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July/Aug/Sept 2014 TM Volume 23 JULY • AUGUST • SEPTEMBER 2014 Number 3 www.artaccess.com Feature A R T A C C E S S THE MONTHLY GUIDE TO THE ARTS V o l u m e 2 3 N u m b e r 3 CONTENTS FEATURE Write of Way s For D. …Mary Lou Sanelli 5 VISUAL ART Listings Portland, OR 8 Anacortes, WA 8 Bainbridge Island, WA 9 Bellevue, WA 12 Bellingham, WA 12 Edison, WA 13 Edmonds, WA 13 Everett, WA 13 Friday Harbor, WA 14 Kingston, WA 14 Romson Regarde Bustillo • “My Sister” Kirkland, WA 15 serigraph La Conner, WA 15 Bainbridge Island Museum of Art Mercer Island, WA 15 Bainbridge Island, WA Port Orchard, WA 16 “One eye sees, the other feels.” Port Townsend, WA 16 ~ Paul Klee Poulsbo, WA 18 Puyallup, WA 18 Swiss German Painter (1879-1940) Seattle, WA • Ballard 18 FRONT COVER: • Belltown 19 Max Grover • “Full Sail” • Columbia City 19 collage and acrylic on board • Downtown 20 Bainbridge Island Museum of Art • First Hill 22 Bainbridge Island, WA • Georgetwon 23 Bainbridge Island Museum of Art • Pioneer Square 23 Through September 20: • Queen Anne 28 • South Lake Union 28 Max Grover: Hunter, Gatherer, Painter • University District 28 • West Seattle 29 Jenny Andersen: Offerings Tacoma, WA 29 Romson Regarde Bustillo: Dugay na Vashon Island, WA 31 CALL TO ARTISTS 31 Fred Lisaius: Terra Sublime EVENT 31 Ongoing: MAPS Maps Heikki Seppa: Master Metalsmith Bainbridge Island, WA 11 Kirkland, WA 14 You Can Judge a Book by its Cover Seattle, WA: International Designer Book Bindings • Belltown 18 • Downtown 20 BAINBRIDGE ISLAND MUSEUM OF ART • Pioneer Square 24 100 Ravine Lane NE • (206) 842-4451 Tacoma, WA 29 Daily: 10 A.M.-6 P.M. • Free Admission P u b l i s h e r [email protected] Debbi Lester w w w . biartmuseum . o r g Special Thanks Art Access Helen Johanson, Greg Miller, Karen Stanton, (888) 970-9991 Gregory Hischak, Elizabeth Bryant, Reed Bargren, [email protected] Alec Clayton, Deloris Tarzan Ament, Sean Carman, Gwen Wilson, Cheryl H. Hahn, Box 4163, Seattle, WA 98194 Ron Glowen, Susan Platt, Adriana Grant, Katie Kurtz, Molly Rhodes, Clare McLean, David John Anderson, Oct/Nov/Dec info is due Sept 12 Milton Freewater, Molly Norris, Rachella Anderson, No Exceptions! “Off with your head!” Kathy Cain, Eleanor Pigman, Saylor Jones, Edie Everett, Tammy Spears, Meg McHutchison, Erica Applewhite, Listing in Art Access is a paid service. Chris Mitchell, Ron Turner, Mitchell Weitzman, The charge for 60 word listing per month is Steve Freeborn & Tia Matthies, Bill Frisell & Carole d’Inverno, Seattle Art Museum, Tacoma Art Museum, Henry Art Gallery, $35 or $39 with map placement, if available. Portland Art Museum, Schack Art Center, Frye Art Museum, The Initial map placement fee is $28. Bainbridge Island Museum of Art, Allied Arts of Whatcom, Bellevue Arts Museum, Museum of Northwest Art, Image(s) above the listing: $100 each. Limit 3. Doris Lester, Teresa Cassady (Happy Birthday!), Joey Lester, Danny Lester, Debbie & Richard Vancil, Submission and payment are done online: Corbin, Madeline, Cayden (Happy Birthday!), www.artaccess.com/submitprintad & Ryan (Happy Birthday!) www.artaccess.com © JULY • AUG • SEPT 2014 3 For D. I guess it would be easier to write about something else today. of Way Write Problem is, I can’t. My friend D. died last week. D.’s been struggling for years. And, well, he just couldn’t struggle any longer. And I’ve delayed too long trying to find the words to say at his service. I consider myself a seasoned performer, but the responsibility of paying him proper tribute scares me to death. Oh! Maybe I should find another way to say that. But, wait, D. would have laughed. And that’s what matters. So I’m going to sit down and tell a story about one of my favorite dance friends. The last time I saw him, he’d been working on a piece to set on a company somewhere in California. Santa Cruz, I think he said. I mostly remember the look in his eyes. A look that refuses to remember how difficult setting a piece is because we are more passionate about the process of choreography than performance. We used to joke that being a choreographer is like giving birth for other “girls.” If we remembered the pain, we’d never go near a studio again. Anyway, after he left, I could have called to see how things were going, but it was more fun to speculate, and hear about it later, once we were sitting in our favorite café, cupping a glass of Pinot Noir, when everything he said was a little more accentuated and a little less exciting than what he’d actually been through. Which, of course, is the point of Pinot Noir. “Do you remember the year we took our bows to ‘I Want to Dance with Somebody’?” I said to D. He winced, clearly