Festival Directory 2019
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Famous Indian Classical Musicians and Vocalists Free Static GK E-Book
oliveboard FREE eBooks FAMOUS INDIAN CLASSICAL MUSICIANS & VOCALISTS For All Banking and Government Exams Famous Indian Classical Musicians and Vocalists Free static GK e-book Current Affairs and General Awareness section is one of the most important and high scoring sections of any competitive exam like SBI PO, SSC-CGL, IBPS Clerk, IBPS SO, etc. Therefore, we regularly provide you with Free Static GK and Current Affairs related E-books for your preparation. In this section, questions related to Famous Indian Classical Musicians and Vocalists have been asked. Hence it becomes very important for all the candidates to be aware about all the Famous Indian Classical Musicians and Vocalists. In all the Bank and Government exams, every mark counts and even 1 mark can be the difference between success and failure. Therefore, to help you get these important marks we have created a Free E-book on Famous Indian Classical Musicians and Vocalists. The list of all the Famous Indian Classical Musicians and Vocalists is given in the following pages of this Free E-book on Famous Indian Classical Musicians and Vocalists. Sample Questions - Q. Ustad Allah Rakha played which of the following Musical Instrument? (a) Sitar (b) Sarod (c) Surbahar (d) Tabla Answer: Option D – Tabla Q. L. Subramaniam is famous for playing _________. (a) Saxophone (b) Violin (c) Mridangam (d) Flute Answer: Option B – Violin Famous Indian Classical Musicians and Vocalists Free static GK e-book Famous Indian Classical Musicians and Vocalists. Name Instrument Music Style Hindustani -
And Joydeep Ghosh (Sarod)
The Asian Indian Classical Music Society 51491 Norwich Drive Granger, IN 46530 Concert Announcement Vidushi Mita Nag (sitar) Pandit Joydeep Ghosh (sarod) with Pandit Subhen Chatterjee (Tabla) April 26, 2016, Tuesday, 7.00PM At: the Andrews Auditorium, Geddes Hall University of Notre Dame Cosponsored with the Liu Institute of Asia and Asian Studies Tickets available at gate. General Admission: $10, AICMS Members and ND/SMC faculty: $5, Students: FREE Mita Nag, daughter of the veteran sitarist, Pandit Manilal Nag and granddaughter of Sangeet Acharya Gokul Nag, belongs to the Vishnupur Gharana of Bengal, a school of music that is nearly 300 years old and which is known for its dhrupad style of playing. She was initiated into music at the age of four, and studied with her mother, grandfather and father. She appeared for her debut performance at the age of ten, when she also won the Government of India’s Junior National Talent Search Award. She has given many concert performances, both alone and with her father, in cities in the US, Canada, Japan and Europe as well as in India. Joydeep Ghosh is hailed as one of India’s leading sarod, surshringar and Mohanveena artists. He started his sarod training at the age of five, and has studied with the great masters the late Sangeetacharya Anil Roychoudhury , late Sangeetacharya Radhika Mohan Moitra and Padmabhusan Acharya Buddhadev Dasgupta all of the Shahajahanpur Gharana. He has won numerous awards and fellowships, including those from the Government of India, the title of “Suramani” from the Sur Singar Samsad (Mumbai) and “Swarshree” from Swarankur (Mumbai). -
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+ , : 5% )! ; ! ; ; ,-., /012 .0.01 -.)/' .)%2 % ' +>1137 35"/6.*4116"</ **9"+B3 5161>+B3/4 96/%"196>9"3*4". +/..>%/3 '76"'76"3../.= .>% ."3+6."%>. +6"357".6 9".+1/3"."337 56."5>3 6C5."9"5<D"C4"5" 1 + *+#??,,) --@ A"* " $ &3&4/56 /13 % & R !" 