Boulder International Film Festival

Total Page:16

File Type:pdf, Size:1020Kb

Boulder International Film Festival FilmBoulder Festival International movesi celebrating the bold spirit >> welcome Welcome to the 7th Annual Boulder International Film Festival, a non-profit community festival staffed almost entirely by energized volunteers and voted “one of the coolest film festivals in the world” byMovieMaker magazine. That’s because of you, the huge, film-hip, Boulder audiences who show up by the thousands to be a part of the big world of ideas and passions that are light- years beyond the normal muck of American mass corporate media. This year’s BIFF will honor one of the greatest, most thought-provoking film directors of our time—three-time Oscar winner Oliver Stone (Midnight Express, Platoon, Born on the Fourth of July). Mr. Stone will receive BIFF’s Master of Cinema Award and sit down for an in-depth interview and retrospective of his films at the Closing Night ceremonies on Sunday night. Last year, BIFF welcomed Alec Baldwin just weeks before he co-hosted the 2010 Academy Awards. Continuing that tradition, we are excited to present voteWHAT ROCKS YOU AT BIFF? 2011’s Oscar co-host, movie mega-star James Franco (the Spider-Man trilogy, Get a ballot on your way in to Milk, Howl, 127 Hours) for an evening retrospective of his films. - each program. Take 10 sec BIFF is happy to welcome back Oscar-nominated producer Don Hahn (Beauty onds to vote. Hand it back on and the Beast, The Lion King) who will present his touching new film,Hand your way out. Easy! Bribes not Held. Mr. Hahn will also be a moderator of honor for a reprise of one of the accepted. Winners announced | 3 biggest hits of last year’s BIFF, the pioneering Digital Media Convergence closing night. Symposium (DiMe), a gathering of the cream of the world’s digital media and animation explosion. people’s choice We are so proud this year to introduce one of the founding heroes of the awards American Civil Rights movement, Congressman John Lewis, who will appear with the powerful new documentary Freedom Riders. As an original Freedom Rider, Lewis endured mobs, beatings and arrests as he traveled on bus rides across the Deep South to fight Jim Crow laws and end segregated interstate bus travel. inside Once again, BIFF will present our Call 2 Action for films about injustice and outrage that spark audience members to want to learn how to be a part of the tickets ...................................... 7 solution. New this year will be our special Call 2 Action tent on the Pearl Street venues/map ............................... 6 Mall where filmmakers and audience members can extend the discussion about specific courses of action. events/parties ....................... 8-9 schedule grid .......................50-51 As always, thanks to our brilliant cadre of community volunteers and our new and loyal sponsors. We couldn’t do it without them. film synopses.......................12-37 call 2 action ..............................22 See you at the movies! people/staff etc.........................42 DiMe symposium .......................16 Robin Beeck, Executive Director Kathy Beeck, Festival Director grantors generous support provided by the following granting organizations individual sponsors LEADERSHIP CIRclE $5,000+ P AT T I B RUCK & B ILL S P ENCER P HILANTHRO P IECE C A R O LY N S CHUHAM T HE T WI S TED F O U N D AT I O N S O P HIE & J ACK W ALKER * S ANDY Y OUNGHAN S & R ICK S HE PARD BENEFACTOR $2,500+ G INNY C OR S I & M ARY B ACKLUND LTSTBS (L I F E ’ S T OO S HORT T O B E S TINGY ) S UE & P AUL R AA B TK S MITH & C ONNIE H OLDEN * FRIEND OF BIFF (FOB) $1,000+ T HE L EA & N ICK A RON S ON E S TAT E J ULIE , K AYA & B ERYLE R ANDALL C INDY C ARLI S LE S ON J A & K EN T UITELE D ORY & K AT E H AGAN * K ITTY N ICHOLA S ON & B ILL V IELEHR * D R . D AVID J ACK S ON S TAR W ARING & D AN J OHN S ON R ICHARD P OLK N ICKY W OLMAN & D AVID F ULKER M ICHAEL P ULDY T HE W OLO S ON F A M I LY F O U N D AT I O N BIFF BUFF $500+ D AN & K AT H RY N B EECK * C HUCK H UNKER J IM P ALMER S ALLIE S MITH & J IM B UTTERWORTH * F OUNDING & CONTINUING sp ON S OR S 45 | BOULDER INTERNATIONAL FILM FESTIVAL 2011 BIFF1.COM thank you sponsors PLATINUM generous support provided by the following granting organizations GOLD CMYK WWR GREEN C - 40% M - 0% Y - 70% K - 40% creative SILVER Black C - 40% M - 40% Y - 40% K - 90% BRONZE WWR GREEN RGB R - 104 G - 140 B - 80 PARTNER SMALL BUSINESS PARTNERS 8 DAYS A WEEK CRESTONE CAPITAL MANAGEMENT MILLER & HARRISON ACTION MARKETING GROUP DIETZE AND DAVIS OZO COffEE CO. ARCADEA ARCHITECTURE EKS&H PHOTO MALONE BERG HILL GREENLEAF & RUSCITTI, LLP FASHIONISTA PHOTO RC SPECIAL EVENTS BJ’S RESTAURANT & BREWHOUSE GOODWILL INDUSTRIES OF DENVER ROCHE COLORADO CORPORATION BOULDER CONVENTION AND VISITORS BUREAU KATHRYN KELLER, RE/MAX OF BOULDER STUART WRIGHT, WRIGHT KINGDOM REAL ESTATE BOULDER PUBLIC LIBRARY MIGHTY FUDGE STUDIOS THE 1ST MOVEMENT 45 | BOULDER INTERNATIONAL FILM FESTIVAL 2011 BIFF1.COM TICKETS AT 303.786.7030, BIFF1.COM OR WWW.BOULDERTHEATER.COM BIFF1.COM | 5 venues celebrating the bold spirit 55 Films 31 Filmmakers 18 Countries 4 days of controversy, spice, color, laughter, outrage, adventure, ideas, culture & community map Hotel N P Boulderado 6 P Spruce St First United Methodist Church Ted’s 10th Montana Mighty Fudge PG Boulder Grill Studios call2 Theater action i George’s 2 4 Pearl St Pearl Street Mall Broadway Ten20 Spa>>> 13th 15th 11th 14th 16th 17th 9th 1 3 PG Lazy Dog Lounge Walnut St 1 PG PG PG PG St Julien Hotel Canyon Blvd WELCOME TO the tent! P The place for BIFF info and for dialog. Film talks continue here at the Call to Boulder Public Library P Action Info Tent, located at Pearl & 14th Arapahoe Ave call act2ion i on the Mall. Many thanks to The Twisted Foundation for providing the tent. film venues registration, etc party spots parking Boulder Theater/George’s 1. St Julien Hotel & Spa 3. Lazy Dog Lounge PG Parking Garage: 2032 14th St 900 Walnut St 1346 Pearl St free on weekends Public Filmmaker Party Festival Registration P Parking Lot or Meters: First United Methodist Church FUMC* & Keen Happy Hours free after 7pm & Sundays 1421 Spruce St 6. Hotel Boulderado 2115 13th St 2. Ted’s Montana Grill 1701 Pearl St. FUMC parking is available Friday Boulder Public Library Canyon Theater 4. Mighty Fudge VIP Filmmaker Reception after 6pm and all day Saturday 1000 Canyon Blvd 1017 Pearl St Filmmaking Workshops 5. George’s Filmmaker Lounge i BIFF Call 2 Action + Info Tent Ten Spa 2005 Pearl Pearl St Mall at 14th Later with LUNAFEST & Luna Bar 67 | BOULDER INTERNATIONAL FILM FESTIVAL 2011 BIFF1.COM tickets FILM PROGRAM TICKETS REGULAR ADMISSION $12 STUDENTS / SENIORS WITH VALID I.D. $10 VIP PASS $345 $ OPENING NIGHT GaLA PROGRAM 1 45* DiMe Symposium $50/65 door $ PUBLIC FILMMAKER PARTY SPECIAL EVENT A 18/20 door $ celebrating the bold spirit WORKSHOP: MAKE YOUR OWN FILM SPECIAL EVENT B 25/35 door $ CONVERSATION WITH JAMES FRANCO PROGRAM 22 30* $ CLOSING NIGHT AWARDS & TRIBUTE PROGRAM 39 60* * PLUS SERVICE CHARGES how to purchase tix Please note the program numbers of your chosen films and events before you get online or call for tickets – you will need these to complete your order. > online: > phone: > in person: www.biff1.com 303.786.7030 Boulder Theater Box Office www.bouldertheater.com Or at the door 30’ before start time PURCHASE IN ADVANCE PURCHASE DAY OF SHOW PICKING UP YOUR TICKETS Advance tickets for all BIFF programs, Tickets can be purchased from the Boulder Boulder Theater: Advance purchase tickets workshops and events must be purchased Theater online and over the phone until 90 for this venue are available for pickup through the Boulder Theater Box Office minutes before the program begins. Tickets anytime that the Boulder Theater box office online, over the phone or in person. may also be purchased the day of the event is open. at the program venue 30 minutes before Print your ticket at home (or at work) and start time. skip the box office lines! TICKETS SOLD OUT ONLINE? Boulder Library/ First United Methodist Church Advance purchase tickets for these Rush tickets may be available for purchase (FUMC) : venues will be available for pickup at the at the program venue 10 minutes prior to Boulder Theater anytime up to ONE HOUR showtime. Rush on over to find out!! TER BOX OFFICE BOULDER THEA before the program begins. For pickup less 2032 14th Street than an hour before your program begins, tickets will be available for pickup at the Boulder, Colorado 80302 venue in which the program is being held. AL HOURS boxofficeBOX OFFICE FESTIV 3:00pm - 9:00pm Thursday, Feb. 17 For questions, call 303.449.2289 REGULAR HOURS 9:30am - 10:30pm Friday, Feb. 18 i Or stop by the BIFF Information Tent on the Monday - Friday: 3:00pm - 7:00pm 9:30am - 9:00pm Saturday, Feb. 19 Pearl Street Mall at 14th and Pearl streets. Saturday: 12:00pm - 5:00pm 9:30am - 9:00pm Festival hours: Sunday, Feb. 20 Thursday, Feb. 17: 1:00pm - 7:00 pm Friday, Feb. 18: 9:30am - 8:30pm Saturday, Feb.
Recommended publications
  • Template EUROVISION 2021
    Write the names of the players in the boxes 1 to 4 (if there are more, print several times) - Cross out the countries that have not reached the final - Vote with values from 1 to 12, or any others that you agree - Make the sum of votes in the "TOTAL" column - The player who has given the highest score to the winning country will win, and in case of a tie, to the following - Check if summing your votes you’ve given the highest score to the winning country. GOOD LUCK! 1 2 3 4 TOTAL Anxhela Peristeri “Karma” Albania Montaigne “ Technicolour” Australia Vincent Bueno “Amen” Austria Efendi “Mata Hari” Azerbaijan Hooverphonic “ The Wrong Place” Belgium Victoria “Growing Up is Getting Old” Bulgaria Albina “Tick Tock” Croatia Elena Tsagkrinou “El diablo” Cyprus Benny Christo “ Omaga “ Czech Fyr & Flamme “Øve os på hinanden” Denmark Uku Suviste “The lucky one” Estonia Blind Channel “Dark Side” Finland Barbara Pravi “Voilà” France Tornike Kipiani “You” Georgia Jendrick “I Don’t Feel Hate” Germany Stefania “Last Dance” Greece Daði og Gagnamagnið “10 Years” Island Leslie Roy “ Maps ” Irland Eden Alene “Set Me Free” Israel 1 2 3 4 TOTAL Maneskin “Zitti e buoni” Italy Samantha Tina “The Moon Is Rising” Latvia The Roop “Discoteque” Lithuania Destiny “Je me casse” Malta Natalia Gordienko “ Sugar ” Moldova Vasil “Here I Stand” Macedonia Tix “Fallen Angel” Norwey RAFAL “The Ride” Poland The Black Mamba “Love is on my side” Portugal Roxen “ Amnesia “ Romania Manizha “Russian Woman” Russia Senhit “ Adrenalina “ San Marino Hurricane “LOCO LOCO” Serbia Ana Soklic “Amen” Slovenia Blas Cantó “Voy a quedarme” Spain Tusse “ Voices “ Sweden Gjon’s Tears “Tout L’Univers” Switzerland Jeangu Macrooy “ Birth of a new age” The Netherlands Go_A ‘Shum’ Ukraine James Newman “ Embers “ United Kingdom.
