A Bi Oad a Bi Road
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Chiba Annotation System That Enables Comparing University Under a JSPS Postdoctoral Fel- Spoken Data of Typologically Different Lan- Lowship Since November 2007
Series Research and Life in Japan by a JSPS Fellow (18) Hailing from Moscow, Russia, Dr. Zoya Japan is to gather corpora of Japanese Viktorovna Efimova has been conducting narratives and develop systematic princi- research with her host Dr. Wakana Kono at ples of universal transcription along with an the Graduate School of Humanities, Chiba annotation system that enables comparing University under a JSPS postdoctoral fel- spoken data of typologically different lan- lowship since November 2007. Dr. Efimova guages. Together with my colleague Dr. did her doctoral work under the supervision Kono, a specialist in Russian language, we of Prof. Vera Podlesskaya at the Institute of are working out principles for text repre- Linguistics, Russian State University for the sentation, which can apply to either Japa- Humanities (RSUH) in Russia, where Dr. nese or Russian. Based on the materials we Kono has conducted her own research in have prepared, I am also doing some con- the Russian language. Over about the past trastive studies of Japanese and Russian 10 years, the two have continued their re- discourse. Dr. Zoya Viktorovna Efimova search collaboration in the field of corpus Assistant Professor, Institute of Linguistics, Russian linguistics. Why did you originally choose Japanese as State University for the Humanities (RSUH) the object of your research? Ph.D. (Linguistics), RSUH, Russia, 2006 By the time this volume of the JSPS Quar- I chose Japanese almost accidentally. M.A. (Linguistics), RSUH, Russia, 2001 terly is issued, Dr. Efimova will have become I had entered the linguistics department at the mother of her second child. -
The "Kojiki" Narrated by Artifacts Term:Jul 16, 2020 (Thu) - Oct 31 (Sat)
Kokugakuin University Museum Special Exhibition The "Kojiki" narrated by artifacts Term:Jul 16, 2020 (Thu) - Oct 31 (Sat) Title Provenance Period/Year Collection Chapter 1 : Ōno Yasumaro and the editing of the Kojiki Tomb of Ōno Yasumaro, Nara city, Agency for Cultural Affairs - Yoro7, 723 Ōno Yasumaro's epitaph [photo] Nara pref. Photo : Archaeolgical Institute of Kashihara, Nara prefecture 1 Kojiki (Records of Ancient Matters) [replica] Recorded by Ōno Yasumaro Copied in Ouan4, 1371 Center for Kojiki Studies 2 Kojiki (Records of Ancient Matters) Recorded by Ōno Yasumaro Copied in Kanei 21, 1644 Center for Kojiki Studies 3 Kojiki Eden (Picture book of "Kojiki") Unknown Meiji period, 19c Center for Kojiki Studies Chapter 2 : The Birth of the Land Tatehokoyama site, Shirakawa city, Fukushima 4 Grave goods 〈Iron spearhead and all〉 The mid-Kofun period, 5c Kokugakuin University Museum pref. Anoukaigome no.3 kofun tumulus, Shiga prefectural - The late-Kofun period, 6c Miniature cook ware [photo] Ōtsu city, Shiga pref. Azuchi Castle Archaeological Museum Tobi Chausuyama kofun tumulus, 5 The early-Kofun period, 3c Kokugakuin University Museum Jar-shaped Haniwa (clay figure) Sakurai city, Nara pref. Kagamizuka kofun tumulus, 6 The early-Kofun period, 4c Kokugakuin University Museum Grave goods 〈Combs and all〉 Oarai town, Ibaraki pref. Uenoharu no.9 underground corridor-style burial - The mid-Kofun period, 5c Miyazaki prefectural board of education Human bones [photo] chamber, Kobayashi city, Miyazaki pref. 7 Dressed up men-shaped Haniwa (clay figure) Chiba pref. The late-Kofun period, 6c Kokugakuin University Museum Sakuragaoka kofun tumuls, 8 The mid-Kofun period, 5c Kokugakuin University Museum Gold crown [replica] Matsumoto city, Nagano pref. -
The Reliquaries of Hyrule: a Semiotic and Iconographic Analysis of Sacred Architecture Within Ocarina of Time
Press Start The Reliquaries of Hyrule The Reliquaries of Hyrule: A Semiotic and Iconographic Analysis of Sacred Architecture Within Ocarina of Time Jared Hansen University of Oregon Abstract This study is a semiotic and iconographic analysis of the sacred architecture in The Legend of Zelda: Ocarina of Time (Nintendo, 1998). Through an analysis of the visual elements of the game, the researcher found evidence of visual metaphors that coded three temples as sacred spaces. This coding of the temples is accomplished through the symbolism of progression that matches the design of shrines and cathedrals, drawing on iconography and other symbolism associated with Shinto, Buddhist, and Christian sacred architecture. Such indications of sacred spaces highlight the ways in which these virtual environments are designed to symbolize the progression of the player from secular to sacred, much like the player’s progression