still troubled by what happened to Whitney Houston in the end. “Never bring that up again.” Anyway, here’s what I need to say: When D. performed a solo, he had the heart and the energy to make his audience feel what was percolating not just inside him, but inside them. To watch D. perform was like eyeing a natural phenomenon. “You’re amazing!” I yelled to him once, over the roar of the audience. I was waiting in the wings, standing there in my Capezio Camisole Empire Dress, trying not to bump into him as he came flying off stage. But there was no way to avoid him, his enthusiasm was that big. “I know!,” he shouted back, and then he ran back out to take another bow. He was on fire that night. And giving so much, but not overdoing, is a difficult balance. Most of us have to fight against presenting ourselves a little shyly on opening night, feeling too nervous to really go for it. But from the moment the lights came up, D. would absolutely grab you. And the golden rule of performance is that it has to grab you. Like me, dancing was just the biggest part of the image D. had of himself from the very beginning. We argued about costuming, never important to D. It’s not what he wants people to focus on. “I’m trying to hide our flaws,” I said, “costuming will help knit the dropped stitches together.” “No it won’t,” he snapped back. “A gussied up mistake is still a mistake, angel.” One other thing comes to mind: What D. and I shared was being wholly involved in, and fascinated by, our work, a luxury not everyone can boast. And there are days I like to imagine what this world would be like if everyone was able to work this way. Even for just one stage of their life. Mary Lou Sanelli First published in City Living Seattle. Visit Mary Lou Sanelli’s website at www.marylousanelli.com www.artaccess.com © JULY • AUG • SEPT 2014 5 (L-R) “Seeds of Time” director (L-R) Historian Kathy Kleiman and artist Terry Furchgott (L-R) beloveds Sandy McLeod, Dr. Cary Fowler, and Director Kate KcMahon created stands next to her painting and Jessica entomologist Dr. Pamela Anderson “The Computers” documentary Lisa Harris Gallery • Seattle, WA Bainbridge Island Seattle International Film Festival Seattle International Film Festival (L-R) singer Aurora Josephson with her parents, artist Alan Fulle stands next to his art artist Chris artists Mary Josephson and Gregory Grenon Traver Gallery • Seattle, WA Greg Kucera Traver Gallery • Seattle, WA artist Carmen Vetter stands beside her artwork (L-R) Film Editor Michael Foster, Film Directors aritst Calvin Ma Traver Gallery • Seattle, WA Eric Gladen & Shiloh Levine attend the screening Abmeyer + Wood Fine of their documentary, “Trace Amounts” Seattle International Film Festival artist Jenny Fillius with her artwork (L-R) artists/beloveds Ries Niemi and Sheila Klein artist Paula Maratea Gallery4Culture • Seattle, WA stand nex to Klein’s work Gallery 110 Punch Gallery • Seattle, WA 6 Dawn P. Endean with herwww.artaccess.com artwork artist Joyce © GehlJULY stands • AUG next to •her SEPT painting 2014 artist Kenna Moser Shift Gallery • Seattle, WA Patricia Rovzar Gallery • Seattle, WA Patricia Rovzar Gallery James Arrabito (L-R) artists Carole d’Inverno artist Scott Mayberry artist Laurence Landois Pavish and Juan Alonso stands with his painting with her artwork Museum of Art Juan Alonso Studio Core Gallery • Seattle, WA ROOM 104 Gallery • Seattle, WA Seattle, WA Engman with his art architect/artist Johnpaul Jones artist Carole d’Inverno with her painting Gallery • Seattle, WA with his painting Gallery IMA • Seattle, WA Bainbridge Arts & Crafts • Bainbridge Island, WA with sculpture artist Randy Beckelheimer with his painting artist Marita Dingus with her sculpture Art Gallery • Seattle, WA Abmeyer + Wood Fine Art Gallery • Seattle, WA Abmeyer + Wood Fine Art Gallery • Seattle, WA next to her painting (L-R) Gayle Podrabsky, John Forsen, artist artist Anne Siems with her painting • Seattle, WA Terry Turrell, and Susan Grover Grover/Thurston Gallery • Seattle, WA Grover/Thurston Gallery • Seattle, WA with her art www.artaccess.comartist Kevin Wilson stands with © aJULY grouping • AUG • SEPT(L-R) 2014artist Richard Jesse Watson 7 • Seattle, WA of his encaustic paintings with his beloved wife Susi Watson ROOM 104 Gallery • Seattle, WA Simon Mace Gallery • Port Townsend, WA WA 9 8 2 2 1 • F r i - S u n : 1 2 - 5 P.M. OREGON . • [email protected] • www. anchorartspace.org PORTLAND Skagit Women Print PORTLAND ART MUSEUM Curated by Natalie Niblack, this ngton 1219 SW Park Avenue • (503) 226-2811 is a collaboration of prints by Skagit i • Tues & Weds: 10 A.M.-5 P.M., Thurs & Valley printmakers.
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