LGBTQ Role Models & Symbols
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
" We Are Family?": the Struggle for Same-Sex Spousal Recognition In
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be fmrn any type of computer printer, The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reprodudion. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e-g., maps, drawings, &arb) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to tight in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6' x 9" black and Mite photographic prints are available for any photographs or illustratims appearing in this copy for an additional charge. Contact UMI directly to order. Bell 8 Howell Information and Leaning 300 North Zeeb Road, Ann Arbor, MI 48106-1346 USA 800-521-0600 "WE ARE FAMILY'?": THE STRUGGLE FOR SAME-SEX SPOUSAL RECOGNITION IN ONTARIO AND THE CONUNDRUM OF "FAMILY" lMichelIe Kelly Owen A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Sociology and Equity Studies in Education Ontario Institute for Studies in Education of the University of Toronto Copyright by Michelle Kelly Owen 1999 National Library Bibliothiique nationale l*B of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services sewices bibliographiques 395 Wellington Street 395. -
Twentieth-Century Canadian Law, Psychiatry, and Social Activism in Relation to Pedophiles and Child Sex Offenders
Twentieth-Century Canadian Law, Psychiatry, and Social Activism in Relation to Pedophiles and Child Sex Offenders By Justin F. Smith Thesis Submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements of the MA degree in History University of Ottawa © Justin F. Smith, Ottawa, Canada, 2017 ABSTRACT Twentieth-Century Canadian Law, Psychiatry, and Social Activism in Relation to Pedophiles and Child Sex Offenders Justin Smith Supervisor: University of Ottawa Heather Murray The contemporary conflation of pedophiles and child sex offenders is a prevalent aspect of reporting in news and social media, as well as in government- sponsored efforts to prevent child sexual victimization. Throughout twentieth century Canada, however, legal experts, psychologists and psychiatrists, and social activists were recognizing the harmfulness of grouping individuals who may have a propensity to commit crime with those who have committed the most heinous of criminal acts. As early as 1938, Canadian legal experts suggested that criminal insanity was a myth, advocating for a divergence between legal punishment and psychiatric healthcare, but after World War 2 had enacted serious efforts targeting criminal sexual psychopathy. Successive Royal Commissions investigating sexual victimization and child abuse revealed that Canadian courts, jails, prisons, and remand services were unable to solely deal with the realities of child sexual victimization. Psychologists and psychiatrists of the American Psychological Association increasingly researched sex and sexuality, classifying pedophilia as a paraphilia using child sexual victimization as a diagnostic indicator and criterion. Gay liberation activists discussed inequalities posed between hetero- and homosexual ages of consent and, more rarely, thought about the total abolition of age of consent. -
Confederation and Conspiracy: an Extended Essay on Greg Malone’S Don’T Tell the Newfoundlanders]
Document generated on 09/30/2021 11:52 p.m. Newfoundland and Labrador Studies Confederation and Conspiracy An Extended Essay on Greg Malone’s Don’t Tell the Newfoundlanders Raymond B. Blake Volume 29, Number 2, Fall 2014 URI: https://id.erudit.org/iderudit/nflds29_2re01 See table of contents Publisher(s) Faculty of Arts, Memorial University ISSN 1719-1726 (print) 1715-1430 (digital) Explore this journal Cite this review Blake, R. B. (2014). Review of [Confederation and Conspiracy: An Extended Essay on Greg Malone’s Don’t Tell the Newfoundlanders]. Newfoundland and Labrador Studies, 29(2), 303–317. All rights reserved © Memorial University, 2014 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ REVIEW ESSAY Confederation