Oral History Interview with George Tsutakawa, 1983 September 8-19
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Graphic Recording by Terry Laban of the Global Health Matters Forum on March 25, 2020 Co-Hosted by Craftnow and the Foundation F
Graphic Recording by Terry LaBan of the Global Health Matters Forum on March 25, 2020 Co-Hosted by CraftNOW and the Foundation for Advancement of International Medical Education and Research With Gratitude to Our 2020 Contributors* $10,000 + Up to $500 Jane Davis Barbara Adams Drexel University Lenfest Center for Cultural Anonymous Partnerships Jeffrey Berger Patricia and Gordon Fowler Sally Bleznack Philadelphia Cultural Fund Barbara Boroff Poor Richard’s Charitable Trust William Burdick Lisa Roberts and David Seltzer Erik Calvo Fielding Rose Cheney and Howie Wiener $5,000 - $9,999 Rachel Davey Richard Goldberg Clara and Ben Hollander Barbara Harberger Nancy Hays $2,500 - $4,999 Thora Jacobson Brucie and Ed Baumstein Sarah Kaizar Joseph Robert Foundation Beth and Bill Landman Techné of the Philadelphia Museum of Art Tina and Albert Lecoff Ami Lonner $1,000 - $2,499 Brenton McCloskey Josephine Burri Frances Metzman The Center for Art in Wood Jennifer-Navva Milliken and Ron Gardi City of Philadelphia Office of Arts, Culture, and Angela Nadeau the Creative Economy, Greater Philadelphia Karen Peckham Cultural Alliance and Philadelphia Cultural Fund Pentimenti Gallery The Clay Studio Jane Pepper Christina and Craig Copeland Caroline Wishmann and David Rasner James Renwick Alliance Natalia Reyes Jacqueline Lewis Carol Saline and Paul Rathblatt Suzanne Perrault and David Rago Judith Schaechter Rago Auction Ruth and Rick Snyderman Nicholas Selch Carol Klein and Larry Spitz James Terrani Paul Stark Elissa Topol and Lee Osterman Jeffrey Sugerman -
Seattle City Map 1 Preview
sseattle-cm-set1.indd 1 Q e A B CDE F G H J K L M N O P a t N N t N N l E e N e Legend N 0500mN S E - N e t c N# 00.25miles N 43rd St University of e e e v m Av N 43rd St N 43rd St y NE v U DISTRICT E l N Seattle Ave M NE e ve A NE NE 43rd St Washington E NE d N - t t Av n Av NE Top Sight Short List i s A N e n s d N o n e dN y l Wa e n 5 ay VU ve NE W e N e s o o va o i e vd NE R t o t L v N Motor Pl Park Ave N a 1 Routes t c ve Nve w n e s y l e . NE 42nd St m y h Av h n e lyn Ave Ave lyn N n B n n i a l i E n l Stone Way Tollway a e a r e i a A a 8thAve 7t r d 9th A y r W elt e N e D v ke Bl ord Ave k r v d F F ide Ave Freeway l r Ph W Winslow P Salmon E 99 N 42nd St N 42nd St e äb e Av 15th O Memoria s 1 P NE11th Ave 1 G A Quad 12th Ave N a r d y stern Ave N sev Primary Rd Bay N Brook n 1 y NE 42nd St Burke Ave a e A N 42nd St N P Corliss A NW 42nd N NW 42nd St n St Ea v nn Secondary Rd e W e Woodland AshworthA ve Montla Woodlawn Ave N Roo d NE Tertiary Rd Wallingf Su N NE A Henry Art a e W s NE 41st St Gallery Lane a ra ra N 41st St N 41st University of Washington 513 o St P `ß Path NW 41st St AveNE r A N 41st St AVisitor Center Pedestrian St/Steps 4th Ave NE 1st Ave NE Au W nsmore Ave N 5th 5th 2nd Ave N A e N Central Plaza N 41st St NE Campus Pkwy e D Latona Av e NE 4 A Transport AveN 0th St (Red Square) Suzzall o NW 40th St v Av cific St n n a A P Airport N 40th St N Library n NE 40th St d e Bus r NE 40th St Rainier St e') A NW 40th d N 40th St tma 3 N -
2015 Spring Commencement 3 Best Wishes from the President
CROWN 422 ALMA MATER Washington, my Washington, the Crimson and the Gray! CROWN 790 ‘Tis the song of memory that we sing today. When the sad hours come to you and sorrows ’round you play, Just sing the songs of Washington, the Crimson and the Gray! Just sing the songs of Washington, the Crimson and the Gray! SPRING COMMENCEMENT SATURDAY, MAY NINTH Celebrating ONE HUNDRED NINETEENTH ANNUAL SPRING COMMENCEMENT SATURDAY, MAY 9, 2015 BEASLEY COLISEUM WASHINGTON STATE UNIVERSITY PULLMAN, WASHINGTON Commencement Mission Statement Commencement at Washington State University represents the culmination of a student’s academic achievement. It is a time for celebration and reflection for students, families, faculty, and staff. It brings together the campus community to share the joy of the accomplished goals of our students. The commencement ceremony at Washington State University serves a dual purpose: to mark a point of achievement, thus completing a chapter in the lives of students and those who support them, and to encourage continued pursuit of learning, personal fulfillment, and engagement with their local and worldwide communities. P hot o: WS U campus , Thompso n Hall and Brya n Cloc k Tow er in foregr ound Contents 148526 4/15 TABLE OF CONTENTS Best Wishes from the President 4 President’s Ceremonial Stole and Chain of Offce 5 Best Wishes from the Faculty Senate and Administrative Professional Advisory Council Chairs 6 Greetings from the GPSA, ASWSU, and ASWSU Global Presidents 7 Order of Exercises 8:00 a m Ceremony 8 College of Arts and -
