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The Cinema of Oliver Stone
Interviews Stone on Stone Between 2010 and 2014 we interviewed Oliver Stone on a number of occasions, either personally or in correspondence by email. He was always ready to engage with us, quite literally. Stone thrives on the cut- and- thrust of debate about his films, about himself and per- ceptions of him that have adorned media outlets around the world throughout his career – and, of course, about the state of America. What follows are transcripts from some of those interviews, with- out redaction. Stone is always at his most fascinating when a ques- tion leads him down a line of theory or thinking that can expound on almost any topic to do with his films, or with the issues in the world at large. Here, that line of thinking appears on the page as he spoke, and gives credence to the notion of a filmmaker who, whether loved or loathed, admired or admonished, is always ready to fight his corner and battle for what he believes is a worthwhile, even noble, cause. Oliver Stone’s career has been defined by battle and the will to overcome criticism and or adversity. The following reflections demonstrate why he remains the most talked about, and combative, filmmaker of his generation. Interview with Oliver Stone, 19 January 2010 In relation to the Classification and Ratings Administration Interviewer: How do you see the issue of cinematic censorship? Oliver Stone: The ratings thing is very much a limited game. If you talk to Joan Graves, you’ll get the facts. The rules are the rules. -
World Premiere
World Premiere FILMOGRAPHY A Message from Oliver Stone has directed: “W.” (‘08), “World Trade Center” (‘06), “Alexander” (‘04), “Any Given Sunday” (‘99), “U–Turn” (‘97), “Nixon” (‘95), “Natural Born Killers” (‘94), Oliver Stone “Heaven and Earth” (‘93), “JFK” (‘91), “The Doors” (‘91), “Born On The Fourth Of July” (‘89), I’ve been fortunate to be able “Talk Radio” (‘88), “Wall Street” (‘87), “Platoon” (‘86), “Salvador” (‘86), “The Hand” (‘81) to make several films about North and “Seizure” (‘73). He’s written or co–written all of the above, with the exception of America’s neglected “backyard” “U–Turn”, “World Trade Center” and “W.”. –– Central and South America. He’s also written or co–written: “Midnight Express” (‘78), “Scarface” (‘83), The low budget, independently “Conan The Barbarian” (‘82), “Year Of The Dragon” (‘85), “Evita” (‘96), and shot SALVADOR, about the U.S. “8 Million Ways To Die” (’86). involvement with the death squads of El Salvador, and starring James He’s directed 3 documentaries –– “Looking for Fidel” (‘04), “Comandante” (‘03), Woods in an Oscar–nominated “Persona Non Grata” (‘03). performance, was released in 1986; this was followed by COMANDANTE He’s produced or co–produced: “The People vs. Larry Flynt” (‘96), in 2003, and LOOKING FOR FIDEL in “The Joy Luck Club” (‘93), “Reversal of Fortune” (‘90), “Savior” (‘98), 2004, both of these documentaries “Freeway” (‘96),“South Central” (‘98), “Zebrahead” (‘92), “Blue Steel” (‘90), exploring Fidel Castro in one–on–one and the ABC mini–series “Wild Palms” (‘93). An Emmy was given to him and his interviews. Each of these films has struggled to be distributed in North America. -
Once Upon a Time … in Santa Clarita: Tarantino Movie Opens Thursday
By: Caleb Lunetta, July 25, 2019 Once Upon a Time … In Santa Clarita: Tarantino movie opens Thursday Hollywood director Quentin Tarantino is known for his genre-defying blockbuster films that combine elements of art house, violence and comedy in his Academy Award-winning films. And the San Fernando Valley resident calls Santa Clarita “a special place,” according to local film property owners who have played host to the luminary for his latest film that debuts tonight, “Once Upon a Time … In Hollywood.” The latest installment in the Tarantino filmography follows the story of “a faded television actor and his stunt double (who) strive to achieve fame and success in the film industry during the final years of Hollywood’s Golden Age in 1969 Los Angeles,” according to IMDb.com. The film features Leonardo DiCaprio, Brad Pitt and Margot Robbie. Tarantino and movie fans were given a teaser trailer where the opening shot was that of Melody Ranch’s “Main Street” set. Veluzat said that the production team had been working with the studio for a couple months, from planning to setting up to filming, and for him, it was a special experience. Tarantino has filmed two of his last three movies at Melody Ranch in Newhall, according to studio manager Daniel Veluzat, and he’s praised the SCV in interviews and conversations with local residents. He really does like it here, said Veluzat, in reference to a question about why Tarantino has filmed his movies at Melody Ranch. “He calls it a special place,” he said. And on Thursday night, “Once Upon a Time” opens in theaters across the country, including the Santa Clarita Valley, featuring scenes shot at both Melody Ranch and the Saugus Speedway. -
