Lobby Cards Gift of Professor Rennard Strickland

Total Page:16

File Type:pdf, Size:1020Kb

Lobby Cards Gift of Professor Rennard Strickland Strickland Collection of Law and Popular Culture Lobby Cards Gift of Professor Rennard Strickland Print Number Year of Image Movie Title Format Year Distributor Director Actors Notes Number in Set Gift Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 1 title card 2011 Card Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 2 2011 Card Print Number Year of Image Movie Title Format Year Distributor Director Actors Notes Number in Set Gift Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 3 2011 Card Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 4 2011 Card Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 5 2011 Card Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 6 2011 Card Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 7 2011 Card Print Number Year of Image Movie Title Format Year Distributor Director Actors Notes Number in Set Gift Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 8 2011 Card Lobby Universal- Dennis O'Keefe; Abandoned 1949 Joe Newman 49/461 2011 Card International Gale Storm Paul Newman; Lobby Absence of Malice 1981 Columbia Sydney Pollack Sally Field; Bob 810169 2 2011 Card Balaban Spring Byington; According to Mrs. Lobby Jean 1951 Monogram Anthony Caruso; 51/166 2013 Hoyle Card Yarborough Brett King Spring Byington; According to Mrs. Lobby Jean 1951 Monogram Anthony Caruso; 51/166 2013 Hoyle Card Yarborough Brett King Print Number Year of Image Movie Title Format Year Distributor Director Actors Notes Number in Set Gift Lobby William Loretta Young; Accused, The 1948 Paramount 49/1 2011 Card Dieterle Robert Cummings Spencer Tracy; Lobby Adam's Rib 1949 M-G-M George Cukor Katherine 49/599 2 2011 Card Kepburn Spencer Tracy; Lobby Adam's Rib 1949 M-G-M George Cukor Katherine 49/599 6 2011 Card Kepburn Franchot Tone; Lobby Advise & Consent 1962 Columbia Otto Preminger Lew Ayres; Henry 2011 Card Fonda Franchot Tone; Lobby Advise & Consent 1962 Columbia Otto Preminger Lew Ayres; Henry 2009 Card Fonda Print Number Year of Image Movie Title Format Year Distributor Director Actors Notes Number in Set Gift John Lund; Doris Lobby R.G. Affair in Reno 1957 Republic Singleton; John 57-58 1 2011 Card Springsteen Archer William Powell; After the Thin Lobby 1936 M-G-M W.S. Van Dyke Myrna Loy; James 2009 Man Card Stewart Michael Caine; Lobby Alfie 1966 Paramount Lewis Gilbert Shelly Winters; 66/262 3 2011 Card Millicent Martin re-release Kathryn of 1951 Alice in Lobby Clyde Geromini; Beaumont; Ed Walt 1974 Walt Disney 2009 Wonderland Card Wilfred Jackson Wynn; Richard Disney Haydn animated film Martha Vickers; Lobby Equity/Eagle Alimony 1949 Alfred Zeisler John Beal; Hillary 49/401 2011 Card Lion Brooke Print Number Year of Image Movie Title Format Year Distributor Director Actors Notes Number in Set Gift Broderick Lobby Crawford; John All the King's Men 1949 Columbia Robert Rossen 50/2 2013 Card Ireland; Joanne Dru James Stewart; Anatomy of a Lobby 1959 Columbia Otto Preminger Lee Remick; Ben 59/220 1 2009 Murder Card Gazzara James Stewart; Anatomy of a Lobby 1959 Columbia Otto