02 Pike Place Market
The Market as Organizer of an Urban CommunitY Pike Place Market, Seattle The Pike Place Market, which climbs a steep hillside not far.above the Seattle waterfront (fig. 2-1), is one of America's great urban places. Some people, hearing its name without ever having been there, might think the Pike Place Market won the Rudy Bruner Award for Excellence in the Urban Environment because it is a "festival marketplace." They would be wrong, and it is worth pointing out why. The places that developers call festival markets are shopping centers that offer food and goods in an entertaining urban setting. Festival markets have wonderful aromas, public performers, and lots of small shops. They typically have interesting views. And all these things can be found at Pike Place, which is certainly festive. But the differences between Pike Place and a festival market are profound. Unlike festival markets, the Pike Place Market is a place where people live as well as shop. Some of Pike Place's inhabitants are wealthy, but a gleater number are poor or of moderate income; they occupy new or rehabilitated apartments mainly because an effort was made to obtain government subsidies. The chain merchants that operate in festival mar- kets are not allowed at Pike Place; on the contrary, Pike Place strives to rely on independent enterprises whose owners are on the premises, making their concerns and their personalities felt. Although there are plenty of restaurants and take-out food stands at Pike Place, just as in a festival market, much of the food at Pike Place comes in a basic, less expensive form-raw, forhome consumption. -
Oral History Interview with Edward B. Thomas, 1983 April 28-May 10
Oral history interview with Edward B. Thomas, 1983 April 28-May 10 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Edward B. Thomas on April 28 & May 10, 1983. The interview took place in Seattle, Washington, and was conducted by John Olbrantz for the Archives of American Art, Smithsonian Institution. Interview DATE: APRIL 28, 1983 [Tape 1] JOHN OLBRANTZ: Ed, can you tell me a little bit about your background, where you were born, your early childhood experiences, your parents, who your father was, who your mother was, how they came to live in this part of the country? EDWARD THOMAS: Well, I was born in Cosmopolis, Washington, and many times when I've come through customs, when I was much younger and especially at the Mexican border, they would say, "Where were you born?" and I'd say, "Cosmopolis, Washington," they'd say, "Look, bud! Don't get funny with us." (laughter) But there actually is such a place as Cosmopolis, Washington. Nobody had any particular influence upon me, I would say, in my younger years as far as becoming interested in art, and particularly teaching art. I had a very severe illness when I was four and five years old and was confined to bed a lot, and so people brought me tablets and color crayons and pencils and stuff like that. -
J O H N L Y S
JOHN LYSAK BORN: 1960 San Francisco, California EDUCATION: 1988 M.F.A., Printmaking, Carnegie Mellon University, Pittsburgh, Pennsylvania 1983 B.A., Fine Arts, Evergreen State College, Olympia, Washington SOLO EXHIBITIONS: 2015 Summer Blues (and other colors), Lisa Harris Gallery, Seattle, Washington 2013 A Sense of Reality, Lisa Harris Gallery, Seattle, Washington 2009 Monotypes: 25 Years, Frans Masereel Centrum, Kasterlee, Belgium 2008 Belgian Monotypes and Other Prints, Lisa Harris Gallery, Seattle, Washington 2008 Solo Award Exhibition, Foundry Art Centre Gallery, The Foundry Art Centre, St. Charles, Montana 2007 Dispair-ity, Mary Moody Northen Hall Formal Gallery, West Texas A&M University, Canyon, Texas 2006-07 Duality, A Digital Dialogue: Recent Prints, Erie Art Museum, Erie, Pennsylvanina 2006 Myths and Melodramas: Recent Monotypes, Lisa Harris Gallery, Seattle, Washington 2006 John Lysak, Printmaker, Erie Art Museum, Erie, Pennsylvania 2005 Mostly Sad Stories Recent Prints by John Lysak, Kiehle Gallery, St. Cloud State University St. Cloud, Minnesota 2002 Monotypes and Lithographs, Lisa Harris Gallery, Seattle, Washington 2001 New Prints, Weyers-Sampson Art Gallery, Thiel College, Greenville, Pennsylvania 1999 Recent Works on Paper, Elzay Gallery, Ohio Northern University, Ada, Ohio 1998 Lisa Harris Gallery, Seattle, Washington Heeschen Art Gallery, Meadville Council on the Arts, Meadville, Pennsylvania Suites, Editions and Unique Impressions, Vashon Gallery, Seattle University, Seattle, Washington 1994 Lisa Harris Gallery, Seattle, -
