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Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media
Documentation of the Prix Ars Electronica 2021 Lavishly illustrated and containing texts by the prize-winning artists and statements by the juries that singled them out for recognition, this catalog showcases the works honored by the Prix Ars Electronica 2021. The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette. Ever CyberArts 2021 since its inception in 1987, the Prix Ars Electronica has been honoring creativity and inno- vativeness in the use of digital media. This year, experts from all over the world evaluated Prix Ars Electronica S+T+ARTS 3,158 submissions from 86 countries in four categories: Computer Animation, Artificial Intelligence & Life Art, Digital Musics & Sound Art, and the u19–create your world com - Prize ’21 petition for young people. The volume also provides insights into the achievements of the winners of the Isao Tomita Special Prize and the Ars Electronica Award for Digital Humanity. ars.electronica.art/prix STARTS Prize ’21 STARTS (= Science + Technology + Arts) is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity 21 ’ and innovation at the intersection of science and technology with the arts. The STARTS Prize ‘21 of the European Commission was launched by Ars Electronica, BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence, and the Frankfurt Book Fair. This Prize catalog presents the winners of the European Commission’s two Grand Prizes, which honor Innovation in Technology, Industry and Society stimulated by the Arts, and more of the STARTS Prize ‘21 highlights. -
THE SHOWRUNNER Frankie Thomas
ATLENGTHMAG.COM 1 THE SHOWRUNNER Frankie Thomas Roger hates open casting calls, but the network is being a pain in the ass about casting “real kids” in the Life According to Liberty pilot. “Viewers should look at these kids and see themselves,” says the first in an increas- ingly inane series of memos. “Avoid overly polished child-star types.” They use the words “fresh,” “natural,” “organic,” and “raw” so often, you’d think they really just want to open a restaurant in Silverlake. Roger hates a lot of things—rush hour traffic, the 405 any time of day, people who mispronounce “Hermès,” the smoking ban in restaurants, most of America east of the Harbor Freeway—but he especially resents wast- ing a workday on an open call, because, for the most part, he doesn’t hate his job. He does it damn well, too: if you have kids, they’ve probably clocked half their lives watching his shows. Superpants? That was him. Second String, Friendship Heights, Passing for Paranormal—all Roger Knox productions. It’s thanks to your kids that Roger owns a penthouse in the Hills, drives a black Maserati, wears a different suit every day (Armani, Zegna, Tom Ford, YSL, maybe breaking out the Hugo Boss when he doesn’t mind looking like a slob), and gets his shoes shined once a week even though he doesn’t walk enough to scuff them. He’s been here long enough that he no longer feels like he’s evading when people ask him where he’s from and he answers, “Hollywood.” At the casting call, though, Roger is forced to interact with people who aren’t from Hollywood, people who even smell like the real world—babies, church basements, cafeterias, grocery-store shampoos. -
LGBTQ Role Models & Symbols
LGBTQ ROLE MODELS & SYMBOLS lgbtq Role Models Advocacy 4 Education 28 Stella Christie-Cooke Costa Kasimos Denise Cole Susan Rose Nancy Ruth Math & Science 31 Arts & Entertainment 9 Rachel Carson Trey Anthony Magnus Hirschfeld Jacinda Beals Alan Turing Georgina Beyer Leon Chisholm Religion 35 Portia DeGeneres Rev. Dr. Brent Hawkes, Christopher House C.M. Robert Joy Jane Lynch Sports 37 Greg Malone Rick Mercer John Amaechi Seamus O’Regan Martina Navratilova Gerry Rogers Mark Tewksbury Tommy Sexton Lucas Silveira Wanda Sykes This section includes profiles of a number of people who are active locally and nationally, or who have made contributions to history, or who are well-known personalities. Many have links to Newfoundland and Labrador. Public figures who are open about being members of the LGBTQ communities help to raise awareness of LGBTQ issues and foster acceptance in the general population. AdvocAcy Stella returned to Happy Valley-Goose Bay at the beginning of her career as a social worker in 2007. It soon became very clear to her that, despite Canada’s progress in legally recognizing the rights of queer individuals, there continued to be many gaps in the system and many individuals continued to struggle with a sense of isolation. Identifying as a queer person of Aboriginal ancestry, Stella continued to experience this first hand. Witnessing the impact this was having on her community, she became very motivated to bring others together to help address these gaps and create a sense of unity b. April 23, 1984 throughout Labrador. In 2009, Stella co-founded Labrador’s Safe Alliance, a group focused Stella Christie-Cooke was born in Winnipeg, on providing support and Manitoba. -
