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Home , Adolf Dehn, Agnes Martin, Alessandro Magnasco, Alexander Helwig Wyant, Anne Hawley, Antoine Pesne

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BOARD OF TRUSTEES Richard C. Hedreen (as of 30 September 2004) Eric H. Holder Jr. Victoria P. Sant Raymond J. Horowitz Chairman Robert J. Hurst Earl A. Powell III Alberto Ibarguen Robert F. Erburu Betsy K. Karel Ganz, Jr. Lmda H. Kaufman 0. Maxwell James V. Kimsey John C. Fontaine Mark J. Kington Robert L. Kirk Leonard A. Lauder & Alexander M. Laughlin Robert F. Erburu Victoria P. Sant Victoria P. Sant Joyce Menschel Chairman President Chairman Harvey S. Shipley Miller John W. Snow Secretary of the Treasury John G. Pappajohn Robert F. Erburu Sally Engelhard Pingree Julian Ganz, Jr. Diana Prince David 0. Maxwell Mitchell P. Rales John C. Fontaine Catherine B. Reynolds KW,< Sharon Percy Rockefeller

Robert M. Rosenthal B. Francis Saul II if Robert F. Erburu Thomas A. Saunders III Julian Ganz, Jr. David 0. Maxwell Chairman I Albert H. Small John W. Snow Secretary of the Treasury James S. Smith Julian Ganz, Jr. Michelle Smith Ruth Carter Stevenson David 0. Maxwell Roselyne C. Swig Victoria P. Sant Luther M. Stovall John C. Fontaine G. Tompkins

Ladislaus von Hoffmann John C. Whitehead Ruth Carter Stevenson IJohn Wilmerding John C. Fontaine J William H. Rehnquist Alexander M. Laughlin Dian Woodner ,id Chief Justice of the Robert H. Smith ,w

Victoria P. Sant John C. Fontaine President Chair Earl A. Powell III Frederick W. Beinecke Director Heidi L. Berry Alan Shestack W. Russell G. Byers Jr. Deputy Director Elizabeth Cropper Melvin S. Cohen Dean, Center for Advanced Edwin L. Cox Colin L. Powell John W. Snow Study in the Visual Arts Secretary of State Secretary of the Robert W. Duemling Darrell R. Willson Treasury Barney A. Ebsworth Administrator Mark D. Ein James E. Duff Aaron I. Fleischman Treasurer Juliet C. Folger Elizabeth A. Croog Secretary and General Counsel Marina K. French Joseph J. Krakora Morton Funger External and International Lenore Greenberg Affairs Officer Rose Ellen Meyerhoff Greene Frederic C. Hamilton

Lawrence M. Small Secreta^ of the Smithsphian Institution

• ,8

Washington, D.C. The National Gallery of Art as seen from the

Capitol Building

n my first year as president of the National Gallery of Art, 1 have been privileged to work with a truly remarkable and dedicated team in fulfilling the Gallery's mandate of excellence. The Board of Trustees and Trustees' Council have provided extraordinary leadership and support this year, as have Rusty Powell, the Gallery's director, and the entire staff". I also want to congratulate Robert H. Smith, who retired from the board after eighteen years of exemplary service as trustee, including the last ten as president. It is a pleasure to serve on the Board of Trustees with Robert F. Erburu of , who Dcontinues as chairman; John C. Fontaine of City; Julian Ganz,Jr., oi" Los Angeles; and David O. Maxwell of , D.C., all of whom continue as general trustees. The Chief Justice of the United States, the Secretary of State, the Secretary of the Treasury, and the Secretary of the serve as ex-officio trustees. The Trustees' Council, a national advisory body to the board, continues to offer invaluable counsel and assistance to the Gallery. We extend a warm welcome to two new members of the Council in 2004: Betsy K. Karel of Washington, DC., and Frederick W. Beinecke of . My fellow trustees and I are grateful to Jack Fontaine, chair of the Council, and to all of our Council members for their dedication and generosity. Perhaps the most rewarding aspect of my involvement with the Gallery is to see how Andrew W. Mellon's vision of a national art collection continues to be nurtured today. No single gift this fiscal year captures Mr. Mellon's ideal more beautifully than John Wilinerding's gift and promised gift to the Gallery of his acclaimed nineteenth-century American art collection. Fifty-one masterpieces by George Caleb Bingham, Martin Johnson Heade, Frederic Edwin Church, Fitz Hugh Lane, , and Thomas Eakins, among others, which were featured in the year's special exhibition American Masters from Bingham to Eakins: The John Wilmerding Collection, reflect his pas- sion for American art as a scholar, collector, and benefactor. This gift of Professor Wilmerding, a Trustees' Council member and former deputy director of the Gallery, provides our visitors with a rich appreciation of our nation's artistic heritage. Gifts such as this demonstrate the strength of the ongoing partnership between the federal gov- ernment and the private sector which has created and continues to sustain the excellence of the Gallery's collections and programs. I speak for the trustees in reiterating our deep appreciation to the President and the Congress for their steadfast commitment to the Gallery. The federal government's support of our operations and maintenance is crucial funding that enables us to present our renowned collections and programs to millions of visitors year-round free of charge. We are also grateful for the generosity of many individuals, foundations, and corporations supporting a wide range of programs, such as art acquisitions, special exhibitions, educational activities, scholarly research, library acquisitions, and conservation. Among the most important of these activities are the Gallery's special exhibitions, which were strengthened by several significant gifts in fiscal year 2004. We are particularly grateful for the Annenberg Foundation's commitment to the Gallery's Fund for the International Exchange of Art providing endowment funds for the exhibitions program.The Gallery also received a leadership gift from the Catherine B. Reynolds Foundation to sponsor several exhibitions, including this 's presentation of Courtly Art of the Ancient Maya. My fellow trustees and I also would like to express our appreciation to H. R. H. Prince Bandar bin Sultan, Ambassador of Saudi Arabia to the United States, for his generous sponsorship of Palace and Mosque: Islamic Art from the Victoria and Albert . Our warmest thanks also go to Altria Group, Grupo Televisa, S.A., Lehman-Smith + McLeish, and Target Stores for helping make some of our special exhibitions possible this year.

4 Th, f, | e Galler, . y relie|. s solel11 y on gift. f s ot/ -

In addition to the Wilmerding gift, the U % - , acquisitions, including a generous gift from The Foundation, found- ed by Mitchell P. Rales, to acquire Jean j |§ 1 Wp ill Several longtime Gallery friends !; ## made substantial gifts this year to pro- : j B ' mote our scholarly research activities. M \ | My fellow trustees and I particularly j | W *8f-%-• ^ 21T thank trustee emeritus Robert H. 3 4 I&11 I•i: 1 Smith, who has given funds to provide 5 fl % housing for visiting scholars of the ' ' % . Center for Advanced Study in the t & ' ft' (> !• j j j || If1 |; | I ilj|M v,$1 A„. Th, At7 w M,„7 ; wmmmmmm y ' -- — Foundation awarded the Gallery a chal- i lenge grant to establish an endowment for scholarly publications, which are vital to the advancement of arts scholarship worldwide. A SAN FORD GIFFORD Annual giving through the Collectors Committee and The Circle of the National Gallery of Art The Artist Sketching at is important to the success of many programs. Since 1975, the Gallery's modern and contemporary Mount Desert, Maine art collection has been enhanced with works purchased through the yearly contributions of the Gift (Partial and Collectors Committee, a group of leading collectors and arts patrons from around the country. At Promised) of Jo Ann and its spring 2004 meeting, the Committee voted to use its funds to acquire Lee Bontecou's , Julian Ganz in honor of 1962, giving the Gallery its first major work by this renowned postwar artist. The Board of Trustees John Wilmerding would like to thank the Committees co-chairs, Barney A. Ebsworth and Doris Fisher, for their leadership and all Collectors Committee members for their ongoing support. This year we welcomed Mary Jo Kirk and Edward J. Mathias, both ofWashington, DC., as co-chairs of The Circle, succeeding Juliet C. Folger and Marina K. French. Mary Jo and Ed lead a program that numbers more than eleven hundred members nationwide and provides annual unrestricted funding for essential Gallery activities. We look forward to working with them in the coming years and extend our appreciation to Julie and Marina for their enthusiastic and dedicated leadership to this vital Gallery constituency. We are profoundly grateful to the federal government and private donors for their ongoing commitment and to the millions each year who visit in person or online. The National Gallery of Art is an inestimable gift to the nation and to the world, made possible through extraordinary vision and enduring generosity. We remain steadfast in upholding the tradition of excellence that has distinguished this great institution since its founding.

Victoria P. Sant American Masters from

Bingham to Eakins:

The John Wilmerding

Collection

DIRECTOR'S STATEMENT

iscal year 2004 was a year of exciting activity as the National Gallery of Art enhanced its collections, explored great art of many centuries and cultures in special exhibitions, found new ways to make our treasures available at home and abroad, and preserved the works of art in our care. Continuing in the tradition begun by Andrew W. Mellon, generous donors enriched the collection with gifts of art. Notable among these was John Wilmerding's extraordinary collection of American , watercolors, and drawings from the mid-to-late-nineteenth century, presented in an exhibition in May. It was great cause for celebration when he announced that all the works would remain at the Gallery and that Mississippi Boatman, one of George Caleb Bingham's acclaimed scenes of frontier river life, would be an immediate gift. Following the exhibition's close, the Wilmerding works will be integrated into the Gallery's collection. Many other donors also augmented the collection with important gifts of paintings, , prints, drawings, and photographs. Their contributions ensure that the National Gallery of Art will continue the high standard of excellence established at our founding. We are grateful for their support. A multiplicity of special exhibitions explored the lives of individual artists and facets of their work, as well as the accomplishments of distinguished cultures. Retrospectives featured the work of the nineteenth-century American landscape painter Sanford Robinson Gifford and Danish artist Christoffer Wilhelm Eckersberg, the "father of Danish ." Other exhibitions presented facets of the work of major artists. Verocchio's David Restored gave American viewers an extraordinary opportunity to see this great sculpture of the Renaissance master, newly restored and on loan from for the first time. Cubist works of and and drawings by Jim Dine were displayed in illuminating shows. A special installation of 's mural commissions celebrated the centenary of the artist's birth and the Gallery's special role as the most important repository and study center for his work. The art of eighteenth- century was explored in surveys of the genre paintings ofWatteau, Chardin, and Fragonard, and the innovative color printmaking of the era. Extraordinary historical cultures were also presented in major international loan exhibitions. Courtly Art of the Ancient Maya explored the visual magnificence and complexity of the Mayan court from 600 to 800 A.D. and celebrated our ongoing ties with . Palace and Mosque: Islamic Art from the Victoria and Albert Museum presented more than onediundred works illustrating the richness of Islamic art in the Middle East. In fiscal year 2004, more than four million visitors viewed these varied exhibitions and the collection. Those who could not visit in person enjoyed our offerings through our ever-growing Web site, which was visited more than thirteen million times during the year. Beyond the Gallery, works on loan from the collection could be seen in and institutions worldwide. Poignantly, 's The Alba Madonna, purchased by Andrew W. Mellon from the young Soviet government in 1931, returned to the State , St. Petersburg, for a month-long showing in September. Gallery conservators continued to protect and maintain the Gallery's collection with care and creativity. Notably, 's signature mobile Untitled was removed from the East Building atrium for cleaning and repair for the first time in fifteen years. We were pleased that , the artist and engineer who was instrumental in the mobile's installation on the eve of the East Building's opening, joined us once again in this effort. NATIONAL GALLERY OF ART 2004

Special attention also was given to ongoing restoration of our two great | buildings through a careful Master Facilities Plan. We are grateful to the I : HH6 gp I continuing support of the President ' i : |K and the Congress for this crucial • ***** * CI-'-2 repair, restoration, and renovation : program. Two important milestones were in *8 ™ l j> rk**-- ,j ... %n m :rf^ •- ... ^ * &...*!«!*%**»• ^ni reached in fiscal 2004. The Center If :| " "* wf ' for Advanced Study in the Visual jl R: ^ Arts entered its 25th anniversary # j "1 year. The Centers achievements in f t Q J, this brief quarter-century have been j« if* ">A extraordinary in supporting and :. enhancing scholarship in art and ; t>IIY WF TOWWWWI architecture through professorships, jm ^ — ~ fellowships, thought-provoking sym- posia and other scholarly gatherings, as well as publications. A CHRISTOFFER And, the National Gallery Orchestra performed the 2,500th program in our the long series of WILHELM ECKERSBERG free Sunday concerts. Since 1942, the beloved programs have demonstrated the resonant links View of Cloaca between and the great art on view in our galleries. Maxima, In conjunction with the dedication of the national World War II memorial, the Gallery saluted Gift from Victoria service men and women and war workers with a special installation of archival materials. and Roger Sant Throughout the conflict, the National Gallery was inspired by the belief that the art within its walls would enhance the lives of visitors then and of those for generations to come. That same vision inspires us today. I am grateful to National Gallery president Victoria P. Sant and to the Trustees and members of the Trustees' Council for their leadership that sustains this great mission. The work of the National Gallery of Art would not be possible without the steadfast support of the President and the Congress of the United States and the appropriated funds that protect this great national institution and ensure that, through funding our operations and maintenance, our programs are available to all Americans and others from around the world. On behalf of the executive officers of the Gallery, I would like to thank the staff and volunteers for their dedication. Our gratitude also goes to our donors, whose generosity continues to enrich our nation.

Earl A. Powell III COLLECTING

zO,vS\0

he Gallery's renowned collection of Western European and American art has been built entirely by gifts and private funds, following the example set forth by the Founding Benefactors Tmore than sixty years ago. The generosity of many individ- uals made possible the acquisition of more than six hundred paintings, , prints, drawings, photographs, and rare books in fiscal year 2004.

AINTINGS The Gallery's primary time allowed only to the aristocracy, so this still European painting acquisitions in fiscal life, populated by a variety of game, Pyear 2004 were three beautiful works resonates with a particular social allure. The from the Netherlands, , and France. composition centers around the elegantly The earliest is by Dutch painter Jan Weenix, arranged swan and hare, in whose depiction Still Life with Swan and Game before a Country Weenix demonstrates his technical virtuosity Estate, c. 1685. Weenix specialized in elegant by capturing brilliantly the textures of fur and still lifes of dead game, birds, flowers, and stat- feathers. The ownership of this characteristic uary, which he painted for the wealthy still life by Weenix, purchased with the Patrons' burghers of . was a pas- Permanent Fund, can be traced back to the

WORTHINGTON > WHITTREDGE Sccond Bcacli, Newport Paul Mellon Fund and Gift of Juliana Terian in memory of Peter G. Terian

10 NATIONAL GALLERY OF ART 2004

Hunting in the Pontine Marshes, GEORGE CALEB acquired in 1989.These are arguably BINGHAM the first truly Romantic landscapes Mississippi Boatman in . Vernet, director of the John Wilmerding French Academy in Rome from Collection 1829 to 1835, was deeply impressed by the primeval forests of the Pontine Marshes near the Eternal The Gallery received City, which were a popular if forbid- Bingham's Mississippi dingly malarial place to hunt wild boar. Contrasting this wild nature Boatman this year, with the artifice of the royal park at the first of a splendid Versailles,Vernet wrote: "I have never seen anything more majestic. Here promised gift of man has never spoiled the order of nature. The trees flourish and perish American paintings, in exuberant variety, thanks to the watercolors, and freedom they enjoy."These Romantic ideas allude to the Revolution of drawings from 1830, giving Vernet's sublime forest John Wilmerding. scenes an extra resonance. The work, like its pendant, was acquired with the Chester Dale Fund. The past year was an extraordinar- ily important one for American and Amsterdam merchant Gerret Braamcamp in British acquisitions. From art historian, profes- the mid-eighteenth century. sor, collector, and former National Gallery A striking contrast is offered in View of the deputy director John Wilmerding, the Gallery Cloaca Maxima, Rome, 1814, by the Danish received the first of a splendid promised gift painter Christoffer Wilhelm Eckersberg. This of fifty-one American paintings, watercolors, modestly scaled panoramic view, gazing across and drawings. Mississippi Boatman, one of the partially excavated city toward the Wilmerding's earliest purchases, is a superb Capitoline Hill in the right distance—most of example of the distinctive, classically composed it painted on the spot when Eckerberg was scenes of frontier life created by George Caleb studying in Rome from 1813 to 1816—is Bingham. In honor of John Wilmerding, almost photographic in its careful attention to Jo Ann and Julian Ganz, Jr., made a gift of detail and its sharp focus from foreground to Sanford Gilford's The Artist Sketching at Mount distance. Eckersberg's small open-air land- Desert, Maine, 1864- 1865. One of Gifford's scapes, evoking the clear, bright light of Italy, best-known paintings, it places the artist with- are landmarks in the history of European land- in the scene being depicted, alluding both to scape, anticipating by a decade the Roman the inspiration of the natural world and to views of Camille Corot. They are also seminal the artist's role as its interpreter. A very differ- works in the history of Nordic painting, ent New view is Worthington inspiring a generation of young artists who Whittredge's Second Beach, Newport, c. 1878- were his pupils at the Royal Danish Academy 1880, acquired with the Paul Mellon Fund in and who created the so-called and a gift of Juliana Terian in memory of Peter Golden Age of Danish painting in the early G. Terian. In this landscape, Whittredge moves nineteenth century. This work was acquired from the more restrained tones of his Hudson with funds provided by Gallery president River School roots to the broader handling, Victoria P. Sant and her husband, Roger. brighter palette, and -suffused atmo- Departure for the Hunt in the Pontine Marshes, sphere of the French impressionists. Also pur- 1833, by French painter Horace Vernet comes chased through the Paul Mellon Fund is the to the Gallery to be reunited with its pendant, complex and powerful Joshua Commanding the

li " NATIONAL GALLERY OF ART 2004

Sun to Stand Still upon Gibeon, 1816, by the Robert Motherwell's Study for "Reconciliation British artist John Martin. It is the first painting Elegy," 1977 was made possible by the Dedalus by this tremendously influential creator of epic Foundation. Charles Millard gave the Gallery landscapes to enter the Gallery's collection. Friedel Dzubas' Kanton, 1966, in honor of Important American still lifes were acquired Barclay Watson. Additional gifts from as well. Ripening Pears, c. 1884 -1885, a gift William C. Seitz and Irma S. Seitz included of Ann and Mark Kington / The Kington Walter Darby Bannard's Composition in Red Foundation and the Avalon Fund, is a start- (n.d); Gene Davis' Jasmine Jungle, 1967; Hans ingly original work by Joseph Decker. A Hoffmann's Brown Center, 1963, and Flux, close-up view of a fruit-laden branch placed 1964; and 's George Rowley, 1962. P1ERRE-ET1ENNE V up against the picture plane, the image evokes MONNOT a clever tension between its apparent realism CULPTURE The sculpture The Mary Swooning and its insistent evidence of the artist's hand in collection gained further stature with over the Dead Body the application of paint. The lovely Three Pears Sthe acquisition of a signed, dated marble of Christ at the Foot and an Apple, 1857, by David Johnson, was relief, 7he Virgin Mary Swooning over the Body of the Cross added to the partial and promised gifts to the of Christ at the Foot of the Cross, 1710, by Pierre- Patrons' Permanent Fund Gallery from the collection of Abigail and Etienne Monnot, a distinguished French-born William H. Gerdts. master active in Rome during the early eigh- teenth century. Most such narrative reliefs were massive altarpieces that remain in the churches for which they were made; this smaller-scale devotional work, acquired with the Patrons' Permanent Fund, may have been made for a collector or even for the artist himself. Varied carving techniques contribute to the visual and emotional appeal of the composition, in which groups of grieving women and men support the anguished Virgin and the dead Christ, whose body curves across the fore- ground at her feet. The medal collection, which is a particular strength of the Gallery gained important addi- tions both in Renaissance examples and in works from the nineteenth and early twentieth centuries, a new focus of development for the collection. Mrs. Frederick M. Stafford donated a fine gilded bronze medal of 1536 by Hans Reinhart I, with a miniature relief of on one side and the on the other. The French art theorist Quatremere de V Quincy, champion of the neoclassical style, is represented in a romantic medal of 1835 by his contemporary Pierre-Jean David d'Angers, who had set himself a mission to portray exemplary individuals of his time in the noble

— • * medium of cast bronze. A simpler material served the Italian sculptor Giovanni Battista In the area of modern and contemporary Nini, admired for his delicately modeled and paintings, many significant works entered the finely cast terracotta profile portraits, for a Gallery's collection. Jean Fautrier's Body and 1777 relief of Benjamin Franklin in a fur hat. Soul, 1957, the first painting by this important Another engaging cast bronze portrait is the postwar European artist, was a generous gift of scintillating image of Mme. Armande Defly, The Glenstone Foundation. The addition of companion to the Princess Mathilde

12 NATIONAL GALLERY OF ART 2004

works from 1974 by Richard Tuttle, Orange Bar; White Ellipse; Twisted String, 4th Untitled (to Barnett Wood Piece, and 3rd Rope Piece, and Dieter Newman to commemorate Roth's Insel (Island), 1968. A group of sculp- his simple problem, red, tures given by William C. Seitz and Irma S. yellow and bine) Seitz included Louise Nevelson's Secret Box, Gift of the Barnett & undated; George Segal's painted plaster Hands Annalee Newman (Expression), 1978, and Fragment (Reclining Foundation in honor of Woman), c. 1972; and Jesus Rafael Soto's Annalee G. Newman, Optical Box, 1964. and the Nancy Lee and Perry Bass Fund RAWINGS Among the rarest acquisitions in 2004 were four early Dfifteenth-century drawings by Austrian, German, and Umbrian artists, precious additions to a part of the collection that has always been difficult to build. The most significant Renaissance acquisition was a major compositional study by Hans Schaufelein titled Benedict Reviving a Killed by the Devil, c. 1505. Key additions to the Gallery's holdings of mannerist drawings Bonaparte, fluidly modeled by Jean-Baptiste included a delicate Friedrich Sustris Baptism of Carpeaux, the French Second Empire master Christ, c. 1585, and a gouache Crucifixion from famous for his dynamic sculptural decoration 1627 by Friedrich Brentel. for the Opera. The harsher expression of Among the most important of many the twentieth century is evident in German eighteenth-century drawings joining the sculptor Karl Goetz's medal The Birth of the collection this year were a theatrical scene by Weimar Republic and the Abdication of Kaiser ; a lively rendering of a family Wilhelm II, given by Dr. Stephen K. Scher and promenading in a park by one of the leading Jamie Woo Scher. Camel, from a series of ani- gouachistes of the period, Pierre-Antoine mal reliefs by Antonio Abondio, is a gift of Lisa Baudouin, given by Ivan and Winifred Phillips; Baskin in honor of Douglas Lewis, who a lively watercolor, Fantasy, c. 1785, by the royal retired in 2004 after thirty-five years as curator < HANS SCHAUFELEIN of sculpture and decorative arts. This gift con- Saint Benedict Reviving a tinues years of donations by Lisa Baskin and Monk Killed by the Devil her late husband, Leonard Baskin. Patron's Permanent Fund Several outstanding acquisitions were made in the area of modern and contemporary sculpture in the past year. Lee Bontecou's powerful three-dimensional relief from 1962, a work that represents the most important period of the artist's career, was acquired on the Gallery's behalf by the Collectors Committee. Dan Flavins magnificent fluores- cent light sculpture, Untitled (to to commemorate his simple problem, red, yellow and blue), 1970, was given by the Barnett & Annalee Newman Foundation, in honor of Annalee G. Newman, with additional support from the Nancy Lee and Perry Bass Fund. Longtime patrons and Herbert Vogel generously donated to the Gallery three early

13

< JAN WEENIX Still Life with Swan and Game before a Country Estate Patrons' Permanent Fund

Weenix's masterpiece,

remarkable for the grace

and grandeur of its

composition, is the

first large-scale hunt

scene to enter the

Gallery's collection

of Dutch seventeenth-

century paintings. NATIONAL GALLERY OF ART 2004

architect Pierre Adrien enter the collection — which came as the gift of Paris; and a richly inven- Diane Allen Nixon. tive design for garden Acquisitions from the first half of the twen- structures by one of the tieth century included a 1914 word collage by leading eighteenth-centu- the futurist Carlo Carra, Graphic Rhythm with ry ornamentalists, Jean- Airplane (Homage to Bleriot), and a powerful Francois de Cuvillies, cubist pen and ink drawing by Maurice de given by Andrea Woodner. Vlaminck, Still Life with a Jug and Bowl of Fruit Of special interest (c. 1916), a purchase made possible with fund- among the newly acquired ing from Helen Porter and James T. Dyke. A nineteenth-century draw- beautifully precise drawing and related color ings were several land- etching of the Brooklyn Bridge from 1922 by scapes, including a striking John Taylor Arms was a partial and promised composition on brilliant gift of Judy and Leo Zickler. Ethel Baziotes, blue paper by Max Joseph wife of William Baziotes, donated five of her Wagenbauer, which came husband's drawings, which represent the to the Gallery as an course of his artistic development from the anonymous gift; a boldly 1930s through 1959. drawn evocation of Italy by Camille Corot, given RINTS Among the Gallery's most JOHN RUSSELL A by Jill Newhouse; an attractive Alpine water- extraordinary acquisition of old master Miss Raymond color by Gustave Dore, donated by Helen Pprints is a striking impression, acquired Ellen E Karpf and Porter and James T. Dyke; and a wind-whipped with the Patrons' Permanent Fund, of one of New Century Fund view of a French port by Jules Noel, which was the earliest and most ambitious Italian engrav- purchased for the Gallery by trustee emeritus ings of a battle scene based on a design by Alexander Laughlin and his wife, Judy. Also Pollaiuolo and engraved by Andrea Mantegna A striking pastel portrait, welcomed into the collection were a watercol- or a member of his school. Through the Miss Raymond, or of a woman promenading by the Nabi artist generosity of an anonymous donor, a fine Hermann-Paul, given by Evelyn Nef; a riveting impression of Lucas van Leyden's David 1783, by the British pastel portrait by Georges-Olivier Desvallieres Playing the Harp before Saul, c. 1508, entered the donated by Kate Ganz and Belin; collection. With the help of the same anony- artist, John Russell, and a large and handsome study by Carl mous donor, the Gallery acquired several late known in his time Larsson — only the second Swedish drawing to fifteenth-century Florentine books by

as the "prince of

pastellists" entered the

drawings collection

this year.

FRENCH > 16TH CENTURY Bust of a Woman in an Extravagant Costume; Bust of a Man in an Extravagant Costume Ailsa Mellon Bruce Fund

16 NATIONAL GALLERY OF ART 2004

Savonarola, illustrated with exquisitely < PABLO PICASSO designed woodcuts. Outstanding northern The Frugal Repast mannerist prints were acquired during the Gift of Robert H. year, including a complete series of twelve and Clarice Smith, Officers and Soldiers by Jacques de Gheyn II. in Honor of the 50th The Gallery added two prints on a mural Anniversary of the scale: a topographical woodcut, Procession of the National Gallery of Art Doge on Piazza San Marco, by Jost Amman, and a frieze of engravings by Cherubino Alberti-unique artist's proofs printed on The most noteworthy gold-colored satin. Also unique was Giovanni Battista Piranesi's unfinished artist's proof of addition to our classic his powerful view The Aqueduct of Nero, 1775. modern collection of Several eighteenth-century color prints came to the Gallery, among them a group of bucol- prints was an extremely ic subjects by Francesco Londonio from rare impression—from the Thompson Ellwanger and Gregory Mescha, and a fine Louis-Marin Bonnet from Ivan and very first printing and Winifred Phillips. Crowning the gifts of early modern prints this year is a group of five Other notable acquisitions from the first half one of only two in intaglios by from the Epstein of the twentieth century include an important blue-green ink-of Family Collection, all relating to Munch's woodcut by E. L. Kirchner, Nude Dancer, 1905, a gift from Andrew Robison, and Max Pablo Picasso's The w Pechstein's strong woodcut from 1923, Portraits Frugal Repast, 1904. X-eoow L>U9>t~ B of an Elderly Gentleman and Two Women. The Gemini G.E.L. Archive at the Gallery jtA was considerably enriched by a gift from 3()7M.ETALLI Gemini of nineteen superb prints by , a group that beautifully reflects the range of his stylistic influences. The - % Collectors Committee made possible the pur- chase of eleven prints from the collection of IS Joshua P. Smith, including five dynamic prints by the Austrian artist Arnulf Rainer. Ruth E. lr (2g —~SU,) Fine donated two outstanding prints by Alex %• MW* w*. U twnell ii ( Katz and Jim Dine; Werner H. and Sarah-Ann v0 «• (X) g DO Kramarsky and the Collectors Committee gave .> "»(?) four striking prints by Glenn Ligon from 1992. . -y (J****) '•PONNA FU» * HOTOGRAPHS The Gallery was fbr- LA A LTeta. tunate to acquire photographs last year CA A from the entire span of the medium's Nt> *XV P history, expanding the range of our holdings < CARLO CARRA significantly. Through the combined generosi- Graphic Rhythm with ty of several patrons —Simon and Bonnie Airplane (Homage to Bleriot) Levin, Charles S. and Elynne B. Zucker, Patrons' Permanent Fund close and patron Dr. Max Linde. Anne Lawrence D. and Sybil Hite, Steven and Phyllis Baruch continued to strengthen the holdings Gross, and Jeffrey H. Newman — fourteen of Eastern European graphic art with a gen- works by the major British artist Bill Brandt erous gift of forty-six prints, drawings, and entered the collection. The group, which illustrated volumes by thirteen Czech artists, includes reportage from the 1930s, portraits, including several masterful drawings by the and Brandt's celebrated postwar nudes, repre- turn-of-the-century symbolist Karel Masek. sents the scope of his long and varied career.

17 presence. Works by Stephane Couturier and James Casebere treat questions of architecture on an architectural scale. The Patrons' Permanent Fund made possible the acquisition of a suite of large color photographs by British sculptor Andy Goldsworthy, along with the artist's photographically illustrated diaries, as part of the major installation commissioned for the Gallery's East Building lobby.

ARE BOOKS The Library's rare book holdings were enriched by the Raddition of numerous significant titles this year, thanks to endowed funds and generous gifts. These resources enabled us to build upon existing strengths and to fill lacu- nae in subject areas germane to the Gallery's art collections. Gallery Trustee Robert F. Erburu very kindly provided funds for acqui- sition of a splendid edition of Ovid's Metamorphoses (Parma, 1505). This edition, a reissue of the Venice 1497 work, contains fifty- ROGER FENTON Funds from Diana Walker made possible the nine woodcut in the "classic" style , purchase of a full-plate daguerreotype by influenced by Andrea Mantegna. Of special Tin tern Abbey Albert Southworth and Josiah Hawes, Boy with interest are two illustrations scholars believe Anonymous Gift Cap. An alluring, enigmatic scene at Tintern were used as compositional sources for paint- Abbey by Roger Fenton was among several ings in the Gallery's collection: Giovanni European mid-nineteenth-century works to Bellini may have incorporated images from enter the collection. A unique Vortograph from this edition for his Feast of the Gods, one of the 1917 by Alvin Langdon Coburn made a prize Gallery's most important Italian paintings, and addition to the Gallery's holdings of experi- Michelangelo Anselmi's Apollo and Marsyas is mental modernist photography. Coburn's dar- an exact image in reverse of an in ing, abstract compositions, constructed using the 1505 edition. mirrors and studio lighting, are exceedingly For the study of classical antiquity, the rare and represent a significant rethinking of J. Carter Brown Memorial Fund supported the the possibilities for camera art. acquisition of Gli antichi sepokri by P. S. Bartoli In preparation for a future exhibition on (Rome, 1727), Statue antichi (Venice, 1576) twentieth-century photography in ALVIN LANG > Central , the Gallery COBURN acquired a group of Hungarian Vortograph works that includes dynamic exper- Patrons' Permanent Fund iments by affiliates of the Bauhaus, social portraits, and views of Budapest by the inspired amateur Imre Kinszki. In the field of American photography, gifts by Harvey S. Shipley Miller and the R. K. Mellon Foundation made possible new acquisitions by Ansel and , respective- ly The Gallery also expanded its holdings in contemporary art, where photography has an ever-increasing NATIONAL GALLERY OF ART 2004

with illustrations by Girolamo Porro, and colored engraved coats of arms and maps, Dissertazione sulle statue appartenenti allafavola di aquatint portraits, and line engravings of coins, Niobe by A. Fabbroni (, 1779). The medals, tombs, castles, and other monuments J. Paul Getty Fund in Honor of Franklin D. connected with the families. Dizionario di Murphy made possible the purchase of four- erudizione storico-ecclesiastica da S. Pietro sino teen titles. Meriting special mention is Officium ai nostri giorni... (Venice, 1840 -1861) by beate Marie... (Venice, 1505), a very rare Italian Gaetano Moroni is a comprehensive history of book of hours with especially fine woodcuts the from its founding to the on vellum, and Scenographiae, sive perspectivae... nineteenth century. by Hieronymus Cock (, 1560), a scarce first edition of an artist's manual for inte- rior decoration. This copy bears vivid evidence of its practical use: the cover is splattered with paint, and its pages have numerous pencil nota- tions and drawings, very likely by the architects Phillips and Jan Vingboons, previous owners whose signatures appear on the dedication page. The David K. E. Bruce Fund made possi- ble the purchase of another work embellished with original drawings: an edition of Lodovico Ariosto's Orlando furioso (Lyon, 1570) featuring exquisitely executed sketches in place of the missing printer's device on the title page and the illustration accompanying canto 31. The drawings are a precise rendering of the engrav- ings that appeared in the printer's edition of one year earlier. Our collection of materials on the The image collections acquired significant OVID movement grew more impressive this year rare photographs and albums. Among the Metamorphoses through the continued generosity of Thomas albums, the most notable are three early albums Gift of Robert Erburu Klarner. The six titles acquired this year are Der of cemetery architecture, including Gems from blutige Ernst (, 1919), Der Dada no. 3 Green-Wood (1868: photographs by Joseph (1919), 391 no. 14 (1920), L'empereur de Chine Hale); albums on architecture, including A splendid edition by G. Ribemont-Dessaignes (Paris, 1921), Westminster Abbey (1902: photographs by of Ovid's Memoiren Anna Blumes in Bleie by Kurt William Rice), Manchester New Town Hall Schwitters (Freiburg, 1922), and Revolucni (1877: photographs by Bedford Lemere & Co), Metamorphoses sbornik Devetsil (Prague, 1922). three volumes of Le construzioni moderne in Italia (Parma, 1505), is An anonymous donation supported acqui- focusing on , , and Lake Como (c. sition of La caricature (Paris, 1830-1835), a 1904: C. Crudo & Co, publisher); and four often cited as one of satirical journal featuring incisive commentary unique elephant folios of English cathedrals and illustrations by the leading graphic artists with photographs by leading British architec- the most beautiful of the period. This copy includes many hand- tural photographers, assembled from 1883 to illustrated books of the colored illustrations not present in the regular 1887. Among the photographs acquired were edition and is an essential resource for the an unusual folio of exquisitely detailed photo- Italian Renaissance. study of French art and culture of the second graphs of sculpture by Renaissance artist quarter of the nineteenth century. Tilman Riemenschneider (c. 1930: photo- Two important biographical works were graphs by Max Baur), a portrait of Diego added to the reference collection. Le famiglie Rivera in his studio (1945: Enrique Segarra celebri italiani by Pompeo Litta (Milan, 1866 - Lopez), and rare mounted albumen photo- 1871), a monumental resource for Italian graphs of the 1884 memorial exhibition for genealogical history, was originally issued Edouard Manet, some of which feature paint- in fascicles between 1819 and 1883. The ings later acquired by Gallery donors. Gallery's copy is embellished with hand-

19 EXHIBITING

pecial exhibitions bring masterpieces from public and private collections around the world to millions of Gallery visitors each year. In fiscal year 2004, S the Gallery organized thirteen exhibitions, which traveled to venues within the United States and abroad.

THE AGE OF , CHARD1N. AND FRAGONARD: Masterpieces of French Genre Painting

An outstanding

selection of paintings

with subjects of daily

life, both real and

imagined, provided a

fascinating mirror of iscal year 2004 opened with Picasso: Baptiste-Simeon Chardin, Jean-Baptiste Parisian society at many The Cubist Portraits of Fernande Olivier, Greuze, Francois Boucher, and Louis-Leopold Fthe first exhibition ever to focus solely Boilly. Our visitors had an unprecedented levels in The Age on Pablo Picasso's 1909 portraits of his com- opportunity to view some of these artists' panion, Fernande Olivier. More than fifty finest works, including paintings from collec- ofWatteau, Chardin, paintings, drawings, and sculpture - an tions in France, , England, and and Fragonard: unprecedented assemblage that offered rare Russia. The exhibition's complement celebrat- insight into Picasso's artistic process — celebrat- ed one of the most innovative periods in the Masterpieces ed the Gallery's early bronze cast of of a history of printmaking: Colorful Impressions: The of French Woman (Fernande), Picasso's only significant Printmaking Revolution in Eighteenth-Century to 1912 and an icon of France captured the spirit of the times, from the Genre Painitng. early . reign of Louis XV to the advent of the French Two exhibitions of eighteenth-century Revolution, in 115 color prints of subtle, del- French art that beautifully complemented icate beauty and astonishing technical facility. each other opened later in October. The Age of The prints ranged from high-art portraits, Watteau, Chardin, and Fragonard: Masterpieces of landscapes, allegories, and genre scenes to fash- French Genre Painting was the first large-scale ion plates, maps, textiles, wallpaper motifs, and survey of French genre painting by such even button covers. Included was a selection of eighteenth-century masters as Jean-Antoine etching tools and prints illustrating how these Watteau, Jean-Honore Fragonard, Jean- tools were used.

20 NATIONAL GALLERY OF ART 2004

The first monographic exhibition < DRAWINGS OF in the United States devoted to the JIM DINE "father of Danish painting," Christoffer Wilhelm Eckersberg, 1783 - 1853, traced his career and tremen- Drawings of dous influence on a generation of Jim Dine focused on Danish painters who collectively created the "Golden Age" of Danish examples from the last painting. The Gallery's exhibition of three decades and fifty-two works presented all aspects of Eckersberg s multifaceted oeuvre, featured themes for with special emphasis on his portraits, landscapes, and marine which Dine is subjects. The exhibition's design fea- renowned, including his tured historically accurate early nineteenth- often associated as well as less familiar themes century wall colors. from the 1980s and 1990s. iconic images of tools. For five weeks in February and March, Courtly Art of the Ancient Maya, the first exhi- Shellac Orientale, Verrocchio's "David" Restored: A Renaissance bition ever devoted to this subject in the Bronze from the National Museum of the Bargello, United States, was on view during the spring 1973-74, is a promised Florence, brought one of the greatest master- and summer. The exhibition brought together pieces of Renaissance art to the Gallery and some 130 masterworks, approximately half of gift to the Gallery gave our audiences an opportunity to evaluate them from museums in Mexico, as well as out- from Arne and this major work in a new form. Based on standing examples from American, European, recent art historical research and Australian collections. Milly Glimcher. and conservation analysis, The majority of works from the head of the slain Goliath Mexico, Guatemala, and was situated next to David's Honduras came to the right foot, as Verrocchio United States for the first < VERROCCHIO'S originally intended, for the time. The visual magnifi- "David" RESTORED: first time in 527 years, rather cence and complexity of life A Renaissance Bronze than between the figure's at court, particularly at from the National feet. Careful placement of Palenque, in the state of Museum of the Bargello, the sculpture on the Main Chiapas, Mexico, was Florence Floor of the West Building demonstrated throughout created a majestic vista from the exhibition. Each gallery At the Gallery, home to the East Garden Court. was defined by architectural Leading American artist friezes, doorway shapes the most important Jim Dine's groundbreaking derived from surviving tem- collection of works by achievements as a draftsman ples, and warm earth tones. were featured in the first Particularly noteworthy was Verrocchio and his major survey of his drawings the life-size reproduction of in over fifteen years. three wall murals, configured school outside Italy, Drawings ofJim Dine includ- as they appear in the middle Verrocchio's "David" ed more than a hundred room of a temple at works from the early 1970s Bonampak. A film produced Restored was present- to the present. Often associ- by the Gallery in conjunc- ed in the rich context of ated with Pop art and the tion with the exhibition Happenings of the 1960s, focused on the courts of other major Florentine Dine has been celebrated for the Maya kingdoms of his paintings, prints, and Palenque, Bonampak, and depictions of the biblical sculptures; the Gallery's Tonina, with new footage hero and related exhibition focused on sub- shot on location in Chiapas jects with which Dine is in southern Mexico. The sculptures by the artist.

21 COURTLY ART OF > THE ANCIENT MAYA

The Maya frequently depicted their kings on imposing carved stelae,

such as the limestone

monument seen

here installed at the

Gallery in front of the

reconstruction of

the north wall

of Bonampak. NATIONAL GALLE RY OF ART 2004 <3-

film chronicled the history of Maya archaeolo- century for a mosque in Cairo; a soaring skylit gy and explored the significance of new dis- room with clerestory windows and an coveries for the understanding of Maya culture. enormous arched entrance was designed to An exhibition of some twenty important showcase this masterpiece. Two historically cubist works by renowned Mexican modernist important carpets dominated another gallery, Diego Rivera featured the Gallery's significant installed on slanted planes that supported their yet little-known Rivera painting of 1915, No. weight while allowing the viewer to see the 9, Espagnole (No. 9, Spanish Still entire surface. Life). Although Riveras work has been widely Mark Rothko: The Mural Projects, a special exhibited and studied, his cubist period installation of works by one of 's fore- remains a less understood aspect of his career. most artists, celebrated the centenary of The presentation demonstrated Rivera's dis- Rothko s birth and the twenty-fifth anniver- tinctive approach to synthetic — his use sary of the East Building. The nine paintings of complex structures of transparent planes. are related to two mural commissions — American Masters from Bingham to Eakins:The the Seagram murals and the Harvard John Wilmerding Collection celebrated one of the murals —which date from the late 1950s and most important private collections of nine- early 1960s, respectively. Most of these related teenth-century American art, assembled over works have been exhibited at the Gallery only four decades in an area of particular scholarly interest to John Wilmerding. The collection of fifty-one works by twenty-six American artists represents such masters as George Caleb Bingham, Frederic Edwin Church, Thomas Eakins, Winslow Homer, William Stanley Haseltine, Martin Johnson Heade, Fitz Hugh Lane, John Marin, John F. Peto, and William Trost Richards. During the summer, a major retrospective, Visions: The Landscapes of Sanford R. Gifford, highlighted the works of this master of light and atmospheric detail. Organized chronologically, with groupings of related works, the exhibition included many of Gifford's "chief pictures." To give insight into the artist's remarkable creativity, the exhibition included a selection of his mid-size canvases, as well as smaller, cabinet-size sketches, studies, and reduced versions of major paintings. once before, and displaying them together in HUDSON RIVER Selected from a superb collection of more the open space of the East Building concourse SCHOOL VISIONS: than 10,000 objects, Palace and Mosque: Islamic created an opportunity to examine the process The Landscapes of Art from the Victoria and Albert Museum behind these major projects. Sanford R. Gifford conveyed the richness of the Islamic art of the To enhance visitors' understanding and Middle East on a scale and at a level of quali- appreciation of special exhibitions, the Gallery ty hard to find in any collection outside the produces a variety of interpretive materials, region. A touring exhibition organized by the including illustrated brochures, wall texts, Gallery of more than a hundred works from recorded tours, Web features, and documen- one of the most renowned Islamic art collec- tary films. Recorded tours for Courtly Art of the tions in the world, the presentation included Ancient Maya and Palace and Mosque were pro- examples of the full range of the decorative duced by the Gallery and offered our visitors arts—ceramics, textiles, carpets, metalwork, a variety of viewpoints on the works of art glass, woodwork, and more. The dramatic featured in these exhibitions. The films, made heart of the exhibition was a twenty-four- possible by the HRH Foundation, are subtitled feet-tall minbar (pulpit) made in the fifteenth for the hearing impaired and are available in a

23 NATIONAL GALLERY OF ART 2004

PALACE AND thirty-minute version on view in the audito- for unlimited airings over the next five years. MOSQUE: riums and a fifteen-minute version shown in Narrated by Morgan Freeman and Danny Islamic Art from the Victoria the exhibition. They are distributed on a free- Glover, the film was awarded a Silver Plaque at and Albert Museum loan basis to libraries, schools, community the 40th International Communications Film centers, and public television stations, and a & Video Competition in , received the film is donated to each branch of the D.C. Silver Screen Award at the U.S. International The late-Jifteenth- Public Library. Film and Video Festival in Los Angeles, was a century Minbar of The film produced last year for The Art of Telly Awards finalist in the category of was shown in 2004 on Cultural Programs, and was selected for show- Sultan Qu'itbay. Berkeley Educational Television and will be case at the 2004 International Festival of Films aired in 2005 on Georgia Public Television on Art in Montreal. and WNET in New York, which contracted The Gallery also lends works to many special exhibitions hosted by museums throughout the world.The loans of 538 works from the Gallery's collection were adminis- tered in fiscal year 2004. Of these, the loan of The Alba Madonna by Raphael to the State Hermitage Museum, St. Petersburg, Russia, in September and October of 2004 marked the first time the painting has been lent since entering the Gallery as part of founder Andrew W. Mellon s gift of old master paint- ings. Another major Gallery painting on loan for the first time was Daniel in the Lions' Den by , which traveled to the Albertina in for an exhibition of Rubens draw- ings. In addition, works by Rubens and Van Dyck from the Gallery's collection were lent to four other Rubens exhibitions held this year in Europe: A of Art: Rubens as Collector at the Rubenshuis in Antwerp; Isabella Rubens at the Alte Pinakothek, Munich; L'eta di Rubens at Palazzo Ducale, Genoa; and an exhibition of the artist's work at the Palais des Beaux-Arts de Lille, France. The Gallery also participated in Italian exhibitions celebrating Perugino with the loan of four sixteenth- century maiolica pieces to Ceramics in Umbria in the Time of Perugino at the Museo Regionale della Ceramica, Deruta, and the loan of Perugino s Madonna and Child to Perugino: II divin pittore at the Galleria Nazionale dell'Umbria in Perugia. In the United States, sixteen works from the Gallery's collection were lent to Rembrandt's Journey: Painter, Draftsman, Etcher at the Museum of Fine Arts, , and the . The Unfinished Print, an exhibition of fifty prints first held at the Gallery, was displayed at the , New York. EDUCATING

he Gallery's mission of furthering the under- standing and appreciation of great works of art is fulfilled each day with a variety of programs designed for our many audiences, including

T.scWdrs, fedc/zers, of <3// around the world.

uilding upon tradition, sustaining excel- exhibitions at the Gallery. Internships and fel- lence, and creating new initiatives reflect lowships deepen the Gallery's commitment to Bthe essential principles of Gallery's edu- the scholarly community, providing emerging cational activities. Tradition is reflected in the professionals with on-site training and work continuity of programs, including half a centu- experience. Twenty summer interns, seven ry of walking tours led by expert staff. Recent academic-year interns, and a Carpenter acquisitions and reinstalled galleries provide Foundation fellow from South Korea infused opportunities to reflect on our expanding col- many areas of the Gallery with international lections, changing art historical perspectives, perspectives this year. and our audiences. On any given day in fiscal Tradition also supports innovation in educa- year 2004, a visitor could choose from a wide tion publications. Teaching resources, free to array of offerings: tours in eleven languages, everyone, have been an essential feature of the now including Korean and Chinese, talks based Gallery's commitment to educating since the on original research, accounts of artists who 1960s. Moving far beyond its familiar printed have sparked essential debates in the history of books, reproductions, and slides, the Gallery art, and tours of the Gallery's newly installed distributes resources in digital media formats sculpture galleries. with more than 130 offerings available online. Alongside this tradition, the Gallery has This year's publications include resources on built a substantial and innovative program of Islamic and Mayan art, as well as studies of the academic discourse. Over the past decade, a work of artists Gerard ter Borch and Dan spectrum of lectures by scholars, conversations Flavin, the Wilmerding collection of nine- with artists, talks highlighting new discoveries teenth-century American art, and a DVD on in art, and a series on works-in-progress have color and light. In fiscal year 2004, the been offered. Highlights of academic programs, Gallery's direct loan and affiliate program attended by over 14,000 visitors in reached an audience of more than twenty fiscal year 2004, included a study day for million domestic and international viewers. professors, museum professionals, and graduate NGA Classroom, the Gallery's electronic students on the making of Verrocchio's bronze teaching portal, features teacher- and student- David, and Sunday auditorium lectures based presentations, short-format articles, held throughout the year relating to special lesson plans, and interactive activities.

