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The Most Lasting Impact of the Imperial Rule in the Jalpaiguri District
164 CHAPTER 111 THE BRITISH COLONIAL AUTHORITY AND ITS PENETRATION IN THE CAPITAL MARKET IN THE NORTHERN PART OF BENGAL The most lasting impact of the imperial rule in the Jalpaiguri District especially in the Western Dooars was the commercialisation of agriculture, and this process of commercialisation made an impact not only on the economy of West Bengal but also on society as well. J.A. Milligan during his settlement operations in the Jalpaiguri District in 1906-1916 was not im.pressed about the state of agriculture in the Jalpaiguri region. He ascribed the backward state of agriculture to the primitive mentality of the cultivators and the use of backdated agricultural implements by the cultivators. Despite this allegation he gave a list of cash crops which were grown in the Western Duars. He stated, "In places excellent tobacco is grown, notably in Falakata tehsil and in Patgram; mustard grown a good deal in the Duars; sugarcane in Baikunthapur and Boda to a small extent very little in the Duars". J.F. Grunning explained the reason behind the cultivation of varieties of crops in the region due to variation in rainfall in the Jalpaiguri district. He said "The annual rainfall varies greatly in different parts of the district ranging from 70 inches in Debiganj in the Boda Pargana to 130 inches at Jalpaiguri in the regulation part of the district, while in the Western Duars, close to the hills, it exceeds 200 inches per annum. In these circumstances it is not possible to treat the district as a whole and give one account of agriculture which will apply to all parts of it".^ Due to changes in the global market regarding consumer commodity structure suitable commercialisation at crops appeared to be profitable to colonial economy than continuation of traditional agricultural activities. -
Kala Bhavana, Visva-Bharati Under Graduate Syllabus, Objectives and Outcomes (Cbcs)
DEPARTMENT OF DESIGN (CERAMIC & GLASS) KALA BHAVANA, VISVA-BHARATI UNDER GRADUATE SYLLABUS, OBJECTIVES AND OUTCOMES (CBCS) The four years Undergraduate BFA programme at Kala Bhavana begins with a 1-year Foundation Course. In the foundation course, the students get introduced with all discipline of visual art. Foundation course is followed by three years of specialization in Department of Design (Ceramic & Glass) I. Department of Design (Ceramic & Glass) component in the 1 year BFA Foundation programme Programme & Course Name Course Content Objective Expected Outcome Semester and Credits 1st. Year BFA – BFA/CG-F 1 It enhances /helps students to understand their In outdoor studies, students use very many Foundation 2 credits 1. Nature study on paper and immediate surroundings in the context of different traditional mediums and methods (Integrated basic understanding of observations of certain images and experiences which also help them to execute or approach Course) Ceramics ‘pottery/images they are gaining, more closely. They learn to images in multiple manners. articulate the use of lines, colours, shapes and Finally and most importantly they observe ST in coiling technique 1 . Semester forms of different given images around them. Also certain images around them and try to execute Course Name: (earthen ware). grows an understanding of different things from in different mediums, get attached to their BFA/CG-F 1, 2 Study of traditional daily observations, which gradually used in present situations and understand their own Course Credit: 2 terracotta forms and compositions. presence. Duration 90 Days copying in clay (earthen Learns multiple shapes, quality of objects, To develop their observation power/quality, (July to ware). -
Raja Ravi Varma 145
viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art. -
DDRC Jalpaiguri10092018
