DOCSLIB.ORG

Jesper Svenningsen, a Noble Circle. the Vogue for Collecting Italian

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jesper Svenningsen, a Noble Circle. the Vogue for Collecting Italian RIHA Journal 0100 | 23 Dec 2014 | Special Issue "Collecting Italian Art North of the Alps" A noble circle. The vogue for collecting Italian paintings in Denmark 1690-17 0 !esper "venningsen #eer revie$ and e%iting managed by' !artin "lin# National$useu$# Stockhol$ (evie$ers' &irgitte &øggil' Johannsen# Sa(rina Norlan'er )liasson Abstract This article presents a closer look at an important moment in the history of art collecting in Denmark when Italian art first began to be admired by noble virtuosi. During the last decade of the 17th and first quarter of the 1 th century! a number of art collections were formed by young Danish noblemen! most of whom had travelled in the company of "rown #rince $rederik. Due to the very incomplete level of documentation we are now often frustratingly unable to gauge the e%act si&e and contents of these collections. 'et the sources presented in the article do suggest a strong bias towards Italian art! by old masters as well as contemporary painters. )ontents Introduction The princely travel parties Ditlev (ibe $rederik (alter $rederik von (eiberg The "ounts )olstein and *eventlow The "ounts +yldenløve and Danneskiold,-amsøe .rtists and e%perts The waning taste .cknowledgements Intro%uction /10 .t what point did Danish collectors begin to appreciate the art of 1enice! $lorence and *ome2 (hile royal patronage was occasionally e%tended to Italian artists or artists working in an Italianate style! little is known of a taste for Italian fine art in other parts of Danish society.1 This article aims to look past the much,studied phenomenon of royal patronage and focus instead on an early circle of private art collectors in Denmark. 3ost of these aristocratic collectors belonged to the entourage of "rown #rince $rederik 41571, 17678! who in 1599 succeeded his father as :ing $rederik IV. .nd like their ;uropean contemporaries, these men came to consider Italian paintings the pinnacle of art and the 1 <y the late 17th century! the Italian pieces in the royal collections included the paintings acquired by $rederik III from -alvator *osa and "iro $erri in the early 1557s and the acquisitions by the architect Lambert van )aven on the king>s behalf while travelling in Italy in 155 ,59. These and other royal acquisitions of Italian fine art are briefly treated in )arald ?lsen, Italian Paintings and Sculpture in Denmark! "openhagen 1951! 11,1@! and in )enrik "arl <ering Liisberg! Kunstkammeret. Dets Stiftelse og ældste Historie! "openhagen 1 97! 166,16 . more general overview of the royal collections is provided by <ente +undestrup! Det kongelige danske Kunstkammer 1737! vols. 1,A! "openhagen 1991! and Børgen )ein, The Treasure ollection at !osenborg astle. The Inventories of 1$%$ and 171&. !o'al Heritage and ollecting in Denmark( )or*ay 1+,,(1%,,! vols. 1,6! "openhagen A779. License: The text of this article is provided under the ter$s o the Creative Co$mons License CC-BY/NC-ND 3.01 RIHA Journal 0100 | 23 Dec 2014 | Special Issue "Collecting Italian Art North of the Alps" pearls of their collection. ?ur knowledge of collecting and uses of pictures in seventeenth,century Denmark remains e%tremely scarce! and while a widespread use of graphic images and decorative painting is documented! we know of few real attempts 4e%cepting those of the king8 to procure high quality paintings from abroad.A Thus the collecting activities of this circle of courtiers mark the point when art collecting first comes into view as a shared activity of the Danish elite! parallel to 4if not always independent from8 the taste and patronage of the king. 2top3 The princel& travel parties /A0 -ince late medieval times a ;uropean Courney had formed an indispensable part of the education of young Danish nobleman.6 These hugely e%pensive Courneys were usually directed towards academic or military training! though a young gentleman was equally e%pected to return with a knowledge of foreign languages! manners and politics. Time was usually divided between universities and cultural capitals in the Detherlands, +ermany! $rance and Italy! in appro%imately that order of preference. .rtistic matters formed part of the standard curriculum too! yet the Danes do not appear to have brought back souvenirs of paintings and sculpture in greater number.