DOCSLIB.ORG

Bonded Labour in India: Its Incidence and Pattern

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

InFocus P rogramme on P romoting the Declaration on Fundamental Principles WORK IN FREEDOM and Rights at Work International Labour Office Bonded Labour in India: Its Incidence and Pattern Ravi S. Srivastava Special Action Programme to Combat Forced Labour DECLARATION/WP/43/2005 Working Paper Working WP 43 Working Paper Bonded Labour in India: its Incidence and Pattern Ravi S. Srivastava Professor of Economics Centre for the Study of Regional Development Jawaharlal Nehru University New Delhi 110067 [email protected] International Labour Office Geneva June 2005 Copyright © International Labour Organization 2005 Publications of the International Labour Office enjoy copyright under Protocol 2 of the Universal Copyright Convention. Nevertheless, short excerpts from them may be reproduced without authorization, on condition that the source is indicated. For rights of reproduction or translation, application should be made to the Publications Bureau (Rights and Permissions), International Labour Office, CH-1211 Geneva 22, Switzerland. The International Labour Office welcomes such applications. Libraries, institutions and other users registered in the United Kingdom with the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP [Fax: (+44) (0)20 7631 5500; email: [email protected]], in the United States with the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923 [Fax: (+1) (978) 750 4470; email: [email protected]] or in other countries with associated Reproduction Rights Organizations, may make photocopies in accordance with the licences issued to them for this purpose. ___________________________________________________________________________________ ISBN 92-2-117322-4 First published 2005 ___________________________________________________________________________________ ___ The designations employed in ILO publications, which are in conformity with United Nations practice, and the presentation of material therein do not imply the expression of any opinion whatsoever on the part of the International Labour Office concerning the legal status of any country, area or territory or of its authorities, or concerning the delimitation of its frontiers. The responsibility for opinions expressed in signed articles, studies and other contributions rests solely with their authors, and publication does not constitute an endorsement by the International Labour Office of the opinions expressed in them. Reference to names of firms and commercial products and processes does not imply their endorsement by the International Labour Office, and any failure to mention a particular firm, commercial product or process is not a sign of disapproval. ILO publications can be obtained through major booksellers or ILO local offices in many countries, or direct from ILO Publications, International Labour Office, CH-1211 Geneva 22, Switzerland. Catalogues or lists of new publications are available free of charge from the above address, or by email: [email protected] Visit our website: www.ilo.org/publns WP43 - Bonded Labour in India.doc i ii WP43 - Bonded Labour in India.doc Acknowledgements I am grateful to the National Human Rights Commission, New Delhi, and especially to Mrs. S. Jalaja, Joint Secretary, NHRC, Mr. Ajit Bharihoke, Registrar, Mr. Chaman Lal and Mr. K. R. Venugopal, Special Rapporteurs, Ms. Sudha Shrotia, Director (Research), Mr. A. Janeja, Deputy Registrar, and Mr. K. Akram, for their help and cooperation. I am also grateful to Mr. Manohar Lal, Director General, Labour Welfare, Ministry of Labour, Government of India; Dr. M. M. Rahman, Dr. C. S. K. Singh, Dr. S. K. Sasikumar and Mr. Sanjay Upadhyay of the National Labour Institute; Mr. R. Vidyasagar (Global March), Prof. Alakh Narain Sharma and Prof. Navin Chandra (Institute of Human Development), Mr. Sheotaj Singh (Bandhua Mukti Morcha), Mr. Rana Sen (Mine Labour Protection Campaign); Mr. R. S. Chaurasia, Mr. Randhir Batsa (Bachpan Bachao Andolan), the Documentation Officers and Librarians of the National Labour Institute, Ministry of Labour and the Centre for Education and Communication, for their help and cooperation. I am especially thankful to Mr. Anil Kumar Singh who provided able research assistance in writing this paper and interacted with other resource persons on my behalf. WP43 - Bonded Labour in India.doc iii iv WP43 - Bonded Labour in India.doc Foreword In June 1998 the International Labour Conference adopted a Declaration on Fundamental Principles and Rights at Work and its Follow-up that obligates member States to respect, promote and realize freedom of association and the right to collective bargaining, the elimination of all forms of forced or compulsory labour, the effective abolition of child labour, and the elimination of discrimination in respect of employment and occupation. 