    [Show full text]
  • World Premiere
    World Premiere FILMOGRAPHY A Message from Oliver Stone has directed: “W.” (‘08), “World Trade Center” (‘06), “Alexander” (‘04), “Any Given Sunday” (‘99), “U–Turn” (‘97), “Nixon” (‘95), “Natural Born Killers” (‘94), Oliver Stone “Heaven and Earth” (‘93), “JFK” (‘91), “The Doors” (‘91), “Born On The Fourth Of July” (‘89), I’ve been fortunate to be able “Talk Radio” (‘88), “Wall Street” (‘87), “Platoon” (‘86), “Salvador” (‘86), “The Hand” (‘81) to make several films about North and “Seizure” (‘73). He’s written or co–written all of the above, with the exception of America’s neglected “backyard” “U–Turn”, “World Trade Center” and “W.”. –– Central and South America. He’s also written or co–written: “Midnight Express” (‘78), “Scarface” (‘83), The low budget, independently “Conan The Barbarian” (‘82), “Year Of The Dragon” (‘85), “Evita” (‘96), and shot SALVADOR, about the U.S. “8 Million Ways To Die” (’86). involvement with the death squads of El Salvador, and starring James He’s directed 3 documentaries –– “Looking for Fidel” (‘04), “Comandante” (‘03), Woods in an Oscar–nominated “Persona Non Grata” (‘03). performance, was released in 1986; this was followed by COMANDANTE He’s produced or co–produced: “The People vs. Larry Flynt” (‘96), in 2003, and LOOKING FOR FIDEL in “The Joy Luck Club” (‘93), “Reversal of Fortune” (‘90), “Savior” (‘98), 2004, both of these documentaries “Freeway” (‘96),“South Central” (‘98), “Zebrahead” (‘92), “Blue Steel” (‘90), exploring Fidel Castro in one–on–one and the ABC mini–series “Wild Palms” (‘93). An Emmy was given to him and his interviews. Each of these films has struggled to be distributed in North America.
    [Show full text]
  • Short Film Marketing Guide
    SHORT FILM FESTIVAL MARKETING GUIDE 2021 Kia ora, welcome to Te Tumu Whakaata Taonga New Zealand Film Commission (NZFC) Short Film Festival Marketing Guide, designed to help with your most frequently asked festival related questions and to support you in planning a targeted release strategy for your short film. Wishing you the best of luck on your festival journey. Film Still: Ani (2019) – Written and directed by Josephine Stewart-Te Whiu (Ngāpuhi, Te Rarawa), produced by Sarah Cook Official Selection: Berlin International Film Festival ‘In Competition Generation Kplus’, Toronto International Film Festival, imagineNATIVE Film + Media Arts Festival, New Zealand International Film Festival, Rotorua Indigenous Film Festival, Vladivostok Pacific Meridian International Film Festival, Hamptons International Film Festival, Show Me Shorts Film Festival - Winner Best New Zealand Film Award, Best Cinematographer Award DISCLAIMER: This document is written as a guide only, intended for use by short film directors, writers and producers when referring to ‘you’, ‘your’ and ‘filmmakers’. Festival dates included in this guide are correct at publishing and subject to change. 1 © New Zealand Film Commission 2021 INDEX The First Steps – Preparing for Festival Success……………………………………………………………… 3 In Pre-Production………………………………………………………………………………………………. 3 In Production…………………………………………………………………………………………………….. 3 In Post-Production…………………………………………………………………………………………….. 4 At the Finish Line……………………………………………………………………………………………….. 4 Press Kit………………………………………………………………………………………………….
