Riot Acts: Flaunting Gender Deviance in Music Performance
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Pigshit by Gary Pig Gold: U
Pigshit by Gary Pig Gold: UNSEEN JOHN, MICK, KEITH, CHARLIE, B... http://rockandrollreport.com/pigshit-by-gary-pig-gold-unseen-john-mick-k... News Feed Podcast Featured 468x60 Ad Home Submit Your Music Podcast Triple R Girl About Rock and Roll Report Links Site Map Contact Record Labels Wanna Be a Rock Star? Rock Biz Opportunities Rock Tools Triple R Girl More Cool Stuff Uncategorized Live Rock and Roll Odds & Sods Features Rock History Podcast Reviews and Suggestions Featured Review Artists and Bands Rock Media Rock and Roll Reads Rock Radio 2.0 Rock on Film Rock Television 2.0 Rock and Roll Report TV Rock on the Net Rock News Free MP3s Pigshit by Gary Pig Gold: UNSEEN JOHN, MICK, KEITH, CHARLIE, BILL, AND EVEN BRIAN May 28, 2010 by Gary Pig Gold 1 of 5 7/22/2010 12:31 PM Pigshit by Gary Pig Gold: UNSEEN JOHN, MICK, KEITH, CHARLIE, B... http://rockandrollreport.com/pigshit-by-gary-pig-gold-unseen-john-mick-k... John Lennon and Mick Jagger back in the day Now that Generation Boomer is shuffling slowly but surely towards the twilight of its purchasing power, spending far more time on the sofa than in the clubs or under the headphones, the DVD is becoming the preferred delivery system for the sounds – and, you bet, sights – of yesteryear. Of course with the Top Forty having long since gone TiVo, an audio-only package today seems as antiquated as, well, a record album …remember those? Even supposed sure-bets like those recent Beatles remasters, not to mention the Rolling Stones’ deluxe Exile On Main Street repackage, each make damn sure shiny happy li’l documentary films accompany all the aurally enhanced yeah-yeah-yeah’s and tumblin’ digital dice. -
07-121407.Compressed.Pdf
"you guys fucking rock!!! lucas, u inspired me to try to work with my gender issues and now i'm re- ally starting to figure out who i am. so thank you THEellKS guys so much for being so cool and rocking out so hard. ROCKON!!!" - Fan, myspace.com Round out Texas The latest Cliks news is that in addition to the winged guns, pouncing dragons and carefully in SAand Dallas etched word "Survivor," the electrifying frontman will add a new tattoo to his collection when he by Jimmy R. Smith tapes TLC's hit cable television show, LA Ink, later email: [email protected] this weekend this month. (The new episodes will begin airing on January 8th, 2008). The new tattoo, a stylized Mexican Day of The Dead skull, holds special meaning for Silveira, After #1 video on LOGO ("Oh Yeah"), and a sexy miration and full-on rock star screaming. I thought "Traditionally, Mexican Day Of The Dead celebra- new one on The Click List ("Complicated") hosting those embarrassing fangirl days were long gone for " tions represent rebirth and moving into the second the channel's "The Click List," touring last Summer me, but The Cliks have brought them back with a phase of life and to me," he explains. "It repre- with Cyndi Lauper's True Colors Tour, performing on vengeance." - Margaret Cho sents the rebirth I had when I transitioned from The Late Late Show with Craig Ferguson and a suc- Lilia to Lucas and my true identity as a transgen- cessful European tour, The Cliks are back in Texas "The songs on "Snakehouse," which comes out next dered male." where the Toronto foursome made their stateside Tuesday, brim with urgency and fortitude. -
DIY Identities in a DIY Scene: Trans Music in the UK
This is an open access author copy of a chapter published in the edited book: The Emergence of Trans: Cultures, Politics and Everyday Lives. It is an updated version of an essay first published in the journal Sexualities, under the title “De/constructing DIY identities in a trans music scene”. To cite this chapter in formal academic work, please use the published version: https://www.taylorfrancis.com/books/9781315145815 DIY identities in a DIY scene: trans music events in the UK Kirsty Lohman and Ruth Pearce The past three decades have seen the emergence of an increasingly vigorous and outspoken trans movement in the United Kingdom. Resulting political and social changes have been accompanied by an increasing