DOCSLIB.ORG

The 'BEACHCOMBER

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The 'BEACHCOMBER The 'BEACHCOMBER # # A marvelous selection or ungni piay clothes you’ll need for your vacation- VOL. XX., NO. 3 „ J prn rPB*achK Advocate WEDNESDAY, JULY 10, 1946 FREE DISTRIBUTION T glamour girl swim and sun ^uits, slack sets and sissy shorts. Choose your vacation wardrobe here today . Women’s and Misses’ BATHING SUITS Sizes 32-34 and 48-50 $3.95 — $12.50 HALTER TOP PLAY SUITS J—$5.95 3 Piece Suit W ith S kirt Size 12-18 and 40-44 $6.95 — $9.95 r TYPE SLACK SUITS 10-12 $8.70 12-18 $11.95 40-42-44 $10.95 Assorted Colors BEACH COATS Size 16-20 SHORTIE PAJAMAS % Size 8-16 Blue and Peach Crepe THE CHILDREN ... 9 PLAY SUITS n s ® Size 7-14 V . < • ru Sr® vxSfv ’. SHORTS .v.v.• • .. VAy.v..y.'/. • . • * . • : ' : ' y '- : ■ :.% > :w . - | SUN SUITS $1.95-$2.95 'Vv.Vnvv W Size 7-3 In Plain Color and Prints BOY’S SUN SUITS Bathhouse, State Recreation Area Size 1-3 in Blue an 4 fgjj» U JERSEYS ‘ " Slze 1’6 In Stripes, PI WILL CONTINUE OUR PRACTICE OF SEL LING POSSIBLE PRICE. QUALITY merchandise a t LOW GEORGE B. FRENCH 37-41 Market Street P ortsmouth a T h e BEACHCOMBER VISIT _________ WEDNESDAY, JULY 10, 1946 FREE DISTRIBUTION Holiday Weekend Crowd Breaks All Records Boy Scout Camporee To Be Estimate Over 225,000 Persons Held At Beach July 24,25,26 Visit Beach Fourth of July --------- 5--------------------------------------------------- ------------------------------------------------------------------------------------------------------- f i ----------------- Fifteen hundred Boy Scouts and scout executive of Durham, and Ail existing records for Hampton leadens from all over the state of Wiliam D. Dyer, field scout execu­ Girls Club Holds Beach were believed broken over New Hampshire will pit*ch their tive of Nashua. Dance Saturday the Fourth of July weekend as un­ tents on the grounds bordering the The committee is al present out­ official estimates placed the holi­ State bathhouse and muster to­ lining the complete program for the The Girl's club at the Green­ day crowd at more than 250,000 gether for the 14th annual Hamp­ three-day camporee, which will be land Tourist camp at North Beach persons. at the TRIANGLE— near the MILE BRIDGE ton Beach Camporee July 24, 25, released on completion. held ah informal dance at the Police Chief Jerome Harkness and 26. Community house Saturday night. said that it was “absolutely the Camporee chairman John W. Music for dancing was furnished largest crowd in history’' and that Hopley of Portsmouth has sched- by the Martin family. The chap­ there “had never been anything . uled an excellent program of activ­ Vocalists Win erones were Mrs. Harry Turner like It before." Traffic streamed ities for the Boy Scouts of the and Mrs. Thomas Thornton. Re­ onto the beach from both north and south In a steady line through­ state. While the youths will act in Top Prizes In freshments were served by Miss the official capacity as guides for Ruth Turner, who was hostess for out the night Thursday as holiday the Children’s Day program on Amateur Hour the evening. seekers toured the seacoast region. July 25, they will have in store for Among those present were Jean­ Although record - smashing crowds Invaded the shore over the them an ideal schedule of recrea­ Eight entries vied for honors at ette Martin, Carol Fenton, Patsy FISH tional and educational activities. Floyd, Joyce Frederickson, Marl­ weekend, no beach accidents were the weekly Amatuer Program at M S ■ LOBSTERS% reported. Scouts will cook their own meals, the beach bandstand Monday even­ ine Thornton and Betty Mercier go