Top 30 Films
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Counter-Apocalyptic Play in Richard Kelly's Southland Tales
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Law, Humanities and the Arts 2014 "If you can hold on...": counter-apocalyptic play in Richard Kelly’s Southland Tales Marcus O'Donnell University of Wollongong, [email protected] Publication Details O'Donnell, M. ""If you can hold on...": counter-apocalyptic play in Richard Kelly’s Southland Tales." Journal of Religion and Film 18 .2 (2014): 1-35. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] "If you can hold on...": counter-apocalyptic play in Richard Kelly’s Southland Tales Abstract Richard Kelly’s Southland Tales (2006) presents a dystopic, post-apocalyptic, near-future through an aesthetic, which fuses contemporary postmodern screens with the phantasmagorical of traditional apocalyptic visions. This article argues that Southland Tales is an example of what feminist theologian Catherine Keller calls the “counter-apocalyptic” (Keller 1996:19-20). Through strategies of ironic parody Kelly both describes and questions the apocalyptic and its easy polarities. In situating the film as counter-apocalyptic the paper argues that the film both resists the apocalyptic impulse however it is also located within it. In this sense it produces a unique take on the genre of the post-apocalyptic film and a powerful fluid critique of the post 9/11 security state. Keywords play, apocalyptic, counter, tales, hold, southland, can, you, if, kelly, richard Disciplines Arts and Humanities | Law Publication Details O'Donnell, M. ""If you can hold on...": counter-apocalyptic play in Richard Kelly’s Southland Tales." Journal of Religion and Film 18 .2 (2014): 1-35. -
World Premiere
World Premiere FILMOGRAPHY A Message from Oliver Stone has directed: “W.” (‘08), “World Trade Center” (‘06), “Alexander” (‘04), “Any Given Sunday” (‘99), “U–Turn” (‘97), “Nixon” (‘95), “Natural Born Killers” (‘94), Oliver Stone “Heaven and Earth” (‘93), “JFK” (‘91), “The Doors” (‘91), “Born On The Fourth Of July” (‘89), I’ve been fortunate to be able “Talk Radio” (‘88), “Wall Street” (‘87), “Platoon” (‘86), “Salvador” (‘86), “The Hand” (‘81) to make several films about North and “Seizure” (‘73). He’s written or co–written all of the above, with the exception of America’s neglected “backyard” “U–Turn”, “World Trade Center” and “W.”. –– Central and South America. He’s also written or co–written: “Midnight Express” (‘78), “Scarface” (‘83), The low budget, independently “Conan The Barbarian” (‘82), “Year Of The Dragon” (‘85), “Evita” (‘96), and shot SALVADOR, about the U.S. “8 Million Ways To Die” (’86). involvement with the death squads of El Salvador, and starring James He’s directed 3 documentaries –– “Looking for Fidel” (‘04), “Comandante” (‘03), Woods in an Oscar–nominated “Persona Non Grata” (‘03). performance, was released in 1986; this was followed by COMANDANTE He’s produced or co–produced: “The People vs. Larry Flynt” (‘96), in 2003, and LOOKING FOR FIDEL in “The Joy Luck Club” (‘93), “Reversal of Fortune” (‘90), “Savior” (‘98), 2004, both of these documentaries “Freeway” (‘96),“South Central” (‘98), “Zebrahead” (‘92), “Blue Steel” (‘90), exploring Fidel Castro in one–on–one and the ABC mini–series “Wild Palms” (‘93). An Emmy was given to him and his interviews. Each of these films has struggled to be distributed in North America. -
Man on Wire Discussion Guide
www.influencefilmclub.com Man on Wire Discussion Guide Director: James Marsh Year: 2008 Time: 94 min You might know this director from: Project Nim (2011) Shadow Dancer (2012) The King (2005) FILM SUMMARY MAN ON WIRE is the story of French tightrope walker Philippe Petit who, on August 7, 1974, broke into the newly constructed Twin Towers of Manhattan. After months of painstaking preparations, he managed to enter the buildings during the night and string a wire between the two towers. For the next 45 minutes, Philippe Petit walked, danced, kneeled, and laid down on the wire - an expeirence he had dreamt of ever since he read about the Twin Towers six years before. Using contemporary interviews, archival footage, and Philippe’s own creations, this film tells the story of Philippe’s previous walks between towers such as the Notre Dame and the Sydney Harbour Bridge. Viewers learn about his passions, his friendships, and how he accomplished his Twin Towers walk, from getting the wire into the towers and hiding from guards to mounting the wire and taking the first step. The result is a story of daring, beauty, dedication to the point of insanity, loyalty and heartbreak, and the firm belief that nothing is impossible. Discussion Guide Man on Wire 1 www.influencefilmclub.com FILM THEMES On the surface, MAN ON WIRE may appear to be about one man’s determination to achieve his dream, but the story reveals a lot about human nature, from friendship and loyalty to dreaming beyond the norm “I must be a and achieving the impossible. -
