JULIA KIM SMITH RESUME Website: Juliakimsmith.Com Email: [email protected]
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SG the Fitzgerald Brochure New.Indd
FOR LEASE Maryland DC • Virginia Online 605 South Eden Street, Ste 200 1600 Wilson Boulevard, Ste 930 www.segallgroup.com Baltimore, MD 21231 Arlington, VA 22209 Member of 410.753.3000 202.833.3830 Where the Midtown neighborhoods of Mt Vernon, Station North and Bolton The Opportunity Hill meet, you will fi nd The Fitzgerald. Inspired by F. Scott Fitzgerald and Approximately 19,000 square feet of prime space is available on the energy of his era, this Baltimore development offers more than just two levels – 14,359 on the ground fl oor and 5,069 square feet on a somewhere to hang your hat. The developer, Bozzuto Group, blended Mezzanine level open to the fl oor below. These two areas are currently connected by elevator and escalator and, due to Oliver Street’s rising stunning features with fantastic amenities in a culturally rich environment. slope, both at street grade. Entertainment, grocery or fi tness uses are Sandwiched between the Maryland Institute College of Art (MICA) and the sought for the larger portion or the entirety, while the smaller area can University of Baltimore, The Fitzgerald is a mixed use project consisting of be demised for a café that caters to this culturally rich party of the City. almost 25,000 square feet of dynamic urban retail space, 275 residential units and a 1,250 space parking garage that serves University of Baltimore Quick Facts students as well as area visitors. The project’s retail component is ideal for LLocationocation Retail space in Luxury Apartment Building entertainment, service, retail and restaurant uses to serve students and faculty, 19,428 square feet SSizeize neighborhood residents, out of town visitors, local offi ce workers and patrons (14,359 lower level and 5,069 Mezzanine) of the great local entertainment and cultural venues including the Lyric Opera DDeliveryelivery Immediate House & Theater, The Meyerhoff Symphony Hall, and the Parkway, Centre and RRentalental RRateate Negotiable Charles Theatres in the nearby “Station North” Arts District. -
Short Film Marketing Guide
SHORT FILM FESTIVAL MARKETING GUIDE 2021 Kia ora, welcome to Te Tumu Whakaata Taonga New Zealand Film Commission (NZFC) Short Film Festival Marketing Guide, designed to help with your most frequently asked festival related questions and to support you in planning a targeted release strategy for your short film. Wishing you the best of luck on your festival journey. Film Still: Ani (2019) – Written and directed by Josephine Stewart-Te Whiu (Ngāpuhi, Te Rarawa), produced by Sarah Cook Official Selection: Berlin International Film Festival ‘In Competition Generation Kplus’, Toronto International Film Festival, imagineNATIVE Film + Media Arts Festival, New Zealand International Film Festival, Rotorua Indigenous Film Festival, Vladivostok Pacific Meridian International Film Festival, Hamptons International Film Festival, Show Me Shorts Film Festival - Winner Best New Zealand Film Award, Best Cinematographer Award DISCLAIMER: This document is written as a guide only, intended for use by short film directors, writers and producers when referring to ‘you’, ‘your’ and ‘filmmakers’. Festival dates included in this guide are correct at publishing and subject to change. 1 © New Zealand Film Commission 2021 INDEX The First Steps – Preparing for Festival Success……………………………………………………………… 3 In Pre-Production………………………………………………………………………………………………. 3 In Production…………………………………………………………………………………………………….. 3 In Post-Production…………………………………………………………………………………………….. 4 At the Finish Line……………………………………………………………………………………………….. 4 Press Kit…………………………………………………………………………………………………. -
Artists Are a Tool for Gentrification’: Maintaining Artists and Creative Production in Arts Districts
