Kirkus Reviews on Our Website by Logging in As a Subscriber
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Contemporary Composer Vladimir Jovanović and His Role in the Renewal of Church Byzantine Music in Serbia from the 1990S Until Today
Interdisciplinary Studies in Musicology 19, 2019 @PTPN Poznań 2019, DOI 10.14746/ism.2019.19.1 GORDANA BLAGOJEVIĆ https://orcid.org/0000–0001–7883–8071 Institute of Ethnography SASA, Belgrade Contemporary composer Vladimir Jovanović and his role in the renewal of church Byzantine music in Serbia from the 1990s until today ABSTRACT: This work focuses on the role of the composer Vladimir (Vlada) Jovanović in the rene- wal of church Byzantine music in Serbia from the 1990s until today. This multi-talented artist wor- ked and created art in his native Belgrade, with creativity that exceeded local frames. This research emphasizes Jovanović’s pedagogical and compositional work in the field of Byzantine music, which mostly took place through his activity in the St. John of Damascus choir in Belgrade. The author analyzes the problems in implementation of modal church Byzantine music, since the first students did not hear it in their surroundings, as well as the responses of the listeners. Special attention is paid to students’ narratives, which help us perceive the broad cultural and social impact of Jovanović’s creative work. KEYWORDS: composer Vladimir (Vlada) Jovanović, church Byzantine music, modal music, St. John of Damascus choir. Introduction This work was written in commemoration of a contemporary Serbian composer1 Vladimir Jovanović (1956–2016) with special reference to his role in the renewal of church Byzantine music in Serbia from the beginning of the 1990s until today.2 In the text we refer to Vladimir Jovanović as Vlada – a shortened form of his name, which relatives, friends, colleagues and students used most of- ten in communication with the composer, as an expression of sincere closeness. -
Laila Lalami: Narrating North African Migration to Europe
Laila Lalami: Narrating North African Migration to Europe CHRISTIÁN H. RICCI UNIVERSITY OF CALIFORNIA, MERCED Introduction aila Lalami, author of three novels—Hope and Other Dangerous Pursuits L(2005), Secret Son (2009), and The Moor’s Account (2014)—and several short stories, has been considered the most important Moroccan author writ- ing in English; her work has been translated into more than eleven languages (Mehta 117). Compelled to write in a language that is not her mother tongue, Lalami’s narrations constitute a form of diasporic writing from within. She succeeds in defying not only the visual and cultural vilification of Muslims, but also the prevailing neo-orientalist concept of Muslim women’s writing as exclusively victim or escapee narratives. Up to now, the focus of most Mo- roccan migration stories “has been on male migrants as individuals, without reference to women, who nowadays constitute about 50% of international migration. This has led to the neglect of women in migration theories” (Ennaji and Sadiqui 8, 14). As the result of labor migration and family reunification (twenty percent of Moroccan citizens now live in Europe), combined with the geo- graphic proximity of Europe and North Africa, the notion of a national or “native” literature is slightly unstable with regard to Morocco. Its literary production is not limited by the borders of the nation-state, but spills over to the European continent, where the largest Moroccan-descent communities are in France (over a million), Spain (800,000), the Netherlands (370,000), and Belgium (200,000). Contemporary Moroccan literature does more than criticize and reb- el against the Makhzen, a term that originally refers to the storehouse where tribute and taxes to the sultan were stowed; through the centuries Makhzen has come to signify not just the power holders in Morocco, but how power has been exercised throughout society. -
A Sheffield Hallam University Thesis
