Global Media Journal–Pakistan Edition Vol.Xii, Issue-01, Spring, 2019 1
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Sholay, the Making of a Classic #Anupama Chopra
Sholay, the Making of a Classic #Anupama Chopra 2000 #Anupama Chopra #014029970X, 9780140299700 #Sholay, the Making of a Classic #Penguin Books India, 2000 #National Award Winner: 'Best Book On Film' Year 2000 Film Journalist Anupama Chopra Tells The Fascinating Story Of How A Four-Line Idea Grew To Become The Greatest Blockbuster Of Indian Cinema. Starting With The Tricky Process Of Casting, Moving On To The Actual Filming Over Two Years In A Barren, Rocky Landscape, And Finally The First Weeks After The Film'S Release When The Audience Stayed Away And The Trade Declared It A Flop, This Is A Story As Dramatic And Entertaining As Sholay Itself. With The Skill Of A Consummate Storyteller, Anupama Chopra Describes Amitabh Bachchan'S Struggle To Convince The Sippys To Choose Him, An Actor With Ten Flops Behind Him, Over The Flamboyant Shatrughan Sinha; The Last-Minute Confusion Over Dates That Led To Danny Dengzongpa'S Exit From The Fim, Handing The Role Of Gabbar Singh To Amjad Khan; And The Budding Romance Between Hema Malini And Dharmendra During The Shooting That Made The Spot Boys Some Extra Money And Almost Killed Amitabh. file download natuv.pdf UOM:39015042150550 #Dinesh Raheja, Jitendra Kothari #The Hundred Luminaries of Hindi Cinema #Motion picture actors and actresses #143 pages #About the Book : - The Hundred Luminaries of Hindi Cinema is a unique compendium if biographical profiles of the film world's most significant actors, filmmakers, music #1996 the Performing Arts #Jvd Akhtar, Nasreen Munni Kabir #Talking Films #Conversations on Hindi Cinema with Javed Akhtar #This book features the well-known screenplay writer, lyricist and poet Javed Akhtar in conversation with Nasreen Kabir on his work in Hindi cinema, his life and his poetry. -
Indian Films on Partition of India
PEOPLE: International Journal of Social Sciences ISSN 2454-5899 Manoj Sharma, 2017 Volume 3 Issue 3, pp. 492 - 501 Date of Publication: 15th December, 2017 DOI-https://dx.doi.org/10.20319/pijss.2017.33.492501 This paper can be cited as: Sharma, M. (2017). Cinematic Representations of Partition of India. PEOPLE: International Journal of Social Sciences, 3(3), 492-501. This work is licensed under the Creative Commons Attribution-Non-commercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. CINEMATIC REPRESENTATIONS OF PARTITION OF INDIA Dr. Manoj Sharma Assistant Professor, Modern Indian History, Kirori Mal College, University of Delhi, Delhi-110007 – India [email protected] ________________________________________________________________________ Abstract The partition of India in August 1947 marks a watershed in the modern Indian history. The creation of two nations, India and Pakistan, was not only a geographical division but also widened the chasm in the hearts of the people. The objective of the paper is to study the cinematic representations of the experiences associated with the partition of India. The cinematic portrayal of fear generated by the partition violence and the terror accompanying it will also be examined. Films dealing with partition have common themes of displacement of thousands of masses from their homelands, being called refugees in their own homeland and their struggle for survival in refugee colonies. They showcase the trauma of fear, violence, personal pain, loss and uprooting from native place. -
Historical Disjunctures and Bollywood Audiences in Trinidad: Negotiations of Gender and Ethnic Relations in Cinema Going1
