"Gone with the Wind", "Roots", and Consumer History
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
John Pickard-Frank Provo Collection
Thousand Oaks Library American Radio Archives John Pickard-Frank Provo Collection Introduction The John Pickard-Frank Provo Collection of the American Radio Archives documents Pickard's career in the early days of Australian radio, as well as the collaboration between Pickard and Provo that lasted nearly 40 years, and resulted in radio programs such as Wendy Warren and the News and Young Doctor Malone, as well as television programs such as Concerning Miss Marlowe and From these Roots. Biographies John Pickard was born on April 6, 1910 in Sydney, Australia. He entered the University of Sydney to study law in 1927, yet also acted in plays as a member of the Sydney University Drama Society. It was during this time that Pickard, intrigued by the new medium of radio, tried his hand at writing a radio play titled The Tomb of Osiris. This work was performed on various stations throughout Australia, and is considered by some to be the first original Australian radio play. By 1931, acting in radio productions had become Pickard's main occupation, and he was considered one of the brightest young actors on Australian radio during his tenure with the ABC (Australian Broadcasting Company) Players, whose performances were broadcast on station 2FC in Sydney. He continued writing and directing plays as well, being promoted to the Head of Drama Productions at the Australian Broadcasting Company in 1933. Pickard wrote series such as Crime Club, and also adapted American programs like One Man's Family, in which he substituted Australian settings, situations, and colloquialisms. By 1935, however, Pickard wanted to try something new and left for the United States in August of that year. -
March 29Th Calendar
Monterey Bay Black Folks Event Calendar Mon Mar 29 to Sun Apr 4 2021 Edition March is ... About the Monterey Bay Black Folks Event Calendar The purpose of the Monterey Bay Black Folks Event Calendar is to connect the Black Community of CSU Monterey Bay with the local Black Communities of the Greater Monterey Bay Area. The idea for the calendar came out of the community forums organized as part of CSUMB's annual Super Saturday Black student recruitment events. The Calendar is edited by Steven Goings with new editions being released every Monday. 1) To submit an event to the BFC for possible publication, click on this link: BFC Event Submission Form 2) To submit a "My Take" article, send a word document (NOT pdf!) along with your name and email address to [email protected] 3) To submit a "In the Spotlight" biography and picture of a community leader, send to a word document and digital picture to [email protected] Editor's Note: Throughout this newsletter, Blue Underlined copy (including above!) indicates a searchable link. Steven's Take on: The Importance of Black Intersectionality As some readers will know, I have been active over the years with the Monterey County Branch NAACP, the local LGBTQ+ Community, Communities of Faith and the National Coalition Building Institute (NCBI). NCBI's motto (borrowed from the 3 Musketeers!) is All for One and One for All. Of our many NCBI principles, my favorite is Principle One: Everyone, Every Group, and Every Issue Counts. NCBI starts from the premise that every group and every one of our identities matters. -
DAXTON 4-Truth Or Consequences
