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Oral History Interview with Edward B. Thomas, 1983 April 28-May 10
Oral history interview with Edward B. Thomas, 1983 April 28-May 10 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Edward B. Thomas on April 28 & May 10, 1983. The interview took place in Seattle, Washington, and was conducted by John Olbrantz for the Archives of American Art, Smithsonian Institution. Interview DATE: APRIL 28, 1983 [Tape 1] JOHN OLBRANTZ: Ed, can you tell me a little bit about your background, where you were born, your early childhood experiences, your parents, who your father was, who your mother was, how they came to live in this part of the country? EDWARD THOMAS: Well, I was born in Cosmopolis, Washington, and many times when I've come through customs, when I was much younger and especially at the Mexican border, they would say, "Where were you born?" and I'd say, "Cosmopolis, Washington," they'd say, "Look, bud! Don't get funny with us." (laughter) But there actually is such a place as Cosmopolis, Washington. Nobody had any particular influence upon me, I would say, in my younger years as far as becoming interested in art, and particularly teaching art. I had a very severe illness when I was four and five years old and was confined to bed a lot, and so people brought me tablets and color crayons and pencils and stuff like that. -
Contemporary American Painting and Sculpture
AT UR8ANA-GHAMPAIGN ARCHITECTURE The person charging this material is responsible for .ts return to the library from which it was withdrawn on or before the Latest Date stamped below '"" """"""'"9 "< "ooks are reason, ™racTo?,'l,°;'nary action and tor di,elpl(- may result in dismissal from To renew the ""'*'e™«y-University call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN I emp^rary American Painting and Sculpture University of Illinois Press, Urbana, 1959 Contemporary American Painting and Scuipttfre ^ University of Illinois, Urbana March 1, through April 5, 195 9 Galleries, Architecture Building College of Fine and Applied Arts (c) 1959 by the Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A4 8-34 i 75?. A^'-^ PDCEIMtBieiiRr C_>o/"T ^ APCMi.'rri'Ht CONTEMPORARY AMERICAN PAINTING AND SCULPTURE DAVID D. HENRY President of the University ALLEN S. WELLER Dean, College of Fine and Applied Arts Chairman, Festival of Contemporary Arts N. Britsky E. C. Rae W. F. Doolittlc H. A. Schultz EXHIBITION COMMITTEE D. E. Frith J. R. Shipley \'. Donovan, Chairman J. D. Hogan C. E. H. Bctts M. B. Martin P. W. Bornarth N. McFarland G. R. Bradshaw D. C. Miller C. W. Briggs R. Perlman L. R. Chesney L. H. Price STAFF COMMITTEE MEMBERS E. F. DeSoto J. W. Raushenbergcr C. A. Dietemann D. C. Robertson G. \. Foster F. J. Roos C. R. Heldt C. W. Sanders R. Huggins M. A. Sprague R. E. Huh R. A. von Neumann B. M. Jarkson L. M. Woodroofe R. Youngman J. -
2636-011 Seattle Art Museum Records
UNlVERSllY U BRARIJES w UNIVERSITY of WASHI NGTON Spe ial Colle tions 2764 Seattle Art Museum Records Inventory Accession No: 2636-011 Special Collections Division University of Washington Libraries Box 352900 Seattle, Washington, 98195-2900 USA (206) 543-1929 This document forms part of the Preliminary Guide to the Seattle Art Museum Records. To find out more about the history, context, arrangement, availability and restrictions on this collection, click on the following link: http://digital.lib.washington.edu/findingaids/permalink/SeattleArtMuseum2636/ Special Collections home page: http://www.lib.washington.edu/specialcollections/ Search Collection Guides: http://digital.lib.washington.edu/findingaids/search Seattle Art Museum Acc. #?.636-11 Modern Art Department CONTAINER LIST _ Box EXHIBITION FILES 1 LIST OF EXHIBITIONS FROM FILE DRAWER, APRIL 1975 through 1976 May 8 - June B, 1975: University of Washington Masters Theses Exhibition Organized by the Seattle Art Museum and the University of Washington Participants: Bob Magruder, V'lou Oliveira - ceramics Tim Ely, Larry Stair & Dennis Evans - design Margie Ogle, Jeanne Ilgen - metal jewelry Alan Bradley, Peggy