International Journal of Cultural Policy ISSN: 1028-6632 (Print) 1477-2833 (Online) Journal homepage: http://www.tandfonline.com/loi/gcul20 ‘Artists are a tool for gentrification’: maintaining artists and creative production in arts districts Meghan Ashlin Rich To cite this article: Meghan Ashlin Rich (2017): ‘Artists are a tool for gentrification’: maintaining artists and creative production in arts districts, International Journal of Cultural Policy, DOI: 10.1080/10286632.2017.1372754 To link to this article: https://doi.org/10.1080/10286632.2017.1372754 Published online: 06 Sep 2017. Submit your article to this journal Article views: 263 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=gcul20 INTERNATIONAL JOURNAL OF CULTURAL POLICY, 2017 https://doi.org/10.1080/10286632.2017.1372754 ‘Artists are a tool for gentrification’: maintaining artists and creative production in arts districts Meghan Ashlin Rich Department of Sociology/Criminal Justice, University of Scranton, Scranton, PA, USA ABSTRACT ARTICLE HISTORY This study investigates the relationship between arts-themed development Received 7 June 2017 and the strategies used by neighborhood stakeholders, including artists Accepted 16 August 2017 and other marginalized populations, to maintain their place in gentrifying KEYWORDS arts and cultural districts. Using a case study of a state-sanctioned Arts & Artist communities; creative Entertainment District in Baltimore, MD (U.S.A.), I find that the organizations placemaking; gentrification; that are ‘thoughtful’ in their development actively seek to maintain the urban planning and policy production of arts and the residency of artists in the neighborhood into perpetuity. -
View Julia's Resume
Julia Kim Smith juliakimsmith.com [email protected] Education University of Michigan, M.F.A. Visual Communication, Rackham Fellowship Recipient Screenings The Real Wi-Fi Of Baltimore 2017 Official Selection of Slamdance Film Festival, Park City, UT 2017 Official Selection of Cinequest Film Festival, San Jose, CA 2017 Official Selection of Calgary Underground Film Festival, Calgary, Canada 2017 Sondheim Semi-Finalist Exhibition, Maryland Institute College Of Art, Baltimore, MD 2015 Vimeo Curated Collection: Comedy Cylburn Park 2018 Sondheim Semi-Finalist Exhibition, Maryland Institute College Of Art, Baltimore, MD 2015 Official Selection of Brooklyn Film Festival, Brooklyn, NY Why 2018 Sondheim Semi-Finalist Exhibition, Maryland Institute College Of Art, Baltimore, MD 2017 Feminist Art Conference, OCAD University, Toronto, Canada 2016 Gold + Beton, Cologne, Germany Exquisit Corpse, Curator: Sarah Faraday, Fuse Art Space, UK 2015 Fuse Art Space, Bradford, UK Exquisite Corpse, Curator: Sarah Faraday, Fuse Art Space, UK 2014-2015 Institute for Women and Art, Rutgers University, MTV: Momentum Technology Video and Momentum: Women/Art/Technology 2014 Official Selection of Center For Asian American Media CAAMFest, San Francisco, Berkeley, Oakland, San Jose, CA 2013 DUMBO Arts Festival, Brooklyn, NY 2013 Washington Project for the Arts, Experimental Media: Cyber In Securities, Washington, DC Curator: Lisa Moren, Professor of Visual Art, University of Maryland, Baltimore County 2013 Baltimore Artscape, Slippage, Center for the Arts Gallery, Towson University, Towson, MD Curator: Daniel Belasco, Curator, Samuel Dorsky Museum of Art, State University of New York 2013 The White Building, Public Assembly: An Alternative Summer Show, London, UK Organized by Free Cooper Union (UK) and Lawrence Lek. -
Front and Center: a 5-Year Equity Plan for Central Baltimore
AUGUST 2017 A 5-year Equity Plan for Central Baltimore TABLE OF CONTENTS Executive Summary Chapter 1: Introduction A. Purpose of Plan B. Central Baltimore Partnership C. Homewood Community Partners Initiative D. Progress To Date E. Why a New Plan F. Making Equity Front and Center G. Planning Process: 1. Front and Center Plan Goal 2. Phase 1: Understanding Existing Conditions 3. Phase 2: Preliminary Recommendations 4. Phase 3: Finalizing the Front and Center Plan Chapter 2: Planning Context H. Central Baltimore History I. Existing Conditions Chapter 3: Recommendations and Implementation Plan J. Recommendations • Social Fabric: Youth and Families • Economic Mobility: Workforce Development and Opportunities • Community Health: Physical and Mental Health, Safety, Public Space • Housing Access: Preserving Affordability, Improving Quality, Expanding Choices 2 CREDITS Planning Team: Keswick Multi-Care Center Joe McNeely, Planning Consultant Lovely Lane United Methodist Church Neighborhood Design Center, Design Consultant Maryland Bay Construction Maryland New Directions Planning Partners: Mosaic Community Services, Inc. 29th Street Community Center Open Works AHC, Inc. Greater Baltimore - Workforce Program People’s Homesteading Group Annie E. Casey Foundation Strong City Baltimore Association of Baltimore Area Grantmakers Telesis Baltimore Corporation (ABAG) Wells Fargo Regional Foundation Baltimore City Department of Housing and Community Development Data Work Group Members: Baltimore City Department of Planning Assistant Commissioner, Maryland -
