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Modernism in the Pacific Northwest: the Mythic and the Mystical June 19 — September 7, 2014
Ann P. Wyckoff Teacher Resource Center Educator Resource List Modernism in the Pacific Northwest: The Mythic and the Mystical June 19 — September 7, 2014 BOOKS FOR STUDENTS A Community of Collectors: 75th Anniversary Gifts to the Seattle Art Museum. Chiyo Ishikawa, ed. Seattle: Seattle Adventures in Greater Puget Sound. Dawn Ashbach and Art Museum, 2008. OSZ N 745 S4 I84 Janice Veal. Anacortes, WA: Northwest Island Association, 1991. QH 105 W2 A84 Overview of recent acquisitions to SAM’s collection, including works by Northwest artists. Educational guide and activity book that explores the magic of marine life in the region. George Tsutakawa. Martha Kingsbury. Seattle: University of Washington Press, 1990. N 6537 T74 A4 Ancient Ones: The World of the Old–Growth Douglas Fir. Barbara Bash. San Francisco: Sierra Club Books for Exhibition catalogue covering 60 years of work of the Children, 2002. QK 494.5 P66 B37 Seattle–born painter, sculptor, and fountain maker. Traces the life cycle of the Douglas fir and the old–growth Kenneth Callahan. Thomas Orton and Patricia Grieve forest and their intricate web of life. Watkinson. Seattle : University of Washington Press; 2000. ND 237 C3 O77 Larry Gets Lost in Seattle. John Skewes. Seattle: Sasquatch Books, 2007. F 899 S44 S5 Overview of the life and work of artist Kenneth Callahan. Pete looks for his dog Larry in Seattle’s famous attractions. Margaret Callahan: Mother of Northwest Art. Margaret Bundy Callahan and Brian Tobey Callahan, ed. Victoria, S Is for Salmon: A Pacific Northwest Alphabet. Hannah BC: Trafford Publising, 2009. ND 237 C19 C35 Viano. -
Zoe Dusanne Papers Inventory Accession No: 2430-004
UNIVERSITY UBRARIES w UNIVERSITY of WASH INGTO N Spe, ial Colle tions Zoe Dusanne papers Inventory Accession No: 2430-004 Special Collections Division University of Washington Libraries Box 352900 Seattle, Washington, 98195-2900 USA (206) 543-1929 This document forms part of the Guide to the Zoe Dusanne Papers. To find out more about the history, context, arrangement, availability and restrictions on this collection, click on the following link: http://digital.lib.washington.edu/findingaids/permalink/DusanneZoe2430/ Special Collections home page: http://www.lib.washington.edu/specialcollections/ Search Collection Guides: http://digital.lib.washington.edu/findingaids/search ZOE DUSANNE PAPERS Accession No. 2430.::4 GUIDE BIOGRAPHY Born in Kansas in the late 1880s, Zoe Dusanne divided her adult life between Seattle and New York, pursuing her love of art in both places. After living in Seattle from 1915 to 1929, she moved to New York and immersed herself in the world of art and artists. She learned the business side of art by working in a gallery. In 1942 she returned to Seattle. After years of privately building her own collection she opened a gallery in her Lakeview Place home in 1950. Showing modern artists through her contacts in New York and Europe, she also promoted Norjhwest painters, some of whom, including Mark Tobey, achieved world wide renown. Financial problems and displacement by a new freeway (her gallery moved to 532 Broadway East in 1959) made the last years of her professional life difficult. She retired in 1964 and died in Seattle in 1972. CONTENT Zoe Dusanne's interests, friends, and business revolved around the art world. -
Press Release Embargoed Until 12:01 Am Pst, January 14, 2016
