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2015 Washington State YMCA Swimming Championships WEYERHAEUSER KING COUNTY AQUATIC CENTER January 30Th, 2016
2015 Washington State YMCA Swimming Championships WEYERHAEUSER KING COUNTY AQUATIC CENTER January 30th, 2016 HOSTS PUGET SOUND SWIMMING ASSOCIATION: Northshore Y and Grays Harbor Y MEET DIRECTOR MEL CLARK MEET REFEREE DAVE BAER ADMINISTRATIVE REFEREE LISA FLANNERY Attn: Swim Team, Northshore YMCA 206-938-8388 11811 NE 195th, Bothell WA 98011 [email protected] Cell: 206-919-9771 [email protected] . YMCA SWIMMING YMCA SANCTION CAQ-2015-WA11306360: this meet is held under the sanction of YMCA of the USA National Advisory Committee. In granting this sanction it is understood that the YMCA shall be free from any liabilities or claims for damages arising by reason of injury to anyone during the conduct of the meet. USA SWIMMING Held under approval of Pacific Northwest Swimming (PNS) and USA Swimming, Inc. In granting this approval, it is understood and agreed that PNS and USA Swimming shall be free from any liabilities or claims for damages arising by reason of injuries to anyone during the conduct of the event. Approval # TBA . LOCATION Weyerhaeuser King County Aquatic Center. 650 Campus Drive. Federal Way, WA 98023. (206)-296-4444 .From 1-5 take exit 142B to merge onto Hwy 18 westbound towards S 348th St. Continue on S. 348th ST and SW Campus Approximately 1.4 miles. Facility will be on your right. FACILITY Site of the 1990 Goodwill Games and the 1991, 1994, 1997, 2000, and 2006 Spring National Championships, 2008 and 2012 NCAA Men’s Division 1 Championships, 2009 U.S. Open, 2009 and 2014 Junior Nationals, and 2009 and 2015 Short Course Nationals. -
1990 Goodwill Games
INSPECTOR GENERAL DEPARTMENT OF DE:FENSE 400 ARMY NAVV DRIVE ARLINGTON, VIRGINIA 22202·2884 REPORT NO. 91-014 November 23, 1990 MEMORANDUM FOR ASSISTANT SECRETARY OF DEFENSE (FORCE MANAGEMENT AND PERSONNEL) DIRECTOR, OFFICE OF ECONOMIC ADJUSTMENT SUBJECT: Report on the Audit of the 1990 Goodwill Games Introduction This is our report on the Audit of the 1990 Goodwill Games. The audit was requested by the Office of Economic Adjustment. The audit objective was to determine whether adequate controls existed over financial operations for the 1990 Goodwill Games and whether the financial operations were conducted in accordance with DoD policy and guidelines. Discussion The audit determined that adequate controls existed over financial operations for the 1990 Goodwill Games and that the financial operations were generally conducted in accordance with DoD policy and guidelines. Funds appropriated for the support of the 1990 Goodwill Games were judiciously managed, and it is likely that of the nearly $20 million appropriated, $8 million will not be spent. We found certain deficiencies that we brought to management's attention during the audit. Suggestions for improvement either had been or were being implemented at the time of this report. Internal Controls The audit disclosed no internal control weaknesses as defined by Public Law 97-255, Office of Management and Budget Circular A-123, and DoD Directive 5010.38. Scope of Audit We evaluated the adequacy and effectiveness of established financial and operating procedures, including the separation of duties for review and approval of DoD support, the qualifications of DoD personnel, and procedures for issuing and controlling the return of materials loaned to the 1990 Goodwill Games and obtaining reimbursement for lost or destroyed i terns. -
J O H N L Y S
