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Global Media Journal–Pakistan Edition Vol.Xii, Issue-01, Spring, 2019 1
GLOBAL MEDIA JOURNAL–PAKISTAN EDITION VOL.XII, ISSUE-01, SPRING, 2019 Screen Adaptation: An Art in Search of Recognition Sharaf Rehman1 Abstract This paper has four goals. It offers a brief history and role of the process of screen adaptation in the film industries in the U.S. and the Indian Subcontinent; it explores some of the theories that draw parallels between literary and cinematic conventions attempting to bridge literature and cinema. Finally, this paper discusses some of the choices and strategies available to a writer when converting novels, short stories, and stage play into film scripts. Keywords: Screen Adoption, Subcontinent Film, Screenplay Writing, Film Production in Subcontinent, Asian Cinema 1 Professor of Communication, the University of Texas Rio Grande Valley, USA 1 GLOBAL MEDIA JOURNAL–PAKISTAN EDITION VOL.XII, ISSUE-01, SPRING, 2019 Introduction Tens of thousands of films (worldwide) have their roots in literature, e.g., short stories and novels. One often hears questions like: Can a film be considered literature? Is cinema an art form comparable to paintings of some of the masters, or some of the classics of literature? Is there a relationship or connection between literature and film? Why is there so much curiosity and concern about cinema? Arguably, no other storytelling medium has appealed to humanity as films. Silent films spoke to audiences beyond geographic, political, linguistic, and cultural borders. Consequently, the film became the first global mass medium (Hanson, 2017). In the last one hundred years, audiences around the world have shown a boundless appetite for cinema. People go to the movies for different social reasons, and with different expectations. -
Sholay, the Making of a Classic #Anupama Chopra
Sholay, the Making of a Classic #Anupama Chopra 2000 #Anupama Chopra #014029970X, 9780140299700 #Sholay, the Making of a Classic #Penguin Books India, 2000 #National Award Winner: 'Best Book On Film' Year 2000 Film Journalist Anupama Chopra Tells The Fascinating Story Of How A Four-Line Idea Grew To Become The Greatest Blockbuster Of Indian Cinema. Starting With The Tricky Process Of Casting, Moving On To The Actual Filming Over Two Years In A Barren, Rocky Landscape, And Finally The First Weeks After The Film'S Release When The Audience Stayed Away And The Trade Declared It A Flop, This Is A Story As Dramatic And Entertaining As Sholay Itself. With The Skill Of A Consummate Storyteller, Anupama Chopra Describes Amitabh Bachchan'S Struggle To Convince The Sippys To Choose Him, An Actor With Ten Flops Behind Him, Over The Flamboyant Shatrughan Sinha; The Last-Minute Confusion Over Dates That Led To Danny Dengzongpa'S Exit From The Fim, Handing The Role Of Gabbar Singh To Amjad Khan; And The Budding Romance Between Hema Malini And Dharmendra During The Shooting That Made The Spot Boys Some Extra Money And Almost Killed Amitabh. file download natuv.pdf UOM:39015042150550 #Dinesh Raheja, Jitendra Kothari #The Hundred Luminaries of Hindi Cinema #Motion picture actors and actresses #143 pages #About the Book : - The Hundred Luminaries of Hindi Cinema is a unique compendium if biographical profiles of the film world's most significant actors, filmmakers, music #1996 the Performing Arts #Jvd Akhtar, Nasreen Munni Kabir #Talking Films #Conversations on Hindi Cinema with Javed Akhtar #This book features the well-known screenplay writer, lyricist and poet Javed Akhtar in conversation with Nasreen Kabir on his work in Hindi cinema, his life and his poetry. -