    [Show full text]
  • View Julia's Resume
    Julia Kim Smith juliakimsmith.com [email protected] Education University of Michigan, M.F.A. Visual Communication, Rackham Fellowship Recipient Screenings The Real Wi-Fi Of Baltimore 2017 Official Selection of Slamdance Film Festival, Park City, UT 2017 Official Selection of Cinequest Film Festival, San Jose, CA 2017 Official Selection of Calgary Underground Film Festival, Calgary, Canada 2017 Sondheim Semi-Finalist Exhibition, Maryland Institute College Of Art, Baltimore, MD 2015 Vimeo Curated Collection: Comedy Cylburn Park 2018 Sondheim Semi-Finalist Exhibition, Maryland Institute College Of Art, Baltimore, MD 2015 Official Selection of Brooklyn Film Festival, Brooklyn, NY Why 2018 Sondheim Semi-Finalist Exhibition, Maryland Institute College Of Art, Baltimore, MD 2017 Feminist Art Conference, OCAD University, Toronto, Canada 2016 Gold + Beton, Cologne, Germany Exquisit Corpse, Curator: Sarah Faraday, Fuse Art Space, UK 2015 Fuse Art Space, Bradford, UK Exquisite Corpse, Curator: Sarah Faraday, Fuse Art Space, UK 2014-2015 Institute for Women and Art, Rutgers University, MTV: Momentum Technology Video and Momentum: Women/Art/Technology 2014 Official Selection of Center For Asian American Media CAAMFest, San Francisco, Berkeley, Oakland, San Jose, CA 2013 DUMBO Arts Festival, Brooklyn, NY 2013 Washington Project for the Arts, Experimental Media: Cyber In Securities, Washington, DC Curator: Lisa Moren, Professor of Visual Art, University of Maryland, Baltimore County 2013 Baltimore Artscape, Slippage, Center for the Arts Gallery, Towson University, Towson, MD Curator: Daniel Belasco, Curator, Samuel Dorsky Museum of Art, State University of New York 2013 The White Building, Public Assembly: An Alternative Summer Show, London, UK Organized by Free Cooper Union (UK) and Lawrence Lek.
    [Show full text]
  • Top 30 Films
    March 2013 Top 30 Films By Eddie Ivermee Top 30 films as chosen by me, they may not be perfect or to everyone’s taste. Like all good art however they inspire debate. Why Do I Love Movies? Eddie Ivermee For that feeling you get when the lights get dim in the cinema Because of getting to see Heath Ledger on the big screen for the final time in The Dark Knight Because of Quentin Tarentino’s knack for rip roaring dialogue Because of the invention of the steadicam For saving me from the drudgery of nightly weekly TV sessions Because of Malik’s ability to make life seem more beautiful than it really is Because of Brando and Pacino together in The Godfather Because of the amazing combination of music and image, e.g. music in Jaws Because of the invention of other worlds, see Avatar, Star Wars, Alien etc. For making us laugh, cry, sad, happy, scared all in equal measure. For the ending of the Shawshank Redemption For allowing Jim Carey lose during the 1990’s For arranging a coffee date on screen of De Niro an Pacino For allowing Righteous Kill to go straight to DVD so I could turn it off For taking me back in time with classics like Psycho, Wizard of Oz ect For making dreams become reality see E.T, The Goonies, Spiderman, Superman For allowing Brad Pitt, Michael Fassbender, Tom Hardy and Joesph Gordon Levitt ply their trade on screen for our amusement. Because of making people Die Hard as Rambo strikes with a Lethal Weapon because he is a Predator who is also Rocky.