@ <y the late seventeenth century! the character! duration and outcome of the nobleman>s Courney had been formalised into what we now know as the +rand Tour.E Danish princes too were e%pected to educate themselves abroad and in 159A,96! the young "rown #rince $rederik left for his +rand Tour. The chosen route carried him and his retinue via $rankfurt! DFrnberg and Innsbruck to the .lps, from where he entered Italy as the first Danish monarch in two centuries. .fter visiting 1enice! the prince Courneyed south along the .driatic coast to spend spring in *ome and after a short soCourn in $lorence in 3ay! he continued by sea to +enoa and on to 3arseille. The following si% months were spent in different cities in southern and western $rance! studying language and customs. ?nly then was the prince A #ovl Eller! Kongelige portrætmalere i Danmark 1$3,(&-! "openhagen 1971! 5@,7AG #ovl Eller! H<orgerne og billedkunsten på "hristian @s tid. Jddrag af )elsingør skifteprotokoller 15A1,1557!H in: .ra .rederiks"org /mt! 197@! 7,1 E. 6 1ello )elk! HDen danske adels dannelsesrejser i Europa 1E65,1557!H in: !iget0 magten og æren. Den danske adel 13+,(1$$,! .arhus A771! EA@,EE5G #ernille )asselsteen, H"hristian I1>s *idderakademi i -orø og den danske adels udenlandsrejser ca. 1E57,15E7!H in: $lemming Lundgreen-Dielsen and )anne *uus! eds.! S#1"t i mår. Dansk .olke#isekultur 1++,(17,,! vol. @! "openhagen A77A! 67E,@ 6. @ . few e%ceptional cases of paintings commissioned by earlier Danish travellers to Italy are mentioned in ?lsen! Italian Paintings and Sculpture in Denmark! 16. E The literature on the +rand Tour is vast! especially as the <ritish tradition is concerned! see for instanceK .nthony <urgess and $rancis )askell! eds.! The /ge of the 3rand Tour! London 1957G +eoffrey Trease! The 3rand Tour! Dew )aven and London 1991G <ruce *eford! 4enice and the 3rand Tour! Dew )aven 1995G Ilaria <ignamini and .ndrew Wilton, ed.! 3rand Tour. The Lure of Ital' in the 6ighteenth entur'! e%h. cat.! =ondon 1995G Edward "haney! The 6#olution of the 3rand Tour. /nglo(Italian ultural !elations since the !enaissance! London 199 G Beremy <lack! Ital' and the 3rand Tour! Dew )aven and London A776. License: The text of this article is provided under the ter$s o the Creative Co$mons License CC-BY/NC-ND 3.01 RIHA Journal 0100 | 23 Dec 2014 | Special Issue "Collecting Italian Art North of the Alps" considered ready to make his appearance in #aris and at the court at 1ersailles, before returning home via $landers and )olland. /60 #rince $rederik>s +rand Tour is considered of great importance for the course of royal patronage in Denmark. The impulses received are perhaps most notable in his modelling of his favourite palace $rederiksberg on Italian prototypes, yet the prince was not the only one to come under the spell of Italy. )is retinue included a group of young court officials, many of whom had been friends of the prince since childhood. .nd as the prince was invited into the palaces of *ome! $lorence and #aris, so were these young noblemen. .s a consequence! most members of the travel party were severely smitten with the taste for anything Italian! be it art and architecture! dances or dinners. /@0 Italy left such a deep impression on the prince himself that he even decided to return one day! and si%teen years later! in 177 ! he embarked on his second Italian Courney! now as :ing of Denmark.5 That an absolute monarch should travel abroad for leisure was almost unheard of and caused endless administrative headaches. -everal daily dispatches were needed for the king to rule from the far end of the continent. Though the purpose of the Courney was clouded in mystery 4and surely caused some speculation throughout ;urope8! the king>s agenda was hardly suspect.7 It seems that he simply wished to revisit Italy for the sake of entertainment and recreation! to attend lavish balls and in short to relive his youth. To this end! he brought with him a number of his companions from his first Courney. This time the chosen route carried the travel party through =eip&ig! DFrnberg and .ugsburg to Innsbruck and from there across the .lps into Italy. "hristmas was spent in 1erona before arrival to 1enice in time for the carnival. Though *ome had been a natural and important stop on his first +rand Tour! it clearly held little fascination for the bon vivant :ing $rederik who felt no need to revisit the ;ternal "ity. The lavishness and festivity of 1enice suited his tastes better! and the ten,week soCourn there seems to have been the main obCect of the Courney. .nd after spending the following si% weeks in Tuscany! the king and his retinue of 1A1 people headed back to Denmark.9 /E0 .lthough $rederik himself was mostly interested in gardening and architecture and primarily brought back 1enetian glass and other obCets d>art! he also saw fit to acquire a 5 The most recent account of the second journey can be found in !o'al Treasures from Denmark 17,%7 .rederik I4 in .lorence! e%h. cat.! $lorence 199@. 7 3ogens <encard! HThe Bourney!H in: !o'al Treasures from Denmark 17,%7 .rederik I4 in .lorence! e%h.
