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ED Likely to Seize Bank Accounts of Celebrities in Drugs Case
Follow us on: @TheDailyPioneer facebook.com/dailypioneer RNI No. TELENG/2018/76469 Established 1864 ANALYSIS 7 MONEY 8 SPORTS 12 Published From CASTE CENSUS: STERILE INDIA’S PLAYING XI HYDERABAD DELHI LUCKNOW GST MOP UP TOPS RS 1L-CR FOR BHOPAL RAIPUR CHANDIGARH IDEAS OF POLITICIANS SECOND STRAIGHT MONTH IN AUG IN FOCUS BHUBANESWAR RANCHI DEHRADUN VIJAYAWADA *LATE CITY VOL. 3 ISSUE 313 HYDERABAD, THURSDAY, SEPTEMBER 2, 2021; PAGES 12 `3 *Air Surcharge Extra if Applicable VISHAL SIGNS PAN-INDIA FILM { Page 11 } www.dailypioneer.com FISHERMAN NETS ‘FISH WITH HEART OF ACTRESS SAIRA BANU, ADMITTED TO ROAD AHEAD MAY BE BUMPIER THAN POPE FRANCIS SAYS NOT RESIGNING, GOLD', TAKES HOME OVER RS 1 CRORE HINDUJA HOSPITAL, CURRENTLY IN ICU HOPED: SUNDAR PICHAI TO GOOGLE LIVING ‘NORMAL LIFE’ AFTER SURGERY fisherman from Maharashtra's Palghar, near Mumbai, had eteran actress Saira Banu, who was admitted to Mumbai's an Francisco, United States: Google on Tuesday extended ope Francis is not thinking of resigning and is living "a never imagined that he would make a fortune with his Hinduja Hospital a couple of days ago after she the option for its employees to work from home into next totally normal life" following intestinal surgery in July, he Acatch and earn crores overnight. Chandrakant Tare, a Vcomplained of blood pressure-related issues, has been Syear due to the pandemic. Returning to Google campuses Psaid in a radio interview on Wednesday. Francis, 84, fisherman from Murbe village in Palghar district, took his boat moved to the Intensive Care Unit (ICU) ward of the hospital on will remain voluntary globally through January 10, with local dismissed an Italian newspaper report that he might step to the sea for the first time on August 28 after the monsoon Wednesday, reports news agency ANI. -
LOK SABHA DEBATES (English Version)
Thursday, May 8, 1997 Eleventh Series, Vol. XIV No. 6 Vaisakha 18, 1919 (Saka) LOK SABHA DEBATES (English Version) Fourth Session (Part-IV) (Eleventh Lok Sabha) ir.ufr4*B* (Vol. XIV contains No. 1 to 12) l o k sa b h a secretariat NEW DELHI I’ rn c Rs >0 00 EDITORIAL BOARD Shri S. Gopalan Secretary General Lok Sabha Shri Surendra Mishra Additional Secretary Lok Sabha Secretariat Shri P.C. Bhatt Chief Editor Lok Sabha Secretariat Shri Y.K.. Abrol Senior Editor Shri S.C. Kala Assistant Editor [Original English Proceedings included in English Version and Original Hindi Proceedings included in Hindi Version will be treated as authoritative and not the translation thereof.] „ b . »• KB (ftb’ • • • M o d FOC Col./line or. vallabh BhaiKathiria vailabha Bhai Kathiria (i)/M Shri N .S .VChitthan . Sr i N.S-V. 'n.tNit ( i i ) /'/ Dr. Ran Krishna Kusnaria nc. Ran Krv.<» .fhnaria 5/14 Shri Ran V ilas Pa swan Shri R® Villa* Pa^ai 8/14 (fioni below) Shri Datta Meghe Shri Datta Maghe 10/10 (Irotr below) Shrimati Krishna Bose Shrimati K irsh n a Bose 103/It> Shri Sunder La i Patva Shri Sunder Patva 235/19 Sh ri Atal Bihari Vajpayee Shri Atal Bihari Vajpa« 248/28 Shri Mchaiwaa Ali ^ T o t Shri Hdhsmnad Ali hohraaf Fatmi 2 5 3 /1 .1 4 F atm i 2 5 4 /8 Shri aikde® P m* w 1 Shri Sukhaev Pasnai 378/24 3BO/3 CONTENTS [Eleventh Series, Vol. XIV, Fourth Session (Part-IV) 1997/1919 (Saka] No. -
THE BUCHAREST UNIVERSITY of ECONOMIC STUDIES The
THE BUCHAREST UNIVERSITY OF ECONOMIC STUDIES The Faculty of International Business and Economics The Department of Modern Languages and Business Communication of ASE Iuliu Hațieganu University of Medicine and Pharmacy Cluj- Napoca 7th International Conference: Synergies in Communication Bucharest, Romania, 22 - 23 November 2018 BEHIND THE SCREENS: A STUDY OF THE FILMS OF THREE INDIAN WOMEN DIRECTORS Minouti NAIK1 Abstract Indian films, even after 76 years of independence and 105 years of Indian Cinema, are a predominantly male domain. The percentage of women film makers, in the industry, is a mere 9.1%. Despite this, the films directed by women have compelled audiences to take notice, because of the wide spectrum