Volume 30 July • August 2021 Number 4 W W W . a R T a C C E S S . C
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J O H N L Y S
JOHN LYSAK BORN: 1960 San Francisco, California EDUCATION: 1988 M.F.A., Printmaking, Carnegie Mellon University, Pittsburgh, Pennsylvania 1983 B.A., Fine Arts, Evergreen State College, Olympia, Washington SOLO EXHIBITIONS: 2015 Summer Blues (and other colors), Lisa Harris Gallery, Seattle, Washington 2013 A Sense of Reality, Lisa Harris Gallery, Seattle, Washington 2009 Monotypes: 25 Years, Frans Masereel Centrum, Kasterlee, Belgium 2008 Belgian Monotypes and Other Prints, Lisa Harris Gallery, Seattle, Washington 2008 Solo Award Exhibition, Foundry Art Centre Gallery, The Foundry Art Centre, St. Charles, Montana 2007 Dispair-ity, Mary Moody Northen Hall Formal Gallery, West Texas A&M University, Canyon, Texas 2006-07 Duality, A Digital Dialogue: Recent Prints, Erie Art Museum, Erie, Pennsylvanina 2006 Myths and Melodramas: Recent Monotypes, Lisa Harris Gallery, Seattle, Washington 2006 John Lysak, Printmaker, Erie Art Museum, Erie, Pennsylvania 2005 Mostly Sad Stories Recent Prints by John Lysak, Kiehle Gallery, St. Cloud State University St. Cloud, Minnesota 2002 Monotypes and Lithographs, Lisa Harris Gallery, Seattle, Washington 2001 New Prints, Weyers-Sampson Art Gallery, Thiel College, Greenville, Pennsylvania 1999 Recent Works on Paper, Elzay Gallery, Ohio Northern University, Ada, Ohio 1998 Lisa Harris Gallery, Seattle, Washington Heeschen Art Gallery, Meadville Council on the Arts, Meadville, Pennsylvania Suites, Editions and Unique Impressions, Vashon Gallery, Seattle University, Seattle, Washington 1994 Lisa Harris Gallery, Seattle, -
French Impressionism and the Northwest
Contact: Hillary Ryan, 253.272.4258 ext 3051 [email protected] Tacoma Art Museum presents New Exhibition Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest IMAGES AVAILABLE August 2, 2019 (Tacoma, WA)— Opening on September 28, Tacoma Art Museum will present Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest, a new exhibition that examines how the work of French Impressionists and their immediate precursors made their way into Northwest public and private collections. It also will include selected paintings by American and Northwest artists to illustrate the spread of Impressionism across the country. “The purpose of this exhibition is deeply connected to the same passion that drove the French Impressionists, to transform the way we see,” said David F. Setford, TAM’s Executive Director and curator of this exhibition. “It does this in two ways. First, it puts rarely seen works from TAM’s European art collection into context and allows for an expanded visitor learning opportunity. In addition, it is also the first time that these Impressionist works from museums and private collections in the Northwest have been seen together. It will provide a lasting resource about French Impressionism and its historical impact for curators and collectors in our region and beyond.” Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest was organized and curated by the Tacoma Art Museum, and includes approximately fifty (50) works of art. The exhibition is accompanied by a small publication including essays by Setford and TAM curator Margaret Bullock, as well as an online listing of French Impressionist works currently in Northwest public collections. -
Oral History Interview with Guy Anderson, 1983 February 1-8
Oral history interview with Guy Anderson, 1983 February 1-8 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Interview This transcript is in the public domain and may be used without permission. Quotes and excerpts must be cited as follows: Oral history interview with Guy Anderson, 1983 February 1-8, Archives of American Art, Smithsonian Institution. Oral History Interview with Guy Anderson Conducted by Martha Kingsbury At La Conner, Washington 1983 February 1 & 8 GA: GUY ANDERSON MK: MARTHA KINGSBURY [Part 1] GA: Now that it is spring and February and I suppose it's a good time to talk about great things. I know the sun's out, the caterpillars and things coming out soon; but talking about the art scene, I have been reading a very interesting thing that was sent to me, once again, by Wesley Wehrÿ-- the talk that Henry Geldzahler gave to Yale, I think almost a year ago, about what he felt about the state of the New York scene, and the scene of art, generally speaking in the world. He said some very cogent things all through it, things that I think probably will apply for quite a long time, particularly to those people and a lot of young people who are so interested in the arts. Do you want to see that? MK: Sure. [Break in tape] MK: Go ahead. -