bathing, be taken on excellent ing. Gerald Ryan, Donald Fanning, Tom Lifegaurds, Roland Beaudoin and educational tours in and around Victor Vigeant, patrolling the State Although all types of talent were McNulty, Jr., James MacConnell, Hampton and go boating. • bath house area, reported the most displayed before the enthusiastic Richard Martin and Charles Turn­ Many thousands of visitors to the er. excitement they had was rescuing crowd, vocal solos again won out two children who became caught beach will have an opportunity to and master of ceremonies. Bill get a first hand view of the Boy Id the undertow while floating on Bradley of station WHEB, awarded BUSES WILL RUN inflated tubes. Scouts in action and become ac­ first prize of $15 to Joseph Rowen, FANCY GROCERIES EXPRESS TO BOSTON Despite the fact that it was the quainted with the type of program 23, of Worcester, Mass., who sang heaviest traffic since prewar days, which scouting offers to the youth ‘‘Prisoner of Love/' and second Mr. Herbert G. Pascall, manager no serious accidents or fireB were of today. prize of $10 to Lucy Ann O’Dea, 10, of the beach branch of Barrow's reported to mar the holiday. Extra The committee in charge of the of Marsh avenue, for her rendition Travel Agency, has announced that trains, buses and taxicabs were k camporee is headed by John W. of “When Irish Eyes Are Smiling.** from Tuesday, July 9, two express necessary to transport the throng Hopley of Portsmouth, who will be Miss Margaret Sullivan, 28, of buses will run to Boston daily, S E E O U R that jammed Hampton center. Holyoke, Mass., won the third prize thereby eliminating the necessity assisted by Prof. Karl Woodward of Housing accomodations were a t Durham, Orville Gauthier of Hamp­ of $5 for singing “MacNamara’s of going to town for direct trans­ OPEN AIR ton, Frederick A. Noseworthy, field Band.’* portation. (Continued on Page Ten) market VEGETABLES FRESH DAILY AT THE TRIANGLE NEAR THE BRIDGE FROM NEARBY FARMS LOBSTER — FISH HAMPTON RIVER FRIED STEAKS SEA FOOD from the Ocean “Sea Food Fro Ocean To Your Plate The Same Day TO YOUR HOME the Same D WE INVITE YOU TO VISIT AND INSPECT OUR CLEAN KITCHEN o b a u / The BEACHCOMBER 5 The BEACHCOMBER Have You Heard7 3 | standing of what it does. Mr. and Mrs. J. C. Austin Adams. That the Cafe “check-boy" is an­ But this year, it Is evident that Tel. Hampton 2243 Beach Notes Ware; Mr. and Mrs. J. S. Finme j M A R SH A V E . other Blacks tone? (l&CLcll PxvH&lGMtG, (Continued on Page Twelve) from Milton, Mass.; Mr. and Mrs. BARBER SHOP d e e p s e a f is h e r The new Hotel Rowell has as Gagne of Portland, Me.; Miss Anna Open Year 'Round guests this week, Mr. ami Mrs. Lowe of Waltham, Mass.; Miss Le­ Select Real Estate 8ervlce BY MARY E. FOGARTY “MABO” CHARLES deNICHOLS BAKERS’ Wendel Garlack and son of Somei- one Dudos of Exeter, the Misses Insurance Of AH Kinds mm CABIN CRUISER ville, Mass.; Mr. and Mrs. Albert Marsh Ave., Opp. P St. GIFT SHOP Mary and Joan Haynes of Salem, L. HERBERT CLOUGH »‘ * Capt. Bob Ring State Pier Wills and family of Salem, Mass.; Mass.; Mr. and Mrs. Frank Downer • % When the doors of tihe Hampton with a high forehead. All in all, he Souvenirs — Gifts of Amesbury. Mass.; Miss Rita Des- 275 Ocean Avenue Beach Chamber of Commerce has been a composite personality OCEAN BOULEVARD Rosiers of Laconia; the Misses Pat­ Tel. 691 Hampton Beach, N. H. opened on May 30, a thirty-one representing an institution worthy 4 Doors North of Ashworth ricia McCormick and Doris Ken­ E. B. Burtt year old precedent was shattered. of full recognition and an under- GOLF EXHIBITION nedy of Exeter; Mr. and Mrs. Since 1915, when