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Sounds of War and Peace: Soundscapes of European Cities in 1945
10 This book vividly evokes for the reader the sound world of a number of Eu- Renata Tańczuk / Sławomir Wieczorek (eds.) ropean cities in the last year of the Second World War. It allows the reader to “hear” elements of the soundscapes of Amsterdam, Dortmund, Lwów/Lviv, Warsaw and Breslau/Wrocław that are bound up with the traumatising experi- ences of violence, threats and death. Exploiting to the full methodologies and research tools developed in the fields of sound and soundscape studies, the Sounds of War and Peace authors analyse their reflections on autobiographical texts and art. The studies demonstrate the role urban sounds played in the inhabitants’ forging a sense of 1945 Soundscapes of European Cities in 1945 identity as they adapted to new living conditions. The chapters also shed light on the ideological forces at work in the creation of urban sound space. Sounds of War and Peace. War Sounds of Soundscapes of European Cities in Volume 10 Eastern European Studies in Musicology Edited by Maciej Gołąb Renata Tańczuk is a professor of Cultural Studies at the University of Wrocław, Poland. Sławomir Wieczorek is a faculty member of the Institute of Musicology at the University of Wrocław, Poland. Renata Tańczuk / Sławomir Wieczorek (eds.) · Wieczorek / Sławomir Tańczuk Renata ISBN 978-3-631-75336-1 EESM 10_275336_Wieczorek_SG_A5HC globalL.indd 1 16.04.18 14:11 10 This book vividly evokes for the reader the sound world of a number of Eu- Renata Tańczuk / Sławomir Wieczorek (eds.) ropean cities in the last year of the Second World War. It allows the reader to “hear” elements of the soundscapes of Amsterdam, Dortmund, Lwów/Lviv, Warsaw and Breslau/Wrocław that are bound up with the traumatising experi- ences of violence, threats and death. -
Maciej Fra˛Ckiewicz Accordion «
MACIEJ FRA˛CKIEWICZ ACCORDION « »WAM-IATIONEN. MOZART WAM-IATIONEN. MOZART MACIEJ FRA˛CKIEWICZ Wolfgang Amadeus Mozart (1756–1791) [01] Adagio und Rondo KV 617 . 11:08 [02] Fantasie KV 608 . 08:45 [03] Adagio und Allegro KV 594. 09:07 [04] Andante KV 616. 07:03 [05] 12 Variationen über „Ah, vous dirais-je, Maman” ....................... 11:37 [06] Adagio KV 356 . .. 04:23 Piotr Tabakiernik (*1986) [07] WAM-iationen**. 13:17 total . .. 65:51 Maciej Fra˛ckiewicz Accordion Łukasz Długosz Flute ∙ Sebastian Aleksandrowicz Oboe ∙ Katarzyna Budnik-Gała˛zka Viola ∙ Marcin Zdunik Violoncello ∙ Grzegorz Stopa Accordion ** Ersteinspielung/world premiere recording MACIEJ FRA˛ CKIEWICZ Maciej Fra˛ckiewicz (*1988 Białystok, Polen) studierte von Als Solist spielte Fra˛ckiewicz u.a. mit den Warschauer Philharmonikern, 2007 bis 2012 an der Fryderyk Chopin Musikuniversität in dem Nationalen Polnischen Rundfunk-Sinfonieorchester Kattowitz, dem Warschau bei Klaudiusz Baran und legte dort die Bachelor- und Polnischen Rundfunk-Sinfonieorchester Warschau, den Bochumer Sym- Masterprüfungen im Fach Akkordeon ab. Während eines Eras- phonikern, dem Philharmonischen Staatsorchester Mainz, dem Beetho- mus-Aufenthaltes 2011/12 an der Escola Superior de Música de ven Orchester Bonn unter Leitung von u.a. José Maria Florêncio, Jacek Catalunya in Barcelona studierte er bei Iñaki Alberdi. Im Anschluss Kaspszyk, Krzysztof Urbanski, Lukas Vis, Marek Mos, Benjamin Schwartz, machte er sein Konzertexamen bei Grzegorz Stopa an der Hoch- Herman Bäumer, Rasmus Baumann, Bassem Akiki und Renato Rivolta. schule für Musik in Detmold und absolvierte von 2016 bis 2018 den Mit Rezitals war er bisher zu Gast z.B. bei Folefest in Lissabon, den Let- Exzellenzstudiengang Konzertexamen an der Folkwang Universität tischen Neue Musik Tagen in Riga, dem Moskauer Herbst, bei Neue Hori- der Künste in Essen bei Mie Miki. -