25 F NATIONAL GALLERY OF ART 2004 ^

Comprehensive online lessons made available on the late work of avant-garde filmmaker Stan this year — on self-portraiture, mythology, Brakhage (1933-2003) was followed by a math, ecology, and literature — plumb the discussion with Brakhage scholars and a retro- relationships between art, science, and cultur- spective series devoted to the pioneering al history. The portal's resource finder facili- director Oscar Micheaux, reflecting early tates the selection and ordering of free-loan feature films and associations with Romare programs and printed materials. Seven Art Bearden. Two major French filmmakers, Jean Zone interactives — including a mobile Cocteau and Chris Marker, were also featured maker, an exploration of 3-D spatial model- in retrospective programs during the fall. The ing, and a creative paintbox tool — have been Washington premiere of My Architect: A Son's added to NGAkids, the whimsical children's Journey, a new documentary about Louis I. corner of the Gallery's Web site. Kahn and one of the outstanding new releases Family- and school-based programs reached of the year, drew over five hundred people to an audience of 64,000 this fiscal year. The the East Building auditorium in early newly introduced Family Weekends provided December. A winter series of recently restored multiple ways to explore and enjoy works of Danish silent classics was enlivened by Ray art, including art-making, self-guided tours, Brubacher's spirited piano accompaniment. films, and music and storytelling performanc- Titled Danish Cinema: A Golden Age Returns, es. New Teacher Workshops were designed for the series included a number of recent films produced by the celebrated Danish COCO* BACKGROUND! film collective Dogme 95. A winter series of films by the Japanese master TRANSPARENCY Yasujiro Ozu, pre- sented in associa- tion with the Freer Gallery of Art, attracted over Mm# 7,000 viewers during the five- week program. educators who are novice users of art museum During the spring of 2004, in conjunction resources. School programs continued to link with the exhibition Courtly Art of the Ancient art and curriculum through the active explo- Maya, an extensive survey of Mexico's vibrant ration of works of art. On this, the tenth cinematic past from the late nineteenth anniversary of Art Around the Corner, the pro- century through the present included many gram continued to serve District of well-known landmarks in that nation's cultur- public school students and teachers through an al history. A lecture titled "Mexican Film and extensive curriculum and classroom activities. the Literary Tradition," presented by Ignacio Online lessons and teacher workshops in Duran Loera, director of the Mexican Washington, DC., Colorado, Montana, and Cultural Institute and former director general Michigan, shared the best of Art Around the of the Institute Mexicano de Cinematografla, Corner with the nation. was a key component of this series. In the summer of 2004, the Gallery joined together

ILMS AND CONCERTS The Gallery with the American Film Institute Theater and continued its year-round schedule of the National Museum of Women in the Arts Fweekend film series organized by film to present a retrospective of thirty-five films scholars on topics relating to special exhibitions by the venerated Swedish director Ingmar and the history of film as an art form. In the fall Bergman. On the opening day of our series, of 2003, a distinctive archival program focusing he commemorated his eighty-sixth year.

26 NATIONAL GALLERY OF ART 2004

The Sharq Arabic

Music Ensemble per-

formed for the "Explore

Islamic Art" Family

Weekend, which

celebrated the exhibition

Palace and Mosque:

Islamic Art from the Thirty-eight concerts were presented in The Art of Romare Beardon. The recitals by the Gallery's sixty-second season of weekly Erling Blondal Bengtsson and by soprano Victoria and Albert concerts, which ran from October 2003 Jennifer Aylmer were presented in honor of Museum. Traditional through June 2004. The concerts are support- the Christojfer Wilhelm Eckersberg exhibition. A ed by funds bequeathed to the Gallery by program of string quartets by Mexican and music from the royal William Nelson Cromwell and F. Lammot European composers was performed by the Belin, with additional support from the Ann Cuarteto de Cuerdas de Bellas Artes in honor courts of Turkey and and Gordon Getty Foundation. Excerpts of Courtly Art of the Ancient Maya. was performed. from fourteen Gallery concerts were broad- cast nationally on National Public Radio's ESOURCES FOR SCHOLARLY "Performance Today." RESEARCH In fiscal year 2004, the Highlights of the season included perfor- RLibrary acquired 9,426 volumes mances by the celebrated Danish cellist, Erling (including 2,710 in microform), received 3,515 Blondal Bengtsson, pianist Ruth Laredo, the visitors, provided 927 orientations, answered violin-piano duo of Dmitry Sitkovetsky and 22,204 reference inquiries, and shared 3,618 Bela Davidovich, and crossover violinist Mark volumes with other institutions through inter- O'Connor and his Appalachian Waltz Trio. The library loan. The exhibition A Painter's Mind: National Gallery Orchestra played the 2,500th A Selection from the Library of Romare Bearden concert in the series on 13 June, bringing to a was organized to coincide with the Gallery's close the year-long celebration of the twenty- Bearden retrospective and traveled to other fifth anniversary of the East Building. The venues in the exhibition itinerary. concert was presented on the East Building The Gallery's library image collection Mezzanine in view of the entrances to the added almost 40,000 photographs, 8,000 exhibitions Courtly Art of the Ancient Maya and slides, ten reels of microfilm, and twenty-five The Cubist Paintings of Diego Rivera, Memory, rare photographic albums in fiscal year 2004. Politics, Place, to which the concert was In addition to Gallery staff, individuals who dedicated. The American Music Festival, have made significant donations include presented throughout May 2004, included William Craft Brumfield, Sheldon Grossman, the Washington premiere performances of Elizabeth Knupp, John O'Brien, Michael Richard Danielpour's The Enchanted Garden Sheard, and Egon Verheyen. Institutions that (1992), Sydney Hodkinson's Minor Incidents graciously donated photographic material (1981), and Robert Maggio's Songbook for include theTimken Museum of Art, the Jack S. Annamaria (2001). Blanton Museum of Art, the Museum of Fine A program by the Stanley Cowell Trio Arts, , the National Gallery, , was presented in honor of the exhibition and the University of Louisville. The White

27 Children explored

French art in the galleries as part of the summer 2004 iJwS.fci '1 .B1

Stories in Art series

Tour de France. NATIONAL GALLERY OF ART 2004

House Historical Association, with the curator A display of historical photographs and of the , continues to place on documents, That the Freedom of the Human deposit selected images of fine and decorative Spirit Shall Go On: World War II and the National arts. The holdings of slides and photographic Gallery of Art, was on view in the West Building archive images now comprise almost ten Founders' Room as a part of -wide million images. commemoration of World War II coinciding The Gallery is participating in the Andrew with the dedication of the national World War W. Mellon Foundations ARTStor project II Memorial. by digitizing the Clarence Ward Archive of negatives of French and American architecture taken in the late 1920s and early 1930s. The archive, numbering over seven thousand nega- tives, is an important survey of French medieval church architecture and American colonial architecture and will be an important addition to ARTStor's digital archive. The Gallery's slide library loaned 2,167 slides to 119 educators and museum profes- sionals. Online resources of the Slide Library include the fourth version of the Library's Manual for Classifying and Cataloguing Slides. Using interactive links and images, this publi- cation outlines the Library's slide maintenance procedures and cataloguing rules for Western and non-Western art and architecture. In addi- tion, the manual includes active links to vari- ous cataloguing and art historical resources. The slide library's patrons continue to benefit from the Gallery's use of digital tech- nology and imaging. The newly acquired slide scanner and the portable projector provide The study room for European Prints and the means to display quality images for Drawings welcomed 1,195 scholars and mem- PowerPoint presentations, furthering the slide bers of the public as well as classes from library's goal of creating a digital environment elementary schools and university undergrad- for the use of scholars and educators. uate and graduate programs. In addition, an In the Gallery archives, important acquisi- ongoing seminar on printmaking techniques, tions included working drawings and photo- the authentication of prints and drawings, and graphs of exhibition installations. An extensive responses to questions regarding the collection series of oral interviews with former sculpture and its activities were conducted throughout curator Douglas Lewis recorded valuable the year. A three-day pracdcum on the con- information on the Gallery's development noisseurship of old master drawings, including over more than three decades. Diaries and sessions on the study, acquisition, exhibition, other personal materials from the Estate of and care of drawings, designed for young cura- Edith Standen were received, giving new tors and graduate students pursuing careers in insights concerning her work as secretary to the field, was presented. the Widener Collection from 1929 to 1942 and her service as a Monuments, Fine Arts and Archives Officer during and after World War II. In addition, detailed descriptions were pre- pared of scrapbooks created by founding benefactor Chester Dale so that full subject access is now possible. CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS

he Center for Advanced Study in the American Landscape Design, and a documentary Visual Arts, founded in 1979, spon- study of the Accademia di San Luca in Rome Tsors the study of the visual arts in from c. 1590 to 1630. This year saw the com- each of its four program areas of fellowships, pletion of the Italian Architectural Drawings research, publications, and scholarly meetings. Project (IADPC), focused on the development The resident community of scholars at the of the Gallery's photographic archives of Center during the 2003—2004 academic year Italian architectural drawings made before included individuals working on topics 1800, and the launching of Early Modern ranging from the Stalinization of Soviet Sources in Translation, a series that will also pro- architecture to Indian art in the collections of vide detailed commentaries on significant art American museums, to Venetian Renaissance historical and critical sources. sculpture, seventeenth-century Dutch paint- The Center convened four symposia during ing, and ancient Mesopotamian and Persian the 2003—2004 academic year. "Romare palace decoration. Among the members of Bearden, American Modernist," supported by the Center were scholars from Australia, the Parnassus Foundation, and "French Genre Brazil, , Germany, India, Italy, the Painting in the Eighteenth Century" sponsored Netherlands, the People's Republic of China, by the Arthur Vining Davis Foundations, both Slovenia, and the (see focused on major exhibitions at the Gallery. p. 79 for a list of members). "The East Building in Perspective: A Twenty- Continuing research projects under the Fifth Anniversary Symposium," made possible deans' direction include a guide to documen- by a grant from Robert H. Smith, was part of tary sources for the art history and archaeology the Gallery's celebration of the twenty-fifth of the Andes, the completion of Keywords in anniversary of the East Building. The thirty- fourth annual session of the "Middle Atlantic Symposium in the " was cospon- sored with the University of Maryland, with fifteen universi- ties participating. Other meetings at the Center in 2003-2004 included two study days relating to Gallery exhibitions. One was devoted to Verrocchio's "David" Restored, and the other to Courtly Art of the Ancient Maya, led by Professor Mary Miller of , who was also curator of the exhi- bition. Edmond J. Safra Visiting Professor Carel van Tuyll van Serooskerken led the first Robert H. Smith Curatorial/ Conservation Colloquy, devoted this year to Old Master drawings. In addition to Gallery staff, William Robinson of the Fogg

30 XT NATIONAL GALLERY OF ART 2004

lecture at the Center every two years, to alternate with one-day conferences dedi- cated to the presentation of work by younger scholars. Two volumes in the symposium series Studies in the History of Art were published in the fiscal year, Large Bronzes in the < Renaissance (the fifth vol- ume in a group dedicated Professor Mary Miller to Renaissance sculpture), and Tilman Riemenschneider, discusses the c. 1460-1531, which gath- reconstruction of the ered together papers deliv- ered at the time of the mural at Bonantpakfor exhibition held at the members of the Center Gallery in 1999. Nine volumes are in preparation during her tour of the for future publication in the series. The Center also exhibition Courty Art coproduced with the of the Ancient Maya. Association of Research Institutes in Art History (ARIAH), Art History in Latin America: Reports of the Latin American Fellowship Program, 1994-2000. For a Art Museum, , led the dis- complete description of the Centers activities, cussion with a small group of international see Center 24: Record of Activities and Research participants. These colloquies, designed for Programs, June 2003-May 2004. emerging scholars and new curators, introduce The Center for Advanced Study's twenty- a new generation to the experience of learn- fifth-anniversary year is being marked by two ing directly from a close examination of works extraordinary opportunities. A challenge grant of art over several days in the company of sen- to the Gallery and to the Center from the ior conservators, curators, and scholars. Andrew W. Mellon Foundation will establish Irving Lavin of the Institute for Advanced dedicated funds for scholarly publication, Study, Princeton, delivered the fifty-third A. W. guaranteeing the future of the Center's publi- Mellon Lectures in the Fine Arts, entitled cation program. In 2005—2006 the Gallery "More Than Meets the Eye." As a member of will also take possession of a group of new the Washington Collegium for the Humanities, condominiums for fellows' residences within the Center hosted a guest lecture by Natalie walking distance of the Gallery. This acquisi- Zemon Davis on the topic of "Cultural tion has been made possible by a generous gift Mixture in a Divided World." The inaugural from Robert H. Smith, former president of Wyeth Lecture in American Art, "Friends and the National Gallery of Art. Rivals: Copley, West, Peale, Trumbull, and Stuart" was delivered by Jules Prown, Yale University. An incontro followed the lecture, in which Prown and participants discussed the Gallery's painting Watson and the Shark by . The Wyeth Foundation for American Art will support such a distinguished

31

In the spring of 2004,

a team of Gallery

staff and engineers,

including artist-engineer

Paul Matisse, gathered

to disassemble

Alexander Calder's

giant mobile, Untitled,

for conservation treat-

ment. Commissioned for

the central court of the

East Building and

installed in 1977, the

76-foot-long mobile

consists of thirteen

panels and twelve arms,

weighs 920 pounds,

and is constructed of

aluminum honeycomb

with aluminum and

steel bars.

"a-. ^ "3 PRESERVING

he care of the Gallery's collections of paintings, sculpture, prints, drawings, and photographs T conservators and research scientists ensure the integrity of the collection and the works loaned to the Gallery by other institutions.

uring fiscal year 2004, the painting Four early modern paintings underwent conservators completed twenty conservation treatment: 's Dmajor treatments, including work Saida, 1913, Jean Dubuffet's Time Is Running on our Italian Renaissance masterpieces Out, 's Woman with Red Giorgione's The Holy Family and Raphael's Hair, and Pablo Picasso's Two Youths. Surface Alba Madonna. Complex treatments were cleanings were conducted on some of the undertaken as well on three other Renaissance large modern paintings, including Sam paintings: Cima da Conegliano's Madonna and Gilliam's Relative, 's La Negresse, Child with Saint Jerome and St. , and Robert Motherwell's Reconciliation Elegy; Hans 's Man with an Arrow, and an rolling these canvases onto large tubes for anonymous sixteenth-century French Portrait their storage or transportation proved particu- of a Nobleman. All five paintings were the sub- larly challenging. ject of collaborative projects between the During fiscal year 2004, fifty-six major and painting conservators and scientific researchers minor treatments and 586 in-depth and minor using infrared analysis and pigment analysis to examinations were completed. In addition to study artists' underdrawing, painting materials, the care of the collection and of paintings on and techniques. loan to the Gallery, the painting conservators' Painting conservators also completed treat- expertise attracted many requests for collabo- ments of Domenico Tintoretto's The Triumph ration on research projects, in-house tours and of David, Jean-Honore Fragonard's A Game of laboratory visits from outside experts and Hot Cockles, Francois Boucher's Venus Consoling grants for research, lectures, and publications. Love, Auguste Renoir's Odalisque, Paul The seven major sculpture treatments com- Cezanne's Still Life, and St. Peter by the studio pleted during fiscal year 2004 reflect both the of Sir . In preparation for broad range of materials represented in the col- forthcoming exhibitions, conservators treated lection and the challenge of treating some of Gerard ter Borch's A Suitor's Visit, Gilbert these materials. Increasingly, the conservation Stuart's John Bill Ricketts, and three paintings and maintenance of contemporary sculpture from the John Wilmerding collection, including composed of nontraditional media and using Professor Wilmerding's gift to the Gallery of unusual fabrication methods requires broad George Caleb Bingham's Mississippi Boatman. collaboration between conservators, curators,

34 NATIONAL GALLERY OF ART 2004

artists, engineers, and industrial coating spe- cialists. Frank Stella's monumental outdoor work, Prinz Friedrich von Homburg, Ein Schauspiel, 3X, constructed of stainless steel, aluminum, painted fiberglass, and carbon fiber, was thoroughly examined, with its tension cables adjusted and certain elements modified to prevent surface damage. The supporting structure of Anselm Kiefer's Angel of History, composed of lead, steel, wood, glass, and dried poppies, was reinforced to sustain the weight of its components. Treatment for traditional materials can be equally innovative and complex. Damage sustained by Jean-Antoine Houdon's marble portrait of Giuseppe Balsamo was successfully restored through a process that used state-of- the-art industrial consolidants and newly devel- oped conservation materials. A Gentlewoman in Court Finery, a sixteenth-century Italian wax miniature on slate, was exhibited for the first time following intricate treatment of the delaminating wax and finely pigmented surface. Comprehensive technical examinations were conducted on several important sculptures in for exhibition and ten objects received full preparation for conservation treatment, includ- technical examinations. With the removal of the ing the East Building's popular Alexander Paper conservators were involved in several Calder mobile, Untitled, 's Die, and major projects during the fiscal year: the first yellowed varnish on a late-fifteenth- or early-sixteenth-century was the deinstallation of the Matisse cutouts Florentine bust of Lorenzo de' Medici. in the East Building Tower Gallery, including John Martin's Joshua Additional examinations were performed the massive La Negresse. Paper conservators Commanding the on recent acquisitions, such as the early-eigh- removed the 15-by-20-foot work from its teenth-century marble relief The Virgin Mary strainer onto a specially prepared architectural Sun to Stand Still Swooning over the Dead Body of Christ at the core. Another major paper conservation project Foot of the Cross by Pierre-Etienne Monnot, was the regular monitoring of environmental upon Gibeon, the life-size bronze Isoult by Edward conditions in print storerooms and the Gallery the extraordinary McCartan, and ten small sculptures from the archives during the West Building's renovation. Trapp Collection. The conservators also treated a number amount of detail The collaboration between object conserva- of works on paper for exhibitions and loans. becomes visible as does tors and the U.S. Army Research Laboratory The fifteenth-century Crucifixion, the largest culminated in the treatment of Calder's Tom's, fifteenth-century woodcut in existence, was the contrast between the with specially formulated paint designed to be the most challenging project undertaken. exceptionally stable and durable while Treated in the 1950s before its acquisition by luminous blue sky on maintaining the matte surface that the artist the Gallery, this painted woodcut had many the right and the dark wanted. Conservators completed a major unfilled losses that made the image unreadable. comparative study of the bronzes As the piece was stable but unsightly, it was storm clouds on the left. in the Norton Simon collection as part of the determined to try to improve the sheet cos- Gallery's comprehensive Degas systematic metically for inclusion in a future exhibition on catalogue research project. the of European printmaking. Old loss In objects conservation, 140 major and areas were filled either with paper pulp or with minor treatments were completed and 164 compatible paper cut to size and level with the major and minor examinations were original. The work was then humidified, lined performed. Seventy-six objects were examined with a strong Japanese paper, and flattened.

35 " NATIONAL GALLERY OF ART 2004

In close collaboration with the curator, the In preparation for conservation, Gallery long process of in-painting the very large loss scientists studied the paint layer construction areas and the many small ones was undertaken. and composition of 's The consolidated sheet was strip-lined to a Marchesa Balbi as well as the binding media of stable support. original paints and retouches of several paint- Other major treatments carried out for ings that were conserved during the year. upcoming exhibitions include Picasso's Paintings by and Paul etching The Frugal Repast, whose previously Cezanne were analyzed using pyrolysis-gas restored top border had discolored differen- chromatography-mass spectrometry. tially, and Still Life with Jug and Bowl of Fruit, Conservators completed a technical investi- a pen-and-ink drawing by Maurice Vlaminck, gation of Raphael's Alba Madonna and the which was treated to remove staining. results will be published in the postprints of a Photographs by Roger Fenton, Andre conference on Raphael's painting techniques. Kertesz, and Irving Penn were treated in In preparation for a Gallery exhibition, the preparation for Gallery exhibitions as were painting materials of Early Netherlandish works by and Alfred Steiglitz, diptychs were investigated. Additionally, a loaned to other institutions. The scientific study of Rembrandt's landscape paintings was research staff studied coatings on photographs initiated with technical examinations of paint- in the Gallery's collection using attenuated ings in Dublin and Amsterdam, as well as our total reflection-Fourier-transform infrared own The Mill. spectroscopy, and editing was completed on In collaboration with the Getty a forthcoming publication Coatings on Conservation Institute, a study of more than Photographs, a study funded in large part by the 150 synthetic organic pigments was carried out Andrew W. Mellon Foundation. using in-source mass spectrometry, a method During the fiscal year paper conservators not used until now for the analysis of such performed 179 major and minor treatments pigments. This provides an important new tool and 571 condition examinations; 604 works for the characterization of these pigments. were matted and framed. The loan and exhibition conservators The Gallery's research scientists continued perform a vital role in supporting the Gallery's collaboration with the object conservators on special exhibition and loan programs. In fiscal a study of the material and techniques used by year 2004, approximately one thousand works Degas in his wax sculptures. Examination of of art were examined upon arrival for special more than 350 samples has revealed new exhibitions and then reexamined when the information on the construction of the pieces, exhibition closed. In addition, the conservators their changes over time, and the issues participated in the handling, installation, and surrounding their conservation. The results examination of more than four hundred works will be presented in the Gallery's systematic in exhibitions that originated at the Gallery catalogue on Degas sculptures. and traveled to other museums. The frame X-ray fluorescence spectrometry (XRF), a conservators performed 267 major and minor technique not requiring sampling, was used treatments, fabricated twelve frames and mod- routinely to analyze the materials occurring in ified thirty-three existing frames for paintings paintings, sculpture, and works on paper. in the collection, and made eight frames for The test results were used by conservators and paintings in temporary exhibitions. Staff curators to aid in treatment decisions, histori- preparing works of art on paper matted 1,289 cal research, and evaluations concerning works and framed eighty-four. They also prospective acquisitions. XRF and color spec- collaborated with the frame conservators to troscopy were employed extensively to study prepare microclimate enclosures for thirty-one the materials and techniques used in fifteenth- paintings that required extra protection when century painted woodcuts. The results of this loaned to other institutions. study will be published as an essay in the exhibition catalogue The Origins of Printmaking: Fifteenth-Century Relief Prints and Their Public.

36 —F "—--T—

mm S4<1!;S: I !ii *« m X lei I I*

##4: IKI mm TREASURER'S REPORT

cy©<3VD

he Gallery ended fiscal year 2004 with a strong improvement in its financial position for a second year in a row. The continued recovery of the financial markets has provided a significant portion of the assets crucial to maintaining our core programs of collecting, Texhibiting, preserving, and educating and to enhancing these programs through new initiatives.

ith the financial resources restored and the which accepted Andrew W. Mellon's unprecedented gift to the demand increasing to deliver key programs to nation of his art collection, the funds to construct the West a broader range of audiences, the Gallery Building, and an endowment fund; the Joint Resolution continues to explore the use of technology pledged the faith of the United States to provide funds for the Winnovation to achieve these objectives. Information Technology operations and maintenance of the Gallery, so that it could be has become fundamental in supporting our interaction with open to the public free of charge 363 days a year. the public. In fiscal year 2004, the Gallery took a significant step forward in the long process of replacing several of its key ISCUSSION OF OPERATING RESULTS For fiscal legacy systems. By receiving crucial federal funding in fiscal year 2004, the Gallery reported an operating year 2004, the Gallery began the process of replacing three of deficit of $2.5 million, $1.2 million less than the its mission-critical systems: the Collection Management operating deficit in the prior year. While the System, the Financial Management System, and the Integrated Gallery'Ds overall revenues increased over 2.2 percent in 2004, Security Management System. this increase was largely offset by a 4.1 percent increase in Our ability to replace these old legacy systems and change operating costs and expenses. The investment return on our how we deliver key programs in the coming years will further portfolio was higher this year than the benchmarks against fulfill our educational mission by providing greater access to which it is measured and was positive for the second year in a the collection, special exhibitions, and educational materials row; this increase was largely responsible for the overall increase available on our Web site. In addition to these systems, the of the Gallery's net assets for fiscal year 2004. Gallery began the implementation of a digital imaging strate- Fiscal year 2004 appropriated federal funds supported neces- gy to develop management systems and processes for digital sary expenditures, including increases in salary costs and fringe images throughout the organization. benefits of Gallery employees, utilities, supplies, and repair and Federal funding also ensures our commitment to the repair, maintenance expenses for operations and maintenance. Work restoration, and renovation of our two landmark buildings, the continued on the comprehensive Master Facilities Plan, which grounds, and the National Gallery Sculpture Garden that are addresses needed improvements to our galleries, other public utilized to present great works of art to the public. spaces, and infrastructure and also provides for the restoration of We are grateful to the President and to the Congress for their both the East and West Buildings over a thirteen- to fifteen-year support and the ongoing appropriations of federal funds that period. Federal renovation funds support this major capital have allowed the Gallery to flourish for over sixty years. project, which during fiscal year 2004 included completing Our mission in fulfilling our national role to make works of art almost all construction on work area #2; exterior stone repairs available to the public, properly care for the collection, buildings to the West Building's east and west facades and portico; and grounds, and provide art education programs would not be mechanical, electrical, and plumbing systems renovations in the possible without this support. The Gallery's federal support was West Building; fire risk analysis for the East Building; and ongo- provided for with the 1937 Joint Resolution of Congress, ing repair and restoration of both the East and West Buildings.

40 CXC NATIONAL GALLERY OF ART 2004 <3VO

As part of the Gallery's mission of serving the nation, great TATEMENT OF FINANCIAL POSITION The Gallery's works of art are borrowed from public and private collections financial position grew stronger in fiscal year 2004, worldwide for special exhibitions seen by millions of visitors with net assets increasing $52 million or 6.8 percent. each year. The Gallery's special exhibition program began in This was largely due to the continued strong fiscal year 2004 with the opening of Picasso: The Cubist Portraits S performance of the investment portfolio in fiscal year 2004 of Fernande Olivier and included other major exhibitions such when compared the portfolio's performance in fiscal year as The Age of Watteau, Chardin, and Fragonard: Masterpieces of 2003. The investment portfolio, which includes funds for French Genre Painting, Christoffer Wilhelm Eckersberg, 1783-1853, operations, special purpose funds, and endowment funds, Drawings of Jim Dine, Courtly Art of the Ancient Maya, and Palace increased $40.7 million in fiscal year 2004 to $546.7 million and Mosque: Islamic Art from the Victoria and Albert Museum. The by September 30, 2004. federal government, through its indemnity program of the The auditor's report and the statements of financial position, Federal Council on the Arts and the Humanities, is a major activities, and cash flows for the Gallery for the years factor in the international component of the Gallery's special ended September 30, 2004 and 2003 are presented on the exhibitions program. In fiscal year 2004, five exhibitions following pages. received this federal indemnity, making it possible for the Gallery to present exhibitions of a size and caliber that simply would not be possible without this crucial program. The Gallery enjoyed attendance of 4.1 million visitors in fiscal year 2004.

TATEMENT OF ACTIVITIES Fiscal year 2004 operating revenue totaled $116.4 million, an increase of $2.6 James E. Duff million, or 2.2 percent over the previous year. Most of Treasurer Sthis increase was a result of increased federal support for salaries and benefits, repairs and maintenance, security enhancements, and information technology improvements.The Gallery's investment portfolio greatly benefited from the upturn in the financial markets and gained 12.5 percent over- all in fiscal year 2004. A portion of the total investment return is designated annually to support the ongoing operations, while the remaining gain, $47.9 million in fiscal year 2004, was used to offset realized and unrealized losses that were recorded in prior years. Non-operating support, including gifts and grants designated for special purposes, art acquisitions and endowment funds decreased in 2004 by $2.8 million when compared to the prior year, largely due to several large endowment gifts received in fiscal year 2003. Operating expenses of $117.2 million for fiscal year 2004 were 4.1 percent higher than the previous year, mainly due to increases in salary and benefits costs, repairs and maintenance, and information technology improvements. Federal appropriat- ed funds totaling $99 million were obligated and utilized for the operation, maintenance, security, and renovation of the Gallery.

41 REPORT OF INDEPENDENT AUDITORS

PRICE[WERHOUsE(pOPERS i

TO THE BOARD OF TRUSTEES OF THE NATIONAL GALLERY OF ART

In our opinion, the accompanying statements of financial position and the related statements of activities and cash flows, present fairly, in all material respects, the financial position of the National Gallery of Art (the Gallery) at September 30, 2004, and the changes in its net assets and its cash flows for the year then ended in conformity with accounting principles generally accepted in the United States of America.These financial statements are the responsibility of the Gallery's management; our responsibility is to express an opinion on these financial statements based on our audit. The prior year summarized comparative information has been derived from the Gallery's 2003 financial statements, and in our report dated November 14, 2003 we expressed an unqualified opinion on those financial statements. We conducted our audit of these statements in accordance with auditing stan- dards generally accepted in the United States of America and Government Auditing Standards issued by the Comptroller General of the United States, which require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free of material misstatement. An audit includes examining, on a test basis, evidence supporting the amounts and disclosures in the financial statements, assessing the accounting principles used and significant estimates made by management, and evaluating the overall financial statement presentation. We believe that our audit provides a reasonable basis for our opinion expressed above. In accordance with Government Auditing Standards, we have also issued a report dated November 5, 2004, on our consideration of the Gallery's internal control structure and its compliance with laws and regulations.

Washington, D C. November 5, 2004

42 FINANCIAL STATEMENTS

cv©QVD

STATEMENTS OF FINANCIAL POSITION September 30, 2004 and 2003

ASSETS 2004 2003 Cash and cash equivalents $ 24,296,585 $ 30,794,302 Accounts receivable, net 1,727,272 2,128,135 Pledges receivable, net 20,542,292 15,927,859 Investments 546,699,534 505,961,449 Trusts held by others 7,452,056 6,916,071 Publications inventory, net 1,526,331 1,609,870 Deferred charges 824,640 795,563 Fixed assets, net 158,012,581 144,974,909 Art collections

Total assets $761,081,291 $709,108,158

LIABILITIES AND NET ASSETS

LIABILITIES: Accounts payable and accrued expenses $ 21,079,508 $ 20,134,854 Capital lease obligation 2,422,025 2,528,464 Total liabilities 23,501,533 22,663,318

NET ASSETS: Unrestricted Designated for collections and art purchases 18,707,846 17,307,257 Designated for special exhibitions 5,930,924 5,396,136 Designated for capital projects 33,001,859 29,568,370 Designated for education and public programs 19,310,975 17,981,004 Designated for other operating purposes 30,250,975 22,264,553 Designated for publications, including systematic catalogues 22,420,491 21,458,969 Designated for fixed assets 155,590,556 142,446,445 Total unrestricted 285,213,626 256,422,734

Temporarily restricted 139,666,904 133,588,217 Permanently restricted 312,699,228 296,433,889 Total net assets 737,579,758 686,444,840 Total liabilities and net assets $ 761,081,291 $709,108,158

The accompanying notes are an integral part of these financial statements.

43 C/S> NATIONAL GALLERY OF ART 2004 <3

STATEMENTS OF ACTIVITIES for the year ended September 30, 2004 and 2003 with summarized financial information for the year ended September 30, 2003

TEMPORARILY PERMANENTLY 2004 2003 OPERATING UNRESTRICTED RESTRICTED RESTRICTED TOTAL TOTAL

SUPPORT AND REVENUE: U.S. Government appropriation $ 79,863,613 $ 2,988,714 $ 82,852,327 $ 76,226,261 Gifts and grants 6,617,228 4,483,568 11,100,796 14,829,561 Gallery shop sales, net 8,444,067 8,444,067 9,160,342 Investment return designated for operations 2,158,593 10,094,000 12,252,593 12,047,884 Royalties and other income 1,756,628 1,756,628 1,557,558 98,840,129 17,566,282 116,406,411 113,821,606 Net assets released from restrictions to fond operating expenses 15,839,842 (15,839,842) Total support and revenue 114,679,971 1,726,440 116,406,411 113,821,606

OPERATING EXPENSES:

Program services: Collections 33,012,064 33,012,064 30,978,136 Special exhibitions 16,346,803 16,346,803 15,976,377 Education, gallery shops and public programs 35,941,041 35,941,041 35,949,816 Editorial and photography 3,855,815 3,855,815 3,512,438 Total program services 89,155,723 89,155,723 86,416,767

Supporting services: General and administrative 24,359,201 24,359,201 22,761,898 Development 3,672,555 3,672,555 3,382,649 Total supporting services 28,031,756 28,031,756 26,144,547 Total expenses 117,187,479 117,187,479 112,561,314 (Decrease) increase in net assets from operating activities (2,507,508) 1,726,440 (781,068) 1,260,292

NON-OPERATING U.S. Government appropriation — 11,457,066 11,457,066 16,124,505 Non-operating gifts and grants - 4,198,592 5,573,021 9,771,613 12,577,041 Provision for bad debts (37,500) (37,500) (358,333) Changes in value of trusts held by others (99,942) 10,953 535,310 446,321 775,929 Investment return in excess of amount designated for operations 14,297,194 21,181,792 12,401,785 47,1 1,771 60,681,563 Net assets released from restrictions to fund non-operating expenses 34,740,933 (32,496,156) (2,244,777) Change in net assets from non-operating activities before acquisitions of works of art 48,900,685 4,352,247 16,265,339 69,518,271 89,800,705 Acquisitions of works of art (17,602,285) (17,602,285) (10,762,531) Increase in net assets 28,790,892 6,078,687 16,265,339 51,134,918 80,298,466 Net assets at beginning of year 256,422,734 133,588,217 296,433,889 686,444,840 606,146,374 Net assets at end of year $285,213,626 $139,666,904 $312,699,228 $ 737,579,758 $ 686,444,840

The accompanying notes are an integral part of these financial statements.

44 cxg) NATIONAL GALLERY OF ART 2004 <3vo

STATEMENTS OF CASH FLOWS for the years ended September 30, 2004 and 2003

CASH FLOWS FROM OPERATING ACTIVITIES: 2004 2003 Increase in net assets $ 51,134,918 $ 80,298,466

ADJUSTMENTS TO RECONCILE INCREASE IN NET ASSETS TO NET CASH USED IN OPERATING ACTIVITIES: Depreciation and amortization 6,821,070 6,611,651 Amortization of discount on pledges receivable (294,070) (285,572) Provision for bad debts 37,500 358,333 Contributions and net investment income for permanently restricted investments (8,032,443) (10,726,504) U.S. Government appropriations for renovation projects (11,457,066) (16,124,505) Gifts and grants for art acquisitions and capital projects (4,198,592) (3,219,861) Acquisitions of works of art 17,602,285 10,762,531 Realized gains on sale of investments (24,514,194) (4,984,459) Unrealized gains on investments (29,426,010) (58,824,638) Increase in value of trusts held by others (535,985) (872,649) Decrease (increase) in accounts receivable, net 363,363 (391,438) Decrease (increase) in pledges receivable, net 489,040 (2,575,903) Decrease in publications inventory, net 83,539 625,451 (Increase) decrease in deferred charges (29,077) 267,468 Increase (decrease) in accounts payable and accrued expenses 487,543 (2,377,384) Net cash used in operating activities (1,468,179) (1,459,013)

CASH FLOWS FROM INVESTING ACTIVITIES: Purchase of investments (149,023,201) (249,486,643) Proceeds from sale of investments 162,225,320 248,385,710 Acquisitions of works of art (17,597,748) (8,047,070) Purchase of fixed assets (19,406,168) (14,626,857) Net cash used in investing activities (23,801,797) (23,774,860)

CASH FLOWS FROM FINANCING ACTIVITIES: Contributions and net investment income for permanently restricted investments 2,459,422 10,076,530 U.S. Government appropriations for renovation projects 11,457,066 16,124,505 Gifts and grants for art acquisitions and capital projects 4,962,210 3,627,154 Principal payment on capital lease obligation (106,439) (97,074) Net cash provided by financing activities 18,772,259 29,731,115 Net (decrease) increase in cash and cash equivalents (6,497,717) 4,497,242 ] Cash and cash equivalents, at beginning of year 30,794,302 26,297,060 Cash and cash equivalents, at end of year $ 24,296,585 $ 30,794,302

SUPPLEMENTAL DISCLOSURE OF NON-CASH INFORMATION: Donated investment securities $ 1,931,228 $ 633,143 i Fixed asset additions included in accounts payable $ 452,574 $ 1,830,469 ] Interest paid on capital lease $ 231,354 $ 240,237

The accompanying notes are an integral part of these financial statements.