this organiza­ PORTSMOUTH COUNTRY CLUB Frank Mosher of Cambridge. Mass.: Formerly Fernald’s tion was first established as the and tbe Misses Joan Kently and Board of Trade, each Secretary HOME BAKERY The has been identified by his voice. Sunday, July 14 at 2:30 Phyllis Port of Medford, Mass. G RO CERIES Recent guests of Mr. and Mrs. LAWRENCE HOUSE In fact, to many, the Secretary was EARL’S MARKET r a in or s h in e King's Highway at Third St Eli Marcotte" at “Holidaynook” on just a voice and very little thought was given to the zealous work done Variety of Fancy Fish ED “ PORKY” OLIVER— Longest Driver Highland avenue were Mr. and Dining Room and FRANCIS “RED” RYAN, Former State Champ Mrs. Alfred Gosselin, the Misses by the man behind it. Until this year, the regular % vs. Mildred, Barbara and Nancy Gos­ and TOM MAHAN, R. I. Open Champion and INSIDE PARKING FRUIT GROCERIES — VEGETABLES selin, all of Raymond and Mrs. O- beach people have shown little MEL DEMARAIS, ranking N. E. Amateur DAY OR NIGHT curiosity toward the Secretary or mera Bettey of Derry. Cafeteria OPEN 24 HOURS about what goes on in that little ADMISSION $1.20 Inc. Tax Mrs. Mildred Mahoney of Grove- building on the boulevard. To the land, Mass., has opened her cottage ROCHEFORD’S A STREET average vacationists, the man on LOBSTERS at the beach. the orthophonic was more or leJss Guests at the Blue Haven -are HAMPTON BEACH taken for granted. Their knowledge Boar’s Head Tel. 880 Hampton Beach l Mr. and Mrs. William White; Mrs. GARAGE of him was probably limited to the HAMPTON BEACH CASD ! John Barry of Manchester; Mrs. MARSH AVE. AT A 8T. facts that he spoke mildly or gust­ jiNgnes Carrol of Boston; Robert Vulvanizing Repairs ily; one year he may have dressed THE HUB OF HAPPY HAMPTON and Kathleen O’Coin; Eleanor SOCONY conservatively — another year, ; Beestny of Worcester; Mr. and GAS O IL BOAR’S HEAD sportdly; one season he smoked ITS THE FOOD Mrs.
Load more

Recommended publications
  • Who's Who at Metro-Goldwyn-Mayer (1939)
    W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H.
    [Show full text]
  • Jackie Moran
    Jackie Moran Titles: 15 Sources: 1 Stills: 4 Born: Mattoon, Illinois; January 23rd 1926 th Died: Greenfield, Massachussetts; September 20 1990 The mouth has a firm set to it, and the eyes a glint of stubbornness, but otherwise Jackie’s face was curiously blank and expressionless in repose. Source: indeterminate website Ah, NOW we’re getting more expression… but can you DO that to a hot-shot lawyer’s son without risking a writ? Anyway, Melvyn Douglas takes that gamble in “AND SO THEY WERE MARRIED”. Mary Astor provides a backing rhythm on Edith Fellows. Spanking good fun for ALL the family! Source: They Had Faces Then The Moving Picture Boy entry: interviews with former film actors.) He was a too-civilised Huck in the 1937 "TOM “His father was a successful lawyer (a state SAWYER", and valiant was the word for his prosecutor, in fact) and his mother had musical attempt to bring conviction to "MICHAEL leanings. Jackie, the younger of two boys, had O'HALLORAN", as the saintly newsboy. a fine voice that won him solo status in the local church choir, and a handsome face that In 1939 Jackie had more fun as Buster won him advertising jobs for Coca-Cola and Crabbe's space sidekick in the ineffable the like. With the promise of a screen test "BUCK ROGERS" serial, besides extracted from a timely meeting with Mary "EVERYBODY'S HOBBY", "MEET Pickford, his family moved to Los Angeles: he DOCTOR CHRISTIAN", "THE SPIRIT OF had his screen test, and it led to nothing. CULVER" and a miniscule appearance in "GONE WITH THE WIND".