Cooley, Jo David, Isabel Hamilton, Steve McClelland, Ithipol Thangchalok - painting Carl Chew, Brad Keil, Barbara McAusland, Sherry Markovitz, M~ke Peterson - printmaking Francie Allen, Stuart Branston, Tom Duchscher, Jim Feroe, Dave Gallagher, Kim Hoffman, Margaret Hays - sculpture Carol Wood, Pat Spatk, Sherry Charles, Melinda PhilJips - textiles May 8 - June 22, 1975: Prints from the Untitled Press Organized by the Wadsworth Atheneum, Hartford, Connecticut Participants: Cy Twombly, Brice Marden, David Bradshaw, Bob Petersen, Robert Whitman, Robert Rauschenberg, Hisachika Taka Hashi April 1 - May 6, 1975: Selections From Seattle Art Museum Permanent Collection Organized by the Seattle Art Museum. -
The Galleries
THE GALLERIES ART at the convention center A SELF-GUIDED TOUR Enriching Your Visit: Taking the Tour The Public Art Program Washington State Convention Center features approximately The Washington State Convention Center (WSCC) public 100 works of art on public display around four levels of its North and South Gallerias. Several other works are located in art program, perhaps the largest of its kind in the nation, its office and convention lobby areas. Areas of the facility that was established to provide an environment that enriches may not be available to the public due to convention- the experience of all who visit the meeting facility. With well related activities are clearly noted. over 100 works on display, art has been a popular feature since the facility opened in 1988. Initially, art was incorporated into This self-guided, self-paced tour booklet was designed to the original building design with assistance from the state’s direct you to the many different areas where artworks are cur- Percent for the Arts Program. Since then, due to a commit- rently on display. A few of the works listed inthis booklet are ment to provide civic benefits to our community, the WSCC has located outside of the WSCC. offered an ever-changing collection, readily accessible at no This self-tour begins on Level 1 just south of the Convention charge to meeting attendees and the general public. Place entrance. The indicated route will direct you back to the south escalators for easy access to the next level. All areas of In 1997, the board established the WSCC Art Foundation at this tour are also accessible by elevator. -
2016 Annual Report
MoNAMuseum of Northwest Art 2016 ANNUAL REPORT Annual Report 2016 D.indd 24 9/25/17 11:07 AM 3 From the President MISSION STATEMENT 4 Board & Staff The Museum of Northwest Art connects people with the art, diverse cultures and environments of the Northwest. 5 Exhibitions Visitor Testimonials VISION STATEMENT 10 The Museum of Northwest Art enriches lives in our diverse community by fostering essential 11 Acquisitions conversations and encouraging creativity through exhibitions and educational activities that explore the art of the Northwest. 12 MoNA Store COLLECTIONS & EXHIBITIONS 13 Education MoNA collects and exhibits contemporary art from across the Northwest, including Alaska, British Columbia, California, Idaho, Montana, Oregon and Washington. 15 Year in Review 17 Supporters 22 Volunteers Annual Report 2016 D.indd 1 9/25/17 11:07 AM 17,283 visits 42,866 website visits 100% visited for free 427 155 members volunteers 1,404 32 students visited with permanent collection 76 school tours acquisitions monamuseum.org 2 Annual Report 2016 D.indd 2 9/25/17 11:07 AM FROM THE PRESIDENT It is my great pleasure to share with you some of the successes achieved in 2016, made possible by your generous support. Because of you, more members of our community have experienced Northwest art in all of its facets through museum visits, program participation, and attendance at MoNA events and celebrations. MoNA’s commitment to providing free museum admission has fostered a broader and more engaged audience, making the museum accessible to more first-time visitors than ever before. MoNA, with your support, continues to fund significant investments in programming and collections. -
Northwest Fine Art & Antique Auction
