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Karen Hackenberg, “Mighty Migration,” Oil on Canvas, 30 X 40 Inches

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Karen Hackenberg, “Mighty Migration,” Oil on Canvas, 30 X 40 Inches TM Karen Hackenberg, “Mighty Migration,” oil on canvas, 30 x 40 inches. Photo: Craig Wester Lisa Gilley • “The Angler’s Road,” oil on wood panel, 48 x 36 inches • Smith & Vallee Gallery, Edison, WA Karen Hackenberg, “Trash Dance,” gouache on paper, 8 x 11 inches. Image courtesy of the artist. Karen Hackenberg November 2–December 3 Also in November: Lost and Found: Assemblage Volume 21 OCTOBER • NOVEMBER • DECEMBER 2012 Number 4 www.artaccess.com THE MONTHLY GUIDE TO THE ARTS CONTENTS A R T A C C E S S V o l u m e 2 1 N u m b e r 4 FEATURES Write of Way The Sign …Mary Lou Sanelli 6 Editoon Elles: Pompidou at Seattle Art Museum …Saylor Jones 8 Ladies’ Choice Features Greg Kucera Gallery …Saylor Jones 10 VISUAL ART Portland, OR 12 Anacortes, WA 12 Bainbridge Island, WA 13 Bellevue • Bellingham, WA 15 Mary McInnis • “Poulsbo Front Street” Edison • Edmonds, WA 16 oil, 36 x 36 inches Everett • Friday Harbor, WA 16 Bainbridge Arts & Crafts • Bainbridge Island, WA Listings Issaquah • Kingston • Kirkland, WA 17 La Conner • Mercer Island, WA 18 “Art is not what you see, Port Angeles, WA 18 but what you make others see.” Port Townsend, WA 19 ~Edgar Degas Poulsbo, WA 20 Seattle, WA • Ballard 20 • Belltown 21 FRONT COVER: • Capitol Hill 22 (Top) “Karen Hackenberg • “Mighty Migration” • Columbia City • Downtown 23 oil on canvas, 30 x 40 inches. Photo: Craig Wester (Bottom) Karen Hackenberg, “Trash Dance,” • Fremont • Georgetown 27 gouache on paper, 8 x 11 inches • International District 27 Bainbridge Arts & Crafts • Bainbridge Island, WA • Madison Park • Phinney Ridge 28 October 5-29: • Pioneer Square 28 Main Street; Gerry Newcomb • SODO • South Lake Union 35 • University District 35 Artist Demo: Barbara Wilson • West Seattle 36 Painting on the iPad Shoreline, WA 37 Saturday, October 6, 12:30. Free. Stanwood • Tacoma, WA 37 Twisp • Vashon Island 38 November: Karen Hackenberg; Lost & Found Assemblages MAPS December 7-31: Bainbridge Island 12 Fruitcake: Eccentric Kirkland 17 and Eclectic Treats for the Holidays Seattle: Maps • Belltown 21 • Downtown 25 BAINBRIDGE ARTS & CRAFTS 151 Winslow Way E. • (206) 842-3132 • • Pioneer Square 30 Tacoma 36 Mon-Sat: 10 A.M.-6 P.M., Sun: 11 A.M.-5 P.M. [email protected] www.bacart.org Art Access (888) 970-9991 P u b l i s h e r [email protected] Box 4163, Seattle, WA 98194 Debbi Lester Special Thanks Jan/Feb/March info is due Dec 10 Helen Johanson, Greg Miller, Karen Stanton, No Exceptions! “Off with your head!” Gregory Hischak, Elizabeth Bryant, Reed Bargren, Alec Clayton, Deloris Tarzan Ament, Sean Carman, Gwen Wilson, Cheryl H. Hahn, Clare McLean, Ron Glowen, Susan Platt, Adriana Grant, Listing in Art Access is a paid service. Katie Kurtz, Molly Rhodes, Milton Freewater, Molly Norris, The charge for 60 word listing per month is Kathy Cain, Eleanor Pigman, Saylor Jones, Meg McHutchison (Happy Birthday!), Erica Applewhite, Chris Mitchell, Ron Turner, $35 or $39 with map placement, if available. Mitchell Weitzman, Bill Frisell & Carole d’Inverno, The Initial map placement fee is $28. Steve Freeborn & Tia Matthies (Happy Birthday!), Rachella Anderson, David John Anderson, Image(s) above the listing: $100 each. Limit 3. Seattle Art Museum, Tacoma Art Museum, Schack Art Center, Submission and payment are done online: Bellevue Arts Museum, Portland Art Museum, Museum of Northwest Art, Henry Art Gallery, Frye Art Museum, www.artaccess.com/submitprintad Doris Lester, Teresa Cassady, Joey Lester, & Danny Lester, Debbie & Richard Vancil, Corbin, Madeline (Happy Birthday!), Parker, Cayden, & Ryan 2 www.artaccess.com © OCT • NOV • DEC 2012 ® artist Victoria Haven Saya Moriyasu stands next to (L-R) Arts production team artist Neal Philpott next to his art Greg Kucera Gallery • Seattle, WA her sculptures and painting James Caudle & Amanda Dellinger Roby King Galleries Soil Gallery • Seattle, WA Core Gallery • Seattle, WA Bainbridge Island, WA Artist Erin de la Torre next to the work artist Mary Josephson artist Gregory Grenon he and his brother Jamex created next to her mosaic artworks next to his painting on glass artwork Traver Gallery • Seattle, WA Traver Gallery • Seattle, WA Traver Gallery • Seattle, WA Friesen Abmeyer Fine Art gallery owner William E. Elston next to his painting artist Weston Jandacka stands Jonathan Wood and artist Jeff Fontaine Davidson Galleries • Seattle, WA next to his art next to Fontaine’s work Core Gallery • Seattle, WA Friesen Abmeyer Fine Art • Seattle, WA artist Eugene Parnell next to his guitar sculpture artist Don Charles stands next to his sculpture artist Deborah Kapoor stands Punch Gallery • Seattle, WA Patricia Rovza Gallery • Seattle, WA next to her installation ArtXchange • Seattle, WA artist Leslie Williams Cain artist Jim Pirie stands next to his painting artist Chris Crites