PRESS RELEASE EMBARGOED UNTIL 12:01 AM PST, JANUARY 14, 2016 Media contacts: Libby Mark or Heather Meltzer, 347-460-5566, [email protected] Julianna Verboort, 253-272-4258 x3011 or [email protected] BENAROYA COLLECTION GIFTED TO TACOMA ART MUSEUM Legacy Gift Comprises 225 Works of Studio Art Glass, Paintings, and Sculptures by Northwest and International Artists Gift Includes Funds for New Wing to be Designed by Tom Kundig, Endowment for Collection Care, and Curatorial Position Preview of the Collection to go on View in October 2016 Tacoma, WA —Tacoma Art Museum (TAM) announced today that Becky Benaroya has bequeathed the collection that she and her late husband Jack Benaroya carefully assembled during their 70 years of marriage. The collection of 225 works includes Northwestern and international studio art glass along with important paintings and sculptures by renowned regional artists. The gift, announced on Mrs. Benaroya’s 93rd birthday, includes a contribution for the construction of a new 7,390 square-foot gallery addition in which to present the collection, an endowment fund for its care, and funds for a dedicated curator. The contribution to support the gift totals nearly $14 million. TAM’s expanding collection further establishes the Pacific Northwest as the nation’s art glass epicenter. The new wing will be designed by award-winning architect Tom Kundig of Seattle-based Olson Kundig and is projected to open in fall 2018. It will house 5,700 square feet of gallery space, in addition to 1,690 square feet for public facilities and support functions. Tom Kundig successfully completed TAM’s Haub Family Galleries in November 2014. -
Northwest Collage Society Affiliate of the National Collage Society
Northwest Collage Society Affiliate of The National Collage Society Volume 22 • Issue 3 www.nwcollagesociety.org February 2011 President’s MessaGe General MeetinG elcome back from the Holidays. I hope they were Tuesday, Feb. 15, 2011 - 10:30am enjoyable for you. Here we are in a new year, and SHORELINE CENTER, 18560 1st Ave. NE, Shoreline the time seems already going too fast. WI have a question for you to ponder during the second month refreshMents of this new year: “Is artistic ability a gift?” Not according to the author of Mindset, Carol Dweck. Cam Elder, Nan Harty, Pat Doran Among the many topics in her book, she explores how some people don’t have “drawing skills”, but they do have “seeing CollaGe drawinG skills”. She states people have “…the ability to perceive edges, space, visual relationships, lights and shadows and the whole”. February Donor: Alice Shoemaker She noted that “…some people pick up these skills in the natural course of their lives, whereas others have to work to learn them february ProGraM and put them together.” Ms. Dweck says we can see the results of developing “seeing Collage Demonstrations skills” in the book Drawing on the Right Side of the Brain. She and Workshop states: “Just because some people can do something with little or no training, it doesn’t mean that others can’t do it (and some- Our Program this month is an opportunity times do it better) with training.” to watch, ask, and work in new ways or old but She addresses the premise of how someone like Jackson Pol- with perhaps different eyes. -
View Brochure (PDF)
A NORTHWEST SUMMER MAY 4–OCTOBER 15, 2006 6 EXHIBITIONS * 1 CELEBRATION A NORTHWEST SUMMER Public Opening Celebration Saturday, May 6, 10 a.m.–5 p.m. The Northwest offers a great way of life and remarkable history that deserves to be appreciated in a big way. Our special exhibit, A Northwest Summer, will do just that. To kick off the tribute, we’re hosting a fusion of art activities and entertainment that contribute to making this region special. Come join the celebration—enjoy an art activity, watch an Asian art demonstration, listen to live music and shop the eclectic, uniquely Northwest crafts of “I Heart Rummage.” For more information, check out seattleartmuseum.org. Director’s Welcome As we look forward—to the opening of above: Trimpin, U.S.A., born Germany 1951, drawing for Picnics, Rhythms and Vacations installation, 2006; cover: Trimpin, The Orange Piano, Lake Union, the