There's the Trillion-Dollar India, and Then There Is Bharat

Total Page:16

File Type:pdf, Size:1020Kb

There's the Trillion-Dollar India, and Then There Is Bharat A JOURNAL OF THE PRESS INSTITUTE OF INDIA ISSN 0042-5303 July-September 2019 Volume 11 Issue 3 Rs 60 There’s the trillion-dollar India, and then there is Bharat As one more Independence Day is about to come by and pass, these (in the story below) are the images around Sakuntala Narasimhan in Bengaluru, the IT capital of India. CONTENTS Education, health, even water for survival, are beyond the • Does the Budget take care of reach of those who are not monied. And this group below the basic needs, weaker sections? / poverty line constitutes a few millions in India Bharat Dogra • Research, analyse, substantiate • Next to my apartment is a vacant plot where a multi-storeyed block with facts, be professional / is coming up. Workers are busy erecting scaffolding and pouring N. Bhaskara Rao concrete and raising pillars. Every morning, these pillars are watered • Print lags behind digital in generously with a hose pipe connected to a borewell outlet, while the gender-based news coverage / contractor stands by and supervises. At the entrance to the site is a Manjira Majumdar small structure put together with tarpaulin and corrugated tin sheets, • Food price volatility wrecking where a family of migrant workers working on the construction lives – havoc on the poor / Vibhuti Patel a husband and wife, with two children under six. They have no toilet, • A struggle that’s been on for 60 no electricity, no water – in fact, the city is reeling under a severe water years, and about press freedom / shortage which is expected to get worse by next month due to erratic Nava Thakuria monsoons. But the concrete pillars get a generous treatment with ample • A brave publisher who fought water. The woman labourer tries to catch a couple of buckets of water on behalf of the people / from the hose pipe (not directly, but from what spills over as the men Mrinal Chatterjee hose down the pillar) and this the family uses for drinking, cooking, • How PR functions as a washing and bathing. responsible profession in the US / And we are talking of ‘sabka saath, sabka vikas and sabka vishwaas’ C.V. Narasimha Reddi (together with all, everybody’s progress, everybody’s trust). The ‘sab’ • Shades of conflict expressed does not include those who are disadvantaged and deprived. Like this well in recent Indian cinema / migrant family. I see photographs of politicians having meetings to Shoma A. Chatterji discuss the ‘drought situation’ in air-conditioned rooms at the legis- • Frustration, controversy aside, lature, with a bottle of branded drinking water at each seat. Some of there was much to savour / the VIPs take a sip, the remaining is tossed out as trash along with the Partab Ramchand plastic bottles. If you are a VIP, neither drought nor floods affect you. • A lineage that harks back to a Hail democracy, hail Bharat that is India. Free, independent, galloping moneylender, and to Tagore / towards becoming one of the fastest growing economies of the world. Madhura Dutta • On the other side of the construction is the road leading to the Indian • A woman’s artistic expression and a symbol of an identity / Institute of Science. The road is lined with bungalows with gardens, Ranjita Biswas where the upper economic strata live. A car is parked at the entrance to many of these bungalows. As I walk towards the institute in the • Remembering Pauline Kael / Vijaya Mulay / Ruma Guha (Continued on page 3) Thakurta / Girish Karnad July-September 2019 VIDURA 1 FROM THE EDITOR As the haves wallow in ‘luxury’, the have-nots continue to suffer s I write this, India’s 72nd well as his endeavour to bring such conditions of service, the misery of Independence Day is just a facilities to the common person, but workers, insecurity of employment, Acouple of days away. That it certainly is a comment about the and rampant exploitation may be a short time in the life of a reality that stares us in the face 72 Vibhuti Patel refers to a World nation but it is nevertheless quite years after Independence. Bank report stating that 33 per cent a distance to measure progress by. And this sentiment is what Sakun- or 400 million of the world’s poor There is no doubt that India has tala Narasimhan echoes when she are in India. An alarming statistic. made progress in various fields, writes about the trillion-dollar More than two-thirds of Indians possibly the most in science and India and a Bharat where dollars live in rural areas and nearly 50 per technology and medical science. are unheard of. Indeed, education, cent of the workforce is employed Today, Mukesh Ambani launched health, even water for survival, are