45 NOTES

c^S)(3^o

1. SUMMARY OF SIGNIFICANT ACCOUNTING POLICIES

GENERAL The National Gallery of Art (the Gallery) receives an annual donor-imposed restrictions. Accordingly, net assets of the appropriation to cover its core programs as part of the budget Gallery are classified and reported as follows: approved annually by Congress and signed by the President. Unrestricted net assets include "one-year" federal appropri- This is supplemented with income from endowments designated ations and all other resources, which are not subject to for current operating expenditures as well as gifts and grants donor-imposed restrictions. One-year federal appropriations designated by the donors for specific programmatic activity. which are not obligated or expended are retained by the (All monies, related activities and balances from federal sources Gallery in accordance with federal guidelines. At the discretion are referred to herein as "federal," while all other monies, related of the Gallery's Board of Trustees, private funds which are activities and balances are referred to herein as "private.") All not expended for operating activities may be set aside in identified inter-fund transactions have been eliminated from designated reserves and earmarked to cover future program the financial statements. costs or other contingencies. Temporarily restricted net assets carry specific donor- MEASURE OF OPERATIONS imposed restrictions on the expenditure or other use of the The Gallery includes in its measure of operations all federal and contributed funds. In addition, the Gallery's "no-year" federal private support and revenue and expenses that are integral appropriations for special exhibitions, emergency response, and to its core program services: collections; special exhibitions; for the repair, renovation and restoration of its buildings are education, gallery shops and public programs; and editorial and classified as temporarily restricted net assets. photography. The measure of operations excludes certain non- Temporary restrictions may expire as a result of fulfillment of operating activities such as non-operating gifts and grants, the donor's wishes or the passage of time. Net assets released investment return in excess of amounts designated for opera- from temporarily restricted net assets to unrestricted net assets tions and acquisitions of works of art. occur when contributions are expended or time restrictions The Gallery's Board of Trustees designates only a portion lapse and are reported as net assets released from restrictions in of the Gallery's cumulative investment return for support of the statement of activities. current operations; the remainder is retained to support oper- Permanently restricted net assets have donor-imposed ations of future years and offset potential market declines. The restrictions which stipulate that the corpus of the gifts be amount designated (which is computed under the spending retained permanendy. In some cases, the donor has also perma- policy) and all interest income earned by investing cash nently restricted the use of excess income and any realized or in excess of daily requirements are used to support current unrealized gains attributable to the corpus. operations (see Note 5). CASH AND CASH EQUIVALENTS SUMMARIZED FINANCIAL INFORMATION Cash and cash equivalents include interest-bearing demand The financial statements include certain summarized prior- deposits and appropriated amounts remaining on deposit with year information in total only, but not by net asset class. Such the U.S.Treasury.The Gallery considers all highly liquid invest- information does not include sufficient detail to constitute a ments with an original maturity of three months or less to be presentation in conformity with accounting principles gener- cash equivalents, except where such cash equivalents are held as ally accepted in the United States of America. Accordingly, such part of a long-term investment strategy (see Notes 2 and 5). information should be read in conjunction with the Gallery's financial statements for the year ended September 30, 2003 PLEDGES RECEIVABLE from which the summarized information was derived. Unconditional promises to contribute to the Gallery in the future (pledges receivable) are recorded at the present value of NET ASSETS future cash flows, using a risk-free rate of return, after provid- The Gallery's net assets, support and revenue, expenses, gains ing an allowance for uncollectibility. and losses are classified based on the existence or absence of

46 NATIONAL GALLERY OF ART 2004 <3^o

INVESTMENTS Investments are generally carried at fair value based upon quot- on a straight-line basis over the estimated useful life of fifty ed market price when available at the end of the fiscal year. years. Building improvements, equipment, furniture and com- Certain investments in limited partnerships are valued by the puter software are also recorded at cost and depreciated on a general partner. A portion of the limited partnerships are invest- straight-line basis over estimated useful lives ranging from five ed in non-marketable securities for which there are no readily to twenty-five years. Upon retirement of fixed assets, the relat- obtainable market values, and the valuation of these investments ed cost and accumulated depreciation are removed from the may be based on historical cost, appraisals, obtainable prices for accounts (see Note 7). similar assets, or other estimates. Because of the uncertainty of valuation for the Gallery's investments in limited partnerships, ART COLLECTIONS values for those investments may differ from values that would The Gallery's art collections focus upon European and American have been used had a ready market for the investments existed. paintings, sculpture and works on paper. In conformity with Purchases and sales of securities are reflected on a trade-date accounting procedures generally followed by art museums, the basis. Gain or loss on sales of securities is based on average his- value of art has been excluded from the statement of financial torical value (cost of securities if purchased or the fair market position. The Gallery's collections are maintained for public value at the date of gift if received by donation). Dividend and exhibition, education and research in furtherance of public interest income is recorded on the accrual basis. In accordance service, rather than for financial gain. with the policy of stating investments at fair value, the net The Gallery acquires its art collections through purchase or change in unrealized appreciation or depreciation for the year is by donation-in-kind. Only current year purchases made from reflected in the statement of activities (see Note 5). specifically designated funds, not donations-in-kind, are reflected in the statement of activities. The Gallery does not deaccession TRUSTS HELD BY OTHERS any of its permanent collections. The Gallery has been named as beneficiary in several irrevoca- ble charitable trusts held by third parties. The Gallery's share of ACCRUED LEAVE these trusts is recorded at current fair value. Income distribu- Annual leave is accrued as it is earned by employees and is tions from these trusts are recorded as investment income and included in personnel compensation and benefit costs. An changes in the value of these trusts are recorded as "changes in unfunded liability as of the date of the financial statements is the value of trusts held by others" in the statement of activities. recognized for earned but unused annual leave by federal employees since this annual leave will be paid from future fed- PUBLICATIONS INVENTORY eral appropriations when the leave is used by employees. The Publications inventory is carried at the lower of cost or market. amount accrued is based upon current pay of the employees. Cost is determined using the retail cost method. EMPLOYEE BENEFITS DEFERRED CHARGES The Federal Accounting Standards Advisory Board issued Deferred charges represent private expenses incurred in con- Statement of Federal Financial Accounting Standards No. 5 nection with future special exhibitions and other activities and (SFFAS No. 5), "Accounting for Liabilities of the Federal are recognized in the period in which the exhibition or activ- Government,"which requires employing agencies to recognize ity occurs. the cost of pensions and other retirement benefits during their employees' active years of service. The pension expense recog- FIXED ASSETS nized in the Gallery's financial statements is equal to the current The land occupied by the Gallery's buildings was appropriated service cost for the Gallery's employees for the accounting and reserved by the Congress of the United States for that pur- period less the amount contributed by the employees. The pose. No value has been assigned in the accompanying finan- measurement of the pension service cost requires the use of an cial statements. Buildings are recorded at cost and depreciated actuarial cost method and assumptions with factors applied by

47 o© NATIONAL GALLERY OF ART 2004 <3o

the Gallery. These factors are supplied by the Office of Personnel FUNCTIONAL ALLOCATION OF EXPENSES Management (OPM), the agency that administers the plan.The The cost of providing various programs and other activities has excess of the recognized pension expense over the amount been summarized on a functional basis in the statement of contributed by the Gallery represents the amount being activities. Certain costs including depreciation, utilities, building financed directly through the Civil Service Retirement and maintenance, security and other operating costs have been Disability Fund administered by OPM. This amount is con- allocated among program and supporting services. sidered imputed financing by the Gallery. Included under the Collections category are the costs of the All permanent employees of the Gallery, both federal and care and display of the Gallery's collections. Special exhibitions non-federal, hired subsequent to January 1,1984 participate in includes travel, transportation of items and other services necessary both the Social Security Retirement System and the Federal for the display of special exhibitions. Education, gallery shops Employees' Retirement System (FERS). Employees hired prior and public programs includes the cost of providing a wide array to January 1,1984 had the option of remaining under the Civil of lectures, tours, films, music, symposia and academic programs Service Retirement System (CSRS) or electing FERS. All to the general public, in addition to gallery shop cost of goods employees have the option to make tax-deferred contributions sold and expenses. Editorial and photography includes the costs to a Thrift Savings Plan and, in some instances, receive a match- to produce the many publications produced by the Gallery. ing portion from the Gallery. The Gallery funds all retirement General and administrative includes expenses for executive contributions on a current basis, and accordingly there are no management, financial administration, information systems, unfunded retirement costs (see Note 11). human resources and legal services. Development includes the SFFAS No. 5 also requires that the Gallery recognize a current- expenses associated with individual and corporate gifts and period expense for the future cost of post-retirement health grants, annual appeals and other fundraising efforts. benefits and life insurance for its employees while they are still working. The Gallery accounts for and reports this expense in its ESTIMATES financial statements in a manner similar to that used for pension The preparation of the financial statements, in conformity with expense, with the exception that employees and the Gallery do generally accepted accounting principles, requires management not make current contributions to fund these future benefits. to make estimates and assumptions that affect the reported amount of assets and liabilities, disclosure of contingent assets IMPUTED FINANCING SOURCES and liabilities, and the reported amounts of support and revenue In certain cases, the operating costs of the Gallery are paid out and expenses at the date of the financial statements and during the of funds appropriated to other Federal agencies. As an example, reporting period. Actual results could differ from these estimates. the law requires certain costs of retirement programs be paid by OPM and certain legal judgments against the Gallery be paid RECLASSIFICATIONS from the Judgment Fund maintained by Treasury. Costs that are Certain prior year balances have been reclassified to conform to identifiable to the Gallery and directly attributable to the Gallery's current year presentation or as a result of changes in donor intent. operations are paid by these Federal agencies.

CONTRIBUTED SERVICES 2. CASH AND CASH EQUIVALENTS The Gallery has volunteers who provide assistance in various departments. Such contributed services do not meet the criteria As of September 30, 2004 and 2003, cash and cash equivalents for recognition of contributed services contained in Statement include federal cash of $21,574,900 and $25,240,154, respective- of Financial Accounting Standards No. 116, "Accounting for ly, on deposit with the U.S. Treasury representing appropriated Contributions Received and Contributions Made," and, accord- amounts yet to be disbursed. There are no reconciling items ingly, are not reflected in the accompanying financial statements. between the amounts recorded by the Gallery and on deposit with the U.S. Treasury.

4H c/S> NATIONAL GALLERY OF ART 2004 <3^3

3. ACCOUNTS RECEIVABLE

As of September 30, 2004 and 2003, accounts receivable consisted of the following:

2004 2003 Accrued investment income $ 603,269 $ 602,212 Special exhibition and other program receivables 653,901 897,796 Other 557,949 680,183 Subtotal 1,815,119 2,180,191 Less allowances (87,847) (52,056) Total $ 1,727,272 $ 2,128,135

4. PLEDGES RECEIVABLE

As of September 30, 2004 and 2003 pledges receivable consisted of the following:

2004 2003 Due in one year or less $ 6,140,139 $ 4,702,440 Due between one year and five years 14,767,294 11,520,800 Due in more than five years 600,000 710,000 Subtotal 21,507,433 16,933,240 Less discounts of $665,141 and $705,381 and allowances of $300,000 and $300,000, respectively (965,141) (1,005,381) Total $ 20,542,292 $ 15,927,859

5. INVESTMENTS

As of September 30, 2004 and 2003, investments consisted of the following:

2004 2003 COST FAIR VALUE COST FAIR VALUE Loan to the U.S. Treasury $ 5,000,000 $ 5,000,000 $ 5,000,000 $ 5,000,000 Government obligations, cash and money market funds 7,492,476 7,492,476 16,493,720 16,493,720 Common and preferred stocks 125,018,325 150,259,369 115,856,474 129,112,962 Mutual funds (equity & fixed income) 304,414,360 336,790,984 310,162,877 326,711,601 Alternative investments 45,435,840 47,156,705 26,849,372 26,956,683 Other - 1,686,483 1,686,483 Total $ 487,361,001 $ 546,699,534 $ 476,048,926 $505,961,449

In 1942, the Gallery, under authority of an Act of Congress, made a $5,000,000 permanent loan to the U.S. Treasury. This loan bears interest at 1/4% below the average monthly rate for long-term funds paid by the U.S.Treasury (ranging from 4.25% to 5.0% during fis- cal year 2004). Interest income on this loan was $233,038 and $218,559 for the years ended September 30,2004 and 2003, respectively. Investments in common and preferred stocks and mutual funds consist of the Gallery's ownership interest in externally man- aged investment funds, which invest in market-traded equity and fixed income securities. Alternative investments, totaling $47,156,705 and $26,956,683 at September 30, 2004 and 2003, respectively, represent the Gallery's ownership interest in exter- nally managed funds organized as limited partnerships which have been valued by the general partners and which are generally subject to certain withdrawal restrictions.

49 cve> NATIONAL GALLERY OF ART 2004 <3^o

Included in other investments as of September 30,2003 are loans to an executive officer which are secured by residential real estate. The first note, totaling $1,130,000, was due eight months after the officers retirement from the Gallery and carried an interest rate of 5% on $130,000 of the note balance; the second note, totaling $600,000, carried an interest rate of 5.3% and is due either the earlier of2021 or eight months after the officers retirement from the Gallery. Both of these notes were paid off by the executive officer in May 2004. According to the Gallery's spending policy set by the Board of Trustees, only a portion of the total investment return derived from investments is available to support current operations, while the remainder is reinvested. Under this spending policy, 5% of the average fair value of endowment investments at the end of the previous three and one-quarter years is available to support oper- ations. The following schedule summarizes the investment return and its classification in the statement of activities:

TEMPORARILY PERMANENTLY 2004 2003 INVESTMENT RETURN DESIGNATED FOR OPERATIONS UNRESTRICTED RESTRICTED RESTRICTED TOTAL TOTAL

Interest on short-term investments $ 396,593 $ — $ $ 396,593 $ 486,884 Investment return designated by spending policy for operations 1,762,000 10,094,000 11,856,000 11,561,000

Total investment return designated for operations $ 2,158,593 $ 10,094,000 $ — $ 12,252,593 $ 12,047,884

INVESTMENT RETURN IN EXCESS OF AMOUNT DESIGNATED FOR OPERATIONS Dividends and interest (net of expenses of $1,219,810 and $1,021,461, respectively) $ 1,722,708 $ 4,000,309 $ 73,550 $ 5,796,567 $ 8,433,466 Net investment appreciation 14,336,486 27,275,483 12,328,235 53,940,204 63,809,097 Total return on long-term investments 16,059,194 31,275,792 12,401,785 59,736,771 72,242,563 Investment return designated by spending policy for operations (1,762,000) (10,094,000) (11,856,000) (11,561,000)

Investment return in excess of amount designated for operations $ 14,297,194 $ 21,181,792 $ 12,401,785 $ 47,880,771 $ 60,681,563

6. PUBLICATIONS INVENTORY. NET

As of September 30, 2004 and 2003, net publications inventory consisted of the following:

2004 2003 Retail $1,111,205 $ 843,821 Work-in-process 244,472 875,968 Consignment 528,066 569,129 1,883,743 2,288,918 Less allowance for obsolescence (357,412) (679,048) Total $1,526,331 $1,609,870

50 ce> NATIONAL GALLERY OF ART 2004 <3

7. FIXED ASSETS, NET

As of September 30, 2004 and 2003, net fixed assets consisted of the following:

2004 2003 Buildings and improvements $ 239,245,271 204,123,679 Equipment 34,089,982 31,303,075 Construction-in-progress 7,702,273 25,752,030 Equipment under capital lease 2,962,380 2,962,380 283,999,906 264,141,164 Less accumulated depreciation and amortization (125,987,325) (119,166,255) Total $ 158.012,581 $ 144,974,909

Depreciation and amortization expense was $6,821,070 and $6,611,651 for fiscal years 2004 and 2003, respectively.

8. UNEXPENDED APPROPRIATIONS

The Gallery's unexpended federal appropriations as of September 30, 2004 and 2003 are as follows:

NO-YEAR NO-YEAR TOTAL 2004 TOTAL 2003 NO-YEAR SPECIAL EMERGENCY FEDERAL FEDERAL ONE-YEAR RENOVATION EXHIBITION RESPONSE APPROPRIATED APPROPRIATED FUNDS FUNDS FUNDS FUNDS FUNDS FUNDS BALANCE BEGINNING OF PERIOD: Available $ 5,081,328 66,223 $171,452 $ 5,319,003 $ 5,873,135 Unavailable 554,435 554,435 702,569 Total beginning unexpended appropriations 554,435 5,081,328 66,223 171,452 5,873,438 6,575,704 Unavailable authority returned to U.S. Treasury (161,479) (161,479) (132,446) U.S. Government funds provided for prior years 445,842 445,842 (18,017) Current appropriation received 83,777,820 11,457,066 2,988,714 98,223,600 92,841,581

OBLIGATIONS INCURRED: Art care (26,019,364) (26,019,364) (25,536,199) Operations and maintenance (17,830,906) (17,830,906) (15,293,940) Security (17,338,064) (170,713) (17,508,777) (16,026,362) General and administrative (18,502,125) (18,502,125) (16,438,965) Special exhibitions (3,041,231) (3,041,231) (3,174,414) Renovation and equipment (4,083,425) (11,995,680) (16,079,105) (16,923,504) Total obligations incurred (83,773,884) (11,995,680) (3,041,231) (170,713) (98,981,508) (93,393,384)

NET CHANGE 288,299 (538,614) (52,517) (170,713) (473,545) (702,266) Balance end of period: Available 4,542,714 13,706 739 4,557,159 5,319,003 Unavailable 842,734 842,734 554,435 Total ending unexpended appropriations $ 842,734 $ 4,542,714 $ 13,706 $ 739 $ 5,399,893 $ 5,873,438

51 cC NATIONAL GALLERY OF ART 2004 Sv=

9. NET ASSETS RELEASED FROM RESTRICTIONS

Net assets are released from donor restrictions when the expenses are incurred to satisfy the restricted purposes as specified by donors. The donor-specified restrictions that were met in the reporting period are as follows:

2004 2003 OPERATING NON-OPERATING OPERATING NON-OPERATING Acquisition of art $ - $ 16,939,640 $ $ 10,562,647 Collections 1,293,128 1,653,055 Special exhibitions 6,547,213 6,465,947 Education and public programs 3,893,430 4,854,110 Editorial and photography 45,743 144,910 Capital projects - 17,801,293 15,498,470 Operations 4,060,328 3,489,621 Total $ 15,839,842 $ 34,740,933 $ 16,607,643 $26,061,117

10. ANALYSIS OF RESTRICTED NET ASSETS

As of September 30, 2004 and 2003, temporarily restricted net assets and the investment income from permanently restricted net assets are restricted to support the following purposes:

2004 2003 TEMPORARILY PERMANENTLY TEMPORARILY PERMANENTLY RESTRICTED RESTRICTED RESTRICTED RESTRICTED Acquisition of art $ 65,468,780 $ 87,036,292 $ 59,602,016 $ 88,644,249 Collections 2,604,444 27,719,274 2,167,102 26,028,435 Special exhibitions 8,277,917 22,093,168 7,465,287 17,152,109 Education and public programs 29,314,037 59,148,823 26,440,846 54,524,988 Editorial and photography 118,257 114,000 Capital projects 10,140,506 16,314,418 Operations 23,742,963 116,701,671 21,484,548 110,084,108 Total $139,666,904 $312,699,228 $133,588,217 $296,433,889

11. EMPLOYEE BENEFITS

Total pension expense recognized in the Gallery's financial statements was $4,729,340 and $4,639,590 for the years ended September 30,2004 and 2003, respectively. These amounts do not include pension expense financed by OPM and imputed to the Gallery of $1,744,716 and $1,541,296, respectively. To the extent that Gallery employees are covered by the thrift savings compo- nent of FERS, the Gallery's payments to the plan are recorded as operating expenses. The Gallery's cost associated with the thrift savings component of FERS for the years ended September 30, 2004 and 2003, were $1,495,254 and $1,340,995, respectively. In addition, the Gallery makes matching contributions for all employees who are eligible for current health and life insurance benefits. The Gallery's contributions for active employees are recognized as operating expenses. During fiscal years 2004 and 2003, the Gallery contributed $3,657,989 and $3,243,081, respectively. Using the cost factors supplied by OPM, the Gallery has not recognized as an expense in its financial statements the future cost of post-retirement health benefits and life insurance for its employees. These costs amounted to approximately $4,432,900 and $4,672,839 during fiscal years 2004 and 2003 respectively, are financed by OPM and imputed to the Gallery.

52 NATIONAL GALLERY OF ART 2004 <3

12. INCOME TAXES

The Gallery is a nonprofit organization exempt from federal income taxes under the provisions of Section 501(c)(3) of the Internal Revenue Code.

13. LEASE COMMITMENTS

During fiscal year 2002, the Gallery entered into a capital lease obligation in connection with the installation of equipment. The Gallery has also entered into several operating leases for warehouse and office space, which continue through January 31, 2013. The terms of these operating leases include additional rent for operating expenses, real estate taxes, utilities and maintenance. Future minimum lease payments under these leases for the fiscal years ending September 30 are as follows:

CAPITAL LEASE OPERATING LEASES 2005 $ 338,289 $ 3,281,318 2006 338,801 3,347,295 2007 339,327 3,414,790 2008 339,870 3,527,726 2009 340,429 2,950,733 Thereafter 2,400,122 9,291,068 Total minimum lease payments 4,096,838 $25,812,930 Less amount representing interest (1,674,813) Present value of minimum capital lease payments $ 2,422,025

Rental expense was approximately $3,191,537 and $2,634,406 for the years ended September 30, 2004 and 2003, respectively.

53 ACQUISITIONS

PAINTINGS 2004.99.1, Gift (Partial and Promised) >lnscription (reverse), 1860, bronze, > Eagle Astride Two Cannons (The of Jo Ann and Julian Ganz in honor of 2004.59.1.a-b, Eugene L. and Artillery) (reverse), 1601, bronze, Bannard, Walter Darby, American, John Wilmerding Marie-Louise Garbaty Fund 2003.154.8.a-b, Gift of born 1934 Lisa Unger Baskin Hofmann, Hans, American, Bontecou, Lee, American, born 1931 > Composition in Red, undated, acrylic 1880-1966 > Untitled, 1962, welded iron, canvas, David d'Angers, Pierre-Jean, French, on canvas, 2004.30.1, Gift of William >Brown Center, 1963, acrylic on canvas wire, and black paint, 2004.44.1, 1788-1856 C. Seitz and Irma S. Seitz >Flux, 1964, oil on canvas, Gift of the Collectors Committee >Jean-Frati(ois Bodin, 1776-1829, Batoni, Pompeo, Italian, 1708-1787 2004.30.6-7, Gift of William C. Seitz Politician and Architect, 1828, bronze, Bovy, Antoine, Swiss, 1795-1877 > Portrait of a Gentleman, c. 1762, oil and Irma S. Seitz 2004.50.1, Gift of Dr. Stephen K. and >Louis Philippe, 1773-1850, King of on canvas, 2004.86.1, Gift of Jamie Woo Scher Johnson, David, American, 1827 -1908 the French 1830-1848 (obverse) Joseph F. McCrindle >Antoine Quatremere de Quincy, > Three Pears and an Apple, 1857, oil > The Establishment of the French 1755-1849, 1835, bronze, Bingham, George Caleb, American, on board, 2003.152.1, Gift (Partial and Railway System: The Law of 11 June 2004.59.7, Eugene L. and Marie-Louise 1811-1879 Promised) of William and Abigail Gerdts 1842 (reverse), 1842, copper, Garbaty Fund >Mississippi Boatman, 1850, oil on 2004.59.2.a-b, Eugene L. and Marie- Martin, John, British, 1789-1854 canvas, 2004.66.1, John Wilmerding Louise Garbaty Fund Desmeth, Louis-Antoine, Belgian, >Joshua Commanding the Sun to Stand Collection 1883-1964 Still upon Gibeon, 1816, oil on canvas, Calker, B.C.V., Dutch, active > Gratitude (La Reconnaissance) Bochner, Mel, American, born 1940 2004.64.1, Paul Mellon Fund 18th century (obverse) > Theory of Boundaries, 1969 -1970, >Recognition of the Independence of the Morisot, Berthe, French, 1841 -1895 >Inscription (reverse), late 19th century, chalk on dry pigment on wall, United States by Friesland (obverse) > Young Girl with an Apron, 1891, oil bronze, 2003.154.6.3-b, Gift of Lisa 2004.123.1, The Nancy Lee and >Insaiption (reverse), 1782, silver, on canvas, 2004.110.5, Collection of Unger Baskin Perry Bass Fund 2003.154.1.a-b, Gift of Mr. and Mrs. Paul Mellon Lisa Unger Baskin Dropsy, Henri, French, 1885-1969 Bonnard, Pierre, French, 1867-1947 Motherwell, Robert, American, > Self-Portrait of the Medalist at Work, > The Artist's Studio, 1900, oil on wood, Carpeaux, Jean-Baptiste, French, 1915-1991 esrly 20th century, bronze, 2004.59.8, 2004.110.1, Collection of Mr. and 1827-1875 > Study for "Reconciliation Elegy," 1977, Eugene L. snd Msrie-Louise Mrs. Paul Mellon >Madame Defly, model 1863, probably acrylic on canvas board, 2004.9.4, Garbaty Fund cast 1891, bronze, 2004.59.3, Eugene Davis, Gene, American, 1920-1985 Gift of the Dedalus Foundation L. and Marie-Louise Garbaty Fund Dubufe, Juliette, French, active >Jasmine Jungle, 1967, acrylic on canvas, Stella, Frank, American, born 1936 mid-19th century 2004.30.3, Gift of William C. Seitz and Cerbara, Giuseppe, Italian, 1770-1856 >Rowley, 1962, acrylic on canvas, >Paul Hugues Christofle, 1842, copper, Irma S. Seitz > Gregory XVI (Bartolomeo Alberto 2004.30.17, Gift of William C. Seitz 2004.59.9, Eugene L. and Marie- Cappellari, 1765-1846), Pope 1830 Decker, Joseph, American, 1853-1924 and Irma S. Seitz Louise Gsrbaty Fund (obverse) >Ripening Pears, c. 1884/1885, oil on Tilborgh the Younger, Gillis van, > Saint Romuald, Founder of the Eberach, Walter, German, 1866-1944 canvas, 2004.29.1, Gift of Ann and Flemish, c. 1625-1678 Camaldolese Order (reverse), 1831, > The Torpedoing of the Tuhantia Mark Kington/The Kington Foundation > Self-Portrait in the Studio, c. 1645, oil bronze, 2003.154.2.a-b, Gift of (obverse) and the Avalon Fund on panel, 2003.153.1, Gift of Otto Lisa Unger Baskin >Inscription (reverse), 1916, iron, Dzubas, Friedel, American, 1915-1994 Naumann and Heidi Shafranek 2004.50.2.a-b, Gift of Dr. Stephen K. Chaplain, Jules-CI6ment, French, >Kanton, 1966, acrylic on canvas, and Jamie Woo Scher Vernet, Horace, French, 1789-1863 1839-1909 2004.46.1, Gift of Charles Millard in >Departure for the Hunt in the Pontine >Dr. Pozzi, 1846-1918, Farochon, Jean-Baptiste-Eugene, memory of Michael Barclay Watson Marshes, 1833, oil on canvas, Physician (obverse) French, 1812-1871 Eckersberg, Christoffer Wilhelm, 2004.38.1, Chester Dale Fund > Allegory of the Fight against Death >Jean-Auguste-Dominique Ingres, Danish, 1783-1853 (reverse), 1906, silvered copper, (obverse) Weenix, Jan, Dutch, 1642-1719 1780 -1867, Artist > View of the Cloaca Maxima, Rome, 2004.59.4.a-b >Inscription (reverse), 1867, copper, > Still Life with Swan and Game before 1814, oil on canvas, 2004.75.1, >Leo Delibes, 1836-1891, Composer, 2004.59.10.3-b, Eugene L. and a Country Estate, c. 1685, oil on Gift from Victoria and Roger Sant c. 1870, bronze, 2004.59.5, Eugene Marie-Louise Gsrbsty Fund canvas, 2004.39.1, Patrons' L. and Marie-Louise Garbaty Fund Fantin-Latour, Henri, French, Permanent Fund Flavin, Dan, American, 1933-1996 1836-1904 Charpentier, Alexandre, French, Whittredge, Worthington, American, > Untitled (to Barnett Newman to > Roses de Nice on a Table, 1882, 1856-1909 1820-1910 commemorate his simple problem, red, oil on canvas, 2004.110.4, Collection >Edmond de Goncourt, 1822-1896, yellow and blue), 1970, red, yellow, > Second Beach, Newport, c. 1878/1880, of Mr. and Mrs. Paul Mellon Writer and Critic, 1894, bronze and blue fluorescent light, 2004.40.1, oil on canvas, 2004.58.1, Paul Mellon >Paul Charpentier, 1890, bronze, Gift of the Barnett & Annalee Newman Fautrier, Jean, French, 1898 -1964 Fund and Gift of Juliana Terian in 2003.154.3-4, Gift of Lisa Foundation in honor of Annslee G. >Body and Soul, 1957, oil and varnish memory of Peter G. Terian Unger Baskin Newmsn, snd the Nancy Lee and with sand and dry pigment on paper Perry Bass Fund mounted on canvas, 2003.138.1, Gift Dadler, Sebastian, German, 1586-1657 of The Glenstone Foundation SCULPTURE > Death of King Gustavus Adolphus Galeotti, Pier Paolo, Italian, c. 1520 -1584 (obverse) > Tommaso Marino, Duke ofTerranova, Francken the Younger, Frans, Flemish, Abondio, Antonio, Attributed to, > Triumph of King Gustavus Adolphus 1475-1572 (obverse) 1581 -1642, and Master HDB Italian, 1538-1591 (reverse), 1634, silver, 2003.154.5.3-b, > Sun Shining on a Stormy Sea (reverse), > Garland of Flowers with Adoration of >Arabian Camel (or Dromedary), Gift of Liss Unger Bsskin c. 1559, bronze, 2003.154.11.a-b, the Shepherds, c. 1625, oil on copper, c. 1570s/1580s, lead, 2004.51.1, Gift of Lisa Unger Baskin 2003.140.1, Gift of Helen M. L. Marwick Danfrie II, Philippe, French, Gift of Lisa Unger Baskin in honor c. 1572-1604 Gies, Ludwig, Germsn, 1887-1966 Gifford, Sanford Robinson, American, of Douglas Lewis >Henri IV, 1553-1610, King of > Refugee Family (obverse) 1823-1880 Barre, Albert-D6sir6, French, France 1589 (obverse) >Inscription (reverse), 1918, bronze, > The Artist Sketching at Mount Desert, 1818-1878 2004.50.3.3-b, Gift of Dr. Stephen K. Maine, 1864-1865, oil on canvas, >JMme Napoleon, 1784 -1860 (obverse) snd Jsmie Woo Scher

54 c/S NATIONAL GALLERY OF ART 2004 <3

Gindra, Karl, Austrian, active late Roth, Dieter, Swiss, 1930-1998 >Gilbert Stuart, 1755-1828, Borsato, Giuseppe, Italian, 1770-1849 19th century >Insel (Island), 1968, plaster, yogurt, Painter (obverse) > Architectural Fantasy of a Magnificent >Eduard Suess, 1831-1914, orange, and mildew on wood, >Fame Crowning Painting and Ancient Mausoleum, 1810-1820, pen Geologist (obverse) 2003.159.1, The Dorothy and Herbert Sculpture (reverse), 1848, bronze, and black ink with watercolor, > Inscription (reverse), 1897, bronze, Vogel Collection, Gift of Dorothy Vogel 2003.145.1.a-b, 2.a-b 2004.27.1, William B. O'Neal Fund 2003.154.9.a-b, Gift of and Herbert Vogel, Trustees Obverse after design by Robert Ball Boudin, Eug6ne, French, 1824-1898 Lisa Unger Baskin Hughes, American, 1806-1868, Roty, Louis-Oscar, French, > Crinolines on the Beach, 1865 and reverse after design by Goetz, Karl, German, 1875 -1950 1846-1911 >Noon at Deauville, 1865/1866, Paul Peter Duggan: >America's Peace Terms: Woodrow > of the Bank of France, watercolor and graphite, 2004.110.2- >John Trumbull, 1756-1843, Wilson and the Fourteen Points 1800-1900 (obverse) 3, Collection of Mr. and Mrs. Paul Painter (obverse) (obverse) > Personification of Trust and Industry in Mellon >Fame Crowning Painting and > The Four Supplementary Points a Landscape (reverse), 1900, silver, Sculpture (reverse), 1849, bronze, Brentel, Friedrich, German, 1580-1651 (reverse), 1918, bronze, 2004.50.4.a-b 2004.49.1.a-b, Gift of David and 2003.145.3.a-b > The Crucifixion (after Aegidius > The Birth of the Weimar Republic and Constance Yates Obverses and reverses after designs Sadeler II after Christoph Schwarz), the Abdication of Kaiser Wilhelm II on >Charles Christofle, 1805-1863, by Paul Peter Duggan: 1627, gouache on vellum, 9 November 1918 (obverse) Silversmith (obverse) > Washington Allston, 1779 -1843, 2004.112.1, New Century Fund > Washerwomen of Weimar (reverse), > Fiftieth Anniversary of the Christofle Painter (obverse) 1919, bronze, 2004.50.5.a-b Company, 1842-1892 (reverse), CarrS, Carlo, Italian, 1881-1966 >Fame Crowning Painting and Sculpture > Centennial of the Birth of Charles 1892, silvered bronze, 2004.59.11.a-b > Graphic Rhythm with Airplane (reverse), 1847, bronze, Darwin, 1809-1882 (obverse) >Michel-Eugbte Chevreul, (Homage to Bleriot), 1914, pen and 2003.145.4.a-b, 5.a-b, Gift > Monkey Contemplating a Human 1786-1889, Chemist, Physicist, and black ink with graphite and collage on of Nancy and Merl Moore Skull in a Landscape (reverse), 1909, Philosopher, 1886, bronze, 2004.59.12 graph paper, 2004.62.1, Patrons' bronze, 2004.50.6.a - b >Maurice Albert, 1879, bronze, Permanent Fund > Fritz Reuter, 1810-1874, Writer 2004.59.13, Eugene L and Marie-Louise DRAWINGS Castro, Alex, American, born 1943 (obverse) Garbaty Fund > Ocultos Bajo Plumas, c. 1978, > Fiftieth Anniversary of Fritz Reuter's Seelander, Nicola us, German, active Anderson, Walter Inglis, American, graphite, 2004.52.1, Gift of Death (reverse), 1924, bronze, first half 18th century 1903-1965 2004.50.7.a-b Corot, Jean-Baptiste-Camille, > Coronation of King George I (obverse) > Redwings Eating, c. 1960, watercolor >Martin Luther, 1483 -1546, French, 1796-1875 > The King Being Crowned between over graphite, 2004.56.1, Gift of Helen Theologian, and John the Steadfast, > Souvenir: Roman Landscape with the Peace and Justice (reverse), 1714, Porter and James T. Dyke 1468-1532, Elector of Saxony , c. 1849, charcoal on blue lead, 2003.154.13.a-b, Gift of 1525 (obverse) Arms, John Taylor, American, paper, 2004.54.2, Gift of Jill Newhouse Lisa Unger Baskin (reverse), 1930, > The Citadel of Coburg 1887-1953 Cruyl, Lieven, Flemish, bronze, 2004.50.8.a - b, Gift of Dr. Segal, George, American, > The Gates of the City, c. 1922, c. 1640-c. 1720 Stephen K. and Jamie Woo Scher 1924-2000 graphite on tissue paper, 2004.68.2, > Santa Maria Maggiore, c. 1665, pen >Hands (Expression), 1978, Gift (Partial and Promised) of Judy Lauer Brothers, German, active and brown ink with brown wash over painted plaster and Leo Zickler 1888-early 20th century graphite, 2004.101.1, Gift of > Fragment: Reclining Woman, c. 1972, > Henry Irving, 1838-1905, Austrian 15th Century Joseph F. McCrindle in memory of plaster, 2004.30.13 -14, Gift of Actor (obverse) >Judith Killing Holofernes (recto) Frederick A. den Breeder William C. Seitz and Irma S. Seitz >Inscription (reverse), 1891, copper, >Jael Killing Sisera (verso), c. 1460, Cuvilli6s I, Jean-Francois de, German, 2003.154.7.a-b, Gift of Soto, J6sus Rafael, Venezuelan, pen and brown ink with watercolor, 1695-1768 Lisa Unger Baskin born 1923 2004.120.1, Ailsa Mellon Bruce >A Garden Trellis and Gazebo, > Optical Box, 1964, Plexiglas, Fund and Fund Given by an Won not, Pierre-Etienne, French, c. 1750, pen and black ink with 2004.30.16, Gift of William C. Seitz Anonymous Donor 1657-1733 brown wash, heightened with white and Irma S. Seitz > The Virgin Mary Swooning over the Baudouin, Pierre-Antoine, French, gouache on blue paper, 2004.31.1, Dead Body of Christ at the Foot of Tanner, John Sigismund, German, 1723-1769 Gift of Andrea Woodner the Cross, 1710, marble, 2004.18.1, active 1728-1775 c. >Family Promenade in the Park, Day, Larry, American, 1921 -1998 Patrons' Permanent Fund >John Milton, 1608-1674, 1763, gouache with pen and black ink, > Larry Day Sketchbooks, late Poet (obverse) 2004.96.1, Ivan E. and Winifred Phillips Nevelson, Louise, American, 1960s -1997, four sketchbooks >Inscription (reverse), 1737, silver, Fund in Honor of Andrew Robison 1900 -1988 with drawings in various media, 2003.154.14.a-b, Gift of > Secret Box, undated, wood, 2004.30.9, Baziotes, William, American, 2004.105.1-4, Gift of Ruth Fine in Lisa Unger Baskin Gift of William C. Seitz and Irma S. Seitz 1912-1963 memory of H. Diane Russell Tuttle, Richard, American, born 1941 >Animal on Landscape, 1959, watercolor Mini, Giovanni Battista, Italian, Desvalli6res, Georges-Olivier, French, > Orange Bar, White Ellipse, Twisted and graphite 1717-1786 1861-1950 String, 1974, painted wood and string >Iridescent Forms, 1958, watercolor >Hiacynthe de Rigaud, 1741-1817, > Marguerite Desvallieres, 1890, pastel > 4th Summer Wood Piece, 1974, cloth and graphite Count ofVaudreuil, 1770, terracotta, on tan paper, 2004.106.1, Gift of Kate and wood > Swamp, 1947, pastel 2003.154.12, Gift of Lisa Unger Baskin Ganz and Daniel Belin >3rd Rope Piece, 1974, rope and nails, > Untitled, 1934 -1936, watercolor > Benjamin Franklin, 1706-1790, 2004.45.1-3, The Dorothy and over graphite Dor6, Gustave, French, 1832-1883 Diplomat and Statesman, 1777, Herbert Vogel Collection, Gift of > Untitled, 1946/47, watercolor and > View of the Alps with Trees and terracotta, 2004.50.9, Gift of Dorothy and Herbert Vogel, Trustees brush with black ink, 2004.11.1-5, Boulders, 1876, watercolor, gouache Dr. Stephen K. and Jamie Woo Scher Gift of Ethel Baziotes in honor of and charcoal over pen and black ink, Venetian, 16th Century, Probably Reinhart I, Hans, German, active Adlai E. Stevenson and Chief Joseph 2003.144.1, Gift of Helen Porter and >Head of a Satyr (obverse) 1535-1581 of the Nez Perce James T. Dyke > Composite Head Formed of Phalluses > The Fall of Man (obverse) (reverse), partially gilded bronze, Beauchamp, Robert, American, Fuger, Friedrich Heinrich, German, >The Crucifixion (reverse), 1536, 2003.154.10.a-b, Gift of 1923-1995 1751-1818 gilded bronze, 2004.10.1.a-b, Gift of Lisa Unger Baskin > Untitled (Figure Studies), 1965, oil > Seven Men in Antique Dress, 1798, Mrs. Frederick M. Stafford paint and graphite, 2004.30.2, Gift of pen and brown ink, 2004.25.1, Wright, Charles Gushing, engraver, Ringel d'lllzach, Jean D6sir6, French, William C. Seitz and Irma S. Seitz Ailsa Mellon Bruce Fun American, 1796-1854 1847-1916 Obverses after design by Salathiel Belief du Poisat, Alfred, French, Gagliardo, Bartolommeo, Italian, > Augusts Vacquerie, 1819-1895, Ellis, American, 1806-1879, and 1823-1883 1555-c. 1626 Writer and Critic, 1885, bronze, reverses after design by Paul Peter >A Couple Seated among Trees above a > Perseus and Andromeda, pen and 2004.59.6, Eugene L. and Marie- Duggan, American, c. 1800-1861: Lake, charcoal on brown paper, brown ink with brown wash over Louise Garbaty Fund 2004.117.1, Ailsa Mellon Bruce Fund black chalk, 2004.24.1, Ailsa Mellon Bruce Fund

55 c^e> NATIONAL GALLERY OF ART 2004 0vo

German 15th Century (Augsburg) Larsson, Carl, Swedish, 1853-1919 >Mural Sketch (pen and ink), 1977, >The Baptism of Christ, probably >The Crucifixion >An Elegant Lady of the Eighteenth sepia pen and ink 1580s, pen and black ink with gray > The Virgin Appearing to a Dying Century Holding a Fan, 1897, charcoal >Reconciliation Elegy, acrylic paint, wash, Ailsa Mellon Bruce Fund Priest, 1470s, pen and ink with on light brown paper, 2004.32.1, collage, and graphite on canvas board Talasnik, Stephen, American, watercolor, 2004.115.1-2, Gift of Diane Allen Nixon > Untitled (Elegy Sketch for National born 1954 William B. O'Neal Fund Gallery Mural), 1977 -1980, felt-tip Lechter, Melchior, German, 1865-1937 >Defensive Architecture, 2001, graphite, pen with pen and ink on blue paper Gillot, Claude, French, 1673-1722 >A Woman in Profile and a Pollard Tree 2004.104.1, Gift of Architektur Galerie >Untitled (Elegy Study), c. 1977, black >Scenefrom "he Tombeau de Maitre in Bloom, 1885, conte crayon with Berlin-Ulrich Muller felt-tip pen and graphite, 2004.9.1-3, Andre," red chalk with pink, light stumping on brown paper, 2004.3.1, 5-6, Gift of the Dedalus Foundation Tischbein, Johann Heinrich Wilhelm, mauve, and brown washes with Ailsa Mellon Bruce Fund German, 1751-1829 corrections in black ink over graphite, Muziano, Girolamo, Italian, 1528 or Maulbertsch, Franz Anton, Austrian, >A Boxer, c. 1795, black chalk, 2004.77.1, Ailsa Mellon Bruce Fund 1532-1592 1724-1796 2003.136.1, Ailsa Mellon Bruce Fund > , red chalk, Gonzaga, Pietro, Italian, 1751-1831 > The Adoration of the Shepherds, 1757, 2004.84.1, Gift of John and Tumarkin, Igael, Israeli, born 1933 > Architectural Fantasy of Magnificent pen and black ink with gray wash, Alice Steiner > Small paper collage, "W C. S.", Courtyards and Loggie with a 2004.79.1, Rudolf and Lore collage, 2004.30.18, Gift of William C. Monumental Staircase, c. 1775, pen Heinemann Fund Nevelson, Louise, American, Seitz and Irma S. Seitz and brown ink with gray wash on two 1900-1988 Masek, Karel Vitezslav, Czech, joined pieces of paper, 2003.134.1, >Female Nude, c. 1930, graphite, Tuttle, Richard, American, born 1941 1865-1927 William B. O'Neal Fund 2004.30.8, Gift of William C. Seitz and > Black and White around Center Point, >Nude and Fish with Flowers (Study Irma S. Seitz 1974, black and white ink with graphite Grandville, Jean-lgnace-lsidore, for Etched Bathroom Window), >Broken Line Drawing, 1974, graphite French, 1803 -1847 c. 1900, pen and brown ink Noel, Jules, French, 1815-1881 >Day, 1972, pen and black ink >Bird's-Eye View of a Man and Woman >Angel, 1915, charcoal > Breton Port with an Approaching >Dorothy's Favorite, 1977, fuchsia Conversing, c. 1830, graphite, > Female Nude Leaning Forward, Storm, 1869, charcoal heightened watercolor 2004.54.1, Gift of Jill Newhouse Flolding a Ledge, 1883/1884, charcoal with white gouache, 2004.80.1, Gift of >Dorothy's Soldiers, 1970, blue > Illustration for "Jestrab Kontra Hrdlicka, Alexander M. and Judith W. Laughlin Greene, Stephen, American, watercolor XXII" (Girl Asleep on a Bed), c. 1890, born 1918 PSris, Pierre-Adrien, French, > Drawing Developed from Travel- pen and black ink with watercolor >Mav #23, 1961, oil pastel and 1745-1819 Sketches Made in Turkey, 1970, > Botanical-Milt, 1906, watercolor graphite, 2004.30.4, Gift of >An Architectural Fantasy with Ruins crayon and charcoal >Drapery Study, 1888, charcoal William C. Seitz and Irma S. Seitz of a Circular Temple Seen through a >Drawing with One Line, 1973, graphite > Female Nude with a Platter, 1898, Natural Arch, c. 1785, pen and black > Finding the Center Point #6, 1973, Guston, Philip, American, 1913-1980 graphite on brown paper ink with watercolor and gouache, black ink and wash >Untitled, 1961, pen and black ink on > Female Nude with Outstretched Arm, 2004.111.1, New Century Fund >Finding the Center Point #7, 1973, paperboard, 2004.30.5, Gift of William 1898, red chalk and graphite black ink and wash C. Seitz and Irma S. Seitz > Female Nude with Outstretched Arms, Rosati, James, American, > Finding the Center Point #8, 1973, 1896, charcoal and graphite 1912-1988 Harms, Johann Oswald, German, black ink and graphite >Male Nude Leaning Forward, Holding > Untitled, 1970, collage with paperboard 1643-1708 > Finding the Center Point #9, 1973, a Pole, 1883/1884, charcoal mounted to plywood, 2004.30.12, Gift > Landscape with a Draftsman among black ink > Ornament with Two Birds Pecking at of William C. Seitz and Irma S. Seitz Ancient Ruins, 1670s, pen and brown >Finland Group #1-14, 1982, water- Fruit, , watercolor, pen and ink with gray and brown wash over Russell, John, British, 1745-1806 colors on lined notebook paper with brown ink, and graphite red chalk, 2004.43.1, Ailsa Mellon >Miss Raymond, 1783, pastel, pine frames > Seated Old Man, 1883/1884, charcoal Bruce Fund 2004.20.1, Ellen F. Karpf and New > Green Diamond with Pencil Line, > Standing Female Nude Holding a Century Fund 1973, green and yellow watercolor Hermann-Paul, French, 1864-1940 Box, 1896, graphite with graphite > Elegant Young Woman en Promenade, > Study of a Shrub, 1900, watercolor in Schaufelein, Hans, German, >1 Blue and White (Dallas), 1971, blue brush and ink with watercolor and red and green c. 1480/1485-1538/1540 and white gouache with graphite blue crayon, 2004.48.1, Gift of > Thistle, 1890s, graphite > Saint Benedict Reviving a Monk >11 Blue and Pale Blue (Dallas), 1971, Evelyn Stefansson Nef > Woman in a Bath, Holding a Glass of Killed by the Devil, c. 1505, pen blue gouache and graphite Wine, 1898, graphite and brown ink, 2004.90.1, Patrons' Huber, Johann Caspar, Swiss, >India 9, 1980, watercolor on notebook >Zeus and Hera, 1895, chalk, charcoal Permanent Fund 1752-1827 paper with pine frame and graphite on heavy paper mounted > Wooded Cliffs along a Riverbank, Segal, George, American, 1924-2000 > India 10, 1980, watercolor on to canvas, 2004.109.20-29, 31-37, 1796, watercolor over black chalk on > Still Life with Flowers in a Pitcher, notebook paper with pine frame Gift of the Anne and Jacques Baruch blue paper, 2004.6.1, Ailsa Mellon 1983, pastel and cont6 crayon on >India 11, 1980, watercolor on Collection Bruce Fund brown paper, 2004.30.15, Gift of notebook paper with pine frame > Ornamental Design with Birds and William C. Seitz and Irma S. Seitz > India 17, 1980, watercolor on Italian, 15th Century (Umbrian) Lily, c. 1900, pen and brown ink, notebook paper with pine frame > Standing Apostle, c. 1400, pen and 2004.109.30, Gift of Anne Baruch in Simotovd, Adriena, Czechoslovakian, > India 18, 1980, watercolor on brown ink with brown wash, 2004.92.1, honor of Mrs. Ellen Nickel born 1926 notebook paper with pine frame Purchased with Funds from an > Butterfly for Anne, 1989, frottage, Matasova, Adela, Czechoslovakian, > India 26, 1980, watercolor on Anonymous Donor 2004.109.42, Gift of the Anne and born 1940 notebook paper with pine frame Jacques Baruch Collection Koldr, Jirl, Czechoslovakian, born 1941 >Nebula, 1982, pale blue cast paper, > On the Way to New York, 1969, > Remembering Fleece 2004.109.38, Gift of the Anne and Steinle, Edward Jakob von, German, black ball-point pen > Treacherous Fleece, 1974, synthetic Jacques Baruch Collection 1810-1886 >One Room Drawing #1, 1975, hair on collages, 2004.109.18-19, > Saint Wenzel Cooking Hosts as Two graphite and white gouache Mikus, Eleanore, American, born 1927 Gift of the Anne and Jacques Baruch Youths Press Wine, 1866, black chalk > One Room Drawing #3, 1975, >Hand Folded, #1000, 1981 Collection with blue and gray wash, 2004.6.2, graphite and yellow and brown >Hand Folded, #1010, 1982, folded Ailsa Mellon Bruce Fund watercolor Kiibler the Elder, Werner, Swiss, and ironed paper, 2004.12.1-2, Gift of > One Room Drawing #8, 1975, 1555-1586 the artist in memory of her mother, Stella, Joseph, American, 1877-1946 graphite and red watercolor > The Drunkenness of (after Bertha Englot Mikus >Scallions, 1919, silverpoint and crayon, > Green Transfer, 1971, green Tobias Stimmer), 1580/1585, pen and 2004.102.1, Gift of Aaron I. Fleischman Motherwell, Robert, American, black and brown ink with brown wash, felt-tip pen 1915-1991 Sustris, Fried rich, German, probably 2003.137.1, Ailsa Mellon Bruce Fund > Rising Colors along Frontal Diagonal > Mural Sketch (pen, ink, and wash), 1540-1599 with Downward Slant, 1973, water- 1977, sepia ink and wash color and graphite