Olympic Sculpture Park this fall and Seattle, 2003. Photo: Theo Bernardi. In this work, a hydrophone records underwater sound pollution, creating an audio signal, which becomes information played automatically by the piano. to the re-opening of the expanded downtown museum next spring—we have naturally looked back, reflecting on the amazing seventy-five years of growth that Trimpin: Picnics, Rhythms and Vacations the Seattle Art Museum has experienced. August 8–October 15, 2006 Milestones of that history are noted in the timeline, putting the past in context for Picnics, Rhythms and Vacations, 2006, a new installation by musician, sculptor and composer Trimpin, the celebrations in Volunteer Park this will be presented at the Seattle Asian Art Museum. -
Oral History Interview with George Tsutakawa, 1983 September 8-19
Oral history interview with George Tsutakawa, 1983 September 8-19 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with George Tsutakawa on September 8, 12, 14 & 19, 1983. The interview took place in Seattle, WA, and was conducted by Martha Kingsbury for the Archives of American Art, Smithsonian Institution. Interview DATE: SEPTEMBER 8, 1983 [Tape 1; Side A] [GEORGE TSUTAKAWA reviewed the transcript and added clarification, particularly about the World War II years. His added comments with his initials are in brackets--Ed.] MARTHA KINGSBURY: George, why don't we start by talking about a lot of biographical matters. I'd like to know about your personal background, your family, your growing up in Seattle and Japan also, education. GEORGE TSUTAKAWA: Uh huh. Well, let's see now. My father was a merchant who came to Seattle in 1905, and he started a small business and eventually he gets involved in fairly large company exporting and importing American goods and Japanese goods. He, as I recall, had business in Japanese food, clothing, art goods, and all sorts of things from Japan, and then in turn he was sending lumber from the Northwest to Japan. He also dealt in scrap metal and just anything. MARTHA KINGSBURY: That he sent to Japan? GEORGE TSUTAKAWA: Yeah, he sent to Japan. -
Oral History Interview with Johsel Namkung
Oral history interview with Johsel Namkung Funding for this interview was provided by the Henry Luce Foundation. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 General............................................................................................................................. 2 Scope and Contents........................................................................................................ 1 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Oral history interview with Johsel Namkung AAA.namkun89 Collection Overview Repository: Archives of American Art Title: Oral history interview with Johsel Namkung Identifier: AAA.namkun89 Date: 1989 Oct. 5-1991 Feb. 25 Creator: Namkung, -
Volume 30 July • August 2021 Number 4 W W W . a R T a C C E S S . C
TM Volume 30 July • August 2021 Number 4 www.ArtAccess.com THE NORTHWEST GUIDE TO ART ART ACCESS CONTENTS Volume 30 Number 4 FEATURES Features Black Refractions | Frye Art Museum …Susan Noye Platt 6 Spafford & Mafford | Perry and Carlson …Chloé Dye Sherpe 8 Salty Dog Studios | Modern Glaze …Edie Everette 10 Sarah Jones | Bitters Co. …Chloé Dye Sherpe 12 Kurt Solmssen • “Labor Day” oil on linen, 50 x 70 inches The Seattle DeConstructed Art Fair 14 Promised Gift to BIMA Bainbridge Island Museum of Art Write of Way Bainbridge Island, WA …Marylou Sanelli 15 “If I could say it in words VISUAL ART there would be no reason to paint.” Listings Alger • Anacortes • Bainbridge Island, WA 16 – Edward Hopper Bellingham, WA 19 American painter and printmaker (1882-1967) Bremerton • Camano Island, WA 20 Edison • Edmonds, WA 21 Everett • Friday Harbor, WA 22 Front Cover: Gig Harbor • Kingston • Kirkland, WA 23 Kurt Solmssen • “Bliss House Morning” oil on linen, 70 x 68 inches La Conner • Langley, WA 24 Courtesy of Linda Hodges Gallery Lopez Island, WA 25 Bainbridge Island Museum of Art Bainbridge Island, WA Lynden • Mercer Island • Mount Vernon, WA 26 Ocean Shores • Port Orchard, WA 27 Kurt Solmssen: The Yellow Boat Port Townsend, WA 28 July 2-September 22 Poulsbo, WA 29 Seattle, WA The Clown in Me Loves You • Ballard • Columbia City 30 Nancy Callan & Katherine Gray • Downtown 31 July 2-September 26 • First Hill • Georgetown 32 Every Day & Special Days • International District • Pioneer Square 33 July 2-September 22 • Shoreline • University District 38 Sequim • Stanwood • Tacoma 39 Trimpin: Hear & Now MAPS July 2-September 26 Maps Bainbridge Island, WA 16 Selections from the Mercer Island, WA 26 Permanent Art Collection Poulsbo, WA 30 July 2-September 26 Downtown Seattle, WA 31 Georgetown / Seattle, WA 32 BAINBRIDGE ISLAND Pioneer Square / Seattle, WA 34 MUSEUM OF ART 550 Winslow Way • Bainbridge Island, WA (206) 842-4451 • Daily: 10 A.M.-5 P.M. -
Modernism in the Pacific Northwest: the Mythic and the Mystical Prepared by Kara Wagner, Library Volunteer and Traci Timmons, SAM Librarian
Bibliography for Modernism in the Pacific Northwest: The Mythic and the Mystical Prepared by Kara Wagner, Library Volunteer and Traci Timmons, SAM Librarian Resources for Adults: The Dorothy Stimson Bullitt Library Resources are available in the Bullitt Library (Seattle Art Museum, Fifth Floor, South Building). 1. Americans 1942: 18 Artists from 9 States. New York: Museum of Modern Art, 1942. SPCOL N 6512 N4 A6 1942. 2. Art of the Pacific Northwest: From the 1930s to the Present. Washington, DC: Smithsonian Institute Press, 1974. N 6528 W3 N2. 3. The Artist’s Voice: Talks with Seventeen Artists, 235-48. Interview by Katherine Kuh. New York: Harper and Row, 1962. N 6490 K85 A7. 4. Beyond East and West: Memoirs, Portraits, and Essays. Leach, Bernard. New York: Guptill, 1978. NK 4210 L4 B4 1978. 5. A Community of Collectors: 75th Anniversary Gifts to the Seattle Art Museum. Ishikawa, Chiyo, ed. Seattle: Seattle Art Museum, 2008. N745 S4 I84. 6. Contemporary Calligraphers: John Marin, Mark Tobey, and Morris Graves. Wight, Frederick S. Houston: Contemporary Arts Museum, 1956. ND 237 M3 C66. 7. The Eighth Lively Art: Conversations with Painters, Poets, Musicians, and the Wicked Witch of the West. Wehr, Wesley. Seattle: University of Washington Press, 2000. N 6528 W45. 8. The eye burns gold, burns crimson, and fades to ash: Mark Tobey as Critical Anomaly. Freeman, Michael Russell. PhD diss., Indiana University, 2000. ND 237 T6 F84. 9. Feininger and Tobey: Years of Friendship, 1944-1956, the Complete Correspondence. Feininger, Lyonel. New York: Achim Moeller Fine Art, 1991. ND 237 F4 H27. -
2019 Annual Report
2019 ANNUAL REPORT 2019 Annual Report 1 MISSION STATEMENT 3 From the Board The Museum of Northwest Art collects, preserves, interprets, and 4 From the Executive exhibits art created in the Pacific Director Northwest, supports artists, and strives to integrate art into the lives of all people. 5 Board & Staff Exhibitions COLLECTIONS & EXHIBITIONS 6 MoNA collects and exhibits contemporary art from across the 8 Education Northwest, including Alaska, British Columbia, California, Idaho, 9 Testimonials Montana, Oregon and Washington. 10 Volunteers & MoNA Store EDUCATION MoNA’s Education Department 11 Acquisitions & Financials provides an inclusive environment and stimulating programming that supports the development and 12 Supporters expression of all people. 