of issues they have touched upon. Three women directors, whose movies have left an indelible mark on the audiences, include Tanuja Chandra, Meghna Gulzar and Gauri Shinde. This paper analyses the work of these three women directors, for the uniqueness of their themes and the characters they have sketched, and attempts to find out, what has led to their films being etched deeply, into the consciousness of their audience. This will be analysed against the backdrop of the realities of the society from which these films emerge, and as a reflection of the gender dynamics existing in Indian society. Keywords: Indian cinema, women, themes, characters, uniqueness 1. Introduction Men have sight, women insight. - Victor Hugo Victor Hugo‟s observation, penned down in his memoirs, might be an apt point to begin with, when one reflects upon films made by Indian women filmmakers. Despite films forming a very important facet of the Indian society and the fact that India completed 105 years of cinema, this year, the number of women making films in India is very small. -
Question Discussion – 20.05.2015 to 26.05.2015
QUESTION DISCUSSION – 20.05.2015 TO 26.05.2015 QUESTION DISCUSSION 20.05.2015 TO 26.05.2015 7. Odisha Transmission System Improvement Project will receive Rs. 1. Consider the following 1165 cr. ODA from 1. Union Finance Minister has (a) USA (b) France declared the Gold Monetisation (c) Israel (d) Russia Scheme in the Budget 2015-16. (e) Japan 2. It allow individuals to deposit gold 8. Laszlo Krasznahozkai who won the as low as 30 grams in Banks. Britain’s Man Booker International 3. India is the 2nd largest gold Prize recently is from importer in the world & import (a) Czech Republic (b) Hungary 97% of its gold. (c) Italy (d) France 4. It will help growth in GDP. (e) England Which is/are true? 9. Which country has recently declared to (a) 1 & 2 (b) 1, 2 & 3 have mastered Nuclear weapon (c) 2, 3 & 4 (d) 1, 3 & 4 technology (e) 1, 2, 3 & 4 (a) Libya (b) Syria 2. Indian Navy has launched an anti- (c) North Korea (d) Iran submarine warfare ship recently named (e) None of these (a) Kanchan (b) Kavaratti 10. Peter M. Christian was elected as the (c) Sankuch (d) Magar new president of the Federated states (e) Sishumar of 3. UP and MP are on war path over (a) Palace (b) Micronesia sharing the water from the Bansagar (c) Hungary (d) Handuras dam across which never (e) Bolivia (a) Sone (b) Yamuna 11. The new Service Tax rate of 14% will (c) Luni (d) Ganga come into force from (e) Narmada (a) 1st June (b) 1st July 4. -
National School of D School of Drama
NATIONAL SCHOOL OF D RAMA Bahawalpur House 1, Bhagwandas Road, New Delhi – 110 001 Phone : 011-23389402 Email: [email protected] , [email protected] Website : http://nsd.gov.in The National School of Drama is one of the foremost theatre training institutions in the world and the only one of its kind in India. It was set up by the Sangeet Natak Akademi as one of its constituent units in 1959. In 1975, it became an independent entity and was registered as an autonomous organization under the Societies Registration Act XXI of 1860, fully financed by the Ministry of Culture, Government of India. Training in the School is highly intensive and is based on a thorough, comprehensive, carefully planned syllabus which covers every aspect of theatre and in which theory is related to practice. As a part of their training, students are required to produce plays which are then performed before the public. The syllabus takes into account the methods of great theatre personalities who have shaped c ontemporary theatre in all its variety. The systematic study and practical performing experience of Sanskrit drama, modern Indian drama, traditional Indian theatre forms, Asian drama and western dramatic protocols give the students a solid grounding and a wide perspective in the art of theatre. Besides its 3-year training programme, the School has also explored new vistas in the areas of children’s theatre and decentralization of theatre training through workshops under the Extension Programme. The School h as two performing wings – the Repertory Company an d Theatre- in-Education Company. -
