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Volume 25 May • June 2016 Number 3

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Volume 25 May • June 2016 Number 3 TM Volume 25 May • June 2016 Number 3 www.artaccess.com THE MONTHLY GUIDE TO THE ARTS ART ACCESS CONTENTS Volume 25 Number 3 FEATURES Features Write of Way …Mary Lou Sanelli 6 Anne Gould Hauberg …Edie Everette 12 Beyond Aztlán …Susan Noye Platt, Ph.D. 14 VISUAL ART Listings Portland, OR 16 Anacortes • Bainbridge Island, WA 16 Bellevue • Bellingham, WA 19 Karen Hackenberg Bremerton, WA 20 “Hitchhikers Guide to the Garbage Gyre” Edison • Edmonds, WA 21 gouache on paper, 8 x 10 inches Museum of Northwest Art • La Conner, WA Ellensburg • Everett WA 22 Friday Harbor • Kingston, WA 23 “Space, and space again, is the infinite deity Kirkland • La Conner • Langley, WA 24 which surrounds us and in which Mercer Island • Port Orchard, WA 25 we are ourselves contained.” Port Townsend • Poulsbo, WA 26 Seattle, WA ~ Max Beckmann (1884 – 1950) • Ballard 27 German Painter • Belltown 28 • Columbia City 28 FRONT COVER: • Downtown 29 • First Hill 31 Rik Allen• “Providence” • International District 31 blown glass, silver, stainless steel • Pioneer Square 31 29 x 11 x 11 inches Photo by KP-Studios.com • University District 36 Museum of Northwest Art • La Conner, WA Tacoma, WA 36 Vashon Island, WA 38 2016 MoNA Art Auction CALL TO ARTISTS 38 Saturday, June 18 MAPS Maps +Preview Party, Bainbridge Island, WA 16 Friday, June 17 Kirkland, WA 22 Seattle, WA WA Walton Event Center • Downtown 28 Swinomish Casino & Lodge • Pioneer Square 32 12885 Casino Dr Tacoma, WA 37 Anacortes, WA 98221 MoNA’s 24th Annual Art Auction Art Access features original artworks by more than (888) 970-9991 200 Northwest artists, art experiences, [email protected] and an opportunity to Box 4163, Seattle, WA 98194 Fund-the-Future of Northwest art. Publisher Visit www.monamuseum.org Debbi Lester for more details. Special Thanks MUSEUM OF NORTHWEST ART 121 South First Street, P.O. Box 969 Helen Johanson, Greg Miller, Karen Stanton, Gregory Hischak, Elizabeth Bryant, Reed Bargren, La Conner, Washington 98257 Alec Clayton, Deloris Tarzan Ament, Sean Carman, (360) 466-4446 • Free admission Tom McDonald, Gwen Wilson, Cheryl H. Hahn, Ron Glowen, Susan Platt, Adriana Grant, Katie Kurtz, Molly Rhodes, Sun & Mo n: 12-5 P.M., Clare McLean, David John Anderson, Milton Freewater, Molly Norris, Rachella Anderson, Kathy Cain, Saylor Jones, Tues-Sat: 10 A.M.-5 P.M. Edie Everett, Christine Waresak, Eleanor Pigman, www.monamuseum.org Tammy Spears (Happy Birthday!), Shauna Fraizer, Kim Hendrickson, Meg McHutchison, Erica Applewhite, July/August info is due June 10 Chris Mitchell, Ron Turner, Mitchell Weitzman, No Exceptions! “Off with your head!” Steve Freeborn & Tia Matthies, Bill Frisell & Carole d’Inverno, Listing in Art Access is a paid service. Bainbridge Island Museum of Art, Schack Art Center Museum of Northwest Art, Seattle Art Museum, The charge for 60 word listing per month is Tacoma Art Museum, , Henry Art Gallery, $39 or $45 with map placement, if available. Portland Art Museum, Frye Art Museum, Allied Arts of Whatcom, Bellevue Arts Museum, The Initial map placement fee is $35. Doris Lester, Teresa Cassady, Joey Lester, Image(s) with the listing: $110 each. Limit 3. Danny Lester (Happy Birthday!), Debbie & Richard Vancil, Ryan, Corbin, Madeline, Cayden, & James Submission and payment are done online: www.artaccess.com/submitprintad www.artaccess.com © May • June 2016 3 ARTS & HUMANITIES BAINBRIDGE PRESENTS 28th annual BAINBRIDGE IN BLOOM garden tour Artwork by Sydni Sterling; 14"x 18", mixed media on canvas. Saturday - Sunday, June 4 - 5, 2016 A benefit for the arts and humanities on Bainbridge Island www.AHbainbridge.org 2016 Bainbridge in Bloom made possible by sponsorship from: 4 www.artaccess.com © May • June 2016 © Michelle White © Catie Cleveland Spend your winter with the art, craft and cuisine of our region. FREE ADMISSION thanks to our Sponsors & Members Museum & Store Hours: 10am-6pm Bistro Hours: 9am-3pm 550 Winslow Way, Bainbridge Island www.artaccess.com © May • Junewww.biartmuseum.org 2016 5 Lucky Charms The beauty of a lucky charm is that it doesn’t have to make sense to anyone else. Mine include shells and a stone with the word INSPIRE inscribed. The shells recall the year I taught dance throughout the Caribbean and how afraid I was at times. “But it’s good to be afraid,” they remind, “you pay closer attention when you’re afraid.” Write of Way Write The stone is from a friend who said I inspired her daughter, Rose. “Really?” I said, “Because I remember thinking you wouldn’t like what I had to say.” Why did I say it anyway? For the same reason I keep my shells close, to remind me how fear is a huge part of it. And by “it” I mean my work, the most essential part of my life. But saying this is what I was afraid of. It would have been safer to say not that my work is the most essential part, but second to love, family, the kind of thing people say all the time. I wondered, too, if I should have directed Rose toward a higher paying career to help drive the economy. But my driving advice is more: inch along until you find the work you really want