A Bi Oad a Bi Road

Total Page:16

File Type:pdf, Size:1020Kb

A Bi Oad a Bi Road #DKMQ#6QYP9JGTG6CNGU#TG$QTP#DKMQ#6QYP9JGTG6CNGU#TG$QTPD U#TG$QTP AA BIB I R OADOAD Shall we take a trip down journey lane? A Town Where YouTube video Website By smartphone By tablet Tales Are Born The pictures come alive! ABIKO Abiko Guidebook Symbol indicating This Is What the Town of Abiko is All About spots with free Wi-Fi. An open park that allows everyone to enjoy the great natural environment near Lake Teganuma. Visitors can relax for the entire day, experience miniature trains, rent boats, and take part in many other activities. 2 26-4 Wakamatsu, Abiko City Shirakaba Literary Sugimura Sojinkan Historic Site of Entry fee: Free Taste of Culture Museum 4 Memorial House and Museum 6 the Kano Jigoro Villa 8 Teganuma Park By foot 10 minutes from Abiko Station (750 m) A Town of Waterfronts Former Murakawa Villa 9 and Birds 10 Mizu no Yakata 12 Museum of Birds 14 The Waterfront Town of Rich Water and Spend a Weekend Fusa: History of the Former Inoue Family Greenery 16 Like in a Resort 18 Development of New Fields 20 Residence 22 A Trip through Eternity Gatherings in Abiko Abiko Souvenirs Abiko Guideposts 24 28 30 32 This is a park full of waterfronts and greenery that runs along Lake Teganuma, which is a symbol of Abiko City. You can view waterfowl right up close, and since benches Visitors are encouraged to use the discounted entry ticket for three museums have been installed you can spend a relaxing time gazing or passport for two museums. out at Lake Teganuma. It also offers miniature train (Sugimura Sojinkan Memorial House and Museum, Shirakaba Literary Museum, Museum of Birds) experience, as well as cycle and boat rental. Commercialization license obtained from East Japan Railway Company. See P19 When you hold your smartphone or tablet over By smartphone By tablet photos with the mark in this magazine, you can view listing videos and slide shows. The pictures come alive! Tourist Information Center in Abiko Abiko Information Center(Abishirube) Inquiries: Hoshosha Co., Ltd. As a center for disseminating information on Abiko City, it provides 043-254-8611 AR app information on sightseeing, lodging, events, and more. In addition, it Images provided by: provides information on sightseeing spots, offers referrals for tour (free) Download the app via the QR Code listed on the right to begin guides through private organizations, and more. enjoying the world of AR! One minute walk from the south exit of Abiko Station on the JR Joban Line 2-1-10, Honcho, Abiko City ☎ 04-7100-0014 The Abiko Tourism App “Abiko Meguri” ABI ROAD is available on smartphones and tablets. Hours of operation: 9:00 – 18:00 (closed on New Year holidays) Provides tourists information about the Available also from PATW, the Rakuten travel By foot 1 minute from Abiko Station town and a convenient route search pamphlet app. function. Download the app via the QR code. 1 Strolltroll throughthrrouugh thetheh St pap stt A Town That Has vestigesveests iges ofof thetht e past Yielded Great Works of Literature In the Taisho Period, Abiko was home to Yanagi Muneyoshi, Shiga Naoya, and Mushanokoji Saneatsu of the Shirakaba school. They produced numerous works here in Abiko. They would occasionally walk around Hake Road, and there was one time when they rowed through Lake Teganuma in a boat to discuss their dreams for the future. Many of the It is also famous as the town where landscapes that nurtured their dreams still remain in Abiko to this day. Nahoko Uehashi, who is the Hans Why not search for the lingering vestiges of Taisho Roman style as you Christian Andersen Award-winning trace back through their footsteps? novelist known for works such as the Former Murakawa Villa See P9 Moribito: Guardian of the Spirit series, By foot 20 minutes from Abiko Station (1.6 