in agriculture. Most cultivators are Jio Fiber, announced the Jio-Mi- beyond the reach of the margina- small, marginal farmers and poor crosoft Cloud partnership and the lised in India, those who lives hinge peasants who own less than three $75 billion deal with Saudi Aramco. around the poverty line – millions. acres of land. There are no other Jio Giga Fiber will be rolled out in Let’s spare a thought for the widow opportunities for them to enhance a few weeks from now, offering (mentioned in Narasimhan’s article) their income. It is very important, free voice calls for life from land- bringing up three daughters, who is therefore, for the decision-makers line phones, high speed broadband unable to procure her entitlement of in the agricultural sector to contain of minimum speed of 100 mbps, ration rice, sugar and dal, though food inflation, Patel says. Farm- free high definition TV and dish she has Aadhar and BPL cards. The ers often resort to distress sale of at minimum monthly subscription poor woman, month after month, their products. It is a monopoly of Rs 700. And, what’s more, from buys her requirements of rice in the market where corporate houses are mid-2020, premium Jio Giga Fiber open market, paying prices that she the price-makers and farmers are customers will also get to watch just cannot afford. the price-takers, she says. Patel is new movies on the same day of its Speaking for the marginalised, convinced that it is the rapid and release, meaning they can watch Bharat Dogra says there should be unpredictable changes in food movies at home the same day they much greater concern for the weaker prices that have wreaked havoc are released in theatres! Unimagi- sections and their basic needs in on factory-labour and product nable once, but reality now. So, this budgetary allocations. Basic needs markets, politics and social stabil- is one side of India. include access to health care ser- ity. She offers suggestions: To deal The other side is, how many people vices. For the bulk of rural people, with urban and rural hunger, com- can afford such luxury? Yes, luxury. the nearest source of health care is munity-managed food banks must When Rs 700 means a lot to them, the community health centre where be created; restaurants can be told even when considered as monthly more than 70 per cent of the posts not to destroy unsold food but to expenditure. After all, food, cloth- of specialists (surgeons, physicians, deposit it in local food banks; and ing and shelter, the basics, matter paediatricians) remain unfilled or farmers should be encouraged to much more than being able to watch vacant, he points out. In another sell their products directly to cus- a movie on the day of its release on article, Dogra cites the many efforts tomers without any interference by television. It is a story of extremes – that have been taken over the years governments. one side that can enjoy Jio Fiber and by trade unions to help workers the other that can only look forward and how such efforts have been a Sashi Nair to its next meal. This is, of course, no source of hope and inspiration even [email protected] comment on the exceptional entre- though they can never be completely preneurship shown by Ambani as successful. He points to the poor 2 VIDURA July-September 2019 Illustration: Arun Ramkumar (Continued from page 1) entitlement of ration rice, sugar reply saying that he was giv- and dal, though she has Aadhar ing instructions to his staff to mornings, each car is being and BPL (below poverty line) investigate the problem. You washed down with either hose cards. The ration shop owner can guess what happened pipes or buckets of water, to doesn’t provide a satisfactory thereafter – the lower level staff remove dust, leaving them explanation and says there is a at the minister’s office phoned shiny. Facing the bungalows large board put up at his shop the ration shop to say a com- are a row of slum dwellings, that gives information. She can- plaint had been sent against small one-room shelters hous- not read. Month after month, him. Now Revathi is scared to ing low-income families (no toi- she buys her requirements of go anywhere near the shop and lets, no water pipes. of course). rice in the open market, pay- is trying to get her name trans- Another example of the well- ing prices that she just cannot ferred to another ration shop off affording to spend water afford. The children cannot go which is further away. “With on washing their cars when the hungry. She asked a memsahib no male in the family, and three city has a massive water short- (lady) to help, the woman went daughters to raise and protect, age, with even borewells run- with Revathi to the ration shop I cannot afford to cross swords ning dry.