56 cxC NATIONAL GALLERY OF ART 2004 <3<=

>Spiral Notebook Drawing 1, 1975, Amman, Jost, Swiss, 1539-1591 Boufflers, -Jean de, French, Dolendo, Zacharias, Attributed to, white gouache and graphite > Procession of the Doge in the Piazza 1738-1815 Dutch, active 1581/1598 > Union of 3 & 4 w/2 Black Triangles & San Marco, Venice, c. 1565/1580 (this >Mr. de Voltaire, 1765, etching and >The Masquerades (after Jacques 7 Pencil Lines, 3 on Top, 4 Underneath, impression, 1666), woodcut printed engraving, 2004.57.1, Gift of John de Gheyn II), complete set of ten 1974, black ink and graphite from fourteen blocks with text, O'Brien engravings, 2004.21.1-10, New >3 Lines Beginning at a Point & 2003.125.1, Millennium Funds Century Fund Brebiette, Pierre, French, Intersecting in 2 Different Ways, Anderle, Jirl, Czechoslovakian, 1598-c. 1650 Durer, Albrecht, German, 1471-1528 1973, graphite born 1936 > The Toilet of Thetis, 1625, etching, > The Betrothal of the Virgin, >French Hotel Drawing, 1973, graphite > Couple (Cycle: Masked Ball), 1962, 2004.37.1, Ailsa Mellon Bruce Fund 1504/1505 (printed 1560s/1570s), > Icelandic 1-4, 1994, watercolor on intaglio, 2004.109.1, Gift of Anne woodcut on blue paper, 2003.142.1, four sheets of paper Briceau, Alexandre, French, active Baruch in memory of Rebecca Stern Ailsa Mellon Bruce Fund > Title 5, 1978, collage and watercolor 1770-after 1788 > Flight under the Cloud, 1965, >Drawing Made with Device I, 1971, >The Four Seasons (after Jean-Baptiste Edelinck, Gerard, Flemish, 1640-1707 color drypoint pen and black ink Huet), 1770s/1780s, color etching > The Fight for the Standard (after Sir > Hunger and the Concept of Infinity >Drawing Made with Device II, 1971, and aquatint, 2004.83.1, Gift of Ivan Peter Paul Rubens and Leonardo da (Comedy No. 3), 1968, drypoint and pen and black ink E. and Winifred Phillips Vinci), engraving, 2003.129.1, Ailsa mezzotint, 2004.109.2-3, Gift of the > Two Dips Plus X, 1973, watercolor and Mellon Bruce Fund Anne and Jacques Baruch Collection Brunovsky, Albin, Czechoslovakian, graphite, 2004.98.1-39, 41-50, 1935-1997 Falck, Jeremias, German, Appian, Adolphe, French, 1818-1898 The Dorothy and Herbert Vogel >Adriana's Garden, 1968, lithograph c. 1619-1677 >Le port de Genes, etching with mono- Collection, Gift of Dorothy and >Lady with a Hat I, Widow, 1981, > The Dream of (after Johann type wiping (proof), 2004.95.1, Herbert Vogel, Trustees etching, drypoint, and mezzotint Liss), engraving (proof), 2004.60.1, Ailsa Mellon Bruce Fund Tutundjian, L6on, Armenian, > Orpheus and Eurydice I, 1980, Ailsa Mellon Bruce Fund Arms, John Taylor, American, etchfng, drypoint, and mezzotint 1905-1968 Fessard, Etienne, French, 1714-1777, 1887-1953 >Pribehy Orfeovy, 1980, bound volume >Untitled, 1928, pen and black ink, and (author), > The Gates of the City, 1922, color with six intaglio illustrations, 2004.53.1, Gift of Tamar Cohen, French, 1621-1695 etching and aquatint, 2004.68.1, Gift 2004.109.6 - 7, 9 -10, Gift of the Anne courtesy of Ubu Gallery, New York >Fables choisies mises en vers... (Paris, (Partial and Promised) of Judy and and Jacques Baruch Collection Vlaminck, Maurice de, French, 1765-1775), set of six bound volumes Leo Zickler >Lady with a Hat II, Mirror, 1981, 1876-1958 with 721 etched and engraved illustra- etching, drypoint, and mezzotint, > Still Life with a Jug and Bowl of Fruit, Basse, Willem, Dutch, 1613 or tions, 2004.17.1-6, William B. 2004.109.8, Gift of Anne Baruch in c. 1916, pen and black ink, 2004.91.1, 1614-1672 O'Neal Fund honor of Paula and Sam Pfeffer > Bacchanal with Dancing Couple Gift of Helen Porter and James T. Dyke Fokke, Simon, Dutch, 1726-1798, in the Center Burgkmair I, Hans, German, Wagenbauer, Max Joseph, German, Noach van der Meer the Younger, Dutch, > Bacchanal with Dancing Couple on 1473-1531 1774-1829 born 1740, and Jan Fokke, Dutch, the Right, etchings with engraving, >Coat of Arms with a Single Eagle, >Altenhausen bei Freysing, 1821, black 1745-1812 or Myndert de Boer (author) 2004.97.1, 3, Ailsa Mellon Bruce Fund c. 1505, woodcut, 2003.126.1, Ailsa chalk with white heightening and gray >Historie van den Amsterdamschen Mellon Bruce Fund wash on blue paper, 2003.130.1, Beccafumi, Domenico, Italian, Schouwburg (Amsterdam, 1772), Anonymous Gift c. 1485-1551 Carri6re, Eug6ne, French, 1849-1906 bound volume with six etched and > Two Male Nudes Gesturing in a >Jean Dolent, 1898, lithograph, engraved illustrations, 2004.7.1, Weiss, Bartholomaus Ignaz, German, Landscape, c. 1537, engraving, 2004.94.1, Ailsa Mellon Bruce Fund William B. O'Neal Fund 1740-1814 2003.139.1, Pepita Milmore Memorial > The Trinity Surrounded by Angels, Castiglione, Giovanni Benedetto, French 16th Century Fund and Edward E. MacCrone Fund c. 1770, pen and brown ink with Italian, 1609 or before-1664 >Bust of a Man in an Extravagant brown and gray wash, 2003.135.1, Bedndrovci, Eva, Czechoslovakian, > Old Man Wearing a Turban Costume Anonymous Gift 1937-1986 Ornamented with Fur, Facing Right, >Bust of a Woman in an Extravagant >The Holy Family, 1770s, pen and >Favor, 1969, etching and drypoint, c. 1650 Costume (after Ren6 Boyvin or Pierre brown ink with brown and gray wash, 2004.109.4, Gift of the Anne and > Temporalitas Aeternitas, 1655, Milan), 1560/1600, engravings, heightened in white and pink gouache Jacques Baruch Collection etchings, 2004.23.1, 2004.116.1, 2004.4.1-2, Ailsa Mellon Bruce Fund on blue paper, 2004.26.1, Ailsa Ailsa Mellon Bruce Fund Bod men Karl, Swiss, 1809-1893 Gauguin, Paul, French, 1848-1903 Mellon Bruce Fund > Canards, 1861-1866, lithograph, Corinth, Lovis, German, 1858-1925 >Marum, woodcut, 2004.55.1 Werner, Carl Fried rich Heinrich, 2004.107.1, Gift of Mrs. Martin Atlas >Annelise Halbe, 1918, lithograph, Gift of Evelyn Stefansson Nef German, 1808-1894 2004.103.1, Gift of Esther Klein >ManaoTupapau, 1893-1894, color Bonnet, Louis-Marin, French, > Cannon by a Bulwark, 1849, woodcut on japan paper, 2004.69.1, 1736-1793 Coriolano, Bartolomeo, Italian, active watercolor and gouache over graphite Patrons' Permanent Fund > Charms of the Morning, 1777 1627/1653 on brown paper, 2004.6.3, Ailsa >The Marriage Presents, 1777, pastel >Herodias and Salome (after Guido Gautier Dagoty, Jean-Baptiste-Andr6, Mellon Bruce Fund manner with hand-drawn borders, Reni), 1631, line block of chiaroscuro French, 1740-1786 2003.150.9, 11, Ellwanger/Mescha woodcut (working proof) >Ph. CI. A. de Thubieres, Comte de Collection >Herodias and Salome Caylus, c. 1770, mezzotint, 2004.57.4, PRINTS AND >The Fine Musetioners, 1775, chalk >Herodias and Salome, 1631, Gift of John O'Brien ILLUSTRATED BOOKS manner with applied gold leaf, chiaroscuro woodcuts, 2004.67.1-3, German 15th Century 2004.1.1, Gift of Ivan E. and Winifred Anonymous Gift Ademollo, Luigi, Italian, 1764-1849 > Allegory of the Eucharist, 1470/1490, Phillips in honor of Margaret Denon, Dominique Vivant, Baron, hand-colored woodcut, 2004.37.2, > The Sack of the Temple at Jerusalem, Morgan Grasselli c. 1838, etching with aquatint, French, 1747-1825 Ailsa Mellon Bruce Fund Bosse, , French, 1602-1676 > Citizen Aubour, Print Publisher, 2004.89.1, Ailsa Mellon Bruce Fund Gheyn II, Jacques de, Dutch, > The Parable of the Wise and Foolish etching, 2004.94.2, Ailsa Mellon Alberti, Cherubino, Italian, 1565-1629 Virgins, complete set of seven etchings, Bruce Fund 1553-1615 > Officers and Soldiers (after Hendrik 2003.127.1.1-7, Mellon Bruce Fund > The Rape of the Sabine Women and Dies, Albert Christoph, Austrian, Goltzius), 1587, complete set of twelve The Triumph of Two Emperors (after Boudnfk, Vladimir, Czechoslovakian, 1755-1822 engravings, 2004.8.1-12, New Polidoro da Caravaggio), five engravings 1924-1968 >Nemi, 1793, etching, 2004.81.1, Century Fund >Accords, 1965, etching, aquatint, and Ailsa Mellon Bruce Fund printed on separate pieces of gold satin Workshop of Hendrik Goltzius, Dutch, drypoint, 2004.109.5, Gift of the Anne backed with heavy paper, 2004.114.2, Dine, Jim, American, born 1935 17th Century and Jacques Baruch Collection Patrons' Permanent Fund > Woman on Fire in Vienna, 1993, > Ovid's Metamorphoses (after Hendrik etching with hand coloring, 2004.14.1, Goltzius), eight engravings from a series Gift of Ruth Fine in honor of Judith Brodie

57 c/E> NATIONAL GALLERY OF ART 2004

>Six Proverbs (after Karel van Mander I), Katz, Alex, American, born 1927 > Charles Pierre Colardeau (after Louis >Sueno y Mentha de Franco, 1/8/1937 c. 1592, complete set of six engravings, > Woods, 1994, color aquatint, Rolland Trinquesse), 1777, chalk >Sueno y Mentira de Franco, 1/9/1937, 2003.143.1-8; 2004.2.1-6, 2004.14.2, Gift of Ruth Fine in memory manner printed in red, 2004.57.5, 1937, aquatints with etching, Ailsa Mellon Bruce Fund of Irvin and Miriam Brown Fine Gift of John O'Brien 2004.30.10-11, Gift of William C. Seitz and Irma S. Seitz Heyboer, Anton, Dutch, born 1924 Kirchner, Ernst Ludwig, German, Londonio, Francesco, Italian, >Lesbies, 1964, color etching, 1880-1938 1723-1783 Piranesi, Giovanni Battista, Italian, 2004.5.1, Gift of the Collectors >Nude Dancer, 1905, woodcut on buff > Shepherd with Donkey, Sheep 1720-1778 Committee paper, 2004.82.1, Gift of Andrew and Goat, 1759 > The Aqueduct of Nero Leading to Robison in honor of Ruth Cole Kainen > Shepherd with Walking Stick and the Palatine, 1775, etching (proof), Hopfer, Hieronymus, German, active a Peasant Woman with Child, 2004.114.3, Patrons' Permanent Fund c. 1520-1550 or after Le Beau, Pierre Adrien, French, 1758/1759 >Silenus (after Andrea Mantegna), 1748-1800 or after Pribyl, Lubomfr, Czechoslovakian, born >Sleeping Old Man with Dog, 1759 etching, 2004.97.2, Ailsa Mellon >Louis XVI, Roi de France (after 1937 > Woman Spinner and a Shepherd Bruce Fund Benedict Alphonse Nicolet), 1783, > Configuration of Space, no. 87, 1973, with Flock, 1758/1759 etching and engraving, 2004.57.2, collotype, 2004.109.39, Gift of the Huet, Paul, French, 1803-1869 > Reclining Cow and Calf in the Open, Gift of John O'Brien Anne and Jacques Baruch Collection >The Poacher, 1834, etching, 1758/1759, etchings heightened with 2004.47.1, Ailsa Mellon Bruce Fund Leiber, Gerson August, American, white gouache on blue paper, Rainer, Arnulf, Austrian, born 1929 born 1921 2003.150.1-4, 10, Ellwanger/Mescha >Blue Cross, 1981, color drypoint Italian 15th Century and Domenico >The Hedge Clipper, 2001, lithograph, Collection >Stalks, 1971, drypoint Benivieni (author), Italian, 1460-1507 2004.55.3, Gift of Evelyn Stefansson Nef > Uberdecktes Madchen, 1970, > Tractato... in difensione... Frate Lucas van Leyden, Netherlandish, color drypoint Hironymo da Ferara (Florence, 1496), Leoni, Ottavio, Italian, c. 1578-1630 1489/1494-1533 >Tomb Figure, 1956, etching bound volume with woodcut illustra- > Portrait of a Middle-Aged Man, >David Playing the Harp before Saul, > Tabernacle, 1956, etching, tions, 2004.100.1, Anonymous Gift etching, 2004.23.2 c. 1508, engraving, 2004.19.1, 2004.5.4 - 8, Gift of the Collectors >Ludovico Leoni, 1625, etching with Anonymous Gift Italian 15th Century and Gerolamo Committee engraving, 2004.116.2, Ailsa Mellon Savonarola (author), Italian, 1452- Mantegna, Andrea or Italian School, Bruce Fund Ribera, Jusepe de, Spanish, 1498 c. 1431 -1506 1591-1652 >Compendio di revelatione (Florence, Lichtenstein, Roy, American, > Battle of Naked Men (after Antonio >The Drunken Silenus, 1628, etching, 1496), bound volume with six wood- 1923-1997 del Pollaiuolo), 1460s, engraving, 2004.71.1, Patrons' Permanent Fund cut illustrations (one repeated) > Imperfect 44 3/4" x 103", 1987-1988, 2004.114.4, Patrons' Permanent Fund > Tractato divoto e tutto spirituale color woodcut, screenprint, and collage Roger, L., French, active fourth Matisse, Henri, French, 1869-1954 (Florence, c. 1495), bound volume > View from the Window, 1985, color quarter 18th century >Maria Lani, 1928, aquatint, with two woodcut illustrations, lithograph, woodcut, and screenprint > Nicolas Catinat, Marechal de France, 2004.55.4, Gift of Evelyn Stefansson Nef 2004.70.1-2, Patrons' Permanent >Bedroom, 1990-1991, color woodcut wash manner with tool work, Fund and screenprint Munch, Edvard, Norwegian, 2004.57.6, Gift of John O'Brien >The Den, 1990-1991, color woodcut 1863-1944 Jacquette, Yvonne, American, Saint-Non, Jean-Claude-Richard, and screenprint >Dr. Max Linde, 1902, color dry point born 1934 Abb6 de, French, 1727-1791 >Blue Floor, 1990-1991, color > The Garden (Linde House), 1902, >Mississippi Night Lights - >Interior of a Roman Villa (after Hubert lithograph, woodcut, and screenprint etching Minneapolis, 1985-1986, color Robert), 1765, etching and aquatint >The Living Room, 1990-1991, color >Head of a Man, 1906, drypoint lithograph and screenprint, 2004.5.2, in brown, 2004.57.3, Gift of woodcut and screenprint >Marie Linde, 1902, drypoint Gift of the Collectors Committee John O'Brien >Modern Room, 1990-1991, color >Theodor Linde, drypoint, 2004.13.1-5, Jegher, Christoffel, Flemish, lithograph, woodcut, and screenprint Gift of the Epstein Family Collection Sand by, Paul, British, 1731-1809 1596-1652/1653 >Red Lamps, 1990-1991, color > Views in England and Wales, Nevelson, Louise, American, > Three Scenes on the Road to Calvary woodcut, screenprint, and lithograph 1776-1777, bound album of forty-six 1900-1988 (after Anthonis Sallaert), c. 1649, > Wallpaper with Blue Floor , aquatints in five complete sets, >Untitled, c. 1967, color woodcut, three woodcuts on a single sheet 1990-1992, color screenprint on 2004.119.1, Paul Mellon Fund 2004.108.1, Gift of Thomas G. Klarner (uncut proofs), 2004.16.1, Ailsa five panels Schmidt, Georg Fried rich, German, Mellon Bruce Fund > Water Lily, 1993, color screenprint Partenheimer, Jurgen, German, 1712-1775 >YellowVase, 1990-1991, color born 1947 John, Jiri, Czechoslovakian, >Francesco Algarotti, 1752, etching woodcut, screenprint, and lithograph > Untitled, 1983, etching 1923-1972 >Hirsch Michel, 1762, etching > Composition I, 1995 -1996, color >Untitled, 1983, linocut, 2004.5.3, 11, >Minerals, 1964 with drypoint screenprint Gift of the Collectors Committee >Rays, 1967 >The Old Soldier, c. 1750, etching > Composition II, 1995 -1996, color > Untitled, 1970 Passe II, Crispijn de, Dutch, >The Persian (after Rembrandt van screenprint >Untitled, 1970, drypoints, c. 1597- c. 1670 Rijn), 1756, etching and drypoint > Composition III, color screenprint 2004.109.11-14, Gift of the Anne > Louis XIII on Horseback, Receiving >Johann Melchior Dinglinger (after >La Sortie, 1990-1991, color woodcut and Jacques Baruch Collection Instruction, 1625, engraving from two Antoine Pesne), 1769, etching > Still Life with Red Jar, 1994, color plates, 2004.60.2, Ailsa Mellon >Monseigneur Louis-Charles d'Orleans Johns, Jasper, American, born 1930 screenprint Bruce Fund de Saint-Albin, Archbishop of Cambrai > Eighty artists' proofs on seventy-eight > Untitled Head, 1994 -1995, color (after ), 1741, sheets, 1960-1966, 2004.28.1-78, screenprint Pechstein, Max, German, 1881-1955 engraving, 2004.61.1-6, Ailsa Mellon Patrons' Permanent Fund > Venetian School I, 1995 -1996, color > Portraits of an Elderly Gentleman and Bruce Fund lithograph and screenprint Two Women, 1923, woodcut, Kafka, Cestmir, Czechoslovakian, > Venetian School II, 1995 -1996, color 2003.141.1, Ailsa Mellon Bruce Fund Scorel, Jan van, Netherlandish, 1922-1988 screenprint, 2003.146.1-19, Gift of 1495-1562 > Earth I, 1964 Plan, Antonio, Italian, 1784-1851 Roy Lichtenstein and Gemini G. E. L. >The Deluge, c. 1530, woodcut from > Radiance, 1973 > Interior of an Ancient Roman two blocks on two joined sheets of > "S" Cycle, 1969, monoprints, Ligon, Glenn, American, born 1960 Sepulcher, 1820, lithograph, 2003.126.2, paper, 2004.114.1, Patrons' 2004.109.15-17, Gift of the Anne > Untitled: Four Etchings (A-D), 1992, Ailsa Mellon Bruce Fund Permanent Fund and Jacques Baruch Collection softground etchings with aquatint, Picasso, Pablo, Spanish, 1881 -1973 spitbite, and sugarlift aquatint, Serych, Jaroslav, Czechoslovakian, Kandinsky, Wassily, Russian, >The Frugal Repast, 1904, etching in 2004.65.1.1-4, Gift of Werner H. and born 1928 1866-1944 blue-green ink, 2003.151.1, Gift of Sarah-Ann Kramarsky and Collectors > Untitled, 1958, etching and collotype >Schwarzer Fleck, 1912, woodcut, Robert H. and Clarice Smith, in Honor Committee Fund >Untitled, 1975, etching touched by 2004.55.2, Gift of Evelyn Stefansson Nef of the 50th Anniversary of the National hand, 2004.109.40-41, Gift of the Ling6e, Th6r6se-£l6onore, French, Gallery of Art Anne and Jacques Baruch Collection 1753-1833

5S cxS NATIONAL GALLERY OF ART 2004 ONO

Shapiro, , American, born 1941 Weirotter, Franz Edmund, Austrian, >Hermitage Stairs, 1930s KSIdor, Liszl6, Hungarian, 1905-1963 >Untitled, 1988 1730-1771, and Matthias > Untitled (Nude), c. 1958, gelatin silver >Hajo (Boat), c. 1930, gelatin silver print, >Untitled No. 1, 1985, woodcuts, Schmutzer, Austrian, 1733-1811 prints, 2003.156.1-2, Gift of Lawrence 2004.72.3, Patrons' Permanent Fund 2004.5.9 -10, Gift of the Collectors >Oeuvre de Weirotter peintre Allemand D. and Sybil Hite Kdlmdn, Kata, Hungarian, 1909-1978 Committee (Paris, 1775), bound volume with 210 > Untitled (Nude, London), early 1950s > Weisz Erno, kalyhagyari munkas etchings by Weirotter and one etched > Untitled (Pub Interior), 1930s, gelatin SimotovS, Adriena, Czechoslovakian, (Erno Weisz, Factory Worker), portrait of the artist by Schmutzer, silver prints, 2003.157.1-2, Gift of born 1926 Budapest 1932, gelatin silver print, 2004.93.1, William B. O'Neal, Steven E. and Phyllis Gross >P F. 1981, 1980, color collotype 2004.72.4, Patrons' Permanent Fund Katharine Shepard, and Ailsa Mellon > Cocktails in a Surrey Garden, c. 1935 > Skimming of an Event 2A, 1984, Bruce Funds > Robert Graves in His Cottage at Kinszki, Imre, Hungarian, 1901-1945 intaglio, 2004.109.43-44, Gift of the Churston, , 1941 >Untitled (ManJumping), 1929 Anne and Jacques Baruch Collection > Untitled (Nude, London), 1959, gelatin > Untitled (Shadows in Office), 1921-39, Stock, Andries Jacobsz, Attributed to, gelatin silver prints, 2004.63.2-3 PHOTOGRAPHS silver prints, 2003.158.1-3, Gift of Dutch, c. 1580-1648 or after Jeffrey Hugh Newman >Karierte Welt (Checkered World), > The Fortune Teller (after Jacques de before 1933 Adams, Ansel, American, 1902-1984 Casebere, James, American, born 1953 Gheyn II), c. 1608, engraving, > Untitled (Bridge and Fog), 1929?, >A Grove of Tamarack Pine, Near >Sing Sing, 1992, gelatin silver print, 2003.128.1, Ailsa Mellon Bruce Fund gelatin silver prints, 2004.72.5-6 Timber Line, 1921 2004.76.1, Gift of the Collectors > Untitled (Bridge Chain, Elizabeth Strang, William, Scottish, 1859-1921 > Monolith, The Face of Half Dome, Committee and Robert and Joyce Bridge), November 19, 1929 >MealTime, 1883 1927, gelatin silver prints, 2004.85.1-2, Menschel >Untitled (Trees), 1934, gelatin silver > Potato Lifting, 1882 Gift of Harvey S. Shipley Miller Coburn, Alvin Langdon, British, prints, 2004.73.2-3, Patrons' > The Prodigal Son, 1882 Arbus, Diane, American, 1923-1971 1882-1966 Permanent Fund >Tinkers, 1882, etchings, >A Child Crying, N.J., 1967 > Vortograph, 1917, gelatin silver print, 2003.150.5- 8, Ellwanger/Mescha MSt6, Olga, Hungarian, 1878-1965 >A Lobby in a Building, N.Y.C., 1966 2003.120.1, Patrons' Permanent Fund Collection >Horgasz-st6g (Fisherman's Dock), c. > Triplets in Their Bedroom, N.J., 1963, Couturier, Stephane, French, born 1957 1930, gelatin silver print, 2004.63.4, Tlepolo, Giovanni Domenico, Italian, gelatin silver prints, printed later, > Fenetre, Eastlake Greens, San Diego Patrons' Permanent Fund 1727-1804 2003.122.1-3, Gift of the R.K. Mellon (Window, Eastlake Greens, San Diego), > Old Man with a Helmet, c. 1762, Family Foundation Nixon, Nicholas, American, born 1947 2001, cibachrome print, 2004.33.1, etching, 2004.15.1, Ailsa Mellon > New York Skyline in a Lobby, N.Y.C., > The Broum Sisters, Ipswich, Mass, Fund for Living Photographers Bruce Fund 1971, gelatin silver print, printed later, 2003, gelatin silver print, 2004.41.1, 2004.36.1, Gift of the R. K. Mellon Dow, Arthur Wesley, American, Fund for Living Photographers Toulouse-Lautrec, Henri de, French, Family Foundation 1857-1922 1864-1901 Pap, Gyula, Hungarian, 1899-1983 >Haystacks, Ipswich, c. 1894, platinum >At the Concert, 1898, color lithograph, Barrow, Thomas, American, born 1938 >Alfoldi taj (In the Lowlands), c. 1925 print, 2003.117.1, Gift of Diana Walker 2004.55.5, Gift of Evelyn Stefansson Nef From the series Cancellations: > Untitled (Factory and Pond), c. 1925, > Homage to L. F. (Lee Friedlander) Escher, KSroly, Hungarian, 1890-1966 gelatin silver prints, 2004.72.7-8, Toyen (Marie Cerminova), French, (variant) 1975 >Editors of Pesti Napli, 1930, gelatin Patrons' Permanent Fund born 1902, and Annie Le Brun >Tri-arch, 1975 silver print, 2004.73.1, Patrons' (author), French, born 1942 Simelli, Carlo Baldassare, Attributed >Field-Star, 1975 Permanent Fund > Sur le Champ, 1967, box with cover to, Italian, 1811-? >Power Poles, 1975 by Toyen, containing Le Brun's text on Famin, Constant, French, 1827-1888 > Cloud Study, Roman Compagna, > Tucson Palm, 1975, gelatin silver bright pink paper and three drypoints >Forest Scene, c. 1865, albumen print c. 1860, albumen print from collodion prints, 2003.148.1 -5, Gift of George and six photogravures by Toyen, from collodion negative, 2004.42.1, negative, 2004.34.1, Anonymous Gift and Alexandra Stephanopoulos 2004.109.46, Gift of the Anne and Gift of Joyce and Robert Menschel Southworth, Albert Sands, American, Jacques Baruch Collection Berda, Erno, Hungarian, 1914-1961 Fenton, Roger, British, 1819-1869 1811-1894, and Josiah Johnson >Kez (My Hand), c. 1928, gelatin Toyen (Marie Cerminova), French, > The Cloisters, Tintern Abbey, 1854, Hawes, American, 1808-1901 silver print, 2004.72.1, Patrons' born 1902, and Radovan Ivsic salted paper print from collodion >Boy with Cap, 1853-55, daguerreo- Permanent Fund (author), French, born 1921 negative, 2004.22.1, Anonymous Gift type, 2003.121.1, Gift of Diana Walker >Le Puits dans la tour / Debris des Bonfils, F6lix, French, 1831-1885 Fichter, Robert, American, born 1939 Vallou de Villeneuve, Julien, French, rives, 1967, box with surrealist game >Momies egyptiennes (Egyptian >Look Out Baby, c. 1982, silver dye 1795-1866 embedded in the cover, containing Mummies), c. 1870, albumen print bleach print, 2003.149.1, Gift of > Etude d'apres nature (Nude Study), Debris des rives, a portfolio of twelve from collodion negative, 2004.35.1, Marc Freidus 1854, salted paper print from waxed drypoints by Toyen, and Le Puits dans Gift of Joyce and Robert Menschel paper negative, 2004.42.2, la tour by Ivsic, 2004.109.45, Gift of the >Porteuse d'eau au Caire (Water Carrier Goldsworthy, Andy, British, born 1956 Anonymous Gift Anne and Jacques Baruch Collection in Cairo), c. 1870, albumen print from > Clay/ Worked into a Stone/ Edges to collodion negative, 2004.87.1, Catch the Passing Light/ Government Varin Fr6res, French, active 1770-1910 Villon, Jacques, French, 1875 -1963 Anonymous Gift Island, , October 16, 2003, >Boy with a Pumpkin Vine, 1854, >The Bridge (after ), seven silver dye bleach prints mounted coated salted paper print from collodion 1934, color aquatint and etching, Brandt, Bill, British, born Germany, on white paper, 2004.74.1, Patrons' negative, 2004.87.2, Anonymous Gift 2004.30.19, Gift of William C. Seitz 1904-1983 Permanent Fund and Irma S. Seitz > Untitled (Nude), c. 1950 > Washington Diary, October 11-19, > Old Lady in a Pimlico Air-Raid Wandelaar, Jan, Dutch, 1690-1759 2003, twelve silver dye bleach prints Shelter, Her Silver-Handled >Musculorum tabula IV mounted on nine sheets of white paper Umbrella Safely Tucked Away >Musculorum tabula VIII, 1742, with text entries, 2004.74.2, The behind Her, c. 1942 engravings with accompanying leaves Nancy Lee and Perry Bass Fund > Untitled (Nude), 1958, gelatin silver of text, 2004.7.2-3, Ailsa Mellon prints, 2003.147.1-3, Gift of Simon HaSr, Ferenc, American, born Bruce Fund and Bonnie Levin Hungary, 1908-1997 Weigel, Johann Christoph, German, > Children in Sheffield, c. 1937 > Untitled (The Landlord), 1935, gelatin c. 1654-1726 > Cook and Kitchen Maids Preparing silver print, 2004.72.2, Patrons' >Passio Domini nostri Iesu Christi Dinner, 1930s Permanent Fund (Augsburg, 1693), bound volume with > Untitled (Nude, Campden Hill, Hevesy, IvSn, Hungarian, 1893-1966 100 etched and engraved illustrations London), January 1956 >Fa alatt (Kalman Kata) (Under a after Johann Jakob von Sandrart, >Ascot Enclosures; Within and Without, Tree [Kata Kalman]), 1932, gelatin 2004.78.1, Anonymous Donor early 1930s, gelatin silver prints, silver print, 2004.63.1, Patrons' 2003.155.1-4, Gift of Charles S. and Permanent Fund Elynne B. Zucker

59 CHANGES OF ATTRIBUTION

The following changes of attribution are 1939.1.262 1952.5.66 the result of scholarly research utilizing Madonna and Child in a Landscape Portrait of a Young Lady the latest art historical investigations and Old: Giovanni Bellini and Workshop, Old: Studio of Leonardo da Vinci, early scientific examinations. It is the policy of 1490/1500 16th century the National Gallery of Art to publish New: Workshop of Giovanni Bellini, New: Follower of Leonardo da Vinci, these changes regularly. The following c. 1490/1500 c. 1500 changes of attribution were made and approved by the Gallery's Board of 1939.1.263 1942.9.38 Trustees during fiscal year 2004. Each list Profile Portrait of a Boy Old: Lorenzo di Credi, Self-Portrait is arranged in alphabetical order according Old: Attributed to Jacopo Bellini, New: Pietro Perugino, Portrait of to former attribution. Changes of title probably c. 1470 Lorenzo di Credi and date are included if they were a part New: North Italian 15th Century, of the attribution change. c. 1460/1470 1942.9.42 Old: Andrea Mantegna, Judith PAINTINGS 1939.1.153 and Holofernes, c. 1495 Tlte Triumph of Camillus New: Andrea Mantegna or Follower 1937.1.5 Old: Biagio d'Antonio da Firenze, (Possibly Giulio Campagnola),_/i«ii'r/i with The Madonna of Humility c. 1480 the Head of Holofernes, c. 1495/1500 Old: Workshop of Fra Angelico, New: Biagio d'Antonio and Workshop, c. 1430/1440 c. 1470/1475 1937.1.7 New: Fra Angelico, c. 1430 The Madonna of Humility 1942.9.4 Old: Attributed to Masaccio, undated 1937.1.31 Francesco Sforza New: Massaccio, c. 1423/1424 Portrait of a Young Man Old: Francesco Bonsignori, probably Old: Antonello da Messina, probably 1475 c. 1490 1939.1.294 New: Attributed to Antonello da New: North Italian 15th Century, Portrait of a Youth Messina, c. 1475/1480 probably c. 1480/1500 Old: Master of Santo Spirito, c. 1505 New: Agnolo di Domenico del 1943.4.41 1939.1.115 Mazziere or Donnino di Domenico Francesco II Gonzaga, Fourth Marquis Madonna and Child with Angels del Mazziere, c. 1495/1500 of Mantua Old: Attributed to Francesco del Old: Attributed to Baldassare d'Este, Cossa, c. 1465 1937.1.12 c. 1476/1478 New: Ferrarese 15th Century, Claudia Quinta New: Baldassare d'Este, c. 1474/1480 c. 1455/1470 Old: Neroccio de' Landi and Master of the Griselda Legend, c. 1494 1939.1.224 1960.6.25 New: Neroccio de' Landi, c. 1490/1495 Giovanni Emo Old: Florentine 15th Century, Old: Giovanni Bellini The Adoration of the Shepherds 1937.1.32 New: Attributed to Giovanni Bellini New: Workshop of Bicci di Lorenzo, Saint Jerome in the Wilderness The Adoration of the Christ Child, Old: Paduan 15th Century, 1943.4.37 c. 1440/1445 c. 1450/1460 Madonna and Child with New: Follower of Andrea Mantegna, Old: Giovanni Bellini, c. 1490 1952.5.62 c. 1475 New: Follower of Giovanni Bellini, Lucrezia Tornabuoni c. 1490/1500 Old: Domenico Ghirlandaio, before 1475 New: Attributed to Domenico Ghirlandaio, c. 1475

60 <=se NATIONAL GALLERY OF ART 2004 <3<=>

1952.5.19 1939.1.357 2002.98.377 Saint Apollonia Portrait of a Man Mucius Scaevola Old: Workshop of Piero della Francesca, Old: Attributed to Cosme Tura, Old: Possibly Bernard Costello before 1470 1475/1485 New: Bernardo Castello New: Attributed to Piero della New: North Italian 15th Century, Francesca, c. 1455/1460 c. 1475/1500 1991.150.25 Old: Henri Fantin-Latour, Putti 1942.9.50 1943.4.1 New: William Perkins Babcock, Madonna and Child Madonna and Child Wooden Landscape with Putti Helping Old: Pseudo Pier Francesco Old: Style of Andrea del Woman Undress Fiorentino, undated Verrocchio, undated New: Follower of Fra Filippo Lippi New: after Andrea del Verrocchio, 1985.1.4 and Pesellino, c. 1470 c. 1470/1480 Imperfectorum Academia Old: French 17th Century 1939.1.293 1952.5.65 New: Claude Deruet The Meeting of Saint Anthony Madonna and Child with a Pomegranate and Saint Paul Old: Workshop of Andrea del Verrocchio 1990.79.1 Old: Sassetta and Workshop, c. 1440 (Possibly Leonardo da Vinci), 1470/1475 Warrior in Renaissance Armor on New: Master of the Osservanza (Sano New: Lorenzo di Credi, 1475/1480 a Rearing Horse di Pietro?), c. 1430/1435 Old: German 16th Century, 1530/1540 1939.1.7 New: Workshop of Peter Vischer the 1952.5.20 Saint Apollonia Destroys a Pagan Idol Younger, c. 1525 Saint Anthony Distributing His Wealth Old: Antonio Vivarini, c. 1450 to the Poor New: Giovanni d'Alemagna, c. 1440/1445 1971.62.1 Old: Sassetta and Workshop, c. 1440 Bearded Standing Figure New: Master of the Osservanza (Sano 1961.9.51 Old: Italian 16th Century di Pietro?), c. 1430/1435 Madonna and Child New: Girolamo Muziano Old: Marco Zoppo, c. 1470 1952.5.21 New: Marco Zoppo or Imitator, 1991.190.1.a Saint Anthony Leaving His Monastery c. 1467/1468 Head of a Youth Wearing a Cap; a Right Old: Sassetta and Workshop, c. 1440 Forearm with the Hand Clutching a Stone; New: Master of the Osservanza (Sano SCULPTURE and a Left Hand Holding a Drapery di Pietro?), c. 1430/1435 Old: Filippino Lippi 1937.1.131 New: Botticelli 1952.5.73 Mercury The Death of Saint Anthony Old: Attributed to Francesco Righetti, 1985.1.44 Old: Sassetta and Workshop, c. 1440 after Giovanni Bologna, c. 1780/1800 Christ before Caiaphas New: Master of the Osservanza (Sano New: after Giovanni Bologna, Old: Lambert van Noort di Pietro?), c. 1430/1435 c. 1780/c. 1850 New: Crispen van den Broecke

1943.4.5 1992.74.1 1956.9.24 Saint Apollonia Male Nude Standing in a Featful Pose Old: Lorenzo Baldissera Tiepolo, Old: Attributed to Sassetta Old: Attributed to Niccolo Tribolo The Virgin and Child in Egypt (?) New: Stefano di Giovanni, called Sassetta New: Follower of Michelangelo New: Giustino Menescardi, The Flight (Possibly Niccolo Tribolo) into Egypt with the Holy Family and Two 1943.4.4 Angels in a Skiff Saint Margaret DRAWINGS Old: Attributed to Sassetta New: Stefano di Giovanni, called Sassetta 1991.190.l.h Saint Roch between Saints Anthony Abbot and Catherine of Old: Botticelli New: Raffaellino del Garbo

61 EXHIBITIONS AND LOANS

cl/E>C5VO

During fiscal year 2004, 309 lenders System; GrouplVFalck; The Wackenhut Organized by the Victoria and Albert Fanny Ellison from twenty-two countries and thirty- Corporation; Beckett Foundation; and Museum, London, in association with Ellwanger/Mescha Collection, Promised three states loaned 1,045 works of art to Novo Nordisk Pharmaceuticals, Inc.; the National Gallery of Art, Washington gift to the National Gallery of Art, thirteen exhibitions (twelve special loan Catalogue support by The Honorable Tim Stanley, curator Washington exhibitions and one in-house Edward E. Elson and Mrs. Elson; Supported by H.R.H. Prince Bandar exhibition). The Gallery also worked on also supported by an indemnity from bin Sultan, Ambassador of Saudi Arabia Ambassador and Mrs. Edward E. Elson the Federal Council on the Arts and to the United States; and Mohammed another twenty-nine projects scheduled The Walter 0. Evans Collection of the Humanities Jameel, the benefactor of the Victoria to open in the next five years and African American Art administered the tour of seven exhibitions. and Albert Museum's Jameel Gallery > Verrocchio's David Restored: A United States Government Indemnity of Islamic Art, which is dedicated to The Walter 0. Evans Foundation for Renaissance Bronze from the National was secured for five exhibitions, enabling the memory of Mr. Abdul Latif Jameel, Art and Literature Museum of the Bargello, Florence a savings of over $1,677,250 in insur- the late founder of the Abdul Latif 13 February 2004 to 21 March 2004 Galerie Didier Aaron, Paris ance premiums. Jameel Group, and his wife, Nafisa; Organized by the High Museum of Art, also supported by an indemnity from Garth Fagan Atlanta, and the National Museum of >A Painter's Mind: Selections from the the Federal Council on the Arts and the Bargello, Florence Jo Ann and Julian Ganz, Jr. Library of Romare Bearden the Humanities Eleonora Luciano and Nicholas Penny, 14 September 2003 to 4 January 2004 Family of Sanford Robinson Gifford NGA curators; Gary Radke, curator Coordinated by Neal Turtell Arne and Milly Glimcher Supported by Worldspan, L. P.; also LENDERS TO EXHIBITIONS > The Art of Romare Bearden supported in part by Progetto citti and Priscilla T. Grace, Promised gift to the Continued from the previous fiscal Steinhauslin Bank in Florence Philadelphia Museum of Art year to 4 January 2004 > Drawings of Jim Dine Private Collections Richard and Mary Gray Organized by the National Gallery of Art L. 21 March 2004 to 1 August 2004 Ruth Fine, curator Mr. and Mrs. Louis K. Adler, Organized by the National Gallery of Art David A. Hagelstein, Bloomfield Hills, Supported by AT&T; also supported in Houston, Texas Judith Brodie, curator Michigan part by Chevy Chase Bank. Film made Billie Allen Eileen Harris-Norton and Peter Norton, possible by the HRH Foundation. > Courtly Art of the Ancient Maya 4 April 2004 to 25 July 2004 Peg Alston Santa Monica > Picasso: The Cubist Portraits of Kathleen Berrin, curator; Mary Ellen halley k harrisburg and Michael Fernande Olivier Verner Amell Ltd. Miller, curator Rosenfeld, New York 1 October 2003 to 19 January 2004 Organized by the National Gallery of Harry W. and Mary Margaret Anderson Organized by the National Gallery of Art Harry Henderson Art and the Fine Arts Museums of San Jeffrey Weiss, curator Fine Arts Ltd. Francisco James R. Haynes, Washington, DC Supported by an indemnity from the Supported by the Catherine B. John P. Axelrod, Boston, Massachusetts Federal Council on the Arts and the Grant Hill Collection Reynolds Foundation; and by Televisa; Humanities Harvey and Phyllis Baumann also supported by an indemnity from Jack Hollihan and Apicella > The Age ofWatteau, Chardin, and the Federal Council on the Arts and Estate of Romare Bearden, courtesy of Melvin Holmes Collection of African Fragonard: Masterpieces of French the Humanities. Film made possible Romare Bearden Foundation, New York American Art Genre Painting by the HRH Foundation. Merrill C. Berman, courtesy Michael 12 October 2003 toll January 2004 Mr. and Mrs. Douglas Houchens >The Cubist Paintings of Diego Rivera: Rosenfeld Gallery, New York Organized by the National Gallery of Memory, Politics, Place Jane and Raphael Bernstein The Earle Hyman Collection, Promised Art, Washington; the National Gallery 4 April 2004 to 25 July 2004 gift to the National Gallery of Art, of Canada, Ottawa; and the Staatliche Berry-Hill Galleries, Inc., New York Organized by the National Gallery of Washington Museen zu Berlin, Gemaldegalerie Art in collaboration with the Museo de Juliette Bethea Philip Conisbee, curator, Colin B. Paul and Karen Izenberg Arte Moderno, Bailey and Thomas W. Gaehtgens, Evelyn N. Boulware Leah Dickerman, NGA curator; Laura Grosch and Herb Jackson guest curators Luis-Martin Lozano, curator John G. Bourne Foundation Supported by The Florence Gould Stephane Janssen, Arizona Supported by Target Stores Foundation; also supported by an Frederick L. Brown Marian B. Javits indemnity from the Federal Council > American Masters from Bingham to Donald Byrd on the Arts and the Humanities Eakins: The John Wilmerding Collection Robert L. Johnson from the Barnett-Aden 9 May 2004 to 10 January 2005 Dr. Martin L. Cohen and Sharleen Collection, Washington, D.C. > Colorful Impressions: The Printmaking Organized by the National Gallery of Art Cooper Cohen Revolution in Eighteenth-Century Ruth Cole Kainen, Promised gift to the Frank Kelly, curator France Thomas Colville Fine Art, LLC, New Haven National Gallery of Art, Washington 26 October 2003 to 16 February 2004 >Hudson River School Visions:The Dr. and Mrs. Mark Couture, Cramerton, Daniel Katz Ltd. Organized by the National Gallery of Art Landscapes of Sanford R. Gifford Meg Grasselli, curator 27 June 2004 to 26 September 2004 Mr. and Mrs. Jack Kay Organized by the National Gallery of Robert and Faye Davidson, Los Angeles, >ChristofferWilhelm Eckersberg, The Harmon and Harriet Kelley Art, Washington, and The Metropolitan California 1783-1853 Foundation for the Arts Museum of Art, New York 23 November 2003 to 29 February 2004 Judy and Patrick Diamond Frank Kelly, NGA curator; Kevin J. Rowan Khaleel Philip Conisbee, NGA curator; Kasper Avery, curator Jim Dine Monrad, curator Anstiss and Ronald Krueck Supported by the Support by Her Majesty Queen Professor and Mrs. David C. Driskell Foundation Jan and Marie-Anne Krugier- Margrethe and His Royal Highness Cheryl and Blair Effron Poniatowski Collection Prince Henrik's Fund; The Danish > Palace and Mosque: Islamic Art from Ministry of Culture; Lockheed Martin; the Victoria and Albert Museum Courtesy of Ekstrom & Ekstrom, Inc., Jack Krumholz Augustinus Foundation; Bikuben 18 July 2004 to 6 February 2005 New York Foundation; Scandinavian Airlines