1 The InFocus Programme on Promoting the Declaration is responsible for the reporting processes and technical cooperation activities associated with the Declaration; and it carries out awareness raising, advocacy and knowledge functions - of which this Working Paper is an example. Working Papers are meant to stimulate discussion of the questions covered by the Declaration. They express the views of the author, which are not necessarily those of the ILO. As part of ILO activities to promote the Declaration, a Special Action Programme to combat Forced Labour (SAP-FL) was created by the ILO Governing Body in November 2001. Since then, SAP-FL has conducted research, awareness raising and technical cooperation, working in close collaboration with governments, employers, workers and others to eliminate forced labour in all its forms. This Working Paper on the incidence and patterns of bonded labour in India was commissioned as an input to the ILO Director-General’s second global report on forced labour, entitled A global alliance against forced labour, prepared for the 93rd session of the International Labour Conference in June 2005. As a particular manifestation of forced labour, bonded labour systems affect very large numbers of women and men, girls and boys in South Asia today. Strong legislative frameworks are in place in India, Nepal and Pakistan but, in practice, bonded labour persists. Yet there have been few recent systematic or large-scale surveys of its incidence and characteristics to allow for a reliable assessment of the current extent of the problem. To help fill this gap, and to facilitate better understanding of bonded labour and its causes in South Asia, the ILO has undertaken a range of different initiatives. In Pakistan, a research programme undertaken together with the Ministry of Labour has involved rapid assessments of bonded labour in different economic sectors and parts of the country. These studies have been published as Declaration Working Papers2 as well as in a compilation issued by the Government of Pakistan. In Nepal, various studies and surveys have been conducted of a particular form of bonded labour, known as the “Kamaiya” system, in Western regions. A separate study has addressed other forms of bonded labour elsewhere in Nepal. In India, with its great diversity of labour arrangements, it can never be easy to present an overall picture of bonded labour incidence and characteristics. India was the first country in the South Asian region to enact legislation against bonded labour, in 1976. Many important measures have been taken since then to seek the eradication of forced and bonded labour, including Supreme Court judgments of the early 1980s. 1The text of the Declaration is available at: http://www.ilo.org/declaration 2 See Declaration Working Papers Nos. 20-26 WP43 - Bonded Labour in India.doc v There have historically been a large number of studies of bonded labour in the country, focusing particularly on the agricultural sector.3 But in more recent years, few academics or others have investigated the issue in a systematic way. ILO supervisory bodies have referred to the urgent need to compile accurate statistics of the number of persons under bonded labour, using a valid statistical methodology, with a view to identification and release of bonded labourers. The Government of India has pointed to progress made in the field of identification and rehabilitation, including central assistance provided to state governments for conducting surveys of bonded labour in 120 districts. This present Working Paper does not aim to replicate all official information, or indeed to assess it. Instead, complementing other SAP-FL working papers on this complex matter, it aims to enrich the debate on bonded labour and its eradication in India by capturing some of the main trends over recent years. It aims essentially to compile and assess the contemporary evidence on bonded labour that has appeared in secondary sources. Following consultation with the Ministry of Labour of the Government of India, this task was entrusted to Ravi S. Srivastava, Professor of Economics at Jawaharlal Nehru University in New Delhi, who has extensive experience in issues of rural labour markets, and particularly in migrant labour. Assisted by Mr. Anil Kumar Singh, Professor Srivastava undertook an extensive search of the recent literature on bonded labour, compiling evidence from academic sources, the Government of India, the National Human Rights Commission, other human rights organisations, non- governmental organisations and press reports. Extensive use was made of the internet. Telephone and personal interviews were held also with a number of key informants. While efforts were
Recommended publications
  • Global Media Journal–Pakistan Edition Vol.Xii, Issue-01, Spring, 2019 1