number of individuals willing to disclose their trans status and be publicly trans. With the development of ‘new modes’ and ‘different codes’ of trans identity and political activism (Whittle, 1998: 393), and an increasingly visible trans population, the stand- alone trans has also come to operate as an organising category for cultural forms. Whereas previous terminologies such as ‘transsexual’, ‘transvestite’ (and perhaps even ‘transgender’) provided more distinct categorical accounts of gender-variant possibility, ‘trans’ is intentionally open and – like ‘queer’ – refuses any clear or coherent definition (Pearce, Steinberg and Moon, 2019). In this chapter, we reflect on what it might mean to ‘do’ trans in a contemporary cultural context, in the tradition of recent accounts of trans music, theatre and performance (see, for instance Halberstam, 2005; Kumpf, 2016; Gossett, Stanley and Burton, 2017; Jaime, 2017; Landry, 2018). While there have always been trans performers, opportunities for their involvement in somewhat regular trans events have historically been limited. -
Dissertation
DISSERTATION Titel der Dissertation “We’re Punk as Fuck and Fuck like Punks:”* Queer-Feminist Counter-Cultures, Punk Music and the Anti-Social Turn in Queer Theory Verfasserin Mag.a Phil. Maria Katharina Wiedlack angestrebter akademischer Grad Doktorin der Philosophie (Dr. Phil.) Wien, Jänner 2013 Studienkennzahl lt. Studienblatt: A 092 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuerin / Betreuer: Univ. Prof.in Dr.in Astrid Fellner Earlier versions and parts of chapters One, Two, Three and Six have been published in the peer-reviewed online journal Transposition: the journal 3 (Musique et théorie queer) (2013), as well as in the anthologies Queering Paradigms III ed. by Liz Morrish and Kathleen O’Mara (2013); and Queering Paradigms II ed. by Mathew Ball and Burkard Scherer (2012); * The title “We’re punk as fuck and fuck like punks” is a line from the song Burn your Rainbow by the Canadian queer-feminist punk band the Skinjobs on their 2003 album with the same name (released by Agitprop Records). Content 1. Introduction .......................................................................................................... 1 2. “To Sir With Hate:” A Liminal History of Queer-Feminist Punk Rock ….………………………..…… 21 3. “We’re punk as fuck and fuck like punks:” Punk Rock, Queerness, and the Death Drive ………………………….………….. 69 4. “Challenge the System and Challenge Yourself:” Queer-Feminist Punk Rock’s Intersectional Politics and Anarchism……...……… 119 5. “There’s a Dyke in the Pit:” The Feminist Politics of Queer-Feminist Punk Rock……………..…………….. 157 6. “A Race Riot Did Happen!:” Queer Punks of Color Raising Their Voices ..……………..………… ………….. 207 7. “WE R LA FUCKEN RAZA SO DON’T EVEN FUCKEN DARE:” Anger, and the Politics of Jouissance ……….………………………….…………. -
The Recording Academy® Producers & Engineers Wing® to Present Grammy® Soundtable— “Sonic Imprints: Songs That Changed My Life” at 129Th Aes Convention
® The Recording Academy Producers & Engineers Wing 3030 Olympic Boulevard • Santa Monica, CA 90404 E-mail: p&[email protected] THE RECORDING ACADEMY® PRODUCERS & ENGINEERS WING® TO PRESENT GRAMMY® SOUNDTABLE— “SONIC IMPRINTS: SONGS THAT CHANGED MY LIFE” TH AT 129 AES CONVENTION Diverse Group of High Profile Producer and Engineers Will Gather Saturday Nov. 6 at 2:30PM in Room 134 To Dissect Songs That Have Left An Indelible Mark SANTA MONICA, Calif. (Oct. 15, 2010) — Some songs are hits, some we just love, and some have changed our lives. For the GRAMMY SoundTable titled “Sonic Imprints: Songs That Changed My Life,” on Saturday, Nov. 6 at 2:30PM in Room 134, a select group of producer/engineers will break down the DNA of their favorite tracks and explain what moved them, what grabbed them, and why these songs left a life long impression. Moderated by Sylvia Massy, (Prince, Johnny Cash, Sublime) and featuring panelists Joe Barresi (Bad Religion, Queens of the Stone Age, Tool), Jimmy Douglass (Justin Timberlake, Jay Z, John Legend), Nathaniel Kunkel (Lyle Lovett, Everclear, James Taylor) and others, this event is sure to be lively, fun, and inspirational.. More Participant Information (other panelists TBA): Sylvia Massy broke into the big time with 1993's “Undertow” by Los Angeles rock band Tool, and went on to engineer for a diverse group of artists including Aerosmith, Babyface, Big Daddy Kane, The Black Crowes, Bobby Brown, Prince, Julio Iglesias, Seal, Skunk Anansie, and Paula Abdul, among many others. Massy also engineered and mixed projects with producer Rick Rubin, including Johnny Cash's “Unchained” album which won a GRAMMY award for Best Country Album. -
