitalis elegans, capitalis rustica, uncialis, semiuncialis, antiqua cursiva romana, merovingia, insularis majuscula, insularis minuscula, visigothica, beneventana, carolina minuscula, gothica rotunda, gothica textura prescissa, gothica textura quadrata, gothica cursiva, gothica bastarda, humanistica. User's manual 5th edition 2 January 2017 Juan-José Marcos [email protected] Professor of Classics. Plasencia. (Cáceres). Spain. Designer of fonts for ancient scripts and linguistics ALPHABETUM Unicode font http://guindo.pntic.mec.es/jmag0042/alphabet.html PALEOGRAPHIC fonts http://guindo.pntic.mec.es/jmag0042/palefont.html TABLE OF CONTENTS CHAPTER Page Table of contents 2 Introduction 3 Epigraphy and Paleography 3 The Roman majuscule book-hand 4 Square Capitals ( capitalis elegans ) 5 Rustic Capitals ( capitalis rustica ) 8 Uncial script ( uncialis ) 10 Old Roman cursive ( antiqua cursiva romana ) 13 New Roman cursive ( nova cursiva romana ) 16 Half-uncial or Semi-uncial (semiuncialis ) 19 Post-Roman scripts or national hands 22 Germanic script ( scriptura germanica ) 23 Merovingian minuscule ( merovingia , luxoviensis minuscula ) 24 Visigothic minuscule ( visigothica ) 27 Lombardic and Beneventan scripts ( beneventana ) 30 Insular scripts 33 Insular Half-uncial or Insular majuscule ( insularis majuscula ) 33 Insular minuscule or pointed hand ( insularis minuscula ) 38 Caroline minuscule ( carolingia minuscula ) 45 Gothic script ( gothica prescissa , quadrata , rotunda , cursiva , bastarda ) 51 Humanist writing ( humanistica antiqua ) 77 Epilogue 80 Bibliography and resources in the internet 81 Price of the paleographic set of fonts 82 Paleographic fonts for Latin script 2 Juan-José Marcos: [email protected] INTRODUCTION The following pages will give you short descriptions and visual examples of Latin lettering which can be imitated through my package of "Paleographic fonts", closely based on historical models, and specifically designed to reproduce digitally the main Latin handwritings used from the 3 rd to the 15 th century. -
The Brill Typeface User Guide & Complete List of Characters
The Brill Typeface User Guide & Complete List of Characters Version 2.06, October 31, 2014 Pim Rietbroek Preamble Few typefaces – if any – allow the user to access every Latin character, every IPA character, every diacritic, and to have these combine in a typographically satisfactory manner, in a range of styles (roman, italic, and more); even fewer add full support for Greek, both modern and ancient, with specialised characters that papyrologists and epigraphers need; not to mention coverage of the Slavic languages in the Cyrillic range. The Brill typeface aims to do just that, and to be a tool for all scholars in the humanities; for Brill’s authors and editors; for Brill’s staff and service providers; and finally, for anyone in need of this tool, as long as it is not used for any commercial gain.* There are several fonts in different styles, each of which has the same set of characters as all the others. The Unicode Standard is rigorously adhered to: there is no dependence on the Private Use Area (PUA), as it happens frequently in other fonts with regard to characters carrying rare diacritics or combinations of diacritics. Instead, all alphabetic characters can carry any diacritic or combination of diacritics, even stacked, with automatic correct positioning. This is made possible by the inclusion of all of Unicode’s combining characters and by the application of extensive OpenType Glyph Positioning programming. Credits The Brill fonts are an original design by John Hudson of Tiro Typeworks. Alice Savoie contributed to Brill bold and bold italic. The black-letter (‘Fraktur’) range of characters was made by Karsten Lücke. -
Dataset of Pages from Early Printed Books with Multiple Font Groups
Dataset of Pages from Early Printed Books with Multiple Font Groups Mathias Seuret∗ Saskia Limbach∗ Nikolaus Weichselbaumer∗ Pattern Recognition Lab, Gutenberg-Institut für Gutenberg-Institut für Friedrich-Alexander-Universität Weltliteratur und schriftorientierte Weltliteratur und schriftorientierte Erlangen-Nürnberg Medien Abteilung Medien Abteilung Erlangen, Germany Buchwissenschaft Buchwissenschaft [email protected] Mainz, Germany Mainz, Germany [email protected] [email protected] Andreas Maier Vincent Christlein Pattern Recognition Lab, Pattern Recognition Lab, Friedrich-Alexander-Universität Friedrich-Alexander-Universität Erlangen-Nürnberg Erlangen-Nürnberg Erlangen, Germany Erlangen, Germany [email protected] [email protected] ABSTRACT ACM Reference Format: Based on contemporary scripts, early printers developed a Mathias Seuret, Saskia Limbach, Nikolaus Weichselbaumer, An- dreas Maier, and Vincent Christlein. 2019. Dataset of Pages from large variety of different fonts. While fonts may slightly differ Early Printed Books with Multiple Font Groups. In HIP’19 : 5th from one printer to another, they can be divided into font International Workshop on Historical Document Imaging and Pro- groups, such as Textura, Antiqua, or Fraktur. The recognition cessing, Sydney, Australia. ACM, New York, NY, USA, 6 pages. of font groups is important for computer scientists to select https://doi.org/10.1145/3352631.3352640 adequate OCR models, and of high interest to humanities scholars studying early printed books and the history of fonts. 1 INTRODUCTION In this paper, we introduce a new, public dataset for the The dataset presented in this paper1 is meant to aid the recognition of font groups in early printed books, and evaluate automatic recognition of font groups in scans of early modern2 several state-of-the-art CNNs for the font group recognition books (see Sec. -