Recommended publications
  • Global Media Journal–Pakistan Edition Vol.Xii, Issue-01, Spring, 2019 1
    GLOBAL MEDIA JOURNAL–PAKISTAN EDITION VOL.XII, ISSUE-01, SPRING, 2019 Screen Adaptation: An Art in Search of Recognition Sharaf Rehman1 Abstract This paper has four goals. It offers a brief history and role of the process of screen adaptation in the film industries in the U.S. and the Indian Subcontinent; it explores some of the theories that draw parallels between literary and cinematic conventions attempting to bridge literature and cinema. Finally, this paper discusses some of the choices and strategies available to a writer when converting novels, short stories, and stage play into film scripts. Keywords: Screen Adoption, Subcontinent Film, Screenplay Writing, Film Production in Subcontinent, Asian Cinema 1 Professor of Communication, the University of Texas Rio Grande Valley, USA 1 GLOBAL MEDIA JOURNAL–PAKISTAN EDITION VOL.XII, ISSUE-01, SPRING, 2019 Introduction Tens of thousands of films (worldwide) have their roots in literature, e.g., short stories and novels. One often hears questions like: Can a film be considered literature? Is cinema an art form comparable to paintings of some of the masters, or some of the classics of literature? Is there a relationship or connection between literature and film? Why is there so much curiosity and concern about cinema? Arguably, no other storytelling medium has appealed to humanity as films. Silent films spoke to audiences beyond geographic, political, linguistic, and cultural borders. Consequently, the film became the first global mass medium (Hanson, 2017). In the last one hundred years, audiences around the world have shown a boundless appetite for cinema. People go to the movies for different social reasons, and with different expectations.
    [Show full text]
  • Page 1 HC Rejects Payal’S Appeal for House Heavy Snowfall in Kashmir, Patnitop; NIA Charge Sheets Ultra Arrested Om Puri Dies at 66 Affairs (MHA), There Was Sonnel
    SATURDAY, JANUARY 7, 2017 (PAGE 6) DAILY EXCELSIOR, JAMMU From page 1 HC rejects Payal’s appeal for house Heavy snowfall in Kashmir, Patnitop; NIA charge sheets ultra arrested Om Puri dies at 66 Affairs (MHA), there was sonnel. “Aakrosh” and “City of Shah. no immediate threat to them Payal had also challenged NH blocked, 1000 vehicles stranded from Kashmir Joy”, died here today after he Hailing Puri as an “excep- suffered a massive heart attack. tional talent”, Bachchan said he and this "cannot be ques- the single judge's observation snowfall and rains during the Pahalgam received 1.4 degrees school dropout and original- tions given to them by their han- A giant of parallel and new is in grief after hearing the tioned" as even the single that if her husband and father- next 24-hours. Celsius, Kokernag 0.3 degrees ly a resident of Jia Bagga Village dlers of LeT based in Pakistan wave cinema, the 66-year-old news. judge had concluded that there in-law, both of whom are 'Z The weather warning says Celsius and Kupwara 0.3 degrees of Raiwind in Lahore, Pakistan, and PoK. Celsius. actor, who is survived by “Shocked to learn of Om was only a general threat per- plus' protectees, could be minimum temperatures in all was also provided a map sheet "After crossing the LoC secure in a private accommoda- areas of Kashmir Division will Leh in the frontier region of estranged wife Nandita and son Puri Ji’s passing just now.. A ception regarding them. depicting parts of Jammu and fence, the three terrorists walked tion, there is "no reason" why remain below the freezing point Ladakh was the coldest recorded Ishsan, died at his residence.
