March 2020 Preview-Art.Com
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Sophie Frank
LINEAGES AND LAND BASES FINAL DIDACTICS 750 Hornby Street Vancouver BC V6Z 2H7 Canada Tel 604 662 4700 Fax 604 682 1787 www.vanartgallery.bc.ca lineages and land bases The artworks gathered for this exhibition address differing understandings lineages and land bases presents works from the Vancouver Art Gallery’s of the self and personhood in relation to nature, a concept that is culturally, permanent collection by artists who have challenged the nature-culture historically and linguistically informed. divide, seeking new ways to conceptualize and represent their relation to the world around them while grappling with the troubled inheritance of settler Sḵwx̱wú7mesh sníchim (the Squamish language) has no word for nature, colonialism. At the centre of the exhibition is a case study that assesses the although it has many words that relate to the land and water. Within this intersections between the basketry of Sewiṉchelwet (Sophie Frank) (1872– worldview, people are intimately bound to non-human entities, such as plants, 1939), a woman from the Sḵwx̱wú7mesh Úxwumixw (Squamish Nation), and rocks, animals or places, locating subjectivity well beyond humans. In contrast, the late landscape paintings of Emily Carr (1871–1945). The two women were the modern Euro-Canadian distinction between nature and culture provided close contemporaries and friends for 33 years, a relationship also shaped by the foundation, in the early 20th century, for the development of a national the profound inequalities of their time. The comparison of these two distinct, art and identity in Canada. Paintings of vast empty landscapes premised yet interconnected, perspectives both prefigures and extends the critique of an idea of wilderness that effectively erased Indigenous presence from the the separation of nature and culture seen elsewhere in the exhibition, urging us representation of nature at the same time that these communities were being to think anew about the meaning of self and its ties to the non-human world. -
Truck Contemporary Art's 3Rd Annual Postcard Fundraiser
TRUCK CONTEMPORARY ART’S 3RD ANNUAL ARTIST CATALOGUE POSTCARD FUNDRAISER EVENT DETAILS Saturday, February 29th, 2020 7PM - 10PM TRUCK Contemporary Art - 2009 10 Ave SW, Calgary, AB Bidding starts at 7PM and closes at 930PM PROXY BIDDING If you cannot make it to the fundraiser in person, we will be accepting proxy bids by email at [email protected] prior to the event and by text at 587-439-8706 on the night of the event. Please include your maximum bid amount. BUY-IT-NOW Prior to the fundraiser, you may purchase postcards at the BUY-IT-NOW price of $300.00 without bidding. This option is only available until the beginning of the event, which starts at 7PM on February 29th, 2020. If you would like to BUY-IT-NOW, please email [email protected] Alberta Rose W./Ingniq Mohkinstsis (Calgary) based artist, Ingniq worked her way through college as a cook, then in politics before she obtained her BFA with distinction from the Alberta University of the Arts (formerly ACAD). Of mixed settler/Inuvialuit heritage, Ingniq often creates work that reflects both aspects of her cultural identity as well as broader social issues related to Indigenous people today. Often working with reclaimed or rescued materials in her art- making, Ingniq takes an intuitive and mindful approach to art. In part, this is a reactionary, conscious choice regarding the amount of rampant waste in this capitalist/consumerist society, as well as a symbolic gesture adding to the reclamation of identity. The need to create work like this is to focus on evolving activism that seeks to generate dialogue and awareness about the current and historical aspects influencing Indigenous people, as well as other groups of marginalized individuals and problems to generate opportunities for more inclusive and supportive societies. -
Fall Exhibitions & Programs Brochure
