Helmi: Letters from Elma, by Wesley Wehr
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2021-23 Biennial
September 14, 2020 Mr. Darrell Jennings Office of Financial Management 300 Insurance Building P.O. Box 43113 Olympia, WA 98504-3113 SUBJECT: UW 2021-2023 Capital Budget Request Submittal Dear Mr. Jennings, The University of Washington is pleased to submit our 2021-2023 Capital Budget Request. Per direction from the Office of Financial Management, we are providing a PDF version of the Request to [email protected], as well as submitting electronically through the Capital Budgeting System. The UW’s Capital Budget Request is the result of detailed planning efforts carefully integrated with the UW’s key strategies to meet the challenges of the future. The process is mission-driven, requires an objective search for needs that support key strategies, focuses heavily on efficient utilization of existing resources, and proposes accelerated care for those facilities and infrastructures in need of the most attention. The projects identified in our request, and in the 10 Year Capital Plan, are necessary to sustain the mission of the University of Washington on the Bothell, Seattle and Tacoma campuses. I would like to thank you for your support throughout the budget development process. Please let us know if you have any questions regarding this submittal, or need any additional information. Respectfully submitted, John R. Wetzel Portfolio Manager Capital Planning & Portfolio Management UW Facilities Cc (via e-mail): Joe Dacca, UW State Relations Jed Bradley, UW Office of Planning & Budgeting Lou Cariello, VP of Facilities Barbara Wingerson, AVP -
Mark Tobey in 40 Years Explores Artist’S Groundbreaking Contributions to American Modernism
PRESS RELEASE First U.S. Retrospective of Mark Tobey in 40 Years Explores Artist’s Groundbreaking Contributions to American Modernism Organized by the Addison Gallery of American Art, Mark Tobey: Threading Light presents extraordinary breadth, nuance, and radical beauty of artist’s work Andover, Massachusetts (September 27, 2017) – The first comprehensive retrospective of Mark Tobey in the U.S. in 40 years will open at the Addison Gallery of American Art on November 4, 2017. Organized by the Addison Gallery of American Art, Mark Tobey: Threading Light traces the evolution of Tobey’s groundbreaking style and his significant, yet Eventuality, 1944. Tempera on paper mounted on board; 10 x 14 15/16 in. under-recognized, contributions to Addison Gallery of American Art abstraction and mid-century American modernism. Comprised of 67 paintings spanning the 1920s through 1970, Threading Light includes three exceptional works from the Addison’s renowned collection of American art and major loans from the Museum of Modern Art, Whitney Museum of American Art, Smithsonian American Art Museum, Tate Modern, and Centre Pompidou, among numerous other collections. Organized by the Addison and guest curator Debra Bricker Balken, who also authored the accompanying catalogue, Threading Light opened earlier this year at the Peggy Guggenheim Collection in Venice during the 2017 Venice Biennale, and will be on view at the Addison, which is located on the campus of Phillips Academy in Andover, MA, from November 4, 2017, through March 11, 2018. “As an institution dedicated to provoking new discourse and insights into the field of American art, we are delighted to share with our visitors a groundbreaking re-appraisal of one of the foremost American artists to emerge from the 1940s, a decade that saw the rise of Abstract Expressionism,” said Judith F. -
HUMAN RESOURCES MANAGER ABOUT the HENRY: the Henry Art Gallery Was Founded As Washington State's First Art Museum in 1926, On
