DOCSLIB.ORG

['R PFI..11S Rjlfl S11,111 INGIS

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
['R PFI..11S Rjlfl S11,111 INGIS 111 ONE OF AMERICA'S BIGGEST INDUSTRIAL COMPANIES PAY $100.05 OF TUE CC.•' OF THIS $170.00 SCREEN FOR YOU-YOU PAY ONLY $69.95! _ L 3EA)ED WALL SCREE. Regularly $170.00. Blackhawk's low, low price an - $ 69.95 These 9*x12' Radiant EC Beaded Wafl Screens were pnrcllased by one of America's biggest industrial corporations for use at Is baining centers across the country. A shift In motion picture production plans, however, necessitated the qtthIdcm ad Cineinascope-type screen-and these 9'x12' ECa were 'virtually not used at all. Some of them were not en re,,'ed from the original fibre shipping tubes. All, for all practical purposes, are new-and you save exactly $100.05. As ym probably know, the Model EC is the simplest, most efficient large audience screen of its type and size. It can be conveniently hung from either wall or ceiling. The fnbrlc is securely anchored to spring roller. It moves up or down .noothty and evenly. New 211x2" Color Slide Set! AIREQUIPT MAGAZINES FOR 2" x 2" SLIDES Sinrdy constructIon of lIghtweIght metal provides eacellent protection ;s for slide.. Permanent metal frasne prosided for each slide. Slides ens- lip Ingerted or remo,ed without damage.lnttes card permanenliy This Is a new ihorler set of slides Incorporating some of the Uin4 attached. Each magszine boils 38 siide. pictures included In the now discontinued Rlackhawk Slide Set No. 11. "Tb. Peansy In Pennsylvania." PhotogeSphed by Fred MrLeod almost Six for . $9.99 ka years age, (hIs all-steam pet shows some draninlic Stilt 1 at Horse- \ '5 1 ".5 shoe Cirvr and elsewhere on the Penn,7 In Pennslvanla. This set Price, each $1.e7 printed by an Improved color process. Blackliawk 2"x2" Color Slide Set No. 109, .13 slides in captioned mounts, only.......... $198 INTEJ{CONTINE1TAL SLIDF TRAYS FOR TDC AND VIEWLEX Molded plastic frays for use with TDC Selectron or Vi.wlez (All Types 2"s2" slide changers. Each fray holds 30 2's2" slide.. Regular prtc fler. I. an tacefleut quality but moderately priced 35mm. camera with a $1.00 each. 5. 1. 1/2. 1/5, 1/16, 1/25. 1150. FOUR SWELL LP RECORDS fine t1.I . millulter ipeeds of ltlackhawlc bargain price, eascis ...........89. iipe, 1/250 and 1/500 arcond. Has coupled range finder, automatic OF FA!LRCAD SOUNDS fltn, adie e.cha sholiff to prevent doubleexposare$, 3 for $249 12 for $7.98 900 MILES (AND OTHER RAILROAD Olympus 35-S 35mm. Camera, regularly 42 - $69.95, Blackhawk bargain priced at only.... SONGS KEYSTONE SLIDE TRAYS FOR TIW, Folkways Record No. FP-13, 10-inch. $3.89 VIEWLEX AD AMERICAN OPTICAL Leather Carrying Case for Olympus 35-S S"g by Ulsco }Inuslne. 1,..t the thin5 for She railroad ton, any Camera, reg. $7.95, Blackhawk priced at only $5.49 cnllrctnr of Americana or loser of Folk song.. Molded olastk l.a.. for use with TDC 5eleeteon. Viewlex (All Ta-tusk and An,erican Optical l'al" slide changers. Fin h tray hold, 40 'sO RAIL DYNAMICS sli,le. Cook Record No. 1070, 10-inch ......$3.77 Blackhawk bargain price, each ...........9c beautiful and hs,,ntiilg o,,nd, of a raliroad rescuing ou,t 3 for $2.49 12 for $7.98 ew 211s2" Color Slide Set! over a wet, fnegy nlght"-Player. Maga'ine. " . so real II makci listener. ,l,u-k."