Modernism in the Pacific Northwest: the Mythic and the Mystical June 19 — September 7, 2014
Ann P. Wyckoff Teacher Resource Center Educator Resource List Modernism in the Pacific Northwest: The Mythic and the Mystical June 19 — September 7, 2014 BOOKS FOR STUDENTS A Community of Collectors: 75th Anniversary Gifts to the Seattle Art Museum. Chiyo Ishikawa, ed. Seattle: Seattle Adventures in Greater Puget Sound. Dawn Ashbach and Art Museum, 2008. OSZ N 745 S4 I84 Janice Veal. Anacortes, WA: Northwest Island Association, 1991. QH 105 W2 A84 Overview of recent acquisitions to SAM’s collection, including works by Northwest artists. Educational guide and activity book that explores the magic of marine life in the region. George Tsutakawa. Martha Kingsbury. Seattle: University of Washington Press, 1990. N 6537 T74 A4 Ancient Ones: The World of the Old–Growth Douglas Fir. Barbara Bash. San Francisco: Sierra Club Books for Exhibition catalogue covering 60 years of work of the Children, 2002. QK 494.5 P66 B37 Seattle–born painter, sculptor, and fountain maker. Traces the life cycle of the Douglas fir and the old–growth Kenneth Callahan. Thomas Orton and Patricia Grieve forest and their intricate web of life. Watkinson. Seattle : University of Washington Press; 2000. ND 237 C3 O77 Larry Gets Lost in Seattle. John Skewes. Seattle: Sasquatch Books, 2007. F 899 S44 S5 Overview of the life and work of artist Kenneth Callahan. Pete looks for his dog Larry in Seattle’s famous attractions. Margaret Callahan: Mother of Northwest Art. Margaret Bundy Callahan and Brian Tobey Callahan, ed. Victoria, S Is for Salmon: A Pacific Northwest Alphabet. Hannah BC: Trafford Publising, 2009. ND 237 C19 C35 Viano. -
The Galleries
THE GALLERIES ART at the convention center A SELF-GUIDED TOUR Enriching Your Visit: Taking the Tour The Public Art Program Washington State Convention Center features approximately The Washington State Convention Center (WSCC) public 100 works of art on public display around four levels of its North and South Gallerias. Several other works are located in art program, perhaps the largest of its kind in the nation, its office and convention lobby areas. Areas of the facility that was established to provide an environment that enriches may not be available to the public due to convention- the experience of all who visit the meeting facility. With well related activities are clearly noted. over 100 works on display, art has been a popular feature since the facility opened in 1988. Initially, art was incorporated into This self-guided, self-paced tour booklet was designed to the original building design with assistance from the state’s direct you to the many different areas where artworks are cur- Percent for the Arts Program. Since then, due to a commit- rently on display. A few of the works listed inthis booklet are ment to provide civic benefits to our community, the WSCC has located outside of the WSCC. offered an ever-changing collection, readily accessible at no This self-tour begins on Level 1 just south of the Convention charge to meeting attendees and the general public. Place entrance. The indicated route will direct you back to the south escalators for easy access to the next level. All areas of In 1997, the board established the WSCC Art Foundation at this tour are also accessible by elevator. -
Northwest Modernism & Western Fine Art Thursday June 20Th @ 5:00PM