HUMAN RESOURCES MANAGER ABOUT THE HENRY: The Henry Art Gallery was founded as Washington State’s first art museum in 1926, on the principle that art stimulates inquiry, fosters knowledge, and builds healthy communities. Located on the campus of the University of Washington (UW), Seattle, the Henry is internationally recognized as a pioneer in the research and presentation of contemporary art. Learn about our mission and vision: https://henryart.org/about/about-the-henry POSITION PURPOSE: The HR Manager oversees all aspects of Human Resources for the Henry Gallery Association (HGA) employees and Henry Art Gallery UW employees. The HR Manager provides guidance, coaching, and support for department managers and staff members. This position ensures that all employee relations, training, employment processes, recruiting programs, insurance programs, and 403(b) retirement programs follow established procedures and remain in compliance with applicable law. The HR Manager acts as liaison between employees and managers to effectively resolve human resource related issues and ensure successful utilization of plans and positive employee relations. This position also has a leadership role in setting tone, culture, and service levels. The role includes on-going training and staff development responsibilities, and works closely with the senior management team on strategic goals in support of the Henry’s mission, vision, values, and commitment to equity. COMMITMENT TO EQUITY: The Henry acknowledges the historical structures and social dynamics that have continuously oppressed communities of color and we acknowledge our part in institutional racism. We also acknowledge that we are situated on the land of the Coast Salish peoples. We are actively committed to racial equity and to building a strong foundation of inclusivity and awareness in all we do. -
Americanization and Cultural Preservation in Seattle's Settlement House: a Jewish Adaptation of the Anglo-American Model of Settlement Work
The Journal of Sociology & Social Welfare Volume 26 Issue 3 September Article 3 September 1999 Americanization and Cultural Preservation in Seattle's Settlement House: A Jewish Adaptation of the Anglo-American Model of Settlement Work Alissa Schwartz Follow this and additional works at: https://scholarworks.wmich.edu/jssw Part of the Social Work Commons Recommended Citation Schwartz, Alissa (1999) "Americanization and Cultural Preservation in Seattle's Settlement House: A Jewish Adaptation of the Anglo-American Model of Settlement Work," The Journal of Sociology & Social Welfare: Vol. 26 : Iss. 3 , Article 3. Available at: https://scholarworks.wmich.edu/jssw/vol26/iss3/3 This Article is brought to you by the Western Michigan University School of Social Work. For more information, please contact [email protected]. Americanization and Cultural Preservation in Seattle's Settlement House: A Jewish Adaptation of the Anglo-American Model of Settlement Work ALISSA SCHWARTZ New York City This articleexamines the dual agendas of Americanization and preserva- tion of Ashkenazic Jewish culture through an historicalanalysis of the work of Seattle's Settlement House, a social service center founded in 1906 by elite, Americanized Jews to serve poorer, immigrant Jews of Ashkenazic and Sephardic origin. Such analysis is set against the ideologicalbackdrop of Anglo-Americanism which pervaded the field of social work in its early efforts at self-definition and professionalization.Particular attention is paid to the role of the arts at Settlement House, with comparisons to Chicago's Hull-House, the prototypical American settlement operating at the turn of the century. This case study analyzes a German Jewish adaptationof an Anglo-American, Christian model of social work. -
The Artists' View of Seattle
