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Summer Academy Fee the Academy Fee Is 540 € for Each Participant
9th edition of the LA PESTuITmE mBerA ANcaDdEemy FROM BACH TILL MOZART Italy, 2nd - 17th August 2020 SpeciIanstlr uBmenatarl woorqks ue edition! Orchestral and chamber music works by J.S.BACH, G.PH.TELEMANN, J.PH.RAMEAU AND F.COUPERIN for Flutes, Oboes, Bassoons, Horns, Violins, Violas, Violoncello & Violoncello da Spalla, Violone & Double bass, Harpsichord; W.A.MOZART Divertimento for 2 Horns, Violin, Viola and Double Bass Operatic work W.A.MOZART, selected scenes from IDOMENEO for 2 Sopranos, 1 Mezzosoprano, 2 Tenors & Orchestra (Flutes, Oboes, Horns, Bassoons, all Strings & Harpsichord) LA PESTuITmE mBerA ANcaDdEemy Since 2012, La Petite BandeA orgpanpizleis caa yetairolyn Susm mforer A c2ad0em2y 0in Itaalyr, ew hnicho wwith othpe eyenar! s has become a beloved international appointment for many musicians desiring to deepen their knowledge and practice of historically informed practice for the baroque and classical repertoire (especially Mozart & Haydn). Indeed, they have taken their chance to work with one of the pioneers of this field, violinist and leader of La Petite Bande, Sigiswald Kuijken. Each year, the Academy focuses both on instrumental and operatic works. Singers work with Marie Kuijken on a historically informed approach to the textual and scenical aspects of the score, and perform the opera with the orchestra. The 2020 edition is a special BAROQUE edition, in which the instrumental focus will be on orchestral and chamber music works of J.S.Bach, G.Telemann, J.Ph.Rameau aBnda F.rCooupqeruine. By choosing mostly to play one-to-a-part, for these works the difference between orchestral and chambermusic playing will be minimal. -
08 November 2020
08 November 2020 12:01 AM Wolfgang Amadeus Mozart (1756-1791) Don Giovanni overture Romanian Radio National Orchestra, Tiberiu Soare (conductor) ROROR 12:08 AM Benjamin Britten (1913-1976) Hymn to St Cecilia for chorus Op 27 BBC Singers, David Hill (conductor) GBBBC 12:18 AM Ludwig van Beethoven (1770-1827) 8 Variations on Mozart's 'La ci darem la mano' Hyong-Sup Kim (oboe), Ja-Eun Ku (piano) KRKBS 12:28 AM Henricus Albicastro (fl.1700-06) Concerto a 4, Op 7 no 2 Chiara Banchini (violin), Ensemble 415, Chiara Banchini (director) CHRSR 12:37 AM Fryderyk Chopin (1810-1849) Ballade for piano no. 1 (Op.23) in G minor Zbigniew Raubo (piano) PLPR 12:46 AM Carl Nielsen (1865-1931) Pan og Syrinx Op 49 FS.87 Danish National Radio Symphony Orchestra, Michael Schonwandt (conductor) DKDR 12:55 AM Johannes Brahms (1833-1897) Trio for clarinet or viola, cello and piano (Op.114) in A minor Ellen Margrethe Flesjo (cello), Hans Christian Braein (clarinet), Havard Gimse (piano) NONRK 01:20 AM Girolamo Frescobaldi (1583-1643) Four Works Enrico Baiano (harpsichord) CHSRF 01:35 AM Felix Mendelssohn (1809-1847) Piano Concerto no 2 in D minor, Op 40 Victor Sangiorgio (piano), West Australian Symphony Orchestra, Vladimir Verbitsky (conductor) AUABC 02:01 AM Peter Ilyich Tchaikovsky (1840-1893) March: The Song of the Lark, from 'The Seasons, op. 37b' Evgeny Konnov (piano) ESCAT 02:03 AM Alexander Scriabin (1871-1915) Three Etudes for Piano, op. 65 Evgeny Konnov (piano) ESCAT 02:12 AM Igor Stravinsky (1882-1971) Tango Evgeny Konnov (piano) ESCAT 02:15 AM Igor Stravinsky (1882-1971) Three Movements from 'Petrushka' Evgeny Konnov (piano) ESCAT 02:33 AM Sergey Rachmaninov (1873-1943) Prelude in G sharp minor, op. -