Muzyka W Natolinie
Muzyka w Natolinie Uroczysty koncert z okazji Narodowego Święta Niepodległości JANUSZ WAWROWSKI SKRZYPCE GRZEGORZ SKROBIŃSKI FORTEPIAN Profesor Irena Protasewicz Prowadzenie koncertu 14 listopada 2017 JANUSZ WAWROWSKI PROGRAM SKRZYPCE Wirtuoz skrzypiec, laureat Fryderyka 2017 za album solowy Sequenza i jedyny polski skrzypek z wieloletnim kontraktem płytowym z prestiżową Grażyna Bacewicz wytwórnią Warner Classics. Zaledwie kilka dni temu ukazała się jego najnowsza nagrana ze Stuttgarter Philharmoniker pod dyrekcją Daniela II Sonata na skrzypce solo (1958 r.) Raiskina. Album Brillante zawiera II Koncert skrzypcowy Henryka Adagio Wieniawskiego oraz Fantazję szkocką Brucha i wydany został nakładem Warner Classics. Presto Występował z większością polskich orkiestr, zaś za granicą prezentował się między innymi w Filharmonii Berlińskiej, Konserwatorium im. Piotra Czajkowskiego w Moskwie, wiedeńskim Musikverein, Concertgebouw w Rotterdamie, Stuttgarter Philharmoniker oraz w Litewskiej Filharmonii Narodowej. Występował pod batutą między innymi Conrada van Alphena, Ignacy Jan Paderewski Łukasza Borowicza, Gabriela Chmury, Jacka Kaspszyka, Jerzego Maksymiuka, Mykoly Diadiury, Douglasa Bostocka, Tomáša Netopila, Sonata a-moll op. 13 na skrzypce i fortepian Agnieszki Duczmal, Juozasa Domarkasa, Daniela Raiskina oraz Allegro con fantasia Antoniego Wita. Oprócz płyt Brillante (2017) i Sequenza (2016), nakładem Warner Intermezzo - Andantino Classics ukazał się także nominowany do Fryderyków album skrzypka Aurora (2014). Finale - Allegro molto quasi -
November 18 November 25
NOVEMBER 18 ISSUE NOVEMBER 25 Orders Due October 21 24 Orders Due October 28 axis.wmg.com 11/18/16 AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Amos, Tori Boys for Pele (Deluxe)(2CD) ACG CD 081227947767 553145 19.98 10/21/16 Boys for Pele (Deluxe)(2LP 180 Gram Amos, Tori ACG A 081227947774 82862-A 31.98 10/21/16 Vinyl) GTA Good Times Ahead (Vinyl) WB A 093624918400 556571 17.98 10/21/16 High Valley Dear Life WNS CD 093624916734 557472 13.98 10/21/16 Highly Suspect The Boy That Died Wolf (Explicit) 3WE CD 814908021995 557819 13.99 10/21/16 The Boy That Died Wolf Highly Suspect 3WE TC 814908022046 557819 9.98 10/21/16 (Cassette)(Explicit) Stand Up (The Elevated Jethro Tull PRH CX 190295932862 557797 34.98 10/21/16 Edition)(2CD/DVD) NewSong The Best Christmas Ever WOR CD 863041000305 000305 13.98 10/21/16 The Rock And Roll Hall Of Fame: Volume Rock And Roll Hall Of 3 Limited Edition (180 Gram White w/ TL A 610583531923 31984-Z 25.98 10/21/16 Fame, The Black & Blue Swirl Vinyl) Last Update: 09/22/16 For the latest up to date info on this release visit axis.wmg.com. ARTIST: Tori Amos TITLE: Boys for Pele (Deluxe)(2CD) Label: ACG/Atlantic Catalog Group Config & Selection #: CD 553145 Street Date: 11/18/16 Order Due Date: 10/21/16 UPC: 081227947767 Box Count: 30 Unit Per Set: 2 SRP: $19.98 Alphabetize Under: A TRACKS Compact Disc 1 01 Beauty Queen / Horses (Remastered) 10 Way Down (Remastered) 02 Blood Roses (Remastered) 11 Little Amsterdam (Remastered) 03 Father Lucifer (Remastered) 12 Talula (Remastered) 04 Professional Widow (Remastered) 13 Not The Red Baron (Remastered) 05 Mr. -
Transformations of Programming Policies