Preminger Lee Remick; Ben 59/220 3 2011 Murder Card Gazzara James Stewart; Anatomy of a Lobby 1959 Columbia Otto Preminger Lee Remick; Ben 59/220 4 2011 Murder Card Gazzara James Stewart; Anatomy of a Lobby 1959 Columbia Otto Preminger Lee Remick; Ben 59/220 7 2011 Murder Card Gazzara Print Number Year of Image Movie Title Format Year Distributor Director Actors Notes Number in Set Gift Al Pacino; Jack Lobby And Justice for All 1979 Columbia Norman Jewison Warden; John 790161 4 2009 Card Forsythe Al Pacino; Jack Lobby And Justice for All 1979 Columbia Norman Jewison Warden; John 790161 4 2011 Card Forsythe Al Pacino; Jack Lobby And Justice for All 1979 Columbia Norman Jewison Warden; John 790161 6 2011 Card Forsythe Bary Fitzgerald; And Then There Lobby Twentieth 1945 René Clair Walter Huston; 2009 Were None Card Century Fox Louis Hayward Sean Connery; Anderson Tapes, Lobby 1971 Columbia Sidney Lumet Dyan Cannon; 71/212 5 2011 The Card Martin Balsam Print Number Year of Image Movie Title Format Year Distributor Director Actors Notes Number in Set Gift Mickey Rooney; Andy Hardy Lobby Howard W. 1958 M-G-M Patricia Breslin; 58/310 1 2 copies 2011 Comes Home Card Koch Fay Holden Mickey Rooney; Andy Hardy Lobby Howard W. 1958 M-G-M Patricia Breslin; 58/310 2 2 copies 2011 Comes Home Card Koch Fay Holden Mickey Rooney; Andy Hardy Lobby Howard W. 1958 M-G-M Patricia Breslin; 58/310 3 2011 Comes Home Card Koch Fay Holden Mickey Rooney; 2 copies; Andy Hardy Lobby Howard W. 1958 M-G-M Patricia Breslin; 58/310 4 one has 2011 Comes Home Card Koch Fay Holden tear at top Mickey Rooney; Andy Hardy Lobby Howard W. 1958 M-G-M Patricia Breslin; 58/310 5 2 copies 2011 Comes Home Card Koch Fay Holden Print Number Year of Image Movie Title Format Year Distributor Director Actors Notes Number in Set Gift Mickey Rooney; Andy Hardy Lobby Howard W. 1958 M-G-M Patricia Breslin; 58/310 6 2 copies 2011 Comes Home Card Koch Fay Holden Mickey Rooney; Andy Hardy Lobby Howard W. 1958 M-G-M Patricia Breslin; 58/310 7 2 copies 2011 Comes Home Card Koch Fay Holden Mickey Rooney; Andy Hardy Lobby Howard W. 1958 M-G-M Patricia Breslin; 58/310 8 2 copies 2011 Comes Home Card Koch Fay Holden Lewis Stone; Andy Hardy's Lobby 1944 M-G-M George B. Seitz Mickey Rooney; 44/83 3 2011 Blonde Trouble Card Fay Holden Paul Muni; Anne Angel on My Lobby 1946 United Artists Archie Mayo Baxter; Claude 46/857 3 2009 Shoulder Card Rains Print Number Year of Image Movie Title Format Year Distributor Director Actors Notes Number in Set Gift Don Stroud; Luke Lobby American Angel Unchained 1970 Lee Madden Askew; Larry 70/251 1 2011 Card International Bishop Don Stroud; Luke Lobby American Angel Unchained 1970 Lee Madden Askew; Larry 70/251 2 2011 Card International Bishop Don Stroud; Luke Lobby American Angel Unchained 1970 Lee Madden Askew; Larry 70/251 3 2011 Card International Bishop Don Stroud; Luke Lobby American Angel Unchained 1970 Lee Madden Askew; Larry 70/251 4 2011 Card International Bishop Don Stroud; Luke Lobby American Angel Unchained 1970 Lee Madden Askew; Larry 70/251 5 2011 Card International Bishop Print Number Year of Image Movie Title Format Year Distributor Director Actors Notes Number in