La Petite Bande Olv. Sigiswald Kuijken Vr 4 Sep 2009
2009-2010 architectuur theater dans muziek 2009-2010 blauwe zaal deSingel Desguinlei 25 / B-2018 Antwerpen LA PETITE BANDE ma vr 10 19 uur / za 16 19 uur OLV. SIGISWALD KUIJKEN www.desingel.be [email protected] VR 4 SEP 2009 T +32 (0)3 248 28 28 F +32 (0)3 248 28 00 deSingel is een kunstinstelling van de Vlaamse Gemeenschap en geniet de steun van hoofdsponsor mediasponsors 2009-2010 / BACH & HOOGDAGEN LA PETITE BANDE OLV. SIGISWALD KUIJKEN VR 4 SEP 2009 CHRISTOPH PRÉGARDIEN & LAUTTEN COMPAGNEY & CAPELLA ANGELICA OLV. WOLFGANG KATSCHNER ZA 5 DEC 2009 MARCO BEASLEY & AccORDONE OLV. GUIDO MORINI VR 18 DEC 2009 FREIBURGER BAROCKORCHESTER & COLLEGIUM VOCALE GENT OLV. MASAAKI SUZUKI VR 8 JAN 2010 FLORILEGIUM WO 24 MRT 2010 KOOR & ORKEST COllEGIUM VOCALE GENT OLV. PHILIPPE HERREWEGHE WO 31 MRT 2010 inleiding Steven Marien / 19.15 uur / foyer de kunsthaven begin 20.00 uur pauze omstreeks 20.45 uur einde omstreeks 21.50 uur teksten programmaboekje Steven Marien coördinatie programmaboekje deSingel LA PETITE BANDE SIGISWALD KUIJKEN muzikale leiding GERLINDE SÄMANN sopraan PETRA NOSKAIOVÁ alt CHRISTOPH GENZ tenor JAN VAN DER CRABBEN bas JOHANN SEBASTIAN BACH (1685-1750) Cantate ‘Warum betrübst du dich, mein Herz', BWV138 20' Cantate ‘Wer weiß, wie nahe mir mein Ende', BWV27 19' gelieve uw GSM uit te schakelen pauze De inleidingen kan u achteraf beluisteren via www.desingel.be Cantate ‘Wer sich selbst erhöht, der soll erniedrigt werden', Selecteer hiervoor voorstelling/concert/tentoonstelling van uw keuze. BWV47 24' Cantate ‘Herr Christ, der einge Gottessohn’, BWV96 17' Op www.desingel.be kan u uw visie, opinie, commentaar, appreciatie, … REAGEER betreffende het programma van deSingel met andere toeschouwers delen. -
La Petite Bande Vivaldi
La Petite Bande Vivaldi . Bach 28 maart 94 La Petite Bande La Petite Bande muzikale leiding Sigiswald Kuijken, solisten Sigiswald Kuijken, viool Ryo Terakado, viool Barthold Kuijken, fluit Pierre Hantai, clavecimbel Programma Antonio Vivaldi (1678-1741) Concerto in a voor 2 violen, opus 3 nr.8 - Allegro - Larghetto - Allegro Johann Sebastian Bach (1685-1750) Suite in b voor fluit, strijkers en basso continuo, BWV 1067 Ouverture - Rondeau - Sarabande - Bourrée I - Bourrée II - Polonaise - Menuet - Badinerie Pauze Antonio Vivaldi Concerto in g voor fluit, opus 10 nr.2 'La Notte' - Largo - Fantasmi - Presto - II Sonno - Allegro inleidend gesprek door Koen Uvin Johann Sebastian Bach 19.15 uur . Foyer Rode Zaal Brandenburgs Concerto nr.5 in D, BWV 1050 - Allegro aanvang concert 20.00 uur - Affetuoso pauze 20.50 uur - Allegro einde concert 21.45 uur La Petite Bande La Petite Bande violen Ryo Terakado Het barokorkest 'La Petite Bande' werd in 1972 opge- Myriam Gevers richt door Sigiswald Kuijken, op verzoek van de Duitse Luis Otavio Santos platenfirma Harmonia Mundi, om Lully's 'Le Bourgeois altviool Marleen Thiers Gentilhomme' op te nemen onder leiding van Gustav cello Wieland Kuijken Leonhardt. De orkestbezetting en de naam werden ont contrabas James Munro leend aan het orkest van Lully zelf aan het hof van flu it Bartold Kuijken Lodewijk XIV. Ondermeer door authentieke instru clavecimbel Pierre Hantai menten te gebruiken en de oude speelwijze in ere te muzikale leiding Sigiswald Kuijken herstellen, werd ernaar gestreefd deze muziek, zowel qua interpretatie als qua klankbeeld, zo getrouw moge lijk te laten herleven, zonder daarbij in een strak acade misme te vervallen. -
