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Cast List- Alice in Wonderland Alice- Rachel M. Mathilda- Chynna A
Cast List- Alice in Wonderland Alice- Rachel M. Mathilda- Chynna A. Cheshire Cat 1- Jelayshia B. Cheshire Cat 2- Skylar B. Cheshire Cat 3- Shikirah H. White Rabbit- Cassie C. Doorknob- Mackenzie L. Dodo Bird- Latasia C. Rock Lobsters & Sea Creatures- Kayla M., Mariscia M., Bar’Shon B., Brandon E., Camryn M., Tyler B., Maniya T., Kaitlyn G., Destiney R., Sole’ H., Deja M. Tweedle Dee- Kayleigh F. Tweedle Dum- Tynigie R. Rose- Kristina M. Petunia- Cindy M. Lily- Katie B. Violet- Briana J. Daisy- Da’Johnna F. Flower Chorus- Keonia J., Shalaya F., Tricity R. and named flowers Caterpillar- Alex M. Mad Hatter- Andrew L. March Hare- Glenn F. Royal Cardsmen- ALL 3 Diamonds- Shemar H. 4 Spades- Aaron M. Ace Spades- Kevin T. 5 Diamonds- Abraham S. 2 Clubs- Ben S. Queen of Hearts- Alyceanna W. King of Hearts- Ethan G. Ensemble/Chorus- Katie B. Kevin T. Ben S. Briana J. Kristina M. Latasia C. Da’Johnna F. Shalaya F. Shamara H. Shemar H. Cindy M. Keonia J. Tricity R. Kaitlyn G. Sole’ H. Aaron M. Deja M. Destiney R. Abraham S. Chanyce S. Kayla M. Camryn M. Destiney A. Tyler B. Mariscia M. Brandon E. Bar’Shon B. Bridgette B. Maniya T. Amari L. Dodgsonland—ALL I’m Late—4th Very Good Advice—4th Grade Ocean of Tears—Dodo, Rock Lobsters, Sea Creatures (select 3rd and 4th) I’m Late-Reprise—4th How D’ye Do and Shakes Hands—Tweedles and Alice The Golden Afternoon—5th Grade girls Zip-a-dee-do-dah—4th and 5th The Unbirthday Song—5th Grade Painting the Roses Red—ALL Simon Says—Queen, Alice (ALL cardsmen) The Unbirthday Song-Reprise—Mad Hatter, Queen, King, 5th Grade Who Are You?—Tweedles, Flowers, Alice, Mad Hatter, White Rabbit, Queen & Named Cardsmen Alice in Wonderland: Finale—ALL Zip-a-dee-doo-dah: Bows—ALL . -
Saki / H.H. Munro 1870-1916 Bios
Saki / H.H. Munro 1870-1916 Bios http://www.litgothic.com/Authors/saki.html Up to now, little has been known about Hector Hugh Munro except that he used the pen name “Saki”; that he wrote a number of witty short stories, two novels, several plays, and a history of Russia; and that he was killed in World War I. His friend Rothay Reynolds published “A Memoir of H. H. Munro” in Saki’s The Toys of Peace (1919), and Munro’s sister Ethel furnished a brief “Biography of Saki” for a posthumous collection of his work entitled The Square Egg and Other Sketches (1924). A. J. Langguth’s Saki is the first full-length biography of the man who, during his brief writing career, published a succession of bright, satirical, and sometimes perfectly crafted short stories that have entertained and amused readers in many countries for well over a half-century. Hector Munro was the third child of Charles Augustus Munro, a British police officer in Burma, and his wife Mary Frances. The children were all born in Burma. Pregnant with her fourth child, Mrs. Munro was brought with the children to live with her husband’s family in England until the child arrived. Frightened by the charge of a runaway cow on a country lane, Mrs. Munro died after a miscarriage. Since the widowed father had to return to Burma, the children — Charles, Ethel, and Hector — were left with their Munro grandmother and her two dominating and mutually antagonistic spinster daughters, Charlotte (“Aunt Tom”) and Augusta. This situation would years later provide incidents, characters, and themes for a number of Hector Munro’s short stories as well as this epitaph for Augusta by Ethel: “A woman of ungovernable temper, of fierce likes and dislikes, imperious, a moral coward, possessing no brains worth speaking of, and a primitive disposition. -
ARTICLE: Jan Susina: Playing Around in Lewis Carroll's Alice Books
