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M&M's GSA Today Focuses On Austria. Also, Groovemix Studies Parallel Imports. See Ppges 13-15 & 10. Europe's Music Radio Newsvveekly.Volume 10.Issue 9.February 27, 1993. £ 3, US$ 5, ECU 4 Simply Red, CLT Bids For Lennox Top Fun; CSA OK Brits Awards by Mike McGeever Annie Lennox and Simply Still Needed Red scooped up two gongs each at the 1993 Brit Awards which would eventually be con- in London on February 16, the by Emmanuel Legrand verted into equity, giving CLT annual event where the British Luxembourg -based media group complete ownership of the net- music industry recognizesits CLT is believed to be ready to work. Reports say the figure is in own. buy EHR network Fun Radio thehundredsofmillionsof Lennox, who was absent ITALIAN COUPLE SELLS A MILLION IN GERMANY - Al Bano from press tycoon Robert Her- French francs. from the awards due tothe and Romina Power were in Hamburg in January to put the finishing sant. According to French daily In a recent Music & Media recent birth of her daughter, touches on their new album "Notte E Giorno." WEA MD Gerd Geb- newspaperLe Monde,CLT and interview (M&M, February 20) won the Best Female Artist hardt took the opportunity to present the Italian couple with a gold disc Hersant have come up with an Stephane Duhamel, deputy gen- award and Best Album for her for sales of over 250.000 of their album "Vincerai." The couple was agreement that would give CLT eral manager of full -service, top - albumDiva(RCA). Simply also presented with a "Warner Special Award" for sales of over one the ownership of Fun providing rated network RTL in France, Red (East West) as named Best million recordings in Germany. -
Hats On, Hats Off
Cultural Studies Review volume 22 number 1 March 2016 http://epress.lib.uts.edu.au/journals/index.php/csrj/index pp. 118–43 © Clair Hughes 2016 Hats On, Hats Off CLAIR HUGHES INDEPENDENT SCHOLAR A certain amount of eccentricity in dress is allowed, even expected, in artists, poets and assorted bohemians. Their hats tend to be particularly eccentric. ‘Funny, isn’t it,’ Mr Bolder observed to his friend Fred Willis, the hatter, ‘that people who paint pictures think it’s proper that they should act barmy? Hats like horses wear in summer.’1 A floppy felt or straw, when Victorian manhood was ramrod-stiff in top hats or bowlers, was unconventional, but hardly threatening. The upper-middle- class Forsytes, however, in John Galsworthy’s Forsyte Saga, worry about June Forsyte’s fiancé, architect Philip Bosinney. He pays a duty call on her aunts ‘in a soft grey hat—not even a new one—a dusty thing with a shapeless crown. “So extraordinary, my dear, so odd!” Aunt Hester had tried to shoo it off a chair, takinG it for a stranGe disreputable cat.’2 While etiquette manuals outlined its codified rules, novels and autobiographies record the lived experience of hat-wearinG as well as the adventures of those who break the rules. Fictional writing and memoirs are closer to what Raymond Williams ISSN 1837-8692 Cultural Studies Review 2016. © 2016 Clair Hughes. This is an Open Access article distributed under the terms of the Creative Commons Attribution 4.0 Unported (CC BY 4.0) License (https://creativecommons.org/licenses/by/4.0/), allowing third parties to copy and redistribute the material in any medium or format and to remix, transform, and build upon the material for any purpose, even commercially, provided the original work is properly cited and states its license. -
Literariness.Org-Michael-Cook-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more popular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial inves- tigation is explored through clear and informative texts offering comprehen- sive coverage and theoretical sophistication. Published titles include : Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Ed Christian ( editor ) THE POST-COLONIAL DETECTIVE Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting -
Fancy Dresses Described;
:5^ 1 : Fancy dresses described; OR, WHAT TO WEAR AT FANCY BALLS. By ARDERN holt. FIFTH EDITION. LONDON DEBENHAM & FREEBODY, WIGMORE STREET AND WELBECK STREET ; WYMAN & SONS, 74-76, GREAT QUEEN STREET AND ALL BOOKSELLERS. ENTERED AT STATIONERS HALL. '^/f"] 1 hit DEBENHAM & FREEBODY Invite an inspection of their Novelties and Specialties in COURT DRESSES AND TRAINS, PRESENTATION DRESSES, BALL, EVENING, AND VISITING DRESSES, COSTUMES, TAILOR-MADE JACKETS AND GOWNS, TEA-GOWNS, DRESSING-GOWNS, MANTLES, MILLINERY, AND WEDDING TROUSSEAUX. s:p'ecia;i. o.'Esre'NS in NA TIONAL, ilf/Srp^^GJlL. '^ANDjFAJk'f V COSTUMES jF<:^i?J fli'Bi^&Aj}^xya''tiEkigijzAi.s, and * FANcYBALLS. DEBENHAM & FREEBODY, WIGMORE STREET c^' WELBECK STREET, LONDON, W. aiFT OF PREFACE HE Fourth Edition of Ardern Holt's "Fancy Dresses Described" being exhausted, we have made arrange- ments for the publication of the Fifth Edition with such corrections as experience dictates, and a very large addition to the number of characters detailed. The suggestions we have received have been carefully noted, and the result is a larger and more comprehensive work than any hitherto published. The inquiry for Coloured Plates has induced us to select sixteen favourite Models for Illustration in Colours, of a completely new character, as well as a new series of smaller Illustrations, and we trust they will add greatly to the usefulness of the book. The Author's name is a guarantee for the correctness of the descriptions and accuracy of details; and we have endea- voured (as in former editions) to maintain such simplicity as will enable many ladies to produce the costumes at home. -
479 Dr. Maddox Is No. 1. Jeffrey Levi—Do You Pronounce It Levi Or Levy? Mr
479 Dr. Maddox is No. 1. Jeffrey Levi—do you pronounce it Levi or Levy? Mr. LEVI. Levi. The CHAIRMAN. And Ms. Shields. All right. Those who are not here on panel eight, we will give them the opportunity to submit a written statement for the record, if they care to do so. Dr. Maddox, you may proceed and you have 3 minutes. We will put your entire statements into the record if you have a written statement. TESTIMONY OF PANEL CONSISTING OF DR. ROBERT L. MADDOX, EXECUTIVE DIRECTOR, AMERICANS UNITED FOR SEPARATION OF CHURCH AND STATE; JEFFREY LEVI, EXECUTIVE DIREC- TOR, NATIONAL GAY & LESBIAN TASK FORCE; AND KAREN SHIELDS, BOARD CHAIR, NATIONAL ABORTION RIGHTS ACTION LEAGUE Dr. MADDOX. Mr. Chairman and Senators, I am Robert Maddox, the executive director of Americans United for Separation of Church and State. We have more than 50,000 members from every possible walk of life in America. We at Americans United believe that religious liberty is the pre-eminent liberty of the American re- public, the benchmark of all other civil liberties. We believe that the constitutional guarantee of religious freedom through the separation of church and state is the single most im- portant contribution this country has made to Western civilization during these past two centuries. On the basis of that, we respectfully suggest that the Senate ask itself some serious questions as it considers the nomination of Mr. Justice Rehnquist to be Chief Justice of the United States. While we recognize his qualifications, we have grave questions about his stand, his consistent stand throughout all of his public career, particularly his time on the Court in terms of religious lib- erty and the separation of church and state. -
Performing Identities in the Art of John Singer Sargent Leigh Culver