15 Legacy Society Image — CB Bell Media, The Art Legacy of Joan Kirkman exhibition reception, June 2019 2 Museum of Northwest Art FROM THE BOARD At the time of writing, we find ourselves in a very different world. This is a trying time and we have all been affected by what has transpired in the first few months of 2020. There are a couple of changes to the 2019 Annual Report that we would like to make explicitly clear. First, the Board of Trustees chose to forego an independent audit of the Museum’s finances for 2019. Because of its operating budget, the Museum is not required by federal law to undergo an annual audit. The Board chose to realize the cost savings possible through eliminating an expense that was about 2% of the annual operating budget. Instead, we plan to conduct an audit on a triennial or quadrennial schedule. The Board believes this plan to be sustainable, given the detailed oversight that is provided by the Finance Committee. -
1969-Paulhoriuchi.Pdf
• ,. t / "' ,, , • ., , .,. • ,.- .. 4 "" -.rl • ~ .. ' ,. • •• _1 ... ~ ' ·- .. ..• ..- -t • ~ • ... ' ~ " • • ~ " ). • • I A · ~ ., • - i , ,_ , , • ... • :,., • ~ # " ~ ·---- 1- PAUL HORIUCHI: 50 YEARS OF PAINTING MUSEUM OF ART UNIVERSITY OF OREGON EUGENE, OREGON FEBRUARY 4- MARCH 16, 1969 SEATTLE ART MUSEUM VOLUNTEER PARK SEATTLE, WASHINGTON MARCH 27- MAY 4, 1969 LENDERS TO THE EXHIBITION Mr. Ralph D. Anderson Mrs. Miyo Everett Seattle, Washington Seattle, Washington Mr. and Mrs. Fred R. Armbruster Mr. and Mrs. James N . Faber Mercer Island, Washington Seattle, Washington Mrs. G. L. Armbruster Mr. and Mrs. PaulS. Friedlander Lake Stevens, Washington Seattle, Washington Mr. and Mrs. A. Lee Atherton, Jr. Garfield High School Seattle, Washington Seattle, Washington Dr. and Mrs. Lester S. Baskin Mrs. John Graham Tacoma, Washington Seattle, Washington Mrs. Esther Block Mr. and Mrs. Robert H. Hastings Seattle, Washington Piedmont, California Mr. Robert J. Block Mr . and Mrs. Leonard Havl is Seattle, Washington Seattle, Washington Mr. and Mrs. T. William Booth Henry Art Gal lery Seattle, Washington Seattle, Washington Mr. and Mrs. M. Taylor Bowie, Jr. Mr. and Mrs. David T. Hirano Seattle, Washington Sumner, Washington Dr. B. E. Braden Mr. and Mrs. Jon Horiuchi Bellevue, Washington Seattle, Washington Mr. John D. Chichester Mr. Pau I Horiuchi Seattle, Washington Seattle, Washington Mrs. E. G. Chilcutt, Jr. Mr. and Mrs. Paul M. Horiuchi Seattle, Washington Seattle, Washington Mr. and Mrs. Victor L. 0. Chittick Mr. and Mrs. James P. lmpett Seattle, Washington Seattle, Washington Mr. E. B. Clark Mr. and Mrs. Mi ts Katayama Seattle, Washington Seattle, Washington Dr. and Mrs. Daniel H. Coleman Mr. Nathaniel G. Kanrich Kirkland, Washington Seattle, Washington Mr. and Mrs. -
Oral History Interview with Andrew Chinn, 1991 August 9
Oral history interview with Andrew Chinn, 1991 August 9 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Andrew Chinn on August 9, 1991. The interview took place in Seattle, Washington, and was conducted by Matthew Kangas for the Archives of American Art, Smithsonian Institution. Interview [Tape 1, side A] MATTHEW KANGAS: This is Matthew Kangas on August 9, 1991, at 1724 Dawson Street. Okay, Andy, well, we’re continuing . really beginning our interview. I wanted to make sure we get the facts straight about your birth and your birthplace in China. ANDREW CHIN: Right. MATTHEW KANGAS: . and when did that happen? ANDREW CHIN: I was born in Seattle, Washington. MATTHEW KANGAS: Oh! Okay. ANDREW CHIN: I was born in 1915. MATTHEW KANGAS: What date? ANDREW CHIN: June 27. MATTHEW KANGAS: Uh huh. ANDREW CHIN: Yeah. So I’m over seventy-six years old. MATTHEW KANGAS: Do you remember the hospital? ANDREW CHIN: No, in those days, I think they still have, you know, the house, give-birth madames. Or what you call them, you know? MATTHEW KANGAS: A midwife? ANDREW CHIN: Midwife, yes. MATTHEW KANGAS: You were born at home? ANDREW CHIN: I don’t know for sure, but in those days, it’s very common. MATTHEW KANGAS: Well, that’s how my father was born in Minnesota, you know, with the ten children on the farm, and they had a midwife coming in.