5 4 3 2 1 SL.NO MIYA MIYA AKBAR ALI DHRUBA DHRUBA DUTTA PAYAL KHATUN PAYAL ANIMA ANIMA ROY PAYAL ROY PAYAL Name of beneficiary CAMP NAME : DDRC JALPAIGURI DATE : 10.09.2018 : DATE JALPAIGURI DDRC : NAME CAMP ROY,BARAKAMAT,JALPAIGUR TOLL,JAIGAON,JALPQAIGURI- PARA,BARUBARI,BERUBARI,J ROY,BAHADUR,JALPAIGURI- C/O C/O SAPIKUL ALAM,PURBA PARA,JALPAIGURI-735102 JAFOR,JAYGAON,TRIBENI JAFOR,JAYGAON,TRIBENI NAGAR,MOHANTA NAGAR,MOHANTA ALPAIGURI-735137 C/O C/O MIYA ABDUL DUTTA,MOHIT DUTTA,MOHIT C/O SHYAMAL C/O SHYAMAL C/O SANTOSH C/O SANTOSH LAL BAJAR C/O C/O BASI I-735305 735121 736182 Complete Address 14 14 48 65 11 Age M M F F F M/F GEN GEN OBC SC SC Caste 3500 3000 3000 3600 3000 Income HEARING HEARING HEARING HEARING HEARING AID V AID V AID V AID V AID V Type of aid(given) 10.09.2018 10.09.2018 10.09.2018 10.09.2018 10.09.2018 Date on Which (given) 5680 5680 5680 5680 5680 Total Cost of aid,including Fabrication/Fitment charges 100% 100% 100% 100% 100% Subsidy provided Travel cost paid to outstation beneficiary Board and lodging expenses paid Whether any surgical correction undertaken 5680 5680 5680 5680 5680 Total of 10+11+12+13 No of days for which stayed Whether accomanied by escort YES YES YES YES YES Photo of beneficiary* 9002033171 9434228632 7076669744 9832340736 9932546247 Mobile No. or lan d line number with STD Code** C/O BABLU ROY,DHUPGURI,UTTAR HEARING 6 SIMA ROY 7 F SC 4000 10.09.2018 5680 100% 5680 YES 8512999121 KATHULIYA,JALPAIGURI- AID V 735210 C/O MADHUSUDAN APARNA CHAKRABORTY,ADARPARA HEARING 7 16 F GEN 2000 10.09.2018 5680 -
Chapter 2 Geo-Historical Profile of North Bengal
Chapter 2 Geo-Historical Profile of North Bengal “North of the main branch of the Ganges, now known as Padma and west of the Brahmapurta lies the extensive region” of North Bengal “which embraces the modern Rajshahi Division and the state of Cooch Behar.” 1 The present-day taxonomic geography of North Bengal is not only a geographical expression but a historical development of a geo-historical concept which came to being (as North Bengal) in a process of transition in different forms like Poundra or Poundrabardhan, Gouda, Varendra, Uttariya, Uttardesa, Kamtabihar. Professor Ananda Gopal 14 Ghosh showed the process of terminological transition of North Bengal in his monumental work “Uttarbanga Namer Sandhane”2 In the early phase of colonial rule the term ‘Northern Bengal’ was used geographically, which later on changed into ‘North Bengal’. However, during the middle phase of colonial rule it took intellectual conception. During post-colonial or post- independent phase it came to be used as a geo-cultural entity. The territorial geography which hovered in our sight with the name of ‘North Bengal’ is the six districts of northern part of our present-day West Bengal such as Malda, Darjeeling, Jalpaiguri, N. Dinajpur, S. Dinajpur and Cooch Behar. But as the period of my discussion is up to 1991 and till then instead of North and South Dinajpur, West Dinajpur was there for which I shall use West Dinajpur. It may be mentioned here that ‘Darjeeling’ and ‘Jalpaiguri’ as districts were not in existence during pre-British period in Bengal, as they were created during British rule in a transitional politico-administrative process of the period. -
ITI Code ITI Name ITI Category Address State District Phone