to do. You may be thinking, “What, are you kidding me? That won’t pay the bills.” But I’ve come to believe that money is overrated. Too little is horrible, but less is not the end of the world. I don’t know how much of this insight comes from being a woman or an artist, or both, but I can’t stop trying to figure out the conflict between what we really want and what we’re told we should want. And why it so often keeps us from pursuing our dreams. I told Rose that if we have the courage to do what we love, it’s our best career choice. But in order to continue, most of us can’t fall prey to owning all the things people buy to try and ensure their happiness. After college, I worked as a waitress…until I threw a drink at a patron who said an inappropriate thing with his hand on my behind. I’m glad I was fired. Because the money was good. I might have stayed too long and not got on with my dream of opening a dance studio. Well, obviously dance studios don’t pay all that well, either. So I found an affordable town to move to. My life moved on. And so did Rose’s. Rose dreamed of becoming a writer. But she went to work for the huge, thrusting, economy-driven tech world dedicated to making more and more stuff we don’t need. The last time I heard from her? February 2014. She gave reasons why she had no time to write. So often I’ve wondered what would have happened if she’d kept at it? If she’d allowed herself to go without mortgaging a condo and all the trendy furniture to fill it? I know how delicate a balance between passion and a lofty paycheck is. I also know how many well-paid people I meet who can’t remember the last time they felt excited about their work. Recently I came across a display of stones like mine. And I was thrilled to find my favorite noun inscribed: PERSISTENCE. I lost touch with Rose. But I keep my eye out for that book she always wanted to write. Marylou Sanelli Marylou Sanelli works as a writer and literary speaker. Her latest book is A Woman Writing. For more information visit www.marylousanelli.com. 6 www.artaccess.com © May • June 2016 www.artaccess.com © May • June 2016 7 TICKET PACKAGES & PASSES AVAILABLE NOW SINGLE TICKETS ON SALE MAY 5 8 www.artaccess.com © SIFF.NETMay • June 2016 www.artaccess.com © May • June 2016 9 artist Tom Gormally with his sculpture artist Daniel Carrillo stands with his ambrotypes artist Preston Singletary Method Gallery • Seattle, WA Carrillo Studio • Seattle, Washington stands with his artwork Traver Gallery • Seattle, WA (L-R) Rik Allen and Lanny Bergner (L-R) artist Alisha Dall’Osto with her son Artist Sylwa Tur with their collaborative sculptures stands next to her painting Linda Hodges Smith & Vallee • Edison, WA Core Gallery • Seattle, WA artists Dick Weiss and Cappy Thompson (R) artist Elizabeth Van Duine and her daughter artist Koren stand with an artwork they co-created with Van Duine’s paper cut artworks Gallery IMA Traver Gallery • Seattle, WA Bainbridge Arts & Crafts • Bainbridge Island, WA artist Alexander Keyes with his art artist Bill Braun with his trompe l’oeil painting artist Kate Harkins Gallery 4Culture • Seattle, WA Patricia Rovzar Gallery • Seattle, WA Core Gallery artist Gary Nisbet with his painting artist Jeff Ballard with his mixed media sculpture Drew Michael with his Lisa10 Harris Gallery • Seattle,www.artaccess.com WA Abmeyer + Wood Fine© ArtMay • Seattle, • JuneWA 2016Stonington Gallery • artist Joe Nix stands with his artwork artist Phillip Levine (L-R) Artists Marita Dingus and Barbara Treason Gallery • Seattle, WA stands with his sculpture Earl Thomas with art by Marita Dingus Bainbridge Island Museum of Art Bainbridge Island Museum of Art stands with her sculpture L-R) artists/beloveds Susan Dory and (L-R) beloveds artist Carole d’Inverno and Gallery • Seattle, WA Peter Gross with a painting by Peter Gross guitarist Bil Frisell stand next to d’Inverno’s art Linda Hodges Gallery • Seattle, WA Studio E Gallery • Seattle, WA Christofides with her art artist Paul Brigham with his painting artist Joel Sackett with his photographs • Seattle, Washington Patricia Rovzar Gallery • Seattle, WA Bainbridge Performing Arts • Bainbridge Island ,WA with her painting artist Ray Mack stands next to her painting Oregon artist Robert Schlegel with his painting • Seattle, WA Punch Gallery • Seattle, Washington Roby King Galleries • Bainbridge Island, WA sculpture artist Karen Kosoglad artist Susan Christensen artist Steve Jensen Seattle, WA withwww.artaccess.com her painting with© herMay artwork • June 2016stands his mixed media sculpture11 Lisa Harris Gallery • Seattle, WA Gallery 110 • Seattle, WA Bainbridge Island Museum of Art 12 www.artaccess.com © May • June 2016 www.artaccess.com © May • June 2016 13 Alfredo Arreguín • “Migration,” oil on canvas, courtesy of the artist Museum of Northwest Art • La Conner, Washington Beyond Aztlán: Mexican and Chicana/o Artists in the Pacific Northwest Museum of Northwest Art, La Conner Washington Aztlán, the mythical place of origin of paintings by Boyer Gonzalez Jr., chair the Aztec people of Mexico became a of the School of Art at the University of political “nation” at the height of the Washington from 1954 to 1979.
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