WHERE DOES SEATTLE’S CREATIVE COMMUNITY GO FOR INSPIRATION? Allow us to introduce some of our city’s resident artists, who share with you, in their own words, some of their favorite places and why they choose to make Seattle their home. Known as one of the nation’s cultural centers, Seattle has more arts-related businesses and organizations per capita than any other metropolitan area in the United States, according to a recent study by Americans for the Arts. Our city pulses with the creative energies of thousands of artists who call this their home. In this guide, twenty-four painters, sculptors, writers, poets, dancers, photographers, glass artists, musicians, filmmakers, actors and more tell you about their favorite places and experiences. James Turrell’s Light Reign, Henry Art Gallery ©Lara Swimmer 2 3 BYRON AU YONG Composer WOULD YOU SHARE SOME SPECIAL CHILDHOOD MEMORIES ABOUT WHAT BROUGHT YOU TO SEATTLE? GROWING UP IN SEATTLE? I moved into my particular building because it’s across the street from Uptown I performed in musical theater as a kid at a venue in the Seattle Center. I was Espresso. One of the real draws of Seattle for me was the quality of the coffee, I nine years old, and I got paid! I did all kinds of shows, and I also performed with must say. the Civic Light Opera. I was also in the Northwest Boy Choir and we sang this Northwest Medley, and there was a song to Ivar’s restaurant in it. When I was HOW DOES BEING A NON-DRIVER IMPACT YOUR VIEW OF THE CITY? growing up, Ivar’s had spokespeople who were dressed up in clam costumes with My favorite part about walking is that you come across things that you would pass black leggings. -
Oral History Interview with Guy Anderson, 1983 February 1-8
Oral history interview with Guy Anderson, 1983 February 1-8 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Interview This transcript is in the public domain and may be used without permission. Quotes and excerpts must be cited as follows: Oral history interview with Guy Anderson, 1983 February 1-8, Archives of American Art, Smithsonian Institution. Oral History Interview with Guy Anderson Conducted by Martha Kingsbury At La Conner, Washington 1983 February 1 & 8 GA: GUY ANDERSON MK: MARTHA KINGSBURY [Part 1] GA: Now that it is spring and February and I suppose it's a good time to talk about great things. I know the sun's out, the caterpillars and things coming out soon; but talking about the art scene, I have been reading a very interesting thing that was sent to me, once again, by Wesley Wehrÿ-- the talk that Henry Geldzahler gave to Yale, I think almost a year ago, about what he felt about the state of the New York scene, and the scene of art, generally speaking in the world. He said some very cogent things all through it, things that I think probably will apply for quite a long time, particularly to those people and a lot of young people who are so interested in the arts. Do you want to see that? MK: Sure. [Break in tape] MK: Go ahead. -
Modernism in the Pacific Northwest: the Mythic and the Mystical June 19 — September 7, 2014
Ann P. Wyckoff Teacher Resource Center Educator Resource List Modernism in the Pacific Northwest: The Mythic and the Mystical June 19 — September 7, 2014 BOOKS FOR STUDENTS A Community of Collectors: 75th Anniversary Gifts to the Seattle Art Museum. Chiyo Ishikawa, ed. Seattle: Seattle Adventures in Greater Puget Sound. Dawn Ashbach and Art Museum, 2008. OSZ N 745 S4 I84 Janice Veal. Anacortes, WA: Northwest Island Association, 1991. QH 105 W2 A84 Overview of recent acquisitions to SAM’s collection, including works by Northwest artists. Educational guide and activity book that explores the magic of marine life in the region. George Tsutakawa. Martha Kingsbury. Seattle: University of Washington Press, 1990. N 6537 T74 A4 Ancient Ones: The World of the Old–Growth Douglas Fir. Barbara Bash. San Francisco: Sierra Club Books for Exhibition catalogue covering 60 years of work of the Children, 2002. QK 494.5 P66 B37 Seattle–born painter, sculptor, and fountain maker. Traces the life cycle of the Douglas fir and the old–growth Kenneth Callahan. Thomas Orton and Patricia Grieve forest and their intricate web of life. Watkinson. Seattle : University of Washington Press; 2000. ND 237 C3 O77 Larry Gets Lost in Seattle. John Skewes. Seattle: Sasquatch Books, 2007. F 899 S44 S5 Overview of the life and work of artist Kenneth Callahan. Pete looks for his dog Larry in Seattle’s famous attractions. Margaret Callahan: Mother of Northwest Art. Margaret Bundy Callahan and Brian Tobey Callahan, ed. Victoria, S Is for Salmon: A Pacific Northwest Alphabet. Hannah BC: Trafford Publising, 2009. ND 237 C19 C35 Viano. -