Load more

Recommended publications
  • An African Alternative : Nordic Migration to South Africa, 1815-1914
    Bero Kuparinen ' . AN AFRICAN ALTERNATIVE Nordic Migration to South Africa, 1815-1914 During the 19th century migrations, tens of millions of Europeans exchanged their native lands for new homes beyond the oceans. Although the great majority made their way to North America, the other continents received their share, too. One of the least conspicuous groups of migrants consisted of those moving to South Africa, anp ' they are also amongst the least investigated. In this study the migration to South Africa has been examined in terms of the movement from the four Nordic countries, Denmark, Finland, Norway and Sweden. A comprehensive portrait is created of the African Alternative: its origins and causes, its historical development, its volume, patterns of geographical recruitment qnd composition. Who were the migrants, where did they come from, and why? Eero Kuparinen An African Alternative Suomen Historiallinen Seura Finska Historiska Samfundet Finnish Historical Society Studia Historica 40 Migration Studies C 10 Siirtolaisuus ins titu u tti Migrationsinstitutet Institute of Migration Eero Kuparinen An African Alternative: Nordic Migration to South Africa, 1815-1914 Finnish Historial Society / Helsinki 1991 Institute of Migration / Turku 1991 Cover design by Rauno Enden Painting: A. E. White after J. W. George, Prospecting Kimberley (c. 1870) The Finnish Historical Society and The Institute of Migration have published this study with the permission, granted on 21 November 1990, of Turku University, Faculty of Arts. Finnish Historical Society Institute of Migration Arkadiankatu 16 B 28 Piispankatu 3 SF-00100 Helsinki SF-20500 Turku ISSN 0081-6493 ISSN 0356-780X ISBN 951-8915-45-8 ISBN 951-9266-41-0 Printed by: Gummerus Kirjapaino Oy Jyvaskyla 1991 Acknowledgements The beginnings of this study reach back into the early 1970s, for it was in the spring of 1973 that Dr Vilho Niitemaa, at that time Professor of General History at the University of Turku, took me on as a member of his research project on Finnish overseas migration.
    [Show full text]
  • Fine Art + Antiques Art Fine
    BRUUN RASMUSSEN FINE ART + ANTIQUES FINE ART + ANTIQUES International auction 845 auction 845 • november 2013 845_antik_omslag.indd 1 31/10/13 17.08 FINE ART + ANTIQUES International auction 845 AUCTION 26 November - 5 December 2013 PREVIEW Thursday 21 November 3 pm - 6 pm Friday 22 November 11 am - 5 pm Saturday 23 November 11 am - 4 pm Sunday 24 November 11 am - 4 pm Monday 25 November 11 am - 5 pm or by special appointment Bredgade 33 · DK-1260 Copenhagen K · Tel +45 8818 1111 · Fax +45 8818 1112 [email protected] · bruun-rasmussen.com Lot 80 DAYS OF SALE ________________________________________________________ FINE ART + ANTIQUES Tuesday 26 November 4 pm Paintings and sculptures 1 - 175 Wednesday 27 November 2 pm Russian sale 176 - 234 Silver 235 - 291 Ceramics 292 - 315 Furniture, clocks and bronzes 316 - 439 Thursday 28 November 1 pm Weapons and sporting guns 440 - 502 Oriental sale 503 - 592 Oriental carpets 593 - 660 Monday 2 December 4 pm Jewellery 661 - 857 Wristwatches 858 - 905 ________________________________________________________ MODERN ART Tuesday 3 December 4 pm Modern paintings and sculptures Wednesday 4 December 2 pm Modern paintings and sculptures Prints ________________________________________________________ NORDIC DESIGN Wednesday 4 December 5 pm Silver Thursday 5 December 4 pm Furniture and ceramics ________________________________________________________ DEADLINE FOR CLAIMING ITEMS: 18 DECEMBER Items bought at Auction 845 must be paid no later than eight days from the date of the invoice and claimed on Bredgade 33 by Wednesday 18 December at the latest. Otherwise, they will be moved to Bruun Rasmussen’s storage facility at Baltikavej 10 in Copenhagen at the buyer’s expense and risk.