Oral History Interview with Guy Anderson, 1983 February 1-8
Oral history interview with Guy Anderson, 1983 February 1-8 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Interview This transcript is in the public domain and may be used without permission. Quotes and excerpts must be cited as follows: Oral history interview with Guy Anderson, 1983 February 1-8, Archives of American Art, Smithsonian Institution. Oral History Interview with Guy Anderson Conducted by Martha Kingsbury At La Conner, Washington 1983 February 1 & 8 GA: GUY ANDERSON MK: MARTHA KINGSBURY [Part 1] GA: Now that it is spring and February and I suppose it's a good time to talk about great things. I know the sun's out, the caterpillars and things coming out soon; but talking about the art scene, I have been reading a very interesting thing that was sent to me, once again, by Wesley Wehrÿ-- the talk that Henry Geldzahler gave to Yale, I think almost a year ago, about what he felt about the state of the New York scene, and the scene of art, generally speaking in the world. He said some very cogent things all through it, things that I think probably will apply for quite a long time, particularly to those people and a lot of young people who are so interested in the arts. Do you want to see that? MK: Sure. [Break in tape] MK: Go ahead. -
Press Release for Editing
Moderne Gallery Is Making A Move! - as always...looking forward, taking the lead ---- From Old City to Port Richmond, Philadelphia, in January 2019 Moderne Gallery, recognized internationally as the prime gallery for studio craft furniture, and as the leading Nakashima dealer in the world, is moving to a new center for high end design, art and antiques in the Port Richmond section of Philadelphia, as of January 2019. The new showroom is not open to the public as of yet, but can be visited by appointment only. It is set to open in the Spring of 2019. Moderne Gallery will be the first tenant in the Showrooms at 2220, a newly restored former mill at 2220 East Allegheny Avenue, (Port Richmond) Philadelphia, PA 19134. The 100,000 square-foot building is owned and managed by Jeffrey Kamal and Joe Holahan, co-owners of Kamelot Auction Company, which holds its auctions and has its offices in the building. "We are not downsizing, or giving up our showroom concept with special exhibitions," says Moderne Gallery founder/director Robert Aibel. "And certainly we will continue to build our business through internet sales." Joshua Aibel, Robert's son, is now co-director of Moderne Gallery and helping to develop this combination of sales concepts. "We see this as an opportunity to move to a setting that presents a comprehensive, easily accessible major art, antiques and design center for our region, just off I-95," says Josh Aibel. "The Showrooms at 2220 offer an attractive new venue with great showroom spaces and many advantages for our storage and shipping requirements." Moderne Gallery's new showrooms are being designed by the gallery's longtime interior designer Michael Gruber of Philadelphia. -
Modernism in the Pacific Northwest: the Mythic and the Mystical June 19 — September 7, 2014
Ann P. Wyckoff Teacher Resource Center Educator Resource List Modernism in the Pacific Northwest: The Mythic and the Mystical June 19 — September 7, 2014 BOOKS FOR STUDENTS A Community of Collectors: 75th Anniversary Gifts to the Seattle Art Museum. Chiyo Ishikawa, ed. Seattle: Seattle Adventures in Greater Puget Sound. Dawn Ashbach and Art Museum, 2008. OSZ N 745 S4 I84 Janice Veal. Anacortes, WA: Northwest Island Association, 1991. QH 105 W2 A84 Overview of recent acquisitions to SAM’s collection, including works by Northwest artists. Educational guide and activity book that explores the magic of marine life in the region. George Tsutakawa. Martha Kingsbury. Seattle: University of Washington Press, 1990. N 6537 T74 A4 Ancient Ones: The World of the Old–Growth Douglas Fir. Barbara Bash. San Francisco: Sierra Club Books for Exhibition catalogue covering 60 years of work of the Children, 2002. QK 494.5 P66 B37 Seattle–born painter, sculptor, and fountain maker. Traces the life cycle of the Douglas fir and the old–growth Kenneth Callahan. Thomas Orton and Patricia Grieve forest and their intricate web of life. Watkinson. Seattle : University of Washington Press; 2000. ND 237 C3 O77 Larry Gets Lost in Seattle. John Skewes. Seattle: Sasquatch Books, 2007. F 899 S44 S5 Overview of the life and work of artist Kenneth Callahan. Pete looks for his dog Larry in Seattle’s famous attractions. Margaret Callahan: Mother of Northwest Art. Margaret Bundy Callahan and Brian Tobey Callahan, ed. Victoria, S Is for Salmon: A Pacific Northwest Alphabet. Hannah BC: Trafford Publising, 2009. ND 237 C19 C35 Viano. -