Northwest Modernism & Western Fine Art Thursday June 20th @ 5:00PM 20% Buyers Premium In-House 25% Buyers Premium Online/Phone (425) 235-6345 SILENT AUCTIONS custom made Northwest Designer Craftsmen tansu chest with four drawers and door with Featuring a Large Silent Auction of metal pulls. Burned in mark on interior of Northwest Art & Native Books! drawer. Some scattered light surface wear. 5 Eames for Herman Miller Rosewood Lounge Lots 1,000’s End @ 8:00PM Chair & Ottoman. A vintage 670 & 671 set with black leather cushions. One of a pair Lot Description being offered. Chair 32''x33.5''x32'' and ottoman 17''x26''x22''. Original labels on 1 George Nakashima Studio Lounge Chair bottom dated Nov. 1 1978. Scattered wear to Rocker with Free Arm 32.5"x31"x34". A leather from use and one leather button is custom walnut rocking lounge chair with missing on chair seat. Overall excellent right free edge arm. Hickory wood spindles. condition. Charles and Ray Eames. Burned in mark on bottom with family name 6 Eames for Herman Miller "Time-Life" Stool on tape. Break to one spindle with scattered 15"x13". A vintage walnut stool or bench. light surface wear. Some light surface wear to top. Overall 2 Nakashima Style Free Edge Walnut Coffee excellent condition. Unmarked. Charles and Table 17.5"x79.5"x35". A long free edge Ray Eames. coffee table with trestle base. Unsigned. 7 Eames for Herman Miller Rosewood Lounge Some scattered light surface wear. From the Chair & Ottoman. A vintage 670 & 671 set same collection as the George Nakashima with black leather cushions. -
Zoe Dusanne Papers Inventory Accession No: 2430-004
UNIVERSITY UBRARIES w UNIVERSITY of WASH INGTO N Spe, ial Colle tions Zoe Dusanne papers Inventory Accession No: 2430-004 Special Collections Division University of Washington Libraries Box 352900 Seattle, Washington, 98195-2900 USA (206) 543-1929 This document forms part of the Guide to the Zoe Dusanne Papers. To find out more about the history, context, arrangement, availability and restrictions on this collection, click on the following link: http://digital.lib.washington.edu/findingaids/permalink/DusanneZoe2430/ Special Collections home page: http://www.lib.washington.edu/specialcollections/ Search Collection Guides: http://digital.lib.washington.edu/findingaids/search ZOE DUSANNE PAPERS Accession No. 2430.::4 GUIDE BIOGRAPHY Born in Kansas in the late 1880s, Zoe Dusanne divided her adult life between Seattle and New York, pursuing her love of art in both places. After living in Seattle from 1915 to 1929, she moved to New York and immersed herself in the world of art and artists. She learned the business side of art by working in a gallery. In 1942 she returned to Seattle. After years of privately building her own collection she opened a gallery in her Lakeview Place home in 1950. Showing modern artists through her contacts in New York and Europe, she also promoted Norjhwest painters, some of whom, including Mark Tobey, achieved world wide renown. Financial problems and displacement by a new freeway (her gallery moved to 532 Broadway East in 1959) made the last years of her professional life difficult. She retired in 1964 and died in Seattle in 1972. CONTENT Zoe Dusanne's interests, friends, and business revolved around the art world. -
Hilda Morris
HILDA MORRIS Born 1911, New York, NY Died 1991, Portland, OR EDUCATION AND AWARDS Cooper Union School of Art and Architecture, New York, NY 1932-34 Arts Students League of New York, NY 1934-35 Study with Comcetta Scaravaglione, New York, NY 1935-36 Ford Foundation Fellowship, one of ten selected 1960 Ninth Annual Governor’s Arts Award, Oregon 1985 ONE-PERSON EXHIBITIONS The Laura Russo Gallery, Portland, OR 1988, 2006 “Hilda Morris: A Retrospective,” Portland Art Museum, Portland, OR 2006 Foster/White Gallery, Seattle, WA 1990 The Ochi Fine Art Gallery, Boise, ID 1988 The Kraushaar Gallery, New York, NY 1987 The Portland Art Museum, OR 1946, 1955, 1972, 1974, 1977, 1984 The Fountain Gallery of Art, Portland, OR 1961, 1962, 1964, 1971, 1974, 1980, 1984 Woodside/Braseth Gallery, Seattle, WA 1968, 1972, 1975, 1978, 1981, 1987 Reed College, Portland, OR 1969, 1972, 1980 Gordon Woodside Galleries, Seattle, WA 1967, 1968, 1972, 1978 Triangle Gallery, San Francisco, CA 1974, 1976 University of