km) did her writing. Historic Site of the Kano Jigoro Villa See P8 By foot 10 minutes from Abiko Station (750 m) Kujikemichi National Route 6 (Mito Kaido) Even the place names ♥ have a stylish feel here JR Joban Line Towards Tennodai→ Abiko Station Kotobuki JR Narita Line (Suiku Line, Narita Line) Towards Higashi-Abiko → (南口) Abishirube 1-chome National Route 356 AbikoA Station South Exit See P1 (Old Mito Kaido Old Narita Kaido) Narabitsuka , Daiichi Nenokami Oban-dori Street See P6 Abiko Station Elementary Sugimura Sojinkan Memorial House and Museum Entrance By foot 10 minutes from Abiko Station (750 m) School Midori 1-chome Sanjuso Remains Nenokami Daikokuten Sugimura Sojinkan Memorial House and Museum This is the remains of the residence of Yanagi Muneyoshi, one of the key 卍 Remains of the Temporary figures of the Shirakaba school. The name Sanjuso (which means house of the Sojinkan Park Former Remains of the Residence Residence of Kosaku Takii Murakawa Villa three trees), is derived from the three ancient beech trees that are believed to Historic Site of the of Shiga Naoya represent wisdom, fortune, and long life in the local region. Muneyoshi was a Kano Jigoro Villa Shiyakusho thinker, aesthetician, and religious philosopher who gave rise to the Mingei Abiko City Hall movement. He was the nephew of Jigoro Kano. (Closed to the public) Sanjuso Remains Tenjin-zaka Hill 1-9, Midori, Abiko City Abista front Shirakaba Literary Museum By foot 10 minutes from Abiko Station (700 m) Bernard Leach Wakamatsu Abiko High School Remains of the Residence Teganuma Park Miniture of Mushanokoji Saneatsu Nedo Funato train Monument Green Space Hake Road Teganuma Aquatic Park Chiwaki Teganuma Lake Teganuma Promenade Park Morinosuke Monument “Hake” is a geographical name referring to Main library Lake Teganuma (Abista) …Recommended spots the terrain around a cliff, or the vicinity …Bus stop names around hilly and mountainous areas. Remains of the Former Residence Wells on Hake Road of Mushanokoji Saneatsu where rain that has fallen on the plateau permeates Mushanokoji Saneatsu was one of the central players and seeps out To Kashiwa City in the launch of the magazine Shirakaba. He moved to A road that cultural a location overlooking Lake Teganuma purchased by persons from long ago Shiga Naoya in 1916. (Closed to the public) walked down 2-21, Funato, Abiko City By foot 17 minutes from Abiko Station (1.4 km) Bernard Leach Monument Shirakaba Literary Museum See P4 Tenjin-zaka Hill Bernard Leach was a British By foot 14 minutes from Abiko Station (1.1 km) potter who was deeply involved Sojinkan Park Sanjuso and Tenjin-zaka, a hill on which the fruit in the Shirakaba school and This is a park overlooking Lake Teganuma that is located on top of a hillock right by the rear entrance to from the beech trees fell, were said to have been Mingei movement. the Sugimura Sojinkan Memorial House and Museum. There is a stone tablet inscribed with a haiku by See P5 greatly loved by the cultural figures who gathered 34 Abiko Shinden, Abiko City Sojinkan here. It reads:Tsukuba in sight As I gaze through winter air That is crystal clear. Remains of the Residence of Shiga Naoya in Abiko back in the Taisho Period. By foot 14 minutes from 2-4, Midori, Abiko City 2-7, Midori, Abiko City By foot 11 minutes from Abiko Station (900 m) Abiko Station (1.0 km) By foot 10 minutes from Abiko Station (800 m) By foot 14 minutes from Abiko Station (1.1 km) 2 3 Featuring a collection of numerous materials related to the Shirakaba school, which played a leading role for contemporary Shirakaba Literary Museum Website Shirakaba Literary Museum Japanese art as a whole. twitter StrollSttroll throughthrrouugh thetheh Shirakaba Literary Museum vestigesveests iges ofof thetht e pastpap stt 2-11-8 Midori, Abiko City Hours of operation: 9 ☎04-7185-2192 Closed: Mondays (or the: 30next – 17weekday:00 (entry if this until is a 16:00)national holiday), December 29 - January 3, Days of maintenance Entry fee: 300 yen for general admission, etc. By foot 14 minutes from Abiko Station (1.1 km) The library. Here visitors can view books related to the Shirakaba school and Mingei movement, such as original handwritten manuscripts from Shiga Naoya. The museum shop. What about a souvenir from the museum, such as the Shirakaba curry? The medium exhibition room (piano The large exhibition room. Various works are on display during each exhibit. salon).Visitors can hear live musical performances given by the townspeople The original handwritten manuscript of A Dark Night’ s Passing by Shiga Naoya. staff on the grand piano loved by Yanagi Kaneko at the end of her life. The heritage of great novelist Shiga Naoya in Abiko ~ Acquisition of the precious Yamada collection Shiga Naoya, called the Syosetu no Kamisama (God ~ of literature), deeply loved Abiko and Lake Teganuma. The collection offered by the Yamada family, who are descendants of Shiga Naoya, contains original manuscripts, writings, oil paintings, daily life items from the artist, as well as autographed books. This precious collection will let the visitors learn more Yanagi Muneyoshi, Shiga Naoya, and Mushanokoji about the fascinating personality of Shiga Naoya. Saneatsu, who played key roles in the Shirakaba This museum possesses magazine in the Taisho Period, all lived in Abiko. The and displays works by museum possesses mainly manuscripts, letters, and members of the Shirakaba other artwork from the Shirakaba school. It has a music school and Mingei Spot related to Shiga Naoya room underground where visitors can appreciate songs movement artists, such as Remains of the Residence of Shiga Naoya by Yanagi Kaneko, Yanagi Muneyoshi’ s wife, who was paintings by Mushanokoji Only the library of Shiga, who penned most of his works(cultural between property 1915 designated and 1923, by the city) also a vocalist.
Recommended publications
  • Chiba Annotation System That Enables Comparing University Under a JSPS Postdoctoral Fel- Spoken Data of Typologically Different Lan- Lowship Since November 2007
    Series Research and Life in Japan by a JSPS Fellow (18) Hailing from Moscow, Russia, Dr. Zoya Japan is to gather corpora of Japanese Viktorovna Efimova has been conducting narratives and develop systematic princi- research with her host Dr. Wakana Kono at ples of universal transcription along with an the Graduate School of Humanities, Chiba annotation system that enables comparing University under a JSPS postdoctoral fel- spoken data of typologically different lan- lowship since November 2007. Dr. Efimova guages. Together with my colleague Dr. did her doctoral work under the supervision Kono, a specialist in Russian language, we of Prof. Vera Podlesskaya at the Institute of are working out principles for text repre- Linguistics, Russian State University for the sentation, which can apply to either Japa- Humanities (RSUH) in Russia, where Dr. nese or Russian. Based on the materials we Kono has conducted her own research in have prepared, I am also doing some con- the Russian language. Over about the past trastive studies of Japanese and Russian 10 years, the two have continued their re- discourse. Dr. Zoya Viktorovna Efimova search collaboration in the field of corpus Assistant Professor, Institute of Linguistics, Russian linguistics. Why did you originally choose Japanese as State University for the Humanities (RSUH) the object of your research? Ph.D. (Linguistics), RSUH, Russia, 2006 By the time this volume of the JSPS Quar- I chose Japanese almost accidentally. M.A. (Linguistics), RSUH, Russia, 2001 terly is issued, Dr. Efimova will have become I had entered the linguistics department at the mother of her second child.