    [Show full text]
  • ED Likely to Seize Bank Accounts of Celebrities in Drugs Case
    Follow us on: @TheDailyPioneer facebook.com/dailypioneer RNI No. TELENG/2018/76469 Established 1864 ANALYSIS 7 MONEY 8 SPORTS 12 Published From CASTE CENSUS: STERILE INDIA’S PLAYING XI HYDERABAD DELHI LUCKNOW GST MOP UP TOPS RS 1L-CR FOR BHOPAL RAIPUR CHANDIGARH IDEAS OF POLITICIANS SECOND STRAIGHT MONTH IN AUG IN FOCUS BHUBANESWAR RANCHI DEHRADUN VIJAYAWADA *LATE CITY VOL. 3 ISSUE 313 HYDERABAD, THURSDAY, SEPTEMBER 2, 2021; PAGES 12 `3 *Air Surcharge Extra if Applicable VISHAL SIGNS PAN-INDIA FILM { Page 11 } www.dailypioneer.com FISHERMAN NETS ‘FISH WITH HEART OF ACTRESS SAIRA BANU, ADMITTED TO ROAD AHEAD MAY BE BUMPIER THAN POPE FRANCIS SAYS NOT RESIGNING, GOLD', TAKES HOME OVER RS 1 CRORE HINDUJA HOSPITAL, CURRENTLY IN ICU HOPED: SUNDAR PICHAI TO GOOGLE LIVING ‘NORMAL LIFE’ AFTER SURGERY fisherman from Maharashtra's Palghar, near Mumbai, had eteran actress Saira Banu, who was admitted to Mumbai's an Francisco, United States: Google on Tuesday extended ope Francis is not thinking of resigning and is living "a never imagined that he would make a fortune with his Hinduja Hospital a couple of days ago after she the option for its employees to work from home into next totally normal life" following intestinal surgery in July, he Acatch and earn crores overnight. Chandrakant Tare, a Vcomplained of blood pressure-related issues, has been Syear due to the pandemic. Returning to Google campuses Psaid in a radio interview on Wednesday. Francis, 84, fisherman from Murbe village in Palghar district, took his boat moved to the Intensive Care Unit (ICU) ward of the hospital on will remain voluntary globally through January 10, with local dismissed an Italian newspaper report that he might step to the sea for the first time on August 28 after the monsoon Wednesday, reports news agency ANI.
    [Show full text]
  • Girişimciler Için Yeni Nesil Bir Finansman Modeli “Kitle Fonlamasi - Crowdfunding”: Dünya Ve Türkiye Uygulamalari Üzerine Bir Inceleme Ve Model Önerisi
    T.C. BAŞKENT ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ İŞLETME ANABİLİM DALI İŞLETME DOKTORA PROGRAMI GİRİŞİMCİLER İÇİN YENİ NESİL BİR FİNANSMAN MODELİ “KİTLE FONLAMASI - CROWDFUNDING”: DÜNYA VE TÜRKİYE UYGULAMALARI ÜZERİNE BİR İNCELEME VE MODEL ÖNERİSİ DOKTORA TEZİ HAZIRLAYAN ASLI VURAL TEZ DANIŞMANI DOÇ. DR. DENİZ UMUT DOĞAN ANKARA- 2019 TEŞEKKÜR Beni her konuda daima destekleyen, cesaretlendiren, güçlü olmayı öğreten, mücadeleden, öğrenmekten ve kendimi geliĢtirmekten vazgeçmemeyi ilke edindiren, sevgili babama ve rahmetli anneme, Sevgisini ve desteğini daima hissettiğim değerli eĢime, Tezimin her aĢamasında