    [Show full text]
  • PRESSENS ROLLE I ÅRENE ETTER 1814 Pressehistorisk Tidsskrift Nr
    Ruth Hemstad: Propagandakrigen om Norge i europeisk presse Odd Arvid Storsveen: Aviser som politiske aktører på 1800-tallet Marthe Hommerstad: Politisk debatt mellom den dannede elite og bøndene rundt 1814 Rune Ottosen: Matthias Conrad Peterson og kampen for ytringsfrihet Håkon Harket: Jødenes utestengelse fra Norge Nils Øy: Er slangene i § 100 borte etter 200 år? Stian Eisenträger: Den europeiske presse og norsk uavhengighet i 1814 Mona Ringvej: Å gi allmuen en stemme i offentligheten Hans Fredrik Dahl: Pressen og samfunnsoppdraget etter 1814 Nils E. Øy: Fredrikstad Tidende, svenskenes okkupasjonsavis Olav Kobbeltveit: Norsk presses dekning av 100-årsjubileet for Grunnlova Gøril Strømholm: Presseminne – 40 år siden feministbladet Sirene PRESSENS ROLLE I ÅRENE ETTER 1814 Pressehistorisk tidsskrift nr. 23 2015 Norsk Pressehistorisk Forening www.pressetidsskrift.no Pressens rolle i årene etter 1814 Utgitt av Norsk Pressehistorisk Forening Redaksjon for dette nummeret av Pressehistorisk Tidsskrift: Erika Jahr (ansv. red.) Marte Stapnes (red.sekr.) © 2015 Forfatterne Ikke-krediterte foto: Materiale i det fri. Hentet fra Wikmedia Commons. Design: Endre Barstad Omslagsfoto: Slaget ved Hanau, 1814 hvor Napoleons hær beseiret østerrikerne og bayerne. Kilde: WikiMedia Commons Grafisk produksjon: Endre Barstad ISSN Digital utgave 2387-3655 Utgitt av Norsk Pressehistorisk Forening Digitalt abonnementet er inkludert i medlemskontingenten. Adresse: Norsk Pressehistorisk Forening c/o Mediebedriftenes Landsforening Kongensgate 14 0153 Oslo Hjemmeside: www.pressetidsskrift.no Redaksjonsadresse: Pressehistorisk tidsskrift v/ Redaktør Erika Jahr Drammensveien 113 0273 Oslo Telefon: 97141306 E-post: [email protected] 5 PRESSEHISTORISK TIDSSKRIFT NR. 23 2015 Leder: Pressens rolle etter 1814 Sohm satte opp i festningsbyen, gir innblikk i en inn- Erika Jahr bitt propaganda for å gjøre nordmennene vennlige- Redaktør [email protected] re stemt mot Sverige.