. Volume 16, Issue 2 November 2019 Historical disjunctures and Bollywood audiences in Trinidad: Negotiations of gender 1 and ethnic relations in cinema going Hanna Klien-Thomas Oxford Brookes University, UK Abstract: Hindi cinema has formed an integral part of the media landscape in Trinidad. Audiences have primarily consisted of the descendants of indentured workers from India. Recent changes in production, distribution and consumption related to the emergence of the Bollywood culture industry have led to disruptions in the local reception context, resulting in a decline in cinema-going as well as the diminishing role of Hindi film as ethnic identity marker. This paper presents results of ethnographic research conducted at the release of the blockbuster ‘Jab Tak Hai Jaan’. It focuses on young women’s experiences as members of a ‘new’ Bollywood audience, characterised by a regionally defined middle class belonging and related consumption practices. In order to understand how the disjuncture is negotiated by contemporary audiences, cinema-going as a cultural practice is historically contextualised with a focus on the dynamic interdependencies of gender and ethnicity. Keywords: Hindi cinema, Caribbean, Bollywood, Indo-Trinidadian identity, Indian diaspora, female audiences, ethnicity Introduction Since the early days of cinema, Indian film productions have circulated globally, establishing transnational and transcultural audiences. In the Caribbean, first screenings are reported from the 1930s. Due to colonial labour regimes, large Indian diasporic communities existed in the region, who embraced the films as a connection to their country of origin or ancestral homeland. Consequently, Hindi speaking films and more recently the products of the global culture industry Bollywood, have become integral parts of regional media landscapes. -
Iffco Lecture Book
26th tokgjyky usg: Lekjd bQdks O;k[;ku Jawaharlal Nehru Memorial IFFCO Lecture Jawaharlal Nehru Memorial IFFCO Lecture is being organized by IFFCO every year to promulgate the cooperative principles and ideology advocated by Pandit Jawaharlal Nehru, Architect of Modern India. The Cooperative Award Ceremony is a source of encouragement and inspiration to Cooperative leaders which recognizes their efforts and spirit for the overall growth of the society. oDrk@ Speaker MkW- fxjh'k dukZM] lqizfl) ys[kd] fo[;kr fQYe o ukVddkj Dr. Girish Karnad, Eminent Author, Noted Cinema and Theater Personality 15 uoEcj] 2013 ¼'kqØokj½ vijkºu & 3-00 cts Friday, 15th November 2013, at 3.00 P.M. bafM;u QkjelZ QfVZykbtj dksvkijsfVo fyfeVsM INDIAN FARMERS FERTILISER COOPERATIVE LIMITED ok¡ 26 th tokgj yky usg: Lekjd bQdks O;k[kku Jawaharlal Nehru Memorial IFFCO Lecture Hkkjrh; flusek vkSj jk"Vª&fuekZ.k Indian Cinema and the Creation of Nation oDrk@ Speaker MkW- fxjh'k dukZM lqizfl) ys[kd] fo[;kr fQYe o ukVddkj Dr. Girish Karnad Eminent Author, Noted Cinema and Theater Personality 15 uoEcj] 2013 15 November, 2013 ok¡ 26 th tokgj yky usg: Lekjd bQdks O;k[kku Jawaharlal Nehru Memorial IFFCO Lecture Hkkjrh; flusek vkSj jk"Vª&fuekZ.k Indian Cinema and the Creation of Nation oDrk@ Speaker MkW- fxjh'k dukZM lqizfl) ys[kd] fo[;kr fQYe o ukVddkj Dr. Girish Karnad Eminent Author, Noted Cinema and Theater Personality 15 uoEcj] 2013 15 November, 2013 INDIAN CINEMA AND THE Hkkjrh; flusek vkSj jk"Vª&fuekZ.k CREATION OF A NATION & fxjh'k dukZM - GIRISH KARNAD loZizFke eSa ;g dguk pkgw¡xk fd bafM;u QkjelZ Let me say right at the start what an honour it is QÆVykbtj dksvkijsfVo fyfeVsM ¼bQdks½ dh vksj ls to be standing here to deliver the Jawaharlal Nehru tokgjyky usg: Lekjd O;k[;ku nsus gsrq vkids chp Memorial Lecture for the Indian Farmers Fertiliser mifLFkr gksuk esjs fy, lEeku dh ckr gSA eSa vius vkidks Cooperative. -
Copyrightability of Movie Characters
COPYRIGHTABILITY OF MOVIE CHARACTERS Tarun Kumar S J1 Introduction Movies have become a part of our daily lives and we also closely relate ourselves with various characters that we see on screen. Those fictional movie characters have a great level of commercial appeal and popularity among the public. This article is premised on the right of protection held by the creators of these characters. Copyrighting of movie characters helps in curbing the unauthorized exploitation of these creations. But this concept of legal protection has not been well-defined and not widely used in India. Here, the concept of copyrightability of characters and infringement of such copyrights are discussed. In addition to that, the option of trademarking of movie characters has also been explicated. Recent issues, judgments from various courts and the