ESKER FOUNDATION Fall 2019 Esker Foundation 3/32 WELCOME WE WELCOME YOU This fall we present the work of Hudson-based artist Jeffrey Gibson and Toronto-based artist Nep Sidhu. Both articulate complex histories and the contemporary struggle to uphold, dismiss, or renegotiate these narratives through work that is itself dense, culturally specific, and technically magnificent. Both artists favour collaboration as a way to expand practice, open conversation, and create community. Presenting their work together for the first time, Esker endeavours to create space for cross-cultural communication to flourish, and for difficult conversations to happen. As an institution we acknowledge it can be far more important to reflect on how we listen rather than reacting to what we hear. While working on these two exhibitions over the last year it has become increasingly clear that although both artists have a fierce commitment to material exploration, what resonates with me now is an underlying theme of inheritance. I borrow from the exhibition text of Jeffrey Gibson: heT Anthropophagic Effect at the New Museum this past spring: “Inheritance, of course, refers to what is handed down, usually through family, tradition, or even by chance. But it also points to other modes by which people come to own: the disposses- sion or erasure of others, for instance. Yet, whether by generosity or violence, inheritance leaves a trace; individual and collective bodies are marked by, and in turn mark, the objects and ideas they only 1 Jeffrey Gibson: The Jeffrey Gibson, 2019. temporarily possess.”1 Anthropophagic Effect. Courtesy of the artist, Curators: Johanna Burton, Sikkema Jenkins, NYC; Keith Haring, Director and Kavi Gupta, Chicago; Kablusiak continues in the Project Space this fall with their installa- Curator of Education and and Roberts Projects, Public Engagement, and Los Angeles. -
Alberta College of Art + Design
Catalyst FALL 2013 art + design in our community and beyond ALBERTA COLLEGE OF ART + DESIGN art + design in our community and beyond ALBERTA COLLEGE OF ART + DESIGN President’s Message 1 On Campus Academic Update 2 ACADSA Show + Sale 2 Nurturing the Creative Entrepreneur – Centre for Creativity + Entrepreneurship 3 White Walls, Infinite Possibilities – Illingworth Kerr Gallery 4 The Art of Learning – Extended Studies 5 Telling ACAD’s Stories SCHOOL OF CRAFT + EMERGING MEDIA Code + Clay– Katrina Chaytor 6 Andy Nichols Photography EDITORIAL PHOTOGRAPHY Ground Control to Major Tom – Catherine Larose 8 Computer Canvases – Paul Robert 10 Brieanne Biblow Alex Middleton Shifting Gears – Natalie Lauchlan 12 Kara Tersen WRITING SCHOOL OF CRITICAL + CREATIVE STUDIES Natalie Sit Zombies, Dinosaurs, Ghosts, Oh My! – Alex Link 14 EDITING A Wicked Problem – John Calvelli 16 GOOD Company Wordplay – Derek Beaulieu 18 DESIGN Molding Theory – Nicole Burisch 20 McAra Printing PRINTING ACAD at a Glance 22 ALBERTA COLLEGE OF ART + DESIGN Telling ACAD’s Stories (continued) 1407 - 14 AVE NW CALGARY, ALBERTA CANADA SCHOOL OF COMMUNICATION DESIGN T2N 4R3 403.284.6238 WWW.ACAD.CA An Unexpected Journey – Wayne Traudt 28 Back to Basics – Ray Ferraro 30 Make Art for your Friends – Geoff McFetridge 32 A Student of the Medium – Tim Okamura 34 SCHOOL OF VISUAL ART 36 COVER PHOTO: Susan Turcot. Hide and A Life Aquatic – Laurel Johannesson Seek (2012). Charcoal on paper, each 39 Finding Home – Marty Kaufman 38 x 53 cm. Courtesy the artist and Illingworth Kerr Gallery. Critic’s Choice – Don Kottmann 40 Presented as part of the exhibition Susan From Pencil to Lens – Yuqi Kang 42 Turcot, Illingworth Kerr Gallery, September 26 to October 26, 2013. -
Shore, Forest and Beyond
An Introduction to the Gallery: Shore, Forest and Beyond Emily Carr War Canoes, Alert Bay , 1912 oil on canvas Collection of Michael Audain and Yoshiko Karasawa TEACHER’S STUDY GUIDE FALL 2011 1 Contents Page Program Information and Goals..................................................................................................................3 Background to the Exhibition ......................................................................................................................4 First Nations Art & Terminology: A Brief Introduction ................................................................................5 Artists’ Background......................................................................................................................................7 Pre- and Post-Visit Activities 1. Connecting the