Speed Post List13th Convocation Cermoney.Xlsx
13th Convocation, Speed Post List Date-01/02/2018 Sr. Barcode Refe City Pincode Name Address-1 Address-2 Address-3 No. renc No e 12 3456 7 8 9 1 EM558916810IN SUS Solapur 413108 Girme Shi Sanjay A/P-Malinagar Gat No.2 Malinagar Malshiras 2 EM558916823IN SUS Dhule 424308 Mahajan Sachin Nagraj Bhagava Chauk, At Post Borkund Dhule 3 EM558916837IN SUS Solapur 413310 Shikare Hanmant Mahadev At-Bacheri, -Piliv -Malshiras 4 EM558916845IN SUS Solapur 413248 Dhavale Amruta Ashok C/O Amol Chandrakant Dalve Patil Vit Mohol Babar Vitthal Niwas, Udhyog, Pokharapur 5 EM558916854IN SUS Solapur 413304 Hubale Santosh Daryaba Sonake Pandharpur Pandharpur 6 EM558916868IN SUS Solapur 413402 Kakade Vaibhav -Ganesh Nagar, Madha Road, Barshi Chandrakant 7 EM558916871IN SUS Solapur 413304 Kalagate Somnath Ap Palashi, Palashi, Pandharpur Raghunath 8 EM558916885IN SUS Solapur 413401 Patil Prashant Shivshankar At-Dhanore-Kuslamb , Dhanore Barshi 9 EM558916899IN SUS Solapur 413302 Wasekar Vikas Bhajandas Wafalkar Wasti, Bardi, Pandharpur 10 EM558916908IN SUS Solapur 413213 Bhosale Mahesh Hanamant At-Chincholi Kati Midc Po-Sawaleshwar Mohol 11 EM558916911IN SUS Osmanaba 413601 Dake Rekha Ananrao Ve Nagar, Tuljapur Tuljapur d 12 EM558916925IN SUS Solapur 413006 Kuntla Vrushali Govardhan Plot No. Ews/24 Sagar Hyderabad North Solapur Chowk Vijay Maruti Road, Chowk, 13 EM558916939IN SUS Solapur 413005 Motkur Vivek Ambadas 1573 Daji Peth , Near Balaji Solapur Mandir 14 EM558916942IN SUS Solapur 413003 Bansode Anuja Satish 24 B Venkatesh Nahar Kumtha Naka, South Solapur -
(Public Section) Padma Awards Directory (1954-2009) Year-Wise List Sl
MINISTRY OF HOME AFFAIRS (Public Section) Padma Awards Directory (1954-2009) Year-Wise List Sl. Prefix First Name Last Name Award State Field Remarks 1954 1 Dr. Sarvapalli Radhakrishnan BR TN Public Affairs Expired 2 Shri Chakravarti Rajagopalachari BR TN Public Affairs Expired 3 Dr. Chandrasekhara Raman BR TN Science & Eng. Expired Venkata 4 Shri Nand Lal Bose PV WB Art Expired 5 Dr. Satyendra Nath Bose PV WB Litt. & Edu. 6 Dr. Zakir Hussain PV AP Public Affairs Expired 7 Shri B.G. Kher PV MAH Public Affairs Expired 8 Shri V.K. Krishna Menon PV KER Public Affairs Expired 9 Shri Jigme Dorji Wangchuk PV BHU Public Affairs 10 Dr. Homi Jehangir Bhabha PB MAH Science & Eng. Expired 11 Dr. Shanti Swarup Bhatnagar PB UP Science & Eng. Expired 12 Shri Mahadeva Iyer Ganapati PB OR Civil Service 13 Dr. J.C. Ghosh PB WB Science & Eng. Expired 14 Shri Maithilisharan Gupta PB UP Litt. & Edu. Expired 15 Shri Radha Krishan Gupta PB DEL Civil Service Expired 16 Shri R.R. Handa PB PUN Civil Service Expired 17 Shri Amar Nath Jha PB UP Litt. & Edu. Expired 18 Shri Malihabadi Josh PB DEL Litt. & Edu. 19 Dr. Ajudhia Nath Khosla PB DEL Science & Eng. Expired 20 Shri K.S. Krishnan PB TN Science & Eng. Expired 21 Shri Moulana Hussain Madni PB PUN Litt. & Edu. Ahmed 22 Shri V.L. Mehta PB GUJ Public Affairs Expired 23 Shri Vallathol Narayana Menon PB KER Litt. & Edu. Expired Wednesday, July 22, 2009 Page 1 of 133 Sl. Prefix First Name Last Name Award State Field Remarks 24 Dr. -
Volume : 57 Issue No. : 57 Month : April, 2005
