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Argentina's Deal with the IMF: Will "Expansionary Austerity" Work?
CEPR CENTER FOR ECONOMIC AND POLICY RESEARCH Argentina's Deal with the IMF: Will "Expansionary Austerity" Work? By Mark Weisbrot and Lara Merling* December 2018 Center for Economic and Policy Research 1611 Connecticut Ave. NW tel: 202–293–5380 Suite 400 fax: 202–588–1356 Washington, DC 20009 www.cepr.net * Mark Weisbrot is Co-Director at the Center for Economic and Policy Research (CEPR). Lara Merling is a Research Associate at CEPR. Contents Executive Summary ........................................................................................................................................... 1 Introduction ........................................................................................................................................................ 4 Debt Sustainability and the IMF Program ................................................................................................... 10 Conclusion ........................................................................................................................................................ 15 References ......................................................................................................................................................... 17 Acknowledgements The authors thank Joe Sammut, Jake Johnston, and Matt Templeton for research assistance, and Dan Beeton and Rebecca Watts for editorial assistance. Executive Summary Since July of this year, the International Monetary Fund (IMF) has disbursed more than $20 billion of a $56.3 billion loan package -
The Distribution of Bolivia's Most Important Natural Resources And
Issue Brief • July 2008 The Distribution of Bolivia’s Most Important Natural Resources and the Autonomy Conflicts BY MARK WEISBROT AND LUIS SANDOVAL * Over the last year, there has been an escalation in the political battles between the government of President Evo Morales and a conservative opposition, based primarily in the prefectures, or provinces. The opposition groups have rallied around various issues but have recently begun to focus on "autonomy." Some of the details of this autonomy are legally complex and ambiguous, and they vary among the provinces whose governments are demanding autonomy. Since May of this year, four prefectures – Santa Cruz, Beni, Pando, and Tarija, which are often referred to as the "Media Luna" 1 – have held referenda, which were ruled illegal by the national judiciary, 2 in which a majority of those voting voted in favor of autonomy statutes. While there are a number of political and ideological aspects to this conflict, this paper focuses on one of the most important underlying sources of the dispute: the distribution of Bolivia's most important natural resources. For reasons described below, these are arable land and hydrocarbons. This paper shows that the ownership and distribution of these key resources are at the center of the current conflict. Furthermore, it appears that reform of this ownership and distribution may be necessary for the government to deliver on its political promise to improve the living standards of the country's poor majority, who are also disproportionately indigenous. According to the most recent data, Bolivia has a poverty rate of 60 percent. The number of people in extreme poverty is about 38 percent (UDAPE, 2008). -
Table of Contents
Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D. -
What the “Experts” Got Wrong About the Global Economy
FOR IMMEDIATE RELEASE Contact: Katherine Cooney | (212) 726-6111 or [email protected] "Weisbrot reveals the pernicious effects of the neoliberal assault on the world's population, from wealthy and developed Europe to the global south, and exposes the dominant political-economic doctrines, rooted in a harsh attack on democracy and undermining of social policies that benefit the vast majority." -- Noam Chomsky, Institute Professor and Professor of Linguistics (Emeritus), MIT FAILED What the “Experts” Got Wrong About the Global Economy Mark Weisbrot Oxford University Press | $24.95 | Hardcover | October 01, 2015 | 312 Pages | 9780195170184 "The International Monetary Fund, the European Central Bank, and neoliberal economics may have failed, but Mark Weisbrot has not. His demolition job on the economic policies that have led to misery for millions is comprehensive, long overdue and a resounding success." -- Larry Elliot, Economics Editor, The Guardian Why did the Eurozone end up with an unemployment rate more than twice than that of the United States and six years after the collapse of Lehman