---N. V. Time,. A famoni enllpctinn of railside sounds -insde along the New York Centrdl-wtlb practically e'.ery type ni loenmntiv,. represented. Speckt SOUNDS OF STEAM LOCOMOTIVES, Here', a rent collector's Item-a slide '.t Copied from tnlnr lithographs No. 1 I:aei:i ade by the house of Gibton and Company In the 1870.! The real Folkways Record No. FX6153, 12-inch, $5.55 irfiectimi of an aln.n.t vanl.hed Iustiti,linn-bnre.back rider,, The here they are Illinois (:entral 2-8-2 No. 1534; Snrilngton 2-5-2 No. Purchase! I e11111oe, Boq tamer, elepfiaiUg, aquarium, unake wagon and the grand 5352; Union Pacific 4-8-4 No. 801 and 4-12.2 No. 9001 Chicago and North Western 35 No. 2559 BurlIngton 4-6-4 No. 4003t yout hmfl. Chicago sod North Western 4-6-0 No. 1353; UnIon PaciFic 4-8-4 No. 509 and 4-66-4 No. 3816 Burlington 4-5-4 No, 5629; tinIno lackhawk Color Slide Set No. 111, 13 Pacific 4.8-8-4 No. 4018 flhinol, Central 4-8-2 No, 2514 Uniol Keystr : ide, in captioned mounts, only ........... $1.98 Pacific 0-6-0 No. 4471; Denser and 15k. Grande Western 2-1-2 No. 450; UnIon Pacific 4-6-6-2 No. 3839 Denser and Rio Crande Western narrow range 2-I-2s No.. 495 and 403; Colorado and Southern .2-10.2 No. 809; Colorado and Southern 2-8-0 No. as and Union Pacific 4-9-4s No.. 824 and 825. K-70'.' Npecksl Purchase! SOUNDS OF STEAM LOCOMOTIVES, No.2 Prer" Good used 1300-foot, 16mm. sound film Folkways Record No. FX6152, 12-inch, $5.55 A, all-Iturllncton disc containing: 0-6-0 No. 510; 2-8-2 No. 4951 rJlfl leaning yards; No. 5114 clImbing to eie,aton No. 5112 upotting Plackhaok has secured two additional lots of the i'rst-selllng Ke,suom cars; No. 4958 returni ng to yard with enipties; No. 5344 simmering K-70C (with carrytng case) 8mm. projeciors lb ehilir u.es , 500 ['R PFI..11S S11,11 INGIS on ready track; No. 5341 up to crossing and back; No. 5504 ieasiug wall pr..jecfion lamp, has an f.I.6 coated projcctiro lens and a yards with halo; No. 5355 passing: No . S05 swiicbing at Ashland, condenser lens, it takes up (0 400-toot caoacity Simm. film reel,, 8.. No, 5504 on Woodlawn run; No. 5347 and helper 4-8-2 No. 7000 rheosiat speed eos*ol, has master twitch to run forward with light of near Flrth; No. 5335 pnlling into yard.; No. 5504 running ilght to and rented with lamp off. Twin-fan blower driven by high Ly.etdJ PrIce Per Print roundhouse and No. 5351 from roun,ll,oue, simmertu,g and ss.Iichtng. motot flakes for coot. trouble-free operatIon. Has die-cast, one-piecs $9.99 frame and sturdy cad-metal base-all Iinished in handsome niple.coat.4 bronze crackle finish. a .dzed film at j peal LOW pike. Wi 6. atory of ceifri and lmpacf 00 ns coffee Industry has had on buman progress dowu Keystone K-70C 8mm. Projector, with curry- site yws. A 46N7 thare" to amiataibed by puppet. In a play balk big case. regularly $74.95, pricc.I at only .. $52.22 a..d a eantral theme. 'terry Puib the Strings-good used 1300-foot ktsg, 16mm. sound film, per print, only ..... $9.99 Used 16,n,;ssoiind prints IN COLOR . .tW1OCA (%MFRA Length about 700-fee: EspSins the purpose p1' the Amerlez,o Ftlbl SocIety rid its aclisitiC5 in making Bibles uvaitoble. Uses picti,re,, taken on ''• --...... A . with . . and Foreign mission field5 over a period of several years, COUPLED Blacklsawk Bargain Priced, per print...... 4 RANGEFINDER t esm.ia is the finçl retail of . iss The long •xp.ri.nc. of Sumoco Ccmeo Co. k bat 9oay many fdatw., o llootly C" .fIfld $2 •iøch Mor. .xp.nsiv. .9t EI I. COUL1D IANGEFIP4DEL " 1. .s C. IZMAR LLNS. Case $5.49 extrø 3, B.uble sxpoaIws pr.ventto,t. 4. *t..natic film transport and ihutter windin S. Ccenbln.d rangefind,r and viewfinder. 4. "ll-Wo flash synchroniaed shutt.,. INCORPORATING WILD LIFE FILMS J . 