Millcayac Revista Digital De Ciencias Sociales
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ED Likely to Seize Bank Accounts of Celebrities in Drugs Case
Follow us on: @TheDailyPioneer facebook.com/dailypioneer RNI No. TELENG/2018/76469 Established 1864 ANALYSIS 7 MONEY 8 SPORTS 12 Published From CASTE CENSUS: STERILE INDIA’S PLAYING XI HYDERABAD DELHI LUCKNOW GST MOP UP TOPS RS 1L-CR FOR BHOPAL RAIPUR CHANDIGARH IDEAS OF POLITICIANS SECOND STRAIGHT MONTH IN AUG IN FOCUS BHUBANESWAR RANCHI DEHRADUN VIJAYAWADA *LATE CITY VOL. 3 ISSUE 313 HYDERABAD, THURSDAY, SEPTEMBER 2, 2021; PAGES 12 `3 *Air Surcharge Extra if Applicable VISHAL SIGNS PAN-INDIA FILM { Page 11 } www.dailypioneer.com FISHERMAN NETS ‘FISH WITH HEART OF ACTRESS SAIRA BANU, ADMITTED TO ROAD AHEAD MAY BE BUMPIER THAN POPE FRANCIS SAYS NOT RESIGNING, GOLD', TAKES HOME OVER RS 1 CRORE HINDUJA HOSPITAL, CURRENTLY IN ICU HOPED: SUNDAR PICHAI TO GOOGLE LIVING ‘NORMAL LIFE’ AFTER SURGERY fisherman from Maharashtra's Palghar, near Mumbai, had eteran actress Saira Banu, who was admitted to Mumbai's an Francisco, United States: Google on Tuesday extended ope Francis is not thinking of resigning and is living "a never imagined that he would make a fortune with his Hinduja Hospital a couple of days ago after she the option for its employees to work from home into next totally normal life" following intestinal surgery in July, he Acatch and earn crores overnight. Chandrakant Tare, a Vcomplained of blood pressure-related issues, has been Syear due to the pandemic. Returning to Google campuses Psaid in a radio interview on Wednesday. Francis, 84, fisherman from Murbe village in Palghar district, took his boat moved to the Intensive Care Unit (ICU) ward of the hospital on will remain voluntary globally through January 10, with local dismissed an Italian newspaper report that he might step to the sea for the first time on August 28 after the monsoon Wednesday, reports news agency ANI. -
LOK SABHA DEBATES (English Version)
Thursday, May 8, 1997 Eleventh Series, Vol. XIV No. 6 Vaisakha 18, 1919 (Saka) LOK SABHA DEBATES (English Version) Fourth Session (Part-IV) (Eleventh Lok Sabha) ir.ufr4*B* (Vol. XIV contains No. 1 to 12) l o k sa b h a secretariat NEW DELHI I’ rn c Rs >0 00 EDITORIAL BOARD Shri S. Gopalan Secretary General Lok Sabha Shri Surendra Mishra Additional Secretary Lok Sabha Secretariat Shri P.C. Bhatt Chief Editor Lok Sabha Secretariat Shri Y.K.. Abrol Senior Editor Shri S.C. Kala Assistant Editor [Original English Proceedings included in English Version and Original Hindi Proceedings included in Hindi Version will be treated as authoritative and not the translation thereof.] „ b . »• KB (ftb’ • • • M o d FOC Col./line or. vallabh BhaiKathiria vailabha Bhai Kathiria (i)/M Shri N .S .VChitthan . Sr i N.S-V. 'n.tNit ( i i ) /'/ Dr. Ran Krishna Kusnaria nc. Ran Krv.<» .fhnaria 5/14 Shri Ran V ilas Pa swan Shri R® Villa* Pa^ai 8/14 (fioni below) Shri Datta Meghe Shri Datta Maghe 10/10 (Irotr below) Shrimati Krishna Bose Shrimati K irsh n a Bose 103/It> Shri Sunder La i Patva Shri Sunder Patva 235/19 Sh ri Atal Bihari Vajpayee Shri Atal Bihari Vajpa« 248/28 Shri Mchaiwaa Ali ^ T o t Shri Hdhsmnad Ali hohraaf Fatmi 2 5 3 /1 .1 4 F atm i 2 5 4 /8 Shri aikde® P m* w 1 Shri Sukhaev Pasnai 378/24 3BO/3 CONTENTS [Eleventh Series, Vol. XIV, Fourth Session (Part-IV) 1997/1919 (Saka] No. -
THE BUCHAREST UNIVERSITY of ECONOMIC STUDIES The