    [Show full text]
  • The "Kojiki" Narrated by Artifacts Term:Jul 16, 2020 (Thu) - Oct 31 (Sat)
    Kokugakuin University Museum Special Exhibition The "Kojiki" narrated by artifacts Term:Jul 16, 2020 (Thu) - Oct 31 (Sat) Title Provenance Period/Year Collection Chapter 1 : Ōno Yasumaro and the editing of the Kojiki Tomb of Ōno Yasumaro, Nara city, Agency for Cultural Affairs - Yoro7, 723 Ōno Yasumaro's epitaph [photo] Nara pref. Photo : Archaeolgical Institute of Kashihara, Nara prefecture 1 Kojiki (Records of Ancient Matters) [replica] Recorded by Ōno Yasumaro Copied in Ouan4, 1371 Center for Kojiki Studies 2 Kojiki (Records of Ancient Matters) Recorded by Ōno Yasumaro Copied in Kanei 21, 1644 Center for Kojiki Studies 3 Kojiki Eden (Picture book of "Kojiki") Unknown Meiji period, 19c Center for Kojiki Studies Chapter 2 : The Birth of the Land Tatehokoyama site, Shirakawa city, Fukushima 4 Grave goods 〈Iron spearhead and all〉 The mid-Kofun period, 5c Kokugakuin University Museum pref. Anoukaigome no.3 kofun tumulus, Shiga prefectural - The late-Kofun period, 6c Miniature cook ware [photo] Ōtsu city, Shiga pref. Azuchi Castle Archaeological Museum Tobi Chausuyama kofun tumulus, 5 The early-Kofun period, 3c Kokugakuin University Museum Jar-shaped Haniwa (clay figure) Sakurai city, Nara pref. Kagamizuka kofun tumulus, 6 The early-Kofun period, 4c Kokugakuin University Museum Grave goods 〈Combs and all〉 Oarai town, Ibaraki pref. Uenoharu no.9 underground corridor-style burial - The mid-Kofun period, 5c Miyazaki prefectural board of education Human bones [photo] chamber, Kobayashi city, Miyazaki pref. 7 Dressed up men-shaped Haniwa (clay figure) Chiba pref. The late-Kofun period, 6c Kokugakuin University Museum Sakuragaoka kofun tumuls, 8 The mid-Kofun period, 5c Kokugakuin University Museum Gold crown [replica] Matsumoto city, Nagano pref.
    [Show full text]
  • The Reliquaries of Hyrule: a Semiotic and Iconographic Analysis of Sacred Architecture Within Ocarina of Time
    Press Start The Reliquaries of Hyrule The Reliquaries of Hyrule: A Semiotic and Iconographic Analysis of Sacred Architecture Within Ocarina of Time Jared Hansen University of Oregon Abstract This study is a semiotic and iconographic analysis of the sacred architecture in The Legend of Zelda: Ocarina of Time (Nintendo, 1998). Through an analysis of the visual elements of the game, the researcher found evidence of visual metaphors that coded three temples as sacred spaces. This coding of the temples is accomplished through the symbolism of progression that matches the design of shrines and cathedrals, drawing on iconography and other symbolism associated with Shinto, Buddhist, and Christian sacred architecture. Such indications of sacred spaces highlight the ways in which these virtual environments are designed to symbolize the progression of the player from secular to sacred, much like the player’s progression from zero to hero. By using the architecture and symbolism of the three aforementioned belief systems, Ocarina of Time signifies these temples as reliquaries—that is, sacred places that house reverential items as part of the apotheosis of the player. Keywords Art history; The Legend of Zelda; sacred space; symbolism; temple. Press Start 2021 | Volume 7 | Issue 1 ISSN: 2055-8198 URL: http://press-start.gla.ac.uk Press Start is an open access student journal that publishes the best undergraduate and postgraduate research, essays and dissertations from across the multidisciplinary subject of game studies. Press Start is published by HATII at the University of Glasgow. Hansen The Reliquaries of Hyrule Introduction The video game experiences that I remember and treasure most are the feelings I have within the virtual environments.