Northwest Fine Art & Antique Auction
Northwest Fine Art & Antique Auction August 27th, 2009 - 717 S 3rd St, Renton 14% Buyers Premium in Effect Auction Pick-up: Half Hour Following Auction or Friday, 08/28 & Tuesday, 09/01: Noon-5PM Lot Description 21 2 Boxes Loose Richard Lachman Cut Ink Drawings 1 Richard Kirsten "House of Many 22 3ea Richard Lachman Colored Ink Drawings Memories" Acrylic 22x16" 23 Box Richard Lachman Square Ink Drawings 2 Edna Crews "Snowcapped Forest" 24 4ea Richard Lachman Portrait Ink Drawings Watercolor 16x20.75" 25 Richard Lachman Large Sketchbook & 3 James Farr "Infinite Cycle of Renewal" Loose Ink Drawings 1973 Tempera 23.5x18.5" 26 Stack Richard Lachman Ink Drawings - 4 1997 S/N Abstract Etching Sketchbook Pages 5 Norman Lundin "Russian Landscape: 27 5x11' Oriental Rug Morning River" Charcoal/Pastel 26x37" 28 2 Carol Stabile Pastel Framed Paintings 6 K.C. McLaughlin "Exterior with 29 1969 Surrealist Mixed Media Painting Awnings" Dry Pigment 17x25" 34x30" - Signed Riote? 7 Edna Crews "Moonlit Meadow" 30 Signed F.W. Die? "Eye" Ink/Canvas 16x20" Watercolor 16.5x21.5" 31 Fred Marshall A.W.S. "Harbor - Puget 8 Edna Crews "Winter Meadow" Acrylic Sound" 1970 Watercolor 17x20.5" 31.5x23" 32 Fred Marshall Framed Watercolor 9 Richard Lachman "Cocktail Party" 1980 "Landscape with Deer" 16x21" Ink/Paper 16x22" 33 Flora Correa "Weeds Blowing" 1977 Collage 10 Richard Lachman "Dixy & Jaques" 24x12" Mixed Media 18x26" 34 Bonnie Anderson "Bucket of Lemons" Oil 11 Richard Lachman "Day Before Eden" 8x10" Mixed Media 18x26" 35 Bonnie Anderson "Lemon Drop Tree" Oil 12 Natalie McHenry Untitled – 38x14.25" "Marionettes" Watercolor 19x25" 36 Ray Hill Untitled - "Lake Scene" 1969 13 Edna Crews Untitled - "Mystic Bird" Watercolor 14x20" Oil/Board 40x30" 37 Signed S. -
Northwest Modernism & Western Fine Art Thursday June 20Th @ 5:00PM
Northwest Modernism & Western Fine Art Thursday June 20th @ 5:00PM 20% Buyers Premium In-House 25% Buyers Premium Online/Phone (425) 235-6345 SILENT AUCTIONS custom made Northwest Designer Craftsmen tansu chest with four drawers and door with Featuring a Large Silent Auction of metal pulls. Burned in mark on interior of Northwest Art & Native Books! drawer. Some scattered light surface wear. 5 Eames for Herman Miller Rosewood Lounge Lots 1,000’s End @ 8:00PM Chair & Ottoman. A vintage 670 & 671 set with black leather cushions. One of a pair Lot Description being offered. Chair 32''x33.5''x32'' and ottoman 17''x26''x22''. Original labels on 1 George Nakashima Studio Lounge Chair bottom dated Nov. 1 1978. Scattered wear to Rocker with Free Arm 32.5"x31"x34". A leather from use and one leather button is custom walnut rocking lounge chair with missing on chair seat. Overall excellent right free edge arm. Hickory wood spindles. condition. Charles and Ray Eames. Burned in mark on bottom with family name 6 Eames for Herman Miller "Time-Life" Stool on tape. Break to one spindle with scattered 15"x13". A vintage walnut stool or bench. light surface wear. Some light surface wear to top. Overall 2 Nakashima Style Free Edge Walnut Coffee excellent condition. Unmarked. Charles and Table 17.5"x79.5"x35". A long free edge Ray Eames. coffee table with trestle base. Unsigned. 7 Eames for Herman Miller Rosewood Lounge Some scattered light surface wear. From the Chair & Ottoman. A vintage 670 & 671 set same collection as the George Nakashima with black leather cushions. -
All Natural Oct 8–Nov 7, 2015 Glass Exhibit Curated by Kait Rhoads
