Karen Hackenberg, “Mighty Migration,” Oil on Canvas, 30 X 40 Inches
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This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. THE STORY BEHIND THE STORIES British and Dominion War Correspondents in the Western Theatres of the Second World War Brian P. D. Hannon Ph.D. Dissertation The University of Edinburgh School of History, Classics and Archaeology March 2015 2 TABLE OF CONTENTS Abstract ………………………………………………………………………….. 4 Acknowledgements ……………………………………………………………… 5 Introduction ……………………………………………………………………… 6 The Media Environment ……………...……………….……………………….. 28 What Made a Correspondent? ……………...……………………………..……. 42 Supporting the Correspondent …………………………………….………........ 83 The Correspondent and Censorship …………………………………….…….. 121 Correspondent Techniques and Tools ………………………..………….......... 172 Correspondent Travel, Peril and Plunder ………………………………..……. 202 The Correspondents’ Stories ……………………………….………………..... 241 Conclusion ……………………………………………………………………. 273 Bibliography ………………………………………………………………...... 281 Appendix …………………………………………...………………………… 300 3 ABSTRACT British and Dominion armed forces operations during the Second World War were followed closely by a journalistic army of correspondents employed by various media outlets including news agencies, newspapers and, for the first time on a large scale in a war, radio broadcasters. -
Isms Through a Prism
MONDAY, JANUARY 20, 2020 In honor of Dr. Martin Luther King Jr. Day, we are exploring various forms of biases that create schisms. We encourage your introspection. isms through a prism ableism ageism Let’s not be oblivious Judge not youth or age BY CHERYL CHARLES BY ELYSE CARMOSINO I got out of bed this morning, al- Since a New York Times article de- though perhaps a bit more gingerly clared the rise in popularity of mil- than I did in my younger days. lennial and Gen Z internet meme Yes, these exercise routines leave me “OK boomer” to be “the end of friend- a little more sore, for a whole lot longer. ly generational relations,” the topic But I’ve always been able to walk, and of age-related discrimination on both move, and get pretty much anywhere ends of the scale has resurfaced as a ableism, A7 ageism, A7 Ableism Ageism Colorism Heterosexism Racism Se xism PAGE DESIGN | MARK SUTHERLAND colorism heterosexism racism sexism A paler Who’s to say Let’s look Still a long shade of bias what’s normal? beyond color way to go BY THOR JOURGENSEN BY GAYLA CAWLEY BY STEVE KRAUSE BY CAROLINA TRUJILLO I had a friend who was For the past couple of To start with, racism is Sex·ism (noun) prejudice, Puerto Rican and proud of years, I’ve been writing a an insidious social condi- stereotyping, or discrimi- her family’s roots in Spain. bi-weekly column and have tion. Every time we think nation, typically against Her skin was as light as intentionally steered clear we’ve conquered it, or at women, on the basis of sex. -
UNIVERSITY of CALIFORNIA Santa Barbara Bourgeois Like Me
UNIVERSITY OF CALIFORNIA Santa Barbara Bourgeois Like Me: Architecture, Literature, and the Making of the Middle Class in Post- War London A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Elizabeth Marly Floyd Committee in charge: Professor Maurizia Boscagli, Chair Professor Enda Duffy Professor Glyn Salton-Cox June 2019 The dissertation of Elizabeth Floyd is approved. _____________________________________________ Enda Duffy _____________________________________________ Glyn Salton-Cox _____________________________________________ Maurizia Boscagli, Committee Chair June 2019 Bourgeois Like Me: Architecture, Literature, and the Making of the Middle Class in Post- War Britain Copyright © 2019 by Elizabeth Floyd iii ACKNOWLEDGEMENTS This project would not have been possible without the incredible and unwavering support I have received from my colleagues, friends, and family during my time at UC Santa Barbara. First and foremost, I would like to thank my committee for their guidance and seeing this project through its