Taboo : why are real-life British serial killers rarely represented on film? EARNSHAW, Antony Robert Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20984/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20984/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Taboo: Why are Real-Life British Serial Killers Rarely Represented on Film? Antony Robert Earnshaw Sheffield Hallam University MA English by Research September 2017 1 Abstract This thesis assesses changing British attitudes to the dramatisation of crimes committed by domestic serial killers and highlights the dearth of films made in this country on this subject. It discusses the notion of taboos and, using empirical and historical research, illustrates how filmmakers’ attempts to initiate productions have been vetoed by social, cultural and political sensitivities. Comparisons are drawn between the prevalence of such product in the United States and its uncommonness in Britain, emphasising the issues around the importing of similar foreign material for exhibition on British cinema screens and the importance of geographic distance to notions of appropriateness. The influence of the British Board of Film Classification (BBFC) is evaluated. This includes a focus on how a central BBFC policy – the so- called 30-year rule of refusing to classify dramatisations of ‘recent’ cases of factual crime – was scrapped and replaced with a case-by-case consideration that allowed for the accommodation of a specific film championing a message of tolerance. -
Download Book
Arab American Literary Fictions, Cultures, and Politics American Literature Readings in the 21st Century Series Editor: Linda Wagner-Martin American Literature Readings in the 21st Century publishes works by contemporary critics that help shape critical opinion regarding literature of the nineteenth and twentieth centuries in the United States. Published by Palgrave Macmillan Freak Shows in Modern American Imagination: Constructing the Damaged Body from Willa Cather to Truman Capote By Thomas Fahy Arab American Literary Fictions, Cultures, and Politics By Steven Salaita Women and Race in Contemporary U.S. Writing: From Faulkner to Morrison By Kelly Lynch Reames Arab American Literary Fictions, Cultures, and Politics Steven Salaita ARAB AMERICAN LITERARY FICTIONS, CULTURES, AND POLITICS © Steven Salaita, 2007. Softcover reprint of the hardcover 1st edition 2007 978-1-4039-7620-8 All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. First published in 2007 by PALGRAVE MACMILLAN™ 175 Fifth Avenue, New York, N.Y. 10010 and Houndmills, Basingstoke, Hampshire, England RG21 6XS Companies and representatives throughout the world. PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries. ISBN 978-1-349-53687-0 ISBN 978-0-230-60337-0 (eBook) DOI 10.1057/9780230603370 Library of Congress Cataloging-in-Publication Data is available from the Library of Congress. -
The Political Economy of Colorblindness: Neoliberalism and the Reproduction of Racial Inequality in the United States
THE POLITICAL ECONOMY OF COLORBLINDNESS: NEOLIBERALISM AND THE REPRODUCTION OF RACIAL INEQUALITY IN THE UNITED STATES A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University By Phillip A. Hutchison Master of Arts University of California, Los Angeles, 2002 Director: Paul Smith, Professor Cultural Studies Fall Semester 2010 George Mason University Fairfax, VA Copyright: 2010 Phillip A. Hutchison All Rights Reserved ii TABLE OF CONTENTS Page Abstract ............................................................................................................................. iv Introduction ........................................................................................................................ 1 Literature Review............................................................................................................. 30 Chapter 1 .......................................................................................................................... 69 Chapter 2 .......................................................................................................................... 94 Chapter 3 ........................................................................................................................ 138 Chapter 4 ........................................................................................................................ 169 Chapter 5 ....................................................................................................................... -