and Conspiracy: An Extended Essay on Greg Malone’s Don’t Tell the Newfoundlanders RaymOND B. BlakE Greg Malone. Don’t Tell the Newfoundlanders: The True Story of Newfound- land’s Confederation with Canada. Toronto: Knopf Canada, 2012. ISBN 978-0307401335 The contemporary award-winning British folk band Mumford & Sons poses an important question for all those who venture into history searching for an abso- lute truth. They poignantly ask in one of their popular lyrics, “How can you say that your truth is better than ours?” The true story is an elusive commodity in the retelling of the past, and perhaps the best we can hope for is some version of a truth. -
Celebrate Reading at the 2018 Conference
42nd Annual Language Arts Conference Thursday, February 22nd & Friday, February 23rd Sheraton Centre Hotel, Toronto, Ontario Mary Walsh Thursday Special Opening Presentation THE FOTOGRAPHERZ Humble The Poet Laura Numeroff Thursday Luncheon Keynote Friday Breakfast Keynote JOE PASSARETTI Linden MacIntyre Candy Palmater Thursday Banquet Keynote Friday Luncheon Keynote REGISTRATION INFORMATION/FORM Celebrate Reading at the 2018 Conference SPECIAL OPENING PRESENTATION featuring Canadian icon Mary Walsh sharing Crying for The Moon: the Road to Becoming an Author Acclaimed comedian Mary Walsh is best known for her multi-Gemini-Award- winning work on CBC’s This Hour Has 22 Minutes, the long-running satiric current events program she created, and which showcases her dynamic range of hilarious characters. Outside of her work in television and film, Mary is also a respected mental health and addiction awareness advocate who shares her prior experience with alcoholism in an effort to create change in the lives of others. Mary wrote, produced and starred in the Gemini award-winning show Hatching, Matching and Dispatching, and was nominated for two Genie Awards for her performances in the feature films Crackie and New Waterford Girl. Her recent television credits include appearances on Republic of Doyle, Rookie Blue, and on HBO Canada’s Sensitive Skin, which garnered her a 2017 Canadian Screen Award nomination. Mary is also known for appearing in the films Mambo Italiano; The Divine Ryans with Pete Postlethwaite; Violet, in which she played the title role; and most recently in The Grand Seduction and Closet Monster, which were official selections at TIFF 2014 and 2015, respectively. Among her many awards and honorary doctorates, Mary is also the recipient of the Order of Canada and the Governor General’s Lifetime Achievement Award in the Performing Arts. -
Exerpt from Joey Smallwood
This painting entitled We Filled ‘Em To The Gunnells by Sheila Hollander shows what life possibly may have been like in XXX circa XXX. Fig. 3.4 499 TOPIC 6.1 Did Newfoundland make the right choice when it joined Canada in 1949? If Newfoundland had remained on its own as a country, what might be different today? 6.1 Smallwood campaigning for Confederation 6.2 Steps in the Confederation process, 1946-1949 THE CONFEDERATION PROCESS Sept. 11, 1946: The April 24, 1947: June 19, 1947: Jan. 28, 1948: March 11, 1948: Overriding National Convention The London The Ottawa The National Convention the National Convention’s opens. delegation departs. delegation departs. decides not to put decision, Britain announces confederation as an option that confederation will be on on the referendum ballot. the ballot after all. 1946 1947 1948 1949 June 3, 1948: July 22, 1948: Dec. 11, 1948: Terms March 31, 1949: April 1, 1949: Joseph R. First referendum Second referendum of Union are signed Newfoundland Smallwood and his cabinet is held. is held. between Canada officially becomes are sworn in as an interim and Newfoundland. the tenth province government until the first of Canada. provincial election can be held. 500 The Referendum Campaigns: The Confederates Despite the decision by the National Convention on The Confederate Association was well-funded, well- January 28, 1948 not to include Confederation on the organized, and had an effective island-wide network. referendum ballot, the British government announced It focused on the material advantages of confederation, on March 11 that it would be placed on the ballot as especially in terms of improved social services – family an option after all. -