bana tecrübesi ve bilgi birikimiyle yol gösteren, ilgi ve desteğini esirgemeyen tez danıĢmanım Doç. Dr. Deniz Umut DOĞAN’a, Çok değerli görüĢleri ve yönlendirmeleri için Prof. Dr. Nalan AKDOĞAN’a, ÇalıĢma dönemimde destek ve yardımını benden hiç esirgemeyen Çiğdem GÖKÇE’ye ve sevgili dostlarıma, En içten duygularımla teĢekkür ederim. I ÖZET GiriĢimcilerin en önemli problemi finansal kaynaklara ulaĢmalarında yaĢadıkları zorluklardır. GiriĢimciler finansal sorunlarını çözmek için geleneksel finansman yöntemlerinden ve Risk Sermayesi, GiriĢim Sermayesi, Bireysel Katılım Sermayesi, Mikrofinansman gibi alternatif finansman modellerinden yararlanmaktadır. Günümüzde giriĢimcilerin gereksinim duydukları sermayeye ulaĢmak için kullandıkları yeni finansal yöntemlerden biri Kitle Fonlaması modelidir. ÇalıĢmada giriĢimcilik, giriĢim finansmanı ve Kitle Fonlaması modeli konusunda literatür taraması yapılarak ilgili kavramlara değinilmiĢtir. Dünya’da
    [Show full text]
  • Lions Film Awards 01/01/1993 at Gd Birla Sabhagarh
    1ST YEAR - LIONS FILM AWARDS 01/01/1993 AT G. D. BIRLA SABHAGARH LIST OF AWARDEES FILM BEST ACTOR TAPAS PAUL for RUPBAN BEST ACTRESS DEBASREE ROY for PREM BEST RISING ACTOR ABHISEKH CHATTERJEE for PURUSOTAM BEST RISING ACTRESS CHUMKI CHOUDHARY for ABHAGINI BEST FILM INDRAJIT BEST DIRECTOR BABLU SAMADDAR for ABHAGINI BEST UPCOMING DIRECTOR PRASENJIT for PURUSOTAM BEST MUSIC DIRECTOR MRINAL BANERJEE for CHETNA BEST PLAYBACK SINGER USHA UTHUP BEST PLAYBACK SINGER AMIT KUMAR BEST FILM NEWSPAPER CINE ADVANCE BEST P.R.O. NITA SARKAR for BAHADUR BEST PUBLICATION SUCHITRA FILM DIRECTORY SPECIAL AWARD FOR BEST FILM PREM TELEVISION BEST SERIAL NAGAR PARAY RUP NAGAR BEST DIRECTOR RAJA SEN for SUBARNALATA BEST ACTOR BHASKAR BANERJEE for STEPPING OUT BEST ACTRESS RUPA GANGULI for MUKTA BANDHA BEST NEWS READER RITA KAYRAL STAGE BEST ACTOR SOUMITRA CHATTERHEE for GHATAK BIDAI BEST ACTRESS APARNA SEN for BHALO KHARAB MAYE BEST DIRECTOR USHA GANGULI for COURT MARSHALL BEST DRAMA BECHARE JIJA JI BEST DANCER MAMATA SHANKER 2ND YEAR - LIONS FILM AWARDS 24/12/1993 AT G. D. BIRLA SABHAGARH LIST OF AWARDEES FILM BEST ACTOR CHIRANJEET for GHAR SANSAR BEST ACTRESS INDRANI HALDER for TAPASHYA BEST RISING ACTOR SANKAR CHAKRABORTY for ANUBHAV BEST RISING ACTRESS SOMA SREE for SONAM RAJA BEST SUPPORTING ACTRESS RITUPARNA SENGUPTA for SHWET PATHARER THALA BEST FILM AGANTUK OF SATYAJIT ROY BEST DIRECTOR PRABHAT ROY for SHWET PATHARER THALA BEST MUSIC DIRECTOR BABUL BOSE for MON MANE NA BEST PLAYBACK SINGER INDRANI SEN for SHWET PATHARER THALA BEST PLAYBACK SINGER SAIKAT MITRA for MISTI MADHUR BEST CINEMA NEWSPAPER SCREEN BEST FILM CRITIC CHANDI MUKHERJEE for AAJKAAL BEST P.R.O.