    [Show full text]
  • Abiko Guideposts 25
    #NCMGUKFGVQYPDGNQXGFD[EWNVWTCNRGTUQPU #UVTQNNVJTQWIJ#DKMQ %&-63%( Shall we take a trip down journey lane? Abiko City Office Secretarial and Public Relations Department 270-1192, 1858 Abiko, Abiko City TEL: 04-7185-1269 Abiko Guidebook A short trip to indulge your heart A stroll through Abiko This Is What the Town of Abiko is All About %&-63%( 3 Taste of Culture Abiko is a relaxing town that was once beloved by cultural persons. Waterfowl can be found along its waterfront. The town features a refined elegance similar to a city in some ways, and the countryside in others. You’ ll understand as your heart melts when you gaze out at the greenery and the waterfront while you aimlessly stroll about. As you stroll around, a pleasant feeling washes over you. Take a short trip to indulge your heart: This is Abi Road. Sojinkan Sugimura Shirakaba Literary A Town of Waterfronts Memorial 5 Museum 7 Former Murakawa Villa 8 and Birds 9 The Waterfront Town of Fusa: History of the Former Inoue Family Museum of Birds 11 Abundance of Nature 13 Development of New Fields 15 Residence 17 A Trip through Eternity 19 Gatherings in Abiko 21 Abiko Souvenirs 23 Abiko Guideposts 25 Tourist Information Center in Abiko Abiko Information Center(Abishirube) Here visitors can obtain information on Abiko that includes maps, informational magazines, and pamphlets. Through its concierge service, the center offers consultations on tourism information, plans Teganuma Park sightseeing courses tailored to each individual, and prepares course maps for people. In addition, it also offers open lectures and creates This is a park full of waterfronts and greenery that runs along Lake original maps.
    [Show full text]
  • Representations of Pleasure and Worship in Sankei Mandara Talia J
    Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively).
    [Show full text]
  • Transcreation: Intersections of Culture and Commerce in Japanese Translation and Localization
    TRANSCREATION: INTERSECTIONS OF CULTURE AND COMMERCE IN JAPANESE TRANSLATION AND LOCALIZATION by Dylan Reilly B.A. in Asian and Middle Eastern Studies, College of William and Mary, 2014 Submitted to the Graduate Faculty of The Dietrich School of Arts & Sciences in partial fulfillment of the requirements for the degree of Master of Arts University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS & SCIENCES This thesis was presented by Dylan Reilly It was defended on April 8, 2016 and approved by Carol M. Bové, PhD, Senior Lecturer Hiroshi Nara, PhD, Department Chair Thesis Director: Charles Exley, PhD, Assistant Professor ii Copyright © by Dylan Reilly 2016 iii TRANSCREATION: INTERSECTIONS OF CULTURE AND COMMERCE IN JAPANESE TRANSLATION AND LOCALIZATION Dylan Reilly, M.A. University of Pittsburgh, 2016 This study looks at text-heavy examples of translated Japanese popular media, such as recent video games and manga (Japanese comics) to explore the recent evolution of Japanese-English translation and localization methods. While acknowledging localization’s existence as a facet of the larger concept of translation itself, the work examines “translation” and “localization” as if they were two ends of a spectrum; through this contrast, the unique techniques and goals of each method as seen in translated media can be more effectively highlighted. After establishing these working definitions, they can then be applied as a rubric to media examples to determine which “translative” or “localizing” techniques were employed in the
    [Show full text]
  • Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2014 Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Laura Nuffer University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, and the Medieval Studies Commons Recommended Citation Nuffer, Laura, "Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan" (2014). Publicly Accessible Penn Dissertations. 1389. https://repository.upenn.edu/edissertations/1389 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1389 For more information, please contact [email protected]. Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Abstract Interspecies marriage (irui kon'in) has long been a central theme in Japanese literature and folklore. Frequently dismissed as fairytales, stories of interspecies marriage illuminate contemporaneous conceptions of the animal-human boundary and the anxieties surrounding it. This dissertation contributes to the emerging field of animal studies yb examining otogizoshi (Muromachi/early Edo illustrated narrative fiction) concerning elationshipsr between human women and male mice. The earliest of these is Nezumi no soshi ("The Tale of the Mouse"), a fifteenth century ko-e ("small scroll") attributed to court painter Tosa Mitsunobu. Nezumi no soshi was followed roughly a century later by a group of tales collectively named after their protagonist, the mouse Gon no Kami. Unlike Nezumi no soshi, which focuses on the grief of the woman who has unwittingly married a mouse, the Gon no Kami tales contain pronounced comic elements and devote attention to the mouse-groom's perspective.