Directors Lounge Contemporary Art and Media
Directors Lounge contemporary art and media how to submit Directors Lounge contemporary art and media www.directorslounge.net Deadline: 25 December 2013! Read the FAQ You would like to be part of DL[X]? Great! First, submit your work by using our submission form (required). Feel free to e-mail us additional info along with a few words about your person. In order to make selection possible, we will need a screenable copy, preferably a H264 encoded .mp4 or QT (.mov) file. You may also send DVD-compatible mpeg or VOB files. Please include at least two stills of the film or photographs of the work (min. width 700px). If you work with unusable codecs or would like to send us uncompressed files, please get in touch before doing so. .wmv is not acceptable. AC3 is not acceptable. No preview-copies, no watermarks. Due to the short time frame, we must insist to provide screen versions from the onset. • Youtube / Vimeo / download links or filesharing services are fine as long as they do not need any registration/login and down- loading is enabled. Only direct download links. As with other ways of submitting, we need screenable versions, SD (640 x 360) files are not aceptable. We will disregard any submission that does not fit this criteria without further notice! • Animated gifs can be sent by e-mail or by using this page. (You´ll need to be on tumblr.) Make sure it is no larger than 1MB and no more than 500 pixels wide. • Videos can be uploaded via FTP to our servers. -
What We Once Were
PRESS RELEASE MURATCENTOVENTIDUE ARTECONTEMPORANEA WHAT WE ONCE WERE Rita Casdia, Cristiano De Gaetano, Elisabetta Di Sopra, Lello Gelao, Kaia Hugin, Kaja Leijon, Cristina Pavesi Galleria Muratcentoventidue Artecontemporanea is pleased to present What we once were , a group exhibition featuring works by Rita Casdia, Cristiano De Gaetano, Elisabetta Di Sopra, Lello Gelao, Kaia Hugin, Kaja Leijon, Cristina Pavesi. The exhibition proposes an original comparison of works which, through different languages, address a common theme, childhood, representing the spirit, the vulnerability, the playfulness, the unpredictability, the restlessness and the dignity of children. Rita Casdia’s work studies the basic mechanisms that govern feelings, focusing mainly on the dynamics generated by emotional connections and sexuality. The artist explores emotional worlds that evolve through a broken and uninhibited narrative structure in which she mixes references from classic iconography, random elements, everyday banality, but also from her experience and her dreams. Video animation, drawing, and sculpture co-exist in her installations and articulate an expressive universe rooted in the complex emotional and symbolic content she brings to it. The artist presents a series of extremely synthetic drawings , done with gel ink on paper, essential in the lines and contents where elements of the child's imagination appear, easy to read, and presented with multiple stratifications of meaning. There is a work by Cristiano De Gaetano, one of the most interesting talents of the new generations of Apulian artists, who unfortunately passed away in 2013, and to whom the Pascali Museum recently dedicated a tribute through an anthology exhibition. His wide production ranged from sculpture to photography, and from painting to video. -
Maryland Film Festival Director of Development the Maryland Film Festival (Mdff) Seeks a Seasoned Director of Development To