09 September 2020
09 September 2020 12:01 AM Pierre de la Rue (1452-1518) Missa Sancto Job: Kyrie Orlando Consort ATORF 12:05 AM Ruth Watson Henderson (1932-) Gloria for SSAA, brass quintet, timpani & percussion Elmer Iseler Singers, Robert Venables (trumpet), Robert Devito (trumpet), Linda Broncesky (horn), Ian Cowie (trombone), Marc Bonang (tuba), Graham Hargrove (percussion), Nicolas Coulter (percussion), Lydia Adams (conductor) CACBC 12:12 AM George Frideric Handel (1685-1759), Daniel Schnyder (arranger) Water Music, extract from Suite Baltic Sea Youth Philharmonic, Kristjan Järvi (conductor) PLPR 12:19 AM Eugene Ysaye (1858-1931),Camille Saint-Saens (1835-1921) Caprice d'après l'Etude en forme de Valse, op.52 no.6 by Saint-Saens Karol Danis (violin), Iveta Sabova (piano) SKSR 12:28 AM Jean-Philippe Rameau (1683-1764) Suite in G major (Nouvelles Suites de Pieces de Clavecin) Yur-Eum Woodwind Quintet KRKBS 12:43 AM Alexander Borodin (1833-1887) Overture to Prince Igor Vancouver Symphony Orchestra, Bramwell Tovey (conductor) CACBC 12:54 AM Ludwig van Beethoven (1770-1827) Piano Sonata no 5 in C minor, Op 10 no 1 Cedric Tiberghien (piano) GBBBC 01:13 AM Wolfgang Amadeus Mozart (1756-1791) Agnus Dei from the Missa Brevis in B flat (K.275) Lucy Crowe (soprano), Susan Atherton (alto), Edward Lyon (tenor), Christopher Adams (bass), Royal Academy of Music Chamber Choir, Royal Academy of Music Becket Ensemble, Patrick Russill (conductor) GBBBC 01:19 AM Elzbieta Sikora (b.1943) Rappel III for string orchestra Polish Radio Symphony Orchestra, Wojciech Michniewski -
Sigiswald Kuijken La Petite Bande . Collegium Vocale Haydn, Sieben Letzte Worte, HXX/2 Bach En Hoogdagen
m u z ie k Sigiswald Kuijken La Petite Bande . Collegium Vocale Haydn, Sieben letzte Worte, HXX/2 Bach en Hoogdagen Philippe Herreweghe Koor en Orkest Collegium Vocale Bach Cantates BWV39 en 131, Missa BWV236 woensdag 29 september 1999 Andreas Scholl Akademie für Alte Musik Bach Altcantates BWV35 en 170 woensdag 3 november 1999 Frans Brüggen Orkest van de XVIIIe Eeuw Nederlands Kamerkoor Bach Weihnachtsoratorium BWV248 donderdag 9 december 1999 Philippe Herreweghe Koor en Orkest Collegium Vocale Bach Johannes-Passie BWV245 woensdag 16 februari 2000 Sigiswald Kuijken La Petite Bande. Collegium Vocale Haydn, Sieben letzte Worte, HXX/2 dinsdag 11 april 2000 La Petite Bande. Koor van Collegium Vocale Sigiswald Kuijken muzikale leiding Nancy Argenta sopraan Petra Noskaiovä alt Yves Saelens tenor Jan Van der Crabben bas Wolfgang Amadeus Mozart Ave Verum Corpus KV618 4’ Kyrie KV341 8’ Josef Haydn Die Sieben letzte Worte unseres Erlösers am Kreuze, Hob.XX/2 • Introduzione (Maestoso ed Adagio) 35’ • Sonata I : (Largo) Pater dimitte ülis; non enim sciunt, quid faciunt • Sonata II: (Grave & Cantabile) Amen dico tibi; hodie mecum eris in pardiso • Sonata III: (Grave) Mulier, ecce filius tuus, et tu ecce mater tua • Sonata IV: (Largo) Eli, Eli, lamma sabacthami pauze • Introduzione (Largo et Amabile) 30’ inleiding Nicole van Opstal. 19.15 uur. Foyer • Sonata V: (Adagio) Sitio • Sonata VI: (Lento) Consummatum est aanvang concert 20.00 uur • Sonata VII: (Largo) Pater, in manus tuas commendo spiritum meum pauze omstreeks 20.50 uur • II terremoto (Presto et con tutta la forza) einde concert omstreeks 21.40 uur tekst programmaboekje Nicole van Opstal coördinatie programmaboekje deSingel druk programmaboekje Tegendruk Gelieve uw GSM uit te schakelen! Wolfgang Amadeus Mozart Motet Ave verum Corpus KV618 In juni 1791 bracht Mozart een bezoek aan zijn vrouw Constanze, die in het kuuroord Baden een behandeling volgde. -
