Poland and Hungary)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Historical Traumas in Post-War Hungary: Legacies and Representations of Genocide and Dictatorship
The Hungarian Historical Review New Series of Acta Historica Academiae Scientiarum Hungaricae Volume 6 No. 2 2017 Historical Traumas in Post-War Hungary: Legacies and Representations of Genocide and Dictatorship Balázs Apor Special Editor of the Thematic Issue Contents Articles Zsolt Győri Discursive (De)Constructions of the Depoliticized Private Sphere in The Resolution and Balaton Retro 271 tamás BeZsenyi and The Legacy of World War II and Belated Justice andrás lénárt in the Hungarian Films of the Early Kádár Era 300 Péter Fodor Erasing, Rewriting, and Propaganda in the Hungarian Sports Films of the 1950s 328 anna menyhért Digital Trauma Processing in Social Media Groups: Transgenerational Holocaust Trauma on Facebook 355 ZsóFia réti Past Traumas and Future Generations: Cultural Memory Transmission in Hungarian Sites of Memory 377 lóránt Bódi The Documents of a Fresh Start in Life: Marriage Advertisements Published in the Israelite Newspaper Új Élet (New Life) Between 1945–1952 404 http://www.hunghist.org HHR_2017-2.indb 1 9/26/2017 3:20:01 PM Contents Featured review The Routledge History of East Central Europe since 1700. Edited by Irina Livezeanu and Árpád von Klimó. Reviewed by Ferenc Laczó 427 Book reviews Central Europe in the High Middle Ages: Bohemia, Hungary and Poland, c. 900–c. 1300. By Nora Berend, Przemysław Urbańczyk, and Przemysław Wiszewski. Reviewed by Sébastien Rossignol 434 Deserting Villages – Emerging Market Towns: Settlement Dynamics and Land Management in the Great Hungarian Plain: 1300–1700. By Edit Sárosi. Reviewed by András Vadas 437 Das Reich als Netzwerk der Fürsten: Politische Strukturen unter dem Doppelkönigtum Friedrichs II. -
Fundamental Law of Hungary (As in Force on 29 June 2018) This Document Has Been Produced for Informational Purposes Only
The Fundamental Law of Hungary (as in force on 29 June 2018) This document has been produced for informational purposes only. THE FUNDAMENTAL LAW OF HUNGARY English translation of the consolidated version of the Fundamental Law of Hungary incorporating: - the First Amendment to the Fundamental Law, - the Second Amendment to the Fundamental Law, - the Third Amendment to the Fundamental Law, - the Fourth Amendment to the Fundamental Law, - the Fifth Amendment to the Fundamental Law, - the Sixth Amendment to the Fundamental Law, - the Seventh Amendment to the Fundamental Law, as in force on 29 June 2018 Ministry of Justice 2017 (contact: [email protected]) 1 The Fundamental Law of Hungary (as in force on 29 June 2018) This document has been produced for informational purposes only. The Fundamental Law of Hungary (25 April 2011) God bless the Hungarians NATIONAL AVOWAL WE, THE MEMBERS OF THE HUNGARIAN NATION, at the beginning of the new millennium, with a sense of responsibility for every Hungarian, hereby proclaim the following: We are proud that our king Saint Stephen built the Hungarian State on solid ground and made our country a part of Christian Europe one thousand years ago. We are proud of our forebears who fought for the survival, freedom and independence of our country. We are proud of the outstanding intellectual achievements of the Hungarian people. We are proud that our nation has over the centuries defended Europe in a series of struggles and enriched Europe’s common values with its talent and diligence. We recognise the role of Christianity in preserving nationhood. -
Politics, Feasts, Festivals SZEGEDI VALLÁSI NÉPRAJZI KÖNYVTÁR BIBLIOTHECA RELIGIONIS POPULARIS SZEGEDIENSIS 36