Moroccan Women and Immigration in Spanish Narrative and Film (1995-2008)
University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2010 MOROCCAN WOMEN AND IMMIGRATION IN SPANISH NARRATIVE AND FILM (1995-2008) Sandra Stickle Martín University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Martín, Sandra Stickle, "MOROCCAN WOMEN AND IMMIGRATION IN SPANISH NARRATIVE AND FILM (1995-2008)" (2010). University of Kentucky Doctoral Dissertations. 766. https://uknowledge.uky.edu/gradschool_diss/766 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Sandra Stickle Martín The Graduate School University of Kentucky 2010 MOROCCAN WOMEN AND IMMIGRATION IN SPANISH NARRATIVE AND FILM (1995-2008) ___________________________________ ABSTRACT OF DISSERTATION ____________________________________ A dissertation submitted in partial fulfillment of the requirements for the degree of doctor of Philosophy in the College of Arts and Sciences at the University of Kentucky By Sandra Stickle Martín Lexington, Kentucky Director: Dr. Ana Rueda, Professor of Hispanic Studies Lexington, Kentucky 2010 Copyright © Sandra Stickle Martín 2010 ABSTRACT OF DISSERTATION MOROCCAN WOMEN AND IMMIGRATION IN SPANISH NARRATIVE AND FILM (1995-2008) Spanish migration narratives and films present a series of conflicting forces: the assumptions of entitlement of both Western and Oriental patriarchal authority, the claims to autonomy and self determination by guardians of women’s rights, the confrontations between advocates of exclusion and hospitality in the host society, and the endeavor of immigrant communities to maintain traditions while they integrate into Spanish society. -
Naperville Jaycees' Last Fling Offers National and Local Musical Acts On
FOR IMMEDIATE RELEASE: June 7, 2019 Contact: Karen Coleman 630.362.6683 [email protected] Naperville Jaycees’ Last Fling Offers National and Local Musical Acts on Two Stages! Naperville, IL – The Naperville Jaycees is proud to announce their full musical lineup for the Main Stage and Jackson Avenue Block Party Stage for the 2019 Last Fling. The Last Fling takes place all along the Riverwalk in Downtown Naperville over all 4 days of Labor Day weekend. “This year’s event will feel a lot more like your typical music festival. We decided to open the Main Stage gates earlier than most previous years to give patrons an opportunity to enjoy music throughout the day and allow them to come and go as they please. I really feel as if we have a solid line up this year and I hope that the community will come out, have some fun and help raise some money with us at the 2019 Last Fling,” says Entertainment Co-Chair Danielle Tufano. 2019 Main Stage Acts: The Last Fling Main Stage will start rocking on Friday night (August 30) with headliner Better Than Ezra. Before their omnipresent 1995 single “Good” hit No. 1, before their debut album Deluxe went double-platinum, before popular shows such as Desperate Housewives licensed their song “Juicy,” before Taylor Swift attested to their timeless appeal by covering their track “Breathless” — New Orleans’ Better Than Ezra was a pop-rock act paying its dues, traveling from town to town in a ramshackle van. Over two decades after the band formed, that vigilance still resonates strongly with the trio, who were finally rewarded after seven years of stubbornly chasing their dreams. -
Seacare Authority Exemption