A1ib000000d8pljaaz.Pdf
La Petite Bande Lully . Charpentier . Rebel . Delalande . Rameau 1 7 FEBRUARI 95 La Petite Bande La Petite Bande muzikale leiding Sigiswald Kuijken solist Stephan Van Dyck, contratenor Programma Jean-Baptiste Lully (1632-1687) Armide: Ouverture Acis & Galatée: Air d'Acis 'C'est en vain...' Armide: Passacaille Marc-Antoine Charpentier (1645/50-1704) Médée: Air de Jason 'Que me peut demander la Gloire' Jean-Féry Rebel (1666-1747) La Fantaisie: Grave - Chaconne - Loure - Tambourin - Chaconne Michel-Richard Delalande (1657-1726) L'amour, fléchy par la constance: Air de Tirsis Jean-Féry Rebel Les Plaisirs champêtres: Musette - Gavotte - Chaconne - Passepied - Bourrée - Rigaudon - Bourrée Pauze Jean-Philippe Rameau (1683-1764) Daphnis et Eglé: Ouverture - Rondeau tendre 'Dieu de l'Amitié' Sarabande - Gavottes 1 & 2 - Passepieds 1 & 2 La Guirlande: Ariette vive 'Ranimez-vous' inleidend gesprek door Magda De Meester Daphnis et Eglé: Entréz - Gigue - Gavotte - Musette 19.15 uur . Foyer Rode Zaal Ariette vive 'Oiseaux, chantez...' Pantomime - Menuets 1 & 2 aanvang concert om 20.00 uur pauze om 20.45 uur Les Fêtes d'Hébé: Ariette vive 'L'objet qui règne...' einde concert 21.45 uur Daphnis et Eglé: Tambourins 1 & 2 - Contredanse La Petite Bande La Petite Bande Het barokorkest 'La Petite Bande' werd in 1972 opgericht eerste violen Ryo Terakado Makoto Akatsu door Sigiswald Kuijken, op verzoek van de Duitse platenfirma Jean-Paul Burgos Harmonia Mundi, om Lully's 'Le Bourgeois Gentilhomme' op Catherine Girard te nemen onder leiding van Gustav Leonhardt. De orkestbe Michiyo Kondo zetting en de naam werden ontleend aan het orkest van Lully Marie-Hélène Landreau zelf aan het hof van Lodewijk XIV. -
14 November 2019
14 November 2019 12:01 AM Jan van Gilse (1881-1944) Concert Overture in C minor Netherlands Radio Symphony Orchestra, Jac van Steen (conductor) NLNOS 12:11 AM Ludvig Norman (1831-1885) 2 Charakterstücke for piano, Op 1 (1850) Bengt-Ake Lundin (piano) SESR 12:21 AM Leonhardt Lechner (c.1553-1606) Deutsche Spruche von Leben und Tod Danish National Radio Choir, Stefan Parkman (conductor) DKDR 12:32 AM Andrea Gabrieli (c.1532-1585) Aria della battaglia à 8 Theatrum Instrumentorum, Stefano Innocenti (conductor) CHRTSI 12:42 AM Franz Doppler (1821-1883) Fantaisie pastorale hongroise, Op 26 Ivica Gabrisova-Encingerova (flute), Matej Vrabel (piano) SKSR 12:52 AM Bruno Bjelinski (1909-1992) Concerto da primavera (1978) Tonko Ninic (violin), Zagreb Soloists HRHRTR 01:03 AM Peter Ilyich Tchaikovsky (1840-1893) Suite No.4 in G major, Op 61, 'Mozartiana' Winnipeg Symphony Orchestra, Kazuhiro Koizumi (conductor) CACBC 01:27 AM Franz Schubert (1797-1828) Sonata for arpeggione and piano (D.821) in A minor Toke Moldrop (cello), Per Salo (piano) DKDR 01:36 AM Johann Sebastian Bach (1685-1750) Suite for orchestra No 1 in C major BWV.1066 La Petite Bande, Sigiswald Kuijken (conductor) DEWDR 02:01 AM Erwin Schulhoff (1894-1942) Five Pieces for String Quartet Jerusalem Quartet CHRTS 02:16 AM Leos Janacek (1854-1928) String Quartet No 1 'Kreutzer' Jerusalem Quartet CHRTS 02:35 AM Johannes Brahms (1833-1897) Clarinet Quintet in B minor, op. 115 Sharon Kam (clarinet), Jerusalem Quartet CHRTS 03:14 AM Wolfgang Amadeus Mozart (1756-1791) Larghetto, from 'Clarinet Quintet in A, K. -