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 1999 Performing Identities in the art of John Singer Sargent Leigh Culver Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the American Art and Architecture Commons Recommended Citation Culver, Leigh, "Performing Identities in the art of John Singer Sargent" (1999). Publicly Accessible Penn Dissertations. 3084. https://repository.upenn.edu/edissertations/3084 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3084 For more information, please contact [email protected]. Performing Identities in the art of John Singer Sargent Abstract In the elegant society portraits by John Singer Sargent, body language created social identities. The fallen dress strap and obvious makeup in Madame X, for example, declared her a “professional beauty”; the costume of Charles Stewart proclaimed him a British lord. Critics often conflated appearance and character in Sargent's images, yet Sargent used theatre and masquerade in numerous works to problematize essentialist links between appearance and character that were fundamental to turn-of-the-century class, gender, and racial stereotypes. This dissertation concentrates on the art Sargent produced after Madame X, as he recovered from the scandal it provoked in 1884 and as he established his patron base in England and America. Many of Sargent's later works can be seen as a response to the issues raised by Madame X concerning the relationship between appearance and character. An analysis of theatrical elements in Sargent's paintings elucidates the function of these images in variously maintaining and challenging notions of social identity. Chapter One discusses the critical reception of Sargent's art in the context of a turn-of-the-century culture engaged in classification and performance activities. -
Debanico Sues City
Summit ... Summit's only, * • retd newspaper VOLUME_98NO.30 , March 9,1985 (Price: 25' DeBanico sues city ByPAIGETUNSTALL reserve, the jury found, and suit, Harold Kessler, schools SUMMIT-Donald DeBanico, made police even more business administrator, said the principal of the junior high suspicious. board was not. school, is suing the city, the An independent investigation William Rosen, president of police department, the mayor, by the Board of Education, in- the Board of Education, said, the the high school principal, the volving three interviews, found board is not currently funding police chief, and two police that Geddis had acted against DeBanico's suit, nor is it now detectives. school policy in communicating funding Geddis' defense. DeBanico is alleging malicious to the degree he did with police However, Rosen said, "It's not untruths were circulated about about drug abuse. The board has a matter of free will here--the law him by those parties in reference now changed its policy to include spells out what can and can't be to drug abuse at his school and more frequent communication done," regarding funding, of about his own conduct with with police. legal fees for personnel. regard to reporting drug abuse. According to DeBancio's suit, Asked when he found out These untruths, DeBanico malicious untruths propagated by about the suit, Rosen said, "I on- claims, were circulated in various the defendants have1 exposed ly saw the document a couple of ways, including police reports DeBanico "...to the loss of good days ago, but I knew the docu- and newspapers articles referring will and the confidence of his ment was around as did the main to those reports. -
Title: French Transvestite Postcards, Circa 19001925. Collection Number
5/13/2016 Guide to the French Transvestite Postcards,circa 1900-1930. Guide to the FreNch TraNsvestite Postcards, circa 1900-1930. CollectioN Number: 7778 DivisioN of Rare aNd MaNuscript CollectioNs CorNell UNiversity Library CoNtact INformatioN: Compiled Date EAD Date DivisioN of Rare aNd by: completed: eNcodiNg: modified: MaNuscript CollectioNs RMC Staff November RMC Staff, Jude 2B Carl A. Kroch Library 2011 November CoriNa, CorNell UNiversity 2011 April 2014 Ithaca, NY 14853 Theo (607) 255-3530 Wolf, Fax: (607) 255-9524 February [email protected] 2016 http://rmc.library.corNell.edu © 2011 DivisioN of Rare aNd MaNuscript CollectioNs, CorNell UNiversity Library DESCRIPTIVE SUMMARY Title: French transvestite