EXEMPTION 1—SCHEDULE 1 Official IMO Year of Ship Name Length Type Number Number Completion 1 GIANT LEAP 861091 13.30 2013 Yacht 1209 856291 35.11 1996 Barge 2 DREAM 860926 11.97 2007 Catamaran 2 ITCHY FEET 862427 12.58 2019 Catamaran 2 LITTLE MISSES 862893 11.55 2000 857725 30.75 1988 Passenger vessel 2001 852712 8702783 30.45 1986 Ferry 2ABREAST 859329 10.00 1990 Catamaran Pleasure Yacht 2GETHER II 859399 13.10 2008 Catamaran Pleasure Yacht 2-KAN 853537 16.10 1989 Launch 2ND HOME 856480 10.90 1996 Launch 2XS 859949 14.25 2002 Catamaran 34 SOUTH 857212 24.33 2002 Fishing 35 TONNER 861075 9714135 32.50 2014 Barge 38 SOUTH 861432 11.55 1999 Catamaran 55 NORD 860974 14.24 1990 Pleasure craft 79 199188 9.54 1935 Yacht 82 YACHT 860131 26.00 2004 Motor Yacht 83 862656 52.50 1999 Work Boat 84 862655 52.50 2000 Work Boat A BIT OF ATTITUDE 859982 16.20 2010 Yacht A COCONUT 862582 13.10 1988 Yacht A L ROBB 859526 23.95 2010 Ferry A MORNING SONG 862292 13.09 2003 Pleasure craft A P RECOVERY 857439 51.50 1977 Crane/derrick barge A QUOLL 856542 11.00 1998 Yacht A ROOM WITH A VIEW 855032 16.02 1994 Pleasure A SOJOURN 861968 15.32 2008 Pleasure craft A VOS SANTE 858856 13.00 2003 Catamaran Pleasure Yacht A Y BALAMARA 343939 9.91 1969 Yacht A.L.S.T. JAMAEKA PEARL 854831 15.24 1972 Yacht A.M.S. 1808 862294 54.86 2018 Barge A.M.S. -
Righting the Wrongs of Slavery, 89 Geo. LJ 2531
UIC School of Law UIC Law Open Access Repository UIC Law Open Access Faculty Scholarship 1-1-2001 Forgive U.S. Our Debts? Righting the Wrongs of Slavery, 89 Geo. L.J. 2531 (2001) Kevin Hopkins John Marshall Law School Follow this and additional works at: https://repository.law.uic.edu/facpubs Part of the Law and Race Commons, and the Legal History Commons Recommended Citation Kevin Hopkins, Forgive U.S. Our Debts? Righting the Wrongs of Slavery, 89 Geo. L.J. 2531 (2001). https://repository.law.uic.edu/facpubs/153 This Book Review is brought to you for free and open access by UIC Law Open Access Repository. It has been accepted for inclusion in UIC Law Open Access Faculty Scholarship by an authorized administrator of UIC Law Open Access Repository. For more information, please contact [email protected]. REVIEW ESSAY Forgive U.S. Our Debts? Righting the Wrongs of Slavery KEvIN HOPKINS* "We must make sure that their deaths have posthumous meaning. We must make sure that from now until the end of days all humankind stares this evil in the face.., and only then can we be sure it will never arise again." President Ronald Reagan' INTRODUCTION: Tm BIG PAYBACK In recent months, claims for reparations for slavery have gained new popular- ity amongst black intellectuals and trial lawyers and have been given additional momentum by the publication of Randall Robinson's controversial and thought- provoking book, The Debt: What America Owes to Blacks.2 In The Debt, Robinson makes a serious and persuasive case for the payment of reparations by the United States government to African-Americans for both the injustices done to their ancestors during slavery and the effect of those wrongs on the current * Associate Professor of Law, The John Marshall Law School. -
The Bear in Eurasian Plant Names
Kolosova et al. Journal of Ethnobiology and Ethnomedicine (2017) 13:14 DOI 10.1186/s13002-016-0132-9 REVIEW Open Access The bear in Eurasian plant names: motivations and models Valeria Kolosova1*, Ingvar Svanberg2, Raivo Kalle3, Lisa Strecker4,Ayşe Mine Gençler Özkan5, Andrea Pieroni6, Kevin Cianfaglione7, Zsolt Molnár8, Nora Papp9, Łukasz Łuczaj10, Dessislava Dimitrova11, Daiva Šeškauskaitė12, Jonathan Roper13, Avni Hajdari14 and Renata Sõukand3 Abstract Ethnolinguistic studies are important for understanding an ethnic group’s ideas on the world, expressed in its language. Comparing corresponding aspects of such knowledge might help clarify problems of origin for certain concepts and words, e.g. whether they form common heritage, have an independent origin, are borrowings, or calques. The current study was conducted on the material in Slavonic, Baltic, Germanic, Romance, Finno-Ugrian, Turkic and Albanian languages. The bear was chosen as being a large, dangerous animal, important in traditional culture, whose name is widely reflected in folk plant names. The phytonyms for comparison were mostly obtained from dictionaries and other publications, and supplemented with data from databases, the co-authors’ field data, and archival sources (dialect and folklore materials). More than 1200 phytonym use records (combinations of a local name and a meaning) for 364 plant and fungal taxa were recorded to help find out the reasoning behind bear-nomination in various languages, as well as differences and similarities between the patterns among them. Among the most common taxa with bear-related phytonyms were Arctostaphylos uva-ursi (L.) Spreng., Heracleum sphondylium L., Acanthus mollis L., and Allium ursinum L., with Latin loan translation contributing a high proportion of the phytonyms. -