Set Gift Don Stroud; Luke Lobby American Angel Unchained 1970 Lee Madden Askew; Larry 70/251 6 2011 Card International Bishop Don Stroud; Luke Lobby American Angel Unchained 1970 Lee Madden Askew; Larry 70/251 7 2011 Card International Bishop Don Stroud; Luke Lobby American Angel Unchained 1970 Lee Madden Askew; Larry 70/251 8 2011 Card International Bishop James Cagney; Pat Angels with Dirty Lobby Warner 1938 Michael Curtiz O'Brien; 2011 Faces Card Brothers Humphrey Bogart Fay Wray; Gene Ann Carver's Lobby 1933 Columbia Edward Buzzell Raymond; Claire 2011 Profession Card Dodd Print Number Year of Image Movie Title Format Year Distributor Director Actors Notes Number in Set Gift Clark Gable; Any Number Can Lobby 1949 M-G-M Mervyn LeRoy Alexis Smith; 49/356 4 2011 Play Card Wendell Corey Leon Weaver; Lobby Frank Arkansas Judge 1941 Republic Frank Weaver; 2011 Card McDonald June Weaver Leon Weaver; Lobby Frank Arkansas Judge 1941 Republic Frank Weaver; 2011 Card McDonald June Weaver Leon Weaver; Lobby Frank Arkansas Judge 1941 Republic Frank Weaver; 2011 Card McDonald June Weaver Lobby Armored Car 1941 Universal 2011 Card Print Number Year of Image Movie Title Format Year Distributor Director Actors Notes Number in Set Gift Sterling Hayden; re-release Asphalt Jungle, Lobby 1954 M-G-M John Huston Louis Calhern; R54-516 4 of 1950 2009 The Card Jean Hagen film Robert Harland; As Young as We Lobby 1958 Paramount Bernard Girard Pippa Scott; Majel 58/359 8 2011 Are Card Barrett Anthony Lobby Audrey Rose 1977 United Artists Robert Wise Hopkins; Marsha 77/27 5 2011 Card Mason; John Beck Mickey Rooney; Lobby Baby Face Nelson 1957 United Artists Don Siegel Carolyn Jones; 57/606 1 2011 Card Cedric Hardwicke Mickey Rooney; Lobby Baby Face Nelson 1957 United Artists Don Siegel Carolyn Jones; 57/606 2 2011 Card Cedric Hardwicke Print Number Year of Image Movie Title Format Year Distributor Director Actors Notes Number in Set Gift Mickey Rooney; Lobby Baby Face Nelson 1957 United Artists Don Siegel Carolyn Jones; 57/606 3 2011 Card Cedric Hardwicke Mickey Rooney; Lobby Baby Face Nelson 1957 United Artists Don Siegel Carolyn Jones; 57/606 4 2011 Card Cedric Hardwicke Mickey Rooney; Lobby Baby Face Nelson 1957 United Artists Don Siegel Carolyn Jones; 57/606 6 2011 Card Cedric Hardwicke Mickey Rooney; Lobby Baby Face Nelson 1957 United Artists Don Siegel Carolyn Jones; 57/606 7 2011 Card Cedric Hardwicke Mickey Rooney; Lobby Baby Face Nelson 1957 United Artists Don Siegel Carolyn Jones; 57/606 8 2011 Card Cedric Hardwicke Print Number Year of Image Movie Title Format Year Distributor Director Actors Notes Number in Set Gift Nancy Kelly; Patty Lobby Warner Bad Seed, The 1956 Mervyn LeRoy McCormack; 56/388 8 2011 Card Brothers Henry Jones Cary Grant; Bachelor and the Lobby 1947 RKO Irving Reis Myrna Loy; 47/234 1 2011 Bobby-Soxer, The Card Shirley Temple Cary Grant; Bachelor and the Lobby 1947 RKO Irving Reis Myrna Loy; 47/234 7 2011 Bobby-Soxer, The Card Shirley Temple Bob Hope; Lana Bachelor in Lobby 1961 M-G-M Jack Arnold Turner; Janis 61/304 7 2011 Paradise Card Paige Jean Rogers; Lobby Twentieth Backlash 1946 Eugene Forde Richard Travis; 4 2011 Card Century Fox Larry J.