October 21 Program Listings TUESDAY matured unmarried men ond 5-Grandpa's Place. Kids. women. John Cameron Swayze, 7 -Who Do You Trust? Quiz. imam] host. Johnny Carson, host. 9-Jimmy Dean Show. Variety. 9-The Verdict Is Yours. Trial. 12:00 Louise O'Brien. 4- Toe Dough. Quiz. Guest: Jim McKay, reporter-host. Bill Wendell *ubs. 2:30 4:00 5- Playtime. Kids.' 4-Haggis Baggis. Color. 4- for a Gay. Giveaway. 9-Love of Life. Serial. Fred Robbins, m. e. Jack Bailey, m. c. 7 -Our Miss Brooks. Comedy. 5- Temple. Kids. 12:30 9-House Party. Variety, 1 Hour. Featuring eongs end 4- Could Be You. Art Linkletter, host. Popeye cartoons. Bill Leyden, host. 7-American Bandstand. 5- Room. Kids. ¦ 3:00 I '/» Hours. Dick Clark, m. e. Bohlln, teocher. Connie 4-Today Is Ours. Drama. Tuesday Listings Continued Nest rage 7 -Mother's Doy. Panel. Starring Patricia Benoit. Dick Von Dyke, m. e. Douglas Fairbanks Presents. ( s. ! 9-Search for Tomorrow. Ser'l. 7-Beat the Clock. Game. femsiMSi 12:45 Bud Collyer, m. e. ) 9-The Big Payoff. Quiz, TV SERVICI 9-Guiding Light. Serial. ) DAY OR NIGHT 1:00 3:30 , 4- Our Town. Variety. 4-From These Roots. Drama. ) UN. 4-8500 ll News, interviews. Featuring Sam Ann Flood stars. and Friends. Art Lamb, host. 5- Reader's Digest. Drama. Variety. 7-Tha Libarace Show. / Featuring Dick Roman, Darlas, WHEREVER YOU GO . Cuban bongo expert. Steve Dunne, host. ,Y UNP ,Y SEA 9-Theater of Story. Drama. "The Wife Who Lived Twice." John Hudson start. -
Download Transcript
This transcript was exported on Mar 15, 2021 - view latest version here. Laura Cox Kaplan: Ready to add a big dose of positivity and empowered perspective to your day? You've come to the right place. Welcome to She Said/She Said Podcast. I'm Laura Cox Kaplan. Here, we tackle everything from imposter syndrome and confidence building to the best advice on how to lead yourself through life pivots, including the ones that knock you flat. For the past three years, I've talked to hundreds of experts about their stories. Here, you'll find their actionable advice and lessons, as well as my own tools that you can put to use in your own life. Stick around. I think you'll find this investment in you well worth it. Hi friend. Welcome to She Said/She Said. Today, we're going to be talking about one of the greatest American success stories. It's the success story of Madam C. J. Walker. Now, she was the first Black woman millionaire in America, a washer woman who literally rose to become an international entrepreneur. She also happened to be the first in her family to have been born free after Emancipation Proclamation. It is an incredible, incredible story. Madam Walker made her fortune by creating a product that she and others needed, but the product actually became the conduit for something that was much more significant and transformational for many women of her generation and that particularly applies to women of color. There are so many things to love about this story. -
Experience Atlanta's True South
Experience Atlanta’s True South Clayton County, Georgia Official Home of Gone With the Wind Clayton County, Georgia is located just 15 miles south of Atlanta. Here, visitors will find the small town charm and southern hospitality that they expect. Whether its the convenience of being a few miles from the world’s busiest airport, the excitement of the Atlanta Motor Speedway, the lure of antebellum homes and museums, the history of Stately Oaks Plantation or the heritage at the State and National Archives - Clayton County, Georgia is Atlanta’s True South! What’s New and What’s News in Atlanta’s True South Official Home of Gone With the Wind Clayton County, Georgia is the Official Home of Gone With the Wind. On the first few pages of Margaret Mitchell’s world-renowned novel, Scarlett’s beloved home, Tara, is set in Jonesboro, Georgia. Clayton County is a part of the Gone With the Wind Trail, a state designated trail for visitors to follow, linking sites dedicated to Mar- garet Mitchell, her Pulitzer Prize-winning novel and the subsequent film. Featured sites include the Road to Tara Museum, Margaret Mitchell House, Atlanta Fulton County Public Library Oakland Cemetery and the Marietta Gone With the Wind Museum. Local Character Peter Bonner - Local historian and owner of Historical & Hysterical Tours, Peter brings life, laughter and fun into learning more about Gone With the Wind, the real people who inspired Mar- garet Mitchell’s famed characters and the pivotal Battle of Jonesboro. Birders’ Paradise The Newman Wetlands Center, a man-made 32-acre habitat and wetlands area, is home to waterfowl, raptors, song birds and more. -