many stages. My ever-engaging chair, Maurizia Boscagli, has been a constant source of intellectual inspiration. She has encouraged me to be a true interdisciplinary scholar and her rigor and high intellectual standards have served as an incredible example. I cannot thank her enough for seeing potential in my work, challenging my perspective, and making me a better scholar. Without her support and guidance, I could not have embarked on this project, let alone finish it. She has been an incredible mentor in teaching and advising, and I hope to one day follow her example and inspire as many students as she does with her engaging, thoughtful, and rigorous seminars. -
Postmodernist Occasions: Language, Fictionality and History in South Asian Novels
i Postmodernist Occasions: Language, Fictionality and History in South Asian Novels By Ayesha Ashraf MA English Literature, Sardar Bahadur Khan Women University Quetta, 2006 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In English To FACULTY OF ENGLISH STUDIES NATIONAL UNIVERSITY OF MODERN LANGUAGES, ISLAMABAD ©Ayesha Ashraf 2017 ii NATIONAL UNIVERSITY OF MODERN LANGUAGES FACULTY OF ENGLISH STUDIES THESIS AND DEFENSE APPROVAL FORM The undersigned certify that they have read the following thesis, examined the defense, are satisfied with the overall exam performance, and recommend the thesis to the Faculty of English Studies for acceptance: Thesis Title: Postmodernist Occasions: Language, Fictionality and History in South Asian Novels Submitted By: Ayesha Ashraf Registration #: 589-M.Phil/Lit/2011(Jan) Doctor of Philosophy Degree name in full English Literature Name of Discipline Prof. Dr. Munawar Iqbal Gondal _______________________ Name of Research Supervisor Signature of Research Supervisor Prof. Dr. Muhammad Safeer Awan _______________________ Name of Dean (FOES) Signature of Dean (FOES) Maj. Gen. Muhammad Jaffar (R) _______________________ Name of Rector (for PhD Thesis) Signature of Rector Date iii Candidate Declaration Form I Ayesha Ashraf Daughter of Muhammad Ashraf Registration # 589-M.Phil/Lit/2011(Jan) Discipline English Literature Candidate of Doctor of Philosophy at the National University of Modern Languages do hereby declare that the thesis Postmodernist Occasions: Language, Fictionality and History in South Asian Novels submitted by me in partial fulfillment of PhD degree, is my original work, and has not been submitted or published earlier. I also solemnly declare that it shall not, in future, be submitted by me for obtaining any other degree from this or any other university or institution. -
Oral History Interview with Guy Anderson, 1983 February 1-8
Oral history interview with Guy Anderson, 1983 February 1-8 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Interview This transcript is in the public domain and may be used without permission. Quotes and excerpts must be cited as follows: Oral history interview with Guy Anderson, 1983 February 1-8, Archives of American Art, Smithsonian Institution. Oral History Interview with Guy Anderson Conducted by Martha Kingsbury At La Conner, Washington 1983 February 1 & 8 GA: GUY ANDERSON MK: MARTHA KINGSBURY [Part 1] GA: Now that it is spring and February and I suppose it's a good time to talk about great things. I know the sun's out, the caterpillars and things coming out soon; but talking about the art scene, I have been reading a very interesting thing that was sent to me, once again, by Wesley Wehrÿ-- the talk that Henry Geldzahler gave to Yale, I think almost a year ago, about what he felt about the state of the New York scene, and the scene of art, generally speaking in the world. He said some very cogent things all through it, things that I think probably will apply for quite a long time, particularly to those people and a lot of young people who are so interested in the arts. Do you want to see that? MK: Sure. [Break in tape] MK: Go ahead. -
2010–2011 Our Mission