JOHN LYSAK BORN: 1960 San Francisco, California EDUCATION: 1988 M.F.A., Printmaking, Carnegie Mellon University, Pittsburgh, Pennsylvania 1983 B.A., Fine Arts, Evergreen State College, Olympia, Washington SOLO EXHIBITIONS: 2015 Summer Blues (and other colors), Lisa Harris Gallery, Seattle, Washington 2013 A Sense of Reality, Lisa Harris Gallery, Seattle, Washington 2009 Monotypes: 25 Years, Frans Masereel Centrum, Kasterlee, Belgium 2008 Belgian Monotypes and Other Prints, Lisa Harris Gallery, Seattle, Washington 2008 Solo Award Exhibition, Foundry Art Centre Gallery, The Foundry Art Centre, St. Charles, Montana 2007 Dispair-ity, Mary Moody Northen Hall Formal Gallery, West Texas A&M University, Canyon, Texas 2006-07 Duality, A Digital Dialogue: Recent Prints, Erie Art Museum, Erie, Pennsylvanina 2006 Myths and Melodramas: Recent Monotypes, Lisa Harris Gallery, Seattle, Washington 2006 John Lysak, Printmaker, Erie Art Museum, Erie, Pennsylvania 2005 Mostly Sad Stories Recent Prints by John Lysak, Kiehle Gallery, St. Cloud State University St. Cloud, Minnesota 2002 Monotypes and Lithographs, Lisa Harris Gallery, Seattle, Washington 2001 New Prints, Weyers-Sampson Art Gallery, Thiel College, Greenville, Pennsylvania 1999 Recent Works on Paper, Elzay Gallery, Ohio Northern University, Ada, Ohio 1998 Lisa Harris Gallery, Seattle, Washington Heeschen Art Gallery, Meadville Council on the Arts, Meadville, Pennsylvania Suites, Editions and Unique Impressions, Vashon Gallery, Seattle University, Seattle, Washington 1994 Lisa Harris Gallery, Seattle, -
Oral History Interview with James Herbert Fitzgerald and Margaret Tomkins, 1965 Oct
Oral history interview with James Herbert Fitzgerald and Margaret Tomkins, 1965 Oct. 27 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with James and Margaret Fitzgerald on October 27, 1965. The interview took place in Seattle, WA, and was conducted by Dorothy Bestor for the Archives of American Art, Smithsonian Institution. Interview [Bracketed remarks added by James Fitzgerald upon review of transcript.] DOROTHY BESTOR: Well, let's see, before you went to the Art Center [in Spokane] you had gotten a degree here in architecture and you had worked with Thomas Hart Benton? JAMES FITZGERALD: That's right. DOROTHY BESTOR: Had that been any of the WPA things? JAMES FITZGERALD: No. [Tom Benton to my knowledge did not work on any WPA murals.] DOROTHY BESTOR: Oh, I though he — well, didn't he get some commissions for Treasury murals? JAMES FITZGERALD: No. [His commissions came from the Whitney Museum, New School for Social Research and the State of Missouri.] DOROTHY BESTOR: Oh. JAMES FITZGERALD: In fact, when I was out in Missouri there wasn't very much of an art project. It was very small, and they didn't do very much at all in real art. DOROTHY BESTOR: So the Spokane one was your first contact with any of the government art projects? JAMES FITZGERALD: [My first contact with government art was in the year 1933 or 1934, when Vic Steinbrauch and I were selected by the Treasury Department Art Program to depict the landscape of the West. -
Modernism in the Pacific Northwest: the Mythic and the Mystical June 19 — September 7, 2014
Ann P. Wyckoff Teacher Resource Center Educator Resource List Modernism in the Pacific Northwest: The Mythic and the Mystical June 19 — September 7, 2014 BOOKS FOR STUDENTS A Community of Collectors: 75th Anniversary Gifts to the Seattle Art Museum. Chiyo Ishikawa, ed. Seattle: Seattle Adventures in Greater Puget Sound. Dawn Ashbach and Art Museum, 2008. OSZ N 745 S4 I84 Janice Veal. Anacortes, WA: Northwest Island Association, 1991. QH 105 W2 A84 Overview of recent acquisitions to SAM’s collection, including works by Northwest artists. Educational guide and activity book that explores the magic of marine life in the region. George Tsutakawa. Martha Kingsbury. Seattle: University of Washington Press, 1990. N 6537 T74 A4 Ancient Ones: The World of the Old–Growth Douglas Fir. Barbara Bash. San Francisco: Sierra Club Books for Exhibition catalogue covering 60 years of work of the Children, 2002. QK 494.5 P66 B37 Seattle–born painter, sculptor, and fountain maker. Traces the life cycle of the Douglas fir and the old–growth Kenneth Callahan. Thomas Orton and Patricia Grieve forest and their intricate web of life. Watkinson. Seattle : University of Washington Press; 2000. ND 237 C3 O77 Larry Gets Lost in Seattle. John Skewes. Seattle: Sasquatch Books, 2007. F 899 S44 S5 Overview of the life and work of artist Kenneth Callahan. Pete looks for his dog Larry in Seattle’s famous attractions. Margaret Callahan: Mother of Northwest Art. Margaret Bundy Callahan and Brian Tobey Callahan, ed. Victoria, S Is for Salmon: A Pacific Northwest Alphabet. Hannah BC: Trafford Publising, 2009. ND 237 C19 C35 Viano. -