Zoran Lapov Ser Actriz En El Cine Indio
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Florence Research ARTÍCULOS Zoran Lapov Università di Firenze. Florencia, Italia [email protected] Ser actriz en el cine indio: papeles, representaciones, compromisos Resumen: Al recorrer la historia del cine indio (mayormente hindi) con la población femenina en busca de emancipación y visibilidad en el centro de sus contenidos, el artículo traza las etapas principales del fenómeno hasta la época actual para descubrir que muchas causas siguen esperando encontrar respuestas (efectivas o cinematográficas) en el presente. Inicialmente se trataba de entrar en el mundo del cine, luego de crearse un espacio en este escenario y, por fin, de conquistar la paridad de género que se traduce en ser heroína para “sí misma”, al servicio de sus aspiraciones y no de los objetivos extrínsecos a su persona. Por lo tanto, el presente trabajo se propone analizar el conjunto de papeles, representaciones y compromisos sociales que han asumido las mujeres indias, en primer lugar actrices, como actores sociales proactivos en la gran pantalla y más allá. Palabras clave: cine indio, visibilidad femenina, estudios de género, representaciones sociales, cambios socioculturales Being an actress in the Indian cinema industry: roles, representations and commitments Abstract: While traversing the history of Indian (basically Hindi) cinema with the female gender in search of emancipation and visibility at the core of its contents, this article traces the main stages of the phenomenon up to now to discover that many causes are still waiting to meet their –either actual or cinematographic– answers in the present. -
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c m y k c m y k Registered with the Registrar of Newspapers of India: Regd. No. 14377/57 CONTRIBUTORS Aziz Quraishi Diwan Singh Bajeli Dr. M. Sayeed Alam Feisal Alkazi Geeta Nandakumar Rana Siddiqui Zaman Salman Khurshid Suresh K Goel Suresh Kohli Tom Alter Indian Council for Cultural Relations Phone: 91-11-23379309, 23379310, 23379314, 23379930 Fax: 91-11-23378639, 23378647, 23370732, 23378783, 23378830 E-mail: [email protected] Web Site: www.iccrindia.net c m y k c m y k c m y k c m y k Indian Council for Cultural Relations The Indian Council for Cultural Relations (ICCR) was founded on 9th April 1950 by Maulana Abul Kalam Azad, the first Education Minister of independent India. The objectives of the Council are to participate in the formulation and implementation of policies and programmes relating to India’s external cultural relations; to foster and strengthen cultural relations and mutual understanding between India and other countries; to promote cultural exchanges with other countries and people; to establish and develop relations with national and international organizations in the field of culture; and to take such measures as may be required to further these objectives. The ICCR is about a communion of cultures, a creative dialogue with other nations. To facilitate this interaction with world cultures, the Council strives to articulate and demonstrate the diversity and richness of the cultures of India, both in and with other countries of the world. The Council prides itself on being a pre-eminent institution engaged in cultural diplomacy and the sponsor of intellectual exchanges between India and partner countries. -
EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P