Northwest Fine Art & Antique Auction August 27th, 2009 - 717 S 3rd St, Renton 14% Buyers Premium in Effect Auction Pick-up: Half Hour Following Auction or Friday, 08/28 & Tuesday, 09/01: Noon-5PM Lot Description 21 2 Boxes Loose Richard Lachman Cut Ink Drawings 1 Richard Kirsten "House of Many 22 3ea Richard Lachman Colored Ink Drawings Memories" Acrylic 22x16" 23 Box Richard Lachman Square Ink Drawings 2 Edna Crews "Snowcapped Forest" 24 4ea Richard Lachman Portrait Ink Drawings Watercolor 16x20.75" 25 Richard Lachman Large Sketchbook & 3 James Farr "Infinite Cycle of Renewal" Loose Ink Drawings 1973 Tempera 23.5x18.5" 26 Stack Richard Lachman Ink Drawings - 4 1997 S/N Abstract Etching Sketchbook Pages 5 Norman Lundin "Russian Landscape: 27 5x11' Oriental Rug Morning River" Charcoal/Pastel 26x37" 28 2 Carol Stabile Pastel Framed Paintings 6 K.C. McLaughlin "Exterior with 29 1969 Surrealist Mixed Media Painting Awnings" Dry Pigment 17x25" 34x30" - Signed Riote? 7 Edna Crews "Moonlit Meadow" 30 Signed F.W. Die? "Eye" Ink/Canvas 16x20" Watercolor 16.5x21.5" 31 Fred Marshall A.W.S. "Harbor - Puget 8 Edna Crews "Winter Meadow" Acrylic Sound" 1970 Watercolor 17x20.5" 31.5x23" 32 Fred Marshall Framed Watercolor 9 Richard Lachman "Cocktail Party" 1980 "Landscape with Deer" 16x21" Ink/Paper 16x22" 33 Flora Correa "Weeds Blowing" 1977 Collage 10 Richard Lachman "Dixy & Jaques" 24x12" Mixed Media 18x26" 34 Bonnie Anderson "Bucket of Lemons" Oil 11 Richard Lachman "Day Before Eden" 8x10" Mixed Media 18x26" 35 Bonnie Anderson "Lemon Drop Tree" Oil 12 Natalie McHenry Untitled – 38x14.25" "Marionettes" Watercolor 19x25" 36 Ray Hill Untitled - "Lake Scene" 1969 13 Edna Crews Untitled - "Mystic Bird" Watercolor 14x20" Oil/Board 40x30" 37 Signed S. -
Selections from the State Librarian with Comments Fall 2003 Through Summer 2008
Selections from the State Librarian With comments Fall 2003 through Summer 2008 Each season for the past five years Jan Walsh, Washington State Librarian, has chosen a theme and then selected at least one adult, one young adult, and one children‟s book to fit her topic. The following list is a compilation of her choices with her comments. The season in which each title was selected is listed in parentheses following its citation. Her themes were: Artists of Washington—spring 2004 Beach Reads—summer 2008 The Columbia River through Washington History—fall 2004 Courage—summer 2005 Disasters—fall 2007 Diversity—winter 2006 Exploring Washington—spring 2008 Geology of Washington State—fall 2005 Hidden People—spring 2007 Lewis, Clark, and Seaman—winter 2004 Life in Washington Territory—fall 2003 Mount St. Helens—spring 2005 Mysteries of Washington—fall 2006 Of Beaches and the Sea—winter 2008 The Olympic Peninsula—winter 2007 The Oregon Trail—spring 2006 Spokane and the Inland Empire—summer 2007 Tastes of Washington—summer 2006 Washington through the Photographer‟s Lens—summer 2004 Washington‟s Native People—winter 2005 NW prefixed books are available for check out and interlibrary loan. RARE, R (Reference), and GWA (Governor‟s Writers Award) prefixed books are available to be viewed only at the State Library. All books were in print at the time of Ms. Walsh‟s selection. January 23, 2009 1 Washington Reads 5 year compilation with Jan‟s comments Adult selections Alexie, Sherman. Reservation Blues. Grove Press, 1995. 306 p. (Summer 2007) NW 813.54 ALEXIE 1995; R 813.54 ALEXIE 1995 “The novel, which won the American Book Award in 1996, is a poignant look at the rise and fall of an Indian rock band, Coyote Springs, and the people and spirits that surround it. -
Kimberly Trowbridge: Into the Garden