Private ITI mapped with FLCC for the State of West Bengal ITI Mobile No. Of FLC ITI Code ITI Name Address State District Phone Number Email Name of FLC Name of Bank Name of FLC Manager Landline of FLC Address Category Manager Bill Edgar Memorial Vocational VILL. - BADRA, P.O. - JUNBEDIA,DIST. - UNITED BANK OF VILL-RANGAHAL PO-AMARKANAN, DT PU19000087 P West Bengal Bankura NULL RUDSETI UMAPADA KOLEY 9434587288 03241-265450 Training Centre BANKURA. PIN-722 155, PH: 03242-258791 INDIA BANKURA PIN 722133 UNITED BANK OF VILL-RANGAHAL PO-AMARKANAN, DT PU19000094 Prof. S.N. Bose Pvt.ITI P Vill. & Post. Sonagara, P.S. Raipur, West Bengal Bankura 03243-201026 [email protected] RUDSETI UMAPADA KOLEY 9434587288 03241-265450 INDIA BANKURA PIN 722133 INDAS PRIVATE INDUSTRIAL TRAINING UNITED BANK OF VILL-RANGAHAL PO-AMARKANAN, DT PU19000096 P MIRJAPUR,INDUS,BANKURA,PIN -722205 West Bengal Bankura 03244-263078 [email protected] RUDSETI UMAPADA KOLEY 9434587289 03241-265451 INSTITUTE INDIA BANKURA PIN 722134 TECHLAND PRIVATE INDUSTRIAL KADMAGHATI, Chhatarkanali,BANKURA,PIN - UNITED BANK OF VILL-RANGAHAL PO-AMARKANAN, DT PU19000102 P West Bengal Bankura 03242-201068 [email protected] RUDSETI UMAPADA KOLEY 9434587290 03241-265452 TRAINING INSTITUTE 722155 INDIA BANKURA PIN 722135 [email protected]/ P.O: Molandighi,PS-Kanska,Durgapur,Dist- UCO Bank, Burdwan Br,Baidyanath Katra, PU19000005 Luthfa Private ITI P West Bengal Barddhaman [email protected]/ LDM office, Burdwan UCO BANK A.Kumar 9434537528 Burdwan, Pin: 713212 GT Road, Burdwan 713101 [email protected] DIGHIRKONE, PO-UCHALAN, PS- UCO Bank, Burdwan Br,Baidyanath Katra, PU19000075 SPB TECHNICAL INSTITUTE P MADHABDIHI, PIN-713427,RAINA-II, DIST: West Bengal Barddhaman 03463-253052/252711 [email protected] LDM office, Burdwan UCO BANK A.Kumar 9434537528 GT Road, Burdwan 713102 BURDWAN , PH: 03451-252770,252764 VILL+P.O.- UCHALAN, DIST. -
Land Tenure and Forest Conservation in the Dooars of the Eastern Himalaya Govinda Choudhury*
RESEARCH ARTICLE Land Tenure and Forest Conservation in the Dooars of the Eastern Himalaya Govinda Choudhury* Abstract: Reservation of forest land led to the loss of community rights and impoverishment of forest communities in the Dooars of Eastern Himalaya. The Forest Rights Act 2006 is the first piece of legislation meant to undo the historical injustice done to forest communities. However, the manner in which the Forest Rights Act has been implemented raises questions about its role in protecting the livelihood security of forest dwellers. In the Dooars of Jalpaiguri, an argument made for denying community rights is that these forests were reserved from waste land and hence no prior community forest rights existed. This paper argues that a vibrant forest community existed prior to acquisition of these forests, and that “reserving from waste” is a colonial construct. In the Himalayan region, the livelihood needs of forest communities cannot be met from agriculture alone, but also require access to forest commons. Extraction of natural resources may be unsustainable if forests are made an open access resource. We argue that recognition of community property rights in forests can ensure conservation of the resource and also enhance livelihood security among the poor. Keywords: Land rights, property rights, conservation, Forest Rights Act 2006, Dooars, Himalaya, agrarian relations in West Bengal Introduction The focus of this paper is on land tenure and community forest rights of forest- dwelling tribal communities in the forests of Jalpaiguri Dooars in Eastern India, and their implications for forest conservation in the region. The Dooars refer to the narrow stretch of densely forested land along the Indo- Bhutan border. -
ATMA, Dated 20/12/2018 of ATMA, Uttar Dinajpur ADMIT CARD
AGRICULTURAL TECHNOLOGY MANAGEMENT AGENCY (A.T.M.A.), UTTAR DINAJPUR DISTRICT KARNAJORA : RAIGANJ : UTTAR DINAJPUR Advertisement No. : 3/ATMA, Dated 20/12/2018 of ATMA, Uttar Dinajpur ADMIT CARD To Roll No.1 /ATM Paste Self ANUBHAB DAS, S/O-MURATI MOHAN DAS Attested VILL+ P.O – GOALTORE, Stamp Size DIST- PASCHIM MIDINIPUR, PIN-733123 Photograph Name of the Post :- Assistant Technology Manager (ATM) Date :-26.02.2019 . Venue :- District Panchayet Training Resource Centre (DPTRC) Conference Hall, Karnajora, Raiganj , Uttar Dinajpur. Time :- 10.00 A.M. Onwards. Reporting Time :- 9.30 A.M. You are requested to report at the specified venue, date