To Gay Marriage by LISA KEEN Stars Page 22 KEEN NEWS SERVICE
THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 April 8, 2009 • vol 24 no 28 www.WindyCityMediaGroup.com Iowa says ‘I Do’ Chicago Red to gay marriage BY LISA KEEN Stars page 22 KEEN NEWS SERVICE In an enormous victory for equal marriage rights for gay couples, the Iowa Supreme Court ruled unanimously April 3 that gay couples should have the right to marriage licenses the same as heterosexual couples. The decision represents the first time a state supreme court has ruled unanimously in favor of equal marriage rights for gay couples, and it is the first time a state in America’s “heartland” has done so. The decision, which goes into ef- fect in 21 days, will make Iowa the third state to TrueChild be currently offering marriage licenses to same- sex couples. Cook-Off page 7 “We are firmly convinced the exclusion of gay and lesbian people from the institution of civil marriage does not substantially further any im- portant government objective,” wrote Justice Mark Cady, for the seven-member court. “The legislature has [with its 1998 law banning mar- riage] excluded a historically disfavored class of persons from a supremely important civil insti- tution without a constitutionally sufficient jus- tification.” The court said the law violated the state con- stitution’s guarantee of equal protection of the South by law and that the court’s own constitutional duty “requires” it to strike the law down. Southwest page 16 Noting that other supreme courts have al- lowed legislatures to provide “equal benefits” of Ingrid Olson (left) and Reva Evans of Council Bluffs, Iowa, talk with news reporters April 3 after marriage through civil unions, the Iowa court that state’s supreme court ruled unanimously in favor of same-sex marriage. -
LGBTQ Role Models & Symbols
LGBTQ ROLE MODELS & SYMBOLS lgbtq Role Models Advocacy 4 Education 28 Stella Christie-Cooke Costa Kasimos Denise Cole Susan Rose Nancy Ruth Math & Science 31 Arts & Entertainment 9 Rachel Carson Trey Anthony Magnus Hirschfeld Jacinda Beals Alan Turing Georgina Beyer Leon Chisholm Religion 35 Portia DeGeneres Rev. Dr. Brent Hawkes, Christopher House C.M. Robert Joy Jane Lynch Sports 37 Greg Malone Rick Mercer John Amaechi Seamus O’Regan Martina Navratilova Gerry Rogers Mark Tewksbury Tommy Sexton Lucas Silveira Wanda Sykes This section includes profiles of a number of people who are active locally and nationally, or who have made contributions to history, or who are well-known personalities. Many have links to Newfoundland and Labrador. Public figures who are open about being members of the LGBTQ communities help to raise awareness of LGBTQ issues and foster acceptance in the general population. AdvocAcy Stella returned to Happy Valley-Goose Bay at the beginning of her career as a social worker in 2007. It soon became very clear to her that, despite Canada’s progress in legally recognizing the rights of queer individuals, there continued to be many gaps in the system and many individuals continued to struggle with a sense of isolation. Identifying as a queer person of Aboriginal ancestry, Stella continued to experience this first hand. Witnessing the impact this was having on her community, she became very motivated to bring others together to help address these gaps and create a sense of unity b. April 23, 1984 throughout Labrador. In 2009, Stella co-founded Labrador’s Safe Alliance, a group focused Stella Christie-Cooke was born in Winnipeg, on providing support and Manitoba. -
The Art Worlds of Punk-Inspired Feminist Networks