Iso/Iec Jtc1/Sc2/Wg2 N3027 L2/06-027
ISO/IEC JTC1/SC2/WG2 N3027 L2/06-027 2006-01-30 Universal Multiple-Octet Coded Character Set International Organization for Standardization Organisation internationale de normalisation Международная организация по стандартизации Doc Type: Working Group Document Title: Proposal to add medievalist characters to the UCS Source: Michael Everson (editor), Peter Baker, António Emiliano, Florian Grammel, Odd Einar Haugen, Diana Luft, Susana Pedro, Gerd Schumacher, Andreas Stötzner Status: Expert Contribution Action: For consideration by JTC1/SC2/WG2 and UTC Date: 2006-01-30 Introduction. A set of characters used by specialists in medieval European philology and linguistics is absent from the Universal Character Set. These characters differ in nature; some are original ligatures which acquired letter status due to their phonemic value; some are letterforms distinct from other letterforms innovated to distinguish sounds; some are combining diacritical letters used in abbreviations or suspensions of various kinds; and some are best described as “letters with syllabic content”. Theoretical preliminaries. Contemporary medievalist philologists and linguists want to be able to represent typographically (in printed format and on computer screens) the character sets which were in use for many centuries in several regions of medieval Europe. Those character sets derive from the common Latin script and contained many characters which simply disappeared with the development of contemporary printing conventions. Early printers made abundant use of “special” medieval characters, but eventually these fell out of use, with notable exceptions like $, ¶, &, Ç, ˜, @, and the ¯ used in Ireland. Contemporary philologists and linguists who want to study the graphemic conventions in use in medieval times—thereby drawing solid or grounded conclusions about the nature and structure of the language systems represented in writing—must rely on bona fide transcriptions of the texts. -
Junicode, V. 0.6.5
Junicode, v. 0.6.5 Table of Contents What is Junicode?...............................................................................................................2 GNU General Public License..............................................................................................3 How the GNU General Public License Applies to Junicode..............................................11 How to install Junicode.....................................................................................................12 1. Microsoft Windows..................................................................................................12 2. Macintosh OS X.......................................................................................................12 3. Linux.......................................................................................................................12 Reading the Code Charts..................................................................................................12 Basic Latin (0000-007F)....................................................................................................14 Latin 1 Supplement (0080-00FF)......................................................................................15 Latin Extended A (0100-017F).........................................................................................16 Latin Extended B (0180-024F).........................................................................................17 IPA Extensions (0250-02AF)............................................................................................18 -
MUFI Character Recommendation V. 4.0: Alphabetical Order