    Global Media Journal–Pakistan Edition Vol.Xii, Issue-01, Spring, 2019 1

    GLOBAL MEDIA JOURNAL–PAKISTAN EDITION VOL.XII, ISSUE-01, SPRING, 2019 Screen Adaptation: An Art in Search of Recognition Sharaf Rehman1 Abstract This paper has four goals. It offers a brief history and role of the process of screen adaptation in the film industries in the U.S. and the Indian Subcontinent; it explores some of the theories that draw parallels between literary and cinematic conventions attempting to bridge literature and cinema. Finally, this paper discusses some of the choices and strategies available to a writer when converting novels, short stories, and stage play into film scripts. Keywords: Screen Adoption, Subcontinent Film, Screenplay Writing, Film Production in Subcontinent, Asian Cinema 1 Professor of Communication, the University of Texas Rio Grande Valley, USA 1 GLOBAL MEDIA JOURNAL–PAKISTAN EDITION VOL.XII, ISSUE-01, SPRING, 2019 Introduction Tens of thousands of films (worldwide) have their roots in literature, e.g., short stories and novels. One often hears questions like: Can a film be considered literature? Is cinema an art form comparable to paintings of some of the masters, or some of the classics of literature? Is there a relationship or connection between literature and film? Why is there so much curiosity and concern about cinema? Arguably, no other storytelling medium has appealed to humanity as films. Silent films spoke to audiences beyond geographic, political, linguistic, and cultural borders. Consequently, the film became the first global mass medium (Hanson, 2017). In the last one hundred years, audiences around the world have shown a boundless appetite for cinema. People go to the movies for different social reasons, and with different expectations.
  • Sholay, the Making of a Classic #Anupama Chopra

    Sholay, the Making of a Classic #Anupama Chopra

    Sholay, the Making of a Classic #Anupama Chopra 2000 #Anupama Chopra #014029970X, 9780140299700 #Sholay, the Making of a Classic #Penguin Books India, 2000 #National Award Winner: 'Best Book On Film' Year 2000 Film Journalist Anupama Chopra Tells The Fascinating Story Of How A Four-Line Idea Grew To Become The Greatest Blockbuster Of Indian Cinema. Starting With The Tricky Process Of Casting, Moving On To The Actual Filming Over Two Years In A Barren, Rocky Landscape, And Finally The First Weeks After The Film'S Release When The Audience Stayed Away And The Trade Declared It A Flop, This Is A Story As Dramatic And Entertaining As Sholay Itself. With The Skill Of A Consummate Storyteller, Anupama Chopra Describes Amitabh Bachchan'S Struggle To Convince The Sippys To Choose Him, An Actor With Ten Flops Behind Him, Over The Flamboyant Shatrughan Sinha; The Last-Minute Confusion Over Dates That Led To Danny Dengzongpa'S Exit From The Fim, Handing The Role Of Gabbar Singh To Amjad Khan; And The Budding Romance Between Hema Malini And Dharmendra During The Shooting That Made The Spot Boys Some Extra Money And Almost Killed Amitabh. file download natuv.pdf UOM:39015042150550 #Dinesh Raheja, Jitendra Kothari #The Hundred Luminaries of Hindi Cinema #Motion picture actors and actresses #143 pages #About the Book : - The Hundred Luminaries of Hindi Cinema is a unique compendium if biographical profiles of the film world's most significant actors, filmmakers, music #1996 the Performing Arts #Jvd Akhtar, Nasreen Munni Kabir #Talking Films #Conversations on Hindi Cinema with Javed Akhtar #This book features the well-known screenplay writer, lyricist and poet Javed Akhtar in conversation with Nasreen Kabir on his work in Hindi cinema, his life and his poetry.
  • Draft Report of Survey on Bonded Labor in District Ambala, Yamuna Nagar, Kurukshetra & Rewari

    Draft Report of Survey on Bonded Labor in District Ambala, Yamuna Nagar, Kurukshetra & Rewari