! The Art Worlds of Punk-Inspired Feminist Networks ! ! ! ! ! ! A social network analysis of the Ladyfest feminist music and cultural movement in the UK ! ! ! ! ! ! A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities ! ! ! 2014 ! ! Susan O’Shea ! ! School of Social Sciences ! ! Chapter One Whose music is it anyway? 1.1. Introduction 12 1.2. Ladyfest, Riot Girl and Girls Rock camps 14 1.2.1. Ladyfest 14 1.2.2. Riot Grrrl 16 1.2.3. Girls Rock camps 17 1.3. Choosing art worlds 17 1.4. The evidence: women’s participation in music 20 1.5. From the personal to the political 22 1.6. Thesis structure 25 Chapter Two The dynamics of feminist cultural production 2.1. Introduction 27 2.2. Art Worlds and Becker’s approach 29 2.3. Punk, Riot Grrrl and Ladyfest 32 2.3.1. Punk 33 2.3.2. Riot Grrrl 34 2.3.3. Ladyfest 40 2.4. The political economy of cultural production 41 2.5. Social movements, social networks and music 43 2.6. Women in music and art and the translocal nature of action 48 2.6.1. Translocality 50 2.7. Festivals as networked research sites 52 2.8. Conclusion 54 Chapter Three Methodology 3.1. Introduction 56 !2 ! 3.2. Operationalising Art Worlds, research aims and questions 57 3.3. Research philosophy 58 3.4. Concepts and terminology 63 3.5. Mixed methods 64 3.6. Ethics 66 3.6.1. Ethics review 68 3.6.2. -
AMS/SMT Milwaukee 2014 Abstracts Thursday Afternoon
AMS/SMT American Musicological Society Society for Music Theory Program & Abstracts & Abstracts Program 2014 Milwaukee Milwaukee 6-9 November 2014 Abstracts g Abstracts of Papers Read at the American Musicological Society Eightieth Annual Meeting and the Society for Music Theory Thirty-seventh Annual Meeting 6–9 November 14 Hilton Hotel and Wisconsin Center Milwaukee, Wisconsin g AMS/SMT 2014 Annual Meeting Edited by Judy Lochhead and Richard Will Chairs, 14 SMT and AMS Program Committee Local Arrangements Committee Mitchell Brauner, Chair, Judith Kuhn, Rebecca Littman, Timothy Miller, Timothy Noonan, Gillian Rodger Performance Committee Catherine Gordon-Seifert, Chair, Mitchell Brauner, ex officio, David Dolata, Steve Swayne Program Committees AMS: Richard Will, Chair, Suzanne Cusick, Daniel Goldmark, Heather Hadlock, Beth E. Levy, Ryan Minor, Alejandro Planchart SMT: Judy Lochhead, Chair, Poundie Burstein, ex officio, Michael Klein, Sherry Lee, Alexander Rehding, Adam Ricci, Leigh VanHandel The AMS would like to thank the following people and organizations for their generous support: Calvary Presbyterian Church, Milwaukee Joan Parsley Charles Sullivan and Early Music Now Milwaukee Symphony Orchestra University of Wisconsin-Milwaukee Program and Abstracts of Papers Read (ISSN 9-1) is published annually for the An- nual Meeting of the American Musicological Society and the Society for Music Theory, where one copy is distributed to attendees free of charge. Additional copies may be purchased from the American Musicological Society for $1. per copy plus $. U.S. shipping and handling (add $. shipping for each additional copy). For international orders, please contact the American Musicological Society for shipping prices: AMS, 61 College Station, Brunswick ME 411-41 (e-mail [email protected]). -
Louisa Rachel Solomon
Louisa Rachel Solomon Louisa Rachel Solomon is the lead singer of The Shondes, an indie punk band from Brooklyn, NY. Solomon is known for being a Jewish musician who is outspoken about opposing the occupation of Palestine. She is best known for her emotional live performance, and has been called "a front-woman to fear and fall in love with.". Peter Ames Carlin said The Garden features "better-stand-back vocals from Louisa Solomon, who has one of the biggest voices in pop music.". Complete your Louisa Rachel Solomon record collection. Discover Louisa Rachel Solomon's full discography. Shop new and used Vinyl and CDs. If you would like to browse in a different language, please choose a language using the dropdown. Deutsch English Español Français Italiano 日本語. Louisa Rachel Solomon. Edit Artist. Add An Image. Louisa Rachel Solomon. Variations: Viewing All | Louisa Rachel Solomon. Louisa Rachel Solomon is the lead singer of The Shondes, an indie punk band from Brooklyn, NY. Solomon is known for being a Jewish musician[1] who is outspoken about opposing the occupation of Palestine.[2][3][4][5][6][7] She is best known for her emotional live performance, and has been called "a front-woman to fear and fall in love with."[8]. For faster navigation, this Iframe is preloading the Wikiwand page for Louisa Rachel Solomon. Home. News. Louisa Rachel Solomon is the lead singer of The Shondes, an indie punk band from Brooklyn, NY. Solomon is outspoken about being a Jewish musician and opposing the occupation of Palestine. -