    [Show full text]
  • LOK SABHA DEBATES (English Version)
    Thursday, May 8, 1997 Eleventh Series, Vol. XIV No. 6 Vaisakha 18, 1919 (Saka) LOK SABHA DEBATES (English Version) Fourth Session (Part-IV) (Eleventh Lok Sabha) ir.ufr4*B* (Vol. XIV contains No. 1 to 12) l o k sa b h a secretariat NEW DELHI I’ rn c Rs >0 00 EDITORIAL BOARD Shri S. Gopalan Secretary General Lok Sabha Shri Surendra Mishra Additional Secretary Lok Sabha Secretariat Shri P.C. Bhatt Chief Editor Lok Sabha Secretariat Shri Y.K.. Abrol Senior Editor Shri S.C. Kala Assistant Editor [Original English Proceedings included in English Version and Original Hindi Proceedings included in Hindi Version will be treated as authoritative and not the translation thereof.] „ b . »• KB (ftb’ • • • M o d FOC Col./line or. vallabh BhaiKathiria vailabha Bhai Kathiria (i)/M Shri N .S .VChitthan . Sr i N.S-V. 'n.tNit ( i i ) /'/ Dr. Ran Krishna Kusnaria nc. Ran Krv.<» .fhnaria 5/14 Shri Ran V ilas Pa swan Shri R® Villa* Pa^ai 8/14 (fioni below) Shri Datta Meghe Shri Datta Maghe 10/10 (Irotr below) Shrimati Krishna Bose Shrimati K irsh n a Bose 103/It> Shri Sunder La i Patva Shri Sunder Patva 235/19 Sh ri Atal Bihari Vajpayee Shri Atal Bihari Vajpa« 248/28 Shri Mchaiwaa Ali ^ T o t Shri Hdhsmnad Ali hohraaf Fatmi 2 5 3 /1 .1 4 F atm i 2 5 4 /8 Shri aikde® P m* w 1 Shri Sukhaev Pasnai 378/24 3BO/3 CONTENTS [Eleventh Series, Vol. XIV, Fourth Session (Part-IV) 1997/1919 (Saka] No.
    [Show full text]
  • CROWD FUNDING – a NEW WAVE for the SUCCESSFUL INDIAN ENTREPRENUER’S
    International Journal of Engineering & Scientific Research Vol. 6 Issue1, January 2018, ISSN: 2347-6532 Impact Factor: 6.660 Journal Homepage: http://esrjournal.com, Email: [email protected] Double-Blind Peer Reviewed Refereed Open Access International Journal - Included in the International Serial Directories Indexed & Listed at: Ulrich's Periodicals Directory ©, U.S.A., Open J-Gage as well as in Cabell‟s Directories of Publishing Opportunities, U.S.A CROWD FUNDING – A NEW WAVE FOR THE SUCCESSFUL INDIAN ENTREPRENUER’s Dr. J. Venkatesh* & Dr. R. Lavanya Kumari** Dr. J. VENKATESH* Associate Professor Department of Management Studies Anna University Regional Campus Coimbatore, Navavoor, Coimbatore – 641 046. Tamil Nadu, INDIA Dr. R. LAVANYA KUMARI** Associate Professor, Department of Business Management David Memorial Institute of Management Tarnaka, Hyderabad – 500017, Telangana, INDIA ABSTRACT The crowdfunding is an application on crowd sourcing. This concept implemented in the year 2000 and has been developing hastily all around the world. Over the last years crowdfunding emerged as an alternative investment channel for entrepreneurs. In assessment to traditional financiers (banks, venture capital firms or angel investors), crowdfunding lets in people to fund entrepreneurs directly in spite of small amounts. Crowdfunding is the exercise of funding a project by using raising money from a big range of people. It presents new investment avenues and offers a brand new product for portfolio diversification of investors. Crowdfunding is a new paradigm for the younger people to start up an enterprise. The objective of this paper has been focus on benefits & types; it‟s a brand new wave for the successful Indian Entrepreneurs.