    To The Labor commissioner, Haryana Chandigarh. Subject: Draft Report of Survey on bonded labor in district Ambala, Yamuna Nagar, Kurukshetra & Rewari. Kindly refer to your office letter no. 31681 dated 4-7-12 with regard to above mentioned subject. The report has been re-examined in the light of the observations and suggestions made by you and the same has been re-edited. The following are the point vise changes/explanations: 1. The last Para on page No. 26 has been redrafted. The incoherence has been removed to the possible extent. 2. The phrase ‘in their home state’ has been added at suitable place in the said lines. 3. It was noted during the survey that there exist two views regarding the payment of the work of building water channels, leveling of floor for laying down the molded bricks: the one of the workers and another of the employers. The workers consider it to be an extra infra structural work done by them for the smooth running of the main job that of moulding of bricks from mud. On the other hand, the employer claim that their agreement is on getting the moulded bricks ready at piece rate, no matter what the laborer does for this i.e the job of leveling and that of laying down water channels is the part and parcel of the brick moulding work. These two views have frequently come up during the negotiations over the rate of brick molding. So it seems fit to incorporate both the views, nevertheless, our observation is that in the intrest of the welfare of the workmen, the job of channel laying and leveling must be considered as an infrastructural work required for the smooth running of the brick molding work and hence be paid or got done by the employer on his own.
  • Through the Looking Glass: Finding and Freeing Modern-Day Slaves at the State Level

    Through the Looking Glass: Finding and Freeing Modern-Day Slaves at the State Level

    Scholars Crossing Faculty Publications and Presentations Helms School of Government July 2010 THROUGH THE LOOKING GLASS: FINDING AND FREEING MODERN-DAY SLAVES AT THE STATE LEVEL Michelle L. Rickert Liberty University, [email protected] Follow this and additional works at: https://digitalcommons.liberty.edu/gov_fac_pubs Part of the American Politics Commons, Criminal Law Commons, Criminology Commons, Human Rights Law Commons, Inequality and Stratification Commons, International Law Commons, International Relations Commons, Other International and Area Studies Commons, Other Public Affairs, Public Policy and Public Administration Commons, Other Social and Behavioral Sciences Commons, Politics and Social Change Commons, Public Administration Commons, Public Policy Commons, Sexuality and the Law Commons, Social and Cultural Anthropology Commons, Social Control, Law, Crime, and Deviance Commons, and the Social Policy Commons Recommended Citation Rickert, Michelle L., "THROUGH THE LOOKING GLASS: FINDING AND FREEING MODERN-DAY SLAVES AT THE STATE LEVEL" (2010). Faculty Publications and Presentations. 319. https://digitalcommons.liberty.edu/gov_fac_pubs/319 This Article is brought to you for free and open access by the Helms School of Government at Scholars Crossing. It has been accepted for inclusion in Faculty Publications and Presentations by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. ARTICLE THROUGH THE LOOKING GLASS: FINDING AND FREEING MODERN-DAY SLAVES AT THE STATE LEVEL Michelle Crawford Rickert † I. INTRODUCTION In Haiti, slavery is a way of life for many children. Some young boys are forced to sell unprotected sex for as little as $1.75, and because having sex with a virgin is thought to cure AIDS, the cost of sex with a “pure” child can be as much as $5.00.
  • Archaic Technology, Social Relations and Innovations in Brick Kilns

    Archaic Technology, Social Relations and Innovations in Brick Kilns

    Archaic Technology, Social Relations and Innovations in Brick Kilns Research Study as part of the Project: Empowering CSOs for Decent Work and Green Bricks in India’s Brick Kilns J. John Centre for Education and Communication New Delhi Archaic Technology, Social Relations and Innovations in Brick Kilns Research Study as part of the Project: Empowering CSOs for Decent Work and Green Bricks in India’s Brick Kilns J. John Funded by the European Union Archaic Technology, Social Relations and Innovations in Brick Kilns © Centre for Education and Communication March 2018 Published by Centre for Education and Communication (CEC) 2 173-A, Khirki Village, Malviya Nagar, New Delhi - 110017 T: 91 11 29541841 / 29541858 F: 91 11 29542464 Website: www.cec-india.org Copy edited and designed by The Information and Feature Trust (TIFT) Lakshmi (Kayyadam), Thondayad, Cheverambalam (PO), Calicut – 673017 M: +91 9526577902. E: [email protected] ISBN: 81-88160-22-9 This volume is part of a project, ‘Empowering CSOs for Decent Work and Green Bricks in India’s Brick Kilns, implemented in partnership with Prayas and Terre des Hommes (TdH) and funded by the European Union (EU). The views expressed in this publication do not necessarily reflect the views of the European Union. ARCHAIC TECHNOLOGY, SOCIAL RELATIONS AND INNOVATIONS IN BRICK KILNS “...Caste System is not merely division of labour. It is also a division of labourers. Civilized society undoubtedly needs division of labour. But in no civilized society is division of labour accompanied by this unnatural division of labourers into water-tight compartments. Caste System is not merely a division of labourers which is quite different from division of labour—it is an heirarchy in which the divisions of labourers are graded one above the other.
  • Historical Disjunctures and Bollywood Audiences in Trinidad: Negotiations of Gender and Ethnic Relations in Cinema Going1