Artists, .............................................................................................................10 Artist Information Sheet............................................................................................................11 Student Worksheet....................................................................................................................12 2. Emily Carr: Colours, Shapes & Trees........................................................................................13 3. Art, Ideas & Inspiration .............................................................................................................15 Artist Quotes ..............................................................................................................................17 -
Volume 25 May • June 2016 Number 3
TM Volume 25 May • June 2016 Number 3 www.artaccess.com THE MONTHLY GUIDE TO THE ARTS ART ACCESS CONTENTS Volume 25 Number 3 FEATURES Features Write of Way …Mary Lou Sanelli 6 Anne Gould Hauberg …Edie Everette 12 Beyond Aztlán …Susan Noye Platt, Ph.D. 14 VISUAL ART Listings Portland, OR 16 Anacortes • Bainbridge Island, WA 16 Bellevue • Bellingham, WA 19 Karen Hackenberg Bremerton, WA 20 “Hitchhikers Guide to the Garbage Gyre” Edison • Edmonds, WA 21 gouache on paper, 8 x 10 inches Museum of Northwest Art • La Conner, WA Ellensburg • Everett WA 22 Friday Harbor • Kingston, WA 23 “Space, and space again, is the infinite deity Kirkland • La Conner • Langley, WA 24 which surrounds us and in which Mercer Island • Port Orchard, WA 25 we are ourselves contained.” Port Townsend • Poulsbo, WA 26 Seattle, WA ~ Max Beckmann (1884 – 1950) • Ballard 27 German Painter • Belltown 28 • Columbia City 28 FRONT COVER: • Downtown 29 • First Hill 31 Rik Allen• “Providence” • International District 31 blown glass, silver, stainless steel • Pioneer Square 31 29 x 11 x 11 inches Photo by KP-Studios.com • University District 36 Museum of Northwest Art • La Conner, WA Tacoma, WA 36 Vashon Island, WA 38 2016 MoNA Art Auction CALL TO ARTISTS 38 Saturday, June 18 MAPS Maps +Preview Party, Bainbridge Island, WA 16 Friday, June 17 Kirkland, WA 22 Seattle, WA WA Walton Event Center • Downtown 28 Swinomish Casino & Lodge • Pioneer Square 32 12885 Casino Dr Tacoma, WA 37 Anacortes, WA 98221 MoNA’s 24th Annual Art Auction Art Access features original artworks by more than (888) 970-9991 200 Northwest artists, art experiences, [email protected] and an opportunity to Box 4163, Seattle, WA 98194 Fund-the-Future of Northwest art. -
Show of Hands
Show of Hands Northwest Women Artists 1880–2010 Maria Frank Abrams Ruth Kelsey Kathleen Gemberling Adkison Alison Keogh Eliza Barchus Maude Kerns Harriet Foster Beecher Sheila Klein Ross Palmer Beecher Gwendolyn Knight Susan Bennerstrom Margot Quan Knight Marsha Burns Margie Livingston Margaret Camfferman Helen Loggie Emily M. Carr Blanche Morgan Losey Lauri Chambers Sherry Markovitz Doris Chase Agnes Martin Diem Chau Ella McBride Elizabeth Colborne Lucinda Parker Show of Hands Northwest Women Artists 1880–2010 Claire Cowie Viola Patterson Louise Crow Mary Ann Peters Imogen Cunningham Susan Point Barbara Matilsky Marita Dingus Mary Randlett Caryn Friedlander Ebba Rapp Anna Gellenbeck Susan Robb Virna Haffer Elizabeth Sandvig Sally Haley Norie Sato Victoria Haven Barbara Sternberger Zama Vanessa Helder Maki Tamura Karin Helmich Barbara Earl Thomas Mary Henry Margaret Tomkins Abby Williams Hill Gail Tremblay Anne Hirondelle Patti Warashina Yvonne Twining Humber Marie Watt Elizabeth Jameson Myra Albert Wiggins Fay Jones Ellen Ziegler Helmi Dagmar Juvonen whatcom museum, bellingham, wa contents This book is published in conjunction with the 6 Foreword exhibition Show of Hands: Northwest Women Artists 1880–2010, organized by the Whatcom Patricia Leach Museum and on view from April 24–August 8, 2010. Funding for the exhibition and the 8 Acknowledgments accompanying catalogue was supported in part with funds provided by the Western 10 A Gathering of Women States Arts Federation (WESTAF) and the Barbara Matilsky National Endowment for the Arts (NEA). The City of Bellingham also generously funded the 52 Checklist of the Exhibition catalogue. Additional support was provided by the Washington Art Consortium (WAC). Published in the United States by 55 Bibliography Whatcom Museum 56 Photographic Credits © 2010 by the Whatcom Museum 121 Prospect Street Bellingham, WA 98225 The copyright of works of art reproduced in www.whatcommuseum.org 56 Lenders to the Exhibition this catalogue is retained by the artists, their heirs, successors, and assignees. -