62 C^£> NATIONAL GALLERY OF ART 2004 <3^O

Elisabeth M. and William M. Landes, Peter and Juliana Terian Collection Roanne: Mus6e des Beaux-Arts et Veracruz: Property of the State of Veracruz Chicago, of American Art d'Arch6ologie J. D6chelette Yucatan: Palacio Canttin Stan and Marguerite Lathan Barbara Anderson Terry Rouen: Mus6e des Beaux-Arts de Rouen

Latner Family Collection, Toronto, Canada Thelma Harris Galleries Saint-Etienne: Mus6e d'art moderne, THE NETHERLANDS Saint Etienne Mr. Keith Lee and Dr. Lori Andochick The Thompson Collection, Eindhoven: Van Abbemuseum , Saint-Jean-Cap-Ferrat: Mus6e Ephrussi- Estate of Reginald F. Lewis Rotterdam: Museum Boijmans Van de-Rothschild Glen and Lynn Tobias Beuningen Richard A. Long Versailles: Mus6e national du chateau de George and Joyce Wein The Hague: Gemeentemuseum Den Haag Manoogian Collection Versailles/Reunion des Mus6es Nationaux Deedee and Barrie Wigmore, New York Wynton Marsalis NORWAY Professor John Wilmerding GERMANY Yvonne and Richard McCracken Bergen: Bergens Billedgalleri Collection Edward T. Wilson, Fund for Berlin: Staatliche Museen zu Berlin, Raymond J. McGuire Fine Arts, Bethesda, Maryland Gemaldegalerie; B. G. G. Merivale-Austin Esq. Staatliche Museen zu Berlin, RUSSIA Erving and Joyce Wolf Skulpturensammlung James D. Fishel and Barbara L. Micale St. Petersburg: State Hermitage Museum Catherine Woodard and Nelson Blitz, Jr. : Museum Ludwig Dr. David H. Moore Beverly Zimmerman Private Collection Dusseldorf: Kunstsammlung Nordrhein- SPAIN Albert Murray Westfalen : Museo Nacional Centra de Arte Raymond and Patsy Nasher Collection, : Stadelsches Kunstinstitut Reina Sofia; Dallas, Texas Public Collections Frankfurt am Main Museo Thyssen-Bornemisza Patsy Orlofsky AUSTRALIA Karlsruhe: Staatliche Kunsthalle Karlsruhe Christian Panbo, Aabenraa, Denmark Canberra: National Gallery of Australia Munich: Alte Pinakothek Robert S. Reiser, Jr. and : Nationalmuseum Melbourne: National Gallery of Victoria Potsdam: Stiftung Preussische Schltisser Dr. Peter K. Zucker und Garten Berlin-Brandenburg Mr. Ivan E. Phillips SWITZERLAND Schwerin: Staatliches Museum Schwerin The Ivan Phillips Family Collection Lausanne: Mus6e cantonal des Beaux- Vienna: Graphische Sammlung Arts Lausanne The Phillips Family Collection Albertina GUATEMALA

Marina Picasso; Courtesy Galerie Jan Guatemala City: Museo Nacional de UNITED KINGDOM - ENGLAND Krugier, Ditesheim & Cie, Geneva CANADA Arqueologia y Etnologia Birmingham: Barber Institute of Fine Arts Private collection, courtesy Galerie Montreal: Mus6e des Beaux-Arts Haas, Zurich de Montreal HONDURAS Cambridge: The Fitzwilliam Museum

Private collections Ottawa: National Gallery of Canada Tegucigalpa: Copan Ruinas; The ; London: Dulwich Picture Gallery; Private collection, courtesy of Garzoli Instituto Hondureno de Antropologia e Historia Her Majesty Queen Elizabeth II; Gallery, San Rafael, California DENMARK The National Gallery; Private collection, courtesy Mary-Anne Copenhagen: Frederiksberg Kirke ; ITALY Martin/Fine Art, New York (Frederiksburg Parish Church); Victoria and Albert Museum; The ; Florence: Museo Nazionale del Bargello Private collection, courtesy : Sainsbury Centre for Visual Arts ; PaceWildenstein Statens Museum for Kunst; JAPAN Private collection, courtesy Bruun ; UNITED KINGDOM - Rasmussen Thorvaldsens Museum : Hiroshima Museum of Art Edinburgh: National Gallery of Scotland Private collection, courtesy Thomas Helslng0r: The Danish Museum of Kasama: Kasama Nichido Museum of Art Colville Fine Art, LLC, New Haven Science and Technology YUGOSLAVIA Questroyal Fine Art, LLC Niva: Nivaagaards Malerisamling/The MEXICO Belgrade: Narodni Muzej Nivaagaard Picture Gallery Maurice Segoura, Paris Colonia Chapultepec Polanco: Museo Odense: Funen Art Museum / Odense Nacional de Antropoligla (INAH, Mexico) Herbert Gentry and Mary Anne Rose UNITED STATES City Museums Colonia Roma: Coma lea Ico Site Museum; The Michael L. Rosenberg Collection, California Ribe: Ribe Kunstmuseum Dallas, Texas Fuerte de San Miguel Berkeley: City of Berkeley Tender: Sonderjyllands Kunstmuseum Michael Rosenfeld Gallery, New York Guanajuato: Museo Casa Diego Rivera, CONACULTA, INBA Los Angeles: Los Angeles County Andrew and Denise Saul, Katonah, Museum of Art; FRANCE Mexico City: Museo de Arte Carillo Gil, New York The J. Paul Getty Museum CONACULTA, INBA; Aix-en-Provence: Mus6e Granet The Collection of Philip J. and Suzanne Patino; San Diego: San Diego Museum of Man Schiller, American Social Commentary Lyon: Mus6e des Beaux-Arts de Lyon Museo Nacional de Antropologia; San Francisco: The Fine Arts Museums Art 1930-1970 Museo Nacional de Arte, CONACULTA, Montpellier: Mus6e Fabre of San Francisco Ann and Harold Sorgenti INBA; Paris: Mus6e de et de la Nature; Sub-direcci6n de Estudios Arqueotogicos Dr. Paul and Dorie Sternberg, Illinois Mus6e du ; Palenque: Museo de Sitio de Palenque Mus6e national d'art moderne, Centre Frank Stewart "Dr. Alberto Ruz L'Huillier"- INAH, Mexico Georges Pompidou; Stephen and Francine Taylor, Mus6e Carnavalet; Puebla: Museo Amparo Huntington Woods, Michigan Mus6e Jacquemart-Andr6; Tonind: Toning Site Museum Mus6e Picasso FundaciOn Televisa, A. C., Santa Fe Tuxtla: Tuxtla Gutierrez Anthropology Perpignan: Mus6e Hyacinthe-Rigaud Museum

63 c/e> NATIONAL GALLERY OF ART 2004

Colorado New Hampshire Virginia Manoogian Collection

Denver: Denver Art Museum Hanover: Hood Museum of Art : Chrysler Museum of Art George Caleb Bingham > The Jolly Flatboatmen Manchester: Currier Museum of Art Richmond: Virginia Museum of Fine Arts Richard and Jane Manoogian Foundation Hartford: Washington Museum of Art Richard Caton Woodville Princeton: The Art Museum, Seattle: > War News from Mexico New Haven: Yale University Art Gallery Princeton University

Wisconsin The Metropolitan Museum of Art District of Columbia New York Milwaukee: Milwaukee Art Museum Francesco di Giorgio Martini Washington: Dumbarton Oaks; Cazenovia: Lorenzo State Historic Site > The Nativity Hirshhorn Museum and New York: American Museum Sculpture Garden; of Natural History; LENDERS OF WORKS National Gallery of Art, Library; Robert and Jane Meyerhoff Modern National Academy of Design; DISPLAYED WITH THE National Museum of the American Indian; Art Foundation Seventh Regiment Foundation; NGA COLLECTION Smithsonian American Art Museum; The Frick Collection; Willem de Kooning The The Metropolitan Museum of Art; >Spike's Folly II National Gallery of Art Roger Arvid Anderson The ; Roy Lichtenstein The Studio Museum in Possibly Germain Pilon > White Brushstroke II Georgia > Veiled Mourner with Torch Syracuse: Everson Museum of Art > Field #2 Atlanta: High Museum of Art; Utica: Munson-Williams-Proctor Arts Frank Stella Spelman College Museum of Fine Art Calder Foundation, New York Institute, Museum of Art > Marquis de Portago (first version) Alexander Calder Andy Warhol Hawaii >Aztec; ; Cheval Rouge; >Small Campbell's Soup Can, 19f North Carolina Cheval Rouge (maquette); Object with Honolulu: Honolulu Academy of Arts Charlotte: Mint Museum of Art Red Ball; 1 Red, 4 Black plus X Musee du Louvre, Reunion des White; Red Panel;Tom's;Tom's Davidson: Davidson College Musees Nationaux, Paris Illinois (maquette); Untitled Durham: Duke University Museum of Art Severo da Ravenna Champaign: Krannert Art Museum > Saint Christopher (Carrying the The Catholic University of America, Chicago: Terra Museum of American Art; Christ Child) Ohio Oliveira Lima Library The Art Institute of Chicago Venetian 16th Century : The Cleveland Museum of Art Frans Post >Boy on a Dolphin >Brazilian Landscape, Said to Indiana Columbus: Be Pernambuco National Museum of Health and Medicine Bloomington: Indiana University Art Oberlin: Allen Memorial Art Museum, of the Armed Forces, Institute of Pathology Museum Oberlin College Collection of the Artist Thomas Eakins Toledo: Toledo Museum of Art >Dr. John H. Brinton Louisiana > Mountains and Sea New Orleans: New Orleans Museum Pennsylvania Patsy Orlofsky of Art Bryn Mawr: Bryn Mawr College Cooper-Hewitt National Museum of Jim Dine Design, Smithsonian Institution Philadelphia: Philadelphia Museum of Art; >Name Painting #/ Massachusetts The African American Museum Giovanni Domenico Tiepolo Boston: Museum of Fine Arts, Boston in Philadelphia > The John and Mary Pappajohn Cambridge: Fogg Art Museum; : Claes Oldenburg Pea body Museum of Archaeology Fioratti Collection >U.S.A. Flag and Ethnology Tennessee Giovanni Minello Duxbury: Art Complex Museum >Bust of a Woman Nashville: Fisk University Galleries John and Kimiko Powers Springfield: George Walter Vincent Andy Warhol Smith Art Museum Horvitz Collection, Boston Texas >200 Campbell's Soup Cans Williamstown: Sterling and Francine Philippe-Laurent Austin: Lyndon Baines Johnson Clark Art Institute > Madame Potain Museum Schroder Collection, London Worcester: Worcester Art Museum Dallas: Dallas Museum of Art Hans Mielich Peter A. Jay > Portrait of a Woman Fort Worth: Amon Carter Museum; Michigan Kimbell Art Museum >John Jay Ann Arbor: Clements Library, University and Rebecca Smith Houston: The Museum of of Michigan Fine Arts, Houston David Smith Collection of the Artist : The Detroit Institute of Arts > Aggressive Character; Ninety Father; Black- White Forward; Construction Utah > Between the Clock and the Bed; Field December II Mississippi Salt Lake City: Utah Museum of Fine Arts Painting; No; Target; Darners on a Plane Tougaloo: Tougaloo College Art Collections Smithsonian American Art Museum Vermont Collection of the Artist French 13th Century Missouri St. Johnsbury: St. Johnsbury > Vita Contemplativa; Heraldic Panel; St. Louis: Mildred Lane Kemper Athenaeum > Color Panels for a Large Wall Blessing; Angel Holding a Art Museum; Cross and the Crown of Thorns The

64 NATIONAL GALLERY OF ART 2004 <3<=>

Sonnabend Collection Jan Miense Molenaer AUSTRIA James McNeill Whistler >A Lute Player > Nocturne Vienna, Albertina Isack van Ostade >Canyon James McNeill Whistler >Halt Before the Inn with a Albrecht Diirer >Noctume Rider Approaching 4 September-8 December 2003 Ruth Carter Stevenson Jacopo Pa I ma il Giovane James McNeill Whistler Albrecht Durer > Venus and Cupid at > Wapping* >Madonna and Child (obverse) of Vulcan > Yarmouth Jetty Mark Rothko Albrecht Durer DENMARK >No. 9 (White and Black on Wine) >An Oriental Ruler Seated on U.S. Department of the Interior, National Sir Peter Paul Rubens His Throne Humlebaek, Louisiana Museum of Park Service, Saint-Gaudens > The Holy Family with Infant John Modern Art Albrecht Diirer National Historic Site, Cornish, Salomon van Ruysdael > Young Woman in Netherlandish Dress Roy Lichtenstein New Hampshire > River Landscape 22 August 2003 -18 January 2004 Augustus Saint-Gaudens > Still Life of Fruit (A Swag of Rembrandt Roy Lichtenstein > Study Head of a Black Soldier (6 Autumnal Fruits) 26 March-27 June 2004 >Look Mickey works); Preliminary Sketch for Shaw Cy Twombly Memorial; Shaw Memorial; Early Rembrandt van Rijn Circulated to Hayward Gallery, London, > Orpheus (Thou unending trace); Study of the Allegorical Figure for >The Circumcision 26 February-16 May 2004, and Museo Untitled the Shaw Memorial Nacional Centra de Arte Reina Sofia, Rembrandt van Rijn Adriaen van de Velde Madrid, 24 June-27 September 2004 > Figures in a Deer Park > Philemon and Baucis United States Naval Academy Museum Willem van de Velde II Rembrandt van Rijn > on a Calm Sea FRANCE Jean Joseph Benjamin Constant > View of Houtewael near the Sint > Favorite of the Emir Anthoniespoort (recto) Dijon, MusGe des Beaux-Arts

NGA LOANS TO TEMPORARY Rembrandt van Rijn L'art a la cour de Bourgogne: Le The White House EXHIBITIONS > View over the Amstel from the Rampart mecenat de Philippe le Hardi et de Jean sans Peur (1364-1419) (Art Paul Cezanne from the Court of Burgandy.The > The Forest; Flouse on the Marne; Peter Paul Rubens The department of loans and the National Patronage of Philip the Bold and House on a Hill 14 September-5 December 2004 Lending Service administered the loans John the Fearless 1360-1419) Sir Peter Paul Rubens of 538 works of art to 211 sites during 28 May-15 September 2004 Erving and Joyce Wolf fiscal year 2004. This number includes >Daniel in the Lions' Den the loan of 385 works to 130 temporary French 15th Century (setting western Elie Nadelman Sir Peter Paul Rubens exhibitions at 165 institutions and the European late 19th Century) > Classical Head; Head of a Girl >Lion extended loan of 144 Gallery works to > Morse with the Trinity Francis Augustus Silva forty sites. Nine paintings from Gallery Sir Peter Paul Rubens > Indian Rock, Narragansett Bay > Pan Reclining collections were on short-term loan to Lille, Palais des Beaux-Arts de Lille the permanent collections of four foreign Sir Peter Paul Rubens Anonymous Rubens and two U.S. museums. > Young Woman in Profile 6 March -14 June 2004 Bernardo Bellotto, Pirna Works in National Lending Service > The Fortress of Sonnenstein Sir Peter Paul Rubens marked* Vienna, Kunsthistorisches Museum Nicolaes Pietersz Berchem >Decius Mus Addressing the Legions >An Italianate Landscape with Figures Giorgione: Myth and Enigma AUSTRALIA Sir Peter Paul Rubens Gerrit Adriaensz Berckheyde 23 March-11 July 2004 > The Fall of Phaeton >A View of St. Bavo's, Haarlem Canberra, National Gallery of Australia Giorgione Botticelli The Edwardians •The Holy Family > Portrait of a Young Man Holding Paris, Galeries nationales du 12 March -14 June 2004 a Medallion Grand Palais Jan Brueghel, the Elder BELGIUM James McNeill Whistler Edouard Vuillard 1868-1940 (Edouard >A Road with a Ford in a Wood >Mother of Pearl and Silver: Antwerp, Rubenshuis Vuillard (1868-1940): From Post Jean-Charles Cazin The Andalusian Impressionist to Modern Master) > The Quarry of Monsieur Pascal A House of Art: Rubens as Collector Circulated to Art Gallery of South near Nauterre 6 March -14 June 2004 Edouard Vuillard Australia, Adelaide, Chuck Close > Child Wearing a Red Scarf 9 July-12 September 2004 Sir Anthony van Dyck >Jasper >Isabella Brant Edouard Vuillard Aelbert Cuyp > The Conversation >A Pier in Dordrecht Harbor Sydney, Art Gallery of New South Wales Sir Peter Paul Rubens Arshile Gorky >Deborah Kip, Wife of Sir Balthasar Edouard Vuillard Darkness & Light: Caravaggio > Portrait of Master Bill Gerbier, and Her Children > Place Vintimille & His World Jan van der Heyden 29 November 2003-22 February 2004 Edouard Vuillard >A View in Amsterdam CANADA > Woman in a Striped Dress Jan van Huysum > Still Life of Flowers and Fruit > The Martyrdom of Saint Bartholomew Toronto, Art Gallery of Ontario Edouard Vuillard Willem de Kooning > Women Sewing Circulated to National Gallery of Victoria, Turner, Whistler, Monet: > Untitled III (London only) Melbourne, 11 March-30 May 2004 Impressionist Visions Edouard Manet 12 June -15 September 2004 Edouard Vuillard > Spring > The Yellow Curtain Piero Manzoni Joseph Mallord William Turner >Achrome >Mortlake Terrace Circulated to , Brice Warden London, 31 January-18 April 2004 > l or Pearl Frans van Mieris > Musical Party on a Terrace

65 cx© NATIONAL GALLERY OF ART 2004 <3

Gauguin-Tahiti, L'atelier des Paris, Mus6e d'Orsay Circulated to Kunsthistorisches Museum, Munich, Alte Pinakothek tropiques (Gauguin-Tahiti) Vienna, 21 December 2003-12 April Aux origines de I'abstraction, Isabella Rubens 30 September 2003 -19 January 2004 2004, and Koninklijk Museum voor 1800-1914 17 October 2003 -18 January 2004 Schone Kunsten Antwerpen, Antwerp, 3 November 2003-22 February 2004 8 May-1 August 2004 Sir Anthony van Dyck > The Invocation* Frantisek Kupka > (Boston only) > Organization of Graphic Motifs II Essen, Museum Folkwang Paul Gauguin Wuppertal, Von der Heydt-Museum >Parau na te Varua ino (Words of Cezanne:Aufbruch in die Moderne > Waterloo Bridge, London, at Dusk the Devil)* (Cezanne: The Dawn of Modern Art) Judith Rothschild 18 September 2004-16 January 2005 2 November 2003 - 4 January 2004 Paul Gauguin Paris, Mus6e Picasso > Plate with the Head of a Homed Paul C6zanne Judith Rothschild Devil (Planche au diable cornu) Picasso — Ingres >Boy in a Red Waistcoat > The Gothic XI (Boston only) 16 March-21 June 2004 Paul C6zanne Paul Gauguin Pablo Picasso > Houses in Provence Wurzburg, MainfrSnkisches > Te Pape Nave Nave (Delectable Waters) >Lady with a Fan* Museum Wurzburg Paul C6zanne Paul Gauguin >Still Life* Tilman Riemenschneider — Werke > Two Marquesans (recto) GERMANY seiner Bliitezeit (Paris only) 24 March -13 June 2004 Berlin, Altes Museum Frankfurt, Judisches Museum Paul Gauguin Tilman Riemenschneider Meisterwerke der franzosischen Verehrt und Vetfemt - Chagall > Two Tahitians Gathering Fruit (recto) >A Bishop Saint (Burchard of Genremalerei in Zeitalter von und Deutschland (Boston only) Wurzburg?) Watteau, Chardin und Fragonard 1 February-18 April 2004 Circulated to Museum of Fine Arts, (The Age of Watteau, Chardin, and Boston, 29 February-20 June 2004 Fragonard: Masterworks of French GREECE > Houses at Vitebsk Genre Painting) Athens, National Gallery and Alexandros 8 February-9 May 2004 Circulated to Stiftung "Brandenburger The Great Parade: Portrait of the Soutzos Museum Tor" der Bankgesellschaft Berlin, Artist as Clown Louis-L6opold Boilly Max Liebermann Haus, Berlin, The Radiance of Apollo: The Italian 9 March-31 May 2004 > The Card Sharp on the Boulevard 1 May-1 August 2004 Renaissance and Greece Alexander Calder Jean Simeon Chardin 22 December 2003-31 March 2004 >The Circus > The Attentive Nurse , Hamburger Kunsthalle Andrea Briosco, called Riccio Pablo Picasso Jean Sim6on Chardin >An Allegorical Scene (Fame & Eros) 's Figurative > Study for "The Death of Harlequin" > The House of Cards Paintings Domenico Campagnola Jean Sim6on Chardin 24 October 2003-31 January 2004 >Head of a Man > Italian Comedians > The Kitchen Maid Lyonel Feininger Domenico Campagnola Circulated to National Gallery of Jean Sim6on Chardin > The Bicycle Race* >Head of a Man Canada, Ottawa, 25 June - >Soap Bubbles Cima da Conegliano 19 September 2004 Jean-Honor6 Fragonard Karlsruhe, Staatliche Kunsthalle > Saint Helena > The Happy Family Karlsruhe Giovanni Antonio da Brescia Paris, Musee Jacquemart-AndrG Jean-Honor6 Fragonard Eugene Delacroix > Hercules and the Cretan Bull Nicolas de Largilliere (1656-1746) >A Young Girl Reading 1 November 2003-1 February 2004 Italian 15th Century 14 October 2003 - 22 February 2004 Nicolas Lancret Eugene Delacroix > The Triumph of Cupid Nicolas de Largilliere > The Picnic after the Hunt >Arabs Skirmishing in the Mountains Giulio Romano >A Young Man with His Tutor Eug6ne Delacroix > River God Berlin, > The Edge of a Wood at Nohant Master F. B. Paris, Mus6e Marmottan-Claude Monet Don Quichotte and Ragotin. Two Eugene Delacroix > Five Cupids Playing Frederic Bazille Comic Heroes in the Castles of > Tiger Moderno 1 October 2003 -18 January 2004 the Prussian Kings >Mars Surrounded by Trophies 15 February-25 April 2004 Fr6d6ric Bazille Kassel, Schloss Wilhelmshohe Niccold Florentine >Edmond Maitre* Jean-Baptiste Joseph Pater Pan & Syrinx: Eine erotische Jagd, > The Three Graces (reverse) > A Comic Actor Dressed as a Fr6d6ric Bazille Peter Paul Rubens, Jan Brueghel und Gentleman (recto) Ulocrino > The Ramparts at Aigues-Mortes* ihre Zeitgenossen (Pan and Syrinx: > Aristotle and Alexander of Aphrodisias An Erotic Chase. Depictions by Peter Cologne, Museum Ludwig Paul Rubens, Jan Brueghel, and Their Paris, MusGe national d'art moderne, Contemporaries) HUNGARY Centre Georges Pompidou Cruel and Tender: The Real in the 18 March -13 June 2004 Twentieth-Century Photograph Budapest, Sz6pmuv6szeti Muzeum Joan Miro 1917-1934: La naissance 29 November 2003-15 February 2004 Sir Peter Paul Rubens du monde Joan Miro 1917-1934: Monet and Friends >Pan Reclining The Birth of the World) Walker Evans 1 December 2003-15 March 2004 > Subway Portrait (9 works) Circulated to Stidelsches Kunstinstitut 3 March-28 June 2004 Auguste Renoir und Stadtische Galerie, Frankfurt, 25 Joan Mir6 > Madame Monet and Her Son June-22 August 2004 > The Farm Essen, Kulturstiftung Ruhr, Villa Hugel

Joan Mir6 Die Fldmische Landschaft 1520-1700 >Head of a Catalan Peasant 23 August-30 November 2003

Antwerp 16th Century (Possibly Matthys Cock) > The Martyrdom of Saint Catherine

66 e/E> NATIONAL GALLERY OF ART 2004 <3

IRELAND Lucca, Museo Nazionale di Villa Guinigi Venice, Fondazione Giorgio Cini Henri Matisse > Still Life with Sleeping Woman Dublin, National Gallery of Matteo Civitali e il suo tempo: Tiepolo: Ironia e comico Pittori, scultori e orafi a Lucca 3 September-5 December 2004 Love Letters: Dutch Genre Paintings nel tardo Quattrocento LATVIA in the Age ofVermeer Giovanni Domenico Tiepolo 2 April-25 July 2004 1 October-31 December 2003 > The Prison Visit Riga, State Museum of Art Matteo Civitali Johannes Vermeer Giovanni Domenico Tiepolo Mark Rothko:A Centennial > Saint Sebastian >A Lady Writing > Punchinello's Farewell to Venice Celebration Francesco Marti 22 September-30 November 2003 >A Nymph on a Dolphin ITALY Venice, Peggy Guggenheim Collection Mark Rothko > Aquatic Drama* Cremona, Museo Civico Ala Ponzone William Baziotes: Metamorphosis Milan, Palazzo Reale 3 September 2004-9 January 2005 Mark Rothko Pittori delta realta: Le ragioni di una 11 gran teatro del mondo: L'anima >No. 7 [or] No. 11* rivoluzione da Foppa e Leonardo William Baziotes e il volto del Settecento a Caravaggio e Ceruti (Painters of > Desert Landscape Mark Rothko 12 November 2003-2 May 2004 Reality: The Legacy of Leonardo and >No. 10* William Baziotes Caravaggio in Lombardy) Alessandro Magnasco > Iridescent Forms Mark Rothko 14 February-2 May 2004 >The Choristers* >No. 22* William Baziotes Bernardino Luini Pietro Antonio Novelli > Pierrot Mark Rothko > The Magdalen > The Peep-Show > The Source* William Baziotes Circulated to The Metropolitan Giovanni Battista Tiepolo > Swamp Mark Rothko Museum of Art, New York, 23 May- >A Venetian Lawyer at His Desk > Street Scene* 15 August 2004 William Baziotes > Untitled Mark Rothko Anton van Dyck: Riflessi italiani > Underground Fantasy* Deruta, Museo Regionale delta 19 February-4 July 2004 Ceramica di Deruta JAPAN Mark Rothko Sir Anthony van Dyck >Untitled (three works)* La ceramica umbra al tempo di >A Genoese Noblewoman and Her Son Hayama, The Museum of Perugino (Ceramics in Umbria Modern Art, Hayama Mark Rothko Sir Anthony van Dyck in the Time of Perugino) > Untitled (five works) >Marchesa Elena Grimaldi, Wife Ben Nicholson 28 February-5 September 2004 of Marchese Nicola Cattaneo 7 February-28 March 2004 Mark Rothko Deruta 16th Century > Untitled (brown and gray) Ben Nicholson > Large dish with border of floral scrollwork Perugia, Galleria Nazionale dell'Umbria >1969 (Holkham Sands No. 1) Mark Rothko and cornucopias; in the center, profile > Untitled (figure staring at a doorway) bust of "Faustina" Perugino: II divin pittore Circulated to Aichi Prefectural Museum 28 February-18 July 2004 of Art, Nagoya, 9 April-23 May 2004, Mark Rothko Deruta 16th Century and Tokyo Station Gallery, Tokyo, > Untitled (figure wearing a hat) >Large dish with scale border; in the Perugino 29 May-25 July 2004 center, the Madonna and Child >Madonna and Child Mark Rothko > Untitled (recto) Deruta 16th Century Hiroshima, Hiroshima Prefectural > Large dish with segmental border of Rome, Complesso del Vittoriano Mark Rothko Art Museum plant sprays and scale pattern; in the > Untitled (seatedfigure wearing a hat) Toulouse-Lautrec: Uno sguardo center, an emblematic female figure Claude Monet, A Hymn to Light: dentro la vita Mark Rothko holding a crowned toad and cornucopia Selected Works from the 1870s 11 October 2003-8 February 2004 > Untitled (seated woman with short and 1890s Attributed to Nicola da Urbino or a hair wearing an orange shirt) Henri de Toulouse-Lautrec 3 August-20 September 2004 close associate; probably lustered > Carmen Gaudin Circulated to State Hermitage in the Workshop of Maestro Giorgio Claude Monet Museum, St. Petersburg, Russia, 16 > Bridge at on a Gray Day Andreoli of Gubbio December 2003-8 March 2004 > Plate with Venus in her chariot and : Uomo, pittore, disegnatore Claude Monet Cupid, riding through a night sky 13 March-27 June 2004 > Waterloo Bridge, London, at Dusk MEXICO Paul Klee Claude Monet Florence, Palazzo Strozzi >New House in the Suburbs Mexico City, Museo de Arte Moderno > Waterloo Bridge, London, at Sunset Botticelli e Filippino. L'inquietudine Cubist Paintings of Diego Rivera: e la grazia nella pittura fiorentina del Rome, Scuderie del Quirinale Memory, Politics, Place Tokyo, The National Museum of Quattrocento (Botticelli and Filippino. 22 September 2004-16 January 2005 Metafisica Western Art Passion and Grace in Fifteenth- 27 September 2003-6 January 2004 Diego Rivera Rembrandt and the Rembrandt Century Florentine Painting) >No. 9, Nature Morte Espagnole Arshile Gorky School: The Bible, Mythology and Filippino Lippi > Organization Ancient History >PietH 3 September-14 December 2003 NETHERLANDS

Rovereto, Museo di Arte Moderna e Gerard Dou The Hague, Koninklijk Kabinet van Genoa, Palazzo Ducale, Genova Contemporanea di Trento e Rovereto > The Hermit Schilderijen Mauritshuis L'eta di Rubens: Dimore, committenti Montagna:Arte, scienza, mito da Rembrandt Workshop Hans Holbein the Younger 1497/98- e collezionisti Genovesi Diirer a Warhol >Joseph Accused by Potiphar's Wife 1543: Portraitist of the Renaissance 20 March -11 July 2004 19 December 2003 -18 April 2004 16 August-16 November 2003 Sir Anthony van Dyck Joos de Mom per II, Henri Matisse: Processus / Variation Hans Holbein, the Younger > The Prefect Raphael Ragius > Vista from a Grotto 10 September-12 December 2004 > Edward VI as a Child Sir Peter Paul Rubens Henri Matisse >Marchesa Brigida Spinola Doria > The Plumed Hat

67 c/£> NATIONAL GALLERY OF ART 2004

RUSSIA Madrid, Museo Thyssen-Bornemisza UNITED KINGDOM - ENGLAND The Age of : Venetian Renaissance Art from Moscow, State Pushkin Museum Gauguin and the Origins London, The National Gallery of Fine Arts of Scottish Collections Thomas Jones (1742-1803): 5 August-5 December 2004 28 September 2004-9 January 2005 Golitzyn Museum in Volkhonka Street An Artist Rediscovered Jacopo Tintoretto 5 July- 5 September 2004 Paul Gauguin 12 November 2003-15 February 2004 >A Procurator of Saint Mark's > Breton Girls Dancing, Pont-Aven Pietro Perugino Thomas Jones Titian > The Crucifixion with the Virgin, Paul Gauguin >Larici from the Convent of the Galoro > Vincenzo Cappello Saint John, Saint Jerome, and Saint > Self-Portrait Dedicated to Carriere Veronese Edouard Vuillard London, Tate Britain > The Yellow Curtain > The Martyrdom and Last Communion Turner and Venice St. Petersburg, State Hermitage Museum of Saint Lucy 9 October 2003-11 January 2004 Masterpieces of the World at the Valencia, Institut Valencia d'Art Modern Joseph Mallord William Turner Hermitage Museum. Raphael's Alba UNITED STATES Francis Bacon: The "Pope" Paintings >Approach to Venice Madonna from the National Gallery (Francis Bacon: Le sacre et le profane) Alabama of Art, Washington Joseph Mallord William Turner 11 December 2003-21 March 2004 3 September-8 October 2004 > Venice: The Dogana and San Birmingham, Birmingham Circle of Diego Velazquez Giorgio Maggiore Museum of Art Raphael >Pope Innocent X > The Alba Madonna Joseph Mallord William Turner The Impressionist Eye Circulated to Fondation Dina >Keelmen Heaving in Coals 27 January-30 April 2004 Vierny-Mus6e Maillol, Paris, by Moonlight SPAIN Claude Monet 7 April -14 August 2004 Circulated to Kimbell Art Museum, Fort > The Artist's Garden in Argenteuil Barcelona, Centre de Cultura Worth, 15 February-30 May 2004 Contemporania de Barcelona (A Corner of the Garden with Dahlias) SWEDEN El salvatge europeu (The Stockholm, Prins Eugens London, Arkansas European Savage) Waldemarsudde 18 February-23 May 2004 Edward Hopper Little Rock, Historic Arkansas Museum Kleopatra Blir Ariadne. Identitet och 27 May-5 September 2004 Workshop of Andrea Mantegna Colonial Arkansas before the Fdrvandling (From Cleopatra to • Combusta: An Allegory of Virtue Edward Hopper Louisiana Purchase: 1541-1803 Ariadne. Identity and Transformation) > Cape Cod Evening 2 May-31 December 2003 Benedetto Montagna 11 October 2003-8 February 2004 > Satyr's Family George Catlin Lucas Cranach the Elder London, Victoria and Albert Museum >La Salle Taking Possession of the Circulated to Centre Cultural Bancaja, > The Nymph of the Spring Land at the Mouth of the Arkansas. Valencia, 15 June-31 August 2004 Gothic Art for England 1400-1547 AW: fO, 9 October 2003 -18 January 2004 SWITZERLAND Bilbao, Museo Guggenheim Bilbao English 14th or 15th Century Basel, Fondation Beyeler California > and the Dragon Calder: La gravedad y la gracia Calder - Miro Los Angeles, The J. Paul Getty Museum (Calder: Gravity and Grace) 2 May-5 September 2004 18 March -12 October 2003 Manchester, Manchester Art Gallery Jean-Antoine Houdon (1741 -1828): Alexander Calder Sculptor to the Enlightenment Alexander Calder Turner: The Late Seascapes > Little Spider 4 November 2003-25 January 2004 > Triple Gong 1 November 2003-25 January 2004 Alexander Calder Jean-Antoine Houdon Circulated to Museo Nacional Centra Joseph Mallord William Turner > Finny Fish > Diana de Arte Reina Sofia, Madrid, > The Evening of the Deluge 27 November 2003-16 February 2004 Circulated to Mus6e national du Joseph Mallord William Turner St. Gallen, Kunstmuseum St. Gallen chateau de Versailles, Versailles, > The Dogana and Santa Maria 1 March-30 May 2004 Madrid, Museo Nacional del Prado Andy Warhol. Selbstportraits/ della Salute, Venice Self-Portraits Edouard Manet Circulated to The Burrell Collection, 5 June-12 September 2004 Exhibition of Children's Portraits 6 October 2003-8 February 2004 Glasgow, 19 February-25 May 2004 Held in Conjunction with Jean- Andy Warhol Edouard Manet Antoine Houdon (1741-1828): > Self-Portrait > The Dead Toreador UNITED KINGDOM - SCOTLAND Sculptor to the Enlightenment 4 November 2003-25 January 2004 Edouard Manet Edinburgh, Royal Scottish Zurich, Kunsthaus ZOrich > Flowers in a Crystal Vase Academy Building Jean-Antoine Houdon Georgia O'Keeffe: From the Plains >Alexandre Brongniart Edouard Manet Monet: The Seine and the Sea 23 October 2003 -1 February 2004 > A King Charles Spaniel 1878-1883 Jean-Antoine Houdon Georgia O'Keeffe 6 August-26 October 2003 >Louise Brongniart Edouard Manet >Jack-in-the-Pulpit No. V > Claude Monet Georgia O'Keeffe > The Artist's Garden at Vetheuil Los Angeles, The Museum of Edouard Manet >Jack-in-the-Pulpit No. VI Contemporary Art, Los Angeles > The Tragic Actor (Rouvibe as Hamlet) Georgia O'Keeffe Degas and the in Paris A Minimal Future? Art as Object >Sky Above White Clouds I 12 December 2003-29 February 2004 1958-1968 Luis Melendez Bodegones (Luis 14 March-2 August 2004 Melendez Still Lifes) Georgia O'Keeffe Edgar Degas 17 February -16 May 2004 > Winter Road I > Woman Viewed from Behind Robert Mangold > Light - Neutral Area Luis Mel6ndez > Still Life with Figs and Bread

Circulated to National Gallery of Ireland, Dublin, 16 June-5 September2004

68 c%G NATIONAL GALLERY OF ART 2004 <3v=

San Francisco, San Francisco Milton Avery Seurat and the Making of Rembrandt van Rijn Museum of Modern Art > Sleeping Baby (zinc plate) La Grande Jatte > Christ Presented to the People: 16 June-19 September 2004 Oblong Plate The Art of Romare Bearden Milton Avery 7 February-16 May 2004 > Summer Holiday Rembrandt van Rijn > Peasant Girl with a Straw Hat > Death Appearing to a Wedded Couple Romare Bearden from an Open Grave >Prelude to Troy (No. 2) (Dallas only) Revelation: at Work Auguste Renoir 12 June-5 September 2004 > Oarsmen at Chatou Rembrandt van Rijn Romare Bearden > The Flight into Egypt: Small > The Street (Composition for Georges Rouault ) > Verlaine > The Lighthouse at Honfleur Rembrandt van Rijn > The Holy Family Romare Bearden Georges Seurat > Tomorrow J May Be Far Away Georgia >Studyfor "La Grande Jatte" Rembrandt van Rijn >JanAsselyn Circulated to Dallas Museum of Art, Atlanta, High Museum of Art 20 June-5 September 2004 Chicago, Terra Museum of American Art Rembrandt van Rijn After Whistler: The Artist and His >Jan Six Influence on American Painting Debating American : District of Columbia 22 November 2003-8 February 2004 Stieglitz, Duchamp, and the Rembrandt van Rijn New York Avant-Garde >Jupiter and Antiope The Phillips Collection Henry Ossawa Tanner 29 August-30 November 2003 > The Seine* Rembrandt van Rijn Discovering Milton Avery: Two Max Weber . > The Presentation in the Temple in Devoted Collectors, Louis Kaufman James McNeill Whistler >Rush Hour, New York* the Dark Manner and Duncan Phillips > Symphony in White, No. 1: 14 February-16 May 2004 The White Girl Rembrandt van Rijn Leaving for the Country: George > Self-Portrait (two works) Milton Avery Circulated to The Detroit Institute of Bellows at Woodstock >Avery Sketchbook (Jamaica, Vermont) Arts, 13 March-6 June 2004 Rembrandt van Rijn 4 October 2003-11 January 2004 > Self-Portrait, Frowning Milton Avery George Bellows > Avery Sketchbook (Milton Avery) Thomasville, Thomasville Cultural Rembrandt van Rijn > Sketch for the Arms and Hands Center, Inc. >Sick Woman with a Large White Milton Avery of Mrs. Philip Wase Headdress (Saskia) >Avery Sketchbook (Mother Ann Moulin Rouge: The Seeds of Modernity George Bellows Ann Cottage, Eastern Point, 12 December 2003-28 March 2004 Rembrandt van Rijn > Studies of Jean Gloucester, Mass.) > The Triumph of Mordecai Jules Ch6ret George Bellows Milton Avery >Au Quartier Latin Circulated to The Art Institute of > Study for Nude with Hexagonal Quilt > Avery Sketchbook (Pemaquid Chicago, 14 February-9 May 2004 Henri- Ibels Point, Maine) George Bellows > Boubouroche; Valet de Coeur > Woodstock Road, Woodstock, Milton Avery Michigan Henri-Gabriel Ibels New York > Drawbridge > Clowns Ann Arbor, University of Michigan Milton Avery Museum of Art Henri-Gabriel Ibels Maryland > Fancy Bird >Menu du reveillon offert aux amis Georgia O'Keeffe and the Sublime Baltimore, The Baltimore Milton Avery du Theatre Antoine Landscape Museum of Art >Fantail Pigeon 10 July-3 October 2004 Henri de Toulouse-Lautrec John Russell Pope's Baltimore Milton Avery > Chocolat Dancing in the Achille Bar Georgia O'Keeffe 31 March -1 August 2004 >Hen > Winter Road I John Russell Pope and Otto R. Eggers Milton Avery > The Lucky Negro (Le ne>gre en >National Gallery, South Facade > Hooded Owl bonne fortune) Missouri

Milton Avery Kansas City, The Nelson-Atkins Massachusetts > Little Girl Illinois Museum of Art Boston, Isabella Stewart Milton Avery Chicago, The Art Institute of Chicago Marsden Hartley Gardner Museum >My Wife Sally 11 October 2003-11 January 2004 Dreaming in Pictures: The Raphael, Cellini and a Renaissance Milton Avery Photography of Lewis Carroll Marsden Hartley Banker: The Patronage of >My Wife Sally (copper plate) 11 October 2003-11 January 2004 >Mount Katahdin, Maine Bindo Altoviti Milton Avery Lewis Carroll 5 October 2003 -10 January 2004 Marsden Hartley >Rothko with Pipe >Xie Kitchin > The Aero Raphael Milton Avery > Bindo Altoviti >Rothko with Pipe (zinc plate) Manet and the Sea New York Circulated to Museo Nazionale 20 October 2003 -19 January 2004 Milton Avery del Bargello, Florence, 1 March- Cooperstown, Fenimore Art Museum, > Sally with Beret Eugene Boudin 15 June 2004 New York State Historical Association > Beach Scene atTrouville Milton Avery Winslow Homer: Masterworks from > Sally with Beret (copper plate) Eugene Boudin Boston, Museum of Fine Arts, Boston the Adirondocks > Festival in the Harbor of Honfleur 21 June-6 September 2004 Milton Avery Rembrandt's Journey: Painter, > Self-Portrait Draftsman, Etcher Winslow Homer >The Harbor at Lorient (Chicago > Hound and Hunter Milton Avery 26 October 2003 -18 January 2004 and Philadelphia only) > Self-Portrait (copper plate) Rembrandt van Rijn Circulated to Philadelphia Museum of >Abraham Entertaining the Milton Avery Art, 15 February-30 May 2004, and Angels (recto) > Sleeping Baby Van Gogh Museum, Amsterdam, 18 June -10 October 2004 Rembrandt van Rijn > Christ before Pilate: Large Plate

h'J c^S> NATIONAL GALLERY OF ART 2004 <3

Huntington, Heckscher Museum of Art F6lix Bracquemond Giovanni Battista Piranesi James McBey >Edmond de Goncourt (two works) > The Skeletons > Palazzo dei Cammerlenghi The Golden Age of American Impressionism Laurent Cars after Antoine Watteau Giovanni Battista Piranesi Alfred Stieglitz 22 November 2003-1 February 2004 > Fetes venitiennes > Title Plate (two works) >A Venetian Canal

