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Chiba Annotation System That Enables Comparing University Under a JSPS Postdoctoral Fel- Spoken Data of Typologically Different Lan- Lowship Since November 2007
Series Research and Life in Japan by a JSPS Fellow (18) Hailing from Moscow, Russia, Dr. Zoya Japan is to gather corpora of Japanese Viktorovna Efimova has been conducting narratives and develop systematic princi- research with her host Dr. Wakana Kono at ples of universal transcription along with an the Graduate School of Humanities, Chiba annotation system that enables comparing University under a JSPS postdoctoral fel- spoken data of typologically different lan- lowship since November 2007. Dr. Efimova guages. Together with my colleague Dr. did her doctoral work under the supervision Kono, a specialist in Russian language, we of Prof. Vera Podlesskaya at the Institute of are working out principles for text repre- Linguistics, Russian State University for the sentation, which can apply to either Japa- Humanities (RSUH) in Russia, where Dr. nese or Russian. Based on the materials we Kono has conducted her own research in have prepared, I am also doing some con- the Russian language. Over about the past trastive studies of Japanese and Russian 10 years, the two have continued their re- discourse. Dr. Zoya Viktorovna Efimova search collaboration in the field of corpus Assistant Professor, Institute of Linguistics, Russian linguistics. Why did you originally choose Japanese as State University for the Humanities (RSUH) the object of your research? Ph.D. (Linguistics), RSUH, Russia, 2006 By the time this volume of the JSPS Quar- I chose Japanese almost accidentally. M.A. (Linguistics), RSUH, Russia, 2001 terly is issued, Dr. Efimova will have become I had entered the linguistics department at the mother of her second child. -
Abiko Guideposts 25
#NCMGUKFGVQYPDGNQXGFD[EWNVWTCNRGTUQPU #UVTQNNVJTQWIJ#DKMQ %&-63%( Shall we take a trip down journey lane? Abiko City Office Secretarial and Public Relations Department 270-1192, 1858 Abiko, Abiko City TEL: 04-7185-1269 Abiko Guidebook A short trip to indulge your heart A stroll through Abiko This Is What the Town of Abiko is All About %&-63%( 3 Taste of Culture Abiko is a relaxing town that was once beloved by cultural persons. Waterfowl can be found along its waterfront. The town features a refined elegance similar to a city in some ways, and the countryside in others. You’ ll understand as your heart melts when you gaze out at the greenery and the waterfront while you aimlessly stroll about. As you stroll around, a pleasant feeling washes over you. Take a short trip to indulge your heart: This is Abi Road. Sojinkan Sugimura Shirakaba Literary A Town of Waterfronts Memorial 5 Museum 7 Former Murakawa Villa 8 and Birds 9 The Waterfront Town of Fusa: History of the Former Inoue Family Museum of Birds 11 Abundance of Nature 13 Development of New Fields 15 Residence 17 A Trip through Eternity 19 Gatherings in Abiko 21 Abiko Souvenirs 23 Abiko Guideposts 25 Tourist Information Center in Abiko Abiko Information Center(Abishirube) Here visitors can obtain information on Abiko that includes maps, informational magazines, and pamphlets. Through its concierge service, the center offers consultations on tourism information, plans Teganuma Park sightseeing courses tailored to each individual, and prepares course maps for people. In addition, it also offers open lectures and creates This is a park full of waterfronts and greenery that runs along Lake original maps. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
A Bi Oad a Bi Road
#DKMQ#6QYP9JGTG6CNGU#TG$QTP#DKMQ#6QYP9JGTG6CNGU#TG$QTPD U#TG$QTP AA BIB I R OADOAD Shall we take a trip down journey lane? A Town Where YouTube video Website By smartphone By tablet Tales Are Born The pictures come alive! ABIKO Abiko Guidebook Symbol indicating This Is What the Town of Abiko is All About spots with free Wi-Fi. An open park that allows everyone to enjoy the great natural environment near Lake Teganuma. Visitors can relax for the entire day, experience miniature trains, rent boats, and take part in many other activities. 2 26-4 Wakamatsu, Abiko City Shirakaba Literary Sugimura Sojinkan Historic Site of Entry fee: Free Taste of Culture Museum 4 Memorial House and Museum 6 the Kano Jigoro Villa 8 Teganuma Park By foot 10 minutes from Abiko Station (750 m) A Town of Waterfronts Former Murakawa Villa 9 and Birds 10 Mizu no Yakata 12 Museum of Birds 14 The Waterfront Town of Rich Water and Spend a Weekend Fusa: History of the Former Inoue Family Greenery 16 Like in a Resort 18 Development of New Fields 20 Residence 22 A Trip through Eternity Gatherings in Abiko Abiko Souvenirs Abiko Guideposts 24 28 30 32 This is a park full of waterfronts and greenery that runs along Lake Teganuma, which is a symbol of Abiko City. You can view waterfowl right up close, and since benches Visitors are encouraged to use the discounted entry ticket for three museums have been installed you can spend a relaxing time gazing or passport for two museums. -