    [Show full text]
  • Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
    Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense.
    [Show full text]
  • ['R PFI..11S Rjlfl S11,111 INGIS
    111 ONE OF AMERICA'S BIGGEST INDUSTRIAL COMPANIES PAY $100.05 OF TUE CC.•' OF THIS $170.00 SCREEN FOR YOU-YOU PAY ONLY $69.95! _ L 3EA)ED WALL SCREE. Regularly $170.00. Blackhawk's low, low price an - $ 69.95 These 9*x12' Radiant EC Beaded Wafl Screens were pnrcllased by one of America's biggest industrial corporations for use at Is baining centers across the country. A shift In motion picture production plans, however, necessitated the qtthIdcm ad Cineinascope-type screen-and these 9'x12' ECa were 'virtually not used at all. Some of them were not en re,,'ed from the original fibre shipping tubes. All, for all practical purposes, are new-and you save exactly $100.05. As ym probably know, the Model EC is the simplest, most efficient large audience screen of its type and size. It can be conveniently hung from either wall or ceiling. The fnbrlc is securely anchored to spring roller. It moves up or down .noothty and evenly. New 211x2" Color Slide Set! AIREQUIPT MAGAZINES FOR 2" x 2" SLIDES Sinrdy constructIon of lIghtweIght metal provides eacellent protection ;s for slide.. Permanent metal frasne prosided for each slide. Slides ens- lip Ingerted or remo,ed without damage.lnttes card permanenliy This Is a new ihorler set of slides Incorporating some of the Uin4 attached. Each magszine boils 38 siide. pictures included In the now discontinued Rlackhawk Slide Set No. 11. "Tb. Peansy In Pennsylvania." PhotogeSphed by Fred MrLeod almost Six for . $9.99 ka years age, (hIs all-steam pet shows some draninlic Stilt 1 at Horse- \ '5 1 ".5 shoe Cirvr and elsewhere on the Penn,7 In Pennslvanla.
    [Show full text]
  • Cinema E Audiovisual UFF Daniel Braga Vellutini 2015.2.Pdf
    UNIVERSIDADE FEDERAL FLUMINENSE INSTITUTO DE ARTES E COMUNICAÇÃO SOCIAL DEPARTAMENTO DE! CINEMA E VÍDEO ! ! DANIEL BRAGA! VELLUTINI ! ! ! ! ! ! ! ! ! ! ! ! ! ! ROCK E CINEMA NO BRASIL! DOS ANOS 80 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Niterói/RJ 2016 UNIVERSIDADE FEDERAL FLUMINENSE INSTITUTO DE ARTES E COMUNICAÇÃO SOCIAL DEPARTAMENTO DE! CINEMA E VÍDEO ! ! DANIEL BRAGA! VELLUTINI ! ! ! ROCK E CINEMA NO BRASIL! DOS ANOS 80 ! ! Trabalho de Conclusão de Curso apresentado ao Curso de Cinema e Audiovisual da Universidade Federal Fluminense, como requisito parcial para obtenção do grau de !bacharel em Cinema e Audiovisual ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ORIENTADOR: Prof. Dr. Fernando! Morais da Costa Niterói/RJ 2016 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Aos meus pais, por absolutamente tudo. AGRADECIMENTOS ! Aos meus pais, Luiz Gustavo e Maria Amélia, por tanta coisa que nem cabe aqui, mas principalmente pelo amor e pelo apoio incomensuráveis. Ao meu irmão, Gabriel, por toda sua oitentice musical. A toda minha família, de sangue ou não, que sempre rezou e torceu por mim na mudança para Niterói e durante todos esses cinco anos de faculdade. Ao meu orientador, Fernando Morais, pela prontidão e enorme paciência. À Nina Tedesco, que além de professora se tornou amiga, por ter topado participar da banca de última hora. Ao professor Marildo Nercolini, por ter topado participar da banca e por ter ministrado a disciplina de Crítica Musical, na qual eu escrevi sobre o BRock pela primeira vez. Ao Pedro Curi, que além de indicar bibliografia para este trabalho, ministrou a disciplina sobre Cinema Jovem, na qual estudei os teenpics pela primeira vez. Aos professores e colegas que estiveram comigo nesses cinco anos de faculdade. À tripulação da Nave Mãe por compartilhar os momentos de diversão e também os de dificuldade nos últimos anos, em especial os da escrita deste trabalho.
