Selections from the State Librarian with Comments Fall 2003 Through Summer 2008
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George Drouillard and John Colter: Heroes of the American West Mitchell Edward Pike Claremont Mckenna College
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2012 George Drouillard and John Colter: Heroes of the American West Mitchell Edward Pike Claremont McKenna College Recommended Citation Pike, Mitchell Edward, "George Drouillard and John Colter: Heroes of the American West" (2012). CMC Senior Theses. Paper 444. http://scholarship.claremont.edu/cmc_theses/444 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. CLAREMONT McKENNA COLLEGE GEORGE DROUILLARD AND JOHN COLTER: HEROES OF THE AMERICAN WEST SUBMITTED TO PROFESSOR LILY GEISMER AND DEAN GREGORY HESS BY MITCHELL EDWARD PIKE FOR SENIOR THESIS SPRING/2012 APRIL 23, 2012 Table of Contents Introduction………………………………………………………………………………..4 Chapter One. George Drouillard, Interpreter and Hunter………………………………..11 Chapter Two. John Colter, Trailblazer of the Fur Trade………………………………...28 Chapter 3. Problems with Second and Firsthand Histories……………………………....44 Conclusion………………………………………………………………………….……55 Bibliography……………………………………………………………………………..58 Introduction The United States underwent a dramatic territorial change during the early part of the nineteenth century, paving the way for rapid exploration and expansion of the American West. On April 30, 1803 France and the United States signed the Louisiana Purchase Treaty, causing the Louisiana Territory to transfer from French to United States control for the price of fifteen million dollars.1 The territorial acquisition was agreed upon by Napoleon Bonaparte, First Consul of the Republic of France, and Robert R. Livingston and James Monroe, both of whom were acting on behalf of the United States. Monroe and Livingston only negotiated for New Orleans and the mouth of the Mississippi, but Napoleon in regard to the territory said “I renounce Louisiana. -
19 Mapping the Citizen News Landscape: Blurring Boundaries, Promises, Perils, and Beyond
An Nguyen and Salvatore Scifo 19 Mapping the Citizen News Landscape: Blurring Boundaries, Promises, Perils, and Beyond Abstract: This chapter offers a necessary critical overview of citizen journalism in its many forms and shapes, with a focus on its promises and perils and what it means for the future of news. We will start with a review of the concept of “citizen journalism” and its many alternative terms, then move to briefly note the long history of citizen journalism, which dates back to the early days of the printing press. This will be followed by our typology of three major forms of citizen journal- ism (CJ) – citizen witnessing, oppositional CJ, and expertise-based CJ – along with an assessment of each form’s primary actions, motives, functions, and influences. The penultimate part of the chapter will focus on CJ’s flaws and pitfalls – especially the mis/disinformation environment it fosters and the “dialogue of the deaf” it engenders – and place them in the context of the post-truth era to highlight the still critical need for professional journalists. The chapter concludes with a brief review of the understandably but unnecessarily uneasy relationship between citi- zen and professional journalism and calls for the latter to adopt a new attitude to work well with the former. Keywords: citizen journalism, alternative journalism, citizen witnessing, social media, fake news, post-truth 1 One thing, many labels? Within a short time, citizen journalism (CJ) went from something of a novelty to a naturalized part of the news ecosystem and entered the daily language of journal- ists, journalism educators, and a large segment of the global public. -
Oral History Interview with Guy Anderson, 1983 February 1-8
Oral history interview with Guy Anderson, 1983 February 1-8 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Interview This transcript is in the public domain and may be used without permission. Quotes and excerpts must be cited as follows: Oral history interview with Guy Anderson, 1983 February 1-8, Archives of American Art, Smithsonian Institution. Oral History Interview with Guy Anderson Conducted by Martha Kingsbury At La Conner, Washington 1983 February 1 & 8 GA: GUY ANDERSON MK: MARTHA KINGSBURY [Part 1] GA: Now that it is spring and February and I suppose it's a good time to talk about great things. I know the sun's out, the caterpillars and things coming out soon; but talking about the art scene, I have been reading a very interesting thing that was sent to me, once again, by Wesley Wehrÿ-- the talk that Henry Geldzahler gave to Yale, I think almost a year ago, about what he felt about the state of the New York scene, and the scene of art, generally speaking in the world. He said some very cogent things all through it, things that I think probably will apply for quite a long time, particularly to those people and a lot of young people who are so interested in the arts. Do you want to see that? MK: Sure. [Break in tape] MK: Go ahead. -