111111141f GUAL4JlTEoo. --> _-9 d 11ATLONAL PARK Wild Life, Wild Flower and National Park 2"x2" Color Slide Sets, COLOR SLIDES .ight slides to a set, regularly $1.95, per set, only ........................ _• (a very few sets are available in black and white only) WILDLIFE COLOR SLIDE SET No. I 104-Baby Porcupine 103-Baby Blue Heron 119-0k Calf 101-Coyote 106-Mule Deer Buck 137-4Uack Bear Cubs 102-Big Horn Shccp ill-Coy, Moos. WILDLIFE COLOR SLIDE SET No. 2 101-Baby Canada Goose 112-Black Bear 121-Elk Calf 108-Bull Moose 114-Buffalo Herd 123-Big hera Sheep lta THESE PRICES C0A'J1NUE IN EFFECE 1) SEmI. 23. 1957 109-Coyote Pup 115-Autelop. WILDLIFE COLOR SLIDE SET No. 3 t• NORTH AMERICA 105-Yoitng Horned Onis 116-White Footed Mouse 122-Buffal. ),.... 110-Antelope 117-Prairie I)og 129-Beaver ANIMALS OF YEI.l.OIVNTtINR NATT('NSC. PSIUL 113-Mother Moose and Calf 120-Jtull Elk (30 color alides), rag. $4.49. on caic at ..........................8308 ARCHES NATIONAL MONUMENT (12 color slideat, reg. $1.89. on enl.- at ............................................ 51-69 AUTUMN AND WINTER IN YU.LOWSTONI NATIONAL PARK WILDLIFE COLOR SLIDE SET No. 4 (12 color atidea). rug. $0.89. ON .Me at ............................. SL69 fIB-Elk Calf 127-Yowig Red Sesirrel 131-PraIrie Dog Fansfly, AUTUI6M IN WYOMING (12 color aildea), erg. $179, on usia at .... 81-19 124-Trumpeter Swaes 128-Pack Rat 134-Antelope Nuralug Twins BRYCJC CANYON NATIONAL PARK (16 cot., ailduol. 126-Pocket Gopher 130-Raccoon reg. $2.49, on sale at ---------------------------------------------13-IS THE BLUE GRASS STAlL KENTUCKY (ii erIe, atideol. reg. $249, an sale at---------------------------------------------12.19 WILDLIFE COLOR SLIDE SET No. 5 THE CAILE CARS OF SAM FRANCISCO (20 eater alinea). rag. $2.96- ON gale at ............................................. 104-Baby Trunspeter Swan 133-Buffalo rturdug Rub, 138-430yef.
Load more

Recommended publications
  • Jackie Moran
    Jackie Moran Titles: 15 Sources: 1 Stills: 4 Born: Mattoon, Illinois; January 23rd 1926 th Died: Greenfield, Massachussetts; September 20 1990 The mouth has a firm set to it, and the eyes a glint of stubbornness, but otherwise Jackie’s face was curiously blank and expressionless in repose. Source: indeterminate website Ah, NOW we’re getting more expression… but can you DO that to a hot-shot lawyer’s son without risking a writ? Anyway, Melvyn Douglas takes that gamble in “AND SO THEY WERE MARRIED”. Mary Astor provides a backing rhythm on Edith Fellows. Spanking good fun for ALL the family! Source: They Had Faces Then The Moving Picture Boy entry: interviews with former film actors.) He was a too-civilised Huck in the 1937 "TOM “His father was a successful lawyer (a state SAWYER", and valiant was the word for his prosecutor, in fact) and his mother had musical attempt to bring conviction to "MICHAEL leanings. Jackie, the younger of two boys, had O'HALLORAN", as the saintly newsboy. a fine voice that won him solo status in the local church choir, and a handsome face that In 1939 Jackie had more fun as Buster won him advertising jobs for Coca-Cola and Crabbe's space sidekick in the ineffable the like. With the promise of a screen test "BUCK ROGERS" serial, besides extracted from a timely meeting with Mary "EVERYBODY'S HOBBY", "MEET Pickford, his family moved to Los Angeles: he DOCTOR CHRISTIAN", "THE SPIRIT OF had his screen test, and it led to nothing. CULVER" and a miniscule appearance in "GONE WITH THE WIND".