2016 Annual Report
MoNAMuseum of Northwest Art 2016 ANNUAL REPORT Annual Report 2016 D.indd 24 9/25/17 11:07 AM 3 From the President MISSION STATEMENT 4 Board & Staff The Museum of Northwest Art connects people with the art, diverse cultures and environments of the Northwest. 5 Exhibitions Visitor Testimonials VISION STATEMENT 10 The Museum of Northwest Art enriches lives in our diverse community by fostering essential 11 Acquisitions conversations and encouraging creativity through exhibitions and educational activities that explore the art of the Northwest. 12 MoNA Store COLLECTIONS & EXHIBITIONS 13 Education MoNA collects and exhibits contemporary art from across the Northwest, including Alaska, British Columbia, California, Idaho, Montana, Oregon and Washington. 15 Year in Review 17 Supporters 22 Volunteers Annual Report 2016 D.indd 1 9/25/17 11:07 AM 17,283 visits 42,866 website visits 100% visited for free 427 155 members volunteers 1,404 32 students visited with permanent collection 76 school tours acquisitions monamuseum.org 2 Annual Report 2016 D.indd 2 9/25/17 11:07 AM FROM THE PRESIDENT It is my great pleasure to share with you some of the successes achieved in 2016, made possible by your generous support. Because of you, more members of our community have experienced Northwest art in all of its facets through museum visits, program participation, and attendance at MoNA events and celebrations. MoNA’s commitment to providing free museum admission has fostered a broader and more engaged audience, making the museum accessible to more first-time visitors than ever before. MoNA, with your support, continues to fund significant investments in programming and collections. -
Oral History Interview with George Tsutakawa [Videorecording]
Oral history interview with George Tsutakawa [videorecording] Funding for this interview was provided by Warner Communications. Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 General............................................................................................................................. 2 Scope and Contents........................................................................................................ 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Oral history interview with George Tsutakawa AAA.tsutak87 Collection Overview Repository: Archives of American Art Title: Oral history interview with George Tsutakawa Identifier: AAA.tsutak87 Date: 1987 June 26-27 Creator: Tsutakawa, George Tsutakawa, -
Report on Designation Lpb 216/01
REPORT ON DESIGNATION LPB 216/01 Name and Address of Property: Lake City Library 12501 28th Ave. NE Legal Description: Kenwood Division No. 2, Block 7, Lots 6,7,8,9 and 10 At the public meeting held on June 6, 2001, the City of Seattle's Landmarks Preservation Board voted to approve designation of the Lake City Library as a Seattle Landmark based upon satisfaction of the following standards for designation of SMC 25. 12.350: D. It embodies the distinctive visible characteristics of an architectural style, or period, or of a method of construction. E. It is an outstanding work of a designer or builder STATEMENT OF SIGNIFICANCE Note: An overview of the public library movement and the role of that institution in the United States, a brief history of the Seattle Public Library, and a summary of the economic, social and political history of the city in the 1960s are provided in the landmark nomination of the Central Library. An overview of Modern architecture in Seattle is also reviewed in that document. As the Central Library and the branches, such as the Lake City Library, are individual buildings and elements in a system, they share this history. Historic Context of Lake City Lake City is a large area of northeast Seattle that developed primarily after World War II during the auto-oriented suburban expansion of the City. The 4.5 square mile area is bounded by Lake Washington on the east, 15th Avenue Northeast on the west, and on the north by the City limits along Northeast 145th Street (State Highway No.