next to his art 4 next to her pastel artworkwww.artaccess.com ©Gallery OCT 110 •• Seattle,NOV WA • DEC 2012 G.Gibson Gallery • Seattle, WA Davidson Galleries • Seattle, WA artist Neal Philpott next to his art artist Jay Gaskill artist Z.Z. Wei next to his painting author Jonathan Evison reads from Roby King Galleries next to his wall print Patricia Rovzar Gallery • Seattle, WA “The Fundamentals of Caregiving” Bainbridge Island, WA Soil Gallery • Seattle, WA Eagle Harbor Book Co. Bainbridge Island, WA artist Gregory Grenon (L-R) glass artists/brothers Marco and Mattia artist Alicia Tormey next to her painting next to his painting on glass artwork Salvadore flank Vetri Glass Director Susan Marabito Grover/Thurston Gallery • Seattle, WA Traver Gallery • Seattle, WA Vetri Gallery • Seattle, WA artist Weston Jandacka stands artist Gaylen Hanson next to his painting (L-R) Wes Smith, Lisa Gilley, and Andrew Vallee next to his art Linda Hodges Gallery • Seattle, WA at Lisa Gilley’s opening Core Gallery • Seattle, WA Smith & Vallee Gallery • Edison, WA artist Deborah Kapoor stands artist Adele Eustis next to her sculpture Cass Nevada surrounded by her artworks next to her installation and mixed media painting Shift Collaborative Studio • Seattle, WA ArtXchange • Seattle, WA Shift Collaborative Studio • Seattle, WA artist Chris Crites next to his art artists Anthony Sonnenberg, Carolyn Hopkins, artist Raymond Gendreau next to his photograph G.Gibson Gallery • Seattle, WA www.artaccess.comand Emily Nachison © OCT • NOV • DEC Bainbr2012idge Arts & Crafts 5 Soil Gallery • Seattle, WA Bainbridge Island, WA The Sign I write this because of someone I witnessed earlier today. Or maybe all the other long-forgotten incidents flashed through my mind because of her, I don’t know. Either way, I just have to get it down. I’ve been teaching a series of dance workshops, from Seattle to Poulsbo to Port Angeles to Olympia, and many towns in between. This morning, one mother insisted on watching her daughter take my class. I don’t allow this and promptly Write of Way said so. “I just thought I could help my daughter remember what she learns today,” is what she said, indignantly, on her way out the door. If help of this nature is supposed to make kids apply themselves more, I can say from experience it doesn’t work. When I owned a dance studio and wanted, more than anything else, to teach young students how to trust their own perfect minds and bodies, I had to put my foot down: “Parents are allowed to watch only the first class of the month.” read the sign on my door. Because some of the mothers? You would not believe (only now there is a reality show, so you would). No self control. Absolutely none. Their own insecurities rose right up, landing on their child’s self-esteem. I could see how they really did struggle with it, knowing they were over the top, but it rarely stopped them for long. It got so I could spot these parents on registration day. Visually, they were more and more like a warning, a manifestation, what unrealized and/or unattempted goals and dreams can become. How people can age, then age some more, without ever accomplishing something of their own to be proud of. Maybe they woke up one morning and found they were no longer able to focus on their career and couldn’t adjust to the reality. Or maybe they never attempted a creative one and feel cheated somehow. I knew these outbursts were hungers that, on another level, weren’t directed at their kids so much as at life at large. Pent up, they had no where else to pop but in my studio. I think this is what’s really going on. I also think these women would stop interfering if they were able to get past seeing their kids as a chance they had been given. No kid wants to be their parent’s way of reaching for more, of gaining something else. It seems I’ve described the worst case dance-parent. There were others, lots of others, who were encouraging, supportive, positive. But my signboard couldn’t be selective or the meanies would have come down on me, I was pretty sure of that. “Your child may be learning a few dance steps here, but you are keeping your child from taking a huge leap forward if you comment from the sidelines. What does your child want from class? The opposite of everything you want, just like when you shop for clothes together.” This is the sign I should have hung. Never mind the objections. Why didn’t I? What we’d do over if only we could, right? Mary Lou Sanelli Sanelli’s works as a writer and speaker. Her latest book is Among Friends. www.marylousanelli.com 6 www.artaccess.com © OCT • NOV • DEC 2012 www.artaccess.com © OCT • NOV • DEC 2012 7 8 www.artaccess.com © OCT • NOV • DEC 2012 www.artaccess.com © OCT • NOV • DEC 2012 9 Mary Ann Kelly • “Blood on the Water,” pastel on paper, 26 x 30 inches Greg Kucera Gallery • Seattle, WA Ladies’ Choice Greg Kucera Gallery • Seattle, Washington In tandem with Seattle Art Museum’s “Elles: Square named Princess Bubble Gum.
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