The Galleries
THE GALLERIES ART at the convention center A SELF-GUIDED TOUR Enriching Your Visit: Taking the Tour The Public Art Program Washington State Convention Center features approximately The Washington State Convention Center (WSCC) public 100 works of art on public display around four levels of its North and South Gallerias. Several other works are located in art program, perhaps the largest of its kind in the nation, its office and convention lobby areas. Areas of the facility that was established to provide an environment that enriches may not be available to the public due to convention- the experience of all who visit the meeting facility. With well related activities are clearly noted. over 100 works on display, art has been a popular feature since the facility opened in 1988. Initially, art was incorporated into This self-guided, self-paced tour booklet was designed to the original building design with assistance from the state’s direct you to the many different areas where artworks are cur- Percent for the Arts Program. Since then, due to a commit- rently on display. A few of the works listed inthis booklet are ment to provide civic benefits to our community, the WSCC has located outside of the WSCC. offered an ever-changing collection, readily accessible at no This self-tour begins on Level 1 just south of the Convention charge to meeting attendees and the general public. Place entrance. The indicated route will direct you back to the south escalators for easy access to the next level. All areas of In 1997, the board established the WSCC Art Foundation at this tour are also accessible by elevator. -
Northwest Matriarchs of Modernism
Northwest Matriarchs of Modernism 12 Proto-feminists from Oregon and Washington Mary Henry Pansynclastic Riddle 1966, 48 x 61.5 Courtesy of the Artist and Bryan Ohno Gallery Cover photo: Hilda Morris in her studio 1964 Photo: Hiro Moriyasu Northwest Matriarchs of Modernism Organized by The Art Gym, Marylhurst University 12 Proto-feminists from Oregon and Washington with support from the Regional Arts and Culture Council, the Lamb Foundation, members and friends. The Art Gym, Marylhurst University, Marylhurst, Oregon Kathleen Gemberling Adkison September 26 – November 20, 2004 Doris Chase Museum of Northwest Art, La Conner, Washington January 15 – April 3, 2005 Sally Haley Mary Henry Maude Kerns LaVerne Krause Hilda Morris Eunice Parsons Viola Patterson Ruth Penington Amanda Snyder Margaret Tomkins Eunice Parsons Mourning Flower 1969, collage, 26 x 13.5 Collection of the Artist Photo: Robert DiFranco Northwest Matriarchs of Modernism: Twelve Proto-feminists from Oregon and Washington Copyright 2004 Marylhurst University Post Offi ce Box 261 17600 Pacifi c Highway Marylhurst, Oregon 97036 503.636.8141 www.marylhurst.edu Artworks copyrighted to the artists. Essays copyrighted to writers Lois Allan and Matthew Kangas. 2 All rights reserved. ISBN 0-914435-44-2 Design: Fancypants Design Preface Northwest Matriarchs of Modernism: Twelve presented work created prior to 1970. Most of our Proto-feminists from Oregon and Washington exhibitions either present art created specifi cally grew out of a conversation with author and for The Art Gym, or are mid-career or retrospective critic Lois Allan. As women, we share a strong surveys of artists in the thick of their careers. -
Northwest Fine Art & Antique Auction