    Historical Disjunctures and Bollywood Audiences in Trinidad: Negotiations of Gender and Ethnic Relations in Cinema Going1

    . Volume 16, Issue 2 November 2019 Historical disjunctures and Bollywood audiences in Trinidad: Negotiations of gender 1 and ethnic relations in cinema going Hanna Klien-Thomas Oxford Brookes University, UK Abstract: Hindi cinema has formed an integral part of the media landscape in Trinidad. Audiences have primarily consisted of the descendants of indentured workers from India. Recent changes in production, distribution and consumption related to the emergence of the Bollywood culture industry have led to disruptions in the local reception context, resulting in a decline in cinema-going as well as the diminishing role of Hindi film as ethnic identity marker. This paper presents results of ethnographic research conducted at the release of the blockbuster ‘Jab Tak Hai Jaan’. It focuses on young women’s experiences as members of a ‘new’ Bollywood audience, characterised by a regionally defined middle class belonging and related consumption practices. In order to understand how the disjuncture is negotiated by contemporary audiences, cinema-going as a cultural practice is historically contextualised with a focus on the dynamic interdependencies of gender and ethnicity. Keywords: Hindi cinema, Caribbean, Bollywood, Indo-Trinidadian identity, Indian diaspora, female audiences, ethnicity Introduction Since the early days of cinema, Indian film productions have circulated globally, establishing transnational and transcultural audiences. In the Caribbean, first screenings are reported from the 1930s. Due to colonial labour regimes, large Indian diasporic communities existed in the region, who embraced the films as a connection to their country of origin or ancestral homeland. Consequently, Hindi speaking films and more recently the products of the global culture industry Bollywood, have become integral parts of regional media landscapes.
  • Copyrightability of Movie Characters

    Copyrightability of Movie Characters

    COPYRIGHTABILITY OF MOVIE CHARACTERS Tarun Kumar S J1 Introduction Movies have become a part of our daily lives and we also closely relate ourselves with various characters that we see on screen. Those fictional movie characters have a great level of commercial appeal and popularity among the public. This article is premised on the right of protection held by the creators of these characters. Copyrighting of movie characters helps in curbing the unauthorized exploitation of these creations. But this concept of legal protection has not been well-defined and not widely used in India. Here, the concept of copyrightability of characters and infringement of such copyrights are discussed. In addition to that, the option of trademarking of movie characters has also been explicated. Recent issues, judgments from various courts and the tests used by courts have been discussed to expound the concept of legal protection for movie characters. A comparison has been made between the US and Indian scenarios for better understanding of the concept and its intricacies. This article tends to explore the copyright law and the alternative doctrines protecting movie characters. Copyright Law Copyright is a right given by the law to creators of literary, dramatic, musical and artistic works and producers of cinematograph films and sound recordings. In fact, it is a bundle of rights including, inter alia, rights of 1 2nd year B.A., LLB student, ILS Law College, Pune reproduction, communication to the public, adaptation and translation of the work. There could be slight variations in the composition of the rights depending on the work.
  • Bollywood and Postmodernism Popular Indian Cinema in the 21St Century