tests used by courts have been discussed to expound the concept of legal protection for movie characters. A comparison has been made between the US and Indian scenarios for better understanding of the concept and its intricacies. This article tends to explore the copyright law and the alternative doctrines protecting movie characters. Copyright Law Copyright is a right given by the law to creators of literary, dramatic, musical and artistic works and producers of cinematograph films and sound recordings. In fact, it is a bundle of rights including, inter alia, rights of 1 2nd year B.A., LLB student, ILS Law College, Pune reproduction, communication to the public, adaptation and translation of the work. There could be slight variations in the composition of the rights depending on the work. -
Open Letter Against Sec 377 by Amartya Sen, Vikram Seth and Others, 2006
Open Letters Against Sec 377 These two open letters bring together the voices of many of the most eminent and respected Indians, collectively saying that on the grounds of fundamental human rights Section 377 of the Indian Penal Code, a British-era law that criminalizes same-sex love between adults, should be struck down immediately. The eminent signatories to these letters are asking our government, our courts, and the people of this country to join their voices against this archaic and oppressive law, and to put India in line with other progressive countries that are striving to realize the foundational goal of the Universal Declaration of Human Rights that “All persons are born free and equal in dignity and rights.” They have come together to defend the rights and freedom not just of sexual minorities in India but to uphold the dignity and vigour of Indian democracy itself. Navigating Through This Press Kit This kit contains, in order, i. A statement by Amartya Sen, Nobel Laureate ii. The text of the main Open Letter iii. The list of Signatories iv. Sexual minorities in India - Frequently Asked Questions and Clarifications v. A summary of laws concerning the rights and situation of sexual minorities globally vi. Contact Information for further information/interviews Strictly embargoed until 16th September 2006 Not for distribution or publication without prior permission of the main signatories. All legal rights reserved worldwide. 1 In Support Cambridge 20 August 2006 A Statement in Support of the Open Letter by Vikram Seth and Others I have read with much interest and agreement the open letter of Vikram Seth and others on the need to overturn section 377 of the Indian Penal Code. -
Bollywood and Postmodernism Popular Indian Cinema in the 21St Century
Bollywood and Postmodernism Popular Indian Cinema in the 21st Century Neelam Sidhar Wright For my parents, Kiran and Sharda In memory of Rameshwar Dutt Sidhar © Neelam Sidhar Wright, 2015 Edinburgh University Press Ltd The Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ www.euppublishing.com Typeset in 11/13 Monotype Ehrhardt by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY A CIP record for this book is available from the British Library ISBN 978 0 7486 9634 5 (hardback) ISBN 978 0 7486 9635 2 (webready PDF) ISBN 978 1 4744 0356 6 (epub) The right of Neelam Sidhar Wright to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Contents Acknowledgements vi List of Figures vii List of Abbreviations of Film Titles viii 1 Introduction: The Bollywood Eclipse 1 2 Anti-Bollywood: Traditional Modes of Studying Indian Cinema 21 3 Pedagogic Practices and Newer Approaches to Contemporary Bollywood Cinema 46 4 Postmodernism and India 63 5 Postmodern Bollywood 79 6 Indian Cinema: A History of Repetition 128 7 Contemporary Bollywood Remakes 148 8 Conclusion: A Bollywood Renaissance? 190 Bibliography 201 List of Additional Reading 213 Appendix: Popular Indian Film Remakes 215 Filmography 220 Index 225 Acknowledgements I am grateful to the following people for all their support, guidance, feedback and encouragement throughout the course of researching and writing this book: Richard Murphy, Thomas Austin, Andy Medhurst, Sue Thornham, Shohini Chaudhuri, Margaret Reynolds, Steve Jones, Sharif Mowlabocus, the D.Phil. -