Volume : 57 Issue No. : 57 Month : April, 2005 ACHARYASHREE MAHAPRAJNA'S MESSAGE TO GENERAL MUSHARRAF DELIVERED BY LOKESH MUNI 'LOKESH' AT NEW DELHI ACHARVA MAHAPRAGYA NOMINATED FOR COMMUNAL HARMONY AWARD "Pakistan and India have similar problems and worries. We only can fight poverty, illiteracy and diseases rampant in our region, if our region is peaceful. Your efforts towards strengthening world peace and creating a non-violent society are commendable. I hold the belief that the ensuing atmosphere of peace will help us diverting the enormous defense expenditures to resolve the above-mentioned problems. To deal with contending issues the idea of Anekanta or non-absolutism, which talks of relative viewpoints, as given by Bhagwan Mahavira, can help. Meeting and dialogue are the first steps in this direction." April, New Delhi. The prestigious "Communal Harmony Award" will be given to Acharya Mahapragya, the founder of "Ahimsa Yatra" for His valuable contribution in the field of National Unity and Communal Harmony. According to the Foundation of National Communal Harmony, Govt. of India, this prestigious award for the year 2004 will be given to His Holiness Acharya Mahapragya at a grand function in the National Capital. This award is given for the unique contribution to the unity and communal harmony in the country. The Award Committee, presided by Shri Bhairon Singh Shekshawat, the Hon'ble Vice-President of India, has choosen Acharya Mahapragya for this award for His remarkable work among several nominees. In this award Rs. 2 lakh and a memorandum are presented. The spokesperson of Ahimsa Yatra Muni Lokprakash Lokesh has expressed his joy and said that this award would certainly be the award to the great values of Indian Culture. -
Details of Unclaimed/Unpaid Dividend Declared at the 47Th AGM Held on Aug 13, 2019 (As on March 31, 2021) (Pursuant to Section 124(2) of the Companies Act, 2013)
Details of Unclaimed/Unpaid Dividend declared at the 47th AGM held on Aug 13, 2019 (As on March 31, 2021) (Pursuant to Section 124(2) of the Companies Act, 2013) Dividend Sl. Divdend Due date for DP/Client ID/Folio No. Name of the Shareholder Address of the Shareholder Amount No. year Transfer to IEPF (Rs.) LODHAVALA CHAWL,MANEKWADI 1 1204470001016189 MILI HARSHADRAI ANDHARIA 390.00 2018-2019 13-Sep-2026 BHAVNAGAR 0 A-28,SONGANGA COLONY,SEEPAT ROAD 2 1201130000028478 PRATIMA GUPTA 1300.00 2018-2019 13-Sep-2026 BILASPUR 1 3 1201770100457678 PREM LATA GARG 220,PATRAM NAGAR NARWANA 2 390.00 2018-2019 13-Sep-2026 H NO-42,VILL-LALBAZAR DALPATTI PO- 4 1302340000199113 PRAMOD JALUKA 1430.00 2018-2019 13-Sep-2026 JHARIA DHANBAD 82811 65/25,NEW ROHTAK ROAD NEW DELHI 5 IN30094010287523 SUSHILA DEVI 390.00 2018-2019 13-Sep-2026 110005 Cottage No 4,West Patel Nagar New Delhi 6 IN30177410068428 Pawan Anand 390.00 2018-2019 13-Sep-2026 110008 7 1201910102080291 PRITIKA PANJWANI 8/30 SOUTH PATEL NAGAR, DELHI 110008 390.00 2018-2019 13-Sep-2026 8 IN30096610156502 RAJIV MANCHANDA A-324-A,DERAWAL NAGAR DELHI 110009 156.00 2018-2019 13-Sep-2026 HNO 376,WZ 164 A/1 CHAND NAGAR NEW 9 1202290000116763 HARVINDER KAUR 390.00 2018-2019 13-Sep-2026 DELHI 110018 10 IN30021414771853 MADHUPARNA BHOWMICK I 1752 C R PARK, DELHI DELHI 110019 390.00 2018-2019 13-Sep-2026 R - 13,NEHRU ENCLAVE KALKAJI DELHI 11 1201910101813251 RISHABH JAIN 390.00 2018-2019 13-Sep-2026 110019 C 1/71,West Enclave Pitam PuraNew Delhi 12 IN30223612277779 ROCHAK DHINGRA 325.00 2018-2019 13-Sep-2026 110034 132 C BLOCK,PUNDRIK VIHAR 13 IN30045013836110 NAREN VASHISHT 65.00 2018-2019 13-Sep-2026 PITAMPURADELHI 110034 3618 GALI NO 5,NARANG COLONY TRI 14 IN30177410959629 PREM CHAND BANSAL 390.00 2018-2019 13-Sep-2026 NAGARNEW DELHI 110035 15 IN30133017820060 GANGA DEVI 2367 E,BAWANA ROAD NARELADELHI 110040 390.00 2018-2019 13-Sep-2026 CHAMBER NO. -