Prayer on Mount Hiei
Primary Source Document with Questions (DBQs) EXCERPTS FROM SELECTED WRITINGS BY SAICHŌ: “PRAYER ON MOUNT HIEI” “ON THE POSSIBILITY OF ENLIGHTENMENT FOR ALL MEN” “VOW OF THE UNINTERRUPTED STUDY OF THE LOTUS SŪTRA” “THE MAHAYANA PRECEPTS IN ADMONITIONS OF THE FANWANG SŪTRA” Introduction Saichō (767‐822), posthumously titled Dengyō Daishi, was the founder of the Tendai School in Japan, which became the most prominent branch of Buddhism throughout the Heian period. Saichō learned of the Chinese Tiantai teachings during his trip to China in 804. After returning to Japan, he founded the Enryakuji temple on Mt. Hiei near Kyoto. At that point, the main Buddhist rituals were shifted from being performed at Todaiji in Nara, which followed the Vinaya (Hīnayāna) precepts, to Enryakuji, which adhered strictly to the Bodhisattva (Mahāyāna) precepts. Saichō also wrote important doctrinal commentaries on the Lotus Sūtra. Document Excerpts with Questions From Sources of Japanese Tradition, compiled by Wm. Theodore de Bary, Donald Keene, George Tanabe, and Paul Varley, 2nd ed., vol. 1 (New York: Columbia University Press, 2001), 125, 129, 140, 142‐144. © 2001 Columbia University Press. Reproduced with the permission of the publisher. All rights reserved. Excerpts from Selected Writings by Saichō “Prayer on Mount Hiei” Oh Buddhas Of unexcelled complete enlightenment Bestow your invisible aid Upon this hut I open On the mountain top. [Dengyō Daishi zenshū IV, p. 756 (1912 ed.)] “On the Possibility of Enlightenment for All Men” In the lotus‑flower is implicit its emergence from the water. If it does not emerge, its blossoms will not open: in the emergence is implicit the blossoming. -
Slide 36. Introduction of Miwa Deity to Mt. Hiei
Footnote Slide 36. Condensed Visual Classroom Guide to Daikokuten Iconography in Japan. Copyright Mark Schumacher, 2017. INTRODUCTION OF MIWA DEITY TO MT. HIEI Scholars generally assume the Miwa deity (aka Ōmononushi, aka Ōnamuchi) was introduced to Mt. Hiei during the reign of Tenji 天智天皇 (r. 626–71). The prevailing view is that the Miwa deity was “invited” to Mt. Hiei around 663-667 CE, when Tenji moved his court out of the Yamato basin to the more secluded site of Ōtsu 大津 (near Mt. Hiei). In 667 CE, Tenji’s new palace was built just five kilometers south of Mt. Hiei. Before the court’s move to Ōtsu, one of the most important sites of court kami worship was Mt. Miwa, located on the eastern edge of the Yamato plain. The Miwa deity hailed from Mt. Miwa and was perhaps Japan’s most powerful kami in those days. It is therefore “reasonable” to assume the Miwa deity was “invited” by Tenji’s court to reside near the new capital in Ōtsu. NONETHELESS, it is impossible to say with certainty if the Miwa deity was installed at Mt. Hiei between 663-667 CE. It is safer to say the Miwa deity was “imported” to Mt. Hiei sometime in the 7th or 8th centuries (probably before the Nara era). Saichō 最澄 (767-822), founder of Hiei’s shrine-temple multiplex, was certainly aware of the Miwa deity and actively venerated it. • Writes Meri Arichi in Seven Stars of Heaven and Seven Shrines on Earth: The Big Dipper and the Hie Shrine in the Medieval Period, quote from pp. -
From the City to the Mountain and Back Again: Situating Contemporary Shugendô in Japanese Social and Religious Life
From the City to the Mountain and Back Again: Situating Contemporary Shugendô in Japanese Social and Religious Life Mark Patrick McGuire A Thesis In The Department of Religion Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy at Concordia University Montréal, Québec, Canada April 2013 Mark Patrick McGuire, 2013 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Mark Patrick McGuire Entitled: From the City to the Mountain and Back Again: Situating Contemporary Shugendô in Japanese Social and Religious Life and submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY (Religion) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. V. Penhune External Examiner Dr. B. Ambros External to Program Dr. S. Ikeda Examiner Dr. N. Joseph Examiner Dr. M. Penny Thesis Supervisor Dr. M. Desjardins Approved by Chair of Department or Graduate Program Director Dr. S. Hatley, Graduate Program Director April 15, 