and time for attending interview & computer test for the Contractual post of Assistant Technology Manager (ATM). _______________________________ _______________________________ Documents verified by (Full Signature) Full Signature of the candidate _______________________________________ Chairman, Recruitment Committee For Instruction and terms & conditions please see overleaf ……………………………………………………………………………………………………………………………………………………………………… AGRICULTURAL TECHNOLOGY MANAGEMENT AGENCY (A.T.M.A.), UTTAR DINAJPUR DISTRICT KARNAJORA : RAIGANJ : UTTAR DINAJPUR Advertisement No. : 3/ATMA, Dated 20/12/2018 of ATMA, Uttar Dinajpur ADMIT CARD To Roll No.1 /ATM Paste Self ANUBHAB DAS, S/O-MURATI MOHAN DAS Attested VILL+ P.O – GOALTORE, Stamp Size DIST- PASCHIM MIDINIPUR, PIN-733123 Photograph Name of the Post :- Assistant Technology Manager (ATM) Date :-26.02.2019 . Venue :- District Panchayet Training Resource Centre (DPTRC) Conference Hall, Karnajora, Raiganj , Uttar Dinajpur. Time :- 10.00 A.M. Onwards. Reporting Time :- 9.30 A.M. You are requested to report at the specified venue, date and time for attending interview & computer test for the Contractual post of Assistant Technology Manager (ATM). -
SUBSTR DESCR International Schools ICELAND 001041 Haskoli
SUBSTR DESCR International Schools ICELAND 001041 Haskoli Islands 046908 Icelandic Col Social Pedagogy 001042 Kennarahaskoli Islands 002521 Taekniskoli Islands 002521 Technical College Iceland 001042 Univ Col Education Iceland 001041 Univ Iceland INDIA 000702 A Loyola Col 000678 Abhyuday Skt Col 000705 Ac Col 000705 Ac Col Commerce 000705 Ac Training Col 000629 Academy Of Architecture 000651 Acharatlal Girdharlal Teachers 000705 Acharya Brajendra Nath Seal Co 000701 Acharya Thulasi Na Col Commerc 000715 Adarsh Degree Col 000707 Adarsh Hindi Col 000715 Adarsh Vidya Mandir Shikshak 000710 Adarsha Col Ed 000698 Adarsha Ed Societys Arts Sci C 000710 Adhyapak Col 000701 Adichunchanagiri Col Ed 000701 Adichunchanagiri Inst Tech 000678 Adinath Madhusudan Parashamani 000651 Adivasi Arts Commerce Col Bhil 000651 Adivasi Arts Commerce Col Sant 000732 Adoni Arts Sci Col 000710 Ae Societys Col Ed 000715 Agarwal Col 000715 Agarwal Evening Col 000603 Agra University 000647 Agrasen Balika Col 000647 Agrasen Mahila Col 000734 Agri Col Research Inst Coimbat 000734 Agri Col Research Inst Killiku 000734 Agri Col Research Inst Madurai 000710 Agro Industries Foundation 000651 Ahmedabad Arts Commerce Col 000651 Ahmedabad Sci Col 000651 Ahmedabad Textile Industries R 000710 Ahmednagar Col 000706 Aizwal Col 000726 Aja Col 000698 Ajantha Ed Societys Arts Comme 000726 Ajra Col 000724 Ak Doshi Mahila Arts Commerce 000712 Akal Degree Col International Schools 000712 Akal Degree Col Women 000678 Akhil Bhartiya Hindi Skt Vidya 000611 Alagappa College Tech, Guindy 002385 -
Updated Campus Map in PDF Format
KOPAI RIVER N NE LEGEND : NW E PRANTIK STATION W 1.5 KM SL. NO. NAME SYMBOL SE WS 1. HERITAGE BUILDING S 2. ADMIN. BUILDING VISVA-BHARATI CAMPUS 3. ACADEMIC BUILDING 42 4. GUEST HOUSE G 5. AUDITORIUM / HALL 101 6. HOSTEL BUILDING DEER PARK 44 7. CANTEEN C G RATAN PALLI 8. HOSPITAL LAL BANDH 01 41 SHYAMBATI 43 40 9. WATER BODY G 39 KALOR DOKAN 10. SWIMMING POOL 45 11. PLAY GROUND 38 93 91 90 UTTARAYANA/ 48 12. AGRICULTURE FARM RABINDRA BHAVANA 34 OLD MELA GROUND 94 POND (JAGADISH KANAN) 37 35 02 13. VILLAGE 33 47 T 98 92 46 G C T A T 14. WILDLIFE SANCTUARY 96 89 52 53 54 36 PM HOSPI AL 97 SIKSHA BHAVANA COMPLEX 50 51 04 E S A U R Y 100 03 15. ROAD 58 55 G SEVA PALLI 32 99 95 31 G 16. V.B.PROPERTY LINE D L F N PRATI ICH SRIPALLI SANGIT 60 KALA BHAVANA 57 LIPIKA I L I BHAVANA 56 30 N R LW E KALIGUNJE PEARSON PALLI 49 59 AMRAKUNJA 141 66 61 64 63 C 29 65 27 28 76 77 62 PATHA BHAVANA AREA NT LCERA L A 74 AY 68 75 LI RBR 103 67 EASTER AILIN AY PREPARED BY:- B A L V P U R W 25 78 102 F E PURVA PALLI C CENTRAL O FIC POUS MELA GROUND ESTATE OFFICE, SU 3 79 ASRAMA 80 26 73 81 RI 0 KM PLAY GROUND 24 VISVA - BHARATI 69 23 05 SIMANTAPALLI 83 22 SANTINIKETAN, PIN-731235 72 88 82 PLAY HATIPUKUR GROUND 85 84 SBI AUROSRI MARKET 21 86 71 LEGAL DISCLAIMER : THIS IS AN INDICATIVE MAP ONLY, 20 HATIPUKUR 70 16 FOR THE AID OF GENERAL PUBLIC. -