Recommended publications
  • DAN LEIGH Production Designer
    (3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES
    [Show full text]
  • Download Now Free Download Here Download Ebook
    D2WXy (Free read ebook) Abundance Online [D2WXy.ebook] Abundance Pdf Free Beth Henley audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #123288 in Audible 2009-09-01Format: Original recordingOriginal language:EnglishRunning time: 103 minutes | File size: 38.Mb Beth Henley : Abundance before purchasing it in order to gage whether or not it would be worth my time, and all praised Abundance: 0 of 0 people found the following review helpful. Another HenleyBy P. B. HawkinsAll I can say is congratulations to Beth Henley! Henley won a Pulitzer for "Crimes of the Heart" which I have read and seen performed. I was underwhelmed by both experiences. As an audience member who has seen my share of theatrical performances, "Abundance" does not have near the staying power of "Crimes of the Heart". I very much appreciate southern writers, female southern writers in particular. Perhaps Henley is over my head and I just don't get it. If that is the case, I say touche'.0 of 0 people found the following review helpful. Five StarsBy ElizabethWomen struggle with dreams of love and adventure. Mythic.0 of 1 people found the following review helpful. Five StarsBy Fern RaganRead before I saw the play! Helped tremendously! I met the playwright! From the Pulitzer Prize winning author of Crimes of the Heart comes this poignant but unromanticized story of the hard lives of pioneers on the high plains of Wyoming in the 1860's. Macon and Bess are two mail-order brides, lured to the West by the promise of new beginnings through marriage to men they have never met.
    [Show full text]
  • Cial Climber. Hunter, As the Professor Responsible for Wagner's Eventual Downfall, Was Believably Bland but Wasted. How Much
    cial climber. Hunter, as the professor what proves to be a sordid suburbia, responsible for Wagner's eventual are Mitchell/Woodward, Hingle/Rush, downfall, was believably bland but and Randall/North. Hunter's wife is wasted. How much better this film attacked by Mitchell; Hunter himself might have been had Hunter and Wag- is cruelly beaten when he tries to ner exchanged roles! avenge her; villain Mitchell goes to 20. GUN FOR A COWARD. (Universal- his death under an auto; his wife Jo- International, 1957.) Directed by Ab- anne Woodward goes off in a taxi; and ner Biberman. Cast: Fred MacMurray, the remaining couples demonstrate Jeffrey Hunter, Janice Rule, Chill their new maturity by going to church. Wills, Dean Stockwell, Josephine Hut- A distasteful mess. chinson, Betty Lynn. In this Western, Hunter appeared When Hunter reported to Universal- as the overprotected second of three International for Appointment with a sons. "Coward" Hunter eventually Shadow (released in 1958), he worked proved to be anything but in a rousing but one day, as an alcoholic ex- climax. Not a great film, but a good reporter on the trail of a supposedly one. slain gangster. Having become ill 21. THE TRUE STORY OF JESSE with hepatitis, he was replaced by JAMES. (20th Century-Fox, 1957.) Di- George Nader. Subsequently, Hunter rected by Nicholas Ray. Cast: Robert told reporters that only the faithful Wagner, Jeffrey Hunter, Hope Lange, Agnes Moorehead, Alan Hale, Alan nursing by his wife, Dusty Bartlett, Baxter, John Carradine. whom he had married in July, 1957, This was not even good.
    [Show full text]
  • Black Soldiers in Liberal Hollywood
    Katherine Kinney Cold Wars: Black Soldiers in Liberal Hollywood n 1982 Louis Gossett, Jr was awarded the Academy Award for Best Supporting Actor for his portrayal of Gunnery Sergeant Foley in An Officer and a Gentleman, becoming theI first African American actor to win an Oscar since Sidney Poitier. In 1989, Denzel Washington became the second to win, again in a supporting role, for Glory. It is perhaps more than coincidental that both award winning roles were soldiers. At once assimilationist and militant, the black soldier apparently escapes the Hollywood history Donald Bogle has named, “Coons, Toms, Bucks, and Mammies” or the more recent litany of cops and criminals. From the liberal consensus of WWII, to the ideological ruptures of Vietnam, and the reconstruction of the image of the military in the Reagan-Bush era, the black soldier has assumed an increasingly prominent role, ironically maintaining Hollywood’s liberal credentials and its preeminence in producing a national mythos. This largely static evolution can be traced from landmark films of WWII and post-War liberal Hollywood: Bataan (1943) and Home of the Brave (1949), through the career of actor James Edwards in the 1950’s, and to the more politically contested Vietnam War films of the 1980’s. Since WWII, the black soldier has held a crucial, but little noted, position in the battles over Hollywood representations of African American men.1 The soldier’s role is conspicuous in the way it places African American men explicitly within a nationalist and a nationaliz- ing context: U.S. history and Hollywood’s narrative of assimilation, the combat film.