Gabbar Is Back Verdict
Gabbar Is Back Verdict Aversive and portly Joachim releasees, but Davey domineeringly outstays her oath. Ugly Yancey transferentialsometimes hedging Ximenes any dehydrogenating employs berthes indescribably. fetchingly. Gregorian Jack dib some Beowulf after The story line and is gabbar You can give rise to gender roles, verdict is alive duration, she never intended to contest from forgettable flop starer phantom was ok. Baby had hit the screens and emerged as a success. The family of the OS. The film has made a box office collections nearing Rs. If Gabbar Singh Is Immortal, So Will Be Kalia Of Sholay! He makes for a good villain. The verdict is gabbar is famous for gabbar is back verdict is set out! Is The Highest Grossing Marathi Film Ever, But Have You Heard About It Yet? Aarav is a relic of Bollywood stalker love stories. It is good news for all movie lovers and more so for exhibitors as makers of few upcoming biggies have announced their new release dates. Gabbar is Back Latest Breaking News, Pictures, Videos, and Special Reports from The Economic Times. How Can India Avoid Jobless Growth? Tollywood films which featured by actor Mahesh Babu and. Ila Arun, Shubha Mudgal, Kavita Seth etc. He then decides to use the power of young, idealistic, honest youth and trains students at National College to join his cause. Read the exclusive movie review here. So audience finds difficulty to watch his movies or not. Her disgust for him is so obvious that you almost feel bad for the guy. These songs have included several hits that have taken audiences on both sides of the border by storm. -
Films 2018.Xlsx
List of feature films certified in 2018 Certified Type Of Film Certificate No. Title Language Certificate No. Certificate Date Duration/Le (Video/Digita Producer Name Production House Type ngth l/Celluloid) ARABIC ARABIC WITH 1 LITTLE GANDHI VFL/1/68/2018-MUM 13 June 2018 91.38 Video HOUSE OF FILM - U ENGLISH SUBTITLE Assamese SVF 1 AMAZON ADVENTURE Assamese DIL/2/5/2018-KOL 02 January 2018 140 Digital Ravi Sharma ENTERTAINMENT UA PVT. LTD. TRILOKINATH India Stories Media XHOIXOBOTE 2 Assamese DIL/2/20/2018-MUM 18 January 2018 93.04 Digital CHANDRABHAN & Entertainment Pvt UA DHEMALITE. MALHOTRA Ltd AM TELEVISION 3 LILAR PORA LEILALOI Assamese DIL/2/1/2018-GUW 30 January 2018 97.09 Digital Sanjive Narain UA PVT LTD. A.R. 4 NIJANOR GAAN Assamese DIL/1/1/2018-GUW 12 March 2018 155.1 Digital Haider Alam Azad U INTERNATIONAL Ravindra Singh ANHAD STUDIO 5 RAKTABEEZ Assamese DIL/2/3/2018-GUW 08 May 2018 127.23 Digital UA Rajawat PVT.LTD. ASSAMESE WITH Gopendra Mohan SHIVAM 6 KAANEEN DIL/1/3/2018-GUW 09 May 2018 135 Digital U ENGLISH SUBTITLES Das CREATION Ankita Das 7 TANDAB OF PANDAB Assamese DIL/1/4/2018-GUW 15 May 2018 150.41 Digital Arian Entertainment U Choudhury 8 KRODH Assamese DIL/3/1/2018-GUW 25 May 2018 100.36 Digital Manoj Baishya - A Ajay Vishnu Children's Film 9 HAPPY MOTHER'S DAY Assamese DIL/1/5/2018-GUW 08 June 2018 108.08 Digital U Chavan Society, India Ajay Vishnu Children's Film 10 GILLI GILLI ATTA Assamese DIL/1/6/2018-GUW 08 June 2018 85.17 Digital U Chavan Society, India SEEMA- THE UNTOLD ASSAMESE WITH AM TELEVISION 11 DIL/1/17/2018-GUW 25 June 2018 94.1 Digital Sanjive Narain U STORY ENGLISH SUBTITLES PVT LTD. -
Perspectives on Violence on Screen a Critical Analysis Of
© Media Watch 10 (3) 702-712, 2019 ISSN 0976-0911 E-ISSN 2249-8818 DOI: 10.15655/mw/2019/v10i3/49695 Perspectives on Violence on Screen: A Critical Analysis of Seven Samurai and Sholay SHIPRA GUPTA & SWATI SAMANTARAY Kalinga Institute of Industrial Technology, India This paper traces the portrayal of violence in cinema through the ages taking into consideration two films from two disparate countries and cultures - the Japanese Seven Samurai by Akira Kurosawa and its remake, the Indian blockbuster Sholay by Ramesh Sippy which was set in two different eras. This paper critiques the representation of violence in the two films and the reasons that led the films to become blockbuster hits. It takes into account the technical innovations used during the making and the