List of Approved Contractors Valid For
LIST OF APPROVED CONTRACTORS VALID FOR CYCLIC PERIOD 01 JAN 2016 TO 31 DEC 2020 Categories of Work:- (a) Civil Engineering Works (i) Building and Road works (ii) Water Supply & Sewage Disposal (iii) Runways & Pavements (iv) Marine and Harbour Works (b) Electrical Engineering Works (i) Low Tension Electric Works(Upto 1100 Volts) (ii) High Tension Electric Works (excluding 33 KV) (iii) 33 KV and Extra High Voltage Installations (c) Electrical/Mechanical Engineering Services (i) Air Conditioning and Refrigeration. (ii) Lifts (iii) Electrically Operated Cranes. (iv) Incinerators (v) Mechanical Laundry (vi) Fire Fighting & Fire Detection System (vii) Water & Effluent Treatment (d) Miscellaneous (i) Manufacture of Furnitures (ii) Handling of Engineer Stores and Transportation (iii) Horticulture and Land Scaping (iv) Information Technology Services. (v) Maintenance & Operation of E/M Installation. (vi) Repair to Transport Vehicles. (vii) Energy Audit Services. (viii) Auction Services. LIST OF APPROVED CONTRACTORS OF HQ CE EASTERN COMMAND, FORT WILLIAM, KOLKATA (VALID FOR CYCLIC PERIOD 01 JAN 2016 TO 31 DEC 2020) Ser Index Name of Contractor, Postal Constitution of the firm i.e. Categories of Particulars of Security Index No of No No address, head office and Proprietorship/Partnership/ Ltd/Pvt works enlisted related firm if any branches, telegraphic address Ltd Concern for Whether Standing By whom and remarks if Security deposited Enlisted/ any & S S Bond registered executed Yes/No Class ‘S’ (Special) : Tendering Limit – Rs 15.00 Crores 1. S-1 M/s L M Das & Sons Partnership concern : (a)(i) & (a)(ii) Yes HQ CEEC M/s Seth Lakhmani Mansion Kolkata Ghanshyam Das H-4, New Alipore Partners :- Lakhmani & Co Kolkata – 700053 1. -
In Satyajit Ray's Documentary Films
i i i i DOI: 10.20287/doc.d21.ar5 Reading the ‘Facts’ in Satyajit Ray’s documentary films: a critical overview Shyamasri Maji* Resumo: Este artigo é sobre os filmes documentários de Satyajit Ray (1921-1992). Os seus documentários apresentam uma tapeçaria rica em criatividade, uma cinema- tografia requintada, uma música expressiva e, acima de tudo, uma maneira extraordi- nária de contar histórias. Em todos eles, Ray escreve o roteiro, compõe a música e realiza. Neste artigo, tentei analisar o seu estilo de representar os factos em filmes de não-ficção. Palavras-chave: biografias, filosofia tagoreana, narração, "verdade mais profunda". Resumen: Este artículo trata sobre las películas documentales de Satyajit Ray (1921- 1992). Los documentales de Ray presentan un rico tapiz de guión pensativo, cinema- tografía exquisita, música expresiva y sobre todo una forma extraordinaria de contar historias. En todos ellos, Ray ha escrito el guión, compuesto la música y dado la di- rección. En este trabajo, he tratado de analizar su estilo de representar los hechos en películas de no ficción. Palabras clave: biografías; filosofía tagoreana; voz en off ; "verdad más profunda". Abstract: This paper is about the documentary films of Satyajit Ray (1921-1992). Ray’s documentaries present a rich tapestry of thoughtful script, exquisite cinemato- graphy, expressive music and above all an extraordinary way of story-telling. In all of them, Ray has written the script, composed the music and given the direction. In this article, I have tried to analyse his style of representing the facts in non-fiction films. Keywords: biographies; tagorean philosophy; voiceover; “deeper truth.” Résumé: Cet article traite des films documentaires de Satyajit Ray (1921-1992).