    [Show full text]
  • Widescreen Weekend 2007 Brochure
    The Widescreen Weekend welcomes all those fans of large format and widescreen films – CinemaScope, VistaVision, 70mm, Cinerama and Imax – and presents an array of past classics from the vaults of the National Media Museum. A weekend to wallow in the best of cinema. HOW THE WEST WAS WON NEW TODD-AO PRINT MAYERLING (70mm) BLACK TIGHTS (70mm) Saturday 17 March THOSE MAGNIFICENT MEN IN THEIR Monday 19 March Sunday 18 March Pictureville Cinema Pictureville Cinema FLYING MACHINES Pictureville Cinema Dir. Terence Young France 1960 130 mins (PG) Dirs. Henry Hathaway, John Ford, George Marshall USA 1962 Dir. Terence Young France/GB 1968 140 mins (PG) Zizi Jeanmaire, Cyd Charisse, Roland Petit, Moira Shearer, 162 mins (U) or How I Flew from London to Paris in 25 hours 11 minutes Omar Sharif, Catherine Deneuve, James Mason, Ava Gardner, Maurice Chevalier Debbie Reynolds, Henry Fonda, James Stewart, Gregory Peck, (70mm) James Robertson Justice, Geneviève Page Carroll Baker, John Wayne, Richard Widmark, George Peppard Sunday 18 March A very rare screening of this 70mm title from 1960. Before Pictureville Cinema It is the last days of the Austro-Hungarian Empire. The world is going on to direct Bond films (see our UK premiere of the There are westerns and then there are WESTERNS. How the Dir. Ken Annakin GB 1965 133 mins (U) changing, and Archduke Rudolph (Sharif), the young son of new digital print of From Russia with Love), Terence Young West was Won is something very special on the deep curved Stuart Whitman, Sarah Miles, James Fox, Alberto Sordi, Robert Emperor Franz-Josef (Mason) finds himself desperately looking delivered this French ballet film.
    [Show full text]
  • Andy Devine the Illustrated Cf>Ress
    The Old Time Radio Club Established 1975 b Number 343 October 2006 Andy Devine The Illustrated Cf>ress Membership Information Club Officers and Librarians Club Membership: $18.00 per year from January 1 President to December 31. Members receive a tape library list­ Jerry Collins (716) 683-6199 ing, reference library listing and the monthly 56 Christen Ct. newsletter. Memberships areas follows: If you join Lancaster, NY 14086 January-March, $18.00; April-June, $14; JUly­ [email protected] September, $10; October-December. $7. All renewals should be sent in as soon as possible to Vice President & Canadian Branch avoid missing newsletter issues. Please be sure to Richard Simpson (905) 892-4688 notify us if you have a change of address. The Old 960 16 Road R.R. 3 Time Radio Club meets on the first Monday of the Fenwick, Ontario month at 7:30 PM during the months of September Canada, LOS 1CO through June at St. Aloysius School Hall. Cleveland Drive and Century Road, Cheektowaga, NY. There Treasurer, Videos & Records is ng meeting during the month of July, and an Dominic Parisi (716) 884-2004 informal meeting is held in August at the same 38 Ardmore PI. address. Buffalo, NY 14213 Anyone interested in the Golden Age of Radio is Membership Renewals, Change of Address welcome. The Old Time Radio Club is affiliated with Peter Bellanca (716) 773-2485 the Old Time Radio Network. 1620 Ferry Road Grand Island, NY 14072 Club Mailing Address [email protected] Old Time Radio Club 56 Christen Ct. Membership Inquires and OlR Lancaster, NY 14086 Network Related Items E-Mail Address: Richard Olday (716) 684-1604 [email protected] 171 Parwood Trail Depew.