postcards, circa 19001925. Collection Number: 7778 Creator: Gerard Koskovich, collector Quantity: 204 items. Forms of Material: Photographs, Postcards Repository: Division of Rare and Manuscript Collections, Cornell University Library Abstract: Postcards portraying crossdressing and female and male impersonators in France. Language: Collection material in English http://rmc.library.cornell.edu/EAD/htmldocs/RMM07778.html 1/42 5/13/2016 Guide to the French Transvestite Postcards,circa 1900-1930. COLLECTION DESCRIPTION Postcards portraying crossdressing and female and male impersonators in France, both realphoto postcards, some handcolored, and those printed using heliogravure and offset methods. All are printed between circa 1900 and 1925 in France, except for four printed in other European countries, and all the performers appeared in France. Many images are photographs of performers on amateur, café concert, musichall, and legitimate stages at the highpoint of crossdressing as a form of entertainment in France. In one postcard, Jeanne Bloch is imitating Armand Fallières, President of the French Republic, 19061913, a provocative statement at a time when French women were still denied the right to vote. -
Aunt Flossie's Hats: and Crab Cakes Later Elizabeth Fitzgerald Howard and James E
Aunt Flossie's Hats: and Crab Cakes Later Elizabeth Fitzgerald Howard and James E. Ransome Two little girls visit their Aunt Flossie and, while trying on some of her many hats, listen to the memories that each hat brings. Each reminiscence paints a portrait of some aspect of African- American history, but the girls' favorite is the day the wind blew Aunt Flossie's best hat into the river. • Spark student’s interest by asking them to think about something special that they did or that happened to them. Ask students: What were you wearing during this special time? Encourage children to tell what happened and what they were wearing at that time. o Write the question on chart paper and record children's responses below it. Then explain to children that the story they are going to listen to is about Aunt Flossie. When her two nieces come to visit, Aunt Flossie tells them stories. Each story comes to mind because she remembers the particular hat she was wearing at that time. Aunt Flossie shares her memories with her nieces as she shares her hats. • Do you have any memories (pictures, mementos, journals, etc.) that you can share with your students? o Encourage students to share their memories in small groups or with the whole class. Be aware that students might choose to bring in items from home that might be valuable. • Discuss the importance of preserving memories with your students. o Why do we want to have something to hand down to the next generation, to our children and grandchildren? . -
Catholic-Journal-1922-January-1925-February
' [yff'mm^^^i,,, -<s s 3 it ifh 4 hhfm-- ..' '**?lfS*^' 'f S' *S53 ftl!^^^^ tv *$f& i ^j?"S- SP" jfciSuir^'"""'. *«• OATHOJUO JOPBJ»*A ^r" \^m FOU CIOAt 0EFECT5' WARD OFF DANGEROUS "COLD" Srim snd low crown, is universally UN ABU TO RECOGNIZE TUNES fcecomlnj, and it will be bnraensely Much Sickness May Be Prevented by lnveet|i»l«l| Discovered Bad Condi PRISCILLA NEW MILLINERY popular aH through the sprung and Many People of Commanding Ability f •••''-1 "•;:*; 'tl-v^'iCIl ti«P^.^«MK(4bi9t8 New Adoption of a Few Preventive SSSS summer. , Measures*. Have Admittedly Lacked Appre |#|S Scheol. Children. | • By JACK LAW/TON. For the Riviera season this style of ciation of Music. SHOWN IN PARIS hat Is made of satin. lined with glove *ll ^Sjl^l^iti} of New yorld ' A few precautions will decrease the kid, or of velvet, lined wkh crinoline Lord Brickenbead, lord high chan city si Aiffl^ jnaite a serial study'»at>»«.f «>f <<'<-limg cold from ex- «§>. 1930. to MpClura Newspaper gyndli!ftte-> straw, or again of velvet Hned with cellor (better known In America of thoi&^6|-l[J9~eyWfeB to- 4»e- of posure to the rains of warter—as well Charming Models for Spring Just velvet of another color. The favorite some years ago as "Freddy" Smith), the l&Jie sejbools with a view to'as its snows. Some of the simplest PriscilJa read Sidney's letter ow trimming—for hats intended for after confessed at a public dinner recently obtaining'stole idea of the prevalence'preventative ar«- those that nature on the train. -