Brothers? Was crisis in the Eurozone inevitable? What caused the prolonged economic failure experienced by the majority of the world's low- and middle-income countries at the end of the 20th century? In FAILED: What the “Experts” Got Wrong about the Global Economy, Mark Weisbrot, co-director of the Center for Economic and Policy Research in Washington DC, analyzes and ties together some of the most important economic developments of recent years, with the common thread that they have been widely misunderstood and in some cases almost completely ignored. Weisbrot argues that the European authorities’ political agenda, which included shrinking the welfare state, reducing health care, pension, and other social spending, and reducing the bargaining power of labor, played a very important role in prolonging the Eurozone’s financial crisis and its lapse into additional years of recession and mass unemployment. -
Mark Weisbrot Most Recent Work Is Social Security: the Phony Crisis
I Mark W elsbrot Page 1 of 2 Mark Weisbrot Mark Weisbrot received his Ph.D. in economics from the University of Michigan, with specialization in international economics and political economy. He is author of “Globalization for Whom?” (Vol. 3 1, #3, 1998 Cornell International Law Journal) and co-authored “Writing the ConstitNtion of-3 Single Global Economy : A Concise Guide to the MA1 (Multilateral Agreement on Investment)“, (Washington, D.C. : Preamble Center,1997). He was a consultant to the Government of Haiti during the presidency of Jean-Bertrand Aristide. His most recent work is Social Security: The Phony Crisis, co-authored with Dean Baker (1999, University of Chicago Press). He is currently Research Director at the Preamble Center, and a research associate with the Economic F’glicy_!Is&tgt_e, both in Washington, D.C. His opinion p&es have appeared in the Los Angeles Times, the Boston Globe, the San Francisco Chronicle, the Chicago Tribune, and many other newspapers throughout the country. He has appeared on numerous television networks including CNN, PBS’ Nightly Business Report, Fox News, and a variety of other talk shows. RECENT PUBLICATIONS: “Globalization for Whom?” (Vol. 3 1, #3, 1998 Cornell International Law Journal) “Recent Experiences with International Financial Markets: Lessons for the Free Trade Area of the Americas,” with Neil Watkins, (Washington, D.C.: Preamble Center/CIEL, 1999) Social Security: The Phony Crisis, with Dean Baker (1999, University of Chicago Press) “The Impact of the MAI on Employment,Gro.~~l,ld lnconle r)i_~sibblion” (Washington, D.C. : Preamble Center, 1997) “Writing the Constitution of a Single Global Economy : A Concise Guide to the MAY, with Michelle Sforza and Scott Nova (Washington. -
C-SPAN's Coverage of Think Tanks
Issue Brief • December 2007 Tilting Rightward: C-SPAN’s Coverage of Think Tanks BY JUAN ANTONIO MONTECINO AND MARK WEISBROT * This study’s main finding is that C-SPAN coverage of think tanks overwhelmingly favors conservative think tanks while left-of-center think tanks are under- represented. In 2006, conservative think tanks received 43.76 percent of total think tank coverage. Conservative/ libertarian and centrist think tanks received 6.94 percent and 31.76 percent respectively. Center-left and progressive think tanks, on the other hand, only received 12.73 percent and 4.86 percent respectively. Thus, the combined conservative and conservative/libertarian think tanks got an absolute majority of 50.7 percent representation on C-SPAN. Everything left of center got only 17.59 percent, just one third of the coverage received by the Right. C-SPAN’s coverage of think tanks suggests it has failed to fulfill its mission to provide “a balanced presentation of points of view.” A review of recent polls also suggests that C-SPAN’s coverage of think tanks is not only off-balance in absolute numerical terms but also relative to public opinion in a wide range of political issues. According to its mission statement, the Cable Satellite Public Affairs Network (C- SPAN) was created to provide its audience with “a balanced presentation of points of view” concerning public policy. 1 However, a look at its coverage of the country’s top think tanks in 2006 suggests that it failed to achieve this goal. A survey of C-SPAN coverage of public events, interviews, panels and speeches featuring the country’s top think tanks in 2006 reveals a strong imbalance towards think tanks that represent conservative points of view, an imbalance that— according to recent polling data—is at odds with the opinions of most Americans on a wide range of policy issues. -
Dylan Penn Sean Penn