    [Show full text]
  • La Dolce Vita Actress Anita Ekberg Dies at 83
    La Dolce Vita actress Anita Ekberg dies at 83 Posted by TBN_Staff On 01/12/2015 (29 September 1931 – 11 January 2015) Kerstin Anita Marianne Ekberg was a Swedish actress, model, and sex symbol, active primarily in Italy. She is best known for her role as Sylvia in the Federico Fellini film La Dolce Vita (1960), which features a scene of her cavorting in Rome's Trevi Fountain alongside Marcello Mastroianni. Both of Ekberg's marriages were to actors. She was wed to Anthony Steel from 1956 until their divorce in 1959 and to Rik Van Nutter from 1963 until their divorce in 1975. In one interview, she said she wished she had a child, but stated the opposite on another occasion. Ekberg was often outspoken in interviews, e.g., naming famous people she couldn’t bear. She was also frequently quoted as saying that it was Fellini who owed his success to her, not the other way around: "They would like to keep up the story that Fellini made me famous, Fellini discovered me", she said in a 1999 interview with The New York Times. Ekberg did not live in Sweden after the early 1950s and rarely visited the country. However, she welcomed Swedish journalists into her house outside Rome and in 2005 appeared on the popular radio program Sommar, and talked about her life. She stated in an interview that she would not move back to Sweden before her death since she would be buried there. On 19 July 2009, she was admitted to the San Giovanni Hospital in Rome after falling ill in her home in Genzano according to a medical official in the hospital's neurosurgery department.
    [Show full text]
  • Jessica Lange Regis Dialogue Formatted
    Jessica Lange Regis Dialogue with Molly Haskell, 1997 Bruce Jenkins: Let me say that these dialogues have for the better part of this decade focused on that part of cinema devoted to narrative or dramatic filmmaking, and we've had evenings with actors, directors, cinematographers, and I would say really especially with those performers that we identify with the cutting edge of narrative filmmaking. In describing tonight's guest, Molly Haskell spoke of a creative artist who not only did a sizeable number of important projects but more importantly, did the projects that she herself wanted to see made. The same I think can be said about Molly Haskell. She began in the 1960s working in New York for the French Film Office at that point where the French New Wave needed a promoter and a writer and a translator. She eventually wrote the landmark book From Reverence to Rape on women in cinema from 1973 and republished in 1987, and did sizable stints as the film reviewer for Vogue magazine, The Village Voice, New York magazine, New York Observer, and more recently, for On the Issues. Her most recent book, Holding My Own in No Man's Land, contains her last two decades' worth of writing. I'm please to say it's in the Walker bookstore, as well. Our other guest tonight needs no introduction here in the Twin Cities nor in Cloquet, Minnesota, nor would I say anyplace in the world that motion pictures are watched and cherished. She's an internationally recognized star, but she's really a unique star.
    [Show full text]
  • Press Kit Composite.Indd
    August, 2005 Re: The Evolution of The Pilates Method: The Fletcher Work™ To Whom It May Concern, The Fletcher Work is the authentic evolution of the Pilates’ method. To be accurate and legitimate, any journalistic inquiry into contemporary Pilates must necessarily include this dynamic contribution. On behalf of The Ron Fletcher Company, I encourage you to take time to review the enclosed materials. Pilates is more than a contemporary fitness phenomenon. It is an extraordinarily effective conditioning method — nearly a century in development — whose time has finally come. Joseph Pilates’ original principles were absolutely sound, yet his wife, Clara, referred to her husband’s original work as “just the tip of the iceberg.” The development and evolution of the Pilates method over the last 35 years has been, in large part, the result of the work and vision of Ron Fletcher, their protégé and student for nearly three decades. Since Joseph PIlates’ death in 1968, no other individual has played a more pivotal role in the evolution and popularity of the Pilates method. Now in his eighties, Mr. Fletcher is one of only three such masters still teaching the Work. Should you have any questions regarding the enclosed information, or should you wish to pursue a related project, please do not hesitate to contact me. In addition to being one of the great luminaries of the Pilates world, Ron Fletcher is also very much alive, well and active… and he’s a great interview. Sincerely, Kyria Sabin encl The Ron Fletcher Company™ . POB 64971 . Tucson, AZ 85728-4971 . 520.323.7070 .