Top 30 Films
March 2013 Top 30 Films By Eddie Ivermee Top 30 films as chosen by me, they may not be perfect or to everyone’s taste. Like all good art however they inspire debate. Why Do I Love Movies? Eddie Ivermee For that feeling you get when the lights get dim in the cinema Because of getting to see Heath Ledger on the big screen for the final time in The Dark Knight Because of Quentin Tarentino’s knack for rip roaring dialogue Because of the invention of the steadicam For saving me from the drudgery of nightly weekly TV sessions Because of Malik’s ability to make life seem more beautiful than it really is Because of Brando and Pacino together in The Godfather Because of the amazing combination of music and image, e.g. music in Jaws Because of the invention of other worlds, see Avatar, Star Wars, Alien etc. For making us laugh, cry, sad, happy, scared all in equal measure. For the ending of the Shawshank Redemption For allowing Jim Carey lose during the 1990’s For arranging a coffee date on screen of De Niro an Pacino For allowing Righteous Kill to go straight to DVD so I could turn it off For taking me back in time with classics like Psycho, Wizard of Oz ect For making dreams become reality see E.T, The Goonies, Spiderman, Superman For allowing Brad Pitt, Michael Fassbender, Tom Hardy and Joesph Gordon Levitt ply their trade on screen for our amusement. Because of making people Die Hard as Rambo strikes with a Lethal Weapon because he is a Predator who is also Rocky. -
First Friday News & Views
MARCH 2007 First Friday VOLUME 12 News & Views ISSUE 3 THE MONTHLY NEWSLETTER OF THE A Haggard Miracle FIRST FRIDAY by Jonathan Wilson BREAKFAST CLUB, INC. fter three weeks of intense counseling, the not-so-Reverend Ted Haggard would have folks believe he’s 100% heterosexual. If such success is to be be- lieved, his counselors have something they need to take on the road. I think INSIDE Ted’ll be an excellent show pony so long as they keep him on a short leash and away from temptation. They dare not turn their backs on him. “Dreamgirls” Movie Re- 2 view by Gary Kaufman When interviewed, even the head of Exodus International, a group that touts the idea that homosexuality can be “cured,” doubted Ted’s conversion. No matter that the knowledgeable, even those who want to believe, doubt the account. We need to keep in mind the audience Hag- February Speaker Review 3 by Bruce Carr gard is playing to. These are people who profess to believe the earth is about 6000 years old; Methuselah lived 900 years; Jonah lived seven days in the belly of a whale, and survived; and Jesus was born of a virgin and went on to walk on water, turn water into wine, raise the dead, Briefs & Shorts 3 cure leprosy, and restore sight to the blind. In the ranks of the gullible, these folks are the crème From the Editor 4 de la crème. For them, Haggard’s conversion from gay to straight in record time would be no more than a minor miracle. -
Press Release for IMMEDIATE RELEASE: Monday, November 25, 2019 at Noon ET Headshot Available Here
Press Release FOR IMMEDIATE RELEASE: Monday, November 25, 2019 at Noon ET Headshot available here. America to Celebrate the Artistic Achievements of Earth, Wind & Fire, Sally Field, Linda Ronstadt, , and Michael Tilson Thomas on Sunday, December 8, 2019 (WASHINGTON)—Two-time Grammy Award® winner and 2017 Kennedy Center Honors recipient LL COOL J will host the 42nd annual Kennedy Center Honors on . The Honors Gala will be recorded for broadcast on the CBS Television Network for the 42nd year as a two-hour primetime special to air on Sunday, December 15 (8:00–10:00 p.m., ET/PT). This will be LL COOL J’s first time hosting the special. As previously announced, the recipients of the 2019 Kennedy Center Honors will be R&B collective , actress , singer , children’s television program , and conductor and musical visionary . The 42nd annual Kennedy Center Honors marks the first time a television program will receive the award. In a star-studded celebration on the Kennedy Center Opera House stage on Sunday, December 8, the 2019 Honorees will be saluted by today’s leading performers from New York, Hollywood, and the arts capitals of the world, accepting the recognition and gratitude of their peers through performances and tributes. The Honors recipients are recognized for their lifetime contributions to American culture through the performing arts— whether in dance, music, theater, opera, motion pictures, or television—and are confirmed by the executive committee of the Center’s board of trustees. The primary criterion in the selection process is excellence. The Honors are not designated by art form or category of artistic achievement; over the years, the selection process has produced a balance among the various arts and artistic disciplines. -