    [Show full text]
  • Reviews to Be Completed by Visits to His Frescoes in Coldrerio and Rome, Nettuno and Viterbo
    a few of his Roman altarpieces, but the experience had Reviews to be completed by visits to his frescoes in Coldrerio and Rome, Nettuno and Viterbo. The biggest lacuna for this writer was the absence of any visual reference, except a small sketch for the figure of the saint (cat. no. III.71), Pier Francesco Mola, 1612-1666. to Mola's last masterpiece, the Vision of St. Bruno (Malibu, TheJ. Paul Getty Museum) of 1662-63. If the Exhibition catalogue by Giuliano Briganti et al., 1989-90 (Museo Cantonale d'Arte, Lugano and Musei Capitolini, Rome). painting could not be included in the exhibition, it Drawings catalogued by Nicolas Turner with additional essays should have been a priority to illustrate it in the catalogue by Marcel Roethlisberger and Manuela Kahn-Rossi. 356 pp., numerous black and white illus., 63 color plates. and one of the more elaborate related preparatory studies should have appeared as a stand-in (Turner is right to The exhibition devoted to Pier Francesco Mola in the suspect that the drawing in the Stadelsches Kunstinstitut, fall and winter of 1989-90 had two venues: Lugano, Frankfurt, Inv. no. 423, is a copy). As it was, Mola's near the artist's birthplace, Coldrerio; and Rome, where career seemed to peter out in a flurry of mordant, self- he was raised as a child and eventually settled for the last mocking caricatures. The results of several important two decades of his life. A team of scholars was assembled recent discoveries could be incorporated into the cata- to do justice to his achievements.
    [Show full text]
  • 352 INDE X 000 Map Pages 000 Photograph Pages
    © Lonely Planet Publications 352 Index Andersen, Martin 190 Bellevue beach 113 DANISH ALPHABET Anemonen 178 Charlottenlund 88 Note that the Danish letters Æ, animals 59, see also individual animals Dueodde 189 Ø and Å fall in this order at the Græsholm 197 Ebeltoft 272 end of the alphabet. Skandinavisk Dyrepark 274 Gilleleje beaches 128 Staffordshire china spaniels 226 Grenaa 273 animal parks, see zoos & animal parks Hornbæk Beach 126 A Anne Hvides Gård 216-17 Jutland’s best 309 Aa Kirke 187 Ant chair 231 Karrebæksminde 152 Aalborg 294-300, 296 Apostelhuset 151 Klintholm Havn 172 Aalborg Carnival 297 Aqua 276 Køge 140 Aalborg history museums 295 aquariums Marielyst 176 Aalborg Zoo 297 Aqua 276 Melsted 192 Aalholm Automobil Museum 180 Danmarks Akvarium 113 Moesgård Strand 260 Aalholm Slot 180 Fiskeri- og Søfartsmuseet 234 Ristinge 222 accommodation 314-17 Fjord & Bælt 210 Tisvildeleje beach 129 language 338 Kattegatcentret 273 Tornby Strand 309 activities 8-9, 62-8, 317, see also Nordsømuseet 309 Ulvshale Strand 169 individual activities Aquasyd Dykker & Vandsportscenter 176 bed & breakfasts 316 adventure-holiday spots 278 architecture 158-9 beer 49-50, 245 air pollution 61 Aalborg houses 295 Carlsberg Visitors Center 88 air travel 326-8 Anne Hvides Gård 216-17 microbreweries 7 INDEX airports 326 Kommandørgården 244 Ølfestival 22 tickets 326 Kubeflex 231 Bellevue beach 113 to/from Denmark 326 Nordjyllands Kunstmuseum 297 Besættelsesmuseet 262 within Denmark 331 Rudkøbing 220-1 bicycling, see cycling Allinge 195-6 Arken Museum Of Modern
    [Show full text]
  • Newsletter the Society of Architectural Historians
    NEWSLETTER THE SOCIETY OF ARCHITECTURAL HISTORIANS OCTOBER 1975 VOL. XIX NO. 5 PUBLISHED BY THE SOCIETY OF ARCHITECTURAL HISTORIANS 1700 Walnut Street, Philadelphia, Pa. 19103 • Spiro K. Kostof, President • Editor: Thomas M. Slade, 3901 Connecticut Avenue, N.W., Washington, D.C. 20008 • Assistant Editor: Elisabeth W. Potter, 22927 Edmonds Way, Edmonds, Washington 98020 SAH NOTICES Special Offer-Back Issues of the Journal'" Volumes 25 (1966) - 29 (1970) complete, $75.00 ($96.50, if purchased sepa­ 1976 Bicentennial Annual Meeting, Philadelphia (May rately). To order, write the SAH central office, 1700 Walnut 19-24):. Marian C. Donnelly, general chairman; Charles E. Peter­ Street, Room 716, Philadelphia, Pa. 19103. The Index to volumes son, F AlA, honorary local chairman; and R. Damon Childs, I-XX (1941-1961) of the Journal is also available through the local chairman. central office (hardcover edition- $35.00; softcover edition The program will be devoted to building in America after the -$30.00). Orders should be prepaid. Revolutionary period. (For a listing of sessions, see the April 1975 Newsletter.) In addition to the sessions on Thursday, Fri­ day and Saturday morning, a full schedule oftours is planned. On SAH 1975 FOREIGN TOUR TO DENMARK Saturday afternoon, there will be walking tours of Society Hill, Greek Revival Philadelphia, the Broad Street area, University The tour was led by our distinguished fellow member Steffen City, and the Art Museum area, to be led by local authorities. Fisker. His intimate knowledge of, apparently, every building of All-day bus tours will be held on Sunday and Monday (May 23 his native culture enabled him to prepare for us a rich and varied and 24).