    [Show full text]
  • DESTINATION: SPA VAC ATION Celebrate Spring—And Remove the Ravages of a Beastly Winter—With a Luxurious Hotel Spa Getaway
    First Class DESTINATION: SPA VAC ATION Celebrate spring—and remove the ravages of a beastly winter—with a luxurious hotel spa getaway. Best Hotel Spa for a Spiritual Retreat: Four Seasons Resort Rancho Encantado It makes sense that you’d find a world-class spa in Santa Fe. perhaps more to the point, Santa Fe is a New Age-y kind For one thing, the glamour quotient is high—Ali MacGraw, of town, a place where people come to reinvent themselves Gene Hackman, Tommy Lee Jones, Shirley MacLaine, Alan and leave the stress of their previous lives far behind. With Arkin, Carol Burnett, Val Kilmer, and Ted Turner, the single its grand skies and infinite desert landscape, not to mention largest landowner in New Mexico, all have homes here, a rich history dating back to the arrival of the nomadic and stars like Robert Redford and Jane Fonda are frequent Paleo-Indians around 10,000 B.C., America’s second oldest visitors. (In fact, while we were there, we bumped into the city, founded in 1610, provides the perfect spiritual backdrop cowboy boot-wearing Fonda at Todos Santos, a magical little for a spa vacation. Nestled on 57 acres in Sangre de Cristo chocolate shop in the courtyard at historic Sena Plaza.) But Foothills, just 10 minutes from downtown Santa Fe, the Four APRIL 2014 | SHERIDAN ROAD 95 Rancho Encantado’s outdoor fireplace is the perfect spot to take in the beauty of a Southwestern sunset. Seasons Resort Rancho Encantado offers 65 self-contained ballooning, archeological tours to a variety of cultural events.
    [Show full text]
  • Signed, Sealed and Delivered: ''Big Tobacco'' in Hollywood, 1927–1951
    Tob Control: first published as 10.1136/tc.2008.025445 on 25 September 2008. Downloaded from Research paper Signed, sealed and delivered: ‘‘big tobacco’’ in Hollywood, 1927–1951 K L Lum,1 J R Polansky,2 R K Jackler,3 S A Glantz4 1 Center for Tobacco Control ABSTRACT experts call for the film industry to eliminate Research and Education, Objective: Smoking in movies is associated with smoking from future movies accessible to youth,6 University of California, San Francisco, California, USA; adolescent and young adult smoking initiation. Public defenders of the status quo argue that smoking has 10 2 Onbeyond LLC, Fairfax, health efforts to eliminate smoking from films accessible been prominent on screen since the silent film era California, USA; 3 Department of to youth have been countered by defenders of the status and that tobacco imagery is integral to the artistry Otolaryngology – Head & Neck quo, who associate tobacco imagery in ‘‘classic’’ movies of American film, citing ‘‘classic’’ smoking scenes Surgery, Stanford University with artistry and nostalgia. The present work explores the in such films as Casablanca (1942) and Now, School of Medicine, Stanford, 11–13 California, USA; 4 Center for mutually beneficial commercial collaborations between Voyager (1942). This argument does not con- Tobacco Control Research and the tobacco companies and major motion picture studios sider the possible effects of commercial relation- Education and Department of from the late 1920s through the 1940s. ships between the motion picture and tobacco Medicine,
    [Show full text]
  • ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
    Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology.
    [Show full text]