    Bollywood and Postmodernism Popular Indian Cinema in the 21St Century

    Bollywood and Postmodernism Popular Indian Cinema in the 21st Century Neelam Sidhar Wright For my parents, Kiran and Sharda In memory of Rameshwar Dutt Sidhar © Neelam Sidhar Wright, 2015 Edinburgh University Press Ltd The Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ www.euppublishing.com Typeset in 11/13 Monotype Ehrhardt by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY A CIP record for this book is available from the British Library ISBN 978 0 7486 9634 5 (hardback) ISBN 978 0 7486 9635 2 (webready PDF) ISBN 978 1 4744 0356 6 (epub) The right of Neelam Sidhar Wright to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Contents Acknowledgements vi List of Figures vii List of Abbreviations of Film Titles viii 1 Introduction: The Bollywood Eclipse 1 2 Anti-Bollywood: Traditional Modes of Studying Indian Cinema 21 3 Pedagogic Practices and Newer Approaches to Contemporary Bollywood Cinema 46 4 Postmodernism and India 63 5 Postmodern Bollywood 79 6 Indian Cinema: A History of Repetition 128 7 Contemporary Bollywood Remakes 148 8 Conclusion: A Bollywood Renaissance? 190 Bibliography 201 List of Additional Reading 213 Appendix: Popular Indian Film Remakes 215 Filmography 220 Index 225 Acknowledgements I am grateful to the following people for all their support, guidance, feedback and encouragement throughout the course of researching and writing this book: Richard Murphy, Thomas Austin, Andy Medhurst, Sue Thornham, Shohini Chaudhuri, Margaret Reynolds, Steve Jones, Sharif Mowlabocus, the D.Phil.
  • The Abolition of Bonded Labour, Forced Labour and Slavery in India

    The Abolition of Bonded Labour, Forced Labour and Slavery in India

    THE ABOLITION OF BONDED LABOUR AND SLAVERY IN INDIA From ‘Poor Law’ to a Fundamental Right – the Gradual Changes of an Institution, 1843-1990 Christine Molfenter THE ABOLITION OF BONDED LABOUR AND SLAVERY IN INDIA From ‘Poor Law’ to a Fundamental Right – the Gradual Changes of an Institution, 1843-1990 Inauguraldissertation zur Erlangung des akademischen Grades Dr. rer. pol. im Fach Politikwissenschaft vorgelegt von: Mag. Christine Molfenter Doktorvater Prof. Subrata K. Mitra, Ph.D. (Rochester) Eingereicht an der Fakultät für Wirtschafts- und Sozialwissenschaften der Ruprecht-Karls-Universität Heidelberg am 31. Juli 2019 Figure 1. Purveyors of the British Breakfast Table, 1910 Title page: Representational image, (c) Illustrated London News/Mary Evans Picture Library. Scenes on an Assam Tea Plantation, original caption: “Purveyors of the British Breakfast Table: Pay-Day on an Indian Tea Plantation.” Source: Author unknown/The Graphic, p. 573, available at: British Library/findmypast. Discussion of the illustration in chapter 3. ii iii Contents Figures ................................................................................................................................. vi Tables .................................................................................................................................. vii Glossary ............................................................................................................................. viii Abbreviations .....................................................................................................................
  • Gabbar Is Back Verdict

    Gabbar Is Back Verdict

    Gabbar Is Back Verdict Aversive and portly Joachim releasees, but Davey domineeringly outstays her oath. Ugly Yancey transferentialsometimes hedging Ximenes any dehydrogenating employs berthes indescribably. fetchingly. Gregorian Jack dib some Beowulf after The story line and is gabbar You can give rise to gender roles, verdict is alive duration, she never intended to contest from forgettable flop starer phantom was ok. Baby had hit the screens and emerged as a success. The family of the OS. The film has made a box office collections nearing Rs. If Gabbar Singh Is Immortal, So Will Be Kalia Of Sholay! He makes for a good villain. The verdict is gabbar is famous for gabbar is back verdict is set out! Is The Highest Grossing Marathi Film Ever, But Have You Heard About It Yet? Aarav is a relic of Bollywood stalker love stories. It is good news for all movie lovers and more so for exhibitors as makers of few upcoming biggies have announced their new release dates. Gabbar is Back Latest Breaking News, Pictures, Videos, and Special Reports from The Economic Times. How Can India Avoid Jobless Growth? Tollywood films which featured by actor Mahesh Babu and. Ila Arun, Shubha Mudgal, Kavita Seth etc. He then decides to use the power of young, idealistic, honest youth and trains students at National College to join his cause. Read the exclusive movie review here. So audience finds difficulty to watch his movies or not. Her disgust for him is so obvious that you almost feel bad for the guy. These songs have included several hits that have taken audiences on both sides of the border by storm.
  • Films 2018.Xlsx