TM All Natural Oct 8–Nov 7, 2015 Glass exhibit curated by Kait Rhoads Jennifer Umphress, Uni Lost wax cast glass with flamework components Volume 24 OCTOBER • NOVEMBER • DECEMBER 2015 Number 4 www.artaccess.com John Andro Avendaño • “Rhythm and Blues” mixed media, oil, and chalk on canvas, 96 x 48 inches Visit John Andro Avendaño and his work during Pioneer Square Art Walk: First Thursdays in October, November, and December The Kitchen—Sous Sol Winery • 309 First Avenue South • Seattle, WA John Andro Avendaño • ”Umbrella” mixed media on canvas, 96 x 48 inches John Andro Avendaño is featured as a solo artist through ArtSpot during the Spectrum International Art Fair held December 2-6 3011 N.E. 1st Avenue • Miami, Florida Visit John Andro Avendaño’s website or Facebook page for information www.johnandroavendano.com Follow John Andro Avendaño on ART & CRAFT OF THE PUGET SOUND REGION FALL EXHIBITIONS OPEN OCTOBER 10 Public Opening Reception Saturday, Oct. 10, 2-5pm Meet the Artists EYE ON ARTIST LECTURES October 21 Steven Maslach November 12 Caroline Cooley Browne BIMA AUDITORIUM 6:30 - 8:30pm For tickets & information: www.biartmuseum.org STEVEN MASLACH, La Chanteuse 3, 2015, 47” h, hot-cast clear and colored glass with graphite, steel base. FREE ADMISSION Thanks to our Sponsors & Members OPEN DAILY Galleries & Store 10am - 6pm Bistro 9am - 3pm 550 Winslow Way East Bainbridge Island, WA 98110 206.842.4451 TF: 855.613.1342 CAROLINE COOLEY BROWNE, Lingering Around the Table, 2005, www.biartmuseum.org oil pastel. 4 www.artaccess.com © OCT • -
Oral History Interview with George Tsutakawa [Videorecording]
Oral history interview with George Tsutakawa [videorecording] Funding for this interview was provided by Warner Communications. Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 General............................................................................................................................. 2 Scope and Contents........................................................................................................ 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Oral history interview with George Tsutakawa AAA.tsutak87 Collection Overview Repository: Archives of American Art Title: Oral history interview with George Tsutakawa Identifier: AAA.tsutak87 Date: 1987 June 26-27 Creator: Tsutakawa, George Tsutakawa, -
Hilda Morris
HILDA MORRIS Born 1911, New York, NY Died 1991, Portland, OR EDUCATION AND AWARDS Cooper Union School of Art and Architecture, New York, NY 1932-34 Arts Students League of New York, NY 1934-35 Study with Comcetta Scaravaglione, New York, NY 1935-36 Ford Foundation Fellowship, one of ten selected 1960 Ninth Annual Governor’s Arts Award, Oregon 1985 ONE-PERSON EXHIBITIONS The Laura Russo Gallery, Portland, OR 1988, 2006 “Hilda Morris: A Retrospective,” Portland Art Museum, Portland, OR 2006 Foster/White Gallery, Seattle, WA 1990 The Ochi Fine Art Gallery, Boise, ID 1988 The Kraushaar Gallery, New York, NY 1987 The Portland Art Museum, OR 1946, 1955, 1972, 1974, 1977, 1984 The Fountain Gallery of Art, Portland, OR 1961, 1962, 1964, 1971, 1974, 1980, 1984 Woodside/Braseth Gallery, Seattle, WA 1968, 1972, 1975, 1978, 1981, 1987 Reed College, Portland, OR 1969, 1972, 1980 Gordon Woodside Galleries, Seattle, WA 1967, 1968, 1972, 1978 Triangle Gallery, San Francisco, CA 1974, 1976 University of Rochester Memorial Art Gallery, Rochester, NY 1976 Museum of Art, Tacoma, WA 1970 Albina Art Center, Portland, OR 1969 Salt Lake Art Center, UT 1963 University of Puget Sound, Tacoma, WA 1961 Otto Seligman Gallery, Seattle, WA 1955, 1957, 1960 Barone Gallery, New York, NY 1958 University of Oregon Museum of Art, Eugene, OR 1947 GROUP EXHIBITIONS “In Passionate Pursuit: The Arlene and Harold Schnitzer Collection and Legacy,” Portland Art Museum, 805 NORTHWEST TWENTY-FIRST AVE., PORTLAND, OR 97209 (503) 226-2754 HILDA MORRIS page 2 Portland, OR 2014-2015 “Creating the New Northwest: Selections from the Herb and Lucy Pruzan Collection,” Tacoma Art Museum, Tacoma, WA 2013 “Living Legacies: JSMA at 80,” Jordan Schnitzer Museum of Art, University of Oregon, Eugene, OR 2013 “Early Northwest Artists: Works from Estates and Private Collections,” The Laura Russo Gallery, Portland, OR 2013 “Provenance: In Honor of Arlene Schnitzer,” Jordan Schnitzer Museum of Art, Univ of Oregon, Eugene, OR 2012 “Museion,” Douglas F.