LEONHARDT (Musicians and Composers of the 20Th Century
Fitch, Frances Conover. Musicians and Composers of the 20th Century, s.v. "Gustav Leonhardt." Armenia, New York: Salem Press, 2009. Used by permission of EBSCO Information Services. A preeminent figure in the Early Music movement of the twentieth century, early keyboard player Gustav Leonhardt influenced countless students, record buyers, concertgoers, and musician colleagues through his energetic, quietly passionate performance and leadership style, his impeccable scholarship, and his brilliant and sophisticated mind. He championed the cause of the music he played and respected, rather than his own virtuosity, though that was remarkable. As a teacher and conductor he encouraged in his fellow musicians a sense of humility and curiosity about European music of the seventeenth and eighteenth centuries. He taught them how to breathe life into a repertoire that was, at the time, being performed in an abstract and largely intellectual manner. His particular insight into the concept of Baroque music as speech, and the role of rhetoric and articulation in creating that speech set his playing of the harpsichord apart from that of his contemporaries. The Life: Gustav Leonhardt was born into a musical Dutch-Austrian family, between the two world wars. His childhood home was in ‘s Graveland, a country town with stately homes near Hilversum in the province of North Holland, The Netherlands. His parents were accomplished amateur musicians with eclectic tastes in music, and the study of music was expected in their household. Gustav and his sister, Trudelies, were steered toward the piano and a harpsichord that their parents had bought for occasions when they played chamber music of Bach and Handel. -
J.S. BACH Solo Cantatas for Bass BWV56, 82 & 158
95942 J.S. BACH Solo Cantatas for Bass BWV56, 82 & 158 David Greco Luthers Bach Ensemble Johann Sebastian Bach 1685-1750 Bach’s Cantatas Solo Cantatas for Bass From the year 1723, Johann Sebastian Bach (1685-1750) was the Kantor of the Leipzig churches of St Thomas and St Nicholas. This meant that he was in charge Ich habe genung BWV82 8 Recitativo: Nun, Herr, regiere of all music in these churches, and singing was an essential element in the Lutheran 1 Aria: Ich habe genung° 6’46 meinen Sinn 1’20 liturgy. In this liturgy, the gospel motet featured as a prominent musical depiction of 2 Recitativo: Ich habe genung 1’25 9 Choral: Hier ist das rechte the Sunday bible passage. Composers like Tunder and Buxtehude in the generation 3 Aria: Schlummert ein, Osterlamm 1’04 preceding Bach had initiated a development in which gospel motets were elaborated ihr matten Augen° 8’54 and replaced by more instrumental, concertante motets with arias and chorales. 4 Recitativo: Mein Gott, Ich will den Kreuzstab gerne tragen After 1700, due to Italian influences, cantatas developed into close-knit wenn kömmt das schöne: Nun! 0’52 BWV56 compositions which presented bible passages in recitatives, and which expressed the 5 Aria: Ich freue mich auf 10 Aria: Ich will den Kreuzstab believer’s devotional response in the form of arias and contemporary German hymns. meinen Tod° 3’30 gerne tragen° 6’35 The scoring was more elaborate, and orchestral contributions gained prominence. 11 Recitativo: Mein Wandel In this Lutheran context, the Kantor was charged with composing and selecting Der Friede sei mit dir BWV158 auf der Welt 1’53 all church music. -