Marco Movies
Movies starting Friday, January 24 www.FMBTheater.com America’s Original First Run Food Theater! We recommend that you arrive 30 minutes before ShowTime. “Just Mercy” Rated PG-13 Run Time 2:15 Starring Michael B. Jordan, Jamie Foxx and Brie Larson Start 2:30 5:30 8:20 End 4:45 7:45 10:35 Rated PG-13 for thematic content including some racial epithets. “1917” Rated R Run Time 2:00 Starring George MacKay, Colin Firth and Benedict Cumberbatch Start 2:45 5:40 8:30 End 4:45 7:40 10:30 Rated R for violence, some disturbing images, and language. “Little Women” Rated PG-13 Run Time 2:15 Starring Saoirse Ronan, Emma Watson and Meryl Streep Start 2:25 5:30 8:20 End 4:40 7:45 10:35 Rated PG for thematic elements and brief smoking. “Dolittle” Rated PG Run Time 1:45 Starring Robert Downey Jr. Start 3:00 5:50 8:30 End 4:45 7:35 10:15 Rated PG for some action, rude humor and brief language. *** Prices *** Matinees $11.00 (3D $13.00) Adults $13.50 (3D $15.50) Seniors and Children under 12 $11.00 (3D $13.00) Visit Beach Theater at www.fmbtheater.com facebook.com/BeachTheater 1917 (R) • George MacKay • Dean-Charles Chapman • Benedict Cumberbatch • At the height of the First World War, two young British soldiers, Schofield (George MacKay) and Blake (Dean-Charles Chapman) are given a seemingly impossible mission. In a race against time, they must cross enemy territory and deliver a message that will stop a deadly attack on hundreds of soldiers--Blake's own brother among them. -
HH Available Entries.Pages
Greetings! If Hollywood Heroines: The Most Influential Women in Film History sounds like a project you would like be involved with, whether on a small or large-scale level, I would love to have you on-board! Please look at the list of names below and send your top 3 choices in descending order to [email protected]. If you’re interested in writing more than one entry, please send me your top 5 choices. You’ll notice there are several women who will have a “D," “P," “W,” and/or “A" following their name which signals that they rightfully belong to more than one category. Due to the organization of the book, names have been placed in categories for which they have been most formally recognized, however, all their roles should be addressed in their individual entry. Each entry is brief, 1000 words (approximately 4 double-spaced pages) unless otherwise noted with an asterisk. Contributors receive full credit for any entry they write. Deadlines will be assigned throughout November and early December 2017. Please let me know if you have any questions and I’m excited to begin working with you! Sincerely, Laura Bauer Laura L. S. Bauer l 310.600.3610 Film Studies Editor, Women's Studies: An Interdisciplinary Journal Ph.D. Program l English Department l Claremont Graduate University Cross-reference Key ENTRIES STILL AVAILABLE Screenwriter - W Director - D as of 9/8/17 Producer - P Actor - A DIRECTORS Lois Weber (P, W, A) *1500 Major early Hollywood female director-screenwriter Penny Marshall (P, A) Big, A League of Their Own, Renaissance Man Martha -
WAFCA Fact Sheet
OPERATING OFFICERS WAFCA Timothy E. Gordon President OVERVIEW Nell Minow Vice President Capitol Spotlight The Washington, DC Area Film Critics Association (WAFCA) was founded in 2002 Jim Judy by a group of dedicated DC-based film critics with affiliations in television, radio, Treasurer print and the web. In the past eight years, membership in the group has grown from Brandon Fibbs 17 to close to 50 with members in Virginia, Maryland and the District of Columbia. Membership Coordinator This year, WAFCA will close their eligibility period on Friday, December 4. The Patrick Jennings membership will vote for their eighth annual awards over the weekend of December Website Coordinator 5-6, with winners announced on Monday, December 7, 2009. Willie Waffle, Executive Member Emeritus CORE STATISTICS COMPANY WEBSITE 93 The amount of WAFCA winners since the awards www.WAFCA.com inception in 2002. MEMBERSHIP 17 The number of critics that voted for the organization’s inaugural awards in 2002. CRITERIA 13 The amount of wins from Fox Searchlight which To be eligible for membership in WAFCA, critics must meet ONE of the has won more awards than any other studio in following criteria*: the organization’s history. 4 The number of awards given to three films which Author, editor or publisher of at least 50 are tied for the most wins in a single year reviews of at least 400 words each per (“Eternal Sunshine of the Spotless Mind” 2004, calendar year in a print medium with circulation of at least 50,000 monthly “No Country for Old Men” 2007 and “Slumdog OR on a web site with an average of at Millionaire” 2008) least 15,000 page views per week. -
Available from TCG Books: I’Ll Eat You Last and Peter and Alice by John Logan