from zero to hero. By using the architecture and symbolism of the three aforementioned belief systems, Ocarina of Time signifies these temples as reliquaries—that is, sacred places that house reverential items as part of the apotheosis of the player. Keywords Art history; The Legend of Zelda; sacred space; symbolism; temple. Press Start 2021 | Volume 7 | Issue 1 ISSN: 2055-8198 URL: http://press-start.gla.ac.uk Press Start is an open access student journal that publishes the best undergraduate and postgraduate research, essays and dissertations from across the multidisciplinary subject of game studies. Press Start is published by HATII at the University of Glasgow. Hansen The Reliquaries of Hyrule Introduction The video game experiences that I remember and treasure most are the feelings I have within the virtual environments. -
Abiko Guideposts 25
#NCMGUKFGVQYPDGNQXGFD[EWNVWTCNRGTUQPU #UVTQNNVJTQWIJ#DKMQ %&-63%( Shall we take a trip down journey lane? Abiko City Office Secretarial and Public Relations Department 270-1192, 1858 Abiko, Abiko City TEL: 04-7185-1269 Abiko Guidebook A short trip to indulge your heart A stroll through Abiko This Is What the Town of Abiko is All About %&-63%( 3 Taste of Culture Abiko is a relaxing town that was once beloved by cultural persons. Waterfowl can be found along its waterfront. The town features a refined elegance similar to a city in some ways, and the countryside in others. You’ ll understand as your heart melts when you gaze out at the greenery and the waterfront while you aimlessly stroll about. As you stroll around, a pleasant feeling washes over you. Take a short trip to indulge your heart: This is Abi Road. Sojinkan Sugimura Shirakaba Literary A Town of Waterfronts Memorial 5 Museum 7 Former Murakawa Villa 8 and Birds 9 The Waterfront Town of Fusa: History of the Former Inoue Family Museum of Birds 11 Abundance of Nature 13 Development of New Fields 15 Residence 17 A Trip through Eternity 19 Gatherings in Abiko 21 Abiko Souvenirs 23 Abiko Guideposts 25 Tourist Information Center in Abiko Abiko Information Center(Abishirube) Here visitors can obtain information on Abiko that includes maps, informational magazines, and pamphlets. Through its concierge service, the center offers consultations on tourism information, plans Teganuma Park sightseeing courses tailored to each individual, and prepares course maps for people. In addition, it also offers open lectures and creates This is a park full of waterfronts and greenery that runs along Lake original maps. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Transcreation: Intersections of Culture and Commerce in Japanese Translation and Localization
TRANSCREATION: INTERSECTIONS OF CULTURE AND COMMERCE IN JAPANESE TRANSLATION AND LOCALIZATION by Dylan Reilly B.A. in Asian and Middle Eastern Studies, College of William and Mary, 2014 Submitted to the Graduate Faculty of The Dietrich School of Arts & Sciences in partial fulfillment of the requirements for the degree of Master of Arts University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS & SCIENCES This thesis was presented by Dylan Reilly It was defended on April 8, 2016 and approved by Carol M. Bové, PhD, Senior Lecturer Hiroshi Nara, PhD, Department Chair Thesis Director: Charles Exley, PhD, Assistant Professor ii Copyright © by Dylan Reilly 2016 iii TRANSCREATION: INTERSECTIONS OF CULTURE AND COMMERCE IN JAPANESE TRANSLATION AND LOCALIZATION Dylan Reilly, M.A. University of Pittsburgh, 2016 This study looks at text-heavy examples of translated Japanese popular media, such as recent video games and manga (Japanese comics) to explore the recent evolution of Japanese-English translation and localization methods. While acknowledging localization’s existence as a facet of the larger concept of translation itself, the work examines “translation” and “localization” as if they were two ends of a spectrum; through this contrast, the unique techniques and goals of each method as seen in translated media can be more effectively highlighted. After establishing these working definitions, they can then be applied as a rubric to media examples to determine which “translative” or “localizing” techniques were employed in the -
Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2014 Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Laura Nuffer University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, and the Medieval Studies Commons Recommended Citation Nuffer, Laura, "Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan" (2014). Publicly Accessible Penn Dissertations. 1389. https://repository.upenn.edu/edissertations/1389 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1389 For more information, please contact [email protected]. Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Abstract Interspecies marriage (irui kon'in) has long been a central theme in Japanese literature and folklore. Frequently dismissed as fairytales, stories of interspecies marriage illuminate contemporaneous conceptions of the animal-human boundary and the anxieties surrounding it. This dissertation contributes to the emerging field of animal studies yb examining otogizoshi (Muromachi/early Edo illustrated narrative fiction) concerning elationshipsr between human women and male mice. The earliest of these is Nezumi no soshi ("The Tale of the Mouse"), a fifteenth century ko-e ("small scroll") attributed to court painter Tosa Mitsunobu. Nezumi no soshi was followed roughly a century later by a group of tales collectively named after their protagonist, the mouse Gon no Kami. Unlike Nezumi no soshi, which focuses on the grief of the woman who has unwittingly married a mouse, the Gon no Kami tales contain pronounced comic elements and devote attention to the mouse-groom's perspective. -
Watanabe, Tokyo, E
Edition Axel Menges GmbH Esslinger Straße 24 D-70736 Stuttgart-Fellbach tel. +49-711-574759 fax +49-711-574784 Hiroshi Watanabe The Architecture of Tokyo 348 pp. with 330 ill., 161,5 x 222 mm, soft-cover, English ISBN 3-930698-93-5 Euro 36.00, sfr 62.00, £ 24.00, US $ 42.00, $A 68.00 The Tokyo region is the most populous metropolitan area in the world and a place of extraordinary vitality. The political, economic and cultural centre of Japan, Tokyo also exerts an enormous inter- national influence. In fact the region has been pivotal to the nation’s affairs for centuries. Its sheer size, its concentration of resources and institutions and its long history have produced buildings of many different types from many different eras. Distributors This is the first guide to introduce in one volume the architec- ture of the Tokyo region, encompassing Tokyo proper and adja- Brockhaus Commission cent prefectures, in all its remarkable variety. The buildings are pre- Kreidlerstraße 9 sented chronologically and grouped into six periods: the medieval D-70806 Kornwestheim period (1185–1600), the Edo period (1600–1868), the Meiji period Germany (1868–1912), the Taisho and early Showa period (1912–1945), the tel. +49-7154-1327-33 postwar reconstruction period (1945–1970) and the contemporary fax +49-7154-1327-13 period (1970 until today). This comprehensive coverage permits [email protected] those interested in Japanese architecture or culture to focus on a particular era or to examine buildings within a larger temporal Buchzentrum AG framework. A concise discussion of the history of the region and Industriestraße Ost 10 the architecture of Japan develops a context within which the indi- CH-4614 Hägendorf vidual works may be viewed. -
Air-Rail Links in Japan 35 Years Old and Healthier Than Ever Ryosuke Hirota
Feature Railways and Air Transport Air-Rail Links in Japan 35 Years Old and Healthier than Ever Ryosuke Hirota tic and 860,000 international passengers. grown. Three airports: Haneda, Narita, Air-Rail Links in Japan Today In the same year, the monorail carried and Kansai International, each have two about 2.74 million people, including ARLs, using mostly conventional tracks During 1998, in many different parts of some non-flying passengers who used it (urban/suburban heavy rail, subways, or the world, getting to the airport became as a transit system. In 1978, airline traffic main line railways), while Haneda and easier due to construction of new air-rail in Japan grew to such an extent that a new Itami use monorails as one of their ARLs. links (ARLs). Three airports: Hong Kong airport serving Tokyo was opened for in- Japan was the first country to build a high- International Airport at Chek Lap Kok, ternational flights. This was the New To- speed train (the shinkansen), but the Copenhagen Airport at Kastrup, and Oslo kyo International Airport at Narita. honour of having the first high-speed train International Airport at Gardermoen, Haneda basically became Tokyo’s domes- serving an airport went to France when opened their first ARLs, while two other tic airport, but passenger traffic for both its TGV began linking Charles de Gaulle airports: London Heathrow and Haneda the airport and monorail continued to Airport to Paris. Unlike Frankfurt Airport Airport in Tokyo each gained a second rail grow. According to the ACI (Airports in Germany, Japan has no plans to bring link. -
Amaterasu-Ōmikami (天照大御神), in His Quest to Slay the Eight-Headed Serpent Demon Yamata-No-Orochi (八岐大蛇) in Izumo Province (出雲国)