THE BUCHAREST UNIVERSITY OF ECONOMIC STUDIES The Faculty of International Business and Economics The Department of Modern Languages and Business Communication of ASE Iuliu Hațieganu University of Medicine and Pharmacy Cluj- Napoca 7th International Conference: Synergies in Communication Bucharest, Romania, 22 - 23 November 2018 BEHIND THE SCREENS: A STUDY OF THE FILMS OF THREE INDIAN WOMEN DIRECTORS Minouti NAIK1 Abstract Indian films, even after 76 years of independence and 105 years of Indian Cinema, are a predominantly male domain. The percentage of women film makers, in the industry, is a mere 9.1%. Despite this, the films directed by women have compelled audiences to take notice, because of the wide spectrum of issues they have touched upon. Three women directors, whose movies have left an indelible mark on the audiences, include Tanuja Chandra, Meghna Gulzar and Gauri Shinde. This paper analyses the work of these three women directors, for the uniqueness of their themes and the characters they have sketched, and attempts to find out, what has led to their films being etched deeply, into the consciousness of their audience. This will be analysed against the backdrop of the realities of the society from which these films emerge, and as a reflection of the gender dynamics existing in Indian society. Keywords: Indian cinema, women, themes, characters, uniqueness 1. Introduction Men have sight, women insight. - Victor Hugo Victor Hugo‟s observation, penned down in his memoirs, might be an apt point to begin with, when one reflects upon films made by Indian women filmmakers. Despite films forming a very important facet of the Indian society and the fact that India completed 105 years of cinema, this year, the number of women making films in India is very small. -
Zoran Lapov Ser Actriz En El Cine Indio
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Florence Research ARTÍCULOS Zoran Lapov Università di Firenze. Florencia, Italia [email protected] Ser actriz en el cine indio: papeles, representaciones, compromisos Resumen: Al recorrer la historia del cine indio (mayormente hindi) con la población femenina en busca de emancipación y visibilidad en el centro de sus contenidos, el artículo traza las etapas principales del fenómeno hasta la época actual para descubrir que muchas causas siguen esperando encontrar respuestas (efectivas o cinematográficas) en el presente. Inicialmente se trataba de entrar en el mundo del cine, luego de crearse un espacio en este escenario y, por fin, de conquistar la paridad de género que se traduce en ser heroína para “sí misma”, al servicio de sus aspiraciones y no de los objetivos extrínsecos a su persona. Por lo tanto, el presente trabajo se propone analizar el conjunto de papeles, representaciones y compromisos sociales que han asumido las mujeres indias, en primer lugar actrices, como actores sociales proactivos en la gran pantalla y más allá. Palabras clave: cine indio, visibilidad femenina, estudios de género, representaciones sociales, cambios socioculturales Being an actress in the Indian cinema industry: roles, representations and commitments Abstract: While traversing the history of Indian (basically Hindi) cinema with the female gender in search of emancipation and visibility at the core of its contents, this article traces the main stages of the phenomenon up to now to discover that many causes are still waiting to meet their –either actual or cinematographic– answers in the present. -
EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P
UMATIC/DG Duration/ Col./ EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P. B.) Man Mohan Mahapatra 06Reels HST Col. Oriya I. P. 1982-83 73 APAROOPA Jahnu Barua 07Reels EST Col. Assamese I. P. 1985-86 201 AGNISNAAN DR. Bhabendra Nath Saikia 09Reels EST Col. Assamese I. P. 1986-87 242 PAPORI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 252 HALODHIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1988-89 294 KOLAHAL Dr. Bhabendra Nath Saikia 06Reels EST Col. Assamese F.O.I. 1985-86 429 AGANISNAAN Dr. Bhabendranath Saikia 09Reels EST Col. Assamese I. P. 1988-89 440 KOLAHAL Dr. Bhabendranath Saikia 06Reels SST Col. Assamese I. P. 1989-90 450 BANANI Jahnu Barua 06Reels EST Col. Assamese I. P. 1996-97 483 ADAJYA (P. B.) Satwana Bardoloi 05Reels EST Col. Assamese I. P. 1996-97 494 RAAG BIRAG (P. B.) Bidyut Chakravarty 06Reels EST Col. Assamese I. P. 1996-97 500 HASTIR KANYA(P. B.) Prabin Hazarika 03Reels EST Col. Assamese I. P. 1987-88 509 HALODHIA CHORYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 522 HALODIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels FST Col. Assamese I. P. 1990-91 574 BANANI Jahnu Barua 12Reels HST Col. Assamese I. P. 1991-92 660 FIRINGOTI (P. B.) Jahnu Barua 06Reels EST Col. Assamese I. P. 1992-93 692 SAROTHI (P. B.) Dr. Bhabendranath Saikia 05Reels EST Col. -
