"Rainbow Connections" by Wade Bradford to Jim Henson Scene
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Transmedia Muppets: the Possibilities of Performer Narratives
Volume 5, Issue 2 September 2012 Transmedia Muppets: The Possibilities of Performer Narratives AARON CALBREATH-FRASIEUR, University of Nottingham ABSTRACT This article examines how the Muppets franchise engages with transmedia narratives, their stories moving fluidly between television, film, comics, the internet and more. Rather than highlight the complexity Henry Jenkins (2006), Elizabeth Evans (2011) and others associate with transmedia, an examination of the Muppets offers insight into a mechanism that allows for simpler coherent connection between texts. The Muppets’ ongoing performer narrative challenges the prevailing understanding of transmedia storytelling. As performative characters (singers, actors, performance artists), any text concerned with Muppets, even those in which they act as other characters, becomes part of an overarching Muppet narrative. A high degree of self-reflexivity further supports transmediality, as most Muppet texts contain references to that text as a performance by the Muppets. Thus the comic Muppet Robin Hood and the film Muppet Treasure Island continue the story of the Muppets as further insight is gained into the characters' personalities and ongoing performance history. Examining different iterations of the Muppets franchise illuminates the ramifications of performer narratives for transmedia storytelling. KEYWORDS Transmedia storytelling, franchise, narrative, Muppets, multi-platform For over fifty-five years the Muppets have been appearing in media texts. They began on local television but have spread across most contemporary mediums, with many of these texts part of the over-arching, ongoing Muppet story. This article explores an alternative framework for defining one form of transmedia storytelling. This model suggests a complication in the understanding of transmedia storytelling put forward by Henry Jenkins (2006) and Elizabeth Evans (2011). -
Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media
Documentation of the Prix Ars Electronica 2021 Lavishly illustrated and containing texts by the prize-winning artists and statements by the juries that singled them out for recognition, this catalog showcases the works honored by the Prix Ars Electronica 2021. The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette. Ever CyberArts 2021 since its inception in 1987, the Prix Ars Electronica has been honoring creativity and inno- vativeness in the use of digital media. This year, experts from all over the world evaluated Prix Ars Electronica S+T+ARTS 3,158 submissions from 86 countries in four categories: Computer Animation, Artificial Intelligence & Life Art, Digital Musics & Sound Art, and the u19–create your world com - Prize ’21 petition for young people. The volume also provides insights into the achievements of the winners of the Isao Tomita Special Prize and the Ars Electronica Award for Digital Humanity. ars.electronica.art/prix STARTS Prize ’21 STARTS (= Science + Technology + Arts) is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity 21 ’ and innovation at the intersection of science and technology with the arts. The STARTS Prize ‘21 of the European Commission was launched by Ars Electronica, BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence, and the Frankfurt Book Fair. This Prize catalog presents the winners of the European Commission’s two Grand Prizes, which honor Innovation in Technology, Industry and Society stimulated by the Arts, and more of the STARTS Prize ‘21 highlights. -
THE SHOWRUNNER Frankie Thomas
ATLENGTHMAG.COM 1 THE SHOWRUNNER Frankie Thomas Roger hates open casting calls, but the network is being a pain in the ass about casting “real kids” in the Life According to Liberty pilot. “Viewers should look at these kids and see themselves,” says the first in an increas- ingly inane series of memos. “Avoid overly polished child-star types.” They use the words “fresh,” “natural,” “organic,” and “raw” so often, you’d think they really just want to open a restaurant in Silverlake. Roger hates a lot of things—rush hour traffic, the 405 any time of day, people who mispronounce “Hermès,” the smoking ban in restaurants, most of America east of the Harbor Freeway—but he especially resents wast- ing a workday on an open call, because, for the most part, he doesn’t hate his job. He does it damn well, too: if you have kids, they’ve probably clocked half their lives watching his shows. Superpants? That was him. Second String, Friendship Heights, Passing for Paranormal—all Roger Knox productions. It’s thanks to your kids that Roger owns a penthouse in the Hills, drives a black Maserati, wears a different suit every day (Armani, Zegna, Tom Ford, YSL, maybe breaking out the Hugo Boss when he doesn’t mind looking like a slob), and gets his shoes shined once a week even though he doesn’t walk enough to scuff them. He’s been here long enough that he no longer feels like he’s evading when people ask him where he’s from and he answers, “Hollywood.” At the casting call, though, Roger is forced to interact with people who aren’t from Hollywood, people who even smell like the real world—babies, church basements, cafeterias, grocery-store shampoos. -