Table of Contents (PDF)
DM - L & C 10/19/15 6:48 PM Page v Table of Contents Preface . ix How to Use This Book . xiii Research Topics for Defining Moments: The Lewis and Clark Expedition . xv NARRATIVE OVERVIEW Prologue . 3 Chapter 1: The Louisiana Purchase . 7 Chapter 2: The Corps of Discovery . 19 Chapter 3: Up the Missouri River, 1804 . 35 Chapter 4: Across the Continent to the Pacific, 1805 . 51 Chapter 5: The Return Journey, 1806 . 71 Chapter 6: Settlement of the West . 91 Chapter 7: Legacy of the Lewis and Clark Expedition . 105 BIOGRAPHIES Toussaint Charbonneau (c. 1760-1843) . 117 Fur Trader and Translator for the Lewis and Clark Expedition William Clark (1770-1838) . 121 Co-Captain and Primary Mapmaker of the Corps of Discovery John Colter (c. 1774-1813) . 125 Explorer, Trapper, and Member of the Corps of Discovery v DM - L & C 10/19/15 6:48 PM Page vi Defining Moments: The Lewis and Clark Expedition George Drouillard (c. 1774-1810) . 129 Interpreter and Hunter for the Lewis and Clark Expedition Patrick Gass (1771-1870) . 133 Sergeant, Carpenter, and Journal Keeper for the Corps of Discovery Thomas Jefferson (1743-1826) . 137 President Who Organized the Lewis and Clark Expedition Meriwether Lewis (1774-1809) . 141 Explorer, Naturalist, and Co-Captain of the Corps of Discovery Sacagawea (c. 1788-1812) . 146 Interpreter and Guide for the Lewis and Clark Expedition York (c. 1770-c. 1822) . 150 Enslaved African-American Member of the Corps of Discovery PRIMARY SOURCES Alexander Mackenzie Inspires American Exploration . 157 President Thomas Jefferson Asks Congress to Fund an Expedition . -
Lewis & Clark Meet the Plains Bison
Museum of the American Indian -- Lisette's Fate -- Sacagawea & Susan B. Anthony Lewis and Clark Trail Heritage Foundation I www.lewisandclark.org February 2005 Volume 31, No. 1 LEWIS & CLARK MEET THE PLAINS BISON PLUS: CAPE GIRARDEAU • "SERGEANT" wARFINGTON Contents Letters: Lisette's fa te; Cape Disappointment; John Pernier 2 President's Message: National Museum of the American Indian 4 Bicentennial Council: Where did the L&C Expedition begin? 6 The Corps of Discovery's Forgotten "Sergeant" 10 Lewis and Clark entrusted Richard Warfington with responsibilities far beyond his corporal's rank By Trent Strickland Cape Girardeau and the Corps of Discovery 14 Newly discovered documents detail the post-expedition lives of four veterans of the Lewis and Clark Expedition By Jane Randol Jackson Warfington, p. 11 Great Gangues of Buffalow 22 Lewis and Clark's encounters with the plains bison By Kenneth C. Walcheck Reviews 32 Scenes of Visionary Enchantment; The L ewis and Clark Expedition; An Artist with the Corps of Discovery; Sacajawea's People; The Story of the Bitterroot; "Most Perfect Harmony" L&C Roundup: Lewis and Clark in other journals 39 Trail Notes: Stewardship initiatives 40 From the Library: L&C on the World Wide Web 43 Soundings 44 Cape Girardeau, p. 15 Sacagawea and Susan B. Anthony By Bill Smith On the cover Titled Red Shirt, artist Michael H aynes's painting shows Sergeant John Ordway surprised by a buffalo bull on a rainy September 11, 1804, while the Corps of Discovery was making its way up the Missouri River in today's South Dakota. -
Kimberly Trowbridge: Into the Garden
TM Kimberly Trowbridge: Into the Garden Now on display. Kimberly Trowbridge, Light in the Cedars (Annunciation), 2020. Oil on linen on panel, 48"h x 60"w. Courtesy of Linda Hodges Gallery. Volume 30 March • April 2021 Number 2 www.ArtAccess.com style, and time period. However, the One artist capturing the falling water artwork placement feels intuitive and with a camera and the other painting the the groupings of artworks bring many rush of movement with a brush. questions to mind. The inclusion of Around the corner from the Tobey Clayton James was an unexpected, but paintings are several prints. All are delightful, surprise; almost like seeing a excellent examples of a variety of long-time friend. James studied at printmaking methods, but guests may be the Rhode Island School of Design surprised to encounter a print by Käthe and was later relocated to a camp for Kollwitz. The artwork is from 1899 and conscientious objectors in Oregon during titled “Uprising (Aufruhr)”. The print World War II. Both James and his wife features a group of people marching in Barbara Straker James were friends with unison with a floating figure above them, Morris Graves and they spent many appearing to encourage them to keep years in La Conner, Washington. Three moving forward. The viewer can assume of Clayton’s landscape paintings are on that they are member of the working display. James stopped making sculpture Fay Jones • “Land of Lotus-Eaters,” 1993, etching, 31.5 x 43 inches class, a group that was often a subject for Gift of the Washington Art Consortium through gift and turned to painting, but thankfully the of Safeco Insurance, a member of the Liberty Mutual Group Kollwitz. -