ANNUAL REPORT 2010–2011 OUR MISSION The Indianapolis Museum of Art serves the creative interests of its communities by fostering exploration of art, design, and the natural environment. The IMA promotes these interests through the collection, presentation, interpretation, and conservation of its artistic, historic, and environmental assets. FROM THE CHAIRMAN 02 FROM THE MELVIN & BREN SIMON DIRECTOR AND CEO 04 THE YEAR IN REVIEW 08 EXHIBITIONS 18 AUDIENCE ENGAGEMENT 22 PUBLIC PROGRAMS 24 ART ACQUISITIONS 30 LOANS FROM THE COLLECTION 44 DONORS 46 IMA BOARD OF GOVERNORS 56 AFFILIATE GROUP LEADERSHIP 58 IMA STAFF 59 FINANCIAL REPORT 66 Note: This report is for fiscal year July 2010 through June 2011. COVER Thornton Dial, American, b. 1928, Don’t Matter How Raggly the Flag, It Still Got to Tie Us Together (detail), 2003, mattress coils, chicken wire, clothing, can lids, found metal, plastic twine, wire, Splash Zone compound, enamel, spray paint, on canvas on wood, 71 x 114 x 8 in. James E. Roberts Fund, Deaccession Sculpture Fund, Xenia and Irwin Miller Fund, Alice and Kirk McKinney Fund, Anonymous IV Art Fund, Henry F. and Katherine DeBoest Memorial Fund, Martha Delzell Memorial Fund, Mary V. Black Art Endowment Fund, Elizabeth S. Lawton Fine Art Fund, Emma Harter Sweetser Fund, General Endowed Art Fund, Delavan Smith Fund, General Memorial Art Fund, Deaccessioned Contemporary Art Fund, General Art Fund, Frank Curtis Springer & Irving Moxley Springer Purchase Fund, and the Mrs. Pierre F. Goodrich Endowed Art Fund 2008.182 BACK COVER Miller House and Garden LEFT The Wood Pavilion at the IMA 4 | FROM THE CHAIRMAN FROM THE CHAIRMAN | 5 RESEARCH LEADERSHIP From the In addition to opening the new state-of-the-art Conservation Science Laboratory this past March, the IMA has fulfilled the challenge grant from the Andrew W. -
Modernism in the Pacific Northwest: the Mythic and the Mystical June 19 — September 7, 2014
Ann P. Wyckoff Teacher Resource Center Educator Resource List Modernism in the Pacific Northwest: The Mythic and the Mystical June 19 — September 7, 2014 BOOKS FOR STUDENTS A Community of Collectors: 75th Anniversary Gifts to the Seattle Art Museum. Chiyo Ishikawa, ed. Seattle: Seattle Adventures in Greater Puget Sound. Dawn Ashbach and Art Museum, 2008. OSZ N 745 S4 I84 Janice Veal. Anacortes, WA: Northwest Island Association, 1991. QH 105 W2 A84 Overview of recent acquisitions to SAM’s collection, including works by Northwest artists. Educational guide and activity book that explores the magic of marine life in the region. George Tsutakawa. Martha Kingsbury. Seattle: University of Washington Press, 1990. N 6537 T74 A4 Ancient Ones: The World of the Old–Growth Douglas Fir. Barbara Bash. San Francisco: Sierra Club Books for Exhibition catalogue covering 60 years of work of the Children, 2002. QK 494.5 P66 B37 Seattle–born painter, sculptor, and fountain maker. Traces the life cycle of the Douglas fir and the old–growth Kenneth Callahan. Thomas Orton and Patricia Grieve forest and their intricate web of life. Watkinson. Seattle : University of Washington Press; 2000. ND 237 C3 O77 Larry Gets Lost in Seattle. John Skewes. Seattle: Sasquatch Books, 2007. F 899 S44 S5 Overview of the life and work of artist Kenneth Callahan. Pete looks for his dog Larry in Seattle’s famous attractions. Margaret Callahan: Mother of Northwest Art. Margaret Bundy Callahan and Brian Tobey Callahan, ed. Victoria, S Is for Salmon: A Pacific Northwest Alphabet. Hannah BC: Trafford Publising, 2009. ND 237 C19 C35 Viano. -
The Galleries