Northwest Fine Art & Antique Auction August 27th, 2009 - 717 S 3rd St, Renton 14% Buyers Premium in Effect Auction Pick-up: Half Hour Following Auction or Friday, 08/28 & Tuesday, 09/01: Noon-5PM Lot Description 21 2 Boxes Loose Richard Lachman Cut Ink Drawings 1 Richard Kirsten "House of Many 22 3ea Richard Lachman Colored Ink Drawings Memories" Acrylic 22x16" 23 Box Richard Lachman Square Ink Drawings 2 Edna Crews "Snowcapped Forest" 24 4ea Richard Lachman Portrait Ink Drawings Watercolor 16x20.75" 25 Richard Lachman Large Sketchbook & 3 James Farr "Infinite Cycle of Renewal" Loose Ink Drawings 1973 Tempera 23.5x18.5" 26 Stack Richard Lachman Ink Drawings - 4 1997 S/N Abstract Etching Sketchbook Pages 5 Norman Lundin "Russian Landscape: 27 5x11' Oriental Rug Morning River" Charcoal/Pastel 26x37" 28 2 Carol Stabile Pastel Framed Paintings 6 K.C. McLaughlin "Exterior with 29 1969 Surrealist Mixed Media Painting Awnings" Dry Pigment 17x25" 34x30" - Signed Riote? 7 Edna Crews "Moonlit Meadow" 30 Signed F.W. Die? "Eye" Ink/Canvas 16x20" Watercolor 16.5x21.5" 31 Fred Marshall A.W.S. "Harbor - Puget 8 Edna Crews "Winter Meadow" Acrylic Sound" 1970 Watercolor 17x20.5" 31.5x23" 32 Fred Marshall Framed Watercolor 9 Richard Lachman "Cocktail Party" 1980 "Landscape with Deer" 16x21" Ink/Paper 16x22" 33 Flora Correa "Weeds Blowing" 1977 Collage 10 Richard Lachman "Dixy & Jaques" 24x12" Mixed Media 18x26" 34 Bonnie Anderson "Bucket of Lemons" Oil 11 Richard Lachman "Day Before Eden" 8x10" Mixed Media 18x26" 35 Bonnie Anderson "Lemon Drop Tree" Oil 12 Natalie McHenry Untitled – 38x14.25" "Marionettes" Watercolor 19x25" 36 Ray Hill Untitled - "Lake Scene" 1969 13 Edna Crews Untitled - "Mystic Bird" Watercolor 14x20" Oil/Board 40x30" 37 Signed S. -
Northwest Modernism & Western Fine Art Thursday June 20Th @ 5:00PM
Northwest Modernism & Western Fine Art Thursday June 20th @ 5:00PM 20% Buyers Premium In-House 25% Buyers Premium Online/Phone (425) 235-6345 SILENT AUCTIONS custom made Northwest Designer Craftsmen tansu chest with four drawers and door with Featuring a Large Silent Auction of metal pulls. Burned in mark on interior of Northwest Art & Native Books! drawer. Some scattered light surface wear. 5 Eames for Herman Miller Rosewood Lounge Lots 1,000’s End @ 8:00PM Chair & Ottoman. A vintage 670 & 671 set with black leather cushions. One of a pair Lot Description being offered. Chair 32''x33.5''x32'' and ottoman 17''x26''x22''. Original labels on 1 George Nakashima Studio Lounge Chair bottom dated Nov. 1 1978. Scattered wear to Rocker with Free Arm 32.5"x31"x34". A leather from use and one leather button is custom walnut rocking lounge chair with missing on chair seat. Overall excellent right free edge arm. Hickory wood spindles. condition. Charles and Ray Eames. Burned in mark on bottom with family name 6 Eames for Herman Miller "Time-Life" Stool on tape. Break to one spindle with scattered 15"x13". A vintage walnut stool or bench. light surface wear. Some light surface wear to top. Overall 2 Nakashima Style Free Edge Walnut Coffee excellent condition. Unmarked. Charles and Table 17.5"x79.5"x35". A long free edge Ray Eames. coffee table with trestle base. Unsigned. 7 Eames for Herman Miller Rosewood Lounge Some scattered light surface wear. From the Chair & Ottoman. A vintage 670 & 671 set same collection as the George Nakashima with black leather cushions. -
Zoe Dusanne Papers Inventory Accession No: 2430-004
UNIVERSITY UBRARIES w UNIVERSITY of WASH INGTO N Spe, ial Colle tions Zoe Dusanne papers Inventory Accession No: 2430-004 Special Collections Division University of Washington Libraries Box 352900 Seattle, Washington, 98195-2900 USA (206) 543-1929 This document forms part of the Guide to the Zoe Dusanne Papers. To find out more about the history, context, arrangement, availability and restrictions on this collection, click on the following link: http://digital.lib.washington.edu/findingaids/permalink/DusanneZoe2430/ Special Collections home page: http://www.lib.washington.edu/specialcollections/ Search Collection Guides: http://digital.lib.washington.edu/findingaids/search ZOE DUSANNE PAPERS Accession No. 2430.::4 GUIDE BIOGRAPHY Born in Kansas in the late 1880s, Zoe