    [Show full text]
  • Watanabe, Tokyo, E
    Edition Axel Menges GmbH Esslinger Straße 24 D-70736 Stuttgart-Fellbach tel. +49-711-574759 fax +49-711-574784 Hiroshi Watanabe The Architecture of Tokyo 348 pp. with 330 ill., 161,5 x 222 mm, soft-cover, English ISBN 3-930698-93-5 Euro 36.00, sfr 62.00, £ 24.00, US $ 42.00, $A 68.00 The Tokyo region is the most populous metropolitan area in the world and a place of extraordinary vitality. The political, economic and cultural centre of Japan, Tokyo also exerts an enormous inter- national influence. In fact the region has been pivotal to the nation’s affairs for centuries. Its sheer size, its concentration of resources and institutions and its long history have produced buildings of many different types from many different eras. Distributors This is the first guide to introduce in one volume the architec- ture of the Tokyo region, encompassing Tokyo proper and adja- Brockhaus Commission cent prefectures, in all its remarkable variety. The buildings are pre- Kreidlerstraße 9 sented chronologically and grouped into six periods: the medieval D-70806 Kornwestheim period (1185–1600), the Edo period (1600–1868), the Meiji period Germany (1868–1912), the Taisho and early Showa period (1912–1945), the tel. +49-7154-1327-33 postwar reconstruction period (1945–1970) and the contemporary fax +49-7154-1327-13 period (1970 until today). This comprehensive coverage permits [email protected] those interested in Japanese architecture or culture to focus on a particular era or to examine buildings within a larger temporal Buchzentrum AG framework. A concise discussion of the history of the region and Industriestraße Ost 10 the architecture of Japan develops a context within which the indi- CH-4614 Hägendorf vidual works may be viewed.
    [Show full text]
  • Air-Rail Links in Japan 35 Years Old and Healthier Than Ever Ryosuke Hirota
    Feature Railways and Air Transport Air-Rail Links in Japan 35 Years Old and Healthier than Ever Ryosuke Hirota tic and 860,000 international passengers. grown. Three airports: Haneda, Narita, Air-Rail Links in Japan Today In the same year, the monorail carried and Kansai International, each have two about 2.74 million people, including ARLs, using mostly conventional tracks During 1998, in many different parts of some non-flying passengers who used it (urban/suburban heavy rail, subways, or the world, getting to the airport became as a transit system. In 1978, airline traffic main line railways), while Haneda and easier due to construction of new air-rail in Japan grew to such an extent that a new Itami use monorails as one of their ARLs. links (ARLs). Three airports: Hong Kong airport serving Tokyo was opened for in- Japan was the first country to build a high- International Airport at Chek Lap Kok, ternational flights. This was the New To- speed train (the shinkansen), but the Copenhagen Airport at Kastrup, and Oslo kyo International Airport at Narita. honour of having the first high-speed train International Airport at Gardermoen, Haneda basically became Tokyo’s domes- serving an airport went to France when opened their first ARLs, while two other tic airport, but passenger traffic for both its TGV began linking Charles de Gaulle airports: London Heathrow and Haneda the airport and monorail continued to Airport to Paris. Unlike Frankfurt Airport Airport in Tokyo each gained a second rail grow. According to the ACI (Airports in Germany, Japan has no plans to bring link.