The Bibliography of the Publications by Classmates in the Yale Class Of
The Bibliography of the Publications by Classmates in the Yale Class of 1956: Includes Work by Wives of Classmates, Work in the Book Exhibit of the 50th Reunion and Listings in the ABEbook Exchange as of 02-09-2018. Introduction Here is a list of 476 publications by 95 Classmates and 10 of their wives, which is probably the first of its kind of any Yale College Class, and, if not, should compare well with any other in scope. But then again, this compilation of so many by so few might symbolize the autumn of book-binding’s age that stretched from Gutenberg’s invention till today and might suggest that publications, free of paper words and numbers, be in bytes to digitally whisk the world-wide-web. Will this new era mark the waning of the printing press as it had once replaced bespoken Latin scripts? Will knowledge be transmitted more efficiently both to and from a heaping, horizontal cloud? NB: Publication data obtained directly from authors has been verified; the data from the Exchange has not been verified. Compiled by W. H. H. Rees Index: Adebonojo, Festus O., Page 3 Helmstadter, Richard J., Page13 Tuggle, Joyce, Page 27 Alegi, Peter C., Page 3 Hodge, Paul W., Page 13 Tunney, John Varick, Page 28 Ambach, Gordon M., Page 3 Huber, Paul B., Page 14 Tveskov, Peter H., Page 28 Anderson, Jeremy H., Page 3 Hutt, Peter Barton, Page 14 Vare, Edwin C., Page 28 Andersson, Theodore M., Page 3 Jaffe, Sheldon M., Page 14 Velsey, Donald W., Page 28 Baker, F. -
Five Year Compilation 2003-07
Selections from the State Librarian Fall 2003 through Summer 2008 Each season for the past five years Jan Walsh, Washington State Librarian, has chosen a theme and then selected at least one adult, one young adult and one children’s book to fit her topic. The following list is a compilation of her choices. The season in which each title was selected is listed in parentheses following its citation. Her themes were: Artists of Washington—spring 2004 Beach Reads—summer 2008 The Columbia River through Washington History—fall 2004 Courage—summer 2005 Disasters—fall 2007 Diversity—winter 2006 Exploring Washington—spring 2008 Geology of Washington State—fall 2005 Hidden People—spring 2007 Lewis, Clark, and Seaman—winter 2004 Life in Washington Territory—fall 2003 Mount St. Helens—spring 2005 Mysteries of Washington—fall 2006 Of Beaches and the Sea—winter 2008 The Olympic Peninsula—winter 2007 The Oregon Trail—spring 2006 Spokane and the Inland Empire—summer 2007 Tastes of Washington—summer 2006 Washington through the Photographer’s Lens—summer 2004 Washington’s Native People—winter 2005 To read Ms. Walsh’s comments about each book go to: http://www.secstate.wa.gov/library/wa_reads.aspx NW prefixed books are available for check out and interlibrary loan. RARE, R (Reference), and GWA (Governor’s Writers Award) prefixed books are available to be viewed only at the State Library. All books were in print at the time of Ms. Walsh’s selection. Five Year Compilation November 2008 1 Adult selections Alexie, Sherman. Reservation Blues. Grove Press, 1995. 306 p. (Summer 2007) NW 813.54 ALEXIE 1995; R 813.54 ALEXIE 1995 Alt, David D. -
18416.Brochure Reprint
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4445-002 Robert Bruce Inverarity Papers Inventory Accession
UNlVERSllY U BRARIJES w UNIVERSITY of WASHI NGTON Spe ial Colle tions 5162 Robert Bruce Inverarity papers Inventory Accession No: 4445-002 Special Collections Division University of Washington Libraries Box 352900 Seattle, Washington, 98195-2900 USA (206) 543-1929 This document forms part of the Preliminary Guide to the Robert Bruce Inverarity Papers. To find out more about the history, context, arrangement, availability and restrictions on this collection, click on the following link: http://digital.lib.washington.edu/findingaids/permalink/InverarityRobertBruce4445/ Special Collections home page: http://www.lib.washington.edu/specialcollections/ Search Collection Guides: http://digital.lib.washington.edu/findingaids/search