Hindi DVD Database 2014-2015 Full-Ready
Malayalam Entertainment Portal Presents Hindi DVD Database 2014-2015 2014 Full (Fourth Edition) • Details of more than 290 Hindi Movie DVD Titles Compiled by Rajiv Nedungadi Disclaimer All contents provided in this file, available through any media or source, or online through any website or groups or forums, are only the details or information collected or compiled to provide information about music and movies to general public. These reports or information are compiled or collected from the inlay cards accompanied with the copyrighted CDs or from information on websites and we do not guarantee any accuracy of any information and is not responsible for missing information or for results obtained from the use of this information and especially states that it has no financial liability whatsoever to the users of this report. The prices of items and copyright holders mentioned may vary from time to time. The database is only for reference and does not include songs or videos. Titles can be purchased from the respective copyright owners or leading music stores. This database has been compiled by Rajiv Nedungadi, who owns a copy of the original Audio or Video CD or DVD or Blu Ray of the titles mentioned in the database. The synopsis of movies mentioned in the database are from the inlay card of the disc or from the free encyclopedia www.wikipedia.org . Media Arranged By: https://www.facebook.com/pages/Lifeline/762365430471414 © 2010-2013 Kiran Data Services | 2013-2015 Malayalam Entertainment Portal MALAYALAM ENTERTAINMENT PORTAL For Exclusive -
RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE Et
Direction de la communication DOSSIER DE PRESSE VOUS AVEZ DIT BOLLYWOOD ! RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE et www.centrepompidou.fr VOUS AVEZ DIT BOLLYWOOD ! RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE 4 FEVRIER – 1er MARS 2004 ET 17 MARS – 19 AVRIL 2004 CINEMA 1 (NIVEAU 1), CINEMA 2 (NIVEAU –1) DDirection sommaire de la communication 75 191 Paris cedex 04 responsable du pôle presse I. COMMUNIQUE DE PRESSE page 2 Carole Rio-Latarjet chargée des relations presse Albane Jouis-Maucherat II. VOUS AVEZ DIT « BOLLYWOOD » ! page 4 téléphone par Nadine Tarbouriech 00 33 (0)1 44 78 13 81 télécopie III PROGRAMMATION ET SYNOPSIS DES FILMS page 6 00 33 (0)1 44 78 13 02 mél IV. CALENDRIER DES PROJECTIONS page 29 albane.jouis-maucherat @cnac-gp.fr V. RENCONTRE ORGANISEE PAR LES FORUMS DE SOCIETE La « résistance » de Bollywood ? page 38 VI. EVENEMENTS AUTOUR DE LA MANIFESTATION page 40 VII. LISTE DES PHOTOS DISPONIBLES POUR LA PRESSE page 48 VIII. REMERCIEMENTS page 52 IX. INFORMATIONS PRATIQUES page 53 VOUS AVEZ DIT BOLLYWOOD ! RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE 4 FEVRIER – 1er MARS 2004 ET 17 MARS – 19 AVRIL 2004 CINEMA 1 (NIVEAU 1), CINEMA 2 (NIVEAU –1) Direction Pour la première fois en France, une grande rétrospective consacrée à la cinématographie de la communication indienne populaire est proposée par les Cinémas du Centre Pompidou. 75 191 Paris cedex 04 responsable du pôle presse er Carole Rio-Latarjet Pensée en deux temps, la manifestation rend d’abord hommage, du 4 février au 1 mars 2004, chargée des relations presse aux auteurs des grands classiques en noir et blanc des années 50 considérées comme l’âge Albane Jouis-Maucherat d’or des studios indiens : Guru Dutt, Raj Kapoor, Bimal Roy, Mehboob Khan, V. -
21 TV and the Elderly