"Rainbow Connections" by Wade Bradford to Jim Henson Scene
"Rainbow Connections" by Wade Bradford To Jim Henson Scene One: The Yellow Group enters. They sing: “You Are My Sunshine.” After the song, Emma steps forward. Song: “Walking On Sunshine” Emma singing the first part. Katy singing a verse. The ENTIRE CAST enters and dances/sings during the last portion of the song. Scene Two: Liam plays part of Rainbow Connection on his guitar. Matthew is fishing. Fiona is reading a book. Little Frog enters. (Ribbit, ribbit, ribbit.) FIONA: Look. It’s a little lost frog. FROG: Mama? MATT: It’s a little lost talking frog. Bid deal. (Goes back to fishing.) FIONA: Hi there. Don’t be afraid. Do you need help little frog? FROG: I want my mama. FIONA: He needs to find his Mama. MATT: So? FIONA: We have to help him. MATT: But I’m busy. Can’t you tell the fish are jumping? (Fish jump.) FIONA: Don’t be so selfish, Matthew! MATT: Don’t be so annoying, Fiona! Wow, this one’s a fighter! FIONA: If I help you catch your fish, will you help me find the little frog’s mother? MATT: (Being pulled by the fish.) I don’t need any help! FIONA: Well, I guess it’s just you and me, little frog. 1 MATT: Okay, okay! Help me! Fiona helps Matt pull the fishing line in. They have a toy/plush stuffed Nemo on the line. MATT: Hey! We found Nemo! FIONA: Just let the poor thing go. This little frog’s mama must be worried sick. MATT: But how are we supposed to find his home? FIONA: I think he must live in the marsh, MATT: Where? FIONA: Over there. -
Riot Acts: Flaunting Gender Deviance in Music Performance
RIOT ACTS: FLAUNTING GENDER DEVIANCE IN MUSIC PERFORMANCE A documentary by Madsen Minax 72 Minutes Video, Color, USA, 2009 Contact: Vanessa Domico Phone: 917.520.7392 vdomico@outcast‐films.com 1 RIOT ACTS: FLAUNTING GENDER DEVIANCE IN MUSIC PERFORMANCE Festival Screenings Awards Jury Award: Best Documentary Feature Reeling Lesbian & Gay International Film Festival Audience Choice Award: Best Documentary Feature Reeling Lesbian & Gay International Film Festival Audience Award Park City Music and Film Festival Park City, Utah Philadelphia Independent Film Frameline: San Francisco’s International LGBT Film Festival London Lesbian and Gay Film Festival Out On Screen Vancouver Queer Film Festival Reeling Gay and Lesbian Film Festival Chicago International Movies and Music Festival SENE Film, Music & Arts Festival Boston LGBT Film Festival BostonIdapalooza Music Festival Seattle Transgender Film Festival MIX Mexico LGBT Film Festival Sacramento Film and Music Festival International Youth Film Festival Queer Lisboa Film Festival 2 RIOT ACTS: FLAUNTING GENDER DEVIANCE IN MUSIC PERFORMANCE Short Synopsis Riot Acts is a ‘trans‐fabulous’ rockumentary representing the multi‐dimensional lives of transgender and gender variant musicians. A first‐hand perspective of the intersections between gender performance and stage performance, Riot Acts suggests that identities and bodies are undeniably political, and the journey within a trans experience isn't always one of tragedy, but one of creativity and joy. Long synopsis Representing the whole lives of transgender and gender variant musicians, each story is one of a journey in progress through a first‐hand perspective of the intersections between gender performance and stage performance. The feature documentary Riot Acts: Flaunting Gender Deviance in Music Performance will allow a venue for a particular niche of trans existence to be revealed and celebrated. -
Jack Canfield & Paul Cawley
PAUL CAWLEY Paul Cawley is an entrepreneur, speaker, and author, who has been involved in various businesses including martial arts studios, real estate brokerage, appraisal, JACK CANFIELD mortgage, title, investing, as well as consulting, and publishing. He describes himself as a lifetime learner, one who is constantly seeking new ways to improve DAVID GOODMAN KELLY SMITH PARKER himself, and pass this knowledge onto his clients. STEPHEN RICHES CRAIG HAGEN This is accomplished through learning from the best leaders in respective fields, and DR. TONY BOGGESS CHRISTINE SPRAY using his own personal experiences in business and the self-improvement field. In STEVEN DIADOO DR. TAMIERA HARRIS addition to the conscious relay of information, he also utilizes his experience as a certified instructor for the National Guild of Hypnotists to install this new information on a deep subconscious level of understanding JENNIFER BAKER JUDY KOSEDA to the client, to take them from where there are now, to where they want to be. To take a road trip to Success, we will need a ANTONIO GAGNON PAUL CAWLEY destination as well as a GPS. Success is described Thru the information contained in his chapter, you will learn the principles he utilized to go from a frail here as the achievement of a goal. The goals we adopt SHAHRAM GHANBARI ELMER DAVIS, JR. kid to becoming not only fit, but attaining a master level black belt rank in karate and opening his own may be the result of experience, vision or desire. They KEN NUNN,ESQ DR. NICOLA BROWN karate studios. Then parlaying that early success to much larger and successful business and personal crystallize our desire to get to a better place. -
Dissertation June 14
LISTENING BACKWARD LISTENING BACKWARD: QUEER TIME AND RHYTHM IN POPULAR MUSIC PERFORMANCE By CRAIG JENNEX, BA (Hons.), MA A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy McMaster University © Copyright by Craig Jennex, May 2017 McMaster University DOCTOR OF PHILOSOPHY (2017) Hamilton, Ontario (English and Cultural Studies) TITLE: Listening Backward: Queer Time and Rhythm in Popular Music Performance AUTHOR: Craig Jennex, BA (Dalhousie University), MA (McMaster University) SUPERVISOR: Dr. Susan Fast NUMBER OF PAGES: ix, 314 !ii ABSTRACT Listening to music has the capacity to connect us with others. In a society structured by the stultifying logic of heteronormativity, patriarchy, white supremacy, and neoliberalism —ideals that usher all of us into normative and limiting modes of relations—musical listening serves as a bastion of collective queer potential. Music can enhance queer collectivity particularly when it offers us experiences of non-normative temporality. In this dissertation, I argue for a form of music participation that I call listening backward: the act of listening closely and collectively to past musical moments in which alternative worlds were once possible. This form of listening, I argue, encourages resistance to normative signifiers of progressive linear temporality and interrogates notions of progress in both musical sound and society more broadly. Listening backward is important for building queer collectives—in the present and for the future—that can develop and sustain coalitions and resist homonormative impulses and neoliberal claims of individuality and competition. In this dissertation I analyze a variety of music performances that vary in their genre markers, the historical moments from which they come, and the forms of participation they encourage. -
Colouring with Pride Day of Pink Launched Summer 2021 CREATOR's NOTE
Intl Day of Pink Presents COLOURING 4th WITH ON ITI ED PRIDE 12 trans and queer Canadians you SHOULD know A R T : R O N C R E P I N E D I T E D : J E R E M Y D I A S Colouring with Pride Day of Pink Launched Summer 2021 CREATOR'S NOTE Since launching the first edition we continue to be inspired by trans and queer people in Canada. Thank you to all those who nominated this new set of heros who continue to create safer and more inclusive spaces. We also want you to know that this book is not done. We will be creating more, so please reach out, send us your ideas and names of folks you wanna see featured! Learn more about the Day of Pink at: DayOfPink.org Thank you, Ron Crepin & Jeremy Dias Lucas is a passionate public speaker who Lucas Silveira addresses issues affecting the transgender and LGBTQ2SI community, his journey as a trans T R A I L B L A Z E R identified musician in the mainstream music industry, mental health, spirituality, healing Lucas Silveira is best known as the frontman for trauma, and the revolutionary power in the the Canadian rock band, The Cliks. practice of self-love. Silveira rose to fame in 2007 by becoming the first Lucas is currently writing a memoir, an illustrated out of transgender man to be signed to a major children’s book based on trans identities label record deal with Warner Music/Tommy Boy and recording a solo album. -
Geocaching: a Diary of Unrequited Enterprise
NEWS: CONSUMER MAGAZINE RETURNING HOME THE CALCIUM CURSE ISSUE 21 Is New Zealand’s icon of consumer Heading back to the parents’ place How China can have its milk, and September 1, 2014 protection hopelessly compromised? takes years off – in no time you'll find drink it too. Flawless kiwi milk, critic.co.nz PAGE 16 yourself a 16-year-old again. PAGE 18 if you please. PAGE 26 GEOCACHING: A DIARY OF UNREQUITED ENTERPRISE An exploration of a phenomenal international community treasure hunt. But is the activity as rewarding as it seems? Pg22 ISSUE 21 September 1, 2014 NEWS & OPINION FEATURES CULTURE ABOVE: From “The Calcium 18 | CONSUMER MAGAZINE 18 | RETURNING HOME 30 | FILM Curse” Forget anti-aging creams, just return to your parents’ home – it – iS NEW ZEALANd’S ICON 32 | FOOD Illustration: takes years off. Too many. Young adults that have left the nest OF CONSUMER PROTECTION 33 | ART Daniel Blackball HOPELESSLY COMPROMISED? quickly become 16 again, travelling through time to the location of their past and an onslaught of taboo about love and careers. 34 | MUSIC Consumer New Zealand has long had COVER: 36 | BOOKS a reputation as the guardian of the By Loulou Callister-Baker From New Zealand Consumer. Active since 37 | GAMES "Geocaching” 1959, they claim they are “dedicated 22 | GEOCACHING: 43 | TOO MUCH SCREENS Illustration: to getting New Zealanders a better Daniel Blackball deal.” However, the recent introduction A DIARY OF UNREQUITED ENTERPRISE 46 | LOVE IS BLIND Children often like to draw maps and mark an X on the spot where of new payment schemes has they want to find treasure. -
The Sounds of Queer Justice
The Queer Sounds of Justice: Contemporary Queer Musicking and Transformative Justice in The United States S.M. Gray Submitted in Partial Fulfillment of the Prerequisite for Honors in Peace and Justice Studies Program April 2012 © 2012, S.M. Gray Table of Contents Acknowledgements _____________________________________ i Introduction: Terminology, Process, and Construction of Narrative ___________________________________________ 1 1. Girlyman’s “Young James Dean”: A Tribute to the Pioneers of the Women’s Music movement__________________ 24 2. Positionality and Activism within Musicking: The Women’s Music movement of 1988__________________________35 3. From Ani DiFranco to Coyote Grace: A Queer and Feminist Blender of Politics, Gender, Genre, Sex, and Desire_______49 4. The Muses of Mustached ElectroLovers: Homos and Queer Punks, Angry Grrrl Feminists, and Lesbionic Dykes____________65 5. Contemporary Queer and Trans(Feminist) Musicking: Technology, Embodiment, Temporality, and Intersectionality__________91 Conclusion: Queer Musicking and A Broader Transformative Justice Framework______________________________117 Bibliography__________________________________________137 Acknowledgements I am so excited to finally be sharing my year-long endeavors with colleagues, friends, and family. It has been a long journey, and I am so grateful to all of you who have helped me along the way. Thank you so much to all of the musicians who have been so supportive through this process: the members of Girlyman, Coyote Grace, Katastrophe, Athens Boys Choir, Grygiel, The Shondes, Lovers, Des Ark, MC Micah, Kera Washington and Zili Musik, and Schmekel. I have been so inspired and supported by all of you through my research, and have learned so much from all of you. Thank you for sharing your sounds and stories with the world. I want to extend a huge thank you to Larry Rosenwald for his calming demeanor, quiet support, outgoing intellectualism, and laidback deadlines. -
Emhs 9Th Summer Reading 1
Annotation Directions: EMHS 9TH SUMMER READING 1. Make a point of underlining the two most important ideas in each “column” of reading. Each year, students at EMHS do summer reading. You can underline a single phrase or a couple Reading over the summer keeps one’s mind “awake” of sentences, but please choose your selections and provides your class with an immediate platform carefully. to work on from the first day of school. The material for this packet was selected for its subject matter and 2. Of the two ideas you underline in each column, relevance to you. select the most important one and rephrase it at the bottom of the page in your own words. Please make a point of reading all five of the articles 3. When you finish an article, review your contained in this packet. Since there are several annotations. On a separate sheet of paper, different pieces, you can break this reading up as write down the “takeaway points” for each your summer schedule allows. All articles should article—the most important ideas. be read and annotated by the first day of school. Please bring this packet with you on the first day of school. There are many online sources to further explain how to annotate a text. When you come to school on the first day, this packet should be completely read This packet should be printed out and read carefully. and annotated. In addition, you should have You should always read with a pen or pencil and use your takeaway points on a separate sheet of annotation strategies to help yourself make sense paper completed. -
A Case Study on Art in the Online Space
Poppy A Case Study on Art in the Online Space Name: Zoë Gielen Student number: u1277689 ANR: 720016 Master: Art, Media and Society Date: 24/10/’17 Supervisor: dr. P.A. Bax Second reader: dr. I.G.M. van de Ven Acknowledgements I would like to express my appreciation to Sander Bax for his endless patience, support and honest feedback during the process of writing my master thesis. I would also like to thank him for being a great ‘dad’ to all us Art, Media & Society kids, throughout the premaster and the master. I would like to express my appreciation to all the Art, Media & Society lecturers for the refreshing new perspectives and passionate discussions. I would like to thank my parents for always believing in me, supporting me and giving me the opportunity to do what I love. I would like to thank my sister, my partner and my friends for always telling me everything is going to be alright and for convincing me to pursue my Master’s degree. Abstract This thesis examines the artistic and discursive strategies that young artists can use to contribute to the public debate in the context of capitalist and neoliberal society, by means of their media presence and artistic work. Starting from a theoretical framework, the work of two young artists in the online space is analysed. 2 Table of contents Introduction 4 1. Theoretical framework 7 1.1. Media & neoliberalism 7 1.1.1. Television 8 1.1.2. New media 10 1.2. Public intellectual & celebrity 12 1.2.1.