POLITICS, FEASTS, FESTIVALS SZEGEDI VALLÁSI NÉPRAJZI KÖNYVTÁR BIBLIOTHECA RELIGIONIS POPULARIS SZEGEDIENSIS 36. SZERKESZTI/REDIGIT: BARNA, GÁBOR MTA-SZTE RESEARCH GROUP FOR THE STUDY OF RELIGIOUS CULTURE A VALLÁSI KULTÚRAKUTATÁS KÖNYVEI 4. YEARBOOK OF THE SIEF WORKING GROUP ON THE RITUAL YEAR 9. MTA-SZTEMTA-SZTE VALLÁSIRESEARCH GROUP KULTÚRAKUTATÓ FOR THE STUDY OF RELIGIOUS CSOPORT CULTURE POLITICS, FEASTS, FESTIVALS YEARBOOK OF THE SIEF WORKING GROUP ON THE RITUAL YEAR Edited by Gábor BARNA and István POVEDÁK Department of Ethnology and Cultural Anthropology Szeged, 2014 Published with the support of the Hungarian National Research Fund (OTKA) Grant Nk 81502 in co-operation with the MTA-SZTE Research Group for the Study of Religious Culture. Cover: Painting by István Demeter All the language proofreading were made by Cozette Griffin-Kremer, Nancy Cassel McEntire and David Stanley ISBN 978-963-306-254-8 ISSN 1419-1288 (Szegedi Vallási Néprajzi Könyvtár) ISSN 2064-4825 (A Vallási Kultúrakutatás Könyvei ) ISSN 2228-1347 (Yearbook of the SIEF Working Group on the Ritual Year) © The Authors © The Editors All rights reserved Printed in Hungary Innovariant Nyomdaipari Kft., Algyő General manager: György Drágán www.innovariant.hu https://www.facebook.com/Innovariant CONTENTS Foreword .......................................................................................................................... 7 POLITICS AND THE REMEMBraNCE OF THE Past Emily Lyle Modifications to the Festival Calendar in 1600 and 1605 during the Reign of James VI and -
APPENDIX Lesson 1.: Introduction
APPENDIX Lesson 1.: Introduction The Academy Awards, informally known as The Oscars, are a set of awards given annually for excellence of cinematic achievements. The Oscar statuette is officially named the Academy Award of Merit and is one of nine types of Academy Awards. Organized and overseen by the Academy of Motion Picture Arts and Sciences (AMPAS),http://en.wikipedia.org/wiki/Academy_Award - cite_note-1 the awards are given each year at a formal ceremony. The AMPAS was originally conceived by Metro-Goldwyn- Mayer studio executive Louis B. Mayer as a professional honorary organization to help improve the film industry’s image and help mediate labor disputes. The awards themselves were later initiated by the Academy as awards "of merit for distinctive achievement" in the industry. The awards were first given in 1929 at a ceremony created for the awards, at the Hotel Roosevelt in Hollywood. Over the years that the award has been given, the categories presented have changed; currently Oscars are given in more than a dozen categories, and include films of various types. As one of the most prominent award ceremonies in the world, the Academy Awards ceremony is televised live in more than 100 countries annually. It is also the oldest award ceremony in the media; its equivalents, the Grammy Awards (for music), the Emmy Awards (for television), and the Tony Awards (for theater), are modeled after the Academy Awards. The 85th Academy Awards were held on February 24, 2013 at the Dolby Theatre in Los Angeles, California. Source: http://en.wikipedia.org/wiki/Academy_Award Time of downloading: 10th January, 2013. -
Hungary Is a Landlocked Country in Central Europe. It Is Situated in The
Hungary is a landlocked country in Central Europe. It is situated in the Carpathian Basin and is bordered by Slovakia to the north, Ukraine and Romania to the east, Serbia and Croatia to the south, Slovenia to the southwest and Austria to the west. Hungary is a member of the European Union, NATO, the OECD, the Visegrád Group, and the Schengen Area. The official language isHungarian, which is the most widely spoken non-Indo-European language in Europe. Budapest is the capital and the largest city of Hungary and one of the largest cities in the European Union. It is the country's principal political, cultural, commercial,industrial, and transportation centre, sometimes described as the primate city of Hungary. The population of city is 1.74 million inhabitants The name "Budapest" is the composition of the city names "Buda" and "Pest", since they were united (together with Óbuda) to become a single city in 1873. Main sights The neo-Gothic Parliament, the biggest building in Hungary with its 268 meter length, containing amongst other things the Hungarian Crown Jewels. Saint Stephen's Basilica, where the Holy Right Hand of the founder of Hungary, King Saint Stephen. There are Roman remains at the Aquincum Museum, and historic furniture at the Nagytétény Castle Museum, just 2 out of 223 museums in Budapest. Another historical museum is the House of Terror, hosted in the building that was the venue of the Nazi headquarters. The Castle Hill, the River Danube embankments and the whole of Andrássy have been officially recognized as UNESCO World Heritage Sites. -
The Hungarian Historical Review Nationalism & Discourses