Childe Hassam Giovanni Benedetto Castiglione Giovanni Battista Piranesi Alfred Stieglitz > Poppies, Isles of Shoals > The Bodies of Saints Peter and > The Tomb of Nero >A Venetian Well Paul Hidden in the Catacombs Giovanni Pietro Possenti Alfred Stieglitz Katonah, Katonah Museum of Art Giovanni Benedetto Castiglione >Hercules and Antaeus > Venice > David with the Head of Goliath The Birth of the Banjo Rembrandt van Rijn James McNeill Whistler 9 November 2003-1 February 2004 Charles-Nicolas Cochin I after > The Artist Drawing from the Model > Antoine Watteau Thomas Eakins Rembrandt van Rijn James McNeill Whistler >La Mariee de Village (The > Study for "Negro Boy Dancing": > Christ Crucified between the > The Doorway Village Bride) The Banjo Player* Two Thieves (The Three Crosses) James McNeill Whistler Edgar Degas (two works) > Doorway and Vine >Mary Cassatt at the Louvre:The : Prints Rembrandt van Rijn Etruscan Gallery (Au Louvre: Musee James McNeill Whistler 1948-1993 > Christ Presented to the People: des antiques) (two works) >Long Lagoon 25 July-3 October 2004 Oblong Plate Edgar Degas James McNeill Whistler Richard Diebenkorn Rembrandt van Rijn >Mary Cassatt at the Louvre: > Nocturne: Palaces >L.A. Landscape > Old Man Shading His Eyes with The Paintings Gallery (Au Louvre: His Hand James McNeill Whistler Richard Diebenkorn La Peinture) > The Palaces >Nude Rembrandt van Rijn Edgar Degas > Saint ferome beside a Pollard Willow James McNeill Whistler Richard Diebenkorn > Woman by a Fireplace > The Rialto >Reclining Figure II Rembrandt van Rijn Edgar Degas > Saint ferome Reading in an James McNeill Whistler Richard Diebenkorn > (Liseuse) Italian Landscape > The Riva, No. I > Seascape Albrecht Durer Rembrandt van Rijn James McNeill Whistler Richard Diebenkorn > Desperate Man > Sheet of Studies including Head of > Two Doorways > Sleeping Girl Sir Anthony van Dyck the Artist, a Beggar Couple, Heads of James McNeill Whistler Richard Diebenkorn > Philippe le Roy, Lord of Ravels an Old Man > Upright Venice > Small Red Sir Anthony van Dyck and Various Rembrandt van Rijn Artists after Sir Anthony van Dyck > Sheet of Studies including a Woman New York, The Jewish Museum New York, Adelson Galleries, Inc. >Le Cabinet des plus beaux Portraits ... Lying III in Bed faits par le fameux Antoine van Dyck Schoenberg, Kandinsky and Sargent's Women Rembrandt van Rijn the Blue Rider 12 November-13 December 2003 Jean-Jacques Flipart after Jean >Sheet with Two Studies: A Tree, and 24 October 2003-12 February 2004 Sim6on Chardin the Upper Part of a Head of the Artist >Le Dessinateur (The Draughtsman) Wearing a Velvet Cap Alexej von Jawlensky > Street in Venice >Murnau Paul Gauguin Rembrandt van Rijn > Two Marquesans (recto) > Studies of the Head of Saskia New York, Dahesh Museum of Art and Others New York, The Metropolitan Hendrik Goltzius Maesta di Roma. D'lngres a Degas. Museum of Art > The Massacre of the Innocents Auguste Rodin Les artistes franfais a Rome > Victor Hugo, De Face El Greco: The Illumination and 3 September-2 November 2003 Charles Frangois Adrien Macret Quickening of the Spirit after Jean-Honor6 Fragonard Various Artists after Antoine Watteau Jules Coignet 29 September 2003 -11 January 2004 >La fuite H dessein >L'oeuvre d'Antoine Watteau (volume I) > View of Lake Nemi El Greco (Domenikos Theotokopoulos) Charles Frangois Adrien Macret Jacques Villon Jean-Auguste-Dominique Ingres > Christ Cleansing the Temple and Jacques Couch6 after >La Parisienne (three works) >Pope Pius VII in the Sistine Chapel (London only) Jean-Honor6 Fragonard >La fuite & dessein El Greco (Domenikos Theotokopoulos) New York, New York, The Frick Collection >Laocodn Edouard Manet David Smith Related Clues: The Drawings of Franfois Boucher > Berthe Morisot El Greco (Domenikos Theotokopoulos) Drawings, Paintings & Sculpture 24 October 2003-4 January 2004 >Madonna and Child with Saint Workshop of Andrea Mantegna 1931-1964 Martina and Saint Agnes Francois Boucher > The Adoration of the Magi (Virgin 13 March -17 April 2004 (New York only) > Apollo in the Grotto) David Smith El Greco (Domenikos Theotokopoulos) Frangois Boucher Jan Muller after Adriaen de Vries > Construction December II > Saint Martin and the Beggar >Les Crapes >Hercules Killing the David Smith Circulated to The National Gallery, Francois Boucher Edvard Munch > Untitled London, 18 February-24 May 2004 > Reclining Female Nude >Madonna David Smith (Fort Worth only) Parmigianino > Untitled (9/3/59) Crossing the Channel: British Circulated to Kimbell Art Museum, > The Entombment and French Painting in the Age Fort Worth, 25 January -18 April 2004 Giovanni Battista Piranesi New York, The of > The Drawbridge (two works) 7 October 2003-4 January 2004 Whistler and His Circle in Venice The Unfinished Print Giovanni Battista Piranesi 17 September-22 November 2003 Theodore Rousseau 2 June -15 August 2004 > Fantastic Port Monument (left plate) > Mountain Stream in theAuvergne James McBey Nicolaus Beatrizet after Giovanni Battista Piranesi > Barcarole Horace Vernet Michelangelo Buonarroti > Fantastic Port Monument (right plate) > Hunting in the Pontine Marshes > Striding Man

70 c/E> NATIONAL GALLERY OF ART 2004 <3

Hudson River School Visions: The New York, Whitney Museum Lancaster, Lancaster County Richmond, Virginia Museum Landscapes of Sanford R. Gifford of American Art Historical Society of Fine Arts 7 October 2003-8 February 2004 Arshile Gorky Drawings Retrospective Jacob Eichholtz, From Artisan Van Gogh and Gauguin: An Artistic Sanford Robinson Gifford 20 November 2003 -15 February 2004 to Artist Dialogue in the South of France >Siout, Egypt 9 April-31 December 2003 26 March -13 June 2004 Arshile Gorky Circulated to Amon Carter Museum, > The Plow and the Song Jacob Eichholtz Fort Worth, 6 March-16 May 2004 >Mr. Kline > Self-Portrait Arshile Gorky > Portrait of the Artist and His Mother Jacob Eichholtz Philip Guston Retrospective >Jacob (?) Leman Washington Arshile Gorky 27 October 2003-4 January 2004 > Sketch for Marine Building Mural Jacob Eichholtz Seattle, Seattle Art Museum Philip Guston >Joseph Leman Circulated to The , The View from Here: The Pacific > Painter's Table Houston, 5 March-12 May 2004 Jacob Eichholtz Northwest 1800-1930 Circulated to Royal Academy of Arts, >Miss Leman 8 August 2003-29 February 2004 London, 24 January-12 April 2004 Roslyn Harbor, Nassau County George Catlin Museum of Art Lancaster, Phillips Museum of Art, >A Whale Ashore - Klahoquat* Byzantium: Faith and Power Franklin & Marshall College European Art between the Wars (1261-1557) 9 May-1 August 2004 The Artistic World of Jacob Eichholtz Wisconsin 23 March-5 July 2004 24 April - 20 December 2003 Henri Matisse Milwaukee, Milwaukee Art Museum Byzantine 13th Century > Still Life with Pineapple* Jacob Eichholtz > Madonna and Child on a American Fancy: Exurberance and >James P. Smith* Curved Throne Delight in the Arts, 1800-1840 Ohio 3 April-20 June 2004 Gentile Bellini Pittsburgh, The Andy Warhol Museum >Mehmed II, 1430-1481, Sultan Cleveland, The Cleveland American 19th Century of the Turks 1451 (obverse) Museum of Art Andy Warhol Museum > The Sargent Family* 10th Anniversary Giovanni Bellini Jasper Johns: Numbers American 19th Century 15 May-5 September 2004 >Madonna and Child 26 October 2003-11 January 2004 > Martha Eliza Stevens Edgar Paschall* Edouard Manet Costa nzo da Ferrara Jasper Johns Circulated to Pea body Essex Museum, > Flowers in a Crystal Vase >Mehmed II, 1430-1481, Sultan > Numbers Salem, 14 July-31 October 2004 of the Turks 1451 (obverse) Texas Toledo, Toledo Museum of Art EXTENDED LOANS FROM , American Dallas, Nasher Sculpture Center Hendrick Goltzius (1558-1617): THE NGA COLLECTION Impressionist Drawings, Prints and Paintings Picasso:The Cubist Portraits 7 June-12 September 2004 18 October 2003 - 4 January 2004 of Fernande Olivier All works are part of the National Lending Childe Hassam 14 February-9 May 2004 Hendrik Goltzius Service unless indicated by** >Allies Day, May 1917* > The Fall of Man Pablo Picasso Childe Hassam >Head of a Woman (Fernande) Hendrik Goltzius > Oyster Sloop, Cos Cob* >Head of a Siren BELGIUM Childe Hassam Virginia , United States Embassy > Poppies, Isles of Shoals Oregon Norfolk, Chrysler Museum of Art Residence, North Atlantic Treaty Organization Portland, Dutch and Flemish Treasures from New York, The Museum of Modern Art the National Gallery of Art Gilbert Stuart Frankenthaler: The Woodcuts Roth Time: A Dieter Roth 11 July-31 December 2003 > Catherine Yates Pollock 13 December 2003-15 February 2004 Retrospective (Mrs. Geroge Pollock) Sir Anthony van Dyck 12 March-7 June 2004 Helen Frankenthaler >Dona Polyxena Spinola Guzman Gilbert Stuart >FreefaU Dieter Roth de Leganes > George Pollock >Insel (Island) Circulated to Salander-O'Reilly Frans Hals Thomas Sully Galleries, Inc., New York, > Portrait of a Member of the Haarlem >Ann Biddle Hopkinson 1 March -1 April 2004 New York, Pace Wildenstein Civic Guard Thomas Sully Rothko:A Painter's Progress. Adriaen Hanneman > Francis Hopkinson Pennsylvania The Year 1949 >Henry, Duke of Gloucester Thomas Sully 23 January-23 February 2004 Lancaster, Heritage Center Museum Rembrandt van Rijn > The Leland Sisters of Lancaster County Mark Rothko >Saskia van Vylenburgh, the Wife >No. 17 [or] No. 15* Jacob Eichholtz's Lancaster of the Artist FRANCE 14 April-31 December 2003 Mark Rothko Paris, Musee du Louvre > Untitled* Jacob Eichholtz Richmond, Agecroft Hall > William Clark Frazer* Severn da Ravenna Gloriana: Elizabeth 11533-1603 > The Christ Child** (returned) New York, Solomon R. Jacob Eichholtz 3 June- 5 October 2003 Guggenheim Museum > Cassidy Freeman (Mrs. Dominicus Custos after Crispijn de Clarkson Freeman)* James Rosenquist:A Retrospective Passe I 16 October 2003 -18 January 2004 Jacob Eichholtz > Queen Elizabeth > Henry Eichholtz Leman* James Rosenquist Martin Droeshout > Circles of Confusion > Queen Elizabeth

71 <=-© NATIONAL GALLERY OF ART 2004 <3

IRELAND Gilbert Stuart George Catlin Secretary of Agriculture >Dr. William Hartigan (?) > Battle between the Jiccarilla Dublin, United States Embassy American 19th Century Apachees and Camanchees Residence > Farmhouse in Mahantango Valley The Library of Congress George Catlin Gilbert Stuart American 19th Century > Buffalo Chase > Counsellor John Dunn Carl Milles > Leaving the Manor House >Head of Orpheus George Catlin Gilbert Stuart Georgia Timken Fry > Camanchee Chief, His Wife, >John Bill Ricketts (returned) > Flock of Sheep and a Warrior National Museum of African Art Henri-Joseph Harpignies George Catlin ITALY Nigerian, Court of Benin > Landscape > Camanchee Chief with Three Warriors >Fowl" Florence, Casa Buonarroti A. A. Lamb George Catlin > Emancipation Proclamation after Michelangelo Buonarroti, > Distinguished Crow Indians National Museum of American History > Damned Soul" George Catlin Charles Peale Polk Secretary of Defense > Excavating a Canoe — Nayas Indians > General Washington at Princeton UNITED KINGDOM - ENGLAND George Catlin George Catlin >Fort Union London, United States >A Flathead Chief with His Family National Trust for Historic Preservation Embassy Residence George Catlin George Catlin Bernard Hailstone > Prairie Dog Village Sir William Beechey >Four Dogrib Indians >David E. Finley >Lieutenant-General Sir Thomas Picton George Catlin Secretary of Education Francis Cotes > Making Flint Arrowheads - Apachees Office of the Majority Leader, > Mrs. Thomas Home American 19th Century United States Senate George Catlin > Washington at Vallery Forge Frederick Carl Frieseke > Ojibbeway Indians Franklin C. Courier >Memories (returned) A. M. Randall >Lincoln and His Son, Tad" George Catlin > Basket of Fruit with Parrot >An Ojibbeway Village of Skin Tents > William Yelverton Davenport Mark Rothko Office of the Vice President George Catlin > Untitled Walt Kuhn of the United States > Osage Chief with Two Warriors >Pumpkins (returned) Mark Rothko American 18th Century George Catlin > Untitled Gari Melchers >Attack on Bunker's Hill, with >An Osage Indian Pursuing >The Sisters (returned) the Burning of Charles Town a Camanchee Administrator, Environmental Michiel van Miereveld American 19th Century George Catlin Protection Agency > Portrait of a Lady with a Ruff >Imaginary Regatta of America's > Pawnee Indians Approaching Buffalo Cup Winners Joseph Bartholomew Kidd after John George Catlin James Audubon London, Lydia Field Emmet >A Small Cheyenne Village >Black-Backed Three-Toed Woodpecker > Olivia Sir George Catlin Joseph Bartholomew Kidd after > Francis Charles Seymour-Conway, A. Hashagen > Three Mandan Warriors Armed for War John James Audubon 3rd Marquess of Hertford >Ship "Arkansas" Leaving Havana George Catlin > Orchard Oriole John Wesley Jarvis > Three Navaho Indians Auguste Renoir UNITED STATES > Commodore John Rogers George Catlin > Landscape between Storms Alabama Walt Kuhn > Three Young Chinook Men Douglas Volk > Green Apples and Scoop Birmingham, Birmingham George Catlin >Abraham Lincoln Museum of Art John Neagle > Two Unidentified North > Augustus James Pleasonton American Indians Veronese Director, Office of Homeland Security > Saint Jerome in the Wilderness" John Vanderlyn George Catlin Franklin C. Couter >John Sudam > View of the Lower Mississippi Anders Zorn >Lincoln and His Son, Tad" (returned) >Hugo Reisinger Alexander Helwig Wyant Thomas Chambers > Peaceful Valley > Boston Harbor Secretary of Housing and Montgomery, Montgomery Thomas Chambers Urban Development Museum of Fine Arts The White House > New York Harbor with Boat American 19th Century "" Mark Rothko American 19th Century > The End of the Hunt > Untitled >Abraham Lincoln American 19th Century > The Basin at Deauville** American 19th Century > The Start of the Hunt California > Indians Cooking Maize Henri Matisse American 19th Century >Still Life with Pineapple (returned) Oakland, Oakland Museum American 19th Century > Twenty-two Houses and a Church > Stylized Landscape Mark Rothko Mark Rothko American 20th Century > The Party > Untitled George Catlin >After the Wedding in Warren, >An Aged Minatarree Chief Mark Rothko Pennsylvania and His Family > Untitled District of Columbia Thomas Chambers George Catlin >Bay of New York, Sunset Blair House >Antelope Shooting — Assinnehoine John Singleton Copley > Harrison Gray

Style of Benjamin Marshall >Race Horse and Trainer

72 c^© NATIONAL GALLERY OF ART 2004 <3<=

Attorney General of the United States Justice Ginsburg Indiana

Thomas Chambers Mark Rothko Indianapolis, Indianapolis > Packet Passing Castle Williams, >The Omen Museum of Art • New York Harbor Mark Rothko Max Beckmann Winslow Homer > Untitled > Christ in Limbo (returned) > Sunset Mark Rothko Justice Kennedy >Sketch for Mural H (returned) >Lake Albano, Sunset Jean B6raud Adam Pynacker > Paris, rue du Havre Maryland > Wooded Landscape with Travelers Dutch 17th Century Hagerstown, Washington County Edward Savage > Flowers in a Classical Vase Museum of Fine Arts > George Washington Walt Kuhn Frederick Kemmelmeyer > Zinnias > First Landing of Christopher Columbus United States Trade Representative

Thomas Chambers Justice O'Connor Pennsylvania > Felucca off Gibraltar George Catlin Doylestown, James A. Michener Thomas Chambers > After the Buffalo Chase - Sioux Art Museum >Storm-Tossed Frigate George Catlin American 19th Century T. Davies >An Apachee Village >Profile Portrait of a Lady** >Ship in Full Sail George Catlin American 19th Century J. G. Tanner > Buffalo Chase, Sioux Indians, >Proftle Portrait of a Man** > Engagement between the "Monitor" Upper Missouri Joseph Goodhue Chandler and the "Merrimac" George Catlin > Girl with Kitten >A Crow Village and the Salmon Edward Hicks Secretary of Transportation River Mountains > The Landing of of Jacob Adriaensz. Bellevois George Catlin >Dutch Ships in a Lively Breeze > Two Blackoot Warriors and a Woman Virginia Follower of Fairfax, George Mason University > Harbor at Sunset Justice Scalia Alfredo Halegua L. M. Cooke Gilbert Stuart > America > Salute to General Washington > George Washington in New York Harbor Lila Pell Katzen Thomas Sully > Antecedent Hugues Merle > Henry Pratt > Children Playing in a Park Augustus Vincent Tack Rene Pierre Charles Princeteau > Charles Evans Hughes > Horses

Justice Souter Secretary of the Treasury Rembrandt Peale Andr6 Derain > George Washington >Abandoned Gilbert Stuart Henri Moret > Joseph Anthony > The Island of Raguenez, Brittany after Gilbert Stuart Mark Rothko > William Constable > Untitled (returned) after Gilbert Stuart Maurice Utrillo >James Lloyd > The Pont Saint-Michel, Paris Augustus Vincent Tack James McNeill Whistler >Harlan F. Stone >Alice Butt

Justice Stevens Supreme Court of the United States American 19th Century Chief Justice Rehnquist > Portland Harbor, Maine George Cuitt, the Younger George Catlin >Easby Abbey, near Richmond > Scene from the Lower Mississippi Thomas Sully Alphonse Legros > Thomas Alston >Hampstead Heath Eugene Lawrence Vail C. Gregory Stapko after John > The Flags, Saint Mark's, Constable Venice - Fete Day >A View of Salisbury Cathedral**

Maurice Utrillo > Street at Corte,

Franz Xaver Winterhalter > Queen Victoria

73 PUBLICATIONS

EXHIBITION CATALOGUES >Palace and Mosque: Islamic Art from WEB SITE AND WEB STAFF PUBLICATIONS the Victoria and Albert Museum PUBLICATIONS >Picasso:The Cubist Portraits of > The Cubist Paintings of Diego Rivera: 13,655,380 visits to www.nga.gov in fiscal >Anderson, Nancy K. "The John Fernande Olivier Memory, Politics, Place year 2004 (daily average: 37,412) Wilmerding Collection: A Scholar's Gift Jeffrey Weiss et al. (216 pages, 82 to the National Gallery of Art." Antiques, color, 68 duotones; hardcover pub- EXHIBITION FEATURES September 2004, 78-89. lished in association with Princeton AWARDS University Press) > Picasso: The Cubist Portraits of •Conisbee, Philip. "Reflexions on Fernande Olivier: selected highlights Open-air Painting". In Plein-air Painting >Edouard Vuillard (exhibition catalogue) > Colorful Impressions: in Europe, 1780 -1850. 10-19. Exh. Association of American University > The Age ofWatteau, Chardin, and The Printmaking Revolution in cat. Shizuoka Prefectural Museum of Presses 2004 Book, Jacket and Fragonard: Masterpieces of French Genre Eighteenth-Century France Art; Art Gallery of New South Wales, Journal Show; 8th Biennial AIGA 50 Painting: exhibition brochure Margaret Morgan Grasselli et al. (200 Sydney; National Gallery of Victoria, pages, 152 color, 66 b/w; hardcover >Frederic Remington: The Color of > Colorful Impressions: The Printmaking Melbourne. 2004. published in association with Lund Night (exhibition catalogue) Revolution in Eighteenth-Century >de la Rie, E. Ren6. "Why Use a Humphries Publishers) Western Heritage Awards Outstanding France: selected highlights; printmaking Synthetic Picture Varnish?" In Art et Art Book techniques chimie: Les polymeres. Actes du congris > Drawings of Jim Dine > The Art of Romare Bearden > Drawings of Jim Dine: du 15-16 octobre 2002, Maison de la Judith Brodie (200 pages, 110 color, 20 (exhibition catalogue) selected highlights Chimie, Paris. 63-68. Paris: Editions b/w; hardcover published in association Association of American University CNRS, 2003. with Gerhard Steidl) > Courtly Art of the Ancient Maya: Presses 2004 Book, Jacket and special feature; children's guide >de la Rie, E. Ren6 et al. "The Effect Journal Show > American Masters from Bingham to of a Varnish's Refractive Index on the > Cubist Paintings of Diego Rivera: > Picasso: The Cubist Portraits of Appearance of Oil Paintings." Studies Eakins:The John Wilmerding Collection Memory, Politics, Place: exhibition Franklin Kelly et al. (166 pages, 63 Fernande Olivier (exhibition catalogue) in Conservation 48 (2003): 251-62. brochure color, 66 b/w; hardcover published in Association of American University >—. "The Use of Electrochemical association with Lund Humphries Presses 2004 Book, Jacket and > American Masters from Bingham to Impedance Spectroscopy in the Publishers) Journal Show Eakins: The John Wilmerding Evaluation of Coatings for Outdoor Collection: special feature > Colorful Impressions: Bronze." Studies in Conservation >Jean-Antoine Houdon: Sculptor of The Printmaking Revolution in >Hudson River School Visions.The 49 (2003): 53-62. the Enlightenment Eighteenth-Century France Landscapes of Sanford R. Gifford: Anne L. Poulet et al. (384 pages, 140 • Doumato, Lamia. "The Illustrated (exhibition catalogue) selected highlights color, 203 b/w; new softcover edition Pontifical of Ignatius II: Association of American University published in association with > Palace and Mosque: Islamic Art from Text, Image and Reader in the Presses 2004 Book, Jacket and University of Chicago Press) the Victoria and Albert Museum: Syriac Tradition." Arte Cristiana 819 Journal Show exhibition brochure (November-December 2003): 423-36. >Jean-Antoine Houdon: Sculptor of the PERMANENT COLLECTION >—. Review of Dilys E. Blum, Enlightenment (exhibition catalogue) CATALOGUE PERMANENT COLLECTION Shocking! The Art and Fashion of Association of American University FEATURES Elsa Schiaparelli. Art Documentation Presses 2004 Book, Jacket and 23, no. 1 (Spring 2004): 46-47. > National Gallery of Art: Master Journal Show >Mark Rothko: The Mural Projects: Paintings from the Collection selected highlights >—. Review of Paolo Cesaretti, Theodora: Empress of Byzantium. John 0. Hand with a foreword by Earl STUDIES IN THE HISTORY > Small French Paintings: A. Powell III (492 pages, 423 color; Choice. September 2004 (50). OF ART AND OTHER CASVA special feature hardcover published in association PUBLICATIONS >—. Review of Christopher Walter, •Armand Hammer collection: with Harry N. Abrams, Inc.) The Warrior Saints in Byzantine Art selected highlights and Tradition. Art Documentation 23, > Large Bronzes in the Renaissance SYSTEMATIC CATALOGUE >World War II feature: selections from no. 1 (Spring 2004): 49-51. Edited by Peta Motture (352 pages, Gallery Archives 286 duotones; copublished and dis- • Doyle, Margaret. "Biedermeier," "Carl > Volume 15, Italian Paintings of the tributed by Yale University Press) >Sol Lewitt installation: images of Blechen," "Georg Friedrich Kersting," progression of installation "Joseph Anton Koch," "Landscape: Fifteenth Century > Tilman Riemenschneider, Miklbs Boskovits and David Alan Brown Germany," "Portrait: Germany," "Self- c. 1465-1531 >Artistic Exchange: special feature in (784 pages, 140 color, 350 b/w; distrib- Portrait: Germany." In Encyclopedia of Edited by Julien Chapuis (264 pages, conjunction with Palace and Mosque uted by Oxford University Press) the Romantic Era, 1760-1850. Edited 40 color, 202 b/w; copublished and >Art since 1950 Teaching Program by Christopher John Murray. New York: distributed by Yale University Press) (pdf of print version) Fitzroy Dearborn, 2004. EXHIBITION BROCHURES > Center 24 (Annual Report) • Fine, Ruth E. "Portrait of a Friendship-. Romare Bearden and Frank Stewart." > The Age ofWatteau, Chardin, and In Romare Bearden: Photographs Fragonard: Masterpieces of French by Frank Stewart. San Francisco: Genre Painting Pomegranate in association with Black > Colorful Impressions: Light Productions, 2004. The Printmaking Revolution in Eighteenth-Century France

> Courtly Art of the Ancient Maya

74 CSE> NATIONAL GALLERY OF ART 2004 <3

•Gifford, Melanie, Suzanne Guillen >—. Review of Thomas R. Ryan, ed. •Wheelock, Arthur K., Jr. "Framing Lomax, et al. "Issues Surrounding The Worlds of Jacob Eichholtz: Portrait Vermeer." In Collected Opinions: the Painting Medium: A Case Study Painter of the Early Republic. The Essays on Netherlandish Art in Honour of a Pre-Eyckian Altarpiece." In Recent Antiquer (January 2004): 38. of Alfred Bader. Edited by Volker Manuth Developments in the Technical and Axel Ruger. 232-39. London: • Parshall, Peter "Ferdinand Columbus's. Examination of Early Netherlandish Paul Holberton Publishing, 2004. Prints after 1500 from the German- Painting. Edited by Mooly Faries and Speaking Regions." In The Print •Wheelock Arthur K., Jr., et al. Masters Ron Spronk. 107-16. Turnhout: Collection of Ferdinand Columbus of Dutch Painting. Detroit, The Detroit Brepols, 2003. (1488-1539). Edited by Mark Institute of Arts, 2004. •Greenough, Sarah. "291: Exposer I'art McDonald et al. 3 vols, 1:175-85. •Witkovsky, Matthew S. "Experiments moderne et la photographic." In New London and Los Angeles: British in Progress." In Jaroslav Rossler, Czech York et I'art moderne: Alfred Stieglitz Museum Press, 2003. Avant-Garde Photographer. Edited by et son cercle, 1905-1930. Edited by >—. Review of: Katherina Krause, Vladimir Birgus and Jan Mloch. 40-45. Frangoise Heilbrun and Danielle Tilkin. Hans Holbein derAltere. Kunstchronik Cambridge, Mass.: MIT Press, 2003. 67-78. Paris: Reunion des Mus6es (2004) 190-93. Nationaux / Mus6e d'Orsay, 2004. •—. "Staging Language: Milca • Parsons, Margaret. "Alexander Bogardy, Mayerovci and the Czech Book >—. "Arthur Dove." In American Singular Pursuits." Folk Art Alphabet." Art Bulletin vol. 86, no. 1 Originals: The Vivian O. and (Spring/Summer 2004) 62-67. (March 2004): 114-37. Meyer P. Potamkin Collection. Exh. cat. Pennsylvania Academy of • Penny, Nicholas. Preface to David •—. Catalogue entries in Speaking with Fine Arts, 2004. Levine: Escape. Exh. cat. Forum Hands: Photographs from the Buhl Gallery, New York, 2004. Collection. Edited by Jennifer Blessing. •Jecmen, Gregory. "Directory of Selected 198-255. Exh. cat., Solomon R. Public Collections of Works of Art •—. "Raphael and the Early Victorians." Guggenheim Museum, New York, 2004. on Paper in the United States." In Raphael: From Urbino to Rome. Washington Print Club Quarterly, vol. Edited by Carol Plazzotta. 295-303. •—. trans, and postscript (with 40, no. 2 (Summer 2004): 2-29. Exh. cat., National Gallery, London. Jinkrich Toman). Fotografie vidi New Haven and London: Yale povrch/Photography Sees the Surface. > Kelly, Franklin. "The Westervelt University Press, 2004. Edited by Jaromfr Funke and Ladislav Warner Museum of Young America." Sutnar. Facsimile of the original 1935 Antiques 166, no. 2 (August 2004), •—. "In Toledo, Ohio" (review of edition. Ann Arbor: Michigan Slavic 54-67. Hendrick Goltzius exhibition). London Publications, 2004. Review of Books, 23 October 2003, 27. • Luchs, Alison. "The Lombardo Family" •—. "Convictions: Dada et la loi." and "The Rimini Master." In Encyclopedia •—. "At the Mus6e de Luxembourg" Cahiers du Mush national d'art of Sculpture, ed. Antonio Bostrdm, vol.1: (review of Botticelli exhibition). moderne 88 (Summer 2004): 40-42. 965-972 and vol. 3:1431-1433, New London Review of Books, York and London, 2004. 20 November 2003, 28. •—. " in the Plural." Papers of Surrealism (online journal: > Metro, Judy. "Editing Paul Rand." In >—. "Working in Bronze, Burnishing www.surrealismcentre.ac.uk), no. 2, Paul Rand: Modernist Design. Edited a Technique." Washington Post, posted September 2004. by Franc Nunoo-Quarcoo. 84-87. New 29 February 2004, N4. York: Distributed Art Publishers, 2003. •—. "Impossible Histories: Historical >—. "At the National Gallery" (review Avant-gardes, Neo-avant-gardes, >—. "Illustrated Ideas: Publishing in of El Greco exhibition). London Review and Post-avant-gardes in Yugoslavia, the Arts." In RevisingYour Dissertation: of Books, 4 March 2004, 32. 1918-1991" (book review). Advice from Leading Editors. Edited >—. [with Caroline Elam], Obituary of CAA Reviews Online, posted by Beth Luey. 182-200. Berkeley, Los John Shearman. The Burlington 9 September 2004. Angeles, and London: University of Magazine 146 (April 2004): 264-65. California Press, 2004. •Yeide, Nancy. Review of Birgit Schwarz, •—. "The People's Goya" (review of Hitlers Museum: Die Fotoalben • Metzger, Catherine. "Death and the Goya by Robert Hughes). London Gemaldegalerie Linz. Museum News Miser. Alterations and Implications." In Review of Books, 23 September 2004, (September/October 2004): 22ff. Jerome Bosch et son entourage et autres 17-18. etudes. Edited by H. Verougstraete and •—. "Provenance and Museums." In R. Van Schoute. 39-44. Leuven, Paris, •Guillen Lomax, Suzanne. See Gifford. Resolution of Cultural Property and Dudley, Mass.: Peeters, 2003. Disputes /Peace Palace Papers. Edited •Robison, Andrew. "Kirchner Collector by the International Bureau of the > . "Portrait of aYouth-A Recent Kurt Feldhausser." In Festschrift Permanent Court of Arbitration. Restoration at the National Gallery fur Eberhard W. Kornfeld zum 80, 99-111. The Hague: Kluwer Law of Art." In Early Italian Paintings: Gebartstag. Edited by Christine E. International, 2004. Approaches to Conservation: Proceedings Stauffer. 251-62. Bern: Kornfeld, 2003. of a Symposium at the Yale University •Walsh, Judith. "Evolution in In-Painting: Art Gallery, April 2002. Edited by Discussion." Book and Paper Group P. S. Garland. 233-37. New Haven: Annual (American Institute for Yale University Art Gallery, 2003. Conservation of Historic and Artistic • Most, Gregory P. J. Review of Virginia Works), vol. 22 (2004): 105-7. Tuttle Clayton et al. Drawing on •Waggoner, Diane, ed. The Beauty America's Past: Folk Art, Modernism, of Life: William Morris and the Art and the Index of American Design. of Design. London: Thames & The Antiquer (January 2004): 38. Hudson, 2003. >—. Review of Patricia Junker et al. Winslow Homer: Artist and Angler. The Antiquer (January 2004): 38.

75 STAFF LIST

Staff as of 30 September 2004 Production Coordinators Associate Curator, French Paintings Curator of Sculpture and William Bowser Kimberly A. Jones Decorative Arts OFFICE OF THE DIRECTOR John Olson Douglas Lewis Assistant Curator, French Paintings Nathan Peek Florence E. Coman Assistant Curator Director Office Manager Eleonora Luciano Earl A. Powell III Assistant Carol Koelemay Virginia Sweet Dupuy Assistant Deputy to the Director Office Assistant Timothy Chapin Carol W. Kelley Andrew W. Mellon Curatorial Fellow Abby Bysshe Benedict Leca Andrew W. Mellon Curatorial Fellow Executive Assistant Maquette Production Karen Serres Angela M. L0R6 Deborah Clark-Kirkpatrick Renaissance Paintings Graduate Curatorial Interns, Staff Assistants Photographer Curator and Head of Italian Paintings Academic Year Dianne D. Stephens Robert Shelley David Alan Brown Fabio Barry Debra S. Tatman C.D. Dickerson Head of Silkscreen Curator, Northern Renaissance Internal Auditor Barbara Keyes John Oliver Hand Volunteer Larry L. Lewis Debra Pincus Silkscreen Production Assistant Curator, Italian Renaissance Auditor Lisa Farrell Gretchen Hirschauer Orin Wolf MODERN AND CONTEMPORARY ART Glenn Perry Assistant Jeffrey Wilson Curator and Head of Department EXHIBITIONS Elizabeth Concha Stefan Wood Jeffrey Weiss Chief of Exhibitions Volunteer Research Assistant Head of Exhibits Shop Associate Curator D. Dodge Thompson Daniela Cini James Payne Leah Dickerman Exhibition Officers Carpenters Northern Baroque Paintings Assistant Curator Jennifer F. Cipriano Melvin Brown Molly Donovan Naomi R. Remes Curator and Head of Department Richard Bruce Ann B. Robertson Arthur K. Wheelock Jr. Research Associate Lester Dumont Jennifer Roberts Assistants for Exhibition Administration Paul Heath Assistant Jennifer Overton Miller Mack Molli Kuenstner Assistants Jennifer F. Rich Marcie Hocking Head of Lighting Shop Volunteer Research Assistant Tamara Wilson Lindsay Macdonald Robert Johnson Sohee Kim Assistant to the Chief of Exhibitions Graduate Curatorial Interns, Lighting Shop Staff Volunteers Wendy Battaglino Academic Year Robert Benoit Anke van Wagenberg Amanda Hockensmith Anneke Wertheim Exhibition Programs Head of Paint Shop Sabine Kriebel Dennis Bult Head of Department AMERICAN AND BRITISH PAINTINGS Summer Interns Susan MacMillan Arensberg Painters/Finishers Maria Carolina Carrasco-Nevdatchine Senior Curator and Head of Department Robert Barnett Jennifer Sudul Assistant Curators Franklin Kelly Joseph Richardson Margaret Doyle Volunteer Research Assistant Curator Lynn Matheny Intern in the Museum Profession, Ann Wagner Nancy K. Anderson Academic Year Video & Film Productions David Coxson Assistant Curators PRINTS AND DRAWINGS Carroll Moore Charles Brock Summer Interns Andrew W. Mellon Senior Curator Research Assistant Deborah Chotner Matthew Berglund of Prints and Drawings Elizabeth Laitman Nancy Vayo Assistant Andrew Robison Staff Assistant Abbie N. Sprague Office Manager Elisa D'Angelo OFFICE OF THE DEPUTY Intern in the Museum Profession, Susanne L, Cook DIRECTOR Summer Intern Academic Year Staff Assistant Alexandra Lawson Emma Acker Deputy Director and Chief Curator Julia Morelli Alan Shestack Summer Intern DESIGN AND INSTALLATION Kate Kooistra Old Master Prints Administrator for Policy and Programs Senior Curator and Chief of Design Elizabeth Driscoll Pochter Volunteer Curator and Head of Department Mark Leithauser Merl Moore Peter Parshall Administrative Assistants Deputy Chief and Head of Nancy Deiss Associate Curator Exhibition Production SCULPTURE AND DECORATIVE ARTS Amie House Virginia Grace Tuttle Gordon Anson Senior Curator and Head of Department Assistant Curator Design Coordinators EUROPEAN PAINTINGS Nicholas Penny Gregory Jecmen Jame Anderson Senior Curator of European Paintings Curator of Early European Sculpture Mari Forsell and Head of French Paintings Alison Luchs Old Master Drawings Donna Kirk Philip Conisbee Curator and Head of Department Design Assistant Margaret Morgan Grasselli Marny Nahrwold

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Assistant Curator Associate Registrar for Loans Graduate Lecturing Fellows Family Programs Assistants Stacey Sell Judith L. Cline Anne Samuel Emily Pegues Freyda Spiro Sarah Stewart Summer Intern Associate Registrar for Exhibitions Sarah Cantor Melissa Stegeman Graduate Student Lecturers School Programs Assistant Bennie F. Johnson Lisa M. MacDougall Assistant Registrars for Collections Modern Prints and Drawings Leora Maltz Theresa Beall Intern in the Museum Profession, Curator and Head of Department Lehua Fisher Academic Year Academic Programs Judith Brodie Wendy Ng Staff Assistant Head of Department Assistant Curators Michelle Matuszak Summer Interns Faya Causey Carlotta J. Owens Jessica Fripp Art Services Manager Charles Ritchie Administrator Janelle Stephens Daniel B. Shay Ana Maria Zavala Assistant Supervisory Museum Specialist FILM PROGRAMS Amy Johnston Program Assistant for Lectures Gary L. Webber Allison Benedetti Head of Department PHOTOGRAPHS Senior Art Services Specialists Margaret Parsons Program Assistant for Internships James Clark Curator and Head of Department Jennifer Wagelie Assistant Curator Robert Cwiok Sarah Greenough Victoria Toye Andrew Krieger Education Publications and Resources Assistant Curators Johnnie Mizell Summer Intern Sarah Kennel Head of Publications and Joshua Beaty Art Services Specialists Diane Waggoner Resources and Deputy Head Douglas Jackson Matthew Witkovsky of Division of Education PUBLISHING OFFICE Dan Randall Barbara Moore Assistants Pierre Richard Editor in Chief Sara Cooling David Smith Senior Publications Manager Judy Metro Brooke Lampley Donna Mann Art Services Technician Production Manager Graduate Curatorial Intern, Goven J. Martinez Senior Writer Chris Vogel Academic Year Carla Brenner Design Manager Sabine Kriebel Loans and the National Lending Service Education Resources Supervisor Margaret Bauer Intern in the Museum Profession, Head of Department Leo J. Kasun Web Site Manager Academic Year Stephanie T. Belt Program Developer and Phyllis Hecht Cameron Shaw Loan Officer Production Specialist Acting Manager of the Systematic Summer Intern Alicia B. Thomas Rachel K. Richards Catalogue Karen Hellman Assistant Supervisory Shipping Technician, Gail Spilsbury Holly Garner Extension Programs SPECIAL PROJECTS IN MODERN ART Senior Editor Roland Young Karen Sagstetter Curator and Head of Department EDUCATION Media Scheduling Coordinator Ruth E. Fine Acting Managing Editor of CASVA Head of Division Martha H. Aspron Publications Research Associates Lynn Pearson Russell Affiliate Loan Coordinator Cynthia Ware Mary Lee Corlett Staff Assistant to the Head of Education Frances Duhart Laili Nasr Editors Pamela Chewning Program Shipping Technician Ulrike Mills Research Assistant Program Assistant Michael G. Bryant Julie Warnement Rente Maurer Carol Bridges Designer Interns in the Museum Profession, Teacher, School, and Family Programs Wendy Schleicher Smith Academic Year Adult Programs Head of Department Jobyl Boone Head of Department Web Site Designers Heidi Hinish Marcie Hocking Wilford Scott Guillermo Sa6nz Assistant Dan Trachtman Summer Intern Lecturers Gina O'Connell Jeffreen Hayes Eric Denker Web Site Production David Gariff Coordinator of Teacher Programs Suzanne Sarraf CURATORIAL RECORDS AND FILES Philip Leonard Julie A. Springer Permissions Coordinator, Print Media J. Russell Sale Head of Department Coordinator of School Docent Program Sara Sanders-Buell Sally Shelburne Nancy H. Yeide Elisa Patterson Budget Coordinator Lecturer and Adult Program Associate School Docent Educator Linda Mosley Docent Coordinator Anne L. Halpern Elizabeth Diament Diane Arkin Production Assistant Intern in the Museum Profession, Coordinator of Art Around Rio DeNaro Adult Programs Tour Scheduler, Academic Year the Corner Program Docent Liaison Production Editor Clarissa Fostel Paige Simpson C. Arlette Raspberry Mariah Shay Coordinator of Family and Youth REGISTRATION AND LOANS/OFFICE Coordinator of Art Information Editorial Assistants Programs OF THE REGISTRAR Christopher With Amanda Mister Sparrow Nathalie Ryan Caroline Weaver Chief Registrar Senior Art Information Specialist School Tour Scheduler and Sally Freitag John Cogswell Staff Assistant Program Assistant Evanthia Mantzavinos Registrar for Exhibitions Supervisor, Art Information Jennifer Cross Michelle Fondas Volunteer Operations Summer Interns Art Around the Comer Program Assistant Marta Horgan Alexander McSpadden Collections Information Systems Jennifer Reklis Nancy Vayo Coordinator Teacher Programs Assistant Loping Wei Susan Finkel Stephanie Wright

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Cataloguing Assistant CONSERVATION Montgomery College Intern DIVISION OF IMAGING Amy Sanftleben Jong Sun Korns Chief of Conservation AND VISUAL SERVICES Bindery Assistant Ross Merrill Textile Conservation Chief of Division of Imaging Jane E. Higgins Conservation Administrator and Visual Services Head of Department Student Assistant Michael Skalka Alan Newman Julia Burke Emily Bridges Conservation Programs Assistant Photography Services Cori Howard Scientific Research Department Reader Services Supervisory Photographer Staff Assistants Head of Department Head of Reader Services Dean Beasom Laura Dillon E. Ren6 de la Rie Lamia Doumato Christina Rich Photographers Senior Conservation Scientist Reference Librarians Ricardo Blanc Intern for the Art Materials Collection Barbara H. Berrie John Hagood Lorene Emerson Theresa Guidetti Frances P. Lederer Research Conservator for Lee Ewing Paintings Technology Reference Assistant Painting Conservation Photographers/Lab E. Melanie Gifford George (Ted) T. Dalziel Jr. Doris Alston Head of Department Organic Chemist David Applegate Interlibrary Loan Assistant Sarah Fisher Suzanne Guillen Lomax James Locke Thomas F. J. McGill Jr. Senior Conservators Conservation Scientists Secretary Interlibrary Loan Technician Carol Christensen Lisha Deming Glinsman Geneva Rosenboro Maria L. Sam pang Ann Hoenigswald Christopher Maines Jay Krueger Circulation Supervisor Michael R. Palmer Digital Imaging Services Catherine Metzger Jeannette Canty Michael Swicklik Science Technician Supervisor Circulation Technician Kathryn Morales Robert Grove Conservator Yuri Long Elizabeth Walmsley Samuel Golden Research Fellow Visual Information Specialists Circulation Assistants Gregory Dale Smith Deborah Adenan Conservation Technician Sirena Blake Christina Moore Sarah Feinstein Charles E. Culpeper Advanced Joseph Hamilton Kristen Quinlan Training Fellow Charles E. Culpeper Advanced Circulation Student Assistants Jean-Philippe Echard Training Fellow Visual Services Andrew Buckalew Pamela Betts Susan Moritz Loans and Exhibitions Conservation Coordinator of Visual Services William R. Leisher Memorial Fellow Barbara Bernard Vertical Files Librarian Head of Department/Deputy Chantal Bernicky Roberta Geier Chief of Conservation Museum Specialist Interns Mervin Richard Barbara Goldstein Wood Vertical Files Student Assistant Joanne Klaar Alex Hodges Senior Conservator Museum Technician Loa Ludvigsen Michael Pierce Peter Huestis Serials Assistants Barbara Schoonhoven Bruce B. Hebblethwaite Associate Conservator LIBRARY Inge F. Newstead Paper Conservation Bethann Heinbaugh