Northeast Asian Shamanism 神道, 신도, 御嶽信仰, 神教, & ᡝᡝᡝᡝ ‘Lady’ Minami “Danni” Kurosaki (黒崎美波、お巫女様) ⛩ My Personal History & Involvement The Kurosaki Clan (黒崎の一族) ● Our earliest ancestor was directly involved with assisting the warrior god Susanō-no-Mikoto (須佐之 男命), the disgraced brother of sun goddess Amaterasu-Ōmikami (天照大御神), in his quest to slay the eight-headed serpent demon Yamata-no-Orochi (八岐大蛇) in Izumo Province (出雲国) ● Since then, the Kurosaki clan has been one of a few influential families in the history of Shintoism throughout Ancient and Feudal Japan ● We are a part of the Ten Sacred Treasures (十種の神宝) of Japanese history; our treasure that was offered to Susanō is the Dragon-repelling Shawl (大蛇ノ比礼) Inheritance of Kannushi/Miko-ship ● Because of our family’s status in traditional Japan after that event, heirship and training is passed down through the branches of the family on who will be the next Danshi kannushi (男子神主, Male Priest), Joshi kannushi (女子神主, Female Priestess), Miko (巫女, Female Shaman/Shrine Maiden) or Danfu (男巫, Male Shaman/Shrine Valet) in that generational line ● Not all kannushi and miko come from a long family line - anyone can be a part of the Shintō clergy granted they apply and go through proper training! ● I belong to a branch of the family, and as the oldest child in my generational line, I am next to succeed the title of (matriarch/patriarch) for my immediate family ● The current matriarch of our entire the clan is Miu Kurosaki, and the current matriarch of my direct immediate family is Hikaru Kurosaki (Luz -
G20 Japan 2019 Synchronized Swimming Olympic Medalist
https://www.japan.go.jp/tomodachi Prime Minister Shinzo Abe visited the Higashiosaka Hanazono Rugby Stadium in Osaka Prefecture, one of the venues where Japan will host Rugby World Cup 2019 from September to November 2019. Feature: G20 Japan 2019 Synchronized Swimming Olympic Medalist Performing with Cirque du Soleil Sowing Seeds of Peace for Japan and China JapanGov (https://www.japan.go.jp) is your digital gateway to Japan. Visit the website and find out more. JapanGov, the official portal of the Government of Japan, provides a wealth of information regarding various issues that Japan is tackling, and also directs you to the sites of relevant ministries and agencies. It introduces topics such as Abenomics, Japan’s economic revitalization policy, and the attractive investment environment that Abenomics has created. In addition, it highlights Japan’s contributions for international development, including efforts to spread fruit of innovation and quality infrastructure worldwide. You’ll also find the articles of all past issues of “We Are Tomodachi ”(https://www.japan.go.jp/ tomodachi). Follow us to get the latest updates! JapanGov JapanGov / Japan PMOJAPAN Contents “We Are Tomodachi” is a magazine published with the aim of further deepening people’s under- standing of the initiatives of the Government of Japan and the charms of Japan. Tomodachi means “friend” in Japanese, and the magazine’s title expresses that Japan is a friend of the countries of the world–one that will cooperate and grow together with them. Feature: G20 Japan 2019 G20 Summit & Ministerial Meetings to 10 Be Held for the First Time in Japan All Nine Host Cities Represent 12 Unique Aspects of Japan Journey through a 4 Discover Fukushima’s 24 Vibrant World of New Green Hamadori Japanese Individuals Hundreds of Host Towns Contributing Worldwide 26 Ready for Big Sports Events Game App Developer in Her 80s Opens ICT World 6 P. -
Japanese Demon Lore Noriko T
Utah State University DigitalCommons@USU All USU Press Publications USU Press 1-1-2010 Japanese Demon Lore Noriko T. Reider [email protected] Follow this and additional works at: http://digitalcommons.usu.edu/usupress_pubs Part of the Cultural History Commons, and the Folklore Commons Recommended Citation Reider, N. T. (2010). Japanese demon lore: Oni, from ancient times to the present. Logan, Utah: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Japanese Demon Lore Oni from Ancient Times to the Present Japanese Demon Lore Oni from Ancient Times to the Present Noriko T. Reider U S U P L, U Copyright © 2010 Utah State University Press All rights reserved Utah State University Press Logan, Utah 84322 Cover: Artist Unknown, Japanese; Minister Kibi’s Adventures in China, Scroll 2 (detail); Japanese, Heian period, 12th century; Handscroll; ink, color, and gold on paper; 32.04 x 458.7 cm (12 5/8 x 180 9/16 in.); Museum of Fine Arts, Boston; William Sturgis Bigelow Collection, by exchange, 32.131.2. ISBN: 978-0-87421-793-3 (cloth) IISBN: 978-0-87421-794-0 (e-book) Manufactured in the United States of America Printed on acid-free, recycled paper Library of Congress Cataloging-in-Publication Data Reider, Noriko T. Japanese demon lore : oni from ancient times to the present / Noriko T. Reider.