COMING out on DECEMBER 9, 2014 New Releases from ADELIT@S/KOHOSH • BLOOD FARMERS RAJOITUS/RATSTAB • CAVES • DOE BIG WOW • TROPHY WIFE • the SHRINE
COMING OUT ON DECEMBER 9, 2014 new releases from ADELIT@S/KOHOSH • BLOOD FARMERS RAJOITUS/RATSTAB • CAVES • DOE BIG WOW • TROPHY WIFE • THE SHRINE Exclusively Distributed by ADELIT@S/KOHOSH Split, LP STREET DATE: DECEMBER 9, 2014 INFORMATION: Artist Hometown: ADELIT@S-- Portland, OR; KOHOSH—Seattle, WA Key Markets: Seattle, Portland, Vancouver BC, San Francisco, Los Angeles, San Diego, Tijuana, Germany, France, Netherlands, Denmark, Sweden For Fans of: CRASS, CONFLICT, LOST WORLD, LOS CRUDOS, POST REGIMENT, CONTROPOTERE, SKARP, AGATHA, GARMONBOZIA, ARCANE, OLD CITY, INVERSION, CREOSOTE The split features five new tracks of blazing anarcho-punk from Portland’s ADELIT@S, who are picking up right where their Llama Viva de la Rabia LP (released on Aborted Society in 2012) left off. Energetic, melodic, and tuneful punk with politically charged dual female/male vocals sung in Spanish. ARTIST: ADELIT@S/KOHOSH Incorporating some of their Latin folk influence, these tracks are punchier and more hardcore than TITLE: Split earlier efforts. Recorded by Stan Wright at Buzz or Howl Studios in Portland, OR. LABEL: Aborted Society CAT#: ABSOC031-1 A progressive six-piece from Seattle, KOHOSH brings three tracks of inventive crust that equally harkens FORMAT: LP to 80’s peace punk as much as it does to the more melodic side of the 90’s European anarchopunk GENRE: Punk, Latin, Crust, Melodic Hardcore, sound. Dual guitars weave in and out of fast and mid-tempo passages accompanied with cello and Anarchopunk harmonized female/male vocals. Recorded by Brandon Fitzsimons at Airport Grocery Studio in Seattle, BOX LOT: 50 WA. Both sides were mastered by Dan Randall at Mammoth Sound in Oakland, CA. -
07-072707.Compressed.Pdf
,-2:~;::1:~~-~":"i" - HIV Positive? ~ If you or someone you know is living with HIV and not responding to current therapy; you ay be eligible to participate in a research study of an investigational oral medication. Study medication will be provided at no cost to you. Payment for transportation and childcare expenses will be provided. If you are: Older than 16 years of age; and Not responding to current HIV treatment o learn more about whether you may be eligible to participate in this study, lease contact: r. James Bromley hone: 210-732-5100 In addition to being an incredibly successful artist, Annie is a celebrated activist and humanitarian. The new album features the soaring and powerful feminist anthem 'Sing' , born out of Annie's involve- ment with Nelson Mandela's 46664 and Treatment Action Campaign (TAC) - organizations fighting for human rights, education and health care for those affected br the HIVAIDSvirus. The track 'Sing' fea- tures 23 0 the most recognized and successful fe- male solo artists In the world, Invited by Annie, to raise awareness and finances for TACinitiatives. In- cluded among the group are superstars such as Ma- donna, Sarah McLachlan, Celine Dion, i:>y J''WWo.'f \<.... 'S:Wi\~ Fergie, Faith Hill, Pink, emall Jimmy at: [email protected] Dido, Gladys Knight, kd Lang, An- geUque KI- djo, Bonnie Inthe wordS of MS.18uper, hersen: The True Colors Tour was conceived from my desire to give back to the com- Raitt, sna- munity for the love and support you have given me throughout my career. Through a joint program with the kira, MeUssa Human Rights Campaign-the nation's largest organization working for equality for all - as well as PFLAGand Etheridge, The Matthew Shepard Foundation, the True Colors Tour will bring together Americans across the country to Anastasia, voice their sOlidarity against discrimination and for equality and raise public awareness about the issuesfac- Joss Stone, i n g the gay, lesbian, bisexual and transgender community.