Sean Penn Dylan Penn réalisé par Sean Penn INGENIOUS MEDIA, NEW ELEMENT MEDIA, ROCKET SCIENCE, WONDERFUL FILMS, RAHWAY ROAD PRODUCTIONS, CLYDE IS HUNGRY FILMS, BUFFALO GAL PICTURES et MANITOBA FILM & MUSIC présentent réalisé par Sean Penn 1h48 – États-Unis – 2021 – 1.85 – 5.1 DISTRIBUTION RELATIONS PRESSE Jean-Pierre Vincent Marie Plante-Germain 5, rue Darcet SORTIE LE 29 SEPTEMBRE 2021 Tél. : 06.09.53.15.77 75017 Paris 06.89.54.16.12 Tél. : 01 44 69 59 59 E-mail : [email protected] www.le-pacte.com Matériel de presse téléchargeable sur www.le-pacte.com SYNOPSIS John Vogel était un personnage hors norme. Enfant, sa fille Jennifer s’émerveillait de son magnétisme et de sa capacité à faire de la vie une grande aventure. Il lui a beaucoup appris sur l’amour et la joie, mais elle va découvrir sa vie secrète de braqueur de banques et faussaire. Tiré d’une histoire vraie, FLAG DAY est le portrait d’une jeune femme luttant pour guérir des blessures de son passé, tout en reconstruisant sa relation père-fille. NOTES DE PRODUCTION Quand le producteur William Horberg a lu les mémoires captivants la première personne à qui j’ai pensé en le lisant, et j’ai été ravi de Jennifer Vogel, il a immédiatement su qu’ils pourraient donner quand lui et son frère, John-Henry, avec qui il collabore souvent, lieu à une excellente adaptation cinématographique. À la fois ont accepté de l’adapter. Le film a mis beaucoup de temps à se drôle et déchirant, Flim-Flam Man raconte la relation tumultueuse monter, mais son scénario n’a jamais cessé de nous stimuler. -
Top 30 Films
March 2013 Top 30 Films By Eddie Ivermee Top 30 films as chosen by me, they may not be perfect or to everyone’s taste. Like all good art however they inspire debate. Why Do I Love Movies? Eddie Ivermee For that feeling you get when the lights get dim in the cinema Because of getting to see Heath Ledger on the big screen for the final time in The Dark Knight Because of Quentin Tarentino’s knack for rip roaring dialogue Because of the invention of the steadicam For saving me from the drudgery of nightly weekly TV sessions Because of Malik’s ability to make life seem more beautiful than it really is Because of Brando and Pacino together in The Godfather Because of the amazing combination of music and image, e.g. music in Jaws Because of the invention of other worlds, see Avatar, Star Wars, Alien etc. For making us laugh, cry, sad, happy, scared all in equal measure. For the ending of the Shawshank Redemption For allowing Jim Carey lose during the 1990’s For arranging a coffee date on screen of De Niro an Pacino For allowing Righteous Kill to go straight to DVD so I could turn it off For taking me back in time with classics like Psycho, Wizard of Oz ect For making dreams become reality see E.T, The Goonies, Spiderman, Superman For allowing Brad Pitt, Michael Fassbender, Tom Hardy and Joesph Gordon Levitt ply their trade on screen for our amusement. Because of making people Die Hard as Rambo strikes with a Lethal Weapon because he is a Predator who is also Rocky. -
NEO-NOIR / RETRO-NOIR FILMS (1966 Thru 2010) Page 1 of 7
NEO-NOIR / RETRO-NOIR FILMS (1966 thru 2010) Page 1 of 7 H Absolute Power (1997) H Blondes Have More Guns (1995) H Across 110th Street (1972) H Blood and Wine (1996) H Addiction, The (1995) FS H Blood Simple (1985) h Adulthood (2008) H Blood Work (2002) H Affliction (1997) H Blow Out (1981) FS H After Dark, My Sweet (1990) h Blow-up (1967).Blowup H After Hours (1985) f H Blue Desert (1992) F H Against All Odds (1984) f H Blue Steel (1990) f H Alligator Eyes (1990) SCH Blue Velvet (1986) H All the President’s Men (1976) H Bodily Harm (1995) H Along Come a Spider (2001) H Body and Soul (1981) H Ambushed (1998) f H Body Chemistry (1990) H American Gangster (2007) H Body Double (1984) H American Gigolo (1980) f H Bodyguard, The (1992) H Anderson Tapes, The (1971) FSCH Body Heat (1981) S H Angel Heart (1987) H Body of Evidence (1992) f H Another 48 Hrs. (1990) H Body Snatchers (1993) F H At Close Range (1986) H Bone Collector, The (1999) f H Atlantic City (1980) H Bonnie & Clyde (1967) f H Bad Boys (1983) F H Border, The (1982) F H Bad Influence (1990) F H Bound (1996) F H Badlands (1973) H Bourne Identity, The (2002) F H Bad Lieutenant (1992) H Bourne Supremacy, The (2004) h Bank Job, The (2008) H Bourne Ultimatum, The (2007) F H Basic Instinct (1992) H Boyz n the Hood (1991) H Basic Instinct 2 (2006) H Break (2009) H Batman Begins (2005) H Breakdown (1997) F H Bedroom Window, The (1987) F H Breathless (1983) H Before the Devil Knows You’re Dead (2007) H Bright Angel (1991) H Best Laid Plans (1999) H Bringing Out the Dead (1999) F H Best -
HH Available Entries.Pages