The Hungarian Historical Review New Series of Acta Historica Academiae Scientiarum Hungaricae Volume 5 No. 2 2016 Nationalism & Discourses of Objectivity: The Humanities in Central Europe in the Long Nineteenth Century Bálint Varga Special Editor of the Thematic Issue Contents Articles GÁBOR ALMÁSI Faking the National Spirit: Spurious Historical Documents in the Service of the Hungarian National Movement in the Early Nineteenth Century 225 MILOŠ ŘEZNÍK The Institutionalization of the Historical Science betwixt Identity Politics and the New Orientation of Academic Studies: Wácslaw Wladiwoj Tomek and the Introduction of History Seminars in Austria 250 ÁDÁM BOLLÓK Excavating Early Medieval Material Culture and Writing History in Late Nineteenth- and Early Twentieth-Century Hungarian Archaeology 277 FILIP TOMIĆ The Institutionalization of Expert Systems in the Kingdom of Croatia and Slavonia: The Founding of the University of Zagreb as the Keystone of Historiographic Professionalization, 1867–1918 305 MICHAEL ANTOLOVIĆ Modern Serbian Historiography between Nation-Building and Critical Scholarship: The Case of Ilarion Ruvarac (1832–1905) 332 ALEKSANDAR PAVLOVIĆ From Myth to Territory: AND Vuk Karadžić, Kosovo Epics and the Role SRĐAN ATANASOVSKI of Nineteenth-Century Intellectuals in Establishing National Narratives 357 http://www.hunghist.org HHHR_2016-2.indbHR_2016-2.indb 1 22016.07.29.016.07.29. 112:50:102:50:10 Contents Featured Review The Past as History: National Identity and Historical Consciousness in Modern Europe. By Stefan Berger, with Christoph Conrad. (Writing the Nation series) Reviewed by Gábor Gyáni 377 Book Reviews Zsigmond király Sienában [King Sigismund in Siena]. By Péter E. Kovács. Reviewed by Emőke Rita Szilágyi 384 Imprinting Identities: Illustrated Latin-Language Histories of St. -
Peasant Dance Traditions and National Dance Types in East-Central Europe in the 16Th-19Th Centuries*
Peasant Dance Traditions and National Dance Types in East-Central Europe in the 16th-19th Centuries* Gyorgy Martin Martin, Gyiirgy 1985: Peasant Dance Traditions and National Dance Types in East-Central Europe in the 16th-19th Century. - Ethnologia Europaea XV: 117-128 The author analyses the interrelation between elite culture and popular culture as it appears in the modern history of East Central European folk dances. Ac cording to his opinion, differences among popular dance traditions of various zones in Europe reflect phase shifts in the historic development: some regions preserved medieval and renaissance dance forms while other regions adopted more modern styles. In contrast to the spread of courtly and elite dance forms among the common people, the appearence of "national dance types" represents the conscious incorporation of peasant dance traditions into the national culture. In the 16th-17th century the Hajdu (Heyduck) dance might be considered as an early forerunner of these "national dance types". Originally a weapon-dance of herdsmen and soldier-peasants , this dance acquired a sort of national signifi cance during the centuries of war against the Turks and was practised in all layers of contemporary society . Later in the 19th century, during the era of na tional awakening, the creation of "national dance types" was guided by national ideologies and followed a remarkably similar pattern among Hungarians, Slov aks and Transylvanian Roumanians. The late Dr. Gyorgy Martin (1932-1983) was head of the Folk Dance Department of the Institute of Musicology, Hungarian Academy of Sciences , Budapest . The focus of this discussion is the relationship cient and complex manifestation of total art between folk culture and high culture, be ("Gesamtkunst"). -
Teaching About Hungarian and Polish Heroes. Fulbright-Hays Summer Seminars Abroad Program, 1998 (Hungary/Poland)