Playing Around in Lewis Carroll’s Alice Books • Jan Susina Mathematician Charles Dodgson’s love of play and his need for rules came together in his use of popular games as part of the structure of the two famous children’s books, Alice in Wonderland and Through the Looking-Glass, he wrote under the pseudonym Lewis Carroll. The author of this article looks at the interplay between the playing of such games as croquet and cards and the characters and events of the novels and argues that, when reading Carroll (who took a playful approach even in his academic texts), it is helpful to understand games and game play. Charles Dodgson, more widely known by his pseudonym Lewis Carroll, is perhaps one of the more playful authors of children’s literature. In his career, as a children’s author and as an academic logician and mathematician, and in his personal life, Carroll was obsessed with games and with various forms of play. While some readers are surprised by the seemingly split personality of Charles Dodgson, the serious mathematician, and Lewis Carroll, the imaginative author of children’s books, it was his love of play and games and his need to establish rules and guidelines that effectively govern play that unite these two seemingly disparate facets of Carroll’s personality. Carroll’s two best-known children’s books—Alice’s Adventures in Wonderland (1865) and Through the Looking- Glass and What Alice Found There (1871)—use popular games as part of their structure. In Victoria through the Looking-Glass, Florence Becker Lennon has gone so far as to suggest about Carroll that “his life was a game, even his logic, his mathematics, and his singular ordering of his household and other affairs. -
Alice in Wonderland
Alice in Wonderland July 28, 1951 Copyright © 2015 - AllEars.net - Created by JamesD (dzneynut) Email the bonus clue to [email protected] for a chance to win a Disney pin! 1 2 D E 3 4 H E D G E H O G D 5 6 T O R V O W E L S 7 8 U N B I R T H D A Y M Y 9 10 B I L L M O D O O R K N O B 11 G L U N S 12 J U N E A S M 13 14 15 Y T A L I C E G I 16 17 M W W E N D Y H O L 18 19 20 A O F E C L T R U E 21 22 D O T W O D A Y S A D H T D H L H R E R 23 24 25 26 T E N S H I L L I N G S S I X P E N C E F 27 A E T E R E R E D L 28 P W E M E N O A 29 A I R A C A T Q M 30 R M U S T A R D A E U I 31 T A C B H I S T O R Y L E S S O N Y R A B A T G 32 Y R I T D O 33 A R T T W A S B R I L L I G N O E N 34 N L M A R C H H A R E A 35 U M B R E L L A H Lewis Carroll history lesson White Rabbit eight Doorknob Carpenter Golden ketchup March Hare Ed Wynn ten shillings sixpence Rufus unbirthday mustard vowels Carroll Lewis croquet Dinah Cheshire Cat July Wendy Im Late umbrella smirk True two days Dodo overcoat Maryanne Tulgey Woods Mad Hatter cat red six shillings tenpence Bill flamingo Alice Maryjane June smile False bird hedgehog Dormouse Twas Brillig three Mad Tea Party ★ Thurl Ravenscroft, a member of the singing group, the Mellomen, who sing #27 Across, appears to have lost his head while singing a familiar song in what popular theme park attraction? (2 words) [HAUNTEDMANSION] Across Down 3. -
Lewis Carroll 'The Jabberwocky'
Lewis Carroll ‘The Jabberwocky’ 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. "Beware the Jabberwock, my son The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!" He took his vorpal sword in hand; Long time the manxome foe he sought— So rested he by the Tumtum tree, And stood awhile in thought. And, as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back. "And hast thou slain the Jabberwock? Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!" He chortled in his joy. 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. Rudyard Kipling ‘The Way Through The Woods’ They shut the road through the woods Seventy years ago. W eather and rain have undone it again, And now you would never know There was once a road through the woods Before they planted the trees. It is underneath the coppice and heath And the thin anemones. Only the keeper sees That, where the ring-dove broods, And the badgers roll at ease, There was once a road through the woods. Yet, if you enter the woods Of a summer evening late, When the night-air cools on the trout-ringed pools Where the otter whistles his mate, (They fear not men in the woods, Because they see so few) You will hear the beat of a horse’s feet, And the swish of a skirt in the dew, Steadily cantering through The misty solitudes, As though they perfectly knew The old lost road through the woods… But there is no road through the woods. -