    [Show full text]
  • The 'BEACHCOMBER
    The 'BEACHCOMBER # # A marvelous selection or ungni piay clothes you’ll need for your vacation- VOL. XX., NO. 3 „ J prn rPB*achK Advocate WEDNESDAY, JULY 10, 1946 FREE DISTRIBUTION T glamour girl swim and sun ^uits, slack sets and sissy shorts. Choose your vacation wardrobe here today . Women’s and Misses’ BATHING SUITS Sizes 32-34 and 48-50 $3.95 — $12.50 HALTER TOP PLAY SUITS J—$5.95 3 Piece Suit W ith S kirt Size 12-18 and 40-44 $6.95 — $9.95 r TYPE SLACK SUITS 10-12 $8.70 12-18 $11.95 40-42-44 $10.95 Assorted Colors BEACH COATS Size 16-20 SHORTIE PAJAMAS % Size 8-16 Blue and Peach Crepe THE CHILDREN ... 9 PLAY SUITS n s ® Size 7-14 V . < • ru Sr® vxSfv ’. SHORTS .v.v.• • .. VAy.v..y.'/. • . • * . • : ' : ' y '- : ■ :.% > :w . - | SUN SUITS $1.95-$2.95 'Vv.Vnvv W Size 7-3 In Plain Color and Prints BOY’S SUN SUITS Bathhouse, State Recreation Area Size 1-3 in Blue an 4 fgjj» U JERSEYS ‘ " Slze 1’6 In Stripes, PI WILL CONTINUE OUR PRACTICE OF SEL LING POSSIBLE PRICE. QUALITY merchandise a t LOW GEORGE B. FRENCH 37-41 Market Street P ortsmouth a T h e BEACHCOMBER VISIT _________ WEDNESDAY, JULY 10, 1946 FREE DISTRIBUTION Holiday Weekend Crowd Breaks All Records Boy Scout Camporee To Be Estimate Over 225,000 Persons Held At Beach July 24,25,26 Visit Beach Fourth of July --------- 5--------------------------------------------------- ------------------------------------------------------------------------------------------------------- f i ----------------- Fifteen hundred Boy Scouts and scout executive of Durham, and Ail existing records for Hampton leadens from all over the state of Wiliam D.
    [Show full text]
  • Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
    Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense.
    [Show full text]
  • Cinema E Audiovisual UFF Daniel Braga Vellutini 2015.2.Pdf
    UNIVERSIDADE FEDERAL FLUMINENSE INSTITUTO DE ARTES E COMUNICAÇÃO SOCIAL DEPARTAMENTO DE! CINEMA E VÍDEO ! ! DANIEL BRAGA! VELLUTINI ! ! ! ! ! ! ! ! ! ! ! ! ! ! ROCK E CINEMA NO BRASIL! DOS ANOS 80 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Niterói/RJ 2016 UNIVERSIDADE FEDERAL FLUMINENSE INSTITUTO DE ARTES E COMUNICAÇÃO SOCIAL DEPARTAMENTO DE! CINEMA E VÍDEO ! ! DANIEL BRAGA! VELLUTINI ! ! ! ROCK E CINEMA NO BRASIL! DOS ANOS 80 ! ! Trabalho de Conclusão de Curso apresentado ao Curso de Cinema e Audiovisual da Universidade Federal Fluminense, como requisito parcial para obtenção do grau de !bacharel em Cinema e Audiovisual ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ORIENTADOR: Prof. Dr. Fernando! Morais da Costa Niterói/RJ 2016 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Aos meus pais, por absolutamente tudo. AGRADECIMENTOS ! Aos meus pais, Luiz Gustavo e Maria Amélia, por tanta coisa que nem cabe aqui, mas principalmente pelo amor e pelo apoio incomensuráveis. Ao meu irmão, Gabriel, por toda sua oitentice musical. A toda minha família, de sangue ou não, que sempre rezou e torceu por mim na mudança para Niterói e durante todos esses cinco anos de faculdade. Ao meu orientador, Fernando Morais, pela prontidão e enorme paciência. À Nina Tedesco, que além de professora se tornou amiga, por ter topado participar da banca de última hora. Ao professor Marildo Nercolini, por ter topado participar da banca e por ter ministrado a disciplina de Crítica Musical, na qual eu escrevi sobre o BRock pela primeira vez. Ao Pedro Curi, que além de indicar bibliografia para este trabalho, ministrou a disciplina sobre Cinema Jovem, na qual estudei os teenpics pela primeira vez. Aos professores e colegas que estiveram comigo nesses cinco anos de faculdade. À tripulação da Nave Mãe por compartilhar os momentos de diversão e também os de dificuldade nos últimos anos, em especial os da escrita deste trabalho.