TM Kimberly Trowbridge: Into the Garden Now on display. Kimberly Trowbridge, Light in the Cedars (Annunciation), 2020. Oil on linen on panel, 48"h x 60"w. Courtesy of Linda Hodges Gallery. Volume 30 March • April 2021 Number 2 www.ArtAccess.com style, and time period. However, the One artist capturing the falling water artwork placement feels intuitive and with a camera and the other painting the the groupings of artworks bring many rush of movement with a brush. questions to mind. The inclusion of Around the corner from the Tobey Clayton James was an unexpected, but paintings are several prints. All are delightful, surprise; almost like seeing a excellent examples of a variety of long-time friend. James studied at printmaking methods, but guests may be the Rhode Island School of Design surprised to encounter a print by Käthe and was later relocated to a camp for Kollwitz. The artwork is from 1899 and conscientious objectors in Oregon during titled “Uprising (Aufruhr)”. The print World War II. Both James and his wife features a group of people marching in Barbara Straker James were friends with unison with a floating figure above them, Morris Graves and they spent many appearing to encourage them to keep years in La Conner, Washington. Three moving forward. The viewer can assume of Clayton’s landscape paintings are on that they are member of the working display. James stopped making sculpture Fay Jones • “Land of Lotus-Eaters,” 1993, etching, 31.5 x 43 inches class, a group that was often a subject for Gift of the Washington Art Consortium through gift and turned to painting, but thankfully the of Safeco Insurance, a member of the Liberty Mutual Group Kollwitz. -
Volume 25 May • June 2016 Number 3
TM Volume 25 May • June 2016 Number 3 www.artaccess.com THE MONTHLY GUIDE TO THE ARTS ART ACCESS CONTENTS Volume 25 Number 3 FEATURES Features Write of Way …Mary Lou Sanelli 6 Anne Gould Hauberg …Edie Everette 12 Beyond Aztlán …Susan Noye Platt, Ph.D. 14 VISUAL ART Listings Portland, OR 16 Anacortes • Bainbridge Island, WA 16 Bellevue • Bellingham, WA 19 Karen Hackenberg Bremerton, WA 20 “Hitchhikers Guide to the Garbage Gyre” Edison • Edmonds, WA 21 gouache on paper, 8 x 10 inches Museum of Northwest Art • La Conner, WA Ellensburg • Everett WA 22 Friday Harbor • Kingston, WA 23 “Space, and space again, is the infinite deity Kirkland • La Conner • Langley, WA 24 which surrounds us and in which Mercer Island • Port Orchard, WA 25 we are ourselves contained.” Port Townsend • Poulsbo, WA 26 Seattle, WA ~ Max Beckmann (1884 – 1950) • Ballard 27 German Painter • Belltown 28 • Columbia City 28 FRONT COVER: • Downtown 29 • First Hill 31 Rik Allen• “Providence” • International District 31 blown glass, silver, stainless steel • Pioneer Square 31 29 x 11 x 11 inches Photo by KP-Studios.com • University District 36 Museum of Northwest Art • La Conner, WA Tacoma, WA 36 Vashon Island, WA 38 2016 MoNA Art Auction CALL TO ARTISTS 38 Saturday, June 18 MAPS Maps +Preview Party, Bainbridge Island, WA 16 Friday, June 17 Kirkland, WA 22 Seattle, WA WA Walton Event Center • Downtown 28 Swinomish Casino & Lodge • Pioneer Square 32 12885 Casino Dr Tacoma, WA 37 Anacortes, WA 98221 MoNA’s 24th Annual Art Auction Art Access features original artworks by more than (888) 970-9991 200 Northwest artists, art experiences, [email protected] and an opportunity to Box 4163, Seattle, WA 98194 Fund-the-Future of Northwest art. -
Show of Hands
Show of Hands Northwest Women Artists 1880–2010 Maria Frank Abrams Ruth Kelsey Kathleen Gemberling Adkison Alison Keogh Eliza Barchus Maude Kerns Harriet Foster Beecher Sheila Klein Ross Palmer Beecher Gwendolyn Knight Susan Bennerstrom Margot Quan Knight Marsha Burns Margie Livingston Margaret Camfferman Helen Loggie Emily M. Carr Blanche Morgan Losey Lauri Chambers Sherry Markovitz Doris Chase Agnes Martin Diem Chau Ella McBride Elizabeth Colborne Lucinda Parker Show of Hands Northwest Women Artists 1880–2010 Claire Cowie Viola Patterson Louise Crow Mary Ann Peters Imogen Cunningham Susan Point Barbara Matilsky Marita Dingus Mary Randlett Caryn Friedlander Ebba Rapp Anna Gellenbeck Susan Robb Virna Haffer Elizabeth Sandvig Sally Haley Norie Sato Victoria Haven Barbara Sternberger Zama Vanessa Helder Maki Tamura Karin Helmich Barbara Earl Thomas Mary Henry Margaret Tomkins Abby Williams Hill Gail Tremblay Anne Hirondelle Patti Warashina Yvonne Twining Humber Marie Watt Elizabeth Jameson Myra Albert Wiggins Fay Jones Ellen Ziegler Helmi Dagmar Juvonen whatcom museum, bellingham, wa contents This book is published in