    [Show full text]
  • Nepali Times
    #64 12 - 18 October 2001 20 pages Rs 20 JAZZ 19 STUDY 10,11,12 BINOD BHATTARAI ○○○○○○○○○○○○○○○○○○○○ ust a few years ago Nepali domestic J aviation was a model of successful deregulation. New airlines were popping up every week, services were getting better, and even the price of tickets had started going down. Mayday, Mayday Today it is all in shambles. Buffeted by a tourism slump that started with the Indian Airlines hijack in December 1999 and carried on to the post-11 September The government had given air operator worldwide downturn, Nepals domestic certificates to 31 airlines by 2000. Nepals domestic airlines are on the verge of collapse. airlines are struggling to stay aloft. To be sure, most of the aircraft in the ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ The impact of the policy of opening up domestic field are second-hand, safety LAXMAN UPRETI the skies was there for all to see: standards have not been up to mark with a The number of Nepalis flying internally series of tragic crashes. But tourists and jumped almost five times from about Nepali passengers have benefited. There are 350,000 in 1992/93 to 1.8 million last year. now more than 20 flights a day between Domestic airlines hauled a million Kathmandu and Pokhara, about 15 a day to tonnes of cargo last year, compared to half Lukla. There are no waits for flights to that amount in 1992. Jomsom or Bhairahawa. However, airlines Last year there were 19 private airlines have not made much of an impact in flying, compared to only Royal Nepal remote, non-profitable sectors like Jumla, Airlines ten years ago.
    [Show full text]
  • THE BUCHAREST UNIVERSITY of ECONOMIC STUDIES The
    THE BUCHAREST UNIVERSITY OF ECONOMIC STUDIES The Faculty of International Business and Economics The Department of Modern Languages and Business Communication of ASE Iuliu Hațieganu University of Medicine and Pharmacy Cluj- Napoca 7th International Conference: Synergies in Communication Bucharest, Romania, 22 - 23 November 2018 BEHIND THE SCREENS: A STUDY OF THE FILMS OF THREE INDIAN WOMEN DIRECTORS Minouti NAIK1 Abstract Indian films, even after 76 years of independence and 105 years of Indian Cinema, are a predominantly male domain. The percentage of women film makers, in the industry, is a mere 9.1%. Despite this, the films directed by women have compelled audiences to take notice, because of the wide spectrum of issues they have touched upon. Three women directors, whose movies have left an indelible mark on the audiences, include Tanuja Chandra, Meghna Gulzar and Gauri Shinde. This paper analyses the work of these three women directors, for the uniqueness of their themes and the characters they have sketched, and attempts to find out, what has led to their films being etched deeply, into the consciousness of their audience. This will be analysed against the backdrop of the realities of the society from which these films emerge, and as a reflection of the gender dynamics existing in Indian society. Keywords: Indian cinema, women, themes, characters, uniqueness 1. Introduction Men have sight, women insight. - Victor Hugo Victor Hugo‟s observation, penned down in his memoirs, might be an apt point to begin with, when one reflects upon films made by Indian women filmmakers. Despite films forming a very important facet of the Indian society and the fact that India completed 105 years of cinema, this year, the number of women making films in India is very small.
    [Show full text]
  • Indian Films on Partition of India
    PEOPLE: International Journal of Social Sciences ISSN 2454-5899 Manoj Sharma, 2017 Volume 3 Issue 3, pp. 492 - 501 Date of Publication: 15th December, 2017 DOI-https://dx.doi.org/10.20319/pijss.2017.33.492501 This paper can be cited as: Sharma, M. (2017). Cinematic Representations of Partition of India. PEOPLE: International Journal of Social Sciences, 3(3), 492-501. This work is licensed under the Creative Commons Attribution-Non-commercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. CINEMATIC REPRESENTATIONS OF PARTITION OF INDIA Dr. Manoj Sharma Assistant Professor, Modern Indian History, Kirori Mal College, University of Delhi, Delhi-110007 – India [email protected] ________________________________________________________________________ Abstract The partition of India in August 1947 marks a watershed in the modern Indian history. The creation of two nations, India and Pakistan, was not only a geographical division but also widened the chasm in the hearts of the people. The objective of the paper is to study the cinematic representations of the experiences associated with the partition of India. The cinematic portrayal of fear generated by the partition violence and the terror accompanying it will also be examined. Films dealing with partition have common themes of displacement of thousands of masses from their homelands, being called refugees in their own homeland and their struggle for survival in refugee colonies. They showcase the trauma of fear, violence, personal pain, loss and uprooting from native place.