    [Show full text]
  • Download 1 File
    mi JIill nil wJ Vd III HAPPY NEW YEAR TO ALL The year 19^7 made its apperance with the sounding of the siren, cars ?S?'4''fti- v tooting their horns, fire '6rackers ^0£mmmm&an& i- n & all over Kahuku, even the sound of fire arms were heard* Every one who was awake was in the merreist of mood. The sounding of the siren was the first time in many years, and it must have brought good omen for the New year. Let us all look back at the year 19*+6 and see the hardships, the scar- city of many commodities, and the ris- ing of prices, which was out of this world, 19*+6 is gone and forgotten, but ww must not make the same mistakes, All of us should get together, shoulders to shoulders, and make this year a merrier, happier and better year. We all should work together, and. harder so that our , friendship, commodities and prices may come back to normal, NEW WING ERECTED AT THE BOY SCOUT NEWS KAHUKU CATHOLIC CHURCH It was a betterly con- Father Ernest foresee- tested year for the ing the weed of extra scouts of troops 38 and space for the increase of l l42, and with the final Catholic attending Mass scores and merits tabu- on Sundays, and the in- lated, the following a- crease of Catholic acti- wards (to be made in Jan- vities', brought a surplus: uary 9th meeting) are an- building from the- army, nounced at this time. and attached it to the Pesi, Patrol Troop 38, left" side of the church.
    [Show full text]
  • Virtual Tour
    Mark Twain Boyhood Home & Museum Virtual Tour Hannibal, Missouri Created by the First Mark Twain Young Authors Workshop, June 25-29, 2007 Created by the First Mark Twain Young Authors Workshop Participants June 25-29, 2007 Hannibal, Missouri Co-sponsored by the HATS Program at Stetson University in DeLand, Florida and the Mark Twain Boyhood Home & Museum in Hannibal, Missouri The Mark Twain Young Authors: • Jonathan Agvent • Breanna Hembree • Madeleine Britton • Aliza Razell Hoover • Kelsey Connor • Emily Hunter •Brooke Davis • Ky Viet D. Quach • Joseph Genovese • Alex Parodi-Light • Jack Harvey- • Alic Szecsei Camillone Including two entries from chaperones Catherine McCray,a graduate of Stetson University, and Lynn Kramer, an education major at Stetson. Wish you were here! But, since you’re not, please join us for this virtual tour of the Mark Twain Boyhood Home & Come by and see for yourself! Museum. This tour includes ~The Mark Twain just a few of the hundreds of artifacts on display at Young Authors the museum. A note about this project… Twelve young writers from around the country won a scholarship to spend one week in Hannibal learning about the real life adventures of Samuel Clemens and how he came to write about these adventures. The children worked on several writing projects of their own during the week. One of the first included a special after- hours “behind the scenes” tour of the museum. As curator Henry Sweets told the stories about various museum artifacts, the young writers took detailed notes. Each was assigned two artifacts and asked to “bring them to life.” (Continued…) Note (cont.) The challenge presented to the young authors was to speak in the voice of the artifacts, or anthropomorphize them.