18-07-30 EVE Goldbergs Harpsichord.Indd
VANCOUVER BACH FESTIVAL 2018 monday july 30 at 7:30 pm | christ church cathedral the artist goldberg variations — this programme will be performed without an interval – Benjamin Alard harpsichord Johann Sebastian Bach (1685–1750) Goldberg Variations bwv 988 (1741) Aria Variatio 1: a 1 Clav. Variatio 2: a 1 Clav. Variatio 3: Canone all’Unisuono. a 1 Clav. Variatio 4: a 1 Clav. Variatio 5: a 1 ô Vero 2 Clav. Variatio 6: Canone alla Secunda. a 1 Clav. Variatio 7: a 1 ô Vero 2 Clav. Al tempo di Giga Variatio 8: a 2 Clav. Variatio 9: Canone alla Terza. a 1 Clav. Variatio 10: Fughetta. a 1 Clav. Variatio 11: a 2 Clav. Variatio 12: Canone alla Quarta. a 1 Clav. Variatio 13: a 2 Clav. Variatio 14: a 2 Clav. Double-manual harpsichord from the collection of Early Music Variatio 15: Canone alla Quinta. a 1 Clav. Andante Vancouver, built in the mid-70s by Variatio 16: Ouverture. a 1 Clav. Edward R. Turner of Pender Island Variatio 17: a 2 Clav. after a superb eighteenth-century instrument by Pascal Taskin, now Variatio 18: Canone alla Sexta. a 1 Clav. housed in the Russell Collection Variatio 19: a 1 Clav. in Edinburgh. Variatio 20: a 2 Clav. Variatio 21: Canone alla Settima. a 1 Clav. Supported by Variatio 22: a 1 Clav. Variatio 23: a 1 Clav. Variatio 24: Canone all’Ottava. a 1 Clav. Variatio 25: a 2 Clav. Adagio Variatio 26: a 2 Clav. Variatio 27: Canone alla Nona. a 2 Clav. Variatio 28: a 2 Clav. -
Guide to Early Music and Baroque in Flanders
Guide to Early Music and Baroque in Flanders 6. Artists/Soloists........................................................................................................................................ 1 6.1. Conductors....................................................................................................................................... 1 6.2. Vocalists ........................................................................................................................................... 4 6.2.1. Soprano ................................................................................................................................... 4 6.2.2. Mezzo-soprano/Alto ............................................................................................................. 7 6.2.3. Altus .......................................................................................................................................... 7 6.2.4. Countertenor............................................................................................................................ 8 6.2.5. Tenor......................................................................................................................................... 9 6.2.6. Baritone..................................................................................................................................10 6.2.7. Bass.........................................................................................................................................11 6.3. Instrumentalists