Power of Attorney
Louisiana State University Law Center LSU Law Digital Commons Journal Articles Faculty Scholarship 2008 Power of Attorney Christine Corcos Louisiana State University Law Center, [email protected] Follow this and additional works at: https://digitalcommons.law.lsu.edu/faculty_scholarship Part of the Law Commons Repository Citation Corcos, Christine, "Power of Attorney" (2008). Journal Articles. 220. https://digitalcommons.law.lsu.edu/faculty_scholarship/220 This Article is brought to you for free and open access by the Faculty Scholarship at LSU Law Digital Commons. It has been accepted for inclusion in Journal Articles by an authorized administrator of LSU Law Digital Commons. For more information, please contact [email protected]. POWER OF ATTORNEY Christine A. Corcos * I. Opening Statements No doubt exists that the drama/farce 1 Ally McBeal , which ran on the Fox Television Network from 1997 to 2002 2, was a phenomenal success, at least during its middle years (1998-1999). 3 It sparked numerous fan websites in several countries 4 including one devoted to “fan fiction @5” (a genre in which devotees of a television series or film try their hands at writing scripts), various product spinoffs, 6 a series spinoff (Ally , a thirty minute version that * Associate Professor of Law, Louisiana State University Law Center. I wish to thank Darlene C. Goring, Associate Professor of Law, Louisiana State University Law Center, for her thoughtful reading of the manuscript and her cogent and helpful comments on its content and N. Greg Smith, Professor of Law, Louisiana State University Law Center, for helpful comments and discussion of ethical rules. -
The Canadian Broadcasting Corporation's Annual Report For
ANNUAL REPORT 2001-2002 Valuable Canadian Innovative Complete Creative Invigorating Trusted Complete Distinctive Relevant News People Trust Arts Sports Innovative Efficient Canadian Complete Excellence People Creative Inv Sports Efficient Culture Complete Efficien Efficient Creative Relevant Canadian Arts Renewed Excellence Relevant Peopl Canadian Culture Complete Valuable Complete Trusted Arts Excellence Culture CBC/RADIO-CANADA ANNUAL REPORT 2001-2002 2001-2002 at a Glance CONNECTING CANADIANS DISTINCTIVELY CANADIAN CBC/Radio-Canada reflects Canada to CBC/Radio-Canada informs, enlightens Canadians by bringing diverse regional and entertains Canadians with unique, and cultural perspectives into their daily high-impact programming BY, FOR and lives, in English and French, on Television, ABOUT Canadians. Radio and the Internet. • Almost 90 per cent of prime time This past year, • CBC English Television has been programming on our English and French transformed to enhance distinctiveness Television networks was Canadian. Our CBC/Radio-Canada continued and reinforce regional presence and CBC Newsworld and RDI schedules were reflection. Our audience successes over 95 per cent Canadian. to set the standard for show we have re-connected with • The monumental Canada: A People’s Canadians – almost two-thirds watched broadcasting excellence History / Le Canada : Une histoire CBC English Television each week, populaire enthralled 15 million Canadian delivering 9.4 per cent of prime time in Canada, while innovating viewers, nearly half Canada’s population. and 7.6 per cent share of all-day viewing. and taking risks to deliver • The Last Chapter / Le Dernier chapitre • Through programming renewal, we have reached close to 5 million viewers for its even greater value to reinforced CBC French Television’s role first episode. -
Famous New Brunswickers A