“The Rainbow Connection” “Why Are There So Many Songs About
“The Rainbow Connection” Rev. Ken McGarry at The First Church in Stoneham, Massachusetts February 21, 2021 – First Sunday in Lent Genesis 9:8-17; Mark 1:9-15 “Why are there so many songs about rainbows and what’s on the other side?” We were once asked this in song by a banjo- plucking frog named Kermit at the beginning of the Muppet Movie. Kermit’s song echoed the ballad of Dorothy Gale of Kansas who sang decades before about a place somewhere over the rainbow, where dreams come true and “trouble melts like lemon drops.” Both of these beautiful songs about rainbows were offered at the beginnings of journeys the singers would take to find something better in their lives. Kermit, along with his Muppet pals, was journeying to seek success and to make people happy in show business while staying away from the evil Doc Hopper, who was trying to capture Kermit to make him the spokesfrog of his struggling frog leg restaurant business. Dorothy was seeking a more colorful existence than she experienced in Kansas, while staying away from dog-hating Mrs. Gulch/The Wicked Witch of the West, only to find that all Dorothy ever really wanted was right in her own home. As we begin the season of Lent and our own journeys through it, our songs and stories could echo those of Dorothy and Kermit, as we, too, journey to seek better things in life while 1 staying or turning away from the more wicked things in life. And as we step forward on this journey together today, we join with Dorothy and Kermit not only in seeking something better in life, but in pondering the rainbow, which is the subject of today’s reading from the Hebrew scriptures. -
The Muppet Movie" (1979) Worksheet Mr
"The Muppet Movie" (1979) Worksheet Mr. Oncay's Drama Class - Puppetry Unit § Be sure to answer the longer questions while you are watching the movie. Do your best to circle the correct answers to the multiple-choice questions as you watch the movie. Some of them are tricky! You can only work with an elbow partner (only one other person–the person sitting next to you) or by yourself. 1. Who was Arnie? a. the agent b. the alligator c. the balloon salesperson d. the sailor 2. What was Kermit's first mode of transportation? a. a car b. a train c. a bus d. a bicycle 3. Who does Kermit meet first on his way to Hollywood? a. Miss Piggy b. Gonzo c. Fozzie d. Big Bird 4. Doc Hopper says Kermit can earn $500 how often? a. every day b. every year c. every week d. every month 5. Why did Doc Hopper chase Kermit and Fozzie almost to Hollywood? a. to hire him as a spokesfrog for fried frog's legs b. to use Kermit in a frog-jumping contest c. to tease him d. to honor him with an award 6. What patriotic song did Fozzie sing? a. God Bless America b. America, the Beautiful c. My Country 'Tis of Thee d. The Star Spangled Banner 7. Where did Fozzie get his Studebaker? a. He found it in the junkyard b. He bought it for $11.95 c. He borrowed it from his mom d. His uncle left it to him 8. Where did Kermit and Fozzie first meet Dr. -
Jack Canfield & Paul Cawley
PAUL CAWLEY Paul Cawley is an entrepreneur, speaker, and author, who has been involved in various businesses including martial arts studios, real estate brokerage, appraisal, JACK CANFIELD mortgage, title, investing, as well as consulting, and publishing. He describes himself as a lifetime learner, one who is constantly seeking new ways to improve DAVID GOODMAN KELLY SMITH PARKER himself, and pass this knowledge onto his clients. STEPHEN RICHES CRAIG HAGEN This is accomplished through learning from the best leaders in respective fields, and DR. TONY BOGGESS CHRISTINE SPRAY using his own personal experiences in business and the self-improvement field. In STEVEN DIADOO DR. TAMIERA HARRIS addition to the conscious relay of information, he also utilizes his experience as a certified instructor for the National Guild of Hypnotists to install this new information on a deep subconscious level of understanding JENNIFER BAKER JUDY KOSEDA to the client, to take them from where there are now, to where they want to be. To take a road trip to Success, we will need a ANTONIO GAGNON PAUL CAWLEY destination as well as a GPS. Success is described Thru the information contained in his chapter, you will learn the principles he utilized to go from a frail here as the achievement of a goal. The goals we adopt SHAHRAM GHANBARI ELMER DAVIS, JR. kid to becoming not only fit, but attaining a master level black belt rank in karate and opening his own may be the result of experience, vision or desire. They KEN NUNN,ESQ DR. NICOLA BROWN karate studios. Then parlaying that early success to much larger and successful business and personal crystallize our desire to get to a better place. -