North Jersey's Only Weekly Pictorial Magazine
WEEK'S COMPLETE TELEVISION PROGRAMS THE SUNDAY NORTH JERSEY'S ONLY WEEKLY PICTORIAL MAGAZINE News Highlights of Clifton East Paters4n Fair Lawn Garfield Haledon Hawthorne Lodi Litfie Falls •1ounfain View North Haledon Paterson Passaic Pompton Lakes .•specf Park Singat To•owa Wayne West Paterson MAY 8, 1960 VOL. XXXII, No. 19 435 STRAIGHT STREET PATERSON, N. •. MUlberry 4-7880 Gift Department Living Rooms Bedrooms- Bedding ])inin g I•K)OIGS Furni• Ac(•sories Carpeting Appliances THE IDEAL PLACE TO DINE AND WINE K'ITCHEN .,; AWAt•D AWARDED--Freeholder-DirectorFrank X. Grave• IT'L./_AN' ß'.RICAk (left) congratulates County Detective Chris De Pree on the dE.•00D •. , occa.sion of presentation of a certificate of accomplishment from the Federal Narcotics Bureau in Washington. D.C. Left to right- Graves, De Pree, County .Captain of Detectives BROILED LOBSTER • -- DAILY Adam Re,set, and Prosecutor John C. Thevos. The award VROG•' Z,•G• - •VT SH•bb CRA• * B•U•PI•H - RAINBOw œollowed a course in advanced narcotics detection and law en- OYSTI•HS - CLAM - COD FISH - SWORD FISH - DAILY DINNERS •68 BElmONTAVE {Cot. Burh•ns).HALEDON - lorcement. - - LAmberf._S.IlS ,• ,, I. PARRILLO ]'heMan from Equitable asks- Willyou leaYe your family a home --or a mortgage? THEODDS that you will diebefore you pay oE your mortgageare 16 timesgreater than the chanceyour housewill catchfire. Yet, mostprudent families wouldn'tthink of beingwithout fire insurance. Why be withoutmortgage insurance? Equitable'sremarkable mortgage repayment insur- anceplan protects your family against forced sale... lossof savings...cr lossof home.Costs are low fo:. this basicprotection. For full informationcall.. -
Interpretation of Scarlett's Land Complex in Gone with the Wind
102 INTERNATIONAL JOURNAL OF NEW DEVELOPMENTS IN ENGINEERING AND SOCIETY, VOL.1, NO.4, Interpretation of Scarlett‘s Land Complex in Gone with the Wind from the Perspective of Humanity Shutao Zhou College of Humanities and Social Sciences, Heilongjiang Bayi Agricultural University, Daqing 163319, China [email protected] Abstract: The famous novel Gone with the Wind by Tara was leisurely and wealthy. In this context, a Margaret Mitchell takes the Civil War as the young girl who was just sixteen years old lived a background. With the three marriage experiences of carefree life without a single worry, and the only Scarlett as the main line, her strong feeling of land thing she thought of was how to attract the attention complex runs through the whole book. The red land of men. She did not realize the importance of land at at Tara witnessed Scarlett‘s gradual growth and all. maturity, revealing the eternal blood ties between When her father persuaded Scarlett to give up her land and Scarlett. This paper, by analyzing Scarlett‘s obsession with Ashley and give Tara to her, she life course, explores the development of the land would not mind or even be hostile to the idea of complex which is a process from unconsciousness to being the master of the land. As her father gave her fight for the land. Scarlett‘s land complex gave her a the generous gift, she said in fury, ―I wouldn‘t have vivid image. Cade on a silver tray,‖ ―And I wish you‘d quit Key words: Scarlett; Tara; Land Complex pushing him at me! I don‘t want Tara or any old plantation. -
Televisionization: Enactments of TV Experiences in Novels from 1970 to 2010 Claudia Weber
Claudia Weber Claudia Televisionization Enactments of TV Experiences in Novels from 1970 to 2010 Claudia Weber Televisionization Claudia Weber pursued her doctoral studies both at Stock- holm University, Sweden and Justus-Liebig-Universität Giessen, Germany. She is now employed at Technische Universität Darmstadt, Germany where she works in higher education didactics. ISBN 978-91-7447-979-9 Department of English Doctoral Thesis in English at Stockholm University, Sweden 2014 Televisionization: Enactments of TV Experiences in Novels from 1970 to 2010 Claudia Weber Televisionization Enactments of TV Experiences in Novels from 1970 