34516 tested the demand for five-day custodial interrogation of ormer Finance and Home Chidambaram. FMinister P Chidambaram Solicitor General (SG) will spend at least four days in Tushar Mehta, representing the CBI custody. A Delhi court the CBI, told the court that the on Thursday allowed the CBI agency was not extorting con- plea for custodial interrogation fession but it has the right to of Chidambaram in the INX reach the root of the case. Media corruption case till Besides Sibal, senior advo- August 26. The agency had cate Abhishek M Singhvi # 34516 sought a five-day remand to appeared for Chidambaram unearth the larger conspiracy and opposed CBI’s plea saying n a desperate move to stoke in the case. that the former Union Minister Iviolence in Jammu & Special Judge Ajay Kumar was not a flight risk. Singhvi Kashmir after the abrogation of Kuhar asked the CBI to con- said that the entire CBI case its special status under Article duct medical examination on was based on the statement of 370 and to internationalise the Chidambaram as per the rules. Indrani Mukherjea, who has issue, Pakistan has started The court also allowed the turned approver in the case. recruiting battle-hardened !" # $% family members and lawyers of Chidambaram cannot Afghan and Pashtun fighters to % Chidambaram to meet him answer what the CBI wants to create trouble in the State. -
SPECIAL REPORT an Analysis of the June 1-15, 2008 the Fortnightly from Afaqs! Mobile Marketing Business in India 16
Rs 40 THE SPECIAL REPORT An analysis of the June 1-15, 2008 The fortnightly from afaqs! mobile marketing business in India 16 PROFILE Mohit Anand Making the transition from software to Channel [V]. 22 SPRITE Being Upfront How a consistent message worked like magic. 24 DEFINING MOMENTS Gullu Sen Anything can change your life, feels this adman. TV SHOWS The Power of Stars 12 WEBSITES Are details really everything? A report At Home 14 on whether execution in Indian PARLE MONACO advertising matches the idea. The Lighter Side 38 28 STAR COMIC BOOKS Animated in Print 38 The fortnightly from agencyfaqs! This fortnight... Volume III, Issue 21 he subject of this issue’s cover story has been provoked by the impending Cannes festival EDITOR T– but is not really about it. In the course of covering international awards, we have found Sreekant Khandekar that the quality of execution in Indian advertising keeps cropping up. The issue generally gets sidelined because the natural focus is the idea behind a campaign. PUBLISHER Prasanna Singh Craft and execution are not a pre-requisite for awards alone. It is the stuff of everyday advertising life, the very thing that can enhance the impact of an idea dramatically – EXECUTIVE EDITOR or wreck it, quite as easily. Happydent, Fevicol and Nike are three examples of the M Venkatesh delightful consequence when great idea meets great execution. CREATIVE CONSULTANTS We talk to creative directors, film makers and to clients to find out what the prob- PealiDezine lem is when it comes to execution. Is it about time? Money? Or simply about an LAYOUT Indian way of doing things? You may not like all that you read but it will make you Vinay Dominic look at an old issue afresh. -
Albanian Families' History and Heritage Making at the Crossroads of New
Voicing the stories of the excluded: Albanian families’ history and heritage making at the crossroads of new and old homes Eleni Vomvyla UCL Institute of Archaeology Thesis submitted for the award of Doctor in Philosophy in Cultural Heritage 2013 Declaration of originality I, Eleni Vomvyla confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Signature 2 To the five Albanian families for opening their homes and sharing their stories with me. 3 Abstract My research explores the dialectical relationship between identity and the conceptualisation/creation of history and heritage in migration by studying a socially excluded group in Greece, that of Albanian families. Even though the Albanian community has more than twenty years of presence in the country, its stories, often invested with otherness, remain hidden in the Greek ‘mono-cultural’ landscape. In opposition to these stigmatising discourses, my study draws on movements democratising the past and calling for engagements from below by endorsing the socially constructed nature of identity and the denationalisation of memory. A nine-month fieldwork with five Albanian families took place in their domestic and neighbourhood settings in the areas of Athens and Piraeus. Based on critical ethnography, data collection was derived from participant observation, conversational interviews and participatory techniques. From an individual and family group point of view the notion of habitus led to diverse conceptions of ethnic identity, taking transnational dimensions in families’ literal and metaphorical back- and-forth movements between Greece and Albania. -