FOR IMMEDIATE RELEASE CONTACT: Dafina McMillan May 21, 2013 [email protected] | 212-609-5955 Available from TCG Books: I’ll Eat You Last and Peter and Alice by John Logan NEW YORK, NY – Theatre Communications Group (TCG) is pleased to announce the availability of two new plays by John Logan: I’ll Eat You Last: A Chat with Sue Mengers and Peter and Alice, both published by Oberon Books (London). The three-time Oscar-nominated screenwriter of such films as Skyfall and Hugo returns with two new plays on Broadway and in London’s West End, respectively. I’ll Eat You Last is a one-woman show about legendary Hollywood super-agent Sue Mengers, whose clients included Barbra Streisand, Cher, Gene Hackman and Mike Nichols. Currently on Broadway, starring Bette Midler, I’ll Eat You Last is nominated for the 2013 Drama League awards for Outstanding Production of a Broadway or Off-Broadway Play. Based on the real individuals that inspired J.M. Barrie’s Peter Pan and Lewis Carroll’s Alice in Wonderland, Peter and Alice tells the story of when Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932. Currently playing to acclaim in the West End, Judi Dench stars as Alice and Ben Whishaw as Peter in this new play where enchantment and reality collide. “A delectable soufflé of a solo show… It’s a heady sensation, thanks to the buoyant, witty writing of Mr. Logan… Tangy and funny.” — New York Times on I’ll Eat You Last “A haunting play that sounds profound notes of loss and grief.. -
SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V
SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V" for Vendetta "V" Hugo Weaving Fall 2006 13 Going on 30 Jenna Rink Jennifer Garner Sum 2008 27 Dresses Jane Nichols Katherine Heigl ? 28 Days Gwen Gibbons Sandra Bullock Fall 2006 2LDK (Two Lethal Deadly Killers) Nozomi Koike Eiko Spring 2006 40 Year Old Virgin Andy Stitzer Steve Carell Spring 2005 50 First Dates Henry Roth Adam Sandler Sum 2008 8½ Guido Anselmi Marcello Mastroianni Spring 2007 A Beautiful Mind John Nash Russell Crowe Fall 2006 A Bronx Tale Calogero 'C' Anello Lillo Brancato / Francis Capra Sum 2008 A Bronx Tale Sonny LoSpeecchio Chazz Palmenteri Fall 2006 A Clockwork Orange Alexander de Large Malcolm McDowell Fall 2007 A Doll's House Nora Helmer Claire Bloom ? A Few Good Men Lt. Daniel Kaffee Tom Cruise Fall 2005 A League of Their Own Jimmy Dugan Tom Hanks Fall 2000 A Perfect Murder Steven Taylor Michael Douglas ? A River Runs Through It Paul Maclean Brad Pitt Fall 2005 A Simple Plan Hank Mitchell Bill Paxton Fall 2007 A Streetcar Named Desire Stanley Marlon Brando Fall 2005 A Thin Line Between Love and Hate Brandi Lynn Whitefield Fall 2007 A Time To Kill Carl Lee Haley Samuel L. Jackson Spring 2007 A Walk to Remember Landon Carter Shane West Sum 2008 A Walk to Remember Jaime Mandy Moore ? About Schmidt Warren Schmidt Jack Nickleson Fall 2004 Adaption Charlie/Donald Nicholas Cage Fall 2000 After Hours Paul Hackett Griffin Dunn Spring 2005 Al Capone Al Capone Rod Steiger Fall 2005 Alexander Alexander Colin Farrel Fall 2005 Alice in Wonderland Alice Voice of Kathryn Beaumont -
Destin Daniel Cretton, Director. Just Mercy. Warner Bros. Pictures, 2019. Just Mercy Is the Film Adaption of a Memoir by Civil R
Destin Daniel Cretton, director. Just Mercy. Warner Bros. Pictures, 2019. Just Mercy is the film adaption of a memoir by civil rights lawyer Bryan Stevenson, starring Jamie Foxx and Michael B. Jordan. Dir- ected by Destin Daniel Cretton, known for Short Term 12 and The Glass Castle, and co-written with Andrew Lanham, the film is based on Stevenson’s experiences as a young, black, Ivy League- educated attorney in rural Alabama during the 1980s and 90s fighting systemic racism and an abusive criminal justice system. This film is a social commentary on America’s failed judicial system that has disproportionately incarcerated African Amer- icans, perpetuating inequity in the black community. The film begins with Johnny D (Foxx), as he is stopped and surrounded by police while he drives home after a day of work. They are convinced that he is guilty of murdering a white woman and haul him off to jail. The following scene shows Stevenson (Jordan), a recent Harvard Law School graduate, arriving in Alabama. It becomes apparent that he is an activist and a lawyer specializing in death penalty appeals. Stevenson’s work highlights America’s biased judicial system in the deep South, where African Americans are unjustly prosecuted and poorly represented, resulting in many unfair convictions of innocent people. The level of systemic racism is profound in states such as Alabama, a former slave state and participant of Jim Crow laws. Arriving to meet his client, Stevenson is treated poorly by the prison guards who question his status as a lawyer. They demand that he is strip-searched before entering the facility, even though counselors are not subject to that type of protocol.