    [Show full text]
  • Shock Editado
    CONTRACAMPO REVISTA DO PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO - UNIVERSIDADE FEDERAL FLUMINENSE SHOCK! Slasher movie “made in Brazil” 1 2 Laura Cánepa Resumo : O presente artigo analisa o longa-metragem Shock! (São Paulo, 1984), de Jair Correia, filme juvenil brasileiro e principal representante nacional de um dos subgêneros do horror internacional mais populares no planeta desde o final dos anos 1970: o slasher movie. O que se pretende é comparar algumas estratégias narrativas usadas em Shock! com as formas canônicas desse subgênero, buscando caracterizar a composição específica do exemplar brasileiro e também sugerir como tal composição se relaciona com a cultura urbana jovem brasileira dos anos 1980. Palavras-chave: Cinema juvenil. Cinema de horror. Slasher movie. Brasil. Anos 1980. Abstract: This paper analyzes the horror film Shock! (Jair Correia, 1984), teenpic witch represents the unique brazilian experience in slasher movie - one of the most popular international subgenres of horror since the late 1970s. The aim is to compare some narrative strategies used in Shock! with canonical forms of this subgenre, seeking to characterize the specific composition of a brazilian slasher and also suggest how this composition is related with the young brazilian urban culture of the 1980s. Key-words: Teenpics. Horros movies. Slasher movies. Brazil. 1980s. No mundo do cinema de exploração Lado a lado com aqueles que construíram os grandes estúdios cinematográficos em vários países do mundo nas primeiras décadas do século XX, um número expressivo de produtores optou por desenvolver um mercado marginal ao das grandes e médias produções, engendrando uma vastíssima linhagem de filmes muito baratos cujo apelo residia na abordagem de temas-tabu e na exibição de imagens chocantes rejeitadas pelo cinema convencional.
    [Show full text]
  • UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ARTES Doutorado Em Multimeios LEIA O LIVRO, VEJA O FILME, COMPRE O DISCO: a Produ
    UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ARTES Doutorado em Multimeios LEIA O LIVRO, VEJA O FILME, COMPRE O DISCO: a produção cinematográfica juvenil brasileira na década de 1980. Zuleika de Paula Bueno Campinas 2005 1 UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ARTES Doutorado em Multimeios LEIA O LIVRO, VEJA O FILME, COMPRE O DISCO: a produção cinematográfica juvenil brasileira na década de 1980. Zuleika de Paula Bueno Tese apresentada ao Curso de Doutorado em Multimeios do Instituto de Artes da UNICAMP como resquisito parcial para a obtenção do grau de Doutor em Multimeios sob a orientação do Professor Doutor José Mário Ortiz Ramos. Campinas 2005 3 FICHA CATALOGRÁFICA ELABORADA PELA BIBLIOTECA DO INSTITUTO DE ARTES DA UNICAMP Bibliotecário: Liliane Forner – CRB-8ª / 6244 Bueno, Zuleika de Paula. B862L Leia o livro, veja o filme, compre o disco: a produção cinematográfica juvenil brasileira na década de 1980. / Zuleika de Paula Bueno. – Campinas, SP: [s.n.], 2005. Orientador: José Mário Ortiz Ramos. Tese(doutorado) - Universidade Estadual de Campinas. Instituto de Artes. 1. Cinema brasileiro. 2. Juventude-Brasil. 3. Produção cultural. 4. Indústria cultural. I. Ramos, José Mário Ortiz. II. Universidade Estadual de Campinas. Instituto de Artes. III. Título. Título em inglês: “Read the book, watch the movie, listen to the music: the Brazilian Teenpics production in the 1980’s” Palavras-chave em inglês (Keywords): Brazilian cinema – Brazilian teenagers – cultural production Área de concentração: Multimeios Titulação: Doutorado em Multimeios Banca examinadora: Prof. Dr. José Mário Ortiz Ramos Prof. Dr. Fernão Ramos Prof. Dr. Marcius César Soares Freire Profª Drª Maria Celeste Mira Prof.