Alice's Adventures in Wonderland
digital edition to that of the The world’s original. After weeks of toil he most precise created an exact replica of the A LICE’S original! The book was added replica to VolumeOne’s print-on- Adventures in Wonderland demand offering. While a PDF of the world’s version is offered on various portals of the Net, BookVirtual most famous took the project to heart and children’s book! added its interface designs and programming. Welcome to the world’s most precise all-digital In 1998, Peter Zelchenko replica of the world’s most began a project for Volume- famous children’s book. Thank One Publishing: to create an you, Peter. exact digital replica of Lewis Carroll’s first edition of Alice. BookVirtual™ Working with the original Books made Virtual. Books made well. 1865 edition and numerous www.bookvirtual.com other editions at the Newberry Library in Chicago, Zelchenko created a digital masterpiece in his own right, a testament to NAVIGATE the original work of Lewis Carroll (aka Prof. Charles Dodgson) who personally CONTROL directed the typography for the first Alice. CLOSE THE BOOK After much analyis, Peter then painstakingly matched letter to letter, line to line, of his new TURN THE PAGE BY LEWIS CARROLL ILLUSTRATED BY JOHN TENNIEL RABBIT-HOLE. 1 Fit Page Full Screen On/Off Close Book ALICE’S ADVENTURES IN WONDERLAND Navigate Control Internet Digital InterfaceInterface by byBookVirtual BookVirtual Corp. Corp. U.S. U.S. Patent Patent Pending. Pending. © 2000' 2000 All AllRights Rights Reserved. Reserved. Fit Page Full Screen On/Off Close Book ALICE’S ADVENTURES IN WONDERLAND BY LEWIS CARROLL WITH FORTY-TWO ILLUSTRATIONS BY JOHN TENNIEL VolumeOne Publishing Chicago, Illinois 1998 A BookVirtual Digital Edition, v.1.2 November, 2000 Navigate Control Internet Digital Interface by BookVirtual Corp. -
Alice's Adventures in Wonderland by Lewis Carroll 1898 Edition Cover
Alice’s Adventures in Wonderland by Lewis Carroll 1898 edition cover Image Credit: http://en.wikipedia.org/wiki/File:Alicesadventuresinwonderland1898.jpg Who is Lewis Carroll? • Charles Lutwidge Dodgson was born in Daresbury, a small English village where his father was rector of the church. He was the oldest of eleven children, mostly girls. • In 1850 he entered Christ Church College, Oxford. His stutter prevented him from becoming a clergyman like his father. Instead, he spent his life teaching. • He became an excellent photographer and a lecturer in mathematics in the college, and he lived for the rest of his life in rooms there. Charles Dodgson • He wrote stories for the school magazine under his 1855 pen name, Lewis Carroll, and continued to contribute stories and poems to a local paper. "Lewis Carroll." Contemporary Authors Online. Detroit: Gale, 2010. Literature Resource Center. Web. 22 Oct. 2012. Portrait of Lewis Carroll: This was first published in Carroll's biography by his nephew, Stuart Dodgson Collington: Collingwood, Stuart Dodgson (1898(1898)) The Life and Letters of Lewis Carroll, London: T. Fisher Unwin, pp. p. 50 Origins of the Adventures • “On July 4, 1862,Carroll took a river boat ride with the three young daughters of the college dean, Lorina, Alice, and Edith Liddel. He told them a story about "Alice's Adventures Underground." When little Alice coaxed him to write out the story for her, he did so, calling it "Alice's Hour in Elfland." • In 1864 it became Alice's Adventures in Wonderland, and artist John Tenniel was asked to illustrate it. -
Untangling the Knot