Read Ebook {PDF EPUB} Super Active Film Making by James Marsh
Read Ebook {PDF EPUB} Super Active Film Making by James Marsh James Marsh is the author of super.activ Film Making (0.0 avg rating, 0 ratings, 0 reviews), Film Making (0.0 avg rating, 0 ratings, 0 reviews, published... Nov 07, 2014 · James Marsh: In terms of scale of filmmaking and resources, it absolutely was and it was so welcome to have a bigger budget. I’ve always worked very efficiently on small budgets, both in ... May 30, 2013 · Now, 50 Marsh consistently crafts films that viscerally delve into the human experience. His deft navigation between documentary and feature have inspired comparisons to Werner Herzog. Marsh’s third narrative feature, Shadow Dancer, is no different. Set in Belfast in the early ’90s, the morose, slow-burning thriller eschews political intricacies and instead focuses on Collette McVeigh (an vulnerable and nuanced Andrea Riseborough), a single mother and member of an active … Project Nim, is also directed by Marsh, but it doesn't have the same suspense that that film had. Man on Wire kept me interested in how Petit was able to achieve his goal, he was a very charismatic figure, and on the other hand Project Nim was kind of slow paced and didn't have any interesting characters…3.6/5(3K)Director: James MarshProduce Company: BBC Films, Red Box Films, Passion PicturesTeam of Artists Transformed Eddie Redmayne Into Stephen ...https://variety.com/2014/artisans/production/large...Nov 06, 2014 · He starts film at 21, an able- bodied, fresh-faceed, young man with whole world in front of him. -
Movie Draft: Below the Belt
POOP READING Movie Draft: Below the Belt Alas, with Bale directing the project and shepherding it by Jameson Simmons through every stage of its tortured development, this tone-deafness extends beyond the lead character. Dialogue You often hear of film studios indulging a star's will sometimes switch from serious to goofy and back in a character-based "passion project" in order to garner their single breath. Entire scenes will be elaborately staged in cooperation for some mass-appeal popcorn movie with no order to set up a double-entendre about a walk-on character. artistic integrity (but an automatic greenlight). The way There's an interlude in Blackie Shepherd's Skid Row Sandra Bullock was granted authority to make Hope Floats encampment in which the camera follows two rats having a so she'd acquiesce to appear in the floating turd that was belching contest. At first there's hope that it will be one of Speed 2: Cruise Control. But in this case, the scenario is those movies that's just incompetent enough to be turned entirely on its ear: to convince Christian Bale to unintentionally funny, but it quickly surpasses that threshold. appear in his Oscar-nominated turn in The Fighter, Below the Belt is best left to future film historians – as a Paramount had to finance Below the Belt, the slapstick karate puzzling glimpse into the madness that can envelop a great goof that Bale had spent 13 years developing as a Chris performer when he sets his mind to the wrong task. Farley tribute. Below the Belt is rated R. -
Pocket Product Guide 2006
THENew Digital Platform MIPTV 2012 tm MIPTV POCKET ISSUE & PRODUCT OFFILMGUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSC onnect to Seller - Buy Product MIPTVDaily Editions April 1-4, 2012 - Unabridged MIPTV Product Guide + Stills Cher Ami - Magus Entertainment - Booth 12.32 POD 32 (Mountain Road) STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE MIPTV PRODUCT GUIDE 2012 Mountain, Nature, Extreme, Geography, 10 FRANCS Water, Surprising 10 Francs, 28 Rue de l'Equerre, Paris, Delivery Status: Screening France 75019 France, Tel: Year of Production: 2011 Country of +33.1.487.44.377. Fax: +33.1.487.48.265. Origin: Slovakia http://www.10francs.f - email: Only the best of the best are able to abseil [email protected] into depths The Iron Hole, but even that Distributor doesn't guarantee that they will ever man- At MIPTV: Yohann Cornu (Sales age to get back.That's up to nature to Executive), Christelle Quillévéré (Sales) decide. Office: MEDIA Stand N°H4.35, Tel: + GOOD MORNING LENIN ! 