FAMOUS NEW BRUNSWICKERS A - C James H. Ganong co-founder ganong bros. chocolate Joseph M. Augustine native leader, historian Charles Gorman speed skater Julia Catherine Beckwith author Shawn Graham former premier Richard Bedford Bennett politician, Phyllis Grant artist philanthropist Julia Catherine Hart author Andrew Blair politician Richard Hatfield politician Winnifred Blair first miss canada Sir John Douglas Hazen politician Miller Brittain artist Jack Humphrey artist Edith Butler singer, songwriter John Peters Humphrey jurist, human Dalton Camp journalist, political rights advocate strategist I - L William "Bliss" Carman poet Kenneth Cohn Irving industrialist Hermenegilde Chiasson poet, playwright George Edwin King jurist, politician Nathan Cummings founder Pierre-Amand Landry lawyer, jurist consolidated foods (sara lee) Andrew Bonar Law statesman, british D - H prime minister Samuel "Sam" De Grasse actor Arthur LeBlanc violinist, composer Gordon "Gordie" Drillon hockey player Romeo LeBlanc politician, statesman Yvon Durelle boxing champion M Sarah Emma Edmonds union army spy Antonine Maillet author, playwright Muriel McQueen Fergusson first Anna Malenfant opera singer, woman speaker of the canadian senate composer, teacher Gilbert Finn politician Louis B. Mayer producer, co-founder Metro-Goldwyn-Mayer (born in Russia) Gilbert Ganong co-founder ganong bros. chocolate Harrison McCain co-founder mccain Louis Robichaud politician foods Daniel "Dan" Ross author Wallace McCain co-founder mccain foods -
Stars, Genres, and the Question of Constructing a Popular Anglophone Canadian Cinema in the Twenty First Century
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-20-2012 12:00 AM Fighting, Screaming, and Laughing for an Audience: Stars, Genres, and the Question of Constructing a Popular Anglophone Canadian Cinema in the Twenty First Century Sean C. Fitzpatrick The University of Western Ontario Supervisor Dr. Christopher E. Gittings The University of Western Ontario Graduate Program in Film Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Sean C. Fitzpatrick 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Film and Media Studies Commons Recommended Citation Fitzpatrick, Sean C., "Fighting, Screaming, and Laughing for an Audience: Stars, Genres, and the Question of Constructing a Popular Anglophone Canadian Cinema in the Twenty First Century" (2012). Electronic Thesis and Dissertation Repository. 784. https://ir.lib.uwo.ca/etd/784 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. FIGHTING, SCREAMING, AND LAUGHING FOR AN AUDIENCE: STARS, GENRE, AND THE QUESTION OF CONSTRUCTING A POPULAR ANGLOPHONE CANADIAN CINEMA IN THE TWENTY-FIRST CENTURY (Spine title: Fighting, Screaming, and Laughing for an Audience) (Thesis format: Monograph OR Integrated-Article) by Sean Fitzpatrick Graduate Program in Film Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Sean Fitzpatrick 2012 THE UNIVERSITY OF WESTERN ONTARIO School of Graduate and Postdoctoral Studies CERTIFICATE OF EXAMINATION Supervisor Examiners ______________________________ ______________________________ Dr. -
1976-77-Annual-Report.Pdf
TheCanada Council Members Michelle Tisseyre Elizabeth Yeigh Gertrude Laing John James MacDonaId Audrey Thomas Mavor Moore (Chairman) (resigned March 21, (until September 1976) (Member of the Michel Bélanger 1977) Gilles Tremblay Council) (Vice-Chairman) Eric McLean Anna Wyman Robert Rivard Nini Baird Mavor Moore (until September 1976) (Member of the David Owen Carrigan Roland Parenteau Rudy Wiebe Council) (from May 26,1977) Paul B. Park John Wood Dorothy Corrigan John C. Parkin Advisory Academic Pane1 Guita Falardeau Christopher Pratt Milan V. Dimic Claude Lévesque John W. Grace Robert Rivard (Chairman) Robert Law McDougall Marjorie Johnston Thomas Symons Richard Salisbury Romain Paquette Douglas T. Kenny Norman Ward (Vice-Chairman) James Russell Eva Kushner Ronald J. Burke Laurent Santerre Investment Committee Jean Burnet Edward F. Sheffield Frank E. Case Allan Hockin William H. R. Charles Mary J. Wright (Chairman) Gertrude Laing J. C. Courtney Douglas T. Kenny Michel Bélanger Raymond Primeau Louise Dechêne (Member of the Gérard Dion Council) Advisory Arts Pane1 Harry C. Eastman Eva Kushner