    [Show full text]
  • Baltic Cruise Adventure to Last a Lifetime! That Has Long Been the City’S Most Popular Meeting Place
    The Northern Illinois University Alumni Association Presents BalticBaltic CruiseCruise AdventureAdventure July 10 – 22, 2020 Balcony Cabin $6,175 Per Person, Double Occupancy from Chicago; Single Supplement - $2,290 This is an exclusive travel program presented by the Northern Illinois University Alumni Association Day by Day Itinerary Friday, July 10 – CHICAGO / EN ROUTE (I) reached on foot. We’ll see the Baroque façade of the Rathaus, This evening we depart Chicago’s O’Hare International the Steintor, the best known of the city gates in the old Airport by scheduled service of Scandinavian Airlines on the town wall, and visit the Marienkirche, home to the famous overnight transatlantic flight to Copenhagen, Denmark. astronomical clock built in 1472. Afterward, we’ll travel to Bad Doberan to visit the medieval Gothic abbey of Doberan Saturday, July 11 – COPENHAGEN (I,D) – an opportunity to marvel at the artistic mastership of the monks. Early this afternoon we arrive in Copenhagen, where we’ll Following our visit, we’ll board the nostalgic Molli train for a meet our local Tour Guide who will introduce us to the Danish scenic rail journey to Kuehlungsborn, where free time will be capital. As we’ll soon find out, Copenhagen is a gracious set aside to stroll the Baltic Sea promenade. and beautiful city whose main attractions include three royal palaces - Rosenborg, Amalienborg and Christiansborg, as well Wednesday, July 15 – CRUISING (At Sea) (B,L,D) as numerous museums, churches and monuments all found Just as each destination on our cruise is a voyage of discovery, within its medieval streets, charming canals, and spacious so too is our beautiful ship The Escape is one of the newest squares and gardens.
    [Show full text]
  • C:\Documents and Settings\Ajepsen\Dokumenter
    Foundations in Europe: Denmark Where money meets visions Ulla Habermann Institut for Idræt, Københavns Universitet Nørre Allé 51, 2200 København N Tlf.: 3532 0829 • Fax: 3532 0870 • E-mail: IFI@ifi .ku.dk • homepage: www.ifi .ku.dk Foundations in Europe: DENMARK Ulla Habermann Institute of Exercise and Sport Sciences University of Copenhagen Foundations in Europe: DENMARK © Ulla Habermann, Institute of Exercise and Sport Sciences, University of Copenhagen 2004 Design & layout: Allis Skovbjerg Jepsen Institut for Idræt, Københavns Universitet Nørre Allé 51 2200 Copenhagen N Telefon: 3532 0829 Telefax: 3532 0870 E-mail: [email protected] Hjemmeside: www.ifi.ku.dk Projektet er støttet af London School of Economics, Centre for Civil Society og Socialministeriet Content CHAPTER 1 Introduction................................................... 5 Research on foundations ................................................6 Definition of foundations................................................7 CHAPTER 2 Profile........................................................ 9 A short history of foundations in Denmark.................................9 Legislation ...........................................................13 Empirical profile......................................................15 Sample of foundations in this study ......................................18 CHAPTER 3 Foundation Roles ............................................. 22 A sense of identity, purpose and autonomy............................... 22 The “Complementarity”-role 27 The redistributive
    [Show full text]
  • 25-Års Jubilæum