DOCUMENT RESUME ED 439 037 SO 030 775 AUTHOR Radkey, Janet TITLE Teaching about Hungarian and Polish Heroes. Fulbright-Hays Summer Seminars Abroad Program, 1998 (Hungary/Poland). SPONS AGENCY Center for International Education (ED), Washington, DC. PUB DATE 1998-00-00 NOTE 20p.; For other projects from the 1998 Hungary/Poland program, see SO 030 773-781. PUB TYPE Guides Classroom Teacher (052) Reports Descriptive (141) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Area Studies; *Cultural Context; *European History; Foreign Countries; High Schools; Social Studies; Thematic Approach IDENTIFIERS Fulbright Hays Seminars Abroad Program; Heroes; *Hungary; *Poland ABSTRACT This curriculum project about the history and culture of Hungary and Poland is intended for secondary school students. Theproject features a unit called "Heroes in Our Lives" and points out the sacrifices a few individuals have made for the betterment of all. Students identify heroes and learn about the impact these heroes have made on history and onsociety. Hungarian heroes discussed in the unit are: King Stephen I, Imre Nagy, Ferenc Rakoczi, and Louis Kossuth. Polish heroes discussed are: J. Pitsudski, Tadeusz Kosciuszko, Janusz Korczak, Pope John Paul II, and Lech Walesa;other heroes discussed are Raoul Wallenberg, the 1956 Hungarian Freedom Fighters, and the Solidarity Workers. Teaching methods for the unit include lectureand discussion, a slide presentation on heroic sites, selected readings, poetry, group activities, and an essay accompanied by an oralpresentation on heroes in society and heroes in each individual's life. (BT) Reproductions supplied by EDRS are the best that can be made from the original document. N O cJ Teaching about Hungarian and Polish Heroes. -
Osijek Portfolio of Potential Jewish Heritage Related Tourism Products, Services and Attractions
R E D I S C O V E R Osijek portfolio of potential Jewish heritage related tourism products, services and attractions R E D I S C O V E R Osijek portfolio of potential Jewish heritage related tourism products, services and attractions IMPRESSUM CONTRACTING AUTHORITY: Grad Osijek /City of Osijek ON BEHALF OF CONTRACTING AUTHORITY: Ivian Vrkić, Mayor SERVICE PROVIDER: RICL Obrt za savjetovanje i usluge Kralja P. Svačića 62, Osijek AUTHOR: Jesenka Ricl Content 1. Short abstract about the Rediscover project 7 1.1 Content of the portfolio 8 2. Workshop outputs within the product development workshop 10 series (Evaluation) 2.1 Inventory workshop in Osijek 10 2.2 Capacity building workshop in Osijek 10 2.3 Match-making workshop in Osijek 11 3. Profile of the City of Osijek and the surroundings 14 3.1 Tourism traffic of Osijek-Baranjacounty and city of Osijek. 15 3.2 Tourism development plans in Osijek-Baranja county and city of Osijek 17 3.2.1 S.O.S. Subotica Osijek Secession Tourist Route 18 3.2.2 Stara Pekara / Old Bakery 18 4. Status of Jewish Cultural Heritage products and services 20 4.1 Historical survey 20 4.2 Basis of tourism offer of the city of Osijek 22 4.3 Tourism portfolio development 30 4.3.1 Infrastructure development 32 4.3.2 Human potential development 32 4.3.3 Market segmentation 33 4.4 Product segmentation according to specific niches 37 4.4.1 Thematic guided tours (in Croatian, English) 37 4.4.2 Ambient performances – living history (in Croatian, English) 38 4.4.3 Exhibition of Weissmann collection – Museum of Slavonia 38 4.4.4 Museum of Personal Stories 39 4.4.5 Promotional materials with sales potential 39 4.4.6 Educational programmes 40 4.4.7. -
Mary Taylor: the Hungarian Dance-House Movement
Ninteeenth and Twentieth Century Historical and Institutional Precedents of the Hungarian Dance-House Movement Mary Taylor .................................................................................. CUNY Graduate Center The Institute of Ethnology of the [email protected] Hungarian Academy of Sciences and The Hungarian Heritage House Advisers: Mr. Ferenc Sebo˝ and Ms. Ágnes Fülemile .................................................................................. This paper seeks to lay out a broad history of the latest wave of folk revival in Hungary, the Tanchaz (Dance-house) Movement. In order to do so, It will examine the engagement with folk forms by the (mostly urban) elite and the academy in connection with nation- building/nationalism in 19th and 20th century Hungary; the rise of specific institutions and practices connected with Hungarian folk culture and their continuity or discontinuity over time; the sudden territorial and population shift that would leave a legacy of ethnographic and folkloristic material covering a territory much larger than the truncated Hungarian state that emerged in 1920 from the treaty of Trianon; and the specific conditions preceding the tanchaz movement and in which it arose. Focusing on the Bouquet of Pearls Movement of the 1930’s and 1940’s as an institution connected to folklorism and nationmaking, the paper reveals both continutities and discontinuities with theTanchaz Movement that would aries in the 1970’s. After a brief survey of the emergence of Tanchaz, the paper ends with suggestions for further research. 