    [Show full text]
  • Amaterasu-Ōmikami (天照大御神), in His Quest to Slay the Eight-Headed Serpent Demon Yamata-No-Orochi (八岐大蛇) in Izumo Province (出雲国)
    Northeast Asian Shamanism 神道, 신도, 御嶽信仰, 神教, & ᡝᡝᡝᡝ ‘Lady’ Minami “Danni” Kurosaki (黒崎美波、お巫女様) ⛩ My Personal History & Involvement The Kurosaki Clan (黒崎の一族) ● Our earliest ancestor was directly involved with assisting the warrior god Susanō-no-Mikoto (須佐之 男命), the disgraced brother of sun goddess Amaterasu-Ōmikami (天照大御神), in his quest to slay the eight-headed serpent demon Yamata-no-Orochi (八岐大蛇) in Izumo Province (出雲国) ● Since then, the Kurosaki clan has been one of a few influential families in the history of Shintoism throughout Ancient and Feudal Japan ● We are a part of the Ten Sacred Treasures (十種の神宝) of Japanese history; our treasure that was offered to Susanō is the Dragon-repelling Shawl (大蛇ノ比礼) Inheritance of Kannushi/Miko-ship ● Because of our family’s status in traditional Japan after that event, heirship and training is passed down through the branches of the family on who will be the next Danshi kannushi (男子神主, Male Priest), Joshi kannushi (女子神主, Female Priestess), Miko (巫女, Female Shaman/Shrine Maiden) or Danfu (男巫, Male Shaman/Shrine Valet) in that generational line ● Not all kannushi and miko come from a long family line - anyone can be a part of the Shintō clergy granted they apply and go through proper training! ● I belong to a branch of the family, and as the oldest child in my generational line, I am next to succeed the title of (matriarch/patriarch) for my immediate family ● The current matriarch of our entire the clan is Miu Kurosaki, and the current matriarch of my direct immediate family is Hikaru Kurosaki (Luz
    [Show full text]
  • G20 Japan 2019 Synchronized Swimming Olympic Medalist
    https://www.japan.go.jp/tomodachi Prime Minister Shinzo Abe visited the Higashiosaka Hanazono Rugby Stadium in Osaka Prefecture, one of the venues where Japan will host Rugby World Cup 2019 from September to November 2019. Feature: G20 Japan 2019 Synchronized Swimming Olympic Medalist Performing with Cirque du Soleil Sowing Seeds of Peace for Japan and China JapanGov (https://www.japan.go.jp) is your digital gateway to Japan. Visit the website and find out more. JapanGov, the official portal of the Government of Japan, provides a wealth of information regarding various issues that Japan is tackling, and also directs you to the sites of relevant ministries and agencies. It introduces topics such as Abenomics, Japan’s economic revitalization policy, and the attractive investment environment that Abenomics has created. In addition, it highlights Japan’s contributions for international development, including efforts to spread fruit of innovation and quality infrastructure worldwide. You’ll also find the articles of all past issues of “We Are Tomodachi ”(https://www.japan.go.jp/ tomodachi). Follow us to get the latest updates! JapanGov JapanGov / Japan PMOJAPAN Contents “We Are Tomodachi” is a magazine published with the aim of further deepening people’s under- standing of the initiatives of the Government of Japan and the charms of Japan. Tomodachi means “friend” in Japanese, and the magazine’s title expresses that Japan is a friend of the countries of the world–one that will cooperate and grow together with them. Feature: G20 Japan 2019 G20 Summit & Ministerial Meetings to 10 Be Held for the First Time in Japan All Nine Host Cities Represent 12 Unique Aspects of Japan Journey through a 4 Discover Fukushima’s 24 Vibrant World of New Green Hamadori Japanese Individuals Hundreds of Host Towns Contributing Worldwide 26 Ready for Big Sports Events Game App Developer in Her 80s Opens ICT World 6 P.
    [Show full text]
  • Japanese Demon Lore Noriko T
    Utah State University DigitalCommons@USU All USU Press Publications USU Press 1-1-2010 Japanese Demon Lore Noriko T. Reider [email protected] Follow this and additional works at: http://digitalcommons.usu.edu/usupress_pubs Part of the Cultural History Commons, and the Folklore Commons Recommended Citation Reider, N. T. (2010). Japanese demon lore: Oni, from ancient times to the present. Logan, Utah: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Japanese Demon Lore Oni from Ancient Times to the Present Japanese Demon Lore Oni from Ancient Times to the Present Noriko T. Reider U S U P L, U Copyright © 2010 Utah State University Press All rights reserved Utah State University Press Logan, Utah 84322 Cover: Artist Unknown, Japanese; Minister Kibi’s Adventures in China, Scroll 2 (detail); Japanese, Heian period, 12th century; Handscroll; ink, color, and gold on paper; 32.04 x 458.7 cm (12 5/8 x 180 9/16 in.); Museum of Fine Arts, Boston; William Sturgis Bigelow Collection, by exchange, 32.131.2. ISBN: 978-0-87421-793-3 (cloth) IISBN: 978-0-87421-794-0 (e-book) Manufactured in the United States of America Printed on acid-free, recycled paper Library of Congress Cataloging-in-Publication Data Reider, Noriko T. Japanese demon lore : oni from ancient times to the present / Noriko T. Reider.
    [Show full text]