Robert Creech John Hirsch John E. Flint (Member of the (Chairman) (until September 1976) Jack Graham Council) Albert Millaire Gary Karr Renée Legris (Vice-Chairman) Jean-Pierre Lefebvre Executive Committee for the Bruno Bobak Jacqueline Lemieux- Canadian Commission for Unesco (until September 1976) Lope2 John Boyle Phyllis Mailing L. H. Cragg Napoléon LeBlanc Jacques Brault Ray Michal (Chairman) Paul B. Park Roch Carrier John Neville Vianney Décarie Lucien Perras Joe Fafard Michael Ondaatje (Vice-Chairman) John Roberts Bruce Ferguson P. K. Page Jacques Asselin Céline Saint-Pierre Suzanne Garceau Richard Rutherford Paul Bélanger Charles Lussier (until August 1976) Michael Snow Bert E. -
Number One Combo·
• • viSion and Radio Artists (ACTRA) cast John Blanchard's everyone seemed to agree that the pro dUction had gone remarkably well. Pro dUction manager Andrea Shaw agreed Cod co that working on this production in volved quite a mind-shift for many in volved; both for the in-house members who worked with outsiders and vice versa. The greatest problems of the pro duction seem to have been technical ones. According to producer Michael Donovan, much of the in-house equip hey keep rolling out in Newfound ment which was available at CBe land like there's no tomorrow - that OJ studiOS in Halifax was 'State of the Ark' c Tspecial brand of dow n-home, rauc in vintage. This created certain difficul- ous, irreverent, .sometimes raunchy ties and some equipment, such as all the humour that never lets anyone or any broadcast Beta equipment, had to be thing off the hook. Like fish and brewis rented in central Canada. or seal flippers and cod's tongues it The producers did not eschew bring seems to be a special North Atlantic ing in people from outside when the elixir that the people of the rock can't .9 production values of the show dictated live without. Whether it's the wild an 2 it. The director of the show was John a. Blanchard from Vancouver. HIS past ex- tics of the Mummers, or Codco, or the • Andy Jones, Cathy Jones, Greg Malore, Tommy Sexton and Mary Walsh in Codco outrageous social parody of Faustus perience with SCTV gave him the kind Bidgood or Dolly Cake there seems to terms of future Maritime programming. -
LGBTQ Role Models & Symbols
New Brunswick LGBTQ Inclusive Education Resource LGBTQ ROLE MODELS & SYMBOLS lgbtq Role Models trey anthony Liz Matheson Ashley Arrowsmith Kathy McCormack Sébastien Bezeau Colin McCready Alexandre Coholan Marie-Hélène Michaud Aaron Cosgrove Sarah Nesbitt Gail Costello Peter Papoulidis Danderson Sarah Payne Alexi Desjardins Yves Pelletier Sarah Doiron Stella Raven Pierre-André Doucet Tracey Rickards Leanne Fitch Bill Ryan John Fletcher Bruce Ryan Karla Gillis Allan Sabattis Derek Hannon Chantale Thanh Laplante Brent Hawkes Adam Thériault El-Farouk Khaki Crystine Thériault Michelle Leard John Thériault Beth Lyons Kyle Wedge Michael Lyons Matt K. Williston Meredith Martell trey is the first Black Canadian Toronto 2010. She has spoken at woman to write and produce a Canada Revenue, Stats Canada, GE television show on a major prime Canada, and numerous universities time Canadian network. She is a and schools in the U.S and Canada. former television producer for the Trey has recently been named a Women’s Television Network (now W) Bell Media fellow, which recognizes and a writer for the Comedy Network emerging television producers and and CTV. She was also the executive their contribution to Canadian producer of the Urban Women’s media. She was chosen as one of the Comedy Festival, dat girl, sho is funny! participants to the highly competitive She co-wrote, I Am Not a Dinner Mint, Bell Media Producer accelerator’s lab, The Crap Women Swallow to Stay in a over 195 applicants were received and Relationship!, which debuted in 2006 trey was 1 of eight participants chosen to sold-out audiences. Following in in March 2014, which led her to be an the line of successful theatre plays invited participant at the World Media came, Secrets of a Black Boy, (the male Festival 2014.