University of Calgary Press
University of Calgary Press www.uofcpress.com FROM REALISM TO ABSTRACTION: THE ART OF JB TAYLOR Adriana A. Davies ISBN 978-1-55238-764-1 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence. This means that you are free to copy, distribute, display or perform the work as long as you clearly attribute the work to its authors and publisher, that you do not use this work for any commercial gain in any form, and that you in no way alter, transform, or build on the work outside of its use in normal academic scholarship without our express permission. If you want to reuse or distribute the work, you must inform its new audience of the licence terms of this work. -
Vancouver Biennale 2014-2016
CONTENTS INTRODUCTION 4 The Meeting 50 BIENNALE International Granville Island Big Print Project 118 CREDITS Wang Shugang Betsabeé Romero & Soo Sunny Park PAVILION FOCUS ON BRAZIL 2014 WRITERS: MAPS The Blue Trees 52 Salish Sea Lab 119 Konstantin Dimopoulos Introduction 90 Miguel Horn & Chris Landau Ammar Mahimwalla Vancouver Map 6 Red Fortune 94 Reservoir 120 Jessa Alston-O'Conner Squamish Map 8 Legacy Paulo Climachauska Sahej Rahal & Pallavi Paul Katherine Tong Barrie Mowatt North Vancouver Map 9 Chora Chuva 95 The Squamish Working Papers 121 Introduction 54 Gisela Motta & Leandro Lima Hasan Hujairi New Westminster Map 10 EDITED BY: Echoes 56 Arbor-Vitae 96 CM2 Contemporary Art Collection 121 World Map 12 Michel Goulet Marcelo Moscheta Filé De Peixe Barrie Mowatt Murray Nichol Giants 58 Nadir #5 97 Rules For Vancouver 122 OSGEMEOS (Otávio And Gustavo Pandolfo) V ANCOUVER BIENNALE PAST 14 Túlio Pinto Peter Liversidge A-Maze-Ing Laughter 60 PHOTOGRAPHERS Mas (Vasos De Vidro Branco) / Figures In Stanley Park 123 & VIDEOGRAPHERS: Yue Minjun Yet (White Glass Vases) 98 Tim Davies OPEN AIR MUSEUM roaming-the-planet Public Furniture | Urban Trees – Vancouver 62 Mariana Manhães Please Don’t Tweet This! 124 Tiffany Blaise Introduction 20 Hugo França [Intersect] 99 Rathin Barman ∩ Dan Fairchild Photography Public Furniture | Urban Trees – Squamish 64 Juliana Cerqueira Leite Vancouver Novel 22 Crossing Borders Maa’bar 125 Scott Douglas João Loureiro Hugo França Castelo 100 Tammam Azzam Shane Koh Public Furniture | Urban Trees – New Westminster 66 Nathalia García Love Your Bean 24 Illusory Constructs 126 David James Cosimo Cavallaro Hugo França Swing HD and Swing HN 101 Jonathan Luckhurst K.K. -
Guide to Galleries + Museums Albert A I British Columbi a I Orego N I Washington
GUIDE TO GALLERIES + MUSEUMS ALBERT A I BRITISH COLUMBI A I OREGO N I WASHINGTON APRIL/MAY 2016 Compliments of Preview Graphics • downloaodanble ilssueis ne • extra images • searchable listings preview-art.com 6 PREVIEW I APRIL/MAY 2016 previews April/May 2016 Vol. 30 No.2 10 Patti Warashina: New Works ALBERTA Abmeyer + Wood Fine Art 8 Banff, Black Diamond, Calgary 67 12 Lisa Matthias: Remnants 1 2 Canmore, Edmonton Christine Klassen Gallery 16 Lethbridge, Medicine Hat, St Albert 20 MashUp: The Birth of Modern Culture BRITISH COLUMBIA Vancouver Art Gallery 17 Abbotsford 26 Paulo Majano: I Was Here 18 Burnaby Surrey Art Gallery 20 Campbell River, Castlegar, Chilliwack 25 21 Coquitlam, Courtenay, Fort Langley 28 Ron Tran: Somewhat Mine: A Nanaimo 22 Grand Forks, Kamloops, Kelowna Retrospective 23 Laxgalts’ap Nanaimo Art Gallery 26 Maple Ridge, Nanaimo, Nelson 32 Walter May: One New Work: Object Lessons 27 New Westminster, North Vancouver Glenbow 29 Penticton 34 Patrick Staff: The Foundation 31 Port Alberni, Port Moody, Prince George, Prince Rupert 12 Contemporary Art Gallery 32 Qualicum Beach, Richmond, 38 Your Future Home: Creating the New Salmon Arm, Sidney Vancouver 33 Skidegate, Squamish, Museum of Vancouver Sunshine Coast (Gibsons) 42 Elizabeth Milton: High Kicks Into the Light 34 Surrey, Tsawwassen 61 35 Vancouver Forever and Ever and Ever 55 Vernon, Victoria grunt gallery 58 West Vancouver 48 Marcia Perkins: Still Life Paintings 59 Whistler, White Rock Polychrome Fine Art 60 Williams Lake 50 Liz Magor OREGON Catriona Jeffries Gallery 60 Astoria, Cannon Beach 52 Rick Bond: New Works 2016 62 Portland 63 Salem Madrona Gallery 32 59 This is My City – View from the Inside: WASHINGTON Courage Journey 64 Bainbridge Island, Bellevue, Bellingham The New Gallery 65 Ellensburg, Everett, Friday Harbor, 64 Chuck Close: Prints, Process and Collaboration La Conner, Port Angeles, Seattle Schack Art Center 72 Spokane, Tacoma 68 2016 Contemporary Northwest Art Awards © 1986-2016 Preview Graphics Inc. -