conjunction with the 6 Foreword exhibition Show of Hands: Northwest Women Artists 1880–2010, organized by the Whatcom Patricia Leach Museum and on view from April 24–August 8, 2010. Funding for the exhibition and the 8 Acknowledgments accompanying catalogue was supported in part with funds provided by the Western 10 A Gathering of Women States Arts Federation (WESTAF) and the Barbara Matilsky National Endowment for the Arts (NEA). The City of Bellingham also generously funded the 52 Checklist of the Exhibition catalogue. Additional support was provided by the Washington Art Consortium (WAC). Published in the United States by 55 Bibliography Whatcom Museum 56 Photographic Credits © 2010 by the Whatcom Museum 121 Prospect Street Bellingham, WA 98225 The copyright of works of art reproduced in www.whatcommuseum.org 56 Lenders to the Exhibition this catalogue is retained by the artists, their heirs, successors, and assignees. -
Oral History Interview with George Tsutakawa, 1983 September 8-19
Oral history interview with George Tsutakawa, 1983 September 8-19 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with George Tsutakawa on September 8, 12, 14 & 19, 1983. The interview took place in Seattle, WA, and was conducted by Martha Kingsbury for the Archives of American Art, Smithsonian Institution. Interview DATE: SEPTEMBER 8, 1983 [Tape 1; Side A] [GEORGE TSUTAKAWA reviewed the transcript and added clarification, particularly about the World War II years. His added comments with his initials are in brackets--Ed.] MARTHA KINGSBURY: George, why don't we start by talking about a lot of biographical matters. I'd like to know about your personal background, your family, your growing up in Seattle and Japan also, education. GEORGE TSUTAKAWA: Uh huh. Well, let's see now. My father was a merchant who came to Seattle in 1905, and he started a small business and eventually he gets involved in fairly large company exporting and importing American goods and Japanese goods. He, as I recall, had business in Japanese food, clothing, art goods, and all sorts of things from Japan, and then in turn he was sending lumber from the Northwest to Japan. He also dealt in scrap metal and just anything. MARTHA KINGSBURY: That he sent to Japan? GEORGE TSUTAKAWA: Yeah, he sent to Japan. -
2316-001 Wesley Wehr Papers Inventory Accession
UNlVERSllY U BRARIJES w UNIVERSITY of WASHI NGTON Spe ial Colle tions 2350 Wesley Wehr papers Inventory Accession No: 2316-001 Special Collections Division University of Washington Libraries Box 352900 Seattle, Washington, 98195-2900 USA (206) 543-1929 This document forms part of the Guide to the Wesley Wehr Papers. To find out more about the history, context, arrangement, availability and restrictions on this collection, click on the following link: http://digital.lib.washington.edu/findingaids/permalink/WehrWesley2316/ Special Collections home page: http://www.lib.washington.edu/specialcollections/ Search Collection Guides: http://digital.lib.washington.edu/findingaids/search WESLEY C. WEHR PAPERS ACCESSION No, 2316 - 2316-36 INVENTORY 1987 UNIVERSITY OF WASHINGTON LIBRARIES MANUSCRIPTS AND UNIVERSITY ARCHIVES DIVISION WESLEY WEHR Accession No. 2316 to 2316-1 TABLE OF CONTENTS PART I Personal Papers of Wesley Wehr 1 PART II Personal Papers of Wesley Wehr (Restricted) 8 PART III Papers of Others, Collected by Wehr 8 PART IV Papers of Others, Collected by Wehr (Restricted) 11 PART V Paleobotanical Material of Wesley Wehr 12 PART VI Paleobotanical Material of Others, Collected by Wehr 13 Name Index 15 .- WESLEY C. WEHR Accession No. 2316 to 2316-36 GUIDE Wesley Wehr is a painter, paleobotanist, correspondent, autograph collector, friend and champion of Northwest artists. He was born in 1929 in Everett, Washington, and grew up in Seattle. He attended Queen Anne High School and the University of Washington, where he studied musical composition and earned a bachelor's (1951) and a master's (1953) degree. While a student at the University, Wehr became acquainted with Mark Tobey when, for a short period, he instructed Tobey in musical composition.