    [Show full text]
  • Picture Show Annual (1942)
    PS HIM fkf *1(5 /«rA W/’hen we think of the heroism of the Fighting Services, the Mercantile Marine, the Fire fighters, the A.R.P., the many Corps of Women’s Auxiliary Services, Doctors, Nurses and staffs of Hospitals, and, above all, the heroism and spirit of self-sacrifice shown by the women and children of cities, towns and hamlets which have been bombed incessantly by the Nazi murderers, it may sound Raymond Massey (right) and not only presumptuous but downright swank to ” suggest that films Eric Postman in 49th the have played any really important part in the War. Parallel.” Eric Portman is a World But I have hesitation in saying that the screen U-boat officer who attempts no has played a very important part. I think to escape from Canada to the we may divide, roughly, the part the films have played into United States but is out- manoeuvred by Raymond showing us, firstly, what Nazism really means and Massey. what we are fighting against, and, secondly, how we are fighting the greatest menace to Civilisation since Democracy was established as the keystone of the arch of Civilisation. Democracy is easily explained. The great Lincoln. President of the first really United States of America, described it as Govern- ment of the People, by the People, for the People. The emblem of Republican France was Liberty, Equality and Fraternity. In England, and later in the British Empire, the meaning was Freedom of speech and action, Una Merkel and W. C. Fields in so long as it did not interfere with the " The Bank Detective.” Freedom of others.
    [Show full text]
  • Virtual Tour
    Mark Twain Boyhood Home & Museum Virtual Tour Hannibal, Missouri Created by the First Mark Twain Young Authors Workshop, June 25-29, 2007 Created by the First Mark Twain Young Authors Workshop Participants June 25-29, 2007 Hannibal, Missouri Co-sponsored by the HATS Program at Stetson University in DeLand, Florida and the Mark Twain Boyhood Home & Museum in Hannibal, Missouri The Mark Twain Young Authors: • Jonathan Agvent • Breanna Hembree • Madeleine Britton • Aliza Razell Hoover • Kelsey Connor • Emily Hunter •Brooke Davis • Ky Viet D. Quach • Joseph Genovese • Alex Parodi-Light • Jack Harvey- • Alic Szecsei Camillone Including two entries from chaperones Catherine McCray,a graduate of Stetson University, and Lynn Kramer, an education major at Stetson. Wish you were here! But, since you’re not, please join us for this virtual tour of the Mark Twain Boyhood Home & Come by and see for yourself! Museum. This tour includes ~The Mark Twain just a few of the hundreds of artifacts on display at Young Authors the museum. A note about this project… Twelve young writers from around the country won a scholarship to spend one week in Hannibal learning about the real life adventures of Samuel Clemens and how he came to write about these adventures. The children worked on several writing projects of their own during the week. One of the first included a special after- hours “behind the scenes” tour of the museum. As curator Henry Sweets told the stories about various museum artifacts, the young writers took detailed notes. Each was assigned two artifacts and asked to “bring them to life.” (Continued…) Note (cont.) The challenge presented to the young authors was to speak in the voice of the artifacts, or anthropomorphize them.