Maryland Film Festival Director of Development The Maryland Film Festival (MdFF) seeks a seasoned Director of Development to create and implement the fund development strategy and plans to maximize contributed revenue from individuals, corporations, foundations and government sources. The mission of the Maryland Film Festival (MdFF) is to bring films, filmmakers, and audiences together in a friendly, inclusive atmosphere that reflects the unique aspects of our community, while participating in and adding to the larger film dialogue across the country and across the world. Film for Everyone. In the fall of 2018 MdFF adopted a five-year plan to fully realize its role in Baltimore and the field as a respite for filmmakers, a world-class destination for cinema, and a stalwart advocate for the democratizing the power of story, as told through film, and expressed through each individual storyteller’s voice. The SNF Parkway functions as a multi-disciplinary film, community, and education hub serving a broad cross- section of the Baltimore public and beyond. MdFF leverages the powerful assets of the Johns Hopkins University, Maryland Institute College of Art and surrounding campus communities to function as a vibrant, regional nerve center for dialogue, discussion, and debate on the key issues of the day, with film as the central axis in broad public discussions. Through programming, education and community ventures, MdFF is establishing a year-round a platform for all voices that are reflective of the diverse population of greater Baltimore and the nation. The five-year strategic plan has recently been extended through 2025 with a revised model season to account for online screenings, hybrid programming, and the return of in-person movie-watching at the SNF Parkway. -
Roger Warren Beebe Home Address Departmental Address 1385 Hamlet St
Roger Warren Beebe home address departmental address 1385 Hamlet St. Department of Art Columbus, OH 43201 258 Hopkins Hall (805) 471-2055 128 N. Oval Mall email: [email protected] Columbus, OH 43210 EMPLOYMENT Professor, Department of Art, The Ohio State University (June 2017-present) Graduate Chair (January 2018-Present) Associate Professor, Department of Art, The Ohio State University (January 2014-June 2017) Associate Professor, Film and Media Studies, English Department, The University of Florida (August 2006-December 2013) Assistant Professor, Film and Media Studies, English Department, The University of Florida (August 2000-July 2006) EDUCATION graduate Duke University, Ph.D. in Literature/Film and Media Studies, Durham, NC (1994-2000) University of California at Berkeley, Berkeley, California (Summer 1994, Summer 1993) The Ecole Normale Supérieure, Paris, France (1993-1994) undergraduate Amherst College, Amherst, Massachusetts (1989-1993) B.A. in Romance Languages. Magna cum laude. Phi Beta Kappa. Université de Grenoble, Grenoble, France (1990-1991) FILMS and VIDEOS Lineage (for Norman McLaren) (2019, 4-projector 16mm film performance, duration variable) de rerum natura (2019, iPhone video and 3 x 16mm projectors, 18:00) Amazonia (2018/9, super 8mm, 16mm, and found video, 25:00) The Comic Sans Video (2018, HD video, 8:00) A Metaphor for the End of Just About Everything (2016, HD video, 3:00) Tiger, Tiger (music video) (2016, 16mm on HD video, 4:45) SOUNDFILM coda (2016, 6-projector 16mm film performance, 6:30) Needle in the Sway -
Download Pdf of CV
May 22, 2020 Joshua Mosley (215) 429-9845 • [email protected] 3618 Hamilton Street Philadelphia, PA 19104 http://www.joshuamosley.com EDUCATION 1998 The School of the Art Institute of Chicago, M.F.A. in Art and Technology, Chicago, IL 1996 The School of the Art Institute of Chicago, B.F.A., Chicago, IL 1994 Christ Church College, study abroad program, Canterbury, England 1994 St. Louis Community College at Florissant Valley, A.A. Fine Art, St. Louis, MO TEACHING 2016–Present Professor of Fine Arts. University of Pennsylvania, Weitzman School of Design 2011–2016 Professor and Chair of Fine Arts Department. The dept. includes M.F.A. and B.A. programs, as well as joint-degrees in Visual Studies and Digital Media Design, University of Pennsylvania, School of Design 2008–2011 Acting Chair, Fine Arts Department. University of Pennsylvania, School of Design 2006–2011 Associate Professor of Fine Arts, courses in Animation and Digital Media, MFA Advisor University of Pennsylvania, School of Design 2010 Visiting Associate Professor of Landscape Architecture, Harvard University Graduate School of Design 2000–06 Assistant Professor of Fine Arts, courses in Animation and Digital Media, MFA Advisor University of Pennsylvania, School of Design 1998–00 Instructor, Advanced 3D Animation, Interactive Multimedia, Introduction to Computer Animation, and The Fundamentals of Art and Technology. Taught graduate and undergraduate courses in animation and interac- tive multi-sensory installation. The School of the Art Institute of Chicago Advisor, Cooperative Education Internship Program. Advising of students, coordination with employers, and site visits. SAIC Instructor, Multimedia I, Division of Continuing Studies. -