University of Lucknow Undergraduate Admissions
UNIVERSITY OF LUCKNOW B.A. B.A. (Hons) UNDERGRADUATE ADMISSIONS 2016 OVERALL MERIT LIST Roll No Name Father Name DOB Gender CAT Sub Cat High School Test Marks Sports NCC Final Index Rank Cat Rank 1611610091 TANYA SALUJA H S SALUJA 12/03/1998 F General 86.33 266 0 0 266 1 1611140207 HIMANSHU SRIVASTAVA HARI MOHAN SRIVASTAVA 26/05/2001 M General 79.33 265 0 0 265 2 1611610351 VISHESH KUMAR YADAV SURESH CHANDRA YADAV 16/06/1998 M OBC 85.50 249 0 0 249 3 ÓBC-1 1611220018 SHAILJA CHAURASIA JAGDISH PRASAD CHAURASIA 27/08/1997 M OBC 94.20 245 0 0 245 4 ÓBC-2 1611110421 AANCHAL SAXENA SHYAM PRAKASH SAXENA 07/07/2000 F General 94.50 234 0 0 234 5 1611160412 RADHIKA GUPTA RAJEEV GUPTA 29/03/1998 F General 89.40 234 0 0 234 6 1611610013 SURAJ MEHROTRA DILIP MEHROTRA 05/12/1997 M General 89.83 233 0 0 233 7 1611160063 NITI PANDEY MOHAN CHANDRA PANDEY 02/11/1998 F General 89.50 233 0 0 233 8 1611160266 PRAPHULL AWASTHI MAYANK AWASTHI 30/11/1998 M General 86.00 233 0 0 233 9 1611150210 MANSI RAWAT HCS RAWAT 13/11/1998 F General 89.50 232 0 0 232 10 1611210257 SAKSHI SINGH GAMLESH KUMAR SINGH 10/12/1999 F General 93.00 231 0 0 231 11 1611150255 MEGHA MAJUMDAR OMKARESWAR MAJUMDAR 08/06/1997 F General 74.17 230 0 0 230 12 1611110482 ABHINAV KESHARI DURGA CHARAN PRASAD 19/07/1997 M General 95.00 228 0 0 228 13 1611160306 PRATEEKSHA SHRIVASTAVA BRIJENDRA NATH SHRIVASTAVA 29/01/1999 F General 94.83 228 0 0 228 14 1611130106 APARAJITA ANGAD PRASAD GUPTA 21/10/1998 F General 83.00 227 0 0 227 15 1611150214 MANSI VERMA SHIV SHANKAR VERMA 20/01/1999 F OBC 87.33 -
Historical Disjunctures and Bollywood Audiences in Trinidad: Negotiations of Gender and Ethnic Relations in Cinema Going1
. Volume 16, Issue 2 November 2019 Historical disjunctures and Bollywood audiences in Trinidad: Negotiations of gender 1 and ethnic relations in cinema going Hanna Klien-Thomas Oxford Brookes University, UK Abstract: Hindi cinema has formed an integral part of the media landscape in Trinidad. Audiences have primarily consisted of the descendants of indentured workers from India. Recent changes in production, distribution and consumption related to the emergence of the Bollywood culture industry have led to disruptions in the local reception context, resulting in a decline in cinema-going as well as the diminishing role of Hindi film as ethnic identity marker. This paper presents results of ethnographic research conducted at the release of the blockbuster ‘Jab Tak Hai Jaan’. It focuses on young women’s experiences as members of a ‘new’ Bollywood audience, characterised by a regionally defined middle class belonging and related consumption practices. In order to understand how the disjuncture is negotiated by contemporary audiences, cinema-going as a cultural practice is historically contextualised with a focus on the dynamic interdependencies of gender and ethnicity. Keywords: Hindi cinema, Caribbean, Bollywood, Indo-Trinidadian identity, Indian diaspora, female audiences, ethnicity Introduction Since the early days of cinema, Indian film productions have circulated globally, establishing transnational and transcultural audiences. In the Caribbean, first screenings are reported from the 1930s. Due to colonial labour regimes, large Indian diasporic communities existed in the region, who embraced the films as a connection to their country of origin or ancestral homeland. Consequently, Hindi speaking films and more recently the products of the global culture industry Bollywood, have become integral parts of regional media landscapes. -