Executive Librarian Head of Department Coordinator of Preservation Services Department of Image Collections Neal T. Turtell Shelley Fletcher Hugh Phibbs Chief, Library Image Collections Administrative Librarian Senior Conservator Exhibition Specialist-Matting Gregory P. J. Most Roger C. Lawson Judith Walsh and Framing Archivist for Architecture Jenny Ritchie Automation Coordinator Conservator Andrea R. Gibbs Karen P. Cassedy Marian Dirda Conservators of Frames Archivist for American and English Art Richard Ford Staff Assistant Photograph Conservator Richard W. Hutton Stephan Wilcox Kate M. Allen Constance McCabe Archivist for Modern Interns in the Museum Profession, Conservation Technician Summer Intern and Contemporary Art Academic Year Michelle Matuszak Sarah Kleiner Meg Melvin Clarissa Fostel Permanent Collection Matting/Framing Jacob Lewis Archivist for Italian Art CENTER FOR ADVANCED Elaine Vamos Melissa Beck Lemke STUDY IN THE VISUAL ARTS Technical Services Associate Slide Librarians Object Conservation Dean Technical Services Librarian Nicholas A. Martin Head of Department Elizabeth Cropper Anna M. Rachwald Thomas A. O'Callaghan Jr. Shelley Sturman Associate Deans Acquisitions Assistants Assistant Slide Librarian Senior Conservators Peter Lukehart Susan Clay Lisa M. Coldiron Daphne Barbour Therese O'Malley David Diaz Photograph Conservator Judy L. Ozone Jeffrey Leone Center Administrator Sarah Wagner Mary A. Masters Conservators Helen Tangires Museum Technician Abigail Mack Cataloguers Research Associates Carrie A. Scharf Katherine May Jane D. Collins Frances Gage Bary Johnson Staff Assistant Conservation Technician Marina Galvani J. Bryan Lane Debra K. Massey Caitlin Jenkins Robert La France Trudi W. Olivetti Elizabeth Pergam Summer Interns Andrew W. Mellon Advanced Cathy F. Quinn Eike Schmidt Jason Ciejka Training Fellow Marsha D. Spieth Katherine O'Dell Michael Belman Project Staff Paula L. Zech Karen Binswanger Sabine Eiche

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Program Assistants Ittleson Fellow Staff Assistant Work Control Center Kristina Giasi Kate Lingley Lauren Huh Supervisor Colleen Harris Andrew W. Mellon Fellow Construction Field Engineer John Haughey Elizabeth Kielpinski Yu Jiang Dennis Donaldson Laura Kinneberg Work Control Coordinators Kimberly Rodeffer Chester Dale Fellow Construction Field Representative Gwendolyn Arnold Lynn Shevory Carmenita Higginbotham Michelle Gilbert Judith Williams

Administrative Assistant Fire Protection Engineer PREDOCTORAL FELLOWS Building Maintenance Department Nicole Anselona Robert Wilson NOT IN RESIDENCE Manager Interior Designer Members, Center for Advanced Study David E. Fin ley Fellows Craig MacFarlane Susan A. Ritterpusch in the Visual Arts Academic Year Nina Dubin 2003-2004 Ashley West Project Architect Carpenter Shop Christopher Ruffing Samuel H. Kress Professor Paul Mellon Fellows Supervisor Virginia Spate Sabina de Cavi Alvin Adams DEPARTMENT OF Ara H. Merjian Andrew W. Mellon Professor ARCHITECTURAL SERVICES Wood Crafter Leaders Caroline Elam Samuel H. Kress Fellow Dorson Abney Assistant to the Administrator H6rica Valladares George McDonald Edmond J. Safra Professor for Architectural Services and Carel van Tuyll van Serooskerken Mary Davis Fellow Senior Architect Wood Crafters Shilpa Prasad James M. Grupe Anthony Givens Fifty-third A. W. Mellon Lecturer Willard Menson in the Fine Arts Wyeth Fellow Assistant Senior Architect Robert Motley Irving Lavin Terri Weissman Carl M. Campioli John Natale Paul Mellon Senior Fellow Ittleson Fellow Project Architects John Rogers Caroline Bruzelius Talinn Grigor Bruce D. Condit William H. Cross, Jr. Paint Shop Samuel H. Kress Senior Fellows Andrew W. Mellon Fellow C. Jean Campbell Wei Yang Teiser Architect/CAD Manager Supervisor Katherine Wentworth Rinne Martin A. Livezey Rhonda McCord Chester Dale Fellows Ailsa Mellon Bruce Senior Fellows Alison Locke Staff Assistant Painters Anthony Alofsin Amy Powell Michele D. DuBois Joseph Copeland Sally M. Promey Kenneth Lindsay Robert H. and Clarice Smith Fellow Susana Torre EQUAL EMPLOYMENT OPPORTUNITY Marc Makle Suzanne Jablonski Walker Danilo Udovicki-Selb ATTORNEY AND OFFICER James Miller Predoctoral Travel Abroad Fellowship Lester Smith Frese Senior Fellow Lindsay Patterson for Historians of American Art Eleanor Winsor Leachs Heidi S. Applegate Mason Shop FACILITIES MANAGEMENT Ailsa Mellon Bruce National Gallery Peter Brownlee Supervisor of Art Sabbatical Curatorial Fellows Mari Dumett Chief of Facilities Roland Martin E. Melanie Gifford Elizabeth Fowler Kurt Sisson Alison Luchs Angela S. George Mason Leader Deputy Chief of Facilities Amanda Glesmann Gino Ricci Millon Architectural History Michael Giamber Eric F. Gollanet Guest Scholar Masons Katie Mullis Kresser Facilities Management Daniela Lamberini Robert Brinkley Processes Specialist Daniel Depaz Paul Mellon Visiting Senior Fellows OFFICE OF THE Dan Hamm Conrad Solomon David Bindman ADMINISTRATOR Assistant Special Projects Coordinator Patrick Verdin Janine Mileaf Darrell Waytes Zygmunt Wazbiriski Administrator Mason Worker Darrell R. Willson Program Specialist Christopher Baumann Ailsa Mellon Bruce Visiting Vasily Lazarenko Senior Fellows Deputy Administrator Mason Helpers Nina Athanassoglou-Kallmyer Charles H. Schneider Betty Holmes Staff Assistants Christine Mengin Lamont Lee Staff Assistant Marcy Bmiles Michael Roaf Kathleen Ortner Linda Hilliard Production Shop Coordinator, Javier P6rez Segura Warehouse Assistant to the Administrator Samuel H. Kress Paired Fellows for Engineering Department Reginald Kellibrew for Budget Analysis Research in Conservation and the Andrew McCoy Supervisor History of Art and Archaeology Building Services Department William Burns Maria-Clelia Galassi Budget Analyst General Foreman Elizabeth Walmsley Nathan Guyer Engineering Technicians Charles Boone James Cromwell Assistant to the Administrator PREDOCTORAL FELLOWS Gary llko Supervisors for Business Activities (Interim) IN RESIDENCE Rodney Lough Sylvia Dorsey Anne Valentine Phillip Walker Frank Ford Paul Mellon Fellow Ron Welch Angela Lee Guendalina Ajello OFFICE OF CAPITAL PROJECTS Glenn Wright Leaders Samuel H. Kress Fellow Assistant to the Administrator Building Automated System Manager Paul Cotton Meredith Hale for Capital Projects Brian McGivney Geraldine Crawford Susan Wertheim Mary Davis Fellow Raymond Henson Adriaan Waiboer Senior Program Manager Sheila Sanders Alison Hunt Wyeth Fellow Alison Mairi Syme

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Housekeepers Lamar Sanker Fire Protection Specialist Kathy Sutton Maurice Anderson Charles Strickland Billy Joe Norman Marlene Tucker Kenneth Betts Mark Teed Sergeants Technical Services Supervisor George Bridges Alexander Tonic Ronald Brown Angelo Catucci Rowna Camper Anthony Walker Bernard demons Gerald Carthorne Electronics Mechanics Timothy Fortt Pipefitters James Clark Patrick Parrett Emanuel Goddard Michael Casasanto Lewis Dobbs William Shaw James Hairston Levern Jacobs Emma Faison Nathaniel Stroman Dennis Hill Robert Lowry Vanassa Fenwick William Johnson Locksmiths Oliver Fowler Alonzo Kennedy Electric Shop Robert Brown Carolyn Harvey David Lee Ty Cullins Brock Hawkins Supervisor Quinyardo McClain Alice Holloman Chuck Herndon Victor McCrea Administration Anthony Inabinet Ronnie Sloan Jr. Leader Lawrence Jackson Deputy Chief Anthony Thompson Daniel Smith Pearly Janifer Elizabeth Thomas Gerald Walker Miction Jenkins Electricians Sheila Wright Program Analyst Dorothy Johnson David Cole Alison Reither Larry Johnson Anthony Newman Gallery Protection Officers II Teresa Johnson Jason Rosenbaum Supply Clerks Daniel Bailey Sheldon Ma Hoy Carlton Williams Michelle Cameron Latina Bailey Theodora McCard Chris Privott Leonard Bashful Electrical Helper Darlene Middleton Ludwig Bednar Jr. Leslie Raspberry Administrative Assistant Darryel Parker Vander Blount Sherry Shaw-Johnson Cassandra Pixley High Voltage Electrician John Boone Jr. Leora Richardson Mike Case Office Assistant Corey Brown Henry Rivers Zoya Mussienko Wayne Buckner HORTICULTURAL SERVICES Alvin Burts Betty Rufus Office Automation Assistant Evelyn Scott Joseph Callahan Chief of Horticultural Services Sandra Powell Lorraine Staggs Edward Chapman Dianne Cina Luther Clark Jr. Angeline Sutton Visitor Services Gloria Thomas Deputy Chief Venus Cristwell Diana Wells Cynthia Kaufmann Deputy Chief John Davis Zilphia Wright Sandra Creighton Jerry Doss Horticulturists Carlos Dubose Linda Young Margaret Church Staff Assistant Ernest Edwards David Gentilcore Mendi Cogle Building Operations Department Edward Foster Julianna Goodman Alonzo Fountain Manager James Kaufmann Operations Robert Gayleard Dave Gilson Gardener Leader Deputy Chief George Hamilton Assistant Manager James Stewart Cliff P. Deckard Peter Henderson John Bixler Elvis Hernandez Gardeners Major Jimmie Hines Supervisors Anthony Ferrell Larry Kaylor Donna Hinton Zery Mingo Brian Johnson Office Assistant Mildred Holeman William Sutton Ronald McGill Anna Howard Edgar Hopson Donald Young Michael Peters Edward Johnson Adam Sklar Security Driver Leaders Frank Johnson Ronald Terrell Alvin Hawkins Felix Mulder Felisha Jones Willie Townes Console Operators James Phillips John Jones Derrick Williams Philip Arnett Larry Smith Lee Jones Anthony Thomas Kenneth Bristow Veronica Jones PROTECTION SERVICES Winston Franklin Albert Lawrence Control Technicians Derieck Hairston Chief of Protection Services Dana Lee Anthony Brooks James J. Lucey Barbara Height John Legrand Kevin Cockrell Ernest Reynolds Franklin Lewis Eugene Givens Deputy Chief of Information James Townsend Joe Lewis John Goff Technology and Security Projects David Weston David Logan Wayne Valentine Stephen Lockard Laverne Whitted Marvin Mallard Operating Engineer Investigations Mathis III James Hamilton James Deas Commanders Joseph Midgette Enis Pinar Cleven Brown Charles Moody Maintenance Engineers Ricky Manuel James Murphy Noel Ashton Secretary Karen Perry Jacob Neal Nathaniel Bethune Geri Green-Smith Jeroboam Powell Beverly North Roger Dunning Identification Office Michelle Perry Operations Unit James Carlton Lieutenants Chris Privott Larry Brown Brannock Reilly Harry Groce Ronald Randall Armando Hartley Eugene Guthrie Risk Management Deputy Chief Jerry Reaves Joseph Hudson John Ott Philip E. Goldsmith Marcus Reeves Quel Ian Josey William Richardson Utility Systems Repair Operators Occupational Safety and Lawrence Marshall Loretta Roy David Ellzey Health Manager Joshua Mewborn Ronald Sewell Samuel Gamble Linda G. Schilder Daniel Miller Calvin Simmons Varon Lee Dexter Moten John Smith Clifton Mutts John Palmer

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Leroy Smith John Jackson PERSONNEL Supply Technicians (Property) Timothy Smith David Jakes Paul Fortune Personnel Officer Michael Strong Errick James Kevin Grays Michael Bloom Altina Sumter Victor Jamison Nathan Howell Edward Thomas Alan Jenkins Deputy Personnel Officer Reginald Thornton Jesus Jimenez Meredith Weiser Supply, Distribution, Larry Turner Wayman Johnson and Fleet Management Personnel Systems Specialists Raymond Tyndle Yamashita Johnson Michele Caputo Support Services Supervisor Eugenio Velazquez Kenneth Jones Darryl Cherry Paul Rodriguez Lynn Williams John Kennedy Sr. Ralph Wright (Union Representative) Beth Knight Personnel Management Specialist Lead Materials Handler Willie Wright Hector Landron Terrence Snyder Lemuel Jamison James Yancey Albert Lawrence Senior Staffing Specialist Materials Handler (Receiving) John Legrand Rick Decuir Alfred Cohen Gallery Protection Officers Robert Lewis William Abrams Tyrone Lewis Staffing Specialist Materials Handler Rukan Ahmed Fransonia Littles Linda Pettiford Darnell Brandon Larry Macalino James Allison Jr. Personnel Staffing Assistant Supply Technicians (Supply) Irene Anderson-Thomas Augustine Maldonado Janie Cole Anthony Sean Hilliard Cedric Baker Ramesh Malhotra Ulrick Vjlmenay Kenneth Baker Rodney Mathew Gallery Representatives Wiziri Belcher Isaac Math is Luis Baquedano Transportation Assistant Gwendolyn Henry McKinnon Eric Janson Dora Barksdale Larita Best William McLaughlin Staff Assistant Driver Vincente Best Ardella Miller Tammy Bennett Samuel McKenzie Ronald Bond Jr. Leroy Miller Human Resources Specialist Steve Brock Vernon Morton Technical Support Branch Jason Brown Petey Mosley Miriam Berman Branch Chief Nigel Brown Steven Nicholas Receptionist Thomas Valentine Roy Brown Willie Norman Annette Brown Wayne Bryant Joyce Palmer Benjamin Burgess Nolen Paulk Training Officer Audio Visual Services Judith Frank Felesia Burgess Leopoldo Perdomo Radio Production Specialist Phyllis Burton Joe Peterson Training Administrator John Conway Otis Butler Pamela Pitts George Martin Richard Byrd Willie Pugh Audio Visual Technician David Caldwell Robert Rice Jr. Summer Intern Hugh Colston Anne Haffner Albert Carr Jr. Eddie Richburg Motion Picture Projectionists Jesus Castro-Alvarez James Roberts Jeannie Bern hards ADMINISTRATIVE SERVICES Paul Cawley Andrew Robinson Karl Parker David Clark Michael Robinson Chief of Administrative Services Maintenance Technician Thomasine Cloude Linda Roche Cathy Yates Walter Colbert Harold Rodman Lester Barry Robert Conyers Willie Sims Administrative Officer Timothy Culp William Smallwood Scott Stephens Printing & Duplicating Victor Davis Vladimir Solomykov Staff Assistant Printing Services Specialists Alexander DuBoise Alexander Stephens Bernadette Homol Patrick Beverly Patrick Dumsch Gregory Stevenson Frank Schiavone Altwan Edwards Earl Stewart Logistics Support Branch Robert Edwards Geraldine Stewart Equipment/Copier Operator Branch Chief Roby Ellis Wilbert Thompson James Morris Rick Pleffner Christopher Eubanks William Thome Telecommunications Neil Floyd Joselito Tungcod Travel Patrick Foley Thomas Tyson Program Assistant and Travel Telecommunications Specialists Johnnie Gallop William Walker Coordinator Ron Despres Gene Garrett John Washington Jr. Barbara Caldwell Barbara McNair Russell Gaskins David Watchorn Mark Ranze Antone Gatewood Gregory Watson Mail and Records Management Supervisory Telephone Operator Dionne Gilbert Michael Webster Support Services Specialist Minnie Barbour Debra Graham Verda Whitlow Felton Byrd Paul Gresham Agnes Whittle Telephone Operator Sharman Gresham Ronald Wilkins Mail Clerks Juanita Walker Mark Griffith Barry Williams James Arnold Carolyn Groce Harold Williams Bryant Durham PROCUREMENT AND CONTRACTS Lome Harleston Vincent Williams Clifton Fleet Chief of Procurement Dorothy Harper Phillip Williamson Reginald Matthews Elaine Larison Burley Harris Andre Wilson Jose Vallecillo Marjorie Harvey Pamela Wood Deputy Chief of Procurement Patricia Hassell Warren Woodson Property Management and Movement Jeffrey P. Petrino Thomas Hebb Anthony Wright Supervisory Inventory Contract Specialists Thomas Hill Mable Wright Management Specialist Erica Chong Fred Holmes Lawrence Yancey Ted Harper Kristin S. Fuller Priscilla Hopkins Claudine A. Harper Sheila Humphrey Gallery Security Officer Robert L. Lawrence Ina Hunter Maxine Simmons Ethan S. Premysler Robert Hyer

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Purchasing Agents Deputy Chief Information Officer West Building Shop Shipping Clerk Barbara G. Manley Greg Swift Todd Osborn Store Manager Grayling Reaves Nancy G. Vibert Accounts Receivable Clerk IT Specialist/Manager, Staff Assistant Carol L. Messineo Customer Support Assistant Store Managers Patricia Barber Susan E. Farr Frenzetta Coward OFFICE OF THE SECRETARY Petra Guiland OFFICE OF THE TREASURER IT Specialist/Manager, AND GENERAL COUNSEL Network Infrastructure Category Specialists Treasurer Katherine Green Mary Heiss Secretary and General Counsel James E. Duff Naomi Morgulis Elizabeth A. Croog IT Specialist/Manager, Data Engineering Deputy Treasurer Neal Johnson Lead Cashier Deputy Secretary and Deputy George-Ann Tobin Linda Peterson General Counsel IT Specialist/Web Systems Programmer Nancy Robinson Breuer Executive Assistant Ric Foster Cashiers Judy Shindel Beth Allen Associate General Counsels IT Specialist/Applications Developer Pamela Baxter-Simms Lara Levinson Assistant Treasurer/investment Susan Y. Hsia Chris Bowden Isabelle Raval Management IT Specialist/IT Security Karyn Elsea Michael W. Levine Assistant General Counsel Jack M. Tucker Amanda Jirou-Murphy Julian Saenz Supervisory Operating Accountant Theresa Keys Computer Operators Kelly Liller Mary Kulik Legal Assistant Karen J. Estacio Noelle Larson Sarah E. Fontana Budget Officer John H. McNeil Matthew Mann William W. McClure Roddie Worthington Assistant Secretary Hong Sherwood Kathryn K. Bartfield Budget Analysts Mildred Shivers GALLERY SHOPS Lea-Ann Bigelow Timothy Turne Staff Assistant Jean Krevinas Division Chief Rosemary Wilkerson Carol A. Christ Ysabel L. Lightner Assistant to the Treasurer for Risk Merchandise Stock Clerks Administrative Assistant Management and Special Projects Deputy Division Chief/Operations Terry Gibson Montrue V. Conner Nancy Hoffmann Manager Aaron Seaboch Karen Boyd GALLERY ARCHIVES Financial Systems Manager Concourse Shops Carol Ann Proietti Chief Office Administration Store Manager Maygene F. Daniels Staff Assistant Office Manager Stephen McKevitt Eileen Ng Deputy Chief Laura A. Fitzgerald Assistant Store Managers Anne G. Ritchie GENERAL ACCOUNTING Staff Assistants C. Kelly Mayle Archivist Miriam Davis Kelly Song Comptroller Michele Willens Jonathan Walz Dale C. Rinker Category Specialists Archives Technicians Nicole Glaude Deputy Comptroller Merchandising Jean Henry Mary Powell David J. Rada Lauren Melo Visual Information Specialist Chris Siron Operating Accountants Noriko K. Bell Researcher Lead Cashier Ruth E. Lewis Jorgelina Orfila Product Development Specialist/Buyer Charlene Conlon Linda K. Smith Judy C. Luther Summer Intern Cashiers Accounting Technicians Shaunna Moore Book Buyers Maria Aragon Cynthia W. Czubat Dennis E. Callaghan Christine Chu Dyann Nelson-Reese OFFICE OF EXTERNAL AND Donald L. Henderson Pamela Coleman Brenda M. Stevenson INTERNATIONAL AFFAIRS Denis Donovan Stephanie L. Thorpe Buyers Pat Giblin Valerie M. Wright Suzanne M. Haycock External and International Affairs Officer Angela Johnson Janet B. Kerger Joseph J. Krakora Retail System Manager Jonathan Louis Nancy A. Sanders Michael Chapman Bonnie McBride Deputy to the Executive Officer Kim Peacock Ellen Bryant Accounts Payable Technician Retail Systems Angela Single Kevin C. Oberman Special Assistant Systems Manager Merchandise Stock Clerks Francine Linde Sales Audit G. Lee Cathey Steve Corbin Earlene Bright External and International Affairs Systems Analyst/Programmer Linda A. Hunt Associate Inventory Accounting Technician Alexander Bloshteyn Erin Fisher Richard Eckert Warehouse & Mail Order Operations Technology Specialist Martin Rudder Operations Supervisor DEVELOPMENT Payroll Stephen Richardson Senior Associate for Development Payroll/Personnel Specialist Store & Warehouse Operations Lead Materials Handler Cathryn Dickert Scoville Emma G. Visual Presentation Manager Marvin M. Walton Senior Associate for Planned Giving Civilian Pay Technicians Therese M. Stripling Materials Handlers F. A. Bonnie Hourigan Brenda Carmichael Technicians Midril Andoque Margaret Myers Senior Associate Melissa Cherry Mike Nichols Patricia A. Donovan Jason Losh DATA PROCESSING Truck Driver Mary Tewalt Senior Associate James B. Everett Chief Information Officer Betsy O'Brien Linda K. Stone Fulfillment/Shipping Clerk E. Jean Mitchell

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Associate for Development Operations Carissa E. South Helga Ehudin Patricia Martin Elizabeth A. Hutcheson Liza Tanner Alice Ellington Marylin Math is Maria Tousimis Elizabeth Farrell Marget Maurer Associate for Foundation Relations Leslie Farrell Ursula McKinney Salina R. Muellich SPECIAL PROJECTS Marilyn Farrington Mary Ellen McMillen Development Officer, Research Sharon Feldman Irma J. McNelia Special Projects Officer Rita P. Monner Victoria Feldman Joseph McPhillips Pamela Jenkinson Paula Ferdinand Amy Meadows Development Officer, Special Projects Associates Sima Ficks Alberto Melo Collectors Committee Beth Sherrard Harriet Finkelstein Elaine Miller Kara Ramirez Mullins Katherine Williams Sandra Fischer Sandra Mitchell Development Officer, The Circle Virginia Flavin Marjorie Mitzner Jeffrey W. Hale MUSIC Eleanor Foulger Sally Molenkamp Stephanie Frasher Ellen Moore Development Associate, Stewardship Head of Department Phyllis Freirich Joan Morton Susan L. Redford Stephen Ackert Maureen Gevlin Mary Mossop Development Associate, Annual Giving Music Program Specialist Mary Gibb Joan Mulcahy Peggy Beavers Juliana Munsing Thomas Gilday Laureen Nicholson Marcia Gilman Elizabeth Niederman Development Associate Music Librarian Dawn Glass Akemi Nishida Suzanne R. Pilet George Gillespie Marilynn Goldsmith Saka Noma Development Associate, Research Hilary Gordon Olga Nosova Concert Aides Katherine M. Fritzsche Enza Gorges Nur Nossuli Vrejoohie Armenian Joan Gottfried Titiana O'Blazney Staff Assistant Mary Carter Gail Gregory Mary Catharine O'Connell Wayne Henson Cathy Kazmierczak Deborah Griffith Mary O'Neill Angela Rooney Development Assistant, Annual Giving Nancy Hafer Mary Lee O'Neill Danielle Williams Pamela Gulley Hardin Mariko Oka VOLUNTEERS Joyce Harmon Yasuko Okuno Summer Intern Mary Harms Gail H. Ostergaard Sarah Baumer DOCENTS Melissa Harris Patty Owens Ann Allen Susan Hinsdale Hedwig Pasolini CORPORATE RELATIONS Lee Allen Jane Hochberg Maxie Phillips Chief Corporate Relations Officer Satomi Aoki Nira Hodos Deborah Pietras Christine M. Myers Donna Aubinoe Sally Hoffmann Karen Piper Hannah Aurbach Deputy Corporate Relations Officer Beth Holland Gay Pirozzi Barbara Baker Gwenaella Pole Jason Herrick Jennifer Hollings Rosalie Baker Adriana Hopper Judith Pomeranz Executive Assistant Jane Barton Marta Horgan Nancy Porter Catherine C. La bib Sue Beddow Sandy Horowitz Teresa Preville B. J. Beers Research and Multimedia Specialist Marilyn Horwood Ludmila Pruner Valerie Bernat Jeanette Crangle Beers Merry Hunt Maria Amelia Ramaciotti Susan Bollendorf Mary Hurd Pickett Randolph Sponsorship Manager Marlene Bolze Patricia Jacobs Alyson Redden Susan McCullough Irene Bortolussi Francesca Janni Mary Jane Rensler Maureen Fallon Bridgeland Marilyn Johnson Lucia Jean Reynolds PRESS AND PUBLIC INFORMATION Gail Briggs Cynthia Juvan Nancy Richardson Chief Press and Public Information Officer Florence B rod key Candace Kaller Cynthea Riesenberg Deborah Ziska Ana Maria Brown Rebecca Karo Jo Roland Debra Brown Louise Karpicus Eileen Romano Senior Publicist Susan Brown Nancy Keefe Deborah Rucci Mary Jane McKinven Susan Bruce Carolyn Kelloff Susan Rudy Publicists Roberta Buchanan Marney Kennedy Sheila Ruffine Anabeth Guthrie Carol Burton Carol King Lois Sacks Sarah Holley James Byron llze King Suzanne Schiffman Mary Ann Cameron Phyllis Knight Tazuko Schmitz Web Designer/Systems Developer Nancy Cammack Gunter Koenig Joyce Schwartz Dwayne Franklin Karen Campbell Patricia Kraemer Nancy Searles Office Assistant/Clips Coordinator Sheila Campbell Audrey Kramer Judy Shulman David Wojcinski Valerie Carleton Andrea Kraus Ruth Sickel Jane Casazza Bonhee Ku Milton Silveira Staff Assistant/Calendar Editor Sara Cherner Olga Kushnir Silverman Laurie Tylec Leslie Cohen Marie Kux Joan Silverman Administrative Secretary David Cooper Rita Landers Beatriz Slotkoff Barbara Lennhoff Marjorie Coward Anne-Marie Lee Trudi Small Nancy Cummings Hillary Lee Sally Smyser SPECIAL EVENTS Dina D'Arcangelo Rosalie Lesser Langley Spurlock Joy Dale Georgia Lewis James Stein Chief Protocol and Special Events Officer Kitty Davis Kimiko Lipsitz Celia Steingold Genevra 0. Higginson Gerard de la Cruz Paula Litvak Jem Sullivan Assistants Rutgera de Rivera Janet Lloyd Mary Ann Sures Bethann Burns Anna Dixon Jean Loper Hiroko Tada Nora Connolly Margaret Doole Rody Lopez Michelle Tager Barbara K. Kauffman Judy Doyle Ana Maria Macchetto Hiroko Takagi Claire T. Ruppert Paula Duggan Barbra Mann Victor Tang Anne Sawkiw Sandra Dugoff Anne Marie Marenburg Lillian Taylor

83 NATIONAL GALLERY OF ART 2004

Carolyn Thayer Barbara Freeman Melissa Roover Ruth Thomas Sue Fretts Eugene Rosenfeld Laurie Trusty Marguerite Fry Shirley Rosenfeld Susan Van Nice Pamela Fry Howard Sanders Margaret Vanderhye Stephanie Gagnon Audri Schiller Pastel 1 Vann John Garneski Roberta Schneidman Suzanne Vegh Agnes Gavin Sonja Schulken Joy Vige Joyce Gentile Marilyn Schwaner Stella Walters Jean Gerhardt Ned Shannon Josephine Wang Annette Goldschmidt Frances Short Momoko Watanabe Edward Green berg Margaret Sickels Maria Elena Weissman Helena Gunnarsson Nancy Silverman Emo Osawa Wellsteed Harvey Hale Esther Slaff William Whalen Mary Hanrahan Joan Steigelman Sue White Tawney Harding Adele Stevens Sue Wickwire Betty Hatch Janet Sugg Brooke Wilding Josephine Hearld Linda Sundberg Michael Winer Barbara Hodges Bonnie Sweet Maria Wood Jean Holder Wei Tang Dorothy Wright Leonard Holder Victor Tang Laura Wyman Suzannah Hopkins Joan Tlmberlake Fred Yamada Drucilla Hopper Marylee Tlnsley Dora J. Young Claire Horowitz Alicia Tisnado Lois Young Mark Huey Ward Van Wormer Joan Zeizel Gail Huh Barbara Vondy Kathryn Zoeller Carol Huls Frances Walls Gianna Zucchi Eileen Hurley Moon-Shia Wang Florence Imburg Diane Wapner ART INFORMATION VOLUNTEERS Carmen Iribarren Michael Weaver Bern ice Jacobsen C6cile West Claire Ackerman Barbara Jensen Mary Westfall Liane Atlas Lyn Jonnes Eleanor Williams Eleanor Augustine Nancy Frances Winston Rosalie Baker Jill Kasle Sally Wise Valerie Ballard Henri Keller Maria Wood Barbara Behr Bonnie Kleinhans Merriam Woodhouse Joan Davis Berger Elaine Krassner Edie Wubben Catherine Beyer Sally Kreisberg Gerry Wyche Barbara Bluestone Marjorie Kres Antoine Yared Janet Boccia Adel Labib Rubye Youngblood B. J. Boudreau Julie LaFave Denise Boxberger Stephen Lake ART INFORMATION Greta Brown Shirley Lavine VOLUNTEER CANDIDATES Amy Bruins Mary Lawler Arthur Bugler Angela Aguero Marion Lebanik Marian Carroll Jennifer Leutner Use Lewy Patricia Casson Charlene Manning Susan Lightsey Elizabeth Catron Joan McCormick Karen Livornese Nancy Center Carolyn McDevitt Joyce MacCorquodale Joan Chapin Carolyn Morse Donald Markle Evelyn Child: Patricia Orr Geraldine Markle Kimball Clark Suzi Pease Harriett Mathews Nancy Clarke Virginia McCormick Simone Clarke LIBRARY VOLUNTEERS Barbara Meyers Lynn Cleary Lynne Middleton Satomi Aoki Pat Clopper Dale Moran Alexandra Cardarelli Marlene Conner Barbara Morris Pat Clopper Janet Cooper Yolanda Morris Mary Ellen Descheneaux Marcia Corey Nika Moscalionov James Early Sherry Cross Susan Murphree Diane Horowitz Elizabeth des Cognets Gabriele Nanda Gale Kaufmann Therese des Rosiers Mary Neves Adel M. Labib Joanne DeSiato Joan Novell Ellen McVicker Layman Verda Deutscher Jinx (Frances) Oliver Areli Marina Ruth Dinbergs Sharman O'Neill Doris Rauch Janet Donaldson Arnold Palley Lilly Rosen Kimberly Doyle Anthony Piantes Sheridan Strickland Donna Edmondson Karin Regan Rose Trippi Estelle Eisendrath Annette Rich Rose Evans Donna Richards Susana Fainbraun Bette Richardson Gloria Fastrup Gail Ridgway Judith Feldman Arlene Ring Maureen Ferguson Alix Robinson Barbara Fisher Dorothy Robinson Marjorie Fisher Wynefred Rogerson

84 GIFTS/DONORS

The partnership of the federal govern- Simon and Bonnie Levin Lockheed Martin Corporation $100,000*249,999 ment and the private sector enables the Joseph F. McCrindle Nextel Communications, Inc. Anonymous Gallery to carry out its mission of service to the American people. The Gallery's Eleanore Mikus Novo Nordisk Pharmaceuticals, Inc. Marshall B. Coyne Foundation, Inc. daily operations and maintenance are Charles Millard Target Stores The Charles Engelhard Foundation funded through federal appropriation, while all acquisitions and works of art in Nancy and Merl Moore Telefonos de Mexico S.A. de C.V. The Horace W. Goldsmith Foundation the collections, as well as the buildings Otto Naumann Lore Heinemann in memory of her and many programs, are made possible BENEFACTORS husband Dr. Rudolf J. Heinemann t Evelyn Nef through private gifts. Many generous Mr. and Mrs. Robert M. Rosenthal individuals, foundations, and corporations Jill Newhouse Benefactors are those who make cumu- have supported the Gallery over the Trellis Fund The Barnett and Anna lee lative gifts of cash and/or art at the level past six decades, including those listed Newman Foundation of $2,500,000 or more. The Gallery is below, who made gifts during fiscal year honored to add the following individuals $50,000-$99,999 2004. Their gifts have enhanced every Jeffrey Hugh Newman to this distinguished list at the close of aspect of the Gallery's programs and have The Ahmanson Foundation John O'Brien fiscal year 2004. touched the lives of millions of visitors, in The Ryna and Melvin Cohen person and online. The Gallery extends Mrs. Walter Salant Ellsworth Kelly Family Foundation warmest appreciation to its supporters Lili-Charlotte Sarnoff and to the federal government for their Julienne M. Michel t Helen Porter and James T. Dyke enduring commitment to the National Stephen K. and Janie Woo Scher Catherine B. Reynolds Foundation Funger Foundation, Morton Gallery of Art. Robert H. and Clarice Smith and Norma Lee Funger Mrs. Frederick M. Stafford MILLENNIUM FUNDS GIFTS TO THE NATIONAL The Getty Grant Program GALLERY OF ART Alice F. Steiner Gifts of $10,000 or more for art acquisi- Mr. and Mrs. Frederic C. Hamilton George and Alexandra Stephanopoulos tion, special exhibitions, education, Robert J. Hurst Foundation GIFTS OF ART outreach, conservation, research initia- Anne Truitt Linda H. Kaufman / Kaufman tives, and unrestricted support were Americana Foundation The Gallery extends its thanks to those Dorothy and Herbert Vogel received from the following generous who gave works of art during fiscal year John Wilmerding donors during fiscal year 2004. The Andr6 and Elizabeth Kert6sz 2004. These gifts enhance the collections Foundation and carry on the tradition of generosity David and Constance Yates $1,000,000 or more Lannan Foundation begun by the founding benefactors more Judy and Leo Zickler than sixty years ago. Julienne M. Michel t Edward J. Mathias Charles S. and Elynne Zucker R. K. Mellon Family Foundation Anonymous (1) $500,000-$999,999 LIBRARY GIFTS Harvey S. Shipley Miller / The Judith Hildegard Bachert H. R. H. Prince Bandar bin Sultan, Rothschild Foundation Lisa Unger Baskin Ambassador of Saudi Arabia to the The following donors made significant Park Foundation United States Ethel Baziotes gifts to the National Gallery of Art Library Senator and Mrs. John D. Rockefeller IV in fiscal year 2004: The Lee and Juliet Folger Fund Tamar Cohen Edmond J. Safra Philanthropic Foundation Dedalus Foundation Inc. Pat England The Glenstone Foundation Mr. and Mrs. B. Francis Saul II Vicki and Roger Sant James T. and Helen Porter Dyke Robert R. Erburu Ruth and Hugh Sickel A. Thompson Ellwanger III Ruth Fine $250,000-$499,999 Jay and Toshiko Tompkins Epstein Family Collection Ruth Kainen Susan Morse Hilles t Diana Walker Ruth Fine Thomas Klarner HRH Foundation Marc Freidus Evelyn Nef $25,000-$49,999 Ann and Mark Kington / Ruth Philbrick Jo Ann and Julian Ganz, Jr. The Kington Foundation Lora Lee Allums in honor of her sister Anne Lee Parris t Gemini G. E. L. Samuel H. Kress Foundation CORPORATE GIFTS Sondra D. and Howard M. Bender William and Abigail Gerdts Catherine B. Reynolds Foundation The Honorable Max N. Berry Steven E. and Phyllis Gross The Gallery is grateful to the following Laurance S. and Mary Rockefeller t and Mrs. Berry local, national, and international corpo- Stephen Hahn Mrs. Muller Sheppard t rations, whose generous support helped Clark-Winchcole Foundation Mr. and Mrs. Richard Hedreen make possible many special exhibitions Robert H. and Clarice Smith Mr. and Mrs. Robert F. Erburu Mr. and Mrs. Benjamin Hertz berg and related programs of the highest qualrty in fiscal year 2004: GE Foundation Lawrence D. and Sybil Hite Monica and Hermen Greenberg Virginia and Ira Jackson Altria Group Mr. and Mrs. Joseph F. Horning Jr. Jack Kay Group 4 Falck Robert P. and Arlene R. Kogod Ellsworth Kelly Grupo Televisa, S. A. The Morningstar Foundation Judith W. Laughlin Lehman-Smith + McLeish

• o^E> NATIONAL GALLERY OF ART 2004 3x3

Mr. and Mrs. Albert H. Small COLLECTORS COMMITTEE Judith and Alexander Laughlin THE CIRCLE OF THE (as of 30 September 2004) NATIONAL GALLERY OF ART Mr. Curtin Wlnsor III The Honorable Marc E. Leland (as of 30 September 2004) and Mrs. Leland* Wyeth Foundation for American Art The Gallery gratefully acknowledges members of the Collectors Committee Melvin and Thelma Z. Lenkin The Gallery extends thanks to contributors $10,000-$24,999 for their annual gifts of $15,000, Mary and Robert Looker to The Circle for their generous annual $30,000, or more. Their role is vital in gifts. Their support at the level of $1,000, Blue Dot Foundation helping the Gallery to acquire modern The Honorable Frederic V. Malek $2,500, $5,000, or $10,000 or more and Mrs. Malek* The David and Janet Brashear Foundation and contemporary art. provides funding for a range of activities Joan and David Maxwell throughout the Gallery. The Honorable Kenneth D. Brody * Indicates donors who have given for and Mrs. Brody five or more consecutive years. Mr. Henry S. McNeil, Jr.* * Indicates donors who have given to The Circle for five or more consecutive years. The Honorable Ann W. Brown Mr. and Mrs. Edwin Van R. Milbury* and Mr. Donald A. Brown Co-Chairs Harvey S. Shipley Miller Chair The Capital Group Companies Doris Fisher* Mr. Raymond D. Nasher* Charitable Foundation Juliet C. Folger* Barney A. Ebsworth* Nancy B. Negley* Dr. Edward and Mildred Cafritz Ms. Judith E. Neisser Co-Chair Family Foundation, Inc. Members The Clark Charitable Foundation Barbara R. Palmer Marina K. French* Anonymous* The Dana Foundation John and Mary Pappajohn* Mr. Robert E. Abrams and Patron ($10,000 or more) Geraldine R. Dodge Foundation Ms. Cynthia Vance-Abrams* Sally Engelhard Pingree Anonymous The Max and Victoria Dreyfus Mr. and Mrs. Howard F. Ahmanson, Jr. The Honorable Leon B. Polsky Foundation, Inc. and Mrs. Cynthia H. Polsky* Mr. and Mrs. Harry Alverson Carolyn Small Alper Irwin P. Edlavitch Foundation Mr. and Mrs. Frederick H. Prince* Mr. and Mrs. George C. Andreas* Ann and Steven Ames* Mark D. Ein Mitchell P. Rales Mr. and Mrs. David B. Anthony Anne H. Bass* Dr. Mark R. Epstein and Amoretta Hoeber Mr. and Mrs. Burton Reiner Mr. and Mrs. Geoffrey B. Baker* Anne T. and Robert M. Bass* Bernard and Sarah Gewirz Wayne and Catherine Reynolds Mr. and Mrs. Lee M. Bass The Honorable Max N. Berry Catherine B. Reynolds Foundation Mr. and Mrs. Carl S. Gewirz and Mrs. Berry Lea and Wayne Berman Margaret Robson Mr. and Mrs. Louis Glickfield Michele and Lawrence Beyer Mr. and Mrs. Norman Bernstein Senator and Mrs. John D. Rockefeller IV Melvin Henderson-Rubio Eli and Edythe Broad* Bloomberg L. P.* Mr. and Mrs. Robert M. Rosenthal Mr. and Mrs. Raymond J. Horowitz Mr. and Mrs. Calvin Cafritz Mr. and Mrs. Lawrence N. Brandt Vicki and Roger Sant Johnson Family Foundation Joseph Cohen* The Honorable John Land rum Bryant Louisa Stude Sarofim* and Patricia Bauman* Mr. and Mrs. Edward H. Kaplan Edwin L. Cox* Andrew and Denise Saul* Ms. Ruth H. Buchanan* Kimsey Foundation David L. Davies and John D. Weeden* Mr. and Mrs. B. Francis Saul II Anne and Russell Byers* Thomas G. Klarner Mrs. John R. Donnell* Jon and Mary Shirley Mr. and Mrs. Carter Cafritz Alice S. Konze Mr. Barney A. Ebsworth* Mr. and Mrs. Peter B. Smith Giuseppe and Mercedes Cecchi* Edward J. Lenkin Mr. James A. El kins, Jr.* Mr. and Mrs. Richard C. Stoker* Al and Kathy Checchi Long and Foster Real Estate, Inc. Mr. and Mrs. Donald G. Fisher* Shirley Ross Sullivan and Charles Sullivan A. James and Alice B. Clark Jeffrey and Jane Marshall Mr. Aaron I. Fleischman and Mr. Lin Lougheed* Joan and Tom Swift Dr. and Mrs. David A. Cofrin Mead Family Foundation Susan Foote and Stephen Feinberg Roselyne Chroman Swig* Judith and Richard Cohen Robert and Joyce Menschel Family Foundation Cynthia Friedman* Dr. and Mrs. Jacob Y. Terner Naomi and Nehemiah Cohen Foundation, In Memory of Lillian Solomon Miller & Long Co., Inc. Mr. and Mrs. Morton Funger Mr. Richard E. Thompson The Honorable William T. Coleman Jr. Evelyn Stefansson Nef Jo Ann and Julian Ganz, Jr.* Mr. and Mrs. Matthew T. Weir and Mrs. Coleman* Diane A. Nixon Robin Quist Gates and Milo S. Gates* Mr. and Mrs. Wallace S. Wilson Marshall B. Coyne Foundation Inc.* Ivan E. and Winifred Phillips Mr. and Mrs. Carl S. Gewirz Ms. Dian Woodner Brittain Bardes Cudlip* President's Committee on the Arts and Lenore and Bernard Green berg* Mr. and Mrs. Robert J. Woods, Jr.* Ian and Annette Gumming / the Humanities Peggy and Richard Greenfield Mr. and Mrs. C. , Jr.* Gumming Foundation Jonathan D. Schiller and Daniel Shapiro Mr. and Mrs. Leo A. Daly III Patricia A. and Paul G. Stern Mimi and Peter Haas* The Darby Foundation washingtonpost. com Mr. and Mrs. Frederic C. Hamilton* Mr. and Mrs. Leslie Douglas* George Wasserman Family Richard C. and Elizabeth A. Hedreen* Robert W. Duemling and Foundation, Inc. Mrs. Charles W. Ireland* Louisa C. Duemling* Mrs. Robert M. Weidenhammer George F. Jewett, Jr., and Mr. Barney A. Ebsworth* Andrea Woodner Lucille M. Jewett* Mr. Mark D. Ein James F. and Christine M. Young Ms. J. Lisa Jorgenson and Dr. Mark R. Epstein and Amoretta Hoeber Mr. David D. Doniger* Mr. and Mrs. Robert F. Erburu* Linda H. Kaufman* The Honorable Melvyn J. Estrin Robert P. and Arlene R. Kogod* and Mrs. Estrin cxS NATIONAL GALLERY OF ART 2004 <3o

Mrs. Norman Farquhar* Mr. and Mrs. Tom F. Marsh* Eugene and Clare Thaw* Alexandra and John Graubert