    [Show full text]
  • HH Available Entries.Pages
    Greetings! If Hollywood Heroines: The Most Influential Women in Film History sounds like a project you would like be involved with, whether on a small or large-scale level, I would love to have you on-board! Please look at the list of names below and send your top 3 choices in descending order to [email protected]. If you’re interested in writing more than one entry, please send me your top 5 choices. You’ll notice there are several women who will have a “D," “P," “W,” and/or “A" following their name which signals that they rightfully belong to more than one category. Due to the organization of the book, names have been placed in categories for which they have been most formally recognized, however, all their roles should be addressed in their individual entry. Each entry is brief, 1000 words (approximately 4 double-spaced pages) unless otherwise noted with an asterisk. Contributors receive full credit for any entry they write. Deadlines will be assigned throughout November and early December 2017. Please let me know if you have any questions and I’m excited to begin working with you! Sincerely, Laura Bauer Laura L. S. Bauer l 310.600.3610 Film Studies Editor, Women's Studies: An Interdisciplinary Journal Ph.D. Program l English Department l Claremont Graduate University Cross-reference Key ENTRIES STILL AVAILABLE Screenwriter - W Director - D as of 9/8/17 Producer - P Actor - A DIRECTORS Lois Weber (P, W, A) *1500 Major early Hollywood female director-screenwriter Penny Marshall (P, A) Big, A League of Their Own, Renaissance Man Martha
    [Show full text]
  • Available from TCG Books: I’Ll Eat You Last and Peter and Alice by John Logan
    FOR IMMEDIATE RELEASE CONTACT: Dafina McMillan May 21, 2013 [email protected] | 212-609-5955 Available from TCG Books: I’ll Eat You Last and Peter and Alice by John Logan NEW YORK, NY – Theatre Communications Group (TCG) is pleased to announce the availability of two new plays by John Logan: I’ll Eat You Last: A Chat with Sue Mengers and Peter and Alice, both published by Oberon Books (London). The three-time Oscar-nominated screenwriter of such films as Skyfall and Hugo returns with two new plays on Broadway and in London’s West End, respectively. I’ll Eat You Last is a one-woman show about legendary Hollywood super-agent Sue Mengers, whose clients included Barbra Streisand, Cher, Gene Hackman and Mike Nichols. Currently on Broadway, starring Bette Midler, I’ll Eat You Last is nominated for the 2013 Drama League awards for Outstanding Production of a Broadway or Off-Broadway Play. Based on the real individuals that inspired J.M. Barrie’s Peter Pan and Lewis Carroll’s Alice in Wonderland, Peter and Alice tells the story of when Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932. Currently playing to acclaim in the West End, Judi Dench stars as Alice and Ben Whishaw as Peter in this new play where enchantment and reality collide. “A delectable soufflé of a solo show… It’s a heady sensation, thanks to the buoyant, witty writing of Mr. Logan… Tangy and funny.” — New York Times on I’ll Eat You Last “A haunting play that sounds profound notes of loss and grief..
    [Show full text]
  • Richard A. Sherman Pennsylvania State University 124 Carnegie
    Richard A. Sherman Pennsylvania State University 124 Carnegie Building, University Park, PA 16802 (W) 814.865.9208 (C) 814.404.9276 [email protected] EDUCATION M.F.A., Film, Ohio University 1999 B.S., Art, James Madison University 1991 ACADEMIC APPOINTMENTS Associate Professor, Pennsylvania State University 2010-present Assistant Professor, Pennsylvania State University 2004-2010 Assistant Professor, Pittsburgh Filmmakers 2002-2004 Visiting Assistant Professor, Ohio University 1999-2002 Graduate Teaching Assistant, Ohio University 1997 COURSES TAUGHT (Graduate, Undergraduate) (U) Advanced Documentary Production (Abroad) (U) Introductory Film Production (U) Intermediate Documentary Production (U) Advanced Documentary Production (U) Intermediate Experimental Production (U) Advanced Experimental Production (U) Intermediate Narrative Production (U) Advanced Narrative Production (U) Intermediate Cinematography (U) Advanced Cinematography (G) 1st Year Film Production (G) 2nd Year Film Production (G) 3rd Year Thesis Film Production (G) Advanced Cinematography GRANTS AND AWARDS • Institute for the Arts and Humanities, Individual Faculty Grant, 2015-16 • Other Israel Film Fund, Film Finishing Grant, 2012 • Institute for the Arts and Humanities, Individual Faculty Grant, 2010 • Deans’ Excellence Fund, College of Communications, funding support, 2009 • Deans’ Excellence Award for Research & Creative Accomplishments, College of Communications, University Park, PA, 2006-2007 • Don Davis Program in Ethical Leadership, funding support, 2009 • Excellence in Teaching Award, Alumni Society Board, College of Communications, 2007 • President’s Future Fund, Pennsylvania State University, funding support, 2009 • Summer Research Grant, College of Communications, 2005, 2006, 2007, 2008, 2009 • Individual Artist Fellowship Award, Ohio Arts Council, Columbus, OH, 2003 1 • Individual Artist Fellowship Award, Virginia Museum of Fine Arts, Richmond, VA, 1997 FILMOGRAPHY The Saucer That Wasn’t There (2018-19).