TV and the Elderly A Research Study By Centre for Advocacy and Research 2003 1 Project Team Project-In-charge Research Consultant Meeta Parti Shailaja Bajpai Field Visits Market Survey Aarthi Pai Gulab Upadhaya Anuradha Mukherjee Chaitali Dasgupta M. Rizwan Madhu Sharma Sandya M Quantitative Data and Visual Material Girija Kr. Sahu Qismat Ali 2 Introduction HelpAge India commissioned the Centre for Advocacy and Research (CFAR) to conduct a monitoring research and feedback study on the representation of the senior citizens and their concerns on television. The study had aimed at exploring the relationship between the older population and television. In fact, in 2002, CFAR had conducted a detailed monitoring study entitled `Representation of Specialised Social Issues on Media’ for the Ministry of Social Justice and Empowerment. This included a segment on media and the elderly and how they were represented on TV, radio and the print media. The current study builds on that study and goes further: it has a detailed quantitative and qualitative field study of elderly viewers that provides their feedback on TV and the role it plays in their lives. It also includes the views of the TV industry and professional caregivers. The Objectives of the Study: • To profile the TV habits of the elderly and assess the impact TV has on them • Examine the extent and type of coverage the elderly receive on TV - both in news and fiction. This involved a qualitative analysis of the content, treatment of the issue of ageing and/or issues that have a direct bearing on their lives. To identify the best practices and omissions in the coverage • Present the viewpoint of representatives from the TV industry with regard to the elderly, both in terms of representation and as a target audience • Consult professionals in geriatric care on the impact of TV on the elderly. -
Bhubaneswar Sequenced
!"#$%& '()#"#$%&$ &)*+$,&-(. !"#$#!$% &!'( )"!'*+ / '%1# 1 1 5 6 4 6 6 21 1 6 4 2 7 62 2 3 4 5 3 *(( #$%+, &&'( -., * /)( && / !!! ! R !! " !"# $ % Roy said, “The Prime Minister is saying only half truth by claiming that the he Government is all set to ours after Prime Minister State Government is blocking Tlaunch the vaccination HNarendra Modi blamed the Prime Minister Kisan drive for Covid-19 across the rime Minister Naredra the Trinamool Congress and Samman funds… the fact is country and has planned a dry PModi, in his mega-out- the Left Front for doing great we only want to get the funds run in Andhra Pradesh, reach to farmers, on Friday disservice to farmers’ cause by channeled through the State Assam, Gujarat, Punjab next said his Government is ready their recent acts — like refus- Government…the Centre week. to talk with them on all issues ing Central Kisan Samman must not bypass the federal The detailed checklist has with an “open mind” on “facts Nidhi funds for their aid and norms…if it does so then been prepared by the Union and logic” and not on the inciting farmers’ protest in where is there a need of a Health Ministry and shared basis of the “lies spread by them questions on the con- produce anywhere in the coun- Delhi — the Bengal ruling State Government to be in with the four States to guide Opposition parties”. tract-farming and its “benefits”. try, including through “man- outfit and Left parties hit back place.” them in the dry run planned He claimed that new farm He asked farmers not to be dis”. -
1St Filmfare Awards 1953
FILMFARE NOMINEES AND WINNER FILMFARE NOMINEES AND WINNER................................................................................ 1 1st Filmfare Awards 1953.......................................................................................................... 3 2nd Filmfare Awards 1954......................................................................................................... 3 3rd Filmfare Awards 1955 ......................................................................................................... 4 4th Filmfare Awards 1956.......................................................................................................... 5 5th Filmfare Awards 1957.......................................................................................................... 6 6th Filmfare Awards 1958.......................................................................................................... 