The Warsaw Autumn International Festival of Contemporary Transformations of Programming Music Policies Małgorzata gąsiorowska Email: [email protected]???? Email: The Warsaw Autumn International Festival of Contemporary Music Transformations of Programming Policies Musicology today • Vol. 14 • 2017 DOI: 10.1515/muso-2017-0001 ABSTRACT situation that people have turned away from contemporary art because it is disturbing, perhaps necessarily so. Rather than The present paper surveys the history of the Warsaw Autumn festival confrontation, we sought only beauty, to help us to overcome the 1 focusing on changes in the Festival programming. I discuss the banality of everyday life. circumstances of organising a cyclic contemporary music festival of international status in Poland. I point out the relations between The situation of growing conflict between the bourgeois programming policies and the current political situation, which in the establishment (as the main addressee of broadly conceived early years of the Festival forced organisers to maintain balance between th Western and Soviet music as well as the music from the so-called art in the early 20 century) and the artists (whose “people’s democracies” (i.e. the Soviet bloc). Initial strong emphasis on uncompromising attitudes led them to question and the presentation of 20th-century classics was gradually replaced by an disrupt the canonical rules accepted by the audience and attempt to reflect different tendencies and new phenomena, also those by most critics) – led to certain critical situations which combining music with other arts. Despite changes and adjustments in marked the beginning of a new era in European culture. the programming policy, the central aim of the Festival’s founders – that of presenting contemporary music in all its diversity, without overdue In the history of music, one such symbolic date is 1913, emphasis on any particular trend – has consistently been pursued. -
RAPORT O Obecności Muzyki Andrzeja Panufnika W Polsce I Na Świecie
RAPORT o obecności muzyki Andrzeja Panufnika w Polsce i na świecie opracowanie: dr Beata Bolesławska-Lewandowska Instytut Muzyki i Tańca Warszawa, 2014 1 Raport o obecności muzyki Andrzeja Panufnika w Polsce i na świecie powstał w Instytucie Muzyki i Taoca. W niniejszym opracowaniu staraliśmy się opisad obecnośd muzyki i postaci kompozytora od Jego śmierci w 1991 roku do momentu rozpoczęcia obchodów setnej rocznicy urodzin, czyli do kooca 2013 roku. Raport zostanie uzupełniony początkiem 2015 o wszystkie wydarzenia i osiągnięcia roku setnych urodzin twórcy w 2014. Serdecznie dziękuję autorce Raportu, Pani dr Beacie Bolesławskiej-Lewandowskiej za żmudną pracę wykonaną w celu opracowania dokumentu, a wszystkim osobom i instytucjom zaangażowanym z jego powstanie – dziękuję za udostępnienie danych i pomoc w jego realizacji. Andrzej Kosowski Dyrektor Instytutu Muzyki i Taoca 2 Andrzej Panufnik zmarł 27 października 1991 roku w Twickenham pod Londynem. Jego życie dzieli się na dwie części, a cezurą pozostaje rok 1954, kiedy to nielegalnie opuścił Polskę i zamieszkał w Wielkiej Brytanii. Jego podwójna niejako przynależnośd – do kultury polskiej i brytyjskiej – warunkuje specyfikę obecności muzyki kompozytora i znacząco wpływa na recepcję jego muzyki w Polsce i na świecie. Celem niniejszego raportu jest prześledzenie obecności muzyki Andrzeja Panufnika w życiu muzycznym od czasu jego śmierci (1991) do kooca roku 2013. Rok kolejny bowiem – 2014 to już rok stulecia