UMATIC/DG Duration/ Col./ EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P. B.) Man Mohan Mahapatra 06Reels HST Col. Oriya I. P. 1982-83 73 APAROOPA Jahnu Barua 07Reels EST Col. Assamese I. P. 1985-86 201 AGNISNAAN DR. Bhabendra Nath Saikia 09Reels EST Col. Assamese I. P. 1986-87 242 PAPORI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 252 HALODHIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1988-89 294 KOLAHAL Dr. Bhabendra Nath Saikia 06Reels EST Col. Assamese F.O.I. 1985-86 429 AGANISNAAN Dr. Bhabendranath Saikia 09Reels EST Col. Assamese I. P. 1988-89 440 KOLAHAL Dr. Bhabendranath Saikia 06Reels SST Col. Assamese I. P. 1989-90 450 BANANI Jahnu Barua 06Reels EST Col. Assamese I. P. 1996-97 483 ADAJYA (P. B.) Satwana Bardoloi 05Reels EST Col. Assamese I. P. 1996-97 494 RAAG BIRAG (P. B.) Bidyut Chakravarty 06Reels EST Col. Assamese I. P. 1996-97 500 HASTIR KANYA(P. B.) Prabin Hazarika 03Reels EST Col. Assamese I. P. 1987-88 509 HALODHIA CHORYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 522 HALODIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels FST Col. Assamese I. P. 1990-91 574 BANANI Jahnu Barua 12Reels HST Col. Assamese I. P. 1991-92 660 FIRINGOTI (P. B.) Jahnu Barua 06Reels EST Col. Assamese I. P. 1992-93 692 SAROTHI (P. B.) Dr. Bhabendranath Saikia 05Reels EST Col. -
GK Digest 2015 This Was Part of PM Modi’S Visit to Three Indian Ocean Island Countries
www.BankExamsToday.com www.BankExamsToday.com www.BankExamsToday.com GKBy Ramandeep Singh Digest 2015 my pc [Pick the date] www.BankExamsToday.com GK DigestIndex 2015 List of Prime Minister’s Foreign visits 2-5 MoUs signed between India and Korea 5-14 List of Countries - Their Capital, Currency and Official Language 14-20 Popular Governmentwww.BankExamsToday.com Welfare Schemes 20-21 Awards and Honours in India – 2014 22 Awards and Honours in India 2015 23-30 Appointments 30-40 List of Committees in India 2015 40 International Summits in 2015 List 41-43 People in News During August 2015 43-45 Deaths 45-51 International Military Training Exercises 51-52 List of Cabinet Minister as on 30.11.2014 53-54 Union Budget 2015-16 54-58 Ministers and their constituencies 58-59 Important Indian Organizations and their Heads 59-60 Mergers and Acquisitions - Explained in Simple Language 60-62 List of Latest schemes and apps launched by banks 2015 63 Important Parliamentary Acts related to Banking sector in India 63-65 List of important days for banking and insurance exams 65-66 List of important days, useful for general awareness Section of banking exams 66-68 Important days to remember for August, September and October 68-69 Indian States - Capital - Chief Minister (CM) - Governor 69-72 List of important International Organizations with their headquarters, foundation years, heads and purpose 72-75 Wilf Life Sanctuaries in India 75-81 Indian Cities on the Bank of Important Rivers 82-83 List of national parks of India 83-88 Important Airports 89 IMPORTANT TEMPLES OF INDIA 90-97 LIST OF IMPORTANT CUPS AND TROPHIES – SPORTS 98-99 UNESCO HERITAGE SITES 99-127 Must Know Articles of Indian Constitution 128-132 Important Fairs 133-134 World Major Space Centers 134 www.BankExamsToday.com Page 2 www.BankExamsToday.com List of PrimeGK Minister’sDigest 2015 Foreign visits State Visit to Bhutan (June 15-16, 2014): At the invitation of Shri Jigme Khesar Namgyel Wangchuck, the King of Bhutan, Shri Narendra Modi paid a State Visit to Bhutan from 15-16 June 2014. -
Hindi DVD Database 2014-2015 Full-Ready
Malayalam Entertainment Portal Presents Hindi DVD Database 2014-2015 2014 Full (Fourth Edition) • Details of more than 290 Hindi Movie DVD Titles Compiled by Rajiv Nedungadi Disclaimer All contents provided in this file, available through any media or source, or online through any website or groups or forums, are only the details or information collected or compiled to provide information about music and movies to general public. These reports or information are compiled or collected from the inlay cards accompanied with the copyrighted CDs or from information on websites and we do not guarantee any accuracy of any information and is not responsible for missing information or for results obtained from the use of this information and especially states that it has no financial liability whatsoever to the users of this report. The prices of items and copyright holders mentioned may vary from time to time. The database is only for reference and does not include songs or videos. Titles can be purchased from the respective copyright owners or leading music stores. This database has been compiled by Rajiv Nedungadi, who owns a copy of the original Audio or Video CD or DVD or Blu Ray of the titles mentioned in the database. The synopsis of movies mentioned in the database are from the inlay card of the disc or from the free encyclopedia www.wikipedia.org . Media Arranged By: https://www.facebook.com/pages/Lifeline/762365430471414 © 2010-2013 Kiran Data Services | 2013-2015 Malayalam Entertainment Portal MALAYALAM ENTERTAINMENT PORTAL For Exclusive -