to 2010 Claudia Weber © Claudia Weber, Stockholm University 2014 ISBN 978-91-7447-979-9 Printed in Sweden by Stockholm University Press, Stockholm 2014 Distributor: Department of English Abstract TV’s conquest of the American household in the period from the 1940s to the 1960s went hand in hand with critical discussions that revolved around the disastrous impact of television consumption on the viewer. To this day, watching television is connected with anxieties about the trivialization and banalization of society. At the same time, however, people appreciate it both as a source of information and entertainment. Television is therefore ‘both…and:’ entertainment and anxiety; distraction and allurement; compan- ionship and intrusion. When the role and position of television in culture is ambiguous, personal relations with, attitudes towards, and experiences of television are equally ambivalent, sometimes even contradictory, but the public and academic discourses on television tend to be partial. They focus on the negative impact of television consumption on the viewer, thereby neglecting whatever positive experiences one might associate with it. -
The One Who Knocks: the Hero As Villain in Contemporary Televised Narra�Ves
The One Who Knocks: The Hero as Villain in Contemporary Televised Narra�ves Maria João Brasão Marques The One Who Knocks: The Hero as Villain in Contemporary Televised Narratives Maria João Brasão Marques 3 Editora online em acesso aberto ESTC edições, criada em dezembro de 2016, é a editora académica da Escola Superior de Teatro e Cinema, destinada a publicar, a convite, textos e outros trabalhos produzidos, em primeiro lugar, pelos seus professores, investigadores e alunos, mas também por autores próximos da Escola. A editora promove a edição online de ensaio e ficção. Editor responsável: João Maria Mendes Conselho Editorial: Álvaro Correia, David Antunes, Eugénia Vasques, José Bogalheiro, Luca Aprea, Manuela Viegas, Marta Mendes e Vítor Gonçalves Articulação com as edições da Biblioteca da ESTC: Luísa Marques, bibliotecária. Editor executivo: Roger Madureira, Gabinete de Comunicação e Imagem da ESTC. Secretariado executivo: Rute Fialho. Avenida Marquês de Pombal, 22-B 2700-571 Amadora PORTUGAL Tel.: (+351) 214 989 400 Telm.: (+351) 965 912 370 · (+351) 910 510 304 Fax: (+351) 214 989 401 Endereço eletrónico: [email protected] Título: The One Who Knocks: The Hero as Villain in Contemporary Televised Narratives Autor: Maria João Brasão Marques Série: Ensaio ISBN: 978-972-9370-27-4 Citações do texto: MARQUES, Maria João Brasão (2016), The one who knocks: the hero as villain in contemporary televised narratives, Amadora, ESTC Edições, disponível em <www.estc.ipl.pt>. This work is licensed under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 International License. https://wiki.creativecommons.org/wiki/CC_Affiliate_Network O conteúdo desta obra está protegido por Lei. -
Rhett Butler and the Law of War at Sea
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Richmond University of Richmond UR Scholarship Repository Law Faculty Publications School of Law 2000 Into the Wind: Rhett utleB r and the Law of War at Sea John Paul Jones University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/law-faculty-publications Part of the Admiralty Commons, and the Military, War, and Peace Commons Recommended Citation John Paul Jones, Into the Wind: Rhett uB tler and the Law of War at Sea, 31 J. Mar. L. & Com. 633 (2000) This Article is brought to you for free and open access by the School of Law at UR Scholarship Repository. It has been accepted for inclusion in Law Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. journal of Maritime Law and Commerce, Vol. 31, No. 4, October, 2000 Into the Wind: Rhett Butler and the Law of War at Sea JOHN PAUL JONES* I INTRODUCTION When Margaret Mitchell wrote Gone With the Wind, her epic novel of the American Civil War, she introduced to fiction the unforgettable character Rhett Butler. What makes Butler unforgettable for readers is his unsettling moral ambiguity, which Clark Gable brilliantly communicated from the screen in the movie version of Mitchell's work. Her clever choice of Butler's wartime calling aggravates the unease with which readers contemplate Butler, for the author made him a blockade runner. As hard as Butler is to figure out-a true scoundrel or simply a great pretender?-so is it hard to morally or historically pigeonhole the blockade running captains of the Confederacy. -