    [Show full text]
  • SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V
    SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V" for Vendetta "V" Hugo Weaving Fall 2006 13 Going on 30 Jenna Rink Jennifer Garner Sum 2008 27 Dresses Jane Nichols Katherine Heigl ? 28 Days Gwen Gibbons Sandra Bullock Fall 2006 2LDK (Two Lethal Deadly Killers) Nozomi Koike Eiko Spring 2006 40 Year Old Virgin Andy Stitzer Steve Carell Spring 2005 50 First Dates Henry Roth Adam Sandler Sum 2008 8½ Guido Anselmi Marcello Mastroianni Spring 2007 A Beautiful Mind John Nash Russell Crowe Fall 2006 A Bronx Tale Calogero 'C' Anello Lillo Brancato / Francis Capra Sum 2008 A Bronx Tale Sonny LoSpeecchio Chazz Palmenteri Fall 2006 A Clockwork Orange Alexander de Large Malcolm McDowell Fall 2007 A Doll's House Nora Helmer Claire Bloom ? A Few Good Men Lt. Daniel Kaffee Tom Cruise Fall 2005 A League of Their Own Jimmy Dugan Tom Hanks Fall 2000 A Perfect Murder Steven Taylor Michael Douglas ? A River Runs Through It Paul Maclean Brad Pitt Fall 2005 A Simple Plan Hank Mitchell Bill Paxton Fall 2007 A Streetcar Named Desire Stanley Marlon Brando Fall 2005 A Thin Line Between Love and Hate Brandi Lynn Whitefield Fall 2007 A Time To Kill Carl Lee Haley Samuel L. Jackson Spring 2007 A Walk to Remember Landon Carter Shane West Sum 2008 A Walk to Remember Jaime Mandy Moore ? About Schmidt Warren Schmidt Jack Nickleson Fall 2004 Adaption Charlie/Donald Nicholas Cage Fall 2000 After Hours Paul Hackett Griffin Dunn Spring 2005 Al Capone Al Capone Rod Steiger Fall 2005 Alexander Alexander Colin Farrel Fall 2005 Alice in Wonderland Alice Voice of Kathryn Beaumont
    [Show full text]
  • Sundance Institute Announces Fellows for Two Focused Intensives
    FOR IMMEDIATE RELEASE Media Contact: March 15, 2018 Spencer Alcorn ​ ​ 310.360.1981 [email protected] Sundance Institute Announces Fellows for Two Focused Intensives Diverse Group of Filmmakers Convene for Customized Support and Mentorship 12 Fellows Join Screenwriters Intensive, Supported by the Will & Jada Smith Family Foundation; 10 Join FilmTwo, Supported by Universal Filmed Entertainment Group LOS ANGELES -- This spring, Sundance Institute advances the new work of writers and directors through two focused tracks of support under the auspices of the Feature Film Program: the Screenwriters Intensive, taking place March 15-16, and the FilmTwo Intensive, convening March 22-23. “It’s imperative that we support storytellers at multiple points in their careers, and with tailored programs that address specific challenges,” said Michelle Satter, Founding Director, Sundance Institute Feature Film Program. ​ ​ These Fellows will advance the art and craft of their work under the guidance of experienced filmmakers and ​ ​ ​ ​ industry leaders, while serving the Institute's commitment to introduce the industry to an inclusive pipeline of exciting new storytellers. Under the creative guidance of Satter, the programs are led by Labs Director Ilyse ​ McKimmie (Screenwriters Intensive) and Senior Manager Shira Rockowitz (FilmTwo). ​ ​ ​ ​ ​ Screenwriters Intensive Launched in 2013,, the Screenwriters Intensive provides emerging screenwriters with the opportunity to hone ​ ​ their craft in a two-day concentrated workshop focused on the further development of a fiction feature screenplay. Past projects supported at the Screenwriters Intensive include Spa Night, written and directed by Andrew Ahn, ​ ​ and Monsters and Men, written and directed by Reinaldo Marcus Green; both filmmakers return as advisors for ​ ​ this year’s program.