Millcayac Revista Digital De Ciencias Sociales
Powered by TCPDF (www.tcpdf.org) Millcayac Revista Digital de Ciencias Sociales Volumen IV - Número 6 - Marzo 2017 MILLCAYAC - Revista Digital de Ciencias Sociales / Vol. IV / N° 6 / 2017. ISSN: 2362-616x. (pp. 1-8) Centro de Publicaciones. FCPyS. UNCuyo. Mendoza Millcayac - Revista Digital de Ciencias Sociales www.millcayacdigital.uncu.edu.ar Volumen IV - Número 6 - 2017 ISSN: 2362-616x Editada por el Centro de Publicaciones. Facultad de Ciencias Políticas y Sociales. Universidad Nacional de Cuyo Centro Universitario. M5502JMA. Mendoza, Argentina Tel. +54 261 4135008. Interno: 2013 [email protected] - [email protected] Licencia Creative Commons Millcayac - Revista Digital de Ciencias Sociales es distribuido bajo una Licencia Creative Commons Atribución-No Comercial-Compartir Igual 4.0 Internacional MILLCAYAC - Revista Digital de Ciencias Sociales / Vol. III / N° 5 / 2016. ISSN: 2362-616x. (pp. 1-8) Centro de Publicaciones. FCPyS. UNCuyo. Mendoza Autoridades de la Facultad de Ciencias Políticas y Sociales Decana: Mgter. Claudia Alejandrina García Vicedecana: Mgter. Silvia Mónica García Directora del Centro de Investigaciones Científicas: Lic. Esp. Andrea Blazsek Directora del Centro de Publicaciones: Dra. Rosana Rodríguez Directora de Millcayac-Revista Digital: Dra. Rosana Rodríguez Cuerpo editorial Directora y Editora jefa: Dra. Rosana Rodríguez Directora: Dra. Rosana Rodríguez Editora Técnica: Victoria Pasero Comunicación e imagen: Lic. Julieta Vignale Diseño/diagramación/compaginación de texto: Victoria Pasero y Lautaro Rodríguez Ñancu Corrección de estilo: Raquel Ferreyra Traducción español-inglés: Téc. Camila Berthold Soporte técnico: Sistema Integrado de Documentación (SID-UNCuyo), Lic. Juan Cruz Groisman y Bib. Adrián Méndez MILLCAYAC - Revista Digital de Ciencias Sociales / Vol. IV / N° 6 / 2017. ISSN: 2362-616x. -
RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE Et
Direction de la communication DOSSIER DE PRESSE VOUS AVEZ DIT BOLLYWOOD ! RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE et www.centrepompidou.fr VOUS AVEZ DIT BOLLYWOOD ! RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE 4 FEVRIER – 1er MARS 2004 ET 17 MARS – 19 AVRIL 2004 CINEMA 1 (NIVEAU 1), CINEMA 2 (NIVEAU –1) DDirection sommaire de la communication 75 191 Paris cedex 04 responsable du pôle presse I. COMMUNIQUE DE PRESSE page 2 Carole Rio-Latarjet chargée des relations presse Albane Jouis-Maucherat II. VOUS AVEZ DIT « BOLLYWOOD » ! page 4 téléphone par Nadine Tarbouriech 00 33 (0)1 44 78 13 81 télécopie III PROGRAMMATION ET SYNOPSIS DES FILMS page 6 00 33 (0)1 44 78 13 02 mél IV. CALENDRIER DES PROJECTIONS page 29 albane.jouis-maucherat @cnac-gp.fr V. RENCONTRE ORGANISEE PAR LES FORUMS DE SOCIETE La « résistance » de Bollywood ? page 38 VI. EVENEMENTS AUTOUR DE LA MANIFESTATION page 40 VII. LISTE DES PHOTOS DISPONIBLES POUR LA PRESSE page 48 VIII. REMERCIEMENTS page 52 IX. INFORMATIONS PRATIQUES page 53 VOUS AVEZ DIT BOLLYWOOD ! RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE 4 FEVRIER – 1er MARS 2004 ET 17 MARS – 19 AVRIL 2004 CINEMA 1 (NIVEAU 1), CINEMA 2 (NIVEAU –1) Direction Pour la première fois en France, une grande rétrospective consacrée à la cinématographie de la communication indienne populaire est proposée par les Cinémas du Centre Pompidou. 75 191 Paris cedex 04 responsable du pôle presse er Carole Rio-Latarjet Pensée en deux temps, la manifestation rend d’abord hommage, du 4 février au 1 mars 2004, chargée des relations presse aux auteurs des grands classiques en noir et blanc des années 50 considérées comme l’âge Albane Jouis-Maucherat d’or des studios indiens : Guru Dutt, Raj Kapoor, Bimal Roy, Mehboob Khan, V.