Gone with the Wind Part 1
Gone with the Wind Part 1 MARGARET MITCHELL Level 4 Retold by John Escott Series Editors: Andy Hopkins and Jocelyn Potter Pearson Education Limited Edinburgh Gate, Harlow, Essex CM20 2JE, England and Associated Companies throughout the world. ISBN: 978-1-4058-8220-0 Copyright © Margaret Mitchell 1936 First published in Great Britain by Macmillan London Ltd 1936 This adaptation first published by Penguin Books 1995 Published by Addison Wesley Longman Limited and Penguin Books Ltd 1998 New edition first published 1999 This edition first published 2008 3579 10 8642 Text copyright ©John Escott 1995 Illustrations copyright © David Cuzik 1995 All rights reserved The moral right of the adapter and of the illustrator has been asserted Typeset by Graphicraft Ltd, Hong Kong Set in ll/14pt Bembo Printed in China SWTC/02 All rights reserved; no part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the Publishers. Published by Pearson Education Ltd in association with Penguin Books Ltd, both companies being subsidiaries of Pearson Pic For a complete list of the titles available in the Penguin Readers series please write to your local Pearson Longman office or to: Penguin Readers Marketing Department, Pearson Education, Edinburgh Gate, Harlow, Essex CM20 2JE, England. Contents page Introduction V Chapter 1 News of a Wedding 1 Chapter 2 Rhett Butler 7 Chapter 3 Changes 9 Chapter 4 Atlanta 16 Chapter 5 Heroes 23 Chapter 6 Missing 25 Chapter 7 News from Tara 31 Chapter 8 The Yankees Are Coming 36 Chapter 9 Escape from Atlanta 41 Chapter 10 Home 45 Chapter 11 Murder 49 Chapter 12 Peace, At Last 54 Activities 58 Introduction ‘You, Miss, are no lady/ Rhett Butler said. -
Warner Bros. Entertainment, Inc.; * Warner Bros
United States Court of Appeals FOR THE EIGHTH CIRCUIT ________________ No. 10-1743 ________________ Warner Bros. Entertainment, Inc.; * Warner Bros. Consumer Products, * Inc.; Turner Entertainment Co., * * Appellees, * * v. * Appeal from the United States * District Court for the X One X Productions, doing * Eastern District of Missouri. business as X One X Movie * Archives, Inc.; A.V.E.L.A., Inc., * doing business as Art & Vintage * Entertainment Licensing Agency; * Art-Nostalgia.com, Inc.; Leo * Valencia, * * Appellants. * _______________ Submitted: February 24, 2011 Filed: July 5, 2011 ________________ Before GRUENDER, BENTON, and SHEPHERD, Circuit Judges. ________________ GRUENDER, Circuit Judge. A.V.E.L.A., Inc., X One X Productions, and Art-Nostalgia.com, Inc. (collectively, “AVELA”) appeal a permanent injunction prohibiting them from licensing certain images extracted from publicity materials for the films Gone with the Wind and The Wizard of Oz, as well as several animated short films featuring the cat- and-mouse duo “Tom & Jerry.” The district court issued the permanent injunction after granting summary judgment in favor of Warner Bros. Entertainment, Inc., Warner Bros. Consumer Products, Inc., and Turner Entertainment Co. (collectively, “Warner Bros.”) on their claim that the extracted images infringe copyrights for the films. For the reasons discussed below, we affirm in part, reverse in part, and remand for appropriate modification of the permanent injunction. I. BACKGROUND Warner Bros. asserts ownership of registered copyrights to the 1939 Metro- Goldwyn-Mayer (“MGM”) films The Wizard of Oz and Gone with the Wind. Before the films were completed and copyrighted, publicity materials featuring images of the actors in costume posed on the film sets were distributed to theaters and published in newspapers and magazines.