    [Show full text]
  • Gone with the Wind
    Gone with the Wind Gone with the Wind, motion-picture epic about a tempestuous Southern belle and the changes in her life due to the American Civil War (1861-1865), based on the best- selling novel by Margaret Mitchell. Released in 1939, this film won eight Academy Awards and was one of the biggest production events in film history. The story involves Scarlett O’Hara (played by Vivien Leigh), the beautiful and difficult daughter of a large plantation owner. O'Hara is hopelessly infatuated with Ashley Wilkes (Leslie Howard), but becomes distraught when Wilkes becomes engaged to Melanie Hamilton (Olivia de Havilland). In the midst of a tantrum over this news she meets the rakish Rhett Butler (Clark Gable). The two Southerners form a fiery romance and then endure hardship and loss in the Civil War, including the famous burning of Atlanta, Georgia. Directors Victor Fleming George Cukor Sam Wood William Cameron Menzies Sidney Franklin Cast Fred Crane (Brent Tarleton) George Reeves (Stuart Tarleton) Vivien Leigh (Scarlett O'Hara) Hattie McDaniel (Mammy) Everett Brown (Big Sam) Zack Williams (Elijah) Thomas Mitchell (Gerald O'Hara) Oscar Polk (Pork) Barbara O'Neil (Ellen O'Hara) Victor Jory (Jonas Wilkerson) Evelyn Keyes (Suellen O'Hara) Ann Rutherford (Careen O'Hara) Butterfly McQueen (Prissy) Tom Seidel (Guest) Howard Hickman (John Wilkes) Alicia Rhett (India Wilkes) Leslie Howard (Ashley Wilkes) Olivia de Havilland (Melanie Hamilton) Rand Brooks (Charles Hamilton) Carroll Nye (Frank Kennedy) Marcella Martin (Cathleen Calvert) Clark Gable (Rhett Butler) James Bush (Gentleman) Marjorie Reynolds (Gossip) Ralph Brooks (Gentleman) Philip Trent (Gentleman, later bearded Confederate on steps at Tara) Laura Hope Crews (Aunt Pittypat Hamilton) Harry Davenport (Dr.
    [Show full text]
  • A Statistical Survey of Sequels, Series Films, Prequels
    SEQUEL OR TITLE YEAR STUDIO ORIGINAL TV/DTV RELATED TO DIRECTOR SERIES? STARRING BASED ON RUN TIME ON DVD? VIEWED? NOTES 1918 1985 GUADALUPE YES KEN HARRISON WILLIAM CONVERSE-ROBERTS,HALLIE FOOTE PLAY 94 N ROY SCHEIDER, HELEN 2010 1984 MGM NO 2001: A SPACE ODYSSEY PETER HYAMS SEQUEL MIRREN, JOHN LITHGOW ORIGINAL 116 N JONATHAN TUCKER, JAMES DEBELLO, 100 GIRLS 2001 DREAM ENT YES DTV MICHAEL DAVIS EMANUELLE CHRIQUI, KATHERINE HEIGL ORIGINAL 94 N 100 WOMEN 2002 DREAM ENT NO DTV 100 GIRLS MICHAEL DAVIS SEQUEL CHAD DONELLA, JENNIFER MORRISON ORIGINAL 98 N AKA - GIRL FEVER GLENN CLOSE, JEFF DANIELS, 101 DALMATIANS 1996 WALT DISNEY YES STEPHEN HEREK JOELY RICHARDSON NOVEL 103 Y WILFRED JACKSON, CLYDE GERONIMI, WOLFGANG ROD TAYLOR, BETTY LOU GERSON, 101 DALMATIANS (Animated) 1951 WALT DISNEY YES REITHERMAN MARTHA WENTWORTH, CATE BAUER NOVEL 79 Y 101 DALMATIANS II: PATCH'S LONDON BOBBY LOCKWOOD, SUSAN BLAKESLEE, ADVENTURE 2002 WALT DISNEY NO DTV 101 DALMATIANS (Animated) SEQUEL SAMUEL WEST, KATH SOUCIE ORIGINAL 70 N GLENN CLOSE, GERARD DEPARDIEU, 102 DALMATIANS 2000 WALT DISNEY NO 101 DALMATIANS KEVIN LIMA SEQUEL IOAN GRUFFUDD, ALICE EVANS ORIGINAL 100 N PAUL WALKER, TYRESE GIBSON, 2 FAST, 2 FURIOUS 2003 UNIVERSAL NO FAST AND THE FURIOUS, THE JOHN SINGLETON SEQUEL EVA MENDES, COLE HAUSER ORIGINAL 107 Y KEIR DULLEA, DOUGLAS 2001: A SPACE ODYSSEY 1968 MGM YES STANLEY KUBRICK RAIN NOVEL 141 Y MICHAEL TREANOR, MAX ELLIOT 3 NINJAS 1992 TRI-STAR YES JON TURTLETAUB SLADE, CHAD POWER, VICTOR WONG ORIGINAL 84 N MAX ELLIOT SLADE, VICTOR WONG, 3 NINJAS KICK BACK 1994 TRI-STAR NO 3 NINJAS CHARLES KANGANIS SEQUEL SEAN FOX, J.