    ANNO 1994 25-ÅRS JUBILÆUM Et kongerige af oplevelser Danske Slotte og Herregaarde 25 år med et kongerige af oplevelser Foreningen Danske Slotte og Herregaarde er stiftet i 1994 og fejrer således sit 25-års jubilæum i 2019. Danske Slotte og Herregaarde er et markedsføringssamarbejde mellem privatejede slotte og herregårde med adgang for publikum. Foreningen er den eneste af sin art og har til formål at fremme unikke oplevelser på danske slotte og her- regårde, som repræsenterer historisk autenticitet og særlige kulturhistoriske oplevelser. Danske Slotte og Herregaarde tæller p.t. disse 21 medlemmer med museer, adgang til park og slot, overnatning, restau- ranter, kursus- og konferencevirksomhed, festlokaler, koncerter eller andre aktiviteter for offentligheden: Broholm Slot Clausholm Slot Dronninglund Slot Fuglsang Herregaard Gram Slot Gammel Estrup Herregårdsmuseum Hindsgavl Slot Holckenhavn Slot Kragerup Gods Lerchenborg Gods Lindholm Herregård Næsbyholm Slot Nørre Vosborg Rysensteen Bed & Breakfast Sanderumgaards Romantiske Have Skjoldenæsholm Hotel & Konferencecenter Skrøbelev Gods Sonnerupgaard Gods Sostrup Slot & Kloster Sørup Herregaard Visborggaard Slot Dronninglund Slot Gammel Estrup Herregårdsmuseum Hindsgavl Slot Skjoldenæsholm Foreningens aktiviteter Danske Slotte og Herregaarde arbejder aktivt og i stigende grad med promovering af de enkelte medlemmer og deres unikke tilbud. Markedsføringen sker på mange forskellige platforme, lige fra annoncering i fysiske tidsskrifter til opslag på de sociale medier. Det vigtigste medie er dog foreningens egen hjemmeside www.slotte-herregaarde.dk, der fremstår som en præsentabel, brugervenlig og til enhver tid vedligeholdt informationskilde. Foreningen formidler det populære ”Gavekort til Danske Slotte og Herregaarde”, som giver adgang til aktiviteterne på samtlige medlemmers slotte og herregårde. Gavemodtageren har altså frihed til selv at vælge, hvor i Danmark ople- velsesgaven skal bruges, og om det skal være en kulturhistorisk oplevelse, en gourmetmiddag eller noget helt tredje.
    [Show full text]
  • Mum's Diaries Copy
    The War Diaries of Lensgrevinde Lucie-Marie Ludovika Anastasia Adelheid Karola Hedevig Reventlow 1940- 1945 Family Tree A Christian-Einar Agnes M. Moltke F.L.E. Reventlow Divorced First Marriage Curt l.H.G.M.E.E.Haugwitz-Hardenberg-Reventlow ___ Anna-Ermegård Abela Reventlow John Patrick Boswell ____ Lucie C.C.J. Haugwitz-Hardenberg-Reventlow Annabella (called Be) First marriage John James Patrick Curt l.H.G.M.E.E.Haugwitz-Hardenberg-Reventlow is brother to Lucie-Marie L.A.A.K.H. Haugwitz-Hardenberg-Reventlow B Christian-Einar Lucie-Marie L.A.A.K.H. F.L.E. Reventlow Haugwitz-Hardenberg- Second Marriage Reventlow First marriage Patrick H. Grinling ___ Benedicte C.H.S.E.M.M.A. Reventlow called Benika Christian Gavin Rupert (Gorm) Christian D.E.P.F. Reventlow Anastasia (Anafia) Erik Mourier ___ Naka Reventlow called Besa Ove Alli Steen Suzanne C Bertram Walker Lucie-Marie L.A.A.K.H. called Bertie Haugwitz-Hardenberg- Reventlow, called Mum Second marriage Christian-Einar died in 1929 and Lucie-Marie married Bertram in 1940 The journey from Brahetrolleborg, Fyn, Denmark, to England. Isaiah: 35 As birds Alying so will the Lord of Hosts defend Jerusalem; defending also he will deliver it; and passing over he will preserve it. England Brahetrolleborg I am homesick for you – I see you in the night, peaceful and calm with dark spires standing clearly against the moonlit sky and the Great Bear just over the church with the North Star over the bell tower, and I see you in daytime, now in these October days when the chestnut avenue is golden and a smell of moist leaves hangs all around now when the leaves are falling all over the lawn.