2013 Dr. B. Lewis, Dean, Faculty of Arts and Science ABSTRACT From the City to the Mountain and Back Again: Situating Contemporary Shugendô in Japanese Social and Religious Life Mark Patrick McGuire, Ph.D. Concordia University, 2013 This thesis examines mountain ascetic training practices in Japan known as Shugendô (The Way to Acquire Power) from the 1980s to the present. Focus is given to the dynamic interplay between two complementary movements: 1) the creative process whereby charismatic, media-savvy priests in the Kii Peninsula (south of Kyoto) have re-invented traditional practices and training spaces to attract and satisfy the needs of diverse urban lay practitioners, and 2) the myriad ways diverse urban ascetic householders integrate lessons learned from mountain austerities in their daily lives in Tokyo and Osaka. -
Alma M. Karlin's Visits to Temples and Shrines in Japan
ALMA M. KARLIN’S VISITS TO TEMPLES AND SHRINES IN JAPAN Chikako Shigemori Bučar Introduction Alma M. Karlin (1889-1950), born in Celje, went on a journey around the world between 1919 and 1928, and stayed in Japan for a lit- tle more than a year, from June 1922 to July 1923. There is a large col- lection of postcards from her journey archived in the Regional Museum of Celje. Among them are quite a number of postcards from Japan (528 pieces), and among these, about 100 of temples and shrines, including tombs of emperors and other historical persons - i.e., postcards related to religions and folk traditions of Japan. Karlin almost always wrote on the reverse of these postcards some lines of explanation about each picture in German. On the other hand, the Japanese part of her trav- elogue is very short, only about 40 pages of 700. (Einsame Weltreise / Im Banne der Südsee, both published in Germany in 1930). In order to understand Alma Karlin’s observation and interpretation of matters related to religions in Japan and beliefs of Japanese people, we depend on her memos on the postcards and her rather subjective impressions in her travelogue. This paper presents facts on the religious sights which Karlin is thought to have visited, and an analysis of Karlin’s understand- ing and interpretation of the Japanese religious life based on her memos on the postcards and the Japanese part of her travelogue. In the following section, Alma Karlin and her journey around the world are briefly presented, with a specific focus on the year of her stay in Japan, 1922-1923. -
G20 Japan 2019 Synchronized Swimming Olympic Medalist
https://www.japan.go.jp/tomodachi Prime Minister Shinzo Abe visited the Higashiosaka Hanazono Rugby Stadium in Osaka Prefecture, one of the venues where Japan will host Rugby World Cup 2019 from September to November 2019. Feature: G20 Japan 2019 Synchronized Swimming Olympic Medalist Performing with Cirque du Soleil Sowing Seeds of Peace for Japan and China JapanGov (https://www.japan.go.jp) is your digital gateway to Japan. Visit the website and find out more. JapanGov, the official portal of the Government of Japan, provides a wealth of information regarding various issues that Japan is tackling, and also directs you to the sites of relevant ministries and agencies. It introduces topics such as Abenomics, Japan’s economic revitalization policy, and the attractive investment environment that Abenomics has created. In addition, it highlights Japan’s contributions for international development, including efforts to spread fruit of innovation and quality infrastructure worldwide. You’ll also find the articles of all past issues of “We Are Tomodachi ”(https://www.japan.go.jp/ tomodachi). Follow us to get the latest updates! JapanGov JapanGov / Japan PMOJAPAN Contents “We Are Tomodachi” is a magazine published with the aim of further deepening people’s under- standing of the initiatives of the Government of Japan and the charms of Japan. Tomodachi means “friend” in Japanese, and the magazine’s title expresses that Japan is a friend of the countries of the world–one that will cooperate and grow together with them. Feature: G20 Japan 2019 G20 Summit & Ministerial Meetings to 10 Be Held for the First Time in Japan All Nine Host Cities Represent 12 Unique Aspects of Japan Journey through a 4 Discover Fukushima’s 24 Vibrant World of New Green Hamadori Japanese Individuals Hundreds of Host Towns Contributing Worldwide 26 Ready for Big Sports Events Game App Developer in Her 80s Opens ICT World 6 P. -
Japanese Demon Lore Noriko T