33.6.628.04.377. Fax: + 33.1.487.48.265 Documentary (50') BEING KOSHER Language: English, Polish Documentary (52' & 92') Director: Konrad Szolajski Language: German, English Producer: ZK Studio Ltd Director: Ruth Olsman Key Cast: Surprising, Travel, History, Producer: Indi Film Gmbh Human Stories, Daily Life, Humour, Key Cast: Surprising, Judaism, Religion, Politics, Business, Europe, Ethnology Tradition, Culture, Daily life, Education, Delivery Status: Screening Ethnology, Humour, Interviews Year of Production: 2010 Country of Delivery Status: Screening Origin: Poland Year of Production: 2010 Country of Western foreigners come to Poland to expe- Origin: Germany rience life under communism enacted by A tragicomic exploration of Jewish purity former steel mill workers who, in this way, laws ! From kosher food to ritual hygiene, escaped unemployment. -
The Last Station
Mongrel Media Presents The Last Station A Film by Michael Hoffman (112 min, Germany, Russia, UK, 2009) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html THE LAST STATION STARRING HELEN MIRREN CHRISTOPHER PLUMMER PAUL GIAMATTI ANNE-MARIE DUFF KERRY CONDON and JAMES MCAVOY WRITTEN & DIRECTED BY MICHAEL HOFFMAN PRODUCED BY CHRIS CURLING JENS MEURER BONNIE ARNOLD *Official Selection: 2009 Telluride Film Festival SYNOPSIS After almost fifty years of marriage, the Countess Sofya (Helen Mirren), Leo Tolstoy’s (Christopher Plummer) devoted wife, passionate lover, muse and secretary—she’s copied out War and Peace six times…by hand!—suddenly finds her entire world turned upside down. In the name of his newly created religion, the great Russian novelist has renounced his noble title, his property and even his family in favor of poverty, vegetarianism and even celibacy. After she’s born him thirteen children! When Sofya then discovers that Tolstoy’s trusted disciple, Chertkov (Paul Giamatti)—whom she despises—may have secretly convinced her husband to sign a new will, leaving the rights to his iconic novels to the Russian people rather than his very own family, she is consumed by righteous outrage. This is the last straw. Using every bit of cunning, every trick of seduction in her considerable arsenal, she fights fiercely for what she believes is rightfully hers. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
HH Available Entries.Pages
Greetings! If Hollywood Heroines: The Most Influential Women in Film History sounds like a project you would like be involved with, whether on a small or large-scale level, I would love to have you on-board! Please look at the list of names below and send your top 3 choices in descending order to [email protected]. If you’re interested in writing more than one entry, please send me your top 5 choices. You’ll notice there are several women who will have a “D," “P," “W,” and/or “A" following their name which signals that they rightfully belong to more than one category. Due to the organization of the book, names have been placed in categories for which they have been most formally recognized, however, all their roles should be addressed in their individual entry. Each entry is brief, 1000 words (approximately 4 double-spaced pages) unless otherwise noted with an asterisk. Contributors receive full credit for any entry they write. Deadlines will be assigned throughout November and early December 2017. Please let me know if you have any questions and I’m excited to begin working with you! Sincerely, Laura Bauer Laura L. S. Bauer l 310.600.3610 Film Studies Editor, Women's Studies: An Interdisciplinary Journal Ph.D. Program l English Department l Claremont Graduate University Cross-reference Key ENTRIES STILL AVAILABLE Screenwriter - W Director - D as of 9/8/17 Producer - P Actor - A DIRECTORS Lois Weber (P, W, A) *1500 Major early Hollywood female director-screenwriter Penny Marshall (P, A) Big, A League of Their Own, Renaissance Man Martha -
Oscar Ballot Oscar Ballot