Richard A. Sherman Pennsylvania State University 124 Carnegie
Richard A. Sherman Pennsylvania State University 124 Carnegie Building, University Park, PA 16802 (W) 814.865.9208 (C) 814.404.9276 [email protected] EDUCATION M.F.A., Film, Ohio University 1999 B.S., Art, James Madison University 1991 ACADEMIC APPOINTMENTS Associate Professor, Pennsylvania State University 2010-present Assistant Professor, Pennsylvania State University 2004-2010 Assistant Professor, Pittsburgh Filmmakers 2002-2004 Visiting Assistant Professor, Ohio University 1999-2002 Graduate Teaching Assistant, Ohio University 1997 COURSES TAUGHT (Graduate, Undergraduate) (U) Advanced Documentary Production (Abroad) (U) Introductory Film Production (U) Intermediate Documentary Production (U) Advanced Documentary Production (U) Intermediate Experimental Production (U) Advanced Experimental Production (U) Intermediate Narrative Production (U) Advanced Narrative Production (U) Intermediate Cinematography (U) Advanced Cinematography (G) 1st Year Film Production (G) 2nd Year Film Production (G) 3rd Year Thesis Film Production (G) Advanced Cinematography GRANTS AND AWARDS • Institute for the Arts and Humanities, Individual Faculty Grant, 2015-16 • Other Israel Film Fund, Film Finishing Grant, 2012 • Institute for the Arts and Humanities, Individual Faculty Grant, 2010 • Deans’ Excellence Fund, College of Communications, funding support, 2009 • Deans’ Excellence Award for Research & Creative Accomplishments, College of Communications, University Park, PA, 2006-2007 • Don Davis Program in Ethical Leadership, funding support, 2009 • Excellence in Teaching Award, Alumni Society Board, College of Communications, 2007 • President’s Future Fund, Pennsylvania State University, funding support, 2009 • Summer Research Grant, College of Communications, 2005, 2006, 2007, 2008, 2009 • Individual Artist Fellowship Award, Ohio Arts Council, Columbus, OH, 2003 1 • Individual Artist Fellowship Award, Virginia Museum of Fine Arts, Richmond, VA, 1997 FILMOGRAPHY The Saucer That Wasn’t There (2018-19). -
Fritz Stolberg Artist, Filmmaker
KOMMUNIKATIONDESIGNKONZEPTKUNST Fritz Stolberg Artist, Filmmaker Biography Fritz Stolberg was born in Frankfurt, Germany and lives in Londonfrom where he operates as an artist and filmmaker. His practice follows a process-based approach situated in a dialogue with it’s immediate surroundings often using systems of divination as the main creative agent. Through the use of photo-sensitive media, performance, participatory event-based work, moving image and sound, his practice looks at the nature of light and a discussion around the origin of the visible world. Often seemingly lightheartedly flirting with serious philosophical notions, his films, installations, performances and event-based work gently highlight the thin boundaries between fact and fiction, myth and mystery in the imagination of his audience. His research is informed by a mixture of contemporary continental philosophy, new science, western occultism, eastern philosophies, ideas of utopia and explorations along the thin line that divides the world’s existence from its immanent non-existence. Parallel to his art practice he produces and directs Music- videos and Fashion-films. His work has been shown internationally in exhibitions and film festivals. Education 1994 Apprenticeship in organic farming, Rauer Berg, Gelnhaar, Germany 1995 Introduction to photography through Marc and Alex Hungerbuehler, Brooklyn, N.Y. 1996 Philosophy, Theatre, Film and Media Studies, J.W. Goethe Universität, Frankfurt 1997 Media Foundation course, London College of Printing (now LCC,University of