7 7th Filmfare Awards 1959.......................................................................................................... 9 8th Filmfare Awards 1960........................................................................................................ 11 9th Filmfare Awards 1961........................................................................................................ 13 10th Filmfare Awards 1962...................................................................................................... 15 11st Filmfare Awards 1963..................................................................................................... -
Annual Report 2014-2015
ANNUAL REPORT 2014-2015 CENTRE FOR STUDIES IN SOCIAL SCIENCES, CALCUTTA R-1 Baishnabghata-Patuli Township, Kolkata 700 094 Centre For Studies In Social Sciences, Calcutta Annual Report 2014-2015 CONTENTS Pages 1. Director's Note 5 2. List of Members of the Board of Governors / 11 List of Faculty Members / List of Administrative Staff 3. Research Projects – Completed and On-going 17 4. Academic Activities of Faculty Members 21 5. Teaching Programmes and Students' Enrollment Lists 69 6. Academic Events 83 7. Archive and Library 109 8. Centre for Training and Research in Public 112 Finance and Policy (CTRPFP) 9. Jadunath Bhavan Museum & Resource Centre 120 (JBM&RC) 10. Oral History Project 11. Affiliation to Scholars from other Academic Institutions 123 and Institutional Collaboration 12. Statement of Accounts 125 [Photographs of publications by CSSSC's faculty members and photographs of important events of CSSSC are available on our website : www.cssscal.org] 5 Director's Note Established on February 1, 1973, the Centre for Studies in Social Sciences, Calcutta (CSSSC), is nationally and internationally recognised as a premier research institution of the Indian Council of Social Science Research (ICSSR). Over the past four decades, the institution has kept going its reputation as a key centre in the promotion and advancement of research and teaching in the humanities and different social sciences disciplines. Over the years, the disciplines and areas of research represented at the CSSSC have significantly diversified to include cultural studies, gender studies, performance studies, and development and environmental studies alongside its continuing older strengths in the fields of history, politics and economics. -
Breaking in / out of Bollywood
Breaking in / out of Bollywood : stratégies et trajectoires des productions et personas du nouveau cinéma de l’industrie du film de Mumbai depuis l’arrivée du multiplexe Catherine Bernier Thèse présentée à l’école de cinéma Mel Hoppenheim comme exigence partielle au grade de Philosophae doctor (Ph.D.) Université Concordia Montréal, Québec, Canada Mai 2018 © Catherine Bernier, 2018 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Catherine Bernier Entitled: Breaking in/out of Bollywood: stratégies et trajectoires des productions et personas du nouveau cinéma de l’industrie du film de Mumbai depuis l’arrivée du multiplexe and submitted in partial fulfillment of the requirements for the degree of Doctor Of Philosophy (Film and Moving Image Studies) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Daniel Salée External Examiner Dr. Bernard Bernier External to Program Dr. Rachel Berger Examiner Dr. Charles Acland Examiner Dr. Marc Steinberg Thesis Supervisor Dr. Thomas Waugh Approved by Dr. Martin Lefebvre, Graduate Program Director Thursday, June 14, 2018 Dr. Rebecca Taylor Duclos, Dean Faculty of Fine Arts Résumé Breaking in / out of Bollywood : stratégies et trajectoires des productions et personas du nouveau cinéma de l’industrie du film de Mumbai depuis l’arrivée du multiplexe Catherine Bernier, Ph.D. Université Concordia, 2018 Cette thèse documente l’émergence d’un nouveau cinéma à Mumbai qui défie les conventions ayant traditionnellement contribué à distinguer le cinéma populaire et parallèle dans le contexte indien.