SELECTION for CO-PRODUCTION MARKET 2017 by NFDC
SELECTION FOR CO-PRODUCTION MARKET 2017 by NFDC We are pleased to announce the official selection of projects for Co-Production Martket 2017. This year, 18 projects have been selected to participate in the Market. After the success of Open Pitch 2016, this year again the selected filmmakers will be pitiching their projects to a curated audience of national and international producers, financiers and sales agents. The selected projects are - • Aamis (Voracious) | Assamese | India Director: Bhaskar Hazarika’s directorial debut film Kothanodi premiered at Busan International Film Festival in 2015 and won the Asian Cinema Fund’s Post Production Award. Kothanodi travelled to many international festivals and also won Best feature Film in Assamese at the 63rd National Film Awards. Producer: Poonam Deol, Signum Productions Poonam Deol, founder of Signum Productions, is a graduate from St. Stephens College, Delhi Univer- sity and holds a Master of Philosophy degree from Jawaharlal Nehru University, New Delhi. Intellectual by training and an artist at heart, she believes that films provide her a tremendous opportunity to com- bine both. Producer: Shyam Bora, Metanormal Motion Pictures From being the Executive Producer on Bhaskar Hazarika’s Kothanodi (2015) to line producing Pan Nalin’s Angry Indian Goddesses (2015; winner, Audience Awards at TIFF and Rome) and Faith Connec- tions (2013; World Premiere, TIFF), Shyam has been working on international co-productions of inde- pendent films from India for the last five years. Voracious is his first feature as Producer. • Badhonhin (Free) | Bengali | Bangladesh Director: Taneem Rahman has made two feature films titled Aadi and Shopnobari (2016). -
ED Likely to Seize Bank Accounts of Celebrities in Drugs Case
Follow us on: @TheDailyPioneer facebook.com/dailypioneer RNI No. TELENG/2018/76469 Established 1864 ANALYSIS 7 MONEY 8 SPORTS 12 Published From CASTE CENSUS: STERILE INDIA’S PLAYING XI HYDERABAD DELHI LUCKNOW GST MOP UP TOPS RS 1L-CR FOR BHOPAL RAIPUR CHANDIGARH IDEAS OF POLITICIANS SECOND STRAIGHT MONTH IN AUG IN FOCUS BHUBANESWAR RANCHI DEHRADUN VIJAYAWADA *LATE CITY VOL. 3 ISSUE 313 HYDERABAD, THURSDAY, SEPTEMBER 2, 2021; PAGES 12 `3 *Air Surcharge Extra if Applicable VISHAL SIGNS PAN-INDIA FILM { Page 11 } www.dailypioneer.com FISHERMAN NETS ‘FISH WITH HEART OF ACTRESS SAIRA BANU, ADMITTED TO ROAD AHEAD MAY BE BUMPIER THAN POPE FRANCIS SAYS NOT RESIGNING, GOLD', TAKES HOME OVER RS 1 CRORE HINDUJA HOSPITAL, CURRENTLY IN ICU HOPED: SUNDAR PICHAI TO GOOGLE LIVING ‘NORMAL LIFE’ AFTER SURGERY fisherman from Maharashtra's Palghar, near Mumbai, had eteran actress Saira Banu, who was admitted to Mumbai's an Francisco, United States: Google on Tuesday extended ope Francis is not thinking of resigning and is living "a never imagined that he would make a fortune with his Hinduja Hospital a couple of days ago after she the option for its employees to work from home into next totally normal life" following intestinal surgery in July, he Acatch and earn crores overnight. Chandrakant Tare, a Vcomplained of blood pressure-related issues, has been Syear due to the pandemic. Returning to Google campuses Psaid in a radio interview on Wednesday. Francis, 84, fisherman from Murbe village in Palghar district, took his boat moved to the Intensive Care Unit (ICU) ward of the hospital on will remain voluntary globally through January 10, with local dismissed an Italian newspaper report that he might step to the sea for the first time on August 28 after the monsoon Wednesday, reports news agency ANI. -