MUFI character recommendation Characters in the official Unicode Standard and in the Private Use Area for Medieval texts written in the Latin alphabet ⁋ ※ ð ƿ ᵹ ᴆ ※ ¶ ※ Part 1: Alphabetical order ※ Version 4.0 (22 December 2015) ※ Compliant with the Unicode Standard version 8.0 ____________________________________________________________________________________________________________________ ※ Medieval Unicode Font Initiative (MUFI) ※ www.mufi.info http://hdl.handle.net/1956/10699 ※ Characters on shaded background belong to the Private Use Area. Please read the introduction p. 11 carefully before using any of these characters. MUFI character recommendation ※ Part 1: alphabetical order version 4.0 p. 2 / 168 Editor Odd Einar Haugen, University of Bergen, Norway. Background Version 1.0 of the MUFI recommendation was published electronically and in hard copy on 8 December 2003. It was the result of an almost two-year-long electronic discussion within the Medieval Unicode Font Initiative (http://www.mufi.info), which was established in July 2001 at the International Medie- val Congress in Leeds. Version 1.0 contained a total of 828 characters, of which 473 characters were selected from various charts in the official part of the Unicode Standard and 355 were located in the Private Use Area. Version 1.0 of the recommendation was compliant with the Unicode Standard version 4.0. Version 2.0 was a major update, published electronically on 22 December 2006. The net addition in this version was 498 characters, making a total of 1326 characters. This version of the recommendation was compliant with the Unicode Standard version 5.0. Version 3.0 was another major update, published electronically on 24 June 2009. -
Latin Paleography (Fonts for Latin Script)
FFFONTS FOR LATIN PPPALEOGRAPHY Capitalis elegans, capitalis rustica, uncialis, semiuncialis, antiqua cursiva romana, merovingia, insularis majuscula, insularis minuscula, visigothica, beneventana, carolina minuscula, gothica rotunda, gothica textura prescissa, gothica textura quadrata, gothica cursiva, gothica bastarda, humanistica. User's manual 4th edition June 2014 Juan-José Marcos [email protected] Professor of Classics. Plasencia. (Cáceres). Spain. Designer of fonts for ancient scripts and linguistics ALPHABETUM Unicode font http://guindo.pntic.mec.es/jmag0042/alphabet.html PALEOGRAPHIC fonts http://guindo.pntic.mec.es/jmag0042/palefont.html TABLE OF CONTENTS CHAPTER Page Table of contents 2 Introduction 3 Epigraphy and Paleography 3 The Roman majuscule book-hand 4 Square Capitals (capitalis elegans) 5 Rustic Capitals (capitalis rustica) 8 Uncial script (uncialis) 10 Old Roman cursive (antiqua cursiva romana) 13 New Roman cursive (nova cursiva romana) 16 Half-uncial or Semi-uncial (semiuncialis) 19 Post-Roman scripts or national hands 22 Germanic script (scriptura germanica) 23 Merovingian minuscule (merovingia, luxoviensis minuscula) 24 Visigothic minuscule (visigothica) 27 Lombardic and Beneventan scripts (beneventana) 30 Insular scripts 33 Insular Half-uncial or Insular majuscule (insularis majuscula) 33 Insular minuscule or pointed hand (insularis minuscula) 38 Caroline minuscule (carolingia minuscula) 45 Gothic script (gothica prescissa, quadrata, rotunda, cursiva, bastarda) 51 Humanist writing (humanistica antiqua) 77 Epilogue 80 Bibliography and resources in the internet 81 Price of the paleographic set of fonts 82 Paleographic fonts for Latin script 2 Juan-José Marcos. [email protected] INTRODUCTION The following pages will give you short descriptions and visual examples of Latin lettering which can be imitated through my package of "Paleographic fonts", closely based on historical models, and specifically designed to reproduce digitally the main Latin handwritings used from the 3rd to the 15th century. -
Iso/Iec Jtc1/Sc2/Wg2 N2957 L2/05-183
ISO/IEC JTC1/SC2/WG2 N2957 L2/05-183 2005-08-02 Universal Multiple-Octet Coded Character Set International Organization for Standardization Organisation internationale de normalisation Международная организация по стандартизации Doc Type: Working Group Document Title: Preliminary proposal to add medievalist characters to the UCS Source: Michael Everson, Odd Einar Haugen, António Emiliano, Susana Pedro, Florian Grammel, Peter Baker, Andreas Stötzner, Marcus Dohnicht, Diana Luft Status: Expert Contribution Action: For consideration by JTC1/SC2/WG2 and UTC Date: 2005-08-02 Introduction. A set of characters used by specialists in medieval European philology and linguistics is absent from the Universal Character Set. These characters differ in nature; some are original ligatures which acquired letter status due to their phonemic value; some are letterforms distinct from other letterforms innovated to distinguish sounds; some are combining diacritical letters used in abbreviations or suspensions of various kinds; and some are best described as “letters with syllabic content”. This is not a complete proposal, but a work in progress; all of the example Figures referred to will be added in the next version of this document. Note that the glyphs used in the code charts here may not be optimal. Theoretical preliminaries. Contemporary medievalist philologists and linguists want to be able to represent typographically (in printed format and on computer screens) the character sets which were in use for many centuries in several regions of medieval Europe. Those character sets derive from the common Latin script and contained many characters which simply disappeared with the development of contemporary printing conventions. Early printers made abundant use of “special” medieval characters, but eventually these fell out of use, with notable exceptions like $, ¶, &, Ç, ˜, @, and the ¯ used in Ireland.