    [Show full text]
  • James R. and Susan Neumann Jazz Collection Series 7: Visual Materials Subseries B: Film Posters and Lobby Cards
    Oberlin Conservatory Library Special Collections James R. and Susan Neumann Jazz Collection Series 7: Visual Materials Subseries B: Film Posters and Lobby Cards Page | 1 Item # Film Title Musician Musician Date Size Notes N_FP_0035 7 Days Ashore Slack, Freddie Fisher, Freddie 1944 14 x 36 in N_FP_0173 A Man Called Adam Davis Jr., Sammy Armstrong, Louis 1966 27 x 41 in N_FP_0284 A Man Called Adam Davis Jr., Sammy Armstrong, Louis 1966 22 x 28 in N_FP_0515 A Man Called Adam Davis Jr., Sammy Armstrong, Louis 1966 11 x 14 in N_FP_0291 A Song is Born Goodman, Dorsey, Tommy 1948 22 x 28 in different Benny design from 301 N_FP_0301 A Song is Born Goodman, Dorsey, Tommy 1948 22 x 28 in different Benny design from 291 N_FP_0320 A Song is Born Goodman, Dorsey, Tommy 1948 41 x 80 in Benny N_FP_0559 A Song is Born Goodman, Dorsey, Tommy 1948 11 x 14 in Benny N_FP_0086 Ah Quelle Equipe Bechet, Sidney 1957 14 1/2 x 22 in N_FP_0348 Ah Quelle Equipe Bechet, Sidney 1957 47 x 63 in N_FP_0415 Ah Quelle Equipe Bechet, Sidney 1957 20 x 26 in N_FP_0206 All Night Long Brubeck, Dave Mingus, Charles 1963 27 x 41 in this version printed in USA, cf #219 N_FP_0219 All Night Long Brubeck, Dave Mingus, Charles 1963 27 x 41 in two copies, this version printed in Great Britain, cf #206 N_FP_0412 All Night Long Brubeck, Dave Mingus, Charles 1963 41 x 80 in linen-backed N_FP_0416 All the Fine Young Bailey, Pearl 1960 11 x 14 in Cannibals N_FP_0417 Almost Married Frazee, Jane 1942 11 x 14 in two items N_FP_0082 Amor de mi Vida 13 x 17 in N_FP_0418 Anatomy of a 1959 11 x 14 in Murder Oberlin Conservatory Library l 77 West College Street l Oberlin, Ohio 44074 l [email protected] l 440.775.5129 Oberlin Conservatory Library Special Collections James R.
    [Show full text]
  • Phd Thesis Noel Brown
    1 Hollywood, the family audience and the family film, 1930-2010 Noel Brown Thesis submitted towards the degree of Doctor of Philosophy in the School of English Literature, Language and Linguistics, Newcastle University. June 2010 2 Abstract This thesis is the first in-depth, historical study of Hollywood’s relationship with the ‘family audience’ and ‘family film’. Since the 1970s, Hollywood family films have been the most lucrative screen entertainments in the world, and despite their relatively- unexplored status in academic film criticism and history, I will argue that the format is centrally important in understanding mainstream Hollywood cinema. How have ‘family films’ become so globally dominant? One answer is that Hollywood’s international power facilitates the global proliferation of its products, but this explanation, in isolation, is insufficient. I will argue that Hollywood family films are designed to transcend normative barriers of age, gender, race, culture and even taste; they target the widest possible audiences to maximise commercial returns, trying to please as many people, and offend as few, as possible. This they achieve through a combination of ideological populism, emotional stimulation, impressive spectacle, and the calculated minimisation of potentially objectionable elements, such as sex, violence, and excessive socio-cultural specificity. Initially, the audience for family films was predominantly domestic, but with the increasing spending power of international audiences, family films are now formulated on the belief that no market is inaccessible. For this reason, they are inextricably linked with Hollywood – the only film industry in the world with the resources and distribution capacity to address a truly global mass audience.
    [Show full text]