Greetings! If Hollywood Heroines: The Most Influential Women in Film History sounds like a project you would like be involved with, whether on a small or large-scale level, I would love to have you on-board! Please look at the list of names below and send your top 3 choices in descending order to [email protected]. If you’re interested in writing more than one entry, please send me your top 5 choices. You’ll notice there are several women who will have a “D," “P," “W,” and/or “A" following their name which signals that they rightfully belong to more than one category. Due to the organization of the book, names have been placed in categories for which they have been most formally recognized, however, all their roles should be addressed in their individual entry. Each entry is brief, 1000 words (approximately 4 double-spaced pages) unless otherwise noted with an asterisk. Contributors receive full credit for any entry they write. Deadlines will be assigned throughout November and early December 2017. Please let me know if you have any questions and I’m excited to begin working with you! Sincerely, Laura Bauer Laura L. S. Bauer l 310.600.3610 Film Studies Editor, Women's Studies: An Interdisciplinary Journal Ph.D. Program l English Department l Claremont Graduate University Cross-reference Key ENTRIES STILL AVAILABLE Screenwriter - W Director - D as of 9/8/17 Producer - P Actor - A DIRECTORS Lois Weber (P, W, A) *1500 Major early Hollywood female director-screenwriter Penny Marshall (P, A) Big, A League of Their Own, Renaissance Man Martha -
Available from TCG Books: I’Ll Eat You Last and Peter and Alice by John Logan
FOR IMMEDIATE RELEASE CONTACT: Dafina McMillan May 21, 2013 [email protected] | 212-609-5955 Available from TCG Books: I’ll Eat You Last and Peter and Alice by John Logan NEW YORK, NY – Theatre Communications Group (TCG) is pleased to announce the availability of two new plays by John Logan: I’ll Eat You Last: A Chat with Sue Mengers and Peter and Alice, both published by Oberon Books (London). The three-time Oscar-nominated screenwriter of such films as Skyfall and Hugo returns with two new plays on Broadway and in London’s West End, respectively. I’ll Eat You Last is a one-woman show about legendary Hollywood super-agent Sue Mengers, whose clients included Barbra Streisand, Cher, Gene Hackman and Mike Nichols. Currently on Broadway, starring Bette Midler, I’ll Eat You Last is nominated for the 2013 Drama League awards for Outstanding Production of a Broadway or Off-Broadway Play. Based on the real individuals that inspired J.M. Barrie’s Peter Pan and Lewis Carroll’s Alice in Wonderland, Peter and Alice tells the story of when Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932. Currently playing to acclaim in the West End, Judi Dench stars as Alice and Ben Whishaw as Peter in this new play where enchantment and reality collide. “A delectable soufflé of a solo show… It’s a heady sensation, thanks to the buoyant, witty writing of Mr. Logan… Tangy and funny.” — New York Times on I’ll Eat You Last “A haunting play that sounds profound notes of loss and grief.. -
SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V
SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V" for Vendetta "V" Hugo Weaving Fall 2006 13 Going on 30 Jenna Rink Jennifer Garner Sum 2008 27 Dresses Jane Nichols Katherine Heigl ? 28 Days Gwen Gibbons Sandra Bullock Fall 2006 2LDK (Two Lethal Deadly Killers) Nozomi Koike Eiko Spring 2006 40 Year Old Virgin Andy Stitzer Steve Carell Spring 2005 50 First Dates Henry Roth Adam Sandler Sum 2008 8½ Guido Anselmi Marcello Mastroianni Spring 2007 A Beautiful Mind John Nash Russell Crowe Fall 2006 A Bronx Tale Calogero 'C' Anello Lillo Brancato / Francis Capra Sum 2008 A Bronx Tale Sonny LoSpeecchio Chazz Palmenteri Fall 2006 A Clockwork Orange Alexander de Large Malcolm McDowell Fall 2007 A Doll's House Nora Helmer Claire Bloom ? A Few Good Men Lt. Daniel Kaffee Tom Cruise Fall 2005 A League of Their Own Jimmy Dugan Tom Hanks Fall 2000 A Perfect Murder Steven Taylor Michael Douglas ? A River Runs Through It Paul Maclean Brad Pitt Fall 2005 A Simple Plan Hank Mitchell Bill Paxton Fall 2007 A Streetcar Named Desire Stanley Marlon Brando Fall 2005 A Thin Line Between Love and Hate Brandi Lynn Whitefield Fall 2007 A Time To Kill Carl Lee Haley Samuel L. Jackson Spring 2007 A Walk to Remember Landon Carter Shane West Sum 2008 A Walk to Remember Jaime Mandy Moore ? About Schmidt Warren Schmidt Jack Nickleson Fall 2004 Adaption Charlie/Donald Nicholas Cage Fall 2000 After Hours Paul Hackett Griffin Dunn Spring 2005 Al Capone Al Capone Rod Steiger Fall 2005 Alexander Alexander Colin Farrel Fall 2005 Alice in Wonderland Alice Voice of Kathryn Beaumont