Vertical Horizon to Headline 34 Annual Pelham Medical
OFFICIAL MEDIA RELEASE Media Contact Katie Witherspoon April 5, 2018 Vice President of Operations Greer Chamber of Commerce FOR IMMEDIATE RELEASE 864.877.3131, ext. 102 VERTICAL HORIZON TO HEADLINE 34TH ANNUAL PELHAM MEDICAL CENTER GREER FAMILY FEST (Greer, SC) It’s everything you want. It’s everything you need. It’s the 34th annual Pelham Medical Center Greer Family Fest, featuring 90s superstars Vertical Horizon as the headline performer for 2018. “We are excited to bring Vertical Horizon to Greer, and look forward to a great weekend!” said festival Chairman Brent Garrett. The festival happens throughout downtown Greer and Greer City Park on Friday, May 4 and Saturday, May 5. Vertical Horizon will perforM a free concert Saturday, May 5, 2018 at 8 p.M. in Greer City Park. Pelham Medical Center returns as the event’s title sponsor. The City of Greer also returns as the festival’s presenting sponsor. ABOUT GREER FAMILY FEST With a rich history of providing family fun for all ages, the annual Pelham Medical Center Greer Family Fest promises to be better than ever this year, the 34th anniversary of the event. This year's event will feature the best of the old and add exciting new activities, with the goal of being the Upstate's favorite family festival. This two-day event features live music on the CBL State Savings Bank Main Stage and the Family Dental Health Community Stage, Mitsubishi Anne Helton Creation Station, Apple Seeds Pediatric Dentistry & Carolina Family Orthodontics KidsZone, Greer CPW Rudy’s Restaurant Row, and more than 150 vendors throughout the festival. -
Recent Publications in Music 2009
Fontes Artis Musicae, Vol. 56/4 (2009) RECENT PUBLICATIONS IN MUSIC R1 RECENT PUBLICATIONS IN MUSIC 2009 On behalf of the International Association of Music Libraries Archives and Documentation Centres / Pour le compte l'Association Internationale des Bibliothèques, Archives et Centres de Documentation Musicaux / Im Auftrag der Die Internationale Vereinigung der Musikbibliotheken, Musikarchive und Musikdokumentationszentren This list contains citations to literature about music in print and other media, emphasizing reference materials and works of research interest that appeared in 2008. Reporters who contribute regularly provide citations mainly or only from the year preceding the year this list is published in the IAML journal Fontes Artis Musicae. However, reporters may also submit retrospective lists cumulating publications from up to the previous five years. In the hope that geographic coverage of this list can be expanded, the compiler welcomes inquiries from bibliographers in countries not presently represented. Compiled and edited by Geraldine E. Ostrove Reporters: Austria: Thomas Leibnitz Canada: Marlene Wehrle China, Hong Kong, Taiwan: Katie Lai Croatia: Zdravko Blaţeković Czech Republic: Pavel Kordík Estonia: Katre Rissalu Finland: Ulla Ikaheimo, Tuomas Tyyri France: Cécile Reynaud Germany: Wolfgang Ritschel Ghana: Santie De Jongh Greece: Alexandros Charkiolakis Hungary: Szepesi Zsuzsanna Iceland: Bryndis Vilbergsdóttir Ireland: Roy Stanley Italy: Federica Biancheri Japan: Sekine Toshiko Namibia: Santie De Jongh The Netherlands: Joost van Gemert New Zealand: Marilyn Portman Russia: Lyudmila Dedyukina South Africa: Santie De Jongh Spain: José Ignacio Cano, Maria José González Ribot Sweden Turkey: Paul Alister Whitehead, Senem Acar United States: Karen Little, Liza Vick. With thanks for assistance with translations and transcriptions to Kersti Blumenthal, D.