Untangling the Knot An Analysis of Lewis Carroll’s The Hunting of the Snark ''A knot!” said Alice. "Oh, do let me help to undo it!"1 “These problems were all called Knots and were told in the form of stories.” Belle Moses, the author of Lewis Carroll In Wonderland And At Home on Carroll’s puzzle and logic books2 In 1872, Charles Lutwidge Dodgson wrote a monograph on The New Belfry of Christ Church, Oxford. He used the pseudonym D. C. L., a rather elementary scrambling of his initials, last name first, for Dodgson, Charles Lutwidge. In a further story in the set, he created himself as a character, Mr. De Ciel, a phonetic sounding out of those same scrambled initials, which had the added appeal of meaning “Of Heaven” in French. “Everything has a moral,” he wrote, as D. C. L., “if you choose to look for it.”3 In this, he was echoing the words he’d put in the mouth of the Duchess in Alice’s Adventures in Wonderland years before, which was, “Everything’s got a moral, if only you can find it.” Years later, he’d have Sylvie of Sylvie and Bruno say, “There generally is a Moral.”4 1 Quotation selected by Carroll to head his appendix of answers to the Knots presented in A Tangled Tale, Carroll, Lewis, 1832-1898. A Tangled Tale. London: Macmillan, 1885, p 77 [“A knot!” said Alice, “Oh, do let me help to undo it!”] 2 Moses, Belle, Lewis Carroll In Wonderland And At Home: the Story of His Life New York: D. -
Alice in Wonderland A Fantasy with Music. Last Edit
Alice in Wonderland A fantasy with music. Last edit: 1/20/19 Adapted from the novel by Dave Alan Thomas Lyrics by Dave Alan Thomas (“Dreaming” based on a poem by Lewis Carroll) Music by AJ Neaher CAST OF CHARACTERS: All roles will be played by a ten-member ensemble (plus, a pianist) as follows: ALICE A: (MAD HATTER/MARCH HARE/DORMOUSE) B: (WHITE RABBIT) C: (DUCHESS/DUCK) D: (QUEEN OF HEARTS/DODO) E: (GRYPHON/EAGLET/PIGEON/PIG) F: (MOCK TURTLE/EAGLET/BILL THE LIZARD/FISH FOOTMAN) G: (CHESHIRE CAT/MOUSE/GUARD) H: (KNAVE OF HEARTS/FROG FOOTMAN) I: (CATERPILLAR/PAT THE HEDGEHOG/COOK/EXECUTIONER) Narrator* Singer** Pianist*** *Any member that suits the staging best for lines of the the “Narrator” This could be a character that breaks the fourth wall while also playing a character within a scene or it can be one of the players that is not already currently assigned to a character in any given scene. **Although the Mad Hatter is a likely candidate to sing lead on these songs, as he is also the guitarist (or extra musician) they have a “Greek chorus” quality that would lend them to any member of the ensemble, other than Alice, to take part in or to sing lead. That assignment can be at the discretion of the director and music/vocal director, based on the best attributes and abilities of your cast and directorial concept. They will simply be listed as SINGER in the script. ***The pianist is the only member of the show that remains a musician throughout the dream and does not take on other characters. -
Lewis Carroll and the Victorian Era: the Historical Context of Alice in Wonderland
Lewis Carroll and the Victorian Era: The Historical Context of Alice in Wonderland BY: SACHEN PILLAY Welcome! • Central Ideas • The Non-binary • Celebrating self-acceptance and self-discovery • How do these ideas inform Carroll's works and our script? • Purpose • To provide for the students • Follow in Carroll's footsteps: embracing the absurd The World of the Production • What is the Victorian Era? • The 60-year reign of Queen Victoria 1837-1901 • Is the height of the British Imperial era • Victorian society and culture • Industrialization of the western world • The colonization of the global south and east • The rise of modern writing cultures • Changes to western understandings of gender and sexuality • The liberalization of the western world • Lewis Carroll • Carroll’s works and his obsession with the absurd • The discourse surrounding his personal life The Context and Wider History • Karl Marx helps us understand the Victorian era • Marx explains that history flows in different stages • Ancient, Feudal, and Industrial • The Victorian era is significant because it makes Britain's transition from the feudal to the industrial stage i.e capitalism • The development of capitalism is evident in Victorian era social changes • Such changes are: • British political power shifting to the emergent capitalist class • The separate spheres of gender • Scientific challenges to old ways of thinking Victorian Society and Culture • Evolution of Gender roles and sexuality • Victorian era viewed Gender as binary • Men: Public Sphere, strong, independent, -
The Sylvie and Bruno Books As Victorian Novel
The Svlvie/ anJ Bruno Books as Victorian Novel BY EDMUND MILLER THE Sylvie and Bruno BOOKS TOGETHER FORM LEWIS CARROLL'S MOST AMBITIOUS literary work. Yet the general public is hardly aware of its existence. This is a great shame, for the work is more interesting and rewarding than it is generally given credit for being. While perhaps not a great work or an ideally conceived one, it contains many delightful examples of Carroll's brand of nonsense and is unique in the Carroll canon in that that consistently attempts to address an adult audience. The antiutopia of Outland, the charming escapism of Elfiand (Fairyland), and the witty and significant talk of.Elveston (England) are separately interesting.1 However, full appreciation and understanding of the Syhie and Bruno books depends on seeing that they are based on a carefully articulated plan. The volume titled Sylvie and Bruno was published in 1889, and Sylvie and Bruno Concluded was published in 1893. This publication history perhaps gives the impression that Carroll first wrote Sylvie and Bruno, that is, Volume I of the full work, as a self-contained work and then produced a sequel four years later. But his own story of the writing is of a general assembling between 1SS5 and 1SS9 of substantially the whole of the two volumes. He had been gathering material with a book in view for many years; he claims to have done very little new writing when he came to put these pieces together. It was the great length of the completed manuscript that dictated the two-part publication. -
Lewis Carroll (Charles L
LEWIS CARROLL (CHARLES L. DODGSON) a selection from The Library of an English Bibliophile Peter Harrington london VAT no. gb 701 5578 50 Peter Harrington Limited. Registered office: WSM Services Limited, Connect House, 133–137 Alexandra Road, Wimbledon, London SW19 7JY. Registered in England and Wales No: 3609982 Design: Nigel Bents; Photography Ruth Segarra. Peter Harrington london catalogue 119 LEWIS CARROLL (CHARLES L. DODGSON) A collection of mainly signed and inscribed first and early editions From The Library of an English Bibliophile All items from this catalogue are on display at Dover Street mayfair chelsea Peter Harrington Peter Harrington 43 Dover Street 100 Fulham Road London w1s 4ff London sw3 6hs uk 020 3763 3220 uk 020 7591 0220 eu 00 44 20 3763 3220 eu 00 44 20 7591 0220 usa 011 44 20 3763 3220 usa 011 44 20 7591 0220 Dover St opening hours: 10am–7pm Monday–Friday; 10am–6pm Saturday www.peterharrington.co.uk FOREWORD In 1862 Charles Dodgson, a shy Oxford mathematician with a stammer, created a story about a little girl tumbling down a rabbit hole. With Alice’s Adventures in Wonderland (1865), children’s literature escaped from the grimly moral tone of evangelical tracts to delight in magical worlds populated by talking rabbits and stubborn lobsters. A key work in modern fantasy literature, it is the prototype of the portal quest, in which readers are invited to follow the protagonist into an alternate world of the fantastic. The Alice books are one of the best-known works in world literature. They have been translated into over one hundred languages, and are referenced and cited in academic works and popular culture to this day.