Inverarity, Robert Bruce ROBERT BRUCE INVERARITY PAPERS ca. 1868 – 1991 17.49 cubic ft. Papers and photographs. Acc. No. 4445-2 BIOGRAPHY Robert Bruce Inverarity (1909 – 1999) wasa leading museum administrator and an authority on Northwest Native American art. Inverarity was a key figure in the Works Project Administration (WPA) programs inWashington during the Depression era, employed as State Director of the Federal Art Project dan the Art and Craft Project between 1939 and 1941. Following work thefor U.S. Navy and Boeing Aircraft Company in the 1940s, he became Director ofthe Museum of International Folk Art in Sante Fe (1949-54), and the Adirondack Museum and Adirondack Historical Association in Blue Mountain Lake, New York (1954-1965). He was appointed Director of the Philadelphia Maritime Museum in 1969, where he remained until retirement to California in 1976. Inverarity wasinvolved in a broadrange of art-related activity, as an administrator, academic, artist and photographer. His specialized interests included Northwest Native Americanart, and puppetry. -
Show of Hands
Show of Hands Northwest Women Artists 1880–2010 Maria Frank Abrams Ruth Kelsey Kathleen Gemberling Adkison Alison Keogh Eliza Barchus Maude Kerns Harriet Foster Beecher Sheila Klein Ross Palmer Beecher Gwendolyn Knight Susan Bennerstrom Margot Quan Knight Marsha Burns Margie Livingston Margaret Camfferman Helen Loggie Emily M. Carr Blanche Morgan Losey Lauri Chambers Sherry Markovitz Doris Chase Agnes Martin Diem Chau Ella McBride Elizabeth Colborne Lucinda Parker Show of Hands Northwest Women Artists 1880–2010 Claire Cowie Viola Patterson Louise Crow Mary Ann Peters Imogen Cunningham Susan Point Barbara Matilsky Marita Dingus Mary Randlett Caryn Friedlander Ebba Rapp Anna Gellenbeck Susan Robb Virna Haffer Elizabeth Sandvig Sally Haley Norie Sato Victoria Haven Barbara Sternberger Zama Vanessa Helder Maki Tamura Karin Helmich Barbara Earl Thomas Mary Henry Margaret Tomkins Abby Williams Hill Gail Tremblay Anne Hirondelle Patti Warashina Yvonne Twining Humber Marie Watt Elizabeth Jameson Myra Albert Wiggins Fay Jones Ellen Ziegler Helmi Dagmar Juvonen whatcom museum, bellingham, wa contents This book is published in conjunction with the 6 Foreword exhibition Show of Hands: Northwest Women Artists 1880–2010, organized by the Whatcom Patricia Leach Museum and on view from April 24–August 8, 2010. Funding for the exhibition and the 8 Acknowledgments accompanying catalogue was supported in part with funds provided by the Western 10 A Gathering of Women States Arts Federation (WESTAF) and the Barbara Matilsky National Endowment for the Arts (NEA). The City of Bellingham also generously funded the 52 Checklist of the Exhibition catalogue. Additional support was provided by the Washington Art Consortium (WAC). Published in the United States by 55 Bibliography Whatcom Museum 56 Photographic Credits © 2010 by the Whatcom Museum 121 Prospect Street Bellingham, WA 98225 The copyright of works of art reproduced in www.whatcommuseum.org 56 Lenders to the Exhibition this catalogue is retained by the artists, their heirs, successors, and assignees. -
Lot Description 1 Yu Qing Signed
Fine Art & Antique Auction Previews: Tuesday 10/16, Wednesday 10/17, & Auction Day 10/18 from 12-6PM 15% Buyers Premium In-House 18% Online & Phone Bidding Online Bidding Through LiveAuctioneers 717 S Third St Renton, WA (425) 235-6345 9 Shan Ren Luo Signed Antique Chinese Lot Description Painted Bird Scroll 37.5"x12.5" Image. Total scroll size 66"x16.75". Top hanging bar is 1 Yu Qing Signed Chinese "Cloudy loose. Evident roll creasing. Signed with four Mountain, Water Falls" Sumi Scroll seal chop marks. Painting 39.75"x17.75" Image. Total 10 Shu Hua Wang Signed Chinese Painted Bird scroll size 66"x21.75". & Blossoming Flower Hanging Scroll 2 Liu Yong (1719-1805 Chinese) 56"x25" Image. Total scroll size of 7' long. Attributed Sumi Calligraphy Painted 11 Chinese Huanghuali Wood Carved Scroll 68"x18" Image. Total scroll size Three-Panel Room Screen 69"x56.25". 9'. Gallery framed in shadowbox. Some Carved branch and leaf design on one side. tears to top margin. Finished front and back. 3 Lin Fengmian (1900-1991 Chinese) 11A Chinese Sky & Heaven Gilt Wood Untitled Female Nude Sumi Painted Architectural Hanging Panel 66"x22.5". 19th Scroll 23"x23" Image. Total scroll size century. of 67"x26.75". 12 Korean Ten-Panel Room Screen with Sumi 4 Wu Guanzhong Attributed Chinese Landscape Paintings of Mountains, Temples, Lotus Flower Sumi Painting 22.5"x24.5" Waterfalls, and People 6'3'' Tall x 15'10'' Image. Gallery framed. Wide. Each part of the painting is signed and 5 Pair Li Hongzhang Attributed Chinese titled.