Jean-Marie and Raul Fernandez / Mr. and Mrs. Edward J. Mathias* Mr. and Mrs. Maurice B. Tobin Mr. and Mrs. Andrew S. Gundlach The Fernandez Foundation Inc. Mr. and Mrs. Timothy B. Matz * Sam Turner* Pamela and Corbin Gwaltney* John D. Firestone* Joan and David Maxwell* Mr. and Mrs. L. von Hoffmann* Jeanne and Herbert Hansell* The Honorable W. H. G. FitzGerald Mr. and Mrs. Thomas F. McLarty III Mr. and Mrs. Mallory Walker* Ms. Heidi Hatfield and Mr. Charles Karelis and Mrs. FitzGerald* Gilbert and Jaylee Mead* William and Sarah Walton Richard C. and Elizabeth A. Hedreen The Lee and Juliet Folger Fund* Philip and Eleanor Merrill Mr. and Mrs. David Warnock Mr. and Mrs. Joseph F. Horning Jr.* John C. and Elizabeth E. Fontaine* The Honorable G. William Miller Mrs. Robert M. Weidenhammer* Mr. and Mrs. Raymond J. Horowitz* Michael Forman and Mrs. Miller* Mr. George A. Weiss Margaret Stuart Hunter* Carl M. Freeman Foundation Harvey S. Shipley Miller* Andrea and Stephen Weiswasser Arthur and Anne Hale Johnson* Mr. and Mrs. John French III* Mary V. Mochary The Honorable John C. Whitehead* Frederica Wheeler and Charles E. Johnson Jo Ann and Julian Ganz, Jr.* The Honorable Alfred H. Moses* Diane B. Wilsey* Colonel and Mrs. Freeman Jones Mr. and Mrs. Gordon P. Getty James and Zoe Moshovitis Susan Winokur and Paul Leach Ruth Cole Kainen Mrs. Barbara K. Gordon Mrs. Pat Munroe* Mr. John C. Wohlstetter Mr. and Mrs. Edward H. Kaplan* Harold and Sylvia Green berg* Evelyn Stefansson Nef* Miss Diane R. Wolf Mr. and Mrs. David T. Kenney* Lenore and Bernard Greenberg The Honorable William A. Nitze II Wolfensohn Family Foundation* Marilyn and Bill Lane* Monica and Hermen Greenberg* and Mrs. Nitze* James F. and Christine M. Young Alice Lawrence Foundation Inc.* Patrick W. and Sheila Proby Gross* Diane A. Nixon* Judy and Leo Zickler Sperry and Anna Lea* Mr. and Mrs. Newman T. Halvorson Jr.* Dr. and Mrs. Ronald A. Paul Nina Zolt and Miles Gilburne The Lemon Foundation* Mr. and Mrs. Frederic C. Hamilton C. Wesley and Jacqueline Peebles The Honorable John D. Macomber John and Tucker Harris PEPCO Sustaining ($5,000 to $9,999) and Mrs. Macomber* Christopher A. Havener Jr. Mr. and Mrs. Gerald Petitt Anonymous (3) Lynn C. Magruder* The John and June Hechinger Advised Sally Engelhard Pingree Mr. and Mrs. Dana T. Ackerly II* The Marks Foundation* Fund of The Community Foundation for Irene and Abe Pollin* the National Capital Region* Carolyn Small Alper* Mrs. Thomas E. Marston* Mr. and Mrs. David B. Pollin The Heinz Family Philanthropies Mr. and Mrs. John H. Ariail Jr.* Mr. Frederick P. Mascioli* Mr. Thomas C. Quick* Joseph and Lucia Henderson* Miss Gillian Attfield* Mayo Charitable Foundation* Rick Rickertsen* Mr. Clark F. Hoyt and Ms. Linda Kauss* The Honorable William Bader Mrs. James R. McAlee* Sylvia Ritzenberg Mrs. Bader Gail and Benjamin Jacobs Mrs. Joyce Menschel* Senator and Mrs. John D. Rockefeller IV* Mrs. Lyn K. Berger* Robin and Reuben Jeffery Mr. Robert B. Menschel* David and Alice Rubenstein* Judy and Leland Bishop* J. W. Kaempfer* Richard M. Merriman* Vicki and Roger Sant* Mr. and Mrs. Robert 0. Blake Sr.* Dr. and Mrs. Cyrus Katzen Mr. Robert E. Meyerhoff* Mr. and Mrs. B. Francis Saul II* Frances Ann Bufalo* Linda H. Kaufman James and Tracy Millar Mr. and Mrs. Thomas A. Saunders III* Mr. and Mrs. Richard I. Burnham* Jack Kay* Ina and Fenner Milton* James H. Scheuer and Mr. and Mrs. Calvin Cafritz* Mrs. Stephen M. Kellen Frederick W. and Linda K. Moncrief* Emily Malino Scheuer* Mr. and Mrs. Daniel J. Callahan III* Mr. and Mrs. Kevin Kelley Commander Les Ogilvy, USN (retired)* Mr. Christopher M. Schroeder and Mrs. Warwick Montgomery Carter* Mark and Ann Kington* Ms. Alexandra H. Coburn Parnassus Foundation, courtesy of Mrs. Ellen M. Charles* Jane and Raphael Bernstein* Mary Jo and Robert L. Kirk* Tod and Kate Sedgwick* Ron and Barbara Cordover Lt. Col. and Mrs. Norman S. Portenoy* Lee G. Kirstein* Admiral and Mrs. Tazewell Shepard Jr.* Andrea B. Currier Mrs. Charles P. Price* Mr. Thomas G. Klarner* James and Masako Shinn Mr. and Mrs. Donald de Laski* Mrs. Milton Ritzenberg Michael Klein and Joan Fabry Raja W. Sidawi* Mrs. Paul Flicker* Mr. and Mrs. Joseph E. Robert Jr.* Lt. Col. and Mrs. William Karl Konze* Mr. and Mrs. Gerald R. Sigal* Mr. and Mrs. Jonathan S. England* Mr. David Rockefeller* Mr. and Mrs. Chiswell D. Langhorne Jr.* Leonard and Elaine Silverstein* The Fairbanks Family Foundation, Mr. and Mrs. Alfred M. Rotondaro Mr. and Mrs. Leonard A. Lauder* Stephen and Bonnie Simon / Richard and Shannon Fairbanks, Trustees Esther Simon Charitable Trust Mr. David E. Rust* Judith and Alexander Laughlin* Mr. and Mrs. Alan H. Fleischmann David Smith and Debra Lehman-Smith* Mrs. Stanley J. Sarnoff* Dr. and Mrs. LaSalle D. Leffall Jr.* Robert T. and Carol C. Foley* Mr. and Mrs. James S. Smith* Mr. and Mrs. Gerald S. Savitsky Mr. Edward J. Lenkin* Mrs. Nancy M. Folger and Robert H. and Clarice Smith* Amy R. Silverman The Philip and Janice Levin Foundation Dr. Sidney Werkman* Mr. and Mrs. Robert N. Snyder Ms. Barbara Spangenberg Lodestar Fund of The Community Linda M. Fuselier Foundation for the National Capital Region Mr. and Mrs. George P. Stamas / Abigail Spangler and Jeffrey Nuechterlein Elizabeth and Michael Galvin* Kirkland & Ellis LLP Mr. and Mrs. Richard E. Marriott Mr. and Mrs. Benjamin F. Stapleton III The Honorable Joseph Mr. and Mrs. Andrew Stephen* Mr. and Mrs. Forrest E. Mars Jr.* and Alma Gildenhorn* Joan and Tom Swift Dr. and Mrs. Barry S. Strauch* Jacqueline Badger Mars Mr. and Mrs. Joseph Goldstein* Mr. and Mrs. Edward Symes III Dr. and Mrs. Lubert Stryer* Virginia C. Mars* Donald and Mary Graham John and Eunice Thomas Mr. and Mrs. A. Alfred Taubman Mr. and Mrs. H. Brian Thompson

87 c^e> NATIONAL GALLERY OF ART 2004 <3vo

Mr. and Mrs. W. Reid Thompson* Mr. and Mrs. Edward L. Ernes Jr.* Mr. and Mrs. James R. Kleeblatt Dr. Robert Milton Schmidt and Family, San Francisco and Kauai* Norma Kline Tiefel Foundation* Mr. and Mrs. Richard England* Rebecca J. Klemm Mr. David M. Schwarz Jay and Toshiko Tompkins* Harold and Louise Engle* Patricia and John Koskinen Mr. and Mrs. Stephen M. Schwebel Sandy and Eilie Trowbridge* Lionel C. Epstein and Polly Kraft and Lloyd Cutler Elizabeth P. Streicher* Mr. and Mrs. Charles C. Shelleman Jr.* The Walton Family Foundation Inc. Mr. and Mrs. Anthony A. Lapham* Mr. and Mrs. James W. Evans* Mr. and Mrs. David W. Simone* Emily and Stephen Ward David and Connie Lawson Mr. and Mrs. Thomas M. Evans Jr. Ira Spanierman Company Gigi and Arthur Lazarus Jr.* Dr. Boiling Farmer Ms. Polly Surrey* Mr. and Mrs. Ulric Weil Susan B. Levine and James W. Lauer* Robert and Betsy Feinberg* Mrs. Waverly Taylor* Ms. Kendall Wheeler William J. Levy Foundation* Mrs. James J. Ferguson Jr.* Peggy and Alec Tomlinson* Mr. and Mrs. John R. Whitmore* Lawrence S. and Marion Lewin Betsy and Peter Forster* The Honorable and Mrs. Russell E. Train* Williams Family Foundation of Georgia Inc. Willee and Fin lay Lewis* David and Jackie Fowler* Truland Foundation Dr. and Mrs. Edward T. Wilson* Mr. and Mrs. Jerome B. Libin* Mr. and Mrs. Eric P. Fraunfelter* Antoine and Emily van Agtmael* Ken and Dottie Woodcock* Gary and Janice Long Peter A. and Barbara W. Freeman* Michael and Victoria Vergason* Mr. and Mrs. Alan Wurtzel* Mr. and Mrs. Meredith J. Long* Friedman Family Foundation Dr. Jeremy P. Waletzky* Dr. and Mrs. Bruce K. MacLaury* Supporting ($2,500 to $4,999) Mr. and Mrs. N. Rickard Frisbie Peggy and Ted Weidlein* Anne and John Marion Anonymous (5) Mr. and Mrs. David Morgan Frost* Marvin F. Weiss berg * Mr. and Mrs. Frederick R. Mayer Iris Aberbach Patricia Garcia and Kenneth Golding Dennis Weitzel and Bridgette Robinson* Daniel and Karen Mayers Fund* Jan and Warren Adelson* Professor Joseph L. Gastwirth* Edward Foss Wilson Charitable Trust* Michael and Hannah Mazer Mr. and Mrs. Samuel A. Alward* Steven and Katrina Gewirz* Mrs. Frances C. Winston* Mrs. Susan McCabe* Mr. M. Francis Anders* Nancy Glassman* Mr. and Mrs. Alan F. Wohlstetter* David and Cynthia K. McGrath Aileen Athy Mr. and Mrs. John Goelet Darina and Allan McKelvie Contributing ($1,000 to $2,499) Mr. and Mrs. A. L. Ballard Mr. and Mrs. John Gore Dr. Robert and Laurel Mendelsohn* Anonymous (9) Drs. Jordan and Rhoda Baruch Gretchen M. Gorog Mr. and Mrs. Herbert S. Miller* Carolyn G. Adams Mr. and Mrs. Thomas H. Boggs The Honorable Kingdon Gould Jr. Iris and Lawrence Miller and Mrs. Gould Hugh Trumbull Adams* Count and Countess Peder Bonde* James K. and Jane S. Mitchell* Pam and Tom Green* Theodore Adamstein and Olvia Demetriou Jean R. Bower* Mr. and Mrs. Robert L. Moore Jr.* Kathleen de Laski Grubb Sylvia and Christopher Addison Katherine and David Bradley and Edward Robert Grubb Joan and Dan Mulcahy* Errol M. Adels and Adrienne D. Adels Bob and Vivian Braunohler* The Honorable and Mrs. Gilbert Hahn Jr.* Catherine Murray* Mr. and Mrs. Mario A. Aguilar Mr. and Mrs. Edgar H. Brenner Nancy W. Harding* Mr. and Mrs. John Oberdorfer* Mrs. Russell B. Aitken* Marc H. and Vivian S. Brodsky* HECHT'S Dr. and Mrs. Frederick I. Ordway III* Antonio AlcalS and Helen McNiell Mr. and Mrs. Raymond C. Brophy* Kay and J. Roderick Heller* Patricia and James Peva Mrs. John R. Alison Wiley and Janis Buchanan Mrs. Charles T. Hellmuth Sr.* Mr. and Mrs. John Ely Pflieger* Richard and Mary Allen Burke and Paul Najarian Cynthia Helms* Mr. and Mrs. Benjamin Thompson Pierce* Mr. and Mrs. Christopher S. Alpaugh Mrs. Daniel S. Campbell* Catherine Winkler Herman* Mr. and Mrs. Charles L. Poor* Richard Small Alper Constance R. Caplan Foundation Inc. Patti and Mitchell D. Herman Mr. and Mrs. Stephen W. Porter* Dr. and Mrs. Clement C. Alpert Kelly Carr and Bryan Sherbacow Mr. and Mrs. Robert N. Herman* Mr. and Mrs. John S. Price Judy Areen and Richard Cooper* The Honorable John E. Chapoton Dr. John and Dori Holaday Dr. and Mrs. Jerold J. Principato* and Mrs. Chapoton* Alexandra A. Armstrong Mr. and Mrs. Wallace F. Holladay* Mr. and Mrs. Whayne S. Quin* and Jerry J. McCoy* Mrs. Robert H. Charles* John K. Hoskinson and Ana I. Fdbregas The Honorable and Linda L. Arret* Kate and Robert Chartener Mrs. Donald Rappaport* Mr. and Mrs. J. Timothy Howard* Allie and Ellen Ash* Bonnie and Louis Cohen Mr. and Mrs. William P. Rayner Mr. and Mrs. R. Bruce Hughes* Joseph S. Asin Ted Cooper* Dr. and Mrs. F. Turner Reuter Mr. and Mrs. Edward C. Johnson 3rd* Ann M. Askew Antonietta Corvasce and Richard and Pearl Richardson Stephen Goldstein James A. Johnson Jr.* Mr. Andrew Athy Jr. Michael Rosenfeld Gallery, NY T. A. Cox The Honorable R. Tenney Johnson Atlas Foundation* and Mrs. Marilyn M. Johnson* Nancy and Miles Rubin Louise and Wendell Grain* Marilyn and David Austern* Mr. and Mrs. Evan Jones* Alison and Mark Russell Mrs. Catherine G. Curran* Mr. and Mrs. William Backer* Mr. and Mrs. Peter H. Jost* Mr. and Mrs. Thomas D. Rutherfoord Jr.* John and April Delaney Mr. and Mrs. Kevin Baine Peter W. Josten* Mrs. Derald H. Ruttenberg* Mr. and Mrs. F. Eugene Dixon, Jr.* Colonel Owen C. Baker Mrs. Ford A. Kalil James J. Sandman and and Barbara Baker Dr. and Mrs. William H. L. Dornette* Elizabeth D. Mullin* William and Elena Kimberly* Fran and Lenox Baker* Lindsay and Terry Eakin* Mr. and Mrs. Bruce W. Sanford* Robin King and Carol Hallene King* Dr. and Mrs. G. A. Balfour Lynn E. Eccleston Jean Schepers* Mr. and Mrs. Norman V. Kinsey* Mr. and Mrs. Michael Baly III Anita and William Edwards

XX CXB NATIONAL GALLERY OF ART 2004

Gwendolyn Baptist* Ms. Edith H. Brewster* Robin Rowan Clarke and Thomas Merritt P. Dyke* Crawford Clarke* Mr. and Mrs. Albert H. Barclay Jr.* Mr. and Mrs. John D. Briggs III E & B Family Trust The Honorable Raymond C. Clevenger Memorial to Marian Tobey Barnes* Margot Brinkley* Bill and Donna Eacho* III and Mrs. Clevenger* Mr. and Mrs. Stephan Barth Ms. Lucy E. Broad us Mr. and Mrs. C. Franklin Eck Jr.* The Coca-Cola Company* Mr. and Mrs. Edmund Bartlett Suzanne S. Brock Elizabeth W. Edgeworth* Suzanne F. Cohen* Anne Susan and Nevins Baxter* The Honorable and Patricia and Arthur Edwards Mr. and Mrs. Jonathan E. Colby Mrs. Kenneth D. Brody* John and Priscilla Becker Jean Efron Mrs. Francis G. Coleman William R. and Wendyce H. Brody Mr. and Mrs. Thomas H. Beddall Jr.* Dr. Daniel and Marina Ein* Mark Colley and Deborah Harsch Jere and Bonnie Broh-Kahn* Mr. and Mrs. James R. Beers* Mr. and Mrs. Robert Einhorn Mr. and Mrs. Terence Winslow Collins* Helen Brooks* Mrs. Edwin S. Bell* Mr. and Mrs. Julian Eisenstein* David and Patricia Cooper* Dr. Peter F. Brass and Dr. Lisa Rarick Jim Bell Mr. and Mrs. Anthony Elson* Ms. Paula Cooper Andrew Brown Mr. and Mrs. Eliezer Benbassat* Ms. Catherine B. Elwell* Lt. Col. (Ret.) and I. D. Brown Ellen and Robert Bennett* Mrs. Richmond J. Cooper* Anne L. Emmet Mr. and Mrs. Richard Gerard Brown* Mrs. William Tapley Bennett Jr.* Jay and Margaret Costan Dr. and Mrs. John Esswein Constance and Thomas Bruce Marguerite H. Benson* Deborah C. Costlow and Gary M. LaCroix Mrs. Rowland Evans Jr. Mr. and Mrs. David S. Bruce* Anne and Stephen Bent Mr. and Mrs. Donald M. Cox* The Honorable Thomas B. Evans Jr. Mr. and Mrs. E. Edward Bruce and Mrs. Evans* Kathleen Bergen and Alexander Bastos Warren and Claire Cox Susan Bruce and Frederick Hauck Mr. and Mrs. Rod E. Eyster Katherine M. B. Berger Mr. and Mrs. Robert H. Craft, Jr.* Joseph M. Bryan Jr. Frank and Mary Fahrenkopf* Mrs. Edwin A. Bergman* Donna and Harold Cramer Sam and Susan Buffone Elaine Feidelman and Irwin Shuman Mrs. Ellen R. Berlow* Mr. and Mrs. C. Benjamin Crisman Jr. Dr. Bruce W. Bunting and Mrs. Elaine Fein* Roberta Matthews Bernstein Mrs. Dillon-Smyth Crocker* Ms. Jessie A. Brinkley Mike and Adrienne Feldman* Charles B. Berry Mr. George D. Crowley Jr. Mr. and Mrs. I. Townsend Burden III Peter and Alison Fenn Afsaneh Mashayekhi Beschloss Tia Cudahy and Redmond Walsh Leonard and Frances Burka* and Barbara G. Fleischman* Dr. Nancy B. Cummings Mrs. Jefferson D. Burrus* Mr. Judah Best The Honorable Thomas S. Foley G. Allen and Yvette Dale Ms. Elizabeth A. Burton* and Mrs. Foley Mr. and Mrs. Mark D. Betts Mrs. John Charles Daly Dwight and Toni Bush Mr. and Mrs. Christopher Forbes Mr. and Mrs. Albert J. Beveridge III* Kenneth and Marcia Dam Patricia Dwinnell Butler* Richard E. Ford* Mr. Eugene Bialek and Ms. Arlene Brown Peggy and Richard M. Danziger Mr. and Mrs. C. Michael Buxton Mr. and Mrs. John 0. Forrer* Mrs. Patti Cad by Birch* Mr. and Mrs. Robert P. Davis Jane Rosenthal Cafritz* Cynthia Forrest Thomas L. Birch Mr. and Mrs. Porter G. Dawson* William E. Cain and Barbara Harman Florence Bryan Fowlkes* Mr. and Mrs. Arthur A. Birney* Ruth and Bruce Dayton* The Honorable John Thiers Calkins* Charlton Gillet Fried berg* Mr. and Mrs. James I. Black III* Mr. and Mrs. Arnaud de Borchgrave Dr. C. Wayne Callaway Mr. and Mrs. Alvin Friedman* John and Jennifer Blackburn* and Ms. Jackie Chalkley Mr. and Mrs. Whitney Debevoise* James T. Fuller III and Catherine T. Porter* Mr. and Mrs. Roger W. Block* Brig. General and Mrs. T. James Mr. and Mrs. Philip J. Deutch Anne and Paul Gambal Susan and Allen Bloom* Camp Jr.* Mr. Bosworth Dewey and Mr. Arthur W. Gardner* Mr. and Mrs. Mario Boiardi Dorothy and Jerry Canter* Ms. Liz Barratt-Brown Mrs. Edward H. Gerry* Dr. and Mrs. William C. Boicourt David Carliner* Sally and Edison Dick* Stuart Gerson and Pamela Somers Frances B. Bolton Mrs. Neil Carothers III* Phyllis G. Diebenkorn* Mr. and Mrs. S. J. Gerstenfeld Mrs. Daniel J. Boorstin* John F. Carr* Dr. Joseph P. DiGangi Mr. and Mrs. Michael K. Gewirz* Bennett Boskey* Mr. and Mrs. Keith Armistead Carr* Michael and Betsy Dingman* Mr. and Mrs. William T. Gibb * Edward C. Bou, Esq. Mr. and Mrs. Charles Carroll Carter Sonnie and Bill Dockser Mr. and Mrs. Lawrence B. Gibbs* Mr. and Mrs. Stephen A. Bou Ken and Jane Casazza Mrs. Clarence Dodge Jr.* Mr. and Mrs. Kenneth W. Gideon* Jay Bowyer The Honorable Henry Catto Jr. Mrs. Stanley Donovan and Mrs. Catto* The Drs. James and Judith Gieske Mr. John G. Boyd* Mr. and Mrs. Paul C. Dougherty Carroll J. Cavanagh and Maria D. Gilbert and Jackson B. Gilbert Miss Susan A. Boyd Mr. and Mrs. John Driggs* Candida N. Smith* Mr. and Mrs. Richard D. Gluck* Mr. and Mrs. George M. Brady Jr.* Mr. and Mrs. Larry D. Droppa H. Challinor & M. Challinor Gene and Patricia God ley Stuart and Lotta Brafman Mr. and Mrs. Douglas D. Drysdale* Chuck L. Chandler Mary Anne Goley* Mr. and Mrs. Raymond E. Brann Jr. Helen and Ray DuBois* Aldus H. and Dolly Langdon Chapin* Dr. Margaret A. Goodman Mr. and Mrs. Allan Bratman* Raymond and Melina Dunn Anna C. Chennault and Irving Kaufman Elizabeth Marsteller Gordon* Rita Braver and Robert Barnett Mr. and Mrs. Weaver Dunnan* Mr. and Mrs. George M. Chester Jr. llene and Tom Gordon John and Joan Bray* Mr. and Mrs. Alan P. Dye Drs. Thomas M. and Judith F. Chused Jamie Gorelick and Richard Waldhorn* Mrs. Abner Brenner* Helen Porter and James T. Dyke* Bruce and Cynthia Clark William and Gail Gorham Mr. and Mrs. Charles S. Bresler Mr. and Mrs. Jonathan Nathaniel Dyke Kate Clark and Joe Tydings*

89 c^e> NATIONAL GALLERY OF ART 2004

Milton M. Gottesman, Elizabeth C. Holleman Tom and Ann M. Korologos Violet McCandlish* The Gottesman Fund Mr. and Mrs. James K. Holman Stephen P. Koster* Ms. Sandra McElwaine Mr. and Mrs. M. Anthony Gould* Mr. and Mrs. Stephen A. Hopkins* Mary Lynn and Nick Kotz Dr. Jill E. McGovern Christina G. Grady and Thomas Gibian and Dr. Steven Muller* William Logan Hopkins Elizabeth K. Kramer* Kathleen and Austin Graff Katlin McKelvie Mr. and Mrs. S. Roger Horchow* Robert M. and Hale A. Krasne* Mr. and Mrs. Temple Grassi* Roderick R. McKelvie Charles Horn and Jane Luxton Horn* Edith and John Kuhnle and Claire M. McCarthy Richard and Mary L. Gray* Dr. Sari R. Hornstein Suzanne D. Kuser* Mr. and Mrs. James A. McKenna* Allan Greenberg and Judith Seligson* and Dr. David W. Lightfoot* Mr. and Mrs. Cameron La Clair* Don and Gretchen McKnew Greenfield / Belser Ltd.* Mr. and Mrs. Outerbridge Horsey Mr. and Mrs. Jean Pierre Lacombe Rona and Allan Mendelsohn Raffi and Bernadette Gregorian Mr. and Mrs. Edmond N. Howar Sheela K. Lampietti and Richard and Ronay Menschel Mr. and Mrs. George G. B. Griffin* James R. and Rosemarie R. Howe* Francois M. Lampietti* Mrs. Cord Meyer Vincent J. Griski* Richard H. Howland* Mr. and Mrs. Edward W. Lane Jr.* Mrs. Charles A. Meyer* Mrs. Nina B. Griswold* Helen Hubbard Paul and Ellen Lazar Dr. and Mrs. Frederick Meyers M.D. John Grotta Mr. and Mrs. Hadlai A. Hull* Richard and Carol Le Pere Mr. David Michael is and Mr. and Mrs. Gerhard Gschwandtner Mrs. Randall C. Hunt Dr. and Mrs. William R. Leahy Ms. Clara Bingham Mr. and Mrs. Ridgway M. Hall Jr.* R. Bruce Hunter* LaSalle D. Leffall III Julie B. Middleton Elizabeth B. Hamilton* Barbara and Allan Hurwitz* Mrs. Egbert Leigh* Edward T. and Noel C. Miller* Mr. and Mrs. Robert Hanke Mrs. Jean-Louis Imhoff Joanne and Glenn LeMunyon Elaine R. Miller Dr. Sidney and Mrs. Jane Harman Ann G. Ince-McKillop Mrs. Harry Lenart Mark Miller Gail and John Harmon* Mr. Breckenridge Ingles Margaret and * Henry and Judith Millon Marion and Douglas Hart* Mr. John Peters Irelan* Mr. and Mrs. Herbert J. Lerner* Mr. and Mrs. Robert K. Molloy* Dr. Terry Hartle and Ms. Susan Quantius* Y. A. Istel Foundation Judy and Mark Lerner* Mr. Jonathan T. Molot Arthur and Donna Hartman Shirley and Marshall Jacobs* Jack and Laura Levengard* and Ms. Hattie Ruttenberg

Mrs. Horace Havemeyer, Jr.* Bruce and Nora James Dr. and Mrs. Jerome H. Levy* Dr. and Mrs. Allen Mondzac*

Ms. Anne Hawley Mrs. Mary D. Janney* Mrs. Anne Lewis Mr. and Mrs. Robert Monk

Eunice Hawley* Gayle and Ken Jensen Jeanne G. Lewis* Bill Moody

Gale Hayman-Haseltine Helen and Philip Jessup Donald V. Lincoln* Mrs. Edward P. Moore* and William Haseltine Joan and Garry Jewett* Francine Schear Linde Margaret Moore and Robert Wilson Mr. and Mrs. Daniel Hazel Willow Johnson, In Memory of Mr. Mr. and Mrs. Russell Lindner Joanna Moorhead and Ralph Taylor Mr. and Mrs. John T. Hazel Jr.* and Mrs. Wynant D. Vanderpool Jr.* Lindsay Lexas of Alexandria Bill and Sue Moran Ms. Jo Ann Hearld Barbara J. Jones* Dave Lloyd Mr. and Mrs. F. Joseph Moravec Mrs. Anthony Hecht* Mr. and Mrs. Boisfeuillet Jones Jr. Janet and Wingate Lloyd* David B. and Nancy G. Morgan* Lenore Hecht Foundation Inc.* Mary Roberta Jones Mr. Thomas Lloyd Barbara and David Morowitz* Mrs. John M. Heckler* S. Kahn Sons Co. Foundation* Joe and Pat Lonardo Pearl and Seymour Moskowitz* John and Eleanor Hedden* Jeffrey M. Kaplan Jack and Betty Lou Ludwick* Jennifer Mottershead Helen Lee Henderson* Louis M. and Sally B. Kaplan Foundation* Mr. Scott E. Luellen Scott and Caroline Muller M. Henderson-Rubio* Mr. and Mrs. Steven Kaplan* Dr. and Mrs. George P. Lupton Robert and Florence Mullins Mr. and Mrs. Robert J. Hermann Mrs. Margot Kelly Mr. and Mrs. James E. Lyons* Anne G. Murphy Mrs. Anita G. Herrick* Richard and Mary Kelly Family Fund Sandylee and Michael Maccoby* Mr. and Mrs. Donald B. Murphy Mr. and Mrs. George G. Herrick* Deborah Kennedy and William Kennard Mr. and Mrs. James T. Magee* James J. and Susan D. Murphy* Julio E. Heurtematte Jr. Edward and Arleen Kessler Mrs. William S. Mailliard* Lorraine E. Murphy Mr. and Mrs. Henry L. Heymann Joelle and Paul Killian Mr. and Mrs. Peter L. Malkin E. Michael and Karen Magee Myers Mary L. Hildreth* Ruth and Harold Kingsberg* Mr. and Mrs. Phillip Mann* Zoe and Tom Myers Mr. and Mrs. Calvin G. Hill Lila W. Kirkland* The Honorable Jan W. Mares Mr. and Mrs. Arthur H. Nash The Honorable Roderick M. Hills Steven and Mimi Kirstein and Mrs. Mares* Sharon and Michael Nemeroff and The Honorable Carla A. Hills* Mrs. Elizabeth L. Klee* Mr. and Mrs. Jay Markley Selma Nettles Mr. and Mrs. Richard deCourcy Hinds* Mr. and Mrs. R. Brewster Knight Mr. and Mrs. John F. Mars* Jill Newhouse Robert and Nancy Hinton Mr. and Mrs. Robert H. Knox* Michael and Lydia Marshall* Louisa and Bill Newlin* Allan and Mary Kollar Mr. and Mrs. James B. Martin* and Jim Hoagland* Ms. Anna C. Niceta Mr. and Mrs. James L. Koltes* Mr. C. Raymond Man/in Frank and Lisina Hoch* Ms. Dane A. Nichols Mr. and Mrs. Daniel Korengold Jane and Arthur Mason* Christian and Nora Hohenlohe Henry E. and Mary Ann Nichols* Dr. and Mrs. Marvin Korengold* Antonia Bredin Massie* Grace M. Holden* Akemi Nishida and S. Paul Selavko Mr. and Mrs. Thomas E. Korengold Bonnie B. Matheson Robert and Beth Holland Gerson Nordlinger Jr.* Matt Korn and Cindy Miller Charles T. Matheson

90 cE» NATIONAL GALLERY OF ART 2004 Oxo

Mr. and Mrs. Floyd L. Norton IV Mr. and Mrs. Robert P. Reznick Ms. Jane Slate Siena David and Adena Testa and Dr. M. Kirby Talley Jr. Peter Norton Mr. and Mrs. Donald H. Richardson* Peter G. and Barbara Strom Thompson David Silver and Ann R. Schwartz* Mr. Michael D. O'Dell Mr. and Mrs. John D. Richardson* Mrs. Benjamin W. Thoron* and Dr. Judith E. Grass* Dr. and Mrs. Richard A. Simms* Ms. Gary Ridder and Mr. and Mrs. Wallace Tillman Mr. and Mrs. George P. O'Sullivan Mr. David Alberswerth* J. L. H. Simonds Lewis R. and Ann C. Townsend / Trust Washburn and Susan Oberwager Marie W. Ridder* Charles J. Simpson and Pamela for Museum Exhibitions* Raymont-Simpson Deedy Ogden Douglas and Katherine Rigler Susan E. Trees William K. Simpson Roger H. Ogden* Cara W. Robertson Mr. and Mrs. Edmund S. Twining III Norman and Ellen Sinel Mr. and Mrs. David Osnos Alix I. Robinson Lynde B. Uihlein Sylvia Turover Sittenfeld Betty Ann Ottinger* Jane Washburn Robinson* Steve and Candy Umin* Dr. Gerald D. Slawecki John T. Overbeck Doris Rohner Rogers Jennifer Urquhart and Michael Edwards and Ms. Constance H. Slawecki Patty and Carroll Owens Wynefred W. Rogerson James van Sweden* Christine and Robert Smart Barbara R. Palmer Mr. and Mrs. Felix G. Rohatyn* Mr. Nicholas R. VanBuskirk Ms. Lindsay M. Smith Mr. and Mrs. Thomas A. Parrott* Mr. and Mrs. Frederick S. Rolandi, III Mrs. Herbert A. Vance* The Honorable and Mrs. J.T. Smith II* Alma and John Paty C. Rolde* Mr. William C. Vance* Matthew C. and Jamie Beth Smith Judge and Mrs. Michael T. Paul* Helen G. Ross Margaret Vanderhye* Mr. and Mrs. Robert Bland Smith* Ernestine (Tina) Pauley Sheldon and Ruth Ruben* Jack and Margrit Vanderryn Mr. and Mrs. T. Eugene Smith Mr. and Mrs. Malcolm E. Pea body* Mrs. Donald H. Rumsfeld Philip and Melanne Verveer* Elaine and Jerry Snider* Muriel Miller Pear Nancy and-Clive Runnells* Mr. and Mrs. C. Woods Vest Jr.* Mr. and Mrs. John W. Snow Mr. and Mrs. Ronald H. Peele Jr. The Honorable Philip E. Ruppe Henry von Eichel Richard and Catharine Snowdon* and Mrs. Lorei Ruppe H.O. Peet Foundation Mr. and Mrs. William von Raab* Mr. and Mrs. John W. Snyder Terry and Wayne Rusch Simmy and Haven Pell* Mary Wagner and W. Clark McFadden II Mrs. Frederick M. Stafford* Michael and Sheila Ryan* The Honorable Charles H. Percy Ambassador Jenonne Walker Dr. Robert and Jean Steele and Mrs. Percy* Mrs. Victor Sadd* Bill and Irene Wallert* Christine J. and Robert L. Steiner* Mr. Bruce C. Perkins Peter and Ellen Safir Gerald Warburg and Joy Jacobson* S. S. Steiner Inc.* Nicole H. Perry and Andrew T. C. Stifler* Louise and Arnold Sagalyn David and Judith Ward Mr. and Mrs. George Stelljes III Mr. and Mrs. Phillips Smith Peter Mr. and Mrs. Robert Salomon Mr. and Mrs. William Watts* Samuel A. Stern Mr. and Mrs. Devereaux J. Phelps* Mr. and Mrs. William C. Sanders Jr. Suzan Reed Weaver* The Honorable Malcolm Sterrett Phillipps Murray Foundation* Jane Saunders and Tom Amis and Mrs. Sterrett* Amy Weinberg and Norbert Hornstein* Walter and Ann Pincus Mr. and Mrs. J. Andrew Scallan II* Mr. and Mrs. Edwin F. Stetson II Mr. and Mrs. Caspar W. Weinberger* Mr. and Mrs. H. Gregory Platts Richard and Karen Schaeffer Mr. and Mrs. Guy T. Steuart II* Mr. and Mrs. Eric W. Weinmann* Dr. and Mrs. Warren Alison Schafer and Matt Herrington Mr. and Mrs. George C. Stevens Jr.* Mr. and Mrs. Jeffrey C. Weiss The Honorable Trevor Potter John and Edith Schafer Rebecca Weistock* and Mr. Dana S. Westring* Mrs. John R. Stevenson* Susan Schaffer and Michael Rogan Whitney Stewart Susanne and W. Harrison Wellford* Judy Lynn Prince* Dr. and Mrs. Stephen K. Scher* The Honorable Allan Wendt Kathleen H. Pritchard Mr. and Mrs. Robert D. Stillman* Mr. and Mrs. S. Jacob Scherr and Ms. Que D. Nguyen* Mr. and Mrs. William A. Pusey* Mr. and Mrs. Luther M. Stovall Bob and Patricia P. Schieffer* Mr. and Mrs. Frederic P. Werner Quatt Associates Dara and Lewis Strauss* Douglas and Suzanne Schiffman Ms. Dorothy B. Wexler* Dr. and Mrs. Charles E. Rackley* Mrs. Lewis L. Strauss* Richard and Geane Schubert* Katharine Weymouth Eden and Gerald Rafshoon Mrs. Elizabeth F. Stribling Rhea Schwartz and Paul Martin Wolff and Mr. Guy N. Robinson Mr. and Mrs. George Y. Wheeler* Major General and Mr. and Mrs. Anthony E. Scoville* Ed and Kathy White Mrs. James G. Randolph Stacy and Daniel Stryer* Richard Scully James K. White and Catherine Hirsch* Sylvia and Coleman Raphael* Stuart Family Foundation* Marianne Segura Pamela B. Stuart Shelby White* Mr. and Mrs. Raymond J. Rasenberger Susan M. Seligmann Mrs. Charles S. Whitehouse* Earl and Carol Ravenal* Mr. A. Michael Sullivan Jr. The Nina and Ivan Selin Family Carolyn H. Williams Mrs. Elizabeth Beach Rea Mr. and Mrs. Brendan V. Sullivan, Jr.* Foundation Inc.* Edwin and Kathe Williamson Mr. Robert C. Rea* Patrick and Christine Suppes Mr. Willis H. Shapley* Professor John Wilmerding* Cynthia T. Redick and Robin Brent Mr. and Mrs. David W. Swearingen Deane and Paul Shatz* Mary H. D. Swift* Donald M. and Susan N. Wilson Miss Berenice Anne Reed* and Strobe Talbott Joanne S. Wilson* Henry S. and Anne S. Reich Family Mr. and Mrs. Hollis C. Taggart Stanley and Linda Sher Foundation Inc.* Patricia P. Tang Mr. Robert W. Wilson* Mr. and Mrs. Stephen F. Sherwin* Sarah Carey Reilly Christopher J. Tavlarides Ambassador and Mrs. Curtin Winsor Joan and Ev Shorey* Lola C. Reinsch and J. Almont Pierce Mr. and Mrs. Crawford L. Taylor Jr. Mr. and Mrs. David Legendre Winstead* Judith and Jerry Shulman Mr. and Mrs. Stanley R. Resor* Topsy Taylor* Ms. Gale Witoonchatree Ruth and Hugh Sickel Sally and Sam Witt*

91 c/E> NATIONAL GALLERY OF ART 2004 <3v^>

Mavis and Hal Wylie George and Ina Farbert Donald V. Lincoln Iris Silverman

Michael and Barbara Wynne Lee and Ann Fensterstock Francine Schear Linde in honor of her Albert and Shirley Small parents, Herbert and Blanche Schear Mr. and Mrs. Roger J. Yasin William W. Finley Robert H. and Clarice Smith Kathryn A. Looneyt Mrs. Curtis T. Youngblood* Aaron I. Fleischman Mrs. Rudolf Sobernheim Angela M. L0R6 in honor of her parents, Mr. and Mrs. Robert K. Zelle Mrs. Daniel Fraadt John and Alice Steinert Charles and Alice L0R6 The Zients Family Foundation David Morgan Frost Ruth Carter Stevenson Jack and Betty Lou Ludwick Lenore G. Zinn Jo Ann and Julian Ganz, Jr. Donald D. Stone Helen Lillie Marwickt Dario and Gio Zucchi* William H. Gerdts and Shirley Ross Sullivan Joan and David Maxwell Abigail Booth Gerdts Donald and Barbara Zucker Foundation Professor Frank Anderson Trapp Frederick R. Mayer Mr. and Mrs. Carl S. Gewirz Jack and Margrit Vanderryn Sameeran Yonan McAlee Mr. and Mrs. William T. Gibb LEGACY CIRCLE Andr6-Fran?ois H. Villeneuve (as of 30 September 2004) Mrs. Robert B. Menapace Mr. t and Mrs. John T. Gibson Dorothy and Herbert Vogel Julienne M. Michelt Milly and The Gallery is pleased to recognize the Bettye S. Walker Mrs. Liselotte Millardt Katharine Grahamt members of the Legacy Circle for their Mrs. Robert M. Weidenhammer Mr. Harvey Shipley Miller decision to include the Gallery in their Sarah Greenough John C. Whitehead estate plans, as well as making irrevocable and Mr. J. Randall Plummer Agnes Gund and Daniel Shapiro life income gifts such as charitable gift Kent and Marcia Minichiello Malcolm Wiener annuities. With their gifts, these individ- Helena Gunnarsson Lucy G. Moorhead Professor John Wilmerding uals uphold a legacy of philanthropy to The Stephen Hahn Family Collection the benefit of future generations. Diane L. Morris Frances C. Winston Mr. and Mrs. Nathan L. Halpernt Anonymous (45) The Patsy R.t and Raymond D. Christopher and Beverly With in Harold Halpert Nasher Collection memory of Karl and Gerda With Lee Allen Mrs. B. Lauriston Hardin, Jr. Evelyn Stefansson Nef Andrea Woodner Lora Lee Allumst, in honor of her sister, Anne Lee Parris Charles U. Harrist Jeffrey Hugh Newman In memory of James S. Yamada

Carolyn Small Alper Richard C. and Elizabeth A. Hedreen Diane A. Nixon Richard S. Zeisler

M. Francis Anders Lore Heinemannt in memory of her Stephen and Claudine Ostrow Judy and Leo Zickler husband, Dr. Rudolf J. Heinemann Mrs. Martin Atlas John T. Overbeck Charles S. and Elynne B. Zucker Helen Lee Henderson Mr. L. Graeme Bell III Ivan E. and Winifred Phillips (t Deceased) Benjamin and Lilian Hertzbergt The Honorable and Mrs. William Mrs. John Alexander Popet McCormick Blair, Jr. Susan Morse Hillest Every effort has been made to create a Helen Porter and James T. Dyke complete and accurate list of contributors. Ambassador and Mrs. Donald Blinken Ernest Hillman Jr.t in memory Judy Lynn Prince Due to limited space, gifts under $1,000 in memory of Maurice H. Blinken of John Davis Skilton Jr. are not listed. Francis H. Rasmus Andrew Brown Margaret and Raymond J. Horowitz Gifts to the Gallery may be made in Gaillard F. Ravenel lit and J. Carter Brown t R. Bruce Hunter the form of cash, securities, and real Frances P. Smyth-Ravenelt and personal property, and may be Gilbert Butler Earle Hyman in memory of Rolf Sirnes Mr. and Mrs. George W. Riesz directed toward specific programs or Mr. and Mrs. W. Russell G. Byers, Jr. Dora Donner Idet be unrestricted. Some donors make The Rizik Family outright gifts, while others elect to make Mrs. Charles Francis Carr Ira and Virginia Jackson Mary and David Robinson deferred gifts to help provide for the Mrs. Terrence F. Cathermant Mr. James A. Johnson, Jr. Andrew Robison future. All gifts and bequests are Dr. Gerald Cerny Ruth Cole Kainen in honor of Beuford deductible, within the limits prescribed David Rockefeller and Teden Cole by law, for applicable federal tax Robin Rowan Clarke Laurance S. and Mary Rockefeller! purposes. For further information, Ellen F. Karpft Ian and Annette Gumming please call the development office, Sharon Percy Rockefeller Jak Katalan (202) 842-6447. Catherine Gamble Curran Trina and Lee G. Rubenstein Inat and Jack Kay Roy and Cecily Langdale Davis Gwendolyn Russell Ellsworth Kelly Dr. Lois de M6nil and David E. Rust Dr. Georges de M6nil Mr. Thomas G. Klarner Mrs. Walter Salantt Mrs. Adolf Dehn Robert P. and Arlene R. Kogod The Honorable Arnold A. Saltzman Robert W. and Louisa C. Duemling Alice S. and William K. Konze and Joan Saltzman Mr. Barney A. Ebsworth Mrs. Rush H. Kresst in memory of her Mrs. Stanley J. Sarnoff late husband, Rush Kress Joan M. Eckert Jean Schepers in memory of Julie LaFave Robertt and Mercedes Eichholz J. Robertson Schepers and Evelyn and E. Beeson Bruce Schepers Mr. and Mrs. Gerry Elliott Jo Carole and Ronald S. Lauder Deanna J. Schupbach, Ph.D. Virginia F. Harrison Elliott and George W. Elliott Alexander M. and Judith W. Laughlin Charles and Helen Schwab

Mr. A. Thompson Ellwanger III The Honorable Marc E. Leland Joyce Pomeroy Schwartz and Mr. Gregory E. Mescha and Mrs. Leland Mrs. Muller Sheppardt Ms. Jane Engle Janice H. Levint Ruth and Hugh Sickel The Epstein Family Collection Simon and Bonnie Levin

92 Copyright © 2005 Board of Trustees, National Gallery of Art, Washington. All rights reserved.

Produced by the National Gallery of Art, Washington

www.nga.gov

ISBN 0-89468-338-1

Photographs by Dennis Brack Cover, inside front cover, pages 2-3, 6-7, 14-15, page 35, 37, 38, 39

Photographs by Rob Shelley Page 20, 22, 23, 24

Photograph by Q Siebenthal Page 5

Works of art in the collection of the National Gallery of Art, and pages 30, 31, 32-33, have been photographed by the division of Imaging and Visual Services.

Design: Pentagram NATIONAL GALLERY OF ART

WASHINGTON, D.C.