    Films 2018.Xlsx

    List of feature films certified in 2018 Certified Type Of Film Certificate No. Title Language Certificate No. Certificate Date Duration/Le (Video/Digita Producer Name Production House Type ngth l/Celluloid) ARABIC ARABIC WITH 1 LITTLE GANDHI VFL/1/68/2018-MUM 13 June 2018 91.38 Video HOUSE OF FILM - U ENGLISH SUBTITLE Assamese SVF 1 AMAZON ADVENTURE Assamese DIL/2/5/2018-KOL 02 January 2018 140 Digital Ravi Sharma ENTERTAINMENT UA PVT. LTD. TRILOKINATH India Stories Media XHOIXOBOTE 2 Assamese DIL/2/20/2018-MUM 18 January 2018 93.04 Digital CHANDRABHAN & Entertainment Pvt UA DHEMALITE. MALHOTRA Ltd AM TELEVISION 3 LILAR PORA LEILALOI Assamese DIL/2/1/2018-GUW 30 January 2018 97.09 Digital Sanjive Narain UA PVT LTD. A.R. 4 NIJANOR GAAN Assamese DIL/1/1/2018-GUW 12 March 2018 155.1 Digital Haider Alam Azad U INTERNATIONAL Ravindra Singh ANHAD STUDIO 5 RAKTABEEZ Assamese DIL/2/3/2018-GUW 08 May 2018 127.23 Digital UA Rajawat PVT.LTD. ASSAMESE WITH Gopendra Mohan SHIVAM 6 KAANEEN DIL/1/3/2018-GUW 09 May 2018 135 Digital U ENGLISH SUBTITLES Das CREATION Ankita Das 7 TANDAB OF PANDAB Assamese DIL/1/4/2018-GUW 15 May 2018 150.41 Digital Arian Entertainment U Choudhury 8 KRODH Assamese DIL/3/1/2018-GUW 25 May 2018 100.36 Digital Manoj Baishya - A Ajay Vishnu Children's Film 9 HAPPY MOTHER'S DAY Assamese DIL/1/5/2018-GUW 08 June 2018 108.08 Digital U Chavan Society, India Ajay Vishnu Children's Film 10 GILLI GILLI ATTA Assamese DIL/1/6/2018-GUW 08 June 2018 85.17 Digital U Chavan Society, India SEEMA- THE UNTOLD ASSAMESE WITH AM TELEVISION 11 DIL/1/17/2018-GUW 25 June 2018 94.1 Digital Sanjive Narain U STORY ENGLISH SUBTITLES PVT LTD.
  • Hasriadi Masalam

    Hasriadi Masalam

    Participatory action research, learning in small peasant resistance and the politics of rural dispossession in Indonesia by Hasriadi Masalam A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Adult Education Department of Educational Policy Studies University of Alberta © Hasriadi Masalam, 2018 ii ABSTRACT The agro-extractive regime pursued by the corporatized state and the pervasive expansion of capital accumulation has turned the rural frontier of Indonesia into an agrarian war zone. This is marked by the proliferation of serious challenges by small peasants and indigenous peoples who are ‘in the way’ of the neoliberal state apparatus and market imperatives being imposed by a globalizing colonial capitalism. It would therefore be a political if not ethical oversight to remain oblivious to the perseverance of small peasant and indigenous ways of learning in resistance to the violence of development dispossession (DD) by the postcolonial development state and the market. This study sought to contribute towards organizing, networking and learning in social action in anti-dispossession struggles addressing agro-extractive related DD in Sulawesi through Participatory Action Research (PAR), while engaging in and seeking to understand the multiple modes of small peasant and indigenous learning and knowledge production processes embedded in resistance to DD in rural Indonesia. The study derives its’ primary significance from practical PAR interventions in anti-land dispossession struggles in Sulawesi in the face of agro-extractive expansionism addressing DD in the ‘post colony’ and especially in relation to learning and knowledge production and networking in and around these struggles. PAR collaborations were made in this regard with small peasant struggles to address palm oil and coconut plantation DD in Sulawesi between May 2015 – February 2016 and is ongoing.