“Summertime and the Livin' Is Easy. Fish Are Jumping and the Cotton Is High.” So Begins the Crowd Favorite From
“Summertime and the livin’ is easy. Fish are jumping and the cotton is high.” So begins the crowd favorite from Porgy and Bess, the award-winning jazz, or folk, opera, set deep in the South. As a child of the Mississippi Delta, mosquitoes, gnats, and all, I can close my eyes and drift back to the summers of my youth and feel the humidity and remember the earthy smell of evening showers. I am reminded of decoration days, revivals, and, of course, Vacation Bible School. It is also the time for hymn singing, summer camps, and the county fair. Relatives came to visit and the poor toiled to bring in the crops. Summertime. Toe tied to the fishing pole. Fireflies caught in a jar. Long afternoons rocking in a porch swing reading of far off places or scenarios I could only imagine. Canning jars and freshly made pies cooling on the porch. Summertime. How will your season go in this very surreal year? Living is not so easy. Strange how staying at home has become a burden. As in all of life's cycles, we need not complain about what is out of our control. Summertime also brings drownings, floods, tornadoes, and hurricanes. Fires rage. Droughts ruin. In the third chapter of Ecclesiastes, God tells us to enjoy all the seasons of our lives. They are gifts to every generation. In these verses we are reminded of the juxtaposition of good and bad, work and play, war and peace. Is your life balanced? Do you make the most of every season, understanding that without knowing the depths of despair, we can never truly experience joy? Do you have the memory of hard work resulting in a celebration of a job well done? Have you lived through turmoil only to discover the profound sense of peace that only arrives after stress? In His seasons, living is easy when we trust. -
1. Front Page 1 Layout 1
From fitness model to bodybuilder Tony DaVinci ups his training regimen Competing to be the best takes a hard physical toll • FITNESS, Page 30 DallasVoice.com DallasVoice.com/Instant-Tea Facebook.com/DallasVoice Twitter.com/DallasVoice The Premier Media Source for LGBT Texas Established 1984 | Volume 27 | Issue 11 FREE | Friday, July 30, 2010 Rockin’ Dallas Wet or dry? November vote could impact LGBT neighborhoods Liquor sales proposals could loosen election would apply to Oak restrictions, but mishmash of laws, Cliff,” she said. districts still leave some doubt She is referring to section 251.72 DAVID TAFFET | Staff Writer of the Alcoholic [email protected] Beverage Code. That regulation Dallasites may vote to allow the sale of beer states, “An au- and wine throughout the city, including one of the thorized voting largest LGBT neighborhoods, Oak Cliff, but even unit retains the if they vote yes, questions could remain on the le- status adopted gality of liquor sales in some areas. Carolyn Beck until status is Two separate proposals will be on the Novem- changed by a sub- ber ballot in Dallas. Either would loosen but not sequent election in same authorized voting unit.” eliminate the dry laws in parts of East Dallas, Section 251.73 says that results from a Justice of North Dallas including all areas of the city in Den- the Peace district election prevail against a city ton and Collin counties, West Dallas and every- election if the JP precinct is wholly contained by thing south of the Trinity River including all of the city. Oak Cliff. -
Geocaching: a Diary of Unrequited Enterprise
NEWS: CONSUMER MAGAZINE RETURNING HOME THE CALCIUM CURSE ISSUE 21 Is New Zealand’s icon of consumer Heading back to the parents’ place How China can have its milk, and September 1, 2014 protection hopelessly compromised? takes years off – in no time you'll find drink it too. Flawless kiwi milk, critic.co.nz PAGE 16 yourself a 16-year-old again. PAGE 18 if you please. PAGE 26 GEOCACHING: A DIARY OF UNREQUITED ENTERPRISE An exploration of a phenomenal international community treasure hunt. But is the activity as rewarding as it seems? Pg22 ISSUE 21 September 1, 2014 NEWS & OPINION FEATURES CULTURE ABOVE: From “The Calcium 18 | CONSUMER MAGAZINE 18 | RETURNING HOME 30 | FILM Curse” Forget anti-aging creams, just return to your parents’ home – it – iS NEW ZEALANd’S ICON 32 | FOOD Illustration: takes years off. Too many. Young adults that have left the nest OF CONSUMER PROTECTION 33 | ART Daniel Blackball HOPELESSLY COMPROMISED? quickly become 16 again, travelling through time to the location of their past and an onslaught of taboo about love and careers. 34 | MUSIC Consumer New Zealand has long had COVER: 36 | BOOKS a reputation as the guardian of the By Loulou Callister-Baker From New Zealand Consumer. Active since 37 | GAMES "Geocaching” 1959, they claim they are “dedicated 22 | GEOCACHING: 43 | TOO MUCH SCREENS Illustration: to getting New Zealanders a better Daniel Blackball deal.” However, the recent introduction A DIARY OF UNREQUITED ENTERPRISE 46 | LOVE IS BLIND Children often like to draw maps and mark an X on the spot where of new payment schemes has they want to find treasure. -