    [Show full text]
  • Shock Editado
    CONTRACAMPO REVISTA DO PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO - UNIVERSIDADE FEDERAL FLUMINENSE SHOCK! Slasher movie “made in Brazil” 1 2 Laura Cánepa Resumo : O presente artigo analisa o longa-metragem Shock! (São Paulo, 1984), de Jair Correia, filme juvenil brasileiro e principal representante nacional de um dos subgêneros do horror internacional mais populares no planeta desde o final dos anos 1970: o slasher movie. O que se pretende é comparar algumas estratégias narrativas usadas em Shock! com as formas canônicas desse subgênero, buscando caracterizar a composição específica do exemplar brasileiro e também sugerir como tal composição se relaciona com a cultura urbana jovem brasileira dos anos 1980. Palavras-chave: Cinema juvenil. Cinema de horror. Slasher movie. Brasil. Anos 1980. Abstract: This paper analyzes the horror film Shock! (Jair Correia, 1984), teenpic witch represents the unique brazilian experience in slasher movie - one of the most popular international subgenres of horror since the late 1970s. The aim is to compare some narrative strategies used in Shock! with canonical forms of this subgenre, seeking to characterize the specific composition of a brazilian slasher and also suggest how this composition is related with the young brazilian urban culture of the 1980s. Key-words: Teenpics. Horros movies. Slasher movies. Brazil. 1980s. No mundo do cinema de exploração Lado a lado com aqueles que construíram os grandes estúdios cinematográficos em vários países do mundo nas primeiras décadas do século XX, um número expressivo de produtores optou por desenvolver um mercado marginal ao das grandes e médias produções, engendrando uma vastíssima linhagem de filmes muito baratos cujo apelo residia na abordagem de temas-tabu e na exibição de imagens chocantes rejeitadas pelo cinema convencional.
    [Show full text]
  • UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ARTES Doutorado Em Multimeios LEIA O LIVRO, VEJA O FILME, COMPRE O DISCO: a Produ
    UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ARTES Doutorado em Multimeios LEIA O LIVRO, VEJA O FILME, COMPRE O DISCO: a produção cinematográfica juvenil brasileira na década de 1980. Zuleika de Paula Bueno Campinas 2005 1 UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ARTES Doutorado em Multimeios LEIA O LIVRO, VEJA O FILME, COMPRE O DISCO: a produção cinematográfica juvenil brasileira na década de 1980. Zuleika de Paula Bueno Tese apresentada ao Curso de Doutorado em Multimeios do Instituto de Artes da UNICAMP como resquisito parcial para a obtenção do grau de Doutor em Multimeios sob a orientação do Professor Doutor José Mário Ortiz Ramos. Campinas 2005 3 FICHA CATALOGRÁFICA ELABORADA PELA BIBLIOTECA DO INSTITUTO DE ARTES DA UNICAMP Bibliotecário: Liliane Forner – CRB-8ª / 6244 Bueno, Zuleika de Paula. B862L Leia o livro, veja o filme, compre o disco: a produção cinematográfica juvenil brasileira na década de 1980. / Zuleika de Paula Bueno. – Campinas, SP: [s.n.], 2005. Orientador: José Mário Ortiz Ramos. Tese(doutorado) - Universidade Estadual de Campinas. Instituto de Artes. 1. Cinema brasileiro. 2. Juventude-Brasil. 3. Produção cultural. 4. Indústria cultural. I. Ramos, José Mário Ortiz. II. Universidade Estadual de Campinas. Instituto de Artes. III. Título. Título em inglês: “Read the book, watch the movie, listen to the music: the Brazilian Teenpics production in the 1980’s” Palavras-chave em inglês (Keywords): Brazilian cinema – Brazilian teenagers – cultural production Área de concentração: Multimeios Titulação: Doutorado em Multimeios Banca examinadora: Prof. Dr. José Mário Ortiz Ramos Prof. Dr. Fernão Ramos Prof. Dr. Marcius César Soares Freire Profª Drª Maria Celeste Mira Prof.