Manchester Muslims: the Developing Role of Mosques, Imams and Committees with Particular Reference to Barelwi Sunnis and UKIM
Durham E-Theses Manchester Muslims: The developing role of mosques, imams and committees with particular reference to Barelwi Sunnis and UKIM. AHMED, FIAZ How to cite: AHMED, FIAZ (2014) Manchester Muslims: The developing role of mosques, imams and committees with particular reference to Barelwi Sunnis and UKIM., Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/10724/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 DURHAM UNIVERSITY DEPARTMENT OF ANTHROPOLOGY Manchester Muslims: The developing role of mosques, imams and committees with particular reference to Barelwi Sunnis and UKIM. Fiaz Ahmed September 2013 Thesis submitted for the degree of Doctor of Philosophy Declaration I declare that this thesis is my own work and that, to the best of my knowledge and belief it contains no material previously published or written by another person except where dueacknowledgement has been made in the text. -
Indian Film Week Tydzień Kina Indyjskiego
TYDZIEń KINA INDYJSKIEGO 100-lecie kina w indiach kino kultura, warszawa 5–10 listopada 2012 INDIAN FILM WEEK 100 years of indian cinema kino kultura, warsaw 5–10 november 2012 W tym roku obchodzimy 100-lecie Kina Indyjskiego. This year we celebrate 100 years of Indian Cinema. Wraz z powstaniem pierwszego niemego filmu With the making of the first silent film ‘Raja Harish- „Raja Harishchandra” w 1913 roku, Indyjskie Kino chandra’ in 1913 , Indian Cinema embarked on an ex- wyruszyło w pasjonującą i malowniczą podróż, ilu- citing and colourful journey, reflecting a civilization strując przemianę narodu z kolonii w wolne, demokra- in transition from a colony to a free democratic re- tyczne państwo o bogatym dziedzictwie kulturowym public with a composite cultural heritage and plural- oraz wielorakich wartościach i wzorcach. istic ethos. Indyjska Kinematografia prezentuje szeroki Indian Cinema showcases a rich bouquet of lov- wachlarz postaci sympatycznych włóczęgów, ponad- able vagabonds, evergreen romantics, angry young czasowych romantyków, młodych buntowników, men, dancing queens and passionate social activists. roztańczonych królowych i żarliwych działaczy spo- Broadly defined by some as ‘cinema of interruption’, łecznych. Typowe Kino Indyjskie, zwane bollywoodz- complete with its song and dance ritual, thrills and ac- kim, przez niektórych określane szerokim mianem tion, melodrama, popular Indian cinema, ‘Bollywood’, „cinema of interruption” – kina przeplatanego pio- has endeared itself to global audiences for its enter- senką, tańcem, emocjami i akcją, teatralnością, dzięki tainment value. Aside from all the glitz and glamour walorowi rozrywkowemu, zjednało sobie widzów na of Bollywood, independent art house cinema has been całym świecie. Oprócz pełnego blichtru i przepy- a niche and has made a seminal contribution in en- chu Bollywood, niszowe niezależne kino artystyczne hancing the understanding of Indian society. -