    [Show full text]
  • Report from the 2019 Slamdance Film Festival William L
    Journal of Religion & Film Volume 23 Article 1 Issue 1 April 2019 1-28-2019 Report from the 2019 Slamdance Film Festival William L. Blizek University of Nebraska at Omaha, [email protected] Recommended Citation Blizek, William L. (2019) "Report from the 2019 Slamdance Film Festival," Journal of Religion & Film: Vol. 23 : Iss. 1 , Article 1. Available at: https://digitalcommons.unomaha.edu/jrf/vol23/iss1/1 This Slamdance Film Festival Review is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Report from the 2019 Slamdance Film Festival Abstract This is the Introduction to the 2019 Slamdance Film Festival. Author Notes William Blizek is the Founding Editor of the Journal of Religion and Film, and is Professor of Philosophy and Religion at the University of Nebraska at Omaha. He is also the editor of the Continuum Companion to Religion and Film (2009). This slamdance film festival review is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol23/iss1/1 Blizek: Report from the 2019 Slamdance Film Festival REPORT FROM THE 2019 SLAMDANCE FILM FESTIVAL Published by DigitalCommons@UNO, 1 Journal of Religion & Film, Vol. 23 [], Iss. 1, Art. 1 The Treasure Mountain Inn is the iconic home of the Slamdance Film Festival. It is located at the high end of Main Street’s commercial district in Park City, Utah. This is the 25th Anniversary of the Slamdance Film Festival.
    [Show full text]
  • Connecticut Wildlife Mar/Apr 2006
    March/April 2006 PUBLISHED BY THE CONNECTICUT DEPARTMENT OF ENVIRONMENTAL PROTECTION BUREAU OF NATURAL RESOURCES ● WILDLIFE DIVISION ©PAUL J. FUSCO All Rights Reserved March/April 2006 Connecticut Wildlife 1 Volume 26, Number 2 ● March / April 2006 Connecticut From Wildlife Published bimonthly by State of Connecticut the irector Department of Environmental Protection D www.ct.gov/dep Gina McCarthy .................................................................. Commissioner David K. Leff ....................................................... Deputy Commissioner Edward C. Parker ........................... Chief, Bureau of Natural Resources “Oh, how I wish I had my camera.” Anybody who has encountered wildlife while afield has certainly repeated that lament on numerous Wildlife Division 79 Elm Street, Hartford, CT 06106-5127 (860-424-3011) occasions. My mental scrapbook is filled with awe inspiring images Dale May .................................................................................... Director that no one will ever see. My eyes have captured and my memory has Greg Chasko ................................................................ Assistant Director Mark Clavette ..................................................... Recreation Management enhanced these visions so they are clear, colorful, and spectacular – Laurie Fortin ............................................................... Wildlife Technician front page material for the finest magazines. From diving eagles to Elaine Hinsch ............................................................
    [Show full text]