ANNUAL REPORT October 1, 2016 – September 30, 2017 MESSAGE from the CHAIR
ANNUAL REPORT October 1, 2016 – September 30, 2017 MESSAGE FROM THE CHAIR In March 2016, the Audain Art Museum officially opened its doors and welcomed the CONTENTS first visitors. Since that day, the Museum has focused on its mission to provide the public with an opportunity to immerse themselves in British Columbia’s rich artistic heritage. Visitors to Whistler have been given a unique cultural opportunity through their interaction with our diverse permanent collection and special exhibitions. Our 03 MESSAGE FROM THE CHAIR award-winning Museum is located in a forested setting at the foot of majestic coastal 04 MESSAGE FROM THE ACTING DIRECTOR mountains – an environment that has inspired art for thousands of years. To date, the Museum has drawn tens of thousands of visitors from around the world to 06 SPECIAL EXHIBITIONS experience the art of British Columbia in an unparalleled, authentic way. In 2017, the Museum shared two pieces from our collection with three important 12 COLLECTIONS exhibitions, two of those Canadian and one international. As the permanent collection reaches out globally, it also continues to expand through promised gifts 16 EDUCATION AND PUBLIC PROGRAMS and purchases by the Audain Foundation and generous donors. 21 SUPPORT The viability of the Museum depends on the support of visitors, sponsors and government. In 2015, the Museum committed to 25 FINANCIAL STATEMENTS creating a $25 million endowment to help support the Museum into the future. In November 2017, founder Michael Audain, Chair of the Audain Art Museum Foundation, announced the initial goal had nearly been reached and the target for the endowment 38 BOARD OF TRUSTEES fund was raised to $50 million. -
MAX Orange, Yellow and Teal Shelters Exhibit Select on Paper on Paper Works from the City of Calgary’S Public Art Collection
EDMONTON TRAIL SAIT NORTH HILL FOOTHILLS MEDICAL CENTRE MO SUNRIDGE MALL Continued on Continued from ALBERTA CHILDREN’S next page previous page HOSPITAL GENESIS CENTRE CENTRE ST 4 ST NW H BRENTWOOD 7 SHOP 19 ST NE RUSSET RD RUNDLE 5 32 AVE NE SADDLETOWNE 44 AVE NE 9 EAT CIRCLE RUNDLESIDE DR 1 WHITEHORN DR 8 31 ST NW BRENTWOOD MARTINDALE FALSHIRE CASTLERIDGE BLVD DR BLVD 6 2 3 4 U OF C 1. SADDLETOWNE CIRCLE Mixed Bed Calgary City Hall West Young Wrestling Fans, Mallia Wild Rice, Lily Pads and 3. Katie Ohe and Diana Un-Jin Cho Artist: Cathrine Greene Artist: Ray Van Nes Calgary Artist: John Snow Summer Breezes Sun Trailing Date: 1987 Date: 1993 Artist: George Webber Date: 1972 Artist: Ted Godwin Artist: William Anderson Medium: Woodcut and Medium: Palladium print Date: 1978 Medium: Lithograph on paper Date: 1986 Date: 1989 intaglio on paper on paper Medium: Silver gelatin print Medium: Oil on canvas Medium: Silver gelatin print MAX Orange, Yellow and Teal shelters exhibit select on paper on paper works from the City of Calgary’s Public Art Collection. Summer Altar East Window, 7. 32 AVE NE Melody Artist: Cathrine Greene Grace Presbyterian Church Sam Livingston Artist: Barbara Milne Counter Untitled #7 Each work represents a unique perspective of an artist Date: 1989 Artist: Ray Van Nes Artist: Lisa Brawn Date: 1990 Artist: Helena Hadala, RCA Artist: Gregory Arnold Medium: Woodcut and Date: 1993 Date: 2009 Medium: Oil on canvas who has resided in Calgary at some point in their lives. Date: 1982 Date: 1967 intaglio on paper Medium: Palladium print Medium: Polychrome woodcut Works featured range in age from 80 years old to art Medium: Woodcut on paper Medium: Acrylic on board on paper created in this decade, and are created by many artists Flight of Fancy 9.