    [Show full text]
  • Gone with the Wind
    Gone with the Wind Gone with the Wind, motion-picture epic about a tempestuous Southern belle and the changes in her life due to the American Civil War (1861-1865), based on the best- selling novel by Margaret Mitchell. Released in 1939, this film won eight Academy Awards and was one of the biggest production events in film history. The story involves Scarlett O’Hara (played by Vivien Leigh), the beautiful and difficult daughter of a large plantation owner. O'Hara is hopelessly infatuated with Ashley Wilkes (Leslie Howard), but becomes distraught when Wilkes becomes engaged to Melanie Hamilton (Olivia de Havilland). In the midst of a tantrum over this news she meets the rakish Rhett Butler (Clark Gable). The two Southerners form a fiery romance and then endure hardship and loss in the Civil War, including the famous burning of Atlanta, Georgia. Directors Victor Fleming George Cukor Sam Wood William Cameron Menzies Sidney Franklin Cast Fred Crane (Brent Tarleton) George Reeves (Stuart Tarleton) Vivien Leigh (Scarlett O'Hara) Hattie McDaniel (Mammy) Everett Brown (Big Sam) Zack Williams (Elijah) Thomas Mitchell (Gerald O'Hara) Oscar Polk (Pork) Barbara O'Neil (Ellen O'Hara) Victor Jory (Jonas Wilkerson) Evelyn Keyes (Suellen O'Hara) Ann Rutherford (Careen O'Hara) Butterfly McQueen (Prissy) Tom Seidel (Guest) Howard Hickman (John Wilkes) Alicia Rhett (India Wilkes) Leslie Howard (Ashley Wilkes) Olivia de Havilland (Melanie Hamilton) Rand Brooks (Charles Hamilton) Carroll Nye (Frank Kennedy) Marcella Martin (Cathleen Calvert) Clark Gable (Rhett Butler) James Bush (Gentleman) Marjorie Reynolds (Gossip) Ralph Brooks (Gentleman) Philip Trent (Gentleman, later bearded Confederate on steps at Tara) Laura Hope Crews (Aunt Pittypat Hamilton) Harry Davenport (Dr.
    [Show full text]
  • A Statistical Survey of Sequels, Series Films, Prequels
    SEQUEL OR TITLE YEAR STUDIO ORIGINAL TV/DTV RELATED TO DIRECTOR SERIES? STARRING BASED ON RUN TIME ON DVD? VIEWED? NOTES 1918 1985 GUADALUPE YES KEN HARRISON WILLIAM CONVERSE-ROBERTS,HALLIE FOOTE PLAY 94 N ROY SCHEIDER, HELEN 2010 1984 MGM NO 2001: A SPACE ODYSSEY PETER HYAMS SEQUEL MIRREN, JOHN LITHGOW ORIGINAL 116 N JONATHAN TUCKER, JAMES DEBELLO, 100 GIRLS 2001 DREAM ENT YES DTV MICHAEL DAVIS EMANUELLE CHRIQUI, KATHERINE HEIGL ORIGINAL 94 N 100 WOMEN 2002 DREAM ENT NO DTV 100 GIRLS MICHAEL DAVIS SEQUEL CHAD DONELLA, JENNIFER MORRISON ORIGINAL 98 N AKA - GIRL FEVER GLENN CLOSE, JEFF DANIELS, 101 DALMATIANS 1996 WALT DISNEY YES STEPHEN HEREK JOELY RICHARDSON NOVEL 103 Y WILFRED JACKSON, CLYDE GERONIMI, WOLFGANG ROD TAYLOR, BETTY LOU GERSON, 101 DALMATIANS (Animated) 1951 WALT DISNEY YES REITHERMAN