resultant effect it had on the spectators. It also discusses the aspects which show that they are similar yet different from each other. Although Sholay has taken inspiration from Seven Samurai, its aggressive, dominant villain Gabbar is a well-rounded character and light has been thrown on his sadistic means. The samurai’s Bushido code of combat has been discussed concerning Kambei and the other samurai and how they remain loyal to it until the very end. Keywords: Bandits, guns, mercenaries, revenge, samurai, swords, violence Violence in cinema has always been a major source of controversy since the inception of films. It has played a very important role in cinema considering the beginning of motion picture and has been included in films right from the days of the black and white era of gangster movies like The Great Train Robbery to the present day slasher films like Scream. -
A Case Study of the Naz Foundation's Campaign to Decriminalize Homosexuality in India Preston G
SIT Graduate Institute/SIT Study Abroad SIT Digital Collections Capstone Collection SIT Graduate Institute Winter 12-4-2017 Lessons for Legalizing Love: A Case Study of the Naz Foundation's Campaign to Decriminalize Homosexuality in India Preston G. Johnson SIT Graduate Institute Follow this and additional works at: https://digitalcollections.sit.edu/capstones Part of the Civic and Community Engagement Commons, Civil Rights and Discrimination Commons, Criminal Law Commons, Gender and Sexuality Commons, History of Gender Commons, Human Rights Law Commons, Law and Gender Commons, Law and Society Commons, Legislation Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Litigation Commons, Policy Design, Analysis, and Evaluation Commons, Political Science Commons, Politics and Social Change Commons, Race, Ethnicity and Post-Colonial Studies Commons, Sexuality and the Law Commons, Social Policy Commons, Sociology of Culture Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Johnson, Preston G., "Lessons for Legalizing Love: A Case Study of the Naz Foundation's Campaign to Decriminalize Homosexuality in India" (2017). Capstone Collection. 3063. https://digitalcollections.sit.edu/capstones/3063 This Thesis (Open Access) is brought to you for free and open access by the SIT Graduate Institute at SIT Digital Collections. It has been accepted for inclusion in Capstone Collection by an authorized administrator of SIT Digital Collections. For more information, please contact [email protected]. -
Please Note : Provisionally Screened-IN Candidates – Kindly Do Not Send Any Kind of Email for Confirmation Please
BHABHA ATOMIC RESEARCH CENTRE ADVERTISEMENT NO. 2/2019(R-II) POST ASSISTANT SECURITY OFFICER (A) GENERAL INSTRUCTIONS FOR CANDIDATES 1. Two separate lists of ‘Provisionally Screened-IN and Screened-OUT candidates’ are enclosed herewith. 2. Candidates are requested to check their name in either of the lists with respect to their Application number. 3. Screened-OUT candidates may represent to bring out discrepancies if any, and communicate through email on email ID [email protected] latest by 31/03/2020. If required, candidate may attach scanned copy of documentary evidence to prove the discrepancies. Candidates should mention their name, application no. and date of birth. 4. In such cases where candidates have submitted multiple applications, their latest application has been considered as ‘Final Application’ and all earlier applications have been treated as ‘Duplicate Applications’. 5. Candidates who have submitted multiple applications should appear for physical test/written test only once with unique identity, failing which their candidature will be cancelled without any notice. Please Note : Provisionally Screened-IN candidates – kindly do not send any kind of email for confirmation please. : IMPORTANT NOTE : Physical Test is likely to be conducted during the last week of April 2020. Detailed schedule will be intimated to the candidates and also uploaded in websites by 15/04/2020. List of candidates provisionally Screened - IN for the post of Assistant Security Officer (A) against advertisement No. 02/2019(R-II) Sl No Appl No Title