Copyrightability of Movie Characters
COPYRIGHTABILITY OF MOVIE CHARACTERS Tarun Kumar S J1 Introduction Movies have become a part of our daily lives and we also closely relate ourselves with various characters that we see on screen. Those fictional movie characters have a great level of commercial appeal and popularity among the public. This article is premised on the right of protection held by the creators of these characters. Copyrighting of movie characters helps in curbing the unauthorized exploitation of these creations. But this concept of legal protection has not been well-defined and not widely used in India. Here, the concept of copyrightability of characters and infringement of such copyrights are discussed. In addition to that, the option of trademarking of movie characters has also been explicated. Recent issues, judgments from various courts and the tests used by courts have been discussed to expound the concept of legal protection for movie characters. A comparison has been made between the US and Indian scenarios for better understanding of the concept and its intricacies. This article tends to explore the copyright law and the alternative doctrines protecting movie characters. Copyright Law Copyright is a right given by the law to creators of literary, dramatic, musical and artistic works and producers of cinematograph films and sound recordings. In fact, it is a bundle of rights including, inter alia, rights of 1 2nd year B.A., LLB student, ILS Law College, Pune reproduction, communication to the public, adaptation and translation of the work. There could be slight variations in the composition of the rights depending on the work. -
Continuity and Change in a Muslim Community
A Modern History of the Ismailis The Institute of Ismaili Studies The Institute of Ismaili Studies Ismaili Heritage Series, 13 General Editor: Farhad Daftary _______________________________________________________________________ Previously published titles: 1. Paul E. Walker, Abū Yaʽqūb al-Sijistānī: Intellectual Missionary (1996) 2. Heinz Halm, The Fatimids and their Traditions of Learning (1997) 3. Paul E. Walker, Ḥamīd al-Dīn al-Kirmānī: Ismaili Thought in the Age of al-Ḥākim (1999) 4. Alice C. Hunsberger, Nasir Khusraw, The Ruby of Badakhshan: A Portrait of the Persian Poet, Traveller and Philosopher (2000) 5. Farouk Mitha, Al-Ghazālī and the Ismailis: A Debate on Reason and Authority in Medieval Islam (2001) 6. Ali S. Asani, Ecstasy and Enlightenment: The Ismaili Devotional Literature of South Asia (2002) 7. Paul E. Walker, Exploring an Islamic Empire: Fatimid History and its Sources (2002) 8. Nadia Eboo Jamal, Surviving the Mongols: Nizārī Quhistānī and the Continuity of Ismaili Tradition in Persia (2002) 9. Verena Klemm, Memoirs of a Mission: The Ismaili Scholar, Statesman and Poet al-Muʼayyad fi’l-Dīn al-Shīrāzī (2003) 10. Peter Willey, Eagle’s Nest: Ismaili Castles in Iran and Syria (2005) 11. Sumaiya A. Hamdani, Between Revolution and State: The Path to Fatimid Statehood, Qadi al-Nuʽman and the Construction of Fatimid Legitimacy (2006) 12. Farhad Daftary, Ismailis in Medieval Muslim Societies (2005) The Institute of Ismaili Studies A Modern History of the Ismailis Continuity and Change in a Muslim Community Edited by Farhad Daftary The Institute of Ismaili Studies I.B.Tauris Publishers london • new york in association with The Institute of Ismaili Studies London, 2011 Published in 2011 by I.B.Tauris & Co.