95 Student Conference 2004 Introduction This paper in progress seeks to explore a martial law following the 1848 revolution, broad history of the latest wave of folk that Hungary would once again gain gover- revival in Hungary, the Tanchaz (Dance- nance of the territory of historic Hungary . -
Ogniem-I-Mieczem-Tom-Drugi.Pdf
Ta lektura, podobnie ak tysiące innych, est dostępna on-line na stronie wolnelektury.pl. Utwór opracowany został w ramach proektu Wolne Lektury przez fun- dacę Nowoczesna Polska. HENRYK SIENKIEWICZ Ogniem i mieczem TOM II Pewne pogodne nocy na prawym brzegu Waładynki¹ posuwał się w kierunku Dniestru orszak eźdźców złożony z kilkunastu ludzi. Szli bardzo wolno, prawie noga za nogą. Na samym przedzie, o kilkadziesiąt kroków przed innymi, echało dwóch akoby w przednie straży, ale widocznie nie mieli żadnego do strażowania i czuności powodu, bo przez cały czas rozmawiali ze sobą, zamiast da- wać baczenie na okolicę — i zatrzymuąc co chwila konie, oglądali się na resztę orszaku, a wówczas eden z nich wołał: — Pomału tam! pomału! I orszak zwalniał eszcze kroku, zaledwie posuwaąc się naprzód. Na koniec wysunąwszy się zza wzgórza, które osłaniało go swym cieniem, orszak ów wszedł na przestwór oblany światłem księżyca i wtedy to można było zrozumieć ostrożność pochodu: oto w środku karawany idące obok siebie dwa konie dźwigały przywiązaną do siodełek kołyskę, w kołysce zaś leżała akaś postać. Srebrne promienie oświecały bladą e twarz i zamknięte oczy. Za kołyską echało dziesięciu zbronych. Po spisach bez proporców można w nich było poznać Kozaków. Niektórzy prowadzili konie uczne, inni echali luzem, ale o ile dwa adący na przedzie zdawali się nie zwracać namniesze uwagi na okolicę, o tyle ci oglądali się niespokonie i trwożliwie na wszystkie strony. A ednak okolica zdawała się być zupełną pustynią. Ciszę przerywały tylko uderzenia kopyt końskich i wołanie ednego z dwóch adących na przedzie eźdźców, który od czasu do czasu powtarzał swą przestrogę: — Pomału! Ostrożnie! Na koniec zwrócił się do swego towarzysza. -
Presence of Julian Tuwim in Lithuania
ACTA UNIVERSITATIS LODZIENSIS FOLIA LITTERARIA POLONICA 6(36) 2016 http://dx.doi.org/10.18778/1505-9057.36.11 Teresa Dalecka* The (Non)Presence of Julian Tuwim in Lithuania The relatively poor reception of Julian Tuwim’s works in Lithuania stems from the 1960s. In that period, unofficial literature circulated the country, influ- encing society as a form of cultural resistance, sole means to preserve national identity. Literary works became synonymous with defending culture and society. One of the dominating directions of the development of Lithuanian literature was reconstructing bonds with the pre-war national-agricultural vision of the world and historical memory. The second direction was, often through translations, re- constructing Western modernistic trends1. Lithuanian writers were searching for various forms of modified avant-garde trends in Western poets, Julian Tuwim among them. Having reclaimed independence in 1991, Lithuanian literature became simi- lar to Western literature. A lot of new opportunities opened up. Among the most interesting ones, there were phenomena like: unstable identity of the subject, pop- ularity of grotesque, disappearance of lyricism in poetry, intertextuality, domi- nance of essay in prose, and stylistic experiments including merging highbrow and mass literature2. Contemporary Lithuanian writers reflect various outlooks and philosophies in their works. Young authors feel less overwhelmed by tradi- tion than their predecessors. At the same time, the reasons to rebel against literary canons are diminishing: Currently, the most important issue is the audience of literature and the ques- tion of the place for subjective works in a chaotic world of commercialised soci- ety, ruled by market competitiveness, along with modernised communication3.