The Conference Brochure
The Many Lives of Indian Cinema: 1913-2013 and beyond Centre for the Study of Developing Societies, Delhi 9-11 January 2014 1 Credits Concept: Ravi Vasudevan Production: Ishita Tiwary Operations: Ashish Mahajan Programme coordinator: Tanveer Kaur Infrastructure: Sachin Kumar, Vikas Chaurasia Consultant: Ravikant Audio-visual Production: Ritika Kaushik Print Design: Mrityunjay Chatterjee Cover Image: Mrityunjay Chatterjee Back Cover Image: Shahid Datawala, Sarai Archive Staff of the Centre for the Study of Developing Societies We gratefully acknowledge support from the following institutions: Indian Council for Social Science Research; Arts and Humanities Research Council; Research Councils UK; Goethe Institute, Delhi; Indian Council for Historical Research; Sage Publishing. Doordarshan have generously extended media partnership to the conference. Images in the brochure are selected from Sarai Archive collections. Sponsors Media Partner 2 The Idea Remembering legendary beginnings provides us the occasion to redefine and make contemporary the history we set out to honour. We need to complicate the idea of origins and `firsts’ because they highlight some dimensions of film culture and usage over others, and obscure the wider network of media technologies, cultural practices, and audiences which made cinema possible. In India, it is a matter of debate whether D.G. Phalke's Raja Harishchandra (1913), popularly referred to as the first Indian feature film, deserves that accolade. As Rosie Thomas has shown, earlier instances of the story film can be identified, includingAlibaba (Hiralal Sen, 1903), an Arabian Nights fantasy which would point to the presence of a different cultural universe from that provided by Phalke's Hindu mythological film. Such a revisionary history is critical to our research agenda. -
Syllabus for M.Sc. (Film Production)| 1
Syllabus for M.Sc. (Film Production)| 1 Detailed Syllabus for Master of Science (Film Production) (Effective from July 2019) Department of Advertising & Public Relations Makhanlal Chaturvedi National University of Journalism and Communication B-38, Press Complex, M.P. Nagar, Zone-I, Bhopal (M.P.) 462 011 Syllabus for M.Sc. (Film Production)| 2 MAKHANLAL CHATURVEDI NATIONAL UNIVERSITY OF JOURNALISM AND COMMUNICATION (DEPARTMENT OF ADVERTISING AND PUBLIC RELATIONS) Master of Science (Film Production) (Effective from July 2019) Marks Distribution Subject Theory Practic Intern Total Credit al al CCC-1 Evolution of Cinema 80 00 20 100 6 CCC-2 Origin and Growth of Media 80 00 20 100 6 Introduction to Socio CCC-3 80 00 20 100 6 Economic Polity Sem - I CCE-1 Art of Cinematography 50 30 20 OR OR 100 6 CCE-2 Storyboarding 50 30 20 OE-1 Understanding Cinema 25 15 10 50 3 CCC-4 Drama & Aesthetics 50 30 20 100 6 CCC-5 Lighting for Cinema 50 30 20 100 6 CCC-6 Audiography 50 30 20 100 6 Sem - II CCE-3 Art of Film Direction 50 30 20 OR OR 100 6 CCE-4 Film Journalism 50 30 20 OE-2 Ideation and Visualization 25 15 10 50 3 CCC-7 Multimedia Platform 50 30 20 100 6 Editing Techniques & CCC-8 50 30 20 100 6 Practice CCC-9 Film Research 50 30 20 100 6 Sem - III Screenplay Writing for CCE-5 50 30 20 Cinema OR 100 6 OR CCE-6 50 30 20 Advertisement Film Making OE-3 Film Society & Culture 40 00 10 50 3 CCC-10 Film Business & Regulations 80 00 20 100 6 CCC-11 Cinematics 50 30 20 100 6 CCC-12 Project Work on Film Making 00 80 20 100 6 Sem - Literature & Cinema CCE-7 80 00 20 IV OR OR 100 6 Film Management & CCE-8 80 00 20 Marketing OE-4 Documentary Film Making 25 15 10 50 3 Syllabus for M.Sc. -
LOK SABHA DEBATES (English Version)