Utah State University DigitalCommons@USU All USU Press Publications USU Press 1-1-2010 Japanese Demon Lore Noriko T. Reider [email protected] Follow this and additional works at: http://digitalcommons.usu.edu/usupress_pubs Part of the Cultural History Commons, and the Folklore Commons Recommended Citation Reider, N. T. (2010). Japanese demon lore: Oni, from ancient times to the present. Logan, Utah: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Japanese Demon Lore Oni from Ancient Times to the Present Japanese Demon Lore Oni from Ancient Times to the Present Noriko T. Reider U S U P L, U Copyright © 2010 Utah State University Press All rights reserved Utah State University Press Logan, Utah 84322 Cover: Artist Unknown, Japanese; Minister Kibi’s Adventures in China, Scroll 2 (detail); Japanese, Heian period, 12th century; Handscroll; ink, color, and gold on paper; 32.04 x 458.7 cm (12 5/8 x 180 9/16 in.); Museum of Fine Arts, Boston; William Sturgis Bigelow Collection, by exchange, 32.131.2. ISBN: 978-0-87421-793-3 (cloth) IISBN: 978-0-87421-794-0 (e-book) Manufactured in the United States of America Printed on acid-free, recycled paper Library of Congress Cataloging-in-Publication Data Reider, Noriko T. Japanese demon lore : oni from ancient times to the present / Noriko T. Reider. -
Creating Heresy: (Mis)Representation, Fabrication, and the Tachikawa-Ryū
Creating Heresy: (Mis)representation, Fabrication, and the Tachikawa-ryū Takuya Hino Submitted in partial fulfillment of the Requirement for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Takuya Hino All rights reserved ABSTRACT Creating Heresy: (Mis)representation, Fabrication, and the Tachikawa-ryū Takuya Hino In this dissertation I provide a detailed analysis of the role played by the Tachikawa-ryū in the development of Japanese esoteric Buddhist doctrine during the medieval period (900-1200). In doing so, I seek to challenge currently held, inaccurate views of the role played by this tradition in the history of Japanese esoteric Buddhism and Japanese religion more generally. The Tachikawa-ryū, which has yet to receive sustained attention in English-language scholarship, began in the twelfth century and later came to be denounced as heretical by mainstream Buddhist institutions. The project will be divided into four sections: three of these will each focus on a different chronological stage in the development of the Tachikawa-ryū, while the introduction will address the portrayal of this tradition in twentieth-century scholarship. TABLE OF CONTENTS List of Abbreviations……………………………………………………………………………...ii Acknowledgements………………………………………………………………………………iii Dedication……………………………………………………………………………….………..vi Preface…………………………………………………………………………………………...vii Introduction………………………………………………………………………….…………….1 Chapter 1: Genealogy of a Divination Transmission……………………………………….……40 Chapter -
Slide 34. Ebisu Notebook
Ebisu Notebook. Slide 34, Condensed Visual Classroom Guide to Daikokuten Iconography in Japan. Copyright Mark Schumacher, 2017. In a PMJS posting (10/23/2015), Prof. Raji C. Steineck writes: “Sometime in the medieval period, Ebisu became associated with Izanagi and Izanami's abandoned child Hiruko. There seems to be a story that Hiruko spent time at the palace of the Dragon king, where he transformed into Ebisu. But the literature I've perused so far doesn't mention a source for that myth. Should any of you have come across a pertinent primary source, please do let me know. Ebisu Origins Ebisu Origins Ebisu Origins Bernhard Scheid (Vienna University) writes: One place to begin would be David B. Waterhouse (Toronto University.) writes: Ebisu was Iwai Hiroshi (Kokugakuin University) writes: The Ebisu Shinkō Jiten えびす信仰事典, 1999. I used it partly for my originally the tutelary god of the Nishinomiya Jinja in Settsu, and common practice of enshrining Daikoku and introductory article on Ebisu. There is also an informative online article by from Kamakura times was honoured as a protector of those Ebisu together was already observed from that Darren Ashmore, which contains a modern version of the Ebisu legend of who travel in boats. Worship of him spread to major shrines and period (late Muromachi); the practice originated Nishinomiya Shrine (stronghold of Ebisu worship) in a long footnote. to Buddhist monasteries as well; and through a series of in the fact that the main object of worship identifications he came to be worshipped also by military men. (saijin 祭神) at the Nishinomiya Shrine was It seems quite clear that most Ebisu lore including the Hiruko connection One of these identifications involved the Shintō god Ōkuninushi- Ebisu Saburō, a figure who, however, was can be traced back to the Nishinomiya Shrine probably in the late Heian no-mikoto… who was taken to be ultimately the same as simultaneously identified with Ōkuninushi no period.