Rochester Memorial Art Gallery, Rochester, NY 1976 Museum of Art, Tacoma, WA 1970 Albina Art Center, Portland, OR 1969 Salt Lake Art Center, UT 1963 University of Puget Sound, Tacoma, WA 1961 Otto Seligman Gallery, Seattle, WA 1955, 1957, 1960 Barone Gallery, New York, NY 1958 University of Oregon Museum of Art, Eugene, OR 1947 GROUP EXHIBITIONS “In Passionate Pursuit: The Arlene and Harold Schnitzer Collection and Legacy,” Portland Art Museum, 805 NORTHWEST TWENTY-FIRST AVE., PORTLAND, OR 97209 (503) 226-2754 HILDA MORRIS page 2 Portland, OR 2014-2015 “Creating the New Northwest: Selections from the Herb and Lucy Pruzan Collection,” Tacoma Art Museum, Tacoma, WA 2013 “Living Legacies: JSMA at 80,” Jordan Schnitzer Museum of Art, University of Oregon, Eugene, OR 2013 “Early Northwest Artists: Works from Estates and Private Collections,” The Laura Russo Gallery, Portland, OR 2013 “Provenance: In Honor of Arlene Schnitzer,” Jordan Schnitzer Museum of Art, Univ of Oregon, Eugene, OR 2012 “Museion,” Douglas F. -
Press Release Embargoed Until 12:01 Am Pst, January 14, 2016
PRESS RELEASE EMBARGOED UNTIL 12:01 AM PST, JANUARY 14, 2016 Media contacts: Libby Mark or Heather Meltzer, 347-460-5566, [email protected] Julianna Verboort, 253-272-4258 x3011 or [email protected] BENAROYA COLLECTION GIFTED TO TACOMA ART MUSEUM Legacy Gift Comprises 225 Works of Studio Art Glass, Paintings, and Sculptures by Northwest and International Artists Gift Includes Funds for New Wing to be Designed by Tom Kundig, Endowment for Collection Care, and Curatorial Position Preview of the Collection to go on View in October 2016 Tacoma, WA —Tacoma Art Museum (TAM) announced today that Becky Benaroya has bequeathed the collection that she and her late husband Jack Benaroya carefully assembled during their 70 years of marriage. The collection of 225 works includes Northwestern and international studio art glass along with important paintings and sculptures by renowned regional artists. The gift, announced on Mrs. Benaroya’s 93rd birthday, includes a contribution for the construction of a new 7,390 square-foot gallery addition in which to present the collection, an endowment fund for its care, and funds for a dedicated curator. The contribution to support the gift totals nearly $14 million. TAM’s expanding collection further establishes the Pacific Northwest as the nation’s art glass epicenter. The new wing will be designed by award-winning architect Tom Kundig of Seattle-based Olson Kundig and is projected to open in fall 2018. It will house 5,700 square feet of gallery space, in addition to 1,690 square feet for public facilities and support functions. Tom Kundig successfully completed TAM’s Haub Family Galleries in November 2014. -
Show of Hands
Show of Hands Northwest Women Artists 1880–2010 Maria Frank Abrams Ruth Kelsey Kathleen Gemberling Adkison Alison Keogh Eliza Barchus Maude Kerns Harriet Foster Beecher Sheila Klein Ross Palmer Beecher Gwendolyn Knight Susan Bennerstrom Margot Quan Knight Marsha Burns Margie Livingston Margaret Camfferman Helen Loggie Emily M. Carr Blanche Morgan Losey Lauri Chambers Sherry Markovitz Doris Chase Agnes Martin Diem Chau Ella McBride Elizabeth Colborne Lucinda Parker Show of Hands Northwest Women Artists 1880–2010 Claire Cowie Viola Patterson Louise Crow Mary Ann Peters Imogen Cunningham Susan Point Barbara Matilsky Marita Dingus Mary Randlett Caryn Friedlander Ebba Rapp Anna Gellenbeck Susan Robb Virna Haffer Elizabeth Sandvig Sally Haley Norie Sato Victoria Haven Barbara Sternberger Zama Vanessa Helder Maki Tamura Karin Helmich Barbara Earl Thomas Mary Henry Margaret Tomkins Abby Williams Hill Gail Tremblay Anne Hirondelle Patti Warashina Yvonne Twining Humber Marie Watt Elizabeth Jameson Myra Albert Wiggins Fay Jones Ellen Ziegler Helmi Dagmar Juvonen whatcom museum, bellingham, wa contents This book is published in conjunction with the 6 Foreword exhibition Show of Hands: Northwest Women Artists 1880–2010, organized by the Whatcom Patricia Leach Museum and on view from April 24–August 8, 2010. Funding for the exhibition and the 8 Acknowledgments accompanying catalogue was supported