THE GALLERIES ART at the convention center A SELF-GUIDED TOUR Enriching Your Visit: Taking the Tour The Public Art Program Washington State Convention Center features approximately The Washington State Convention Center (WSCC) public 100 works of art on public display around four levels of its North and South Gallerias. Several other works are located in art program, perhaps the largest of its kind in the nation, its office and convention lobby areas. Areas of the facility that was established to provide an environment that enriches may not be available to the public due to convention- the experience of all who visit the meeting facility. With well related activities are clearly noted. over 100 works on display, art has been a popular feature since the facility opened in 1988. Initially, art was incorporated into This self-guided, self-paced tour booklet was designed to the original building design with assistance from the state’s direct you to the many different areas where artworks are cur- Percent for the Arts Program. Since then, due to a commit- rently on display. A few of the works listed inthis booklet are ment to provide civic benefits to our community, the WSCC has located outside of the WSCC. offered an ever-changing collection, readily accessible at no This self-tour begins on Level 1 just south of the Convention charge to meeting attendees and the general public. Place entrance. The indicated route will direct you back to the south escalators for easy access to the next level. All areas of In 1997, the board established the WSCC Art Foundation at this tour are also accessible by elevator. -
Northwest Matriarchs of Modernism
Northwest Matriarchs of Modernism 12 Proto-feminists from Oregon and Washington Mary Henry Pansynclastic Riddle 1966, 48 x 61.5 Courtesy of the Artist and Bryan Ohno Gallery Cover photo: Hilda Morris in her studio 1964 Photo: Hiro Moriyasu Northwest Matriarchs of Modernism Organized by The Art Gym, Marylhurst University 12 Proto-feminists from Oregon and Washington with support from the Regional Arts and Culture Council, the Lamb Foundation, members and friends. The Art Gym, Marylhurst University, Marylhurst, Oregon Kathleen Gemberling Adkison September 26 – November 20, 2004 Doris Chase Museum of Northwest Art, La Conner, Washington January 15 – April 3, 2005 Sally Haley Mary Henry Maude Kerns LaVerne Krause Hilda Morris Eunice Parsons Viola Patterson Ruth Penington Amanda Snyder Margaret Tomkins Eunice Parsons Mourning Flower 1969, collage, 26 x 13.5 Collection of the Artist Photo: Robert DiFranco Northwest Matriarchs of Modernism: Twelve Proto-feminists from Oregon and Washington Copyright 2004 Marylhurst University Post Offi ce Box 261 17600 Pacifi c Highway Marylhurst, Oregon 97036 503.636.8141 www.marylhurst.edu Artworks copyrighted to the artists. Essays copyrighted to writers Lois Allan and Matthew Kangas. 2 All rights reserved. ISBN 0-914435-44-2 Design: Fancypants Design Preface Northwest Matriarchs of Modernism: Twelve presented work created prior to 1970. Most of our Proto-feminists from Oregon and Washington exhibitions either present art created specifi cally grew out of a conversation with author and for The Art Gym, or are mid-career or retrospective critic Lois Allan. As women, we share a strong surveys of artists in the thick of their careers. -
Assault Rifle / High Capacity Magazine Arrest
Oxnard Gang Member Arrested For Assault Rifle 1/5/2017 9:46:00 PM Nature of Incident: Assault Rifle / High Capacity Magazine Arrest Report Number: 17-1581 (Ventura County Sheriff's Office) 17-1116 (Oxnard Police Department) Location: 300 block of Gibralter Street, City of Oxnard Date & Time: January 4, 2017 7:00 PM Unit(s) Responsible: Ventura County Sheriff's Office, Oxnard Police Department (S)uspects, (V)ictims, (P)arty, (D)ecedent City of Residence Age Juan Davalos Oxnard 18 Narrative: On January 4, 2017, Investigators received information about a criminal street gang associate possessing an assault rifle in the City of Oxnard. The investigation led to the seizure of a loaded assault rifle, a high capacity magazine and the arrest of Juan Davalos. On January 4, 2017 Investigators with the Ventura County Sheriff's Office Special Crimes Unit and the Oxnard Police Department learned Juan Davalos, who is an Oxnard criminal street gang associate, was in possession of an assault rifle. Investigators began an investigation and obtained a search warrant to search Davalos' residence in the 300 block of Gibralter Street in the City of Oxnard. The Oxnard Police Department Special Enforcement Unit along with the Violent Crimes Unit executed the search warrant at the residence. A search of the residence revealed an assault rifle with a loaded high capacity magazine. Davalos was taken into custody without incident and booked into the Ventura County Jail for a warrant on an unrelated case. Investigators arrested Davalos for the weapons charges, but released him pending further forensic analysis. Prepared by: Sergeant J. -