Thursday, May 8, 1997 Eleventh Series, Vol. XIV No. 6 Vaisakha 18, 1919 (Saka) LOK SABHA DEBATES (English Version) Fourth Session (Part-IV) (Eleventh Lok Sabha) ir.ufr4*B* (Vol. XIV contains No. 1 to 12) l o k sa b h a secretariat NEW DELHI I’ rn c Rs >0 00 EDITORIAL BOARD Shri S. Gopalan Secretary General Lok Sabha Shri Surendra Mishra Additional Secretary Lok Sabha Secretariat Shri P.C. Bhatt Chief Editor Lok Sabha Secretariat Shri Y.K.. Abrol Senior Editor Shri S.C. Kala Assistant Editor [Original English Proceedings included in English Version and Original Hindi Proceedings included in Hindi Version will be treated as authoritative and not the translation thereof.] „ b . »• KB (ftb’ • • • M o d FOC Col./line or. vallabh BhaiKathiria vailabha Bhai Kathiria (i)/M Shri N .S .VChitthan . Sr i N.S-V. 'n.tNit ( i i ) /'/ Dr. Ran Krishna Kusnaria nc. Ran Krv.<» .fhnaria 5/14 Shri Ran V ilas Pa swan Shri R® Villa* Pa^ai 8/14 (fioni below) Shri Datta Meghe Shri Datta Maghe 10/10 (Irotr below) Shrimati Krishna Bose Shrimati K irsh n a Bose 103/It> Shri Sunder La i Patva Shri Sunder Patva 235/19 Sh ri Atal Bihari Vajpayee Shri Atal Bihari Vajpa« 248/28 Shri Mchaiwaa Ali ^ T o t Shri Hdhsmnad Ali hohraaf Fatmi 2 5 3 /1 .1 4 F atm i 2 5 4 /8 Shri aikde® P m* w 1 Shri Sukhaev Pasnai 378/24 3BO/3 CONTENTS [Eleventh Series, Vol. XIV, Fourth Session (Part-IV) 1997/1919 (Saka] No. -
The Differential Impact of War and Trauma on Kosovar Albanian Women Living in Post-War Kosova
The Differential Impact of War and Trauma on Kosovar Albanian Women Living in Post-War Kosova Hanna Kienzler Department of Anthropology McGill University, Montreal June 2010 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Doctor of Philosophy © 2010 Hanna Kienzler Abstract The war in Kosova had a profound impact on the lives of the civilian population and was a major cause of material destruction, disintegration of social fabrics and ill health. Throughout 1998 and 1999, the number of killings is estimated to be 10,000 with the majority of the victims being Kosovar Albanian killed by Serbian forces. An additional 863,000 civilians sought or were forced into refuge outside Kosova and 590,000 were internally displaced. Moreover, rape and torture, looting, pillaging and extortion were committed. The aim of my dissertation is to rewrite aspects of the recent belligerent history of Kosova with a focus on how history is created and transformed through bodily expressions of distress. The ethnographic study was conducted in two Kosovar villages that were hit especially hard during the war. In both villages, my research was based on participant observation which allowed me to immerse myself in Kosovar culture and the daily activities of the people under study. The dissertation is divided into four interrelated parts.The first part is based on published accounts describing how various external power regimes affected local Kosovar culture, and how the latter was continuously transformed by the local population throughout history. The second part focuses on collective memories and explores how villagers construct their community‟s past in order to give meaning to their everyday lives in a time of political and economic upheaval. -
KPMG FICCI 2013, 2014 and 2015 – TV 16
#shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 kpmg.com/in ficci-frames.com We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. Images Courtesy: 9X Media Pvt.Ltd. Phoebus Media Accel Animation Studios Prime Focus Ltd. Adlabs Imagica Redchillies VFX Anibrain Reliance Mediaworks Ltd. Baweja Movies Shemaroo Bhasinsoft Shobiz Experential Communications Pvt.Ltd. Disney India Showcraft Productions DQ Limited Star India Pvt. Ltd. Eros International Plc. Teamwork-Arts Fox Star Studios Technicolour India Graphiti Multimedia Pvt.Ltd. Turner International India Ltd. Greengold Animation Pvt.Ltd UTV Motion Pictures KidZania Viacom 18 Media Pvt.Ltd. Madmax Wonderla Holidays Maya Digital Studios Yash Raj Films Multiscreen Media Pvt.Ltd. Zee Entertainmnet Enterprises Ltd. National Film Development Corporation of India with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars: FICCI-KPMG Indian Media and Entertainment Industry Report 2015 Foreword Making India the global entertainment superpower 2014 has been a turning point for the media and entertainment industry in India in many ways.