Shrek Inventory
Shrek Inventory Bear Baby Screen Cage Gloves with Fur Shirt Red Scarf Pants with Furry Legs Fur Cowboy Hat Bear Momma Screen Cage Gloves with Fur Dress Fur Hat Bear Pappa Screen Cage Gloves with Fur Red Shirt Snap in Fur Arms Plaid Overalls Fur Hat Big Bad Wolf 1 Floral Bathrobe 1 Hat with Ears and Tiara 1 Mop Cap 1 Gloves with Fur 1 Sequin Dress 1 Pants with Hairy Legs Donkey Spandex with Foam Fur Body Hat with Mane Hooves Hand Hooves Dulocian Female 8 Gold Cap Dulocian Male 8 Gold Cap Faarquad 1 Black Pants 1 False Legs with Curtain 1 Red / Blue Sequin Top 1 Gold Belt 1 Dark Gold Cape 1 Red/ Blue Hat 1 Battle Helmet 1 Bathtub Chest Plate 1 Shower Cap 1 Black / Purple Tunic 1 Black Cape 1 Cavalier Hat 1 Wedding Gold Tunic 1 Gold Cape with Gems 1 Gold Pants 1 Crown 1 Burnt Crown Fiona 1 Green Bodice 1 Green Wrap skirt 1 Mini Skirt Cowl Ogre Gloves Fat Pad Wedding Dress Wedding Veil Fiona Double Padding Green Skirt Green Bodice Pearl Necklace Petticoat Gold Skirt Gold Bodice Wedding Veil Teen Fiona Green Top Green Skirt Young Fiona Green shirt Jumper Grumpy Foam Shell Long Tunic Red Pants Hat Humpty Dumpty EVA Egg Brick Pants Little Pig 3 Piggy Boots 3 Screen Cage 3 Piggy Pants 3 Hairy Chest 3 Piggy Shirt Pig Hat - Straw 3 Piggy Hands Pig Hat - Sticks Pig Hat - Brick Momma Ogre Nose Ogre Gloves Pappa Ogre Nose Ogre Gloves Pinocchio Hat Shrek 1 Fat Pad 1 Brown Pants 1 Shirt 1 Vest 1 Cowl 1 Ogre Gloves 1 Nose 1 Belt Young Shrek Cowl Ogre Gloves 1 Pants 1 Shirt Vest Blind Mice 3 Sequined Mini Dress 3 Silver Bubble Dress 3 White Gloves 3 Glasses with Nose Dungeon Knight 6 Black Pants 6 Raggedy Shirt 6 Raggedy Bit Vest Guard 7 Silver Shirt 7 Silver Armour 7 Arm Guards 7 Knee Guards 7 Helmet Guard Head 1 Silver Shirt 1 Gold Armour 1 Arm Guards 1 Knee Guards 1 Helmet Pinocchio 1 Yellow Shirt 1 Red Bow Tie 1 Blue Shorts 1 White Gloves White Rabbit 1 Screen Cage 1 Fluffy Pants 1 Vest With Sleeves 1 Bowtie 1 White Gloves 1 Hat with Ears. -
NEW CATALOGUE 08-09.Qxd 8/1/2008 2:50 PM Page 1
IInsidenside CCoverover SSpread.epspread.eps 77/9/2008/9/2008 33:02:31:02:31 PPMM C M Y CM MY CY CMY K NEW CATALOGUE 08-09.qxd 8/1/2008 2:50 PM Page 1 Catalogue of New Plays 2008–2009 © 2008 Dramatists Play Service, Inc. NEW CATALOGUE 08-09.qxd 8/1/2008 2:50 PM Page 2 Dramatists Play Service, Inc. A Letter from the President Fall 2008 Dear Subscriber, This year there is an important change in our annual printed catalogue. We have decided to discontinue including full descriptions of all the plays we represent, which now number over 3,300, and instead limit full descriptions to our new acquisitions. Our new catalogue format will still contain listings of all our titles and authors, but to view descriptions of all of our plays you only have to visit our website at www.dramatists.com. We decided to make this change because less than two percent of the thousands of applications we receive each year now arrive via mail or fax. We receive an overwhelming 98 percent of applications through the online forms found on our website. We are extremely pleased about this development, as we believe ours is the best website of its kind on the Internet, and it has long been our goal to make the application process as efficient and easy as possible for you. On the website the majority of applications are approved and licensed within minutes. This translates to an enormous savings of time and money for everyone, and it also saves on paper, helping us to reduce our environmental footprint.