A Descriptive Catalogue of the Collection of Pictures Belonging to the Earl of Northbrook
'* Digitized by the Internet Archive in 2008 with funding from IVIicrosoft Corporation http://www.archive.org/details/descriptivecatalOOnortrich DESCRIPTIVE CATALOGUE. /A-«''»-t-,-a-» / y ^^u^n^yv<^. ^eo>-^e. Sa.x-/>:pr, "^ ^^^ ^ ^^ , , Tir^n<:.is /Mor ' rook - J - -> ^ DESCRIPTIVE CATALOGUE OF THE COLLECTION OF PICTURES BELONGING TO THE EARL OF NORTHBROOK. THE DUTCH, FLEMISH, AND FRENCH SCHOOLS BY MR. W. H. JAMES WEALE ; THE ITALIAN AND SPANISH SCHOOLS BY DR. JEAN PAUL RICHTER. WITH TWENTY-FIVE ILLUSTRATIONS — PHOTOGRAPHS BY HENRY DIXON &• SON, BY THE DIXON AND GRAY ORTHO- CHROMATIC PROCESS, PRINTED IN PLATINOTYPE. LONDON.- GRIFFITH, FARRAN, OKEDEN, 6^ WELSH. AND SYDNEY. 1889. LOAN STACK .%<?• liisfiiij; Qrmi:sj^ &?' :-.^ % 'U Telegraphic Address _ BOOKMtN, LONDON. jfiutrhvOclUrei, Code in use UNICODE. Bookbinders. 7^t -^3 P I C CA D I L LYvWr^ ESTABLISHED 1816. NEAR THE ROYAL ACADEMY. TO .'• - -• n fH ;^J >5r a i: P R l W S l O J- : WA L 2 « (p^/m ~5^PUBLISHERS"^0F-"MR--G0ULD'S^GRAND"^0RN1TH0L0GICAL'"';W0RKS:= 7^^'^.^^ O^^'*^ a « , >.<y ^ .--» ^ ^ '^^N ^^-^.:i \ ^^^ c^^, ^-*^«*w -^**»-» ,- , -VSv^??c ^-v -.. :j^ .:) A/6 CONTENTS. FACE EXPLANATION OF REFERENCES vii INTRODUCTION ix LIST OF ILLUSTRATIONS xi EARLY NETHERLANDISH SCHOOL 1 EARLY GERMAN SCHOOL ....... 8 DUTCH AND FLEMISH SCHOOLS 27 ITALIAN SCHOOL 105 SPANISH SCHOOL 170 FRENCH SCHOOL 186 APPENDIX 199 ADDITIONAL NOTES 214 INDEX 215 J 58 EXPLANATION OF REFERENCES. In the descriptions of the pictures the dimensions are given in inches, the first measurement indicating the height, the second the width of the canvas or panel without the frame. The terms " right " and " left " denote the right and left of the picture, as seen by the spectator standing in front of it. -
Volume 25 May • June 2016 Number 3
TM Volume 25 May • June 2016 Number 3 www.artaccess.com THE MONTHLY GUIDE TO THE ARTS ART ACCESS CONTENTS Volume 25 Number 3 FEATURES Features Write of Way …Mary Lou Sanelli 6 Anne Gould Hauberg …Edie Everette 12 Beyond Aztlán …Susan Noye Platt, Ph.D. 14 VISUAL ART Listings Portland, OR 16 Anacortes • Bainbridge Island, WA 16 Bellevue • Bellingham, WA 19 Karen Hackenberg Bremerton, WA 20 “Hitchhikers Guide to the Garbage Gyre” Edison • Edmonds, WA 21 gouache on paper, 8 x 10 inches Museum of Northwest Art • La Conner, WA Ellensburg • Everett WA 22 Friday Harbor • Kingston, WA 23 “Space, and space again, is the infinite deity Kirkland • La Conner • Langley, WA 24 which surrounds us and in which Mercer Island • Port Orchard, WA 25 we are ourselves contained.” Port Townsend • Poulsbo, WA 26 Seattle, WA ~ Max Beckmann (1884 – 1950) • Ballard 27 German Painter • Belltown 28 • Columbia City 28 FRONT COVER: • Downtown 29 • First Hill 31 Rik Allen• “Providence” • International District 31 blown glass, silver, stainless steel • Pioneer Square 31 29 x 11 x 11 inches Photo by KP-Studios.com • University District 36 Museum of Northwest Art • La Conner, WA Tacoma, WA 36 Vashon Island, WA 38 2016 MoNA Art Auction CALL TO ARTISTS 38 Saturday, June 18 MAPS Maps +Preview Party, Bainbridge Island, WA 16 Friday, June 17 Kirkland, WA 22 Seattle, WA WA Walton Event Center • Downtown 28 Swinomish Casino & Lodge • Pioneer Square 32 12885 Casino Dr Tacoma, WA 37 Anacortes, WA 98221 MoNA’s 24th Annual Art Auction Art Access features original artworks by more than (888) 970-9991 200 Northwest artists, art experiences, [email protected] and an opportunity to Box 4163, Seattle, WA 98194 Fund-the-Future of Northwest art.