AND THE AND THE OSCAR OSCAR GOES TO. GOES TO. THE 2015 THE 2015 OSCAR BALLOT OSCAR BALLOT ACTOR IN A LEADING ROLE ACTOR IN A LEADING ROLE BEST PICTURE BEST PICTURE Steve Carell (Foxcatcher) Steve Carell (Foxcatcher) American Sniper Bradley Cooper (American Sniper) American Sniper Bradley Cooper (American Sniper) Birdman Benedict Cumberbatch (The Imitation Game) Birdman Benedict Cumberbatch (The Imitation Game) Boyhood Michael Keaton (Birdman) Boyhood Michael Keaton (Birdman) The Grand Budapest Hotel Eddie Redmayne (The Theory of Everything) The Grand Budapest Hotel Eddie Redmayne (The Theory of Everything) The Imitation Game The Imitation Game Selma Selma ANIMATED FEATURE The Theory of Everything The Theory of Everything ANIMATED FEATURE Whiplash Big Hero 6 Whiplash Big Hero 6 The Boxtrolls The Boxtrolls How to Train Your Dragon 2 How to Train Your Dragon 2 ACTRESS IN A LEADING ROLE Son of the Sea ACTRESS IN A LEADING ROLE Son of the Sea The Tale of Princess Kaguya Marion Cotillard (Two Days, One Night) Marion Cotillard (Two Days, One Night) The Tale of Princess Kaguya Felicity Jones (The Theory of Everything) Felicity Jones (The Theory of Everything) PRODUCTION DESIGN Julianne Moore (Still Alice) Julianne Moore (Still Alice) PRODUCTION DESIGN Rosamund Pike (Gone Girl) THe Grand Budapest Hotel Rosamund Pike (Gone Girl) THe Grand Budapest Hotel Reese Witherspoon (Wild) The Imitation Game Reese Witherspoon (Wild) The Imitation Game Interstellar Interstellar Into the Woods Into the Woods ACTOR IN A SUPPORTING ROLE ACTOR IN A SUPPORTING ROLE Mr. Turner Mr. Turner Robert Duvall (The Judge) Robert Duvall (The Judge) Ethan Hawke (Boyhood) Ethan Hawke (Boyhood) COSTUME DESIGN COSTUME DESIGN Edward Norton (Birdman) Edward Norton (Birdman) Mark Ruffalo (Foxcatcher) The Grand Budapest Hotel Mark Ruffalo (Foxcatcher) The Grand Budapest Hotel J.K. -
Available from TCG Books: I’Ll Eat You Last and Peter and Alice by John Logan
FOR IMMEDIATE RELEASE CONTACT: Dafina McMillan May 21, 2013 [email protected] | 212-609-5955 Available from TCG Books: I’ll Eat You Last and Peter and Alice by John Logan NEW YORK, NY – Theatre Communications Group (TCG) is pleased to announce the availability of two new plays by John Logan: I’ll Eat You Last: A Chat with Sue Mengers and Peter and Alice, both published by Oberon Books (London). The three-time Oscar-nominated screenwriter of such films as Skyfall and Hugo returns with two new plays on Broadway and in London’s West End, respectively. I’ll Eat You Last is a one-woman show about legendary Hollywood super-agent Sue Mengers, whose clients included Barbra Streisand, Cher, Gene Hackman and Mike Nichols. Currently on Broadway, starring Bette Midler, I’ll Eat You Last is nominated for the 2013 Drama League awards for Outstanding Production of a Broadway or Off-Broadway Play. Based on the real individuals that inspired J.M. Barrie’s Peter Pan and Lewis Carroll’s Alice in Wonderland, Peter and Alice tells the story of when Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932. Currently playing to acclaim in the West End, Judi Dench stars as Alice and Ben Whishaw as Peter in this new play where enchantment and reality collide. “A delectable soufflé of a solo show… It’s a heady sensation, thanks to the buoyant, witty writing of Mr. Logan… Tangy and funny.” — New York Times on I’ll Eat You Last “A haunting play that sounds profound notes of loss and grief.. -
The Camera's Gaze in the Age Of
COMING SOON FROM A SCREEN NEAR YOU: THE CAMERA’S GAZE IN THE AGE OF SURVEILLANCE by Fayez Kloub A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, FL August 2016 Copyright 2016 by Fayez Kloub ii ACKNOWLEDGEMENTS The author wishes to thank his thesis’ committee members for their support and advice in the process of writing this thesis, and special thanks to his advisor for his encouragement and assistance in the process of writing this manuscript. The author is grateful for the Dorothy F. Schmidt College of Arts and Letters and the School of Communication and Media Studies for providing the resources needed to conduct research for this study. Last but not least, the author wishes to thank his colleagues and fellow teaching assistants for all of their support. iv ABSTRACT Author: Fayez Kloub Title: Coming Soon From a Screen Near You: The Camera’s Gaze in the Age of Surveillance Institution: Florida Atlantic University Thesis Advisor: Dr. Stephen Charbonneau Degree: Master of Arts Year: 2016 Within the past thirty years, privacy concerns among American citizens are rising with counter-terrorist surveillance going beyond targeting people of interest. These concerns are reflected in American cinema where many contemporary films have explored surveillance in society. The textual analyses presented in the thesis will focus on three such films, Strange Days (1995), Southland Tales (2005), and Nightcrawler (2014). Throughout this thesis, I examine how each of these films offers a unique, reflexive take on surveillance, adhering to generative mechanisms that evoke differing attitudes about surveillance through their form.