MARTHA WENTWORTH, CATE BAUER NOVEL 79 Y 101 DALMATIANS II: PATCH'S LONDON BOBBY LOCKWOOD, SUSAN BLAKESLEE, ADVENTURE 2002 WALT DISNEY NO DTV 101 DALMATIANS (Animated) SEQUEL SAMUEL WEST, KATH SOUCIE ORIGINAL 70 N GLENN CLOSE, GERARD DEPARDIEU, 102 DALMATIANS 2000 WALT DISNEY NO 101 DALMATIANS KEVIN LIMA SEQUEL IOAN GRUFFUDD, ALICE EVANS ORIGINAL 100 N PAUL WALKER, TYRESE GIBSON, 2 FAST, 2 FURIOUS 2003 UNIVERSAL NO FAST AND THE FURIOUS, THE JOHN SINGLETON SEQUEL EVA MENDES, COLE HAUSER ORIGINAL 107 Y KEIR DULLEA, DOUGLAS 2001: A SPACE ODYSSEY 1968 MGM YES STANLEY KUBRICK RAIN NOVEL 141 Y MICHAEL TREANOR, MAX ELLIOT 3 NINJAS 1992 TRI-STAR YES JON TURTLETAUB SLADE, CHAD POWER, VICTOR WONG ORIGINAL 84 N MAX ELLIOT SLADE, VICTOR WONG, 3 NINJAS KICK BACK 1994 TRI-STAR NO 3 NINJAS CHARLES KANGANIS SEQUEL SEAN FOX, J.
    [Show full text]
  • James R. and Susan Neumann Jazz Collection Series 7: Visual Materials Subseries B: Film Posters and Lobby Cards
    Oberlin Conservatory Library Special Collections James R. and Susan Neumann Jazz Collection Series 7: Visual Materials Subseries B: Film Posters and Lobby Cards Page | 1 Item # Film Title Musician Musician Date Size Notes N_FP_0035 7 Days Ashore Slack, Freddie Fisher, Freddie 1944 14 x 36 in N_FP_0173 A Man Called Adam Davis Jr., Sammy Armstrong, Louis 1966 27 x 41 in N_FP_0284 A Man Called Adam Davis Jr., Sammy Armstrong, Louis 1966 22 x 28 in N_FP_0515 A Man Called Adam Davis Jr., Sammy Armstrong, Louis 1966 11 x 14 in N_FP_0291 A Song is Born Goodman, Dorsey, Tommy 1948 22 x 28 in different Benny design from 301 N_FP_0301 A Song is Born Goodman, Dorsey, Tommy 1948 22 x 28 in different Benny design from 291 N_FP_0320 A Song is Born Goodman, Dorsey, Tommy 1948 41 x 80 in Benny N_FP_0559 A Song is Born Goodman, Dorsey, Tommy 1948 11 x 14 in Benny N_FP_0086 Ah Quelle Equipe Bechet, Sidney 1957 14 1/2 x 22 in N_FP_0348 Ah Quelle Equipe Bechet, Sidney 1957 47 x 63 in N_FP_0415 Ah Quelle Equipe Bechet, Sidney 1957 20 x 26 in N_FP_0206 All Night Long Brubeck, Dave Mingus, Charles 1963 27 x 41 in this version printed in USA, cf #219 N_FP_0219 All Night Long Brubeck, Dave Mingus, Charles 1963 27 x 41 in two copies, this version printed in Great Britain, cf #206 N_FP_0412 All Night Long Brubeck, Dave Mingus, Charles 1963 41 x 80 in linen-backed N_FP_0416 All the Fine Young Bailey, Pearl 1960 11 x 14 in Cannibals N_FP_0417 Almost Married Frazee, Jane 1942 11 x 14 in two items N_FP_0082 Amor de mi Vida 13 x 17 in N_FP_0418 Anatomy of a 1959 11 x 14 in Murder Oberlin Conservatory Library l 77 West College Street l Oberlin, Ohio 44074 l [email protected] l 440.775.5129 Oberlin Conservatory Library Special Collections James R.
    [Show full text]