    [Show full text]
  • Årsrapport 2016 for Slots- Og Kulturstyrelsen
    Årsrapport 2016 for Slots- og Kulturstyrelsen Side 2 Oversigt over tabeller, noter og bilag ........................................................................3 1. Påtegning af det samlede regnskab……………….………………………..…………...4 2. Beretning………………………………………………….…………………………….…….…6 2.1. Præsentation af Slots- og Kulturstyrelsen………………………………………..…….…6 2.2. Årets resultater………………………………………….……………………………….….…7 2.3.1 Årets faglige resultater……………………………….………………………………….….7 2.3.2 Årets økonomiske resultat………………………….……………………………………..10 2.3. Slots- og Kulturstyrelsens hovedkonti…………………………………………..……..…13 2.4. Kerneopgaver og ressourcer……………………………………………………..……….…15 2.4.1. Opgaver og ressourcer: Skematisk oversigt…….……………………………………...15 2.5. Målrapportering………………………………………………………………………………17 2.5.1. Målrapporteringens første del: Oversigt over årets resultatopfyldelse……………17 2.5.2. Målrapporteringens anden del: Uddybende analyser og vurderinger…………….18 2.6. Forventninger til kommende år……………………………………………………………31 3. Regnskab……………………………………………………………………………………….33 3.1. Anvendt regnskabspraksis……………………………….…………………………………33 3.2. Resultatopgørelse…………………………………………………………………………….34 3.3. Resultatdisponering……………………………………….…………………………………36 3.4. Balancen…………………………………………………….…………………………………37 3.5. Egenkapitalforklaring…………………………………….…………………………………38 3.6. Likviditet og låneramme…………………………………………………………….………39 3.7. Opfølgning på lønsumsloft…………………………………………………………………..39 3.8. Bevillingsregnskabet……………………………………….………………………………..39 3.9. Udgiftsbaserede hovedkonti…………………….…………………………………….…….40
    [Show full text]
  • Ann-Kathrin Deininger and Jasmin Leuchtenberg
    STRATEGIC IMAGINATIONS Women and the Gender of Sovereignty in European Culture STRATEGIC IMAGINATIONS WOMEN AND THE GENDER OF SOVEREIGNTY IN EUROPEAN CULTURE EDITED BY ANKE GILLEIR AND AUDE DEFURNE Leuven University Press This book was published with the support of KU Leuven Fund for Fair Open Access Published in 2020 by Leuven University Press / Presses Universitaires de Louvain / Universitaire Pers Leuven. Minderbroedersstraat 4, B-3000 Leuven (Belgium). Selection and editorial matter © Anke Gilleir and Aude Defurne, 2020 Individual chapters © The respective authors, 2020 This book is published under a Creative Commons Attribution Non-Commercial Non-Derivative 4.0 Licence. Attribution should include the following information: Anke Gilleir and Aude Defurne (eds.), Strategic Imaginations: Women and the Gender of Sovereignty in European Culture. Leuven, Leuven University Press. (CC BY-NC-ND 4.0) ISBN 978 94 6270 247 9 (Paperback) ISBN 978 94 6166 350 4 (ePDF) ISBN 978 94 6166 351 1 (ePUB) https://doi.org/10.11116/9789461663504 D/2020/1869/55 NUR: 694 Layout: Coco Bookmedia, Amersfoort Cover design: Daniel Benneworth-Gray Cover illustration: Marcel Dzama The queen [La reina], 2011 Polyester resin, fiberglass, plaster, steel, and motor 104 1/2 x 38 inches 265.4 x 96.5 cm © Marcel Dzama. Courtesy the artist and David Zwirner TABLE OF CONTENTS ON GENDER, SOVEREIGNTY AND IMAGINATION 7 An Introduction Anke Gilleir PART 1: REPRESENTATIONS OF FEMALE SOVEREIGNTY 27 CAMILLA AND CANDACIS 29 Literary Imaginations of Female Sovereignty in German Romances
    [Show full text]