    [Show full text]
  • SPARROW Newsletter
    SNL Number 39 December 2019 SPARROW newsletter SOUND & PICTURE ARCHIVES FOR RESEARCH ON WOMEN Photographs............................................. 19267 Ads................................................................ 7449 Books in 12 languages............................ 5728 Newspaper Articles in 8 languages... 31018 Journal Articles in 8 languages..............5090 Brochures in 9 languages........................2062 CURRENT Print Visuals................................................. 4552 Posters........................................................... 1772 SPARROW Calendars...................................................... 129 Cartoons..............................................................3629 Maya Kamath’s cartoons...........................8000 HOLDINGS Oral History.................................................. 659 Video Films................................................. 1262 Audio CDs and Cassettes...................... 929 Private Papers......................................... 280 SPARROW TRUSTEES SPARROW TEAM Founder Trustees: Dr C S Lakshmi Director Dr Charanjeet Kaur Dr C S Lakshmi Associate Director Late Dr Neera Desai Priya D’Souza Dr Maithreyi Krishna Raj Sr Project Coordinator Pooja Pandey Sr Project Coordinator & Administration Officer Former Trustees (1997-2016) Maitreyi Yajnik Project Coordinator Dr C S Lakshmi Aarti Pandey Dr Divya Pandey Sr Accountant Dr Roshan G Shahani Sharmila Sontakke Dr Usha Thakkar Sr Librarian Asmita Deshpande Dr Shoba Venkatesh Ghosh Librarian Sayali Bhalekar
    [Show full text]
  • Girish Karnad 1 Girish Karnad
    Girish Karnad 1 Girish Karnad Girish Karnad Born Girish Raghunath Karnad 19 May 1938 Matheran, British India (present-day Maharashtra, India) Occupation Playwright, film director, film actor, poet Nationality Indian Alma mater University of Oxford Genres Fiction Literary movement Navya Notable work(s) Tughalak 1964 Taledanda Girish Raghunath Karnad (born 19 May 1938) is a contemporary writer, playwright, screenwriter, actor and movie director in Kannada language. His rise as a playwright in 1960s, marked the coming of age of Modern Indian playwriting in Kannada, just as Badal Sarkar did in Bengali, Vijay Tendulkar in Marathi, and Mohan Rakesh in Hindi.[1] He is a recipient[2] of the 1998 Jnanpith Award, the highest literary honour conferred in India. For four decades Karnad has been composing plays, often using history and mythology to tackle contemporary issues. He has translated his plays into English and has received acclaim.[3] His plays have been translated into some Indian languages and directed by directors like Ebrahim Alkazi, B. V. Karanth, Alyque Padamsee, Prasanna, Arvind Gaur, Satyadev Dubey, Vijaya Mehta, Shyamanand Jalan and Amal Allana.[3] He is active in the world of Indian cinema working as an actor, director, and screenwriter, in Hindi and Kannada flicks, earning awards along the way. He was conferred Padma Shri and Padma Bhushan by the Government of India and won four Filmfare Awards where three are Filmfare Award for Best Director - Kannada and one Filmfare Best Screenplay Award. Early life and education Girish Karnad was born in Matheran, Maharashtra. His initial schooling was in Marathi. In Sirsi, Karnataka, he was exposed to travelling theatre groups, Natak Mandalis as his parents were deeply interested in their plays.[4] As a youngster, Karnad was an ardent admirer of Yakshagana and the theater in his village.[] He earned his Bachelors of Arts degree in Mathematics and Statistics, from Karnatak Arts College, Dharwad (Karnataka University), in 1958.
    [Show full text]