in part with funds provided by the Western 10 A Gathering of Women States Arts Federation (WESTAF) and the Barbara Matilsky National Endowment for the Arts (NEA). The City of Bellingham also generously funded the 52 Checklist of the Exhibition catalogue. Additional support was provided by the Washington Art Consortium (WAC). Published in the United States by 55 Bibliography Whatcom Museum 56 Photographic Credits © 2010 by the Whatcom Museum 121 Prospect Street Bellingham, WA 98225 The copyright of works of art reproduced in www.whatcommuseum.org 56 Lenders to the Exhibition this catalogue is retained by the artists, their heirs, successors, and assignees. -
View Brochure (PDF)
A NORTHWEST SUMMER MAY 4–OCTOBER 15, 2006 6 EXHIBITIONS * 1 CELEBRATION A NORTHWEST SUMMER Public Opening Celebration Saturday, May 6, 10 a.m.–5 p.m. The Northwest offers a great way of life and remarkable history that deserves to be appreciated in a big way. Our special exhibit, A Northwest Summer, will do just that. To kick off the tribute, we’re hosting a fusion of art activities and entertainment that contribute to making this region special. Come join the celebration—enjoy an art activity, watch an Asian art demonstration, listen to live music and shop the eclectic, uniquely Northwest crafts of “I Heart Rummage.” For more information, check out seattleartmuseum.org. Director’s Welcome As we look forward—to the opening of above: Trimpin, U.S.A., born Germany 1951, drawing for Picnics, Rhythms and Vacations installation, 2006; cover: Trimpin, The Orange Piano, Lake Union, the Olympic Sculpture Park this fall and Seattle, 2003. Photo: Theo Bernardi. In this work, a hydrophone records underwater sound pollution, creating an audio signal, which becomes information played automatically by the piano. to the re-opening of the expanded downtown museum next spring—we have naturally looked back, reflecting on the amazing seventy-five years of growth that Trimpin: Picnics, Rhythms and Vacations the Seattle Art Museum has experienced. August 8–October 15, 2006 Milestones of that history are noted in the timeline, putting the past in context for Picnics, Rhythms and Vacations, 2006, a new installation by musician, sculptor and composer Trimpin, the celebrations in Volunteer Park this will be presented at the Seattle Asian Art Museum. -
2316-001 Wesley Wehr Papers Inventory Accession
UNlVERSllY U BRARIJES w UNIVERSITY of WASHI NGTON Spe ial Colle tions 2350 Wesley Wehr papers Inventory Accession No: 2316-001 Special Collections Division University of Washington Libraries Box 352900 Seattle, Washington, 98195-2900 USA (206) 543-1929 This document forms part of the Guide to the Wesley Wehr Papers. To find out more about the history, context, arrangement, availability and restrictions on this collection, click on the following link: http://digital.lib.washington.edu/findingaids/permalink/WehrWesley2316/ Special Collections home page: http://www.lib.washington.edu/specialcollections/ Search Collection Guides: http://digital.lib.washington.edu/findingaids/search WESLEY C. WEHR PAPERS ACCESSION No, 2316 - 2316-36 INVENTORY 1987 UNIVERSITY OF WASHINGTON LIBRARIES MANUSCRIPTS AND UNIVERSITY ARCHIVES DIVISION WESLEY WEHR Accession No. 2316 to 2316-1 TABLE OF CONTENTS PART I Personal Papers of Wesley Wehr 1 PART II Personal Papers of Wesley Wehr (Restricted) 8 PART III Papers of Others, Collected by Wehr 8 PART IV Papers of Others, Collected by Wehr (Restricted) 11 PART V Paleobotanical Material of Wesley Wehr 12 PART VI Paleobotanical Material of Others, Collected by Wehr 13 Name Index 15 .- WESLEY C. WEHR Accession No. 2316 to 2316-36 GUIDE Wesley Wehr is a painter, paleobotanist, correspondent, autograph collector, friend and champion of Northwest artists. He was born in 1929 in Everett, Washington, and grew up in Seattle. He attended Queen Anne High School and the University of Washington, where he studied musical composition and earned a bachelor's (1951) and a master's (1953) degree. While a student at the University, Wehr became acquainted with Mark Tobey when, for a short period, he instructed Tobey in musical composition.