Dusanne divided her adult life between Seattle and New York, pursuing her love of art in both places. After living in Seattle from 1915 to 1929, she moved to New York and immersed herself in the world of art and artists. She learned the business side of art by working in a gallery. In 1942 she returned to Seattle. After years of privately building her own collection she opened a gallery in her Lakeview Place home in 1950. Showing modern artists through her contacts in New York and Europe, she also promoted Norjhwest painters, some of whom, including Mark Tobey, achieved world wide renown. Financial problems and displacement by a new freeway (her gallery moved to 532 Broadway East in 1959) made the last years of her professional life difficult. She retired in 1964 and died in Seattle in 1972. CONTENT Zoe Dusanne's interests, friends, and business revolved around the art world. -
All Natural Oct 8–Nov 7, 2015 Glass Exhibit Curated by Kait Rhoads
TM All Natural Oct 8–Nov 7, 2015 Glass exhibit curated by Kait Rhoads Jennifer Umphress, Uni Lost wax cast glass with flamework components Volume 24 OCTOBER • NOVEMBER • DECEMBER 2015 Number 4 www.artaccess.com John Andro Avendaño • “Rhythm and Blues” mixed media, oil, and chalk on canvas, 96 x 48 inches Visit John Andro Avendaño and his work during Pioneer Square Art Walk: First Thursdays in October, November, and December The Kitchen—Sous Sol Winery • 309 First Avenue South • Seattle, WA John Andro Avendaño • ”Umbrella” mixed media on canvas, 96 x 48 inches John Andro Avendaño is featured as a solo artist through ArtSpot during the Spectrum International Art Fair held December 2-6 3011 N.E. 1st Avenue • Miami, Florida Visit John Andro Avendaño’s website or Facebook page for information www.johnandroavendano.com Follow John Andro Avendaño on ART & CRAFT OF THE PUGET SOUND REGION FALL EXHIBITIONS OPEN OCTOBER 10 Public Opening Reception Saturday, Oct. 10, 2-5pm Meet the Artists EYE ON ARTIST LECTURES October 21 Steven Maslach November 12 Caroline Cooley Browne BIMA AUDITORIUM 6:30 - 8:30pm For tickets & information: www.biartmuseum.org STEVEN MASLACH, La Chanteuse 3, 2015, 47” h, hot-cast clear and colored glass with graphite, steel base. FREE ADMISSION Thanks to our Sponsors & Members OPEN DAILY Galleries & Store 10am - 6pm Bistro 9am - 3pm 550 Winslow Way East Bainbridge Island, WA 98110 206.842.4451 TF: 855.613.1342 CAROLINE COOLEY BROWNE, Lingering Around the Table, 2005, www.biartmuseum.org oil pastel. 4 www.artaccess.com © OCT • -
Ordinance 08690
10/7/88 INTRODUCED BY: RON SIMS PROPOSED NO. -----------------88-717 8690 1 ORDINANCE NO. 2 AN ORDINANCE approving the Basic Design of the aquatics facility for the 1990 3 Goodwill Games and approving certain amendments to the agreement for the 4 design and construction and use of the facility. 5 BE IT ORDAINED BY THE COUNCIL OF KING pOUNTY: 6 7 SECTION 1. Findings and declaration of purpose. The 8 council finds that: 9 A. The county has, pursuant to Ordinance No. 8489 entered 10 into an agreement with David Sabey, through Beikley Structures, 11 for construction of an aquatics facility for. use by the 1990 12 Goodwill Games and the citizens of King County. 13 B. Under that agreement, the County Council is 14 responsible for review and approval of the Basic Design of the 15 facility as a condition of the county's obligation to pay for 16 its construction. 17 C. Berkley Structures has submitted a Basic Design for 18 the facility, which consists of the documents listed on Exhibit 19 E to the attached agreement. This Basic Design meets the needs 20 of the county and will result in a facility that is a valuable 21 addition to the community and the region. 22 D. As submitted, the Basic Design requires some 23 compromise and adjustment of the intial county design 24 requirements and the county's share of the costs of its 25 construction. As a result, it is necessary to amend the design 26 and construction agreement to reflect these changes. 27 SECTION 2.