'Jim Henson's Fantastic World'
FOR IMMEDIATE RELEASE (Schedule updated on January 9, 2012) MUSEUM OF THE MOVING IMAGE ANNOUNCES A SEVEN-WEEK EXTENSION OF ‘JIM HENSON’S FANTASTIC WORLD’ The popular exhibition about the creator of The Muppets™ and special programs will continue through March 4, 2012 Astoria, New York, December 20, 2011—Carl Goodman, Executive Director of Museum of the Moving Image, today announced a seven-week extension for Jim Henson’s Fantastic World, the Smithsonian traveling exhibition that explores the creative process of the world-renowned puppeteer, filmmaker, and television pioneer. The popular exhibition, which was scheduled to close on January 16, will now be on view through Sunday, March 4, 2012. “The Henson exhibition has delighted Museum visitors of all ages and backgrounds,” said Mr. Goodman. “By the end of its run, we expect more than 100,000 visitors to have seen the exhibition. Many of them will also have experienced a screening of one of Jim Henson’s movies or television shows in our theaters or participated in a related workshop.” Museum of the Moving Image is the thirteenth and final venue scheduled to host Jim Henson’s Fantastic World and the only one in New York State. Since it opened on July 16, 2011, the exhibition has been seen by nearly 90,000 visitors. During this period, special guests including Frank Oz, Brian Henson, Cheryl Henson, Bob McGrath, Brian Froud, Kevin Clash, Fran Brill, Bonnie Erickson, and other performers, family members, and colleagues of Jim Henson have participated in public programs. Many of these programs were compiled and presented by Craig Shemin, President of the Jim Henson Legacy. -
Greenface and the Jazzy Frog Trope
University of Connecticut OpenCommons@UConn Living Objects: African American Puppetry Essays Ballard Institute and Museum of Puppetry 2019 “It’s Not Easy Bein’ Green”: Greenface and the Jazzy Frog Trope Paulette Richards Follow this and additional works at: https://opencommons.uconn.edu/ballinst_catalogues Part of the African American Studies Commons, Africana Studies Commons, and the Other Theatre and Performance Studies Commons Recommended Citation Richards, Paulette, "“It’s Not Easy Bein’ Green”: Greenface and the Jazzy Frog Trope" (2019). Living Objects: African American Puppetry Essays. 13. https://opencommons.uconn.edu/ballinst_catalogues/13 “It’s Not Easy Bein’ Green”: Greenface and the Jazzy Frog Trope by Paulette Richards Manohla Dargis, who reviewed The Princess and the Frog for The New York Times on November 25, 2009, opens by quoting the title of the 1970 lament Joe Raposo composed for Kermit the Frog: “It’s not easy being green, the heroine of The Princess and the Frog discovers.” Aretha Franklin, Ray Charles, Diana Ross, and other African American performers of the 1970s took this Sesame Street standard and made it into a reflection on black experience and identity. Louisiana poet Jericho Brown’s poem “Letter to Kermit from the Swamp” extends this reflection. “But to judge from how this polished, hand-drawn movie addresses, or rather strenuously avoids, race,” Dargis continues, “it is a lot more difficult to be black, particularly in a Disney animated feature.” Many of the reader responses rejected Dargis’s comments as “cynical.” Yet cartoon representations of African Americans and African American cultural forms have long generated troubling images because American animation is rooted in blackface minstrelsy. -
Emhs 9Th Summer Reading 1
Annotation Directions: EMHS 9TH SUMMER READING 1. Make a point of underlining the two most important ideas in each “column” of reading. Each year, students at EMHS do summer reading. You can underline a single phrase or a couple Reading over the summer keeps one’s mind “awake” of sentences, but please choose your selections and provides your class with an immediate platform carefully. to work on from the first day of school. The material for this packet was selected for its subject matter and 2. Of the two ideas you underline in each column, relevance to you. select the most important one and rephrase it at the bottom of the page in your own words. Please make a point of reading all five of the articles 3. When you finish an article, review your contained in this packet. Since there are several annotations. On a separate sheet of paper, different pieces, you can break this reading up as write down the “takeaway points” for each your summer schedule allows. All articles should article—the most important ideas. be read and annotated by the first day of school. Please bring this packet with you on the first day of school. There are many online sources to further explain how to annotate a text. When you come to school on the first day, this packet should be completely read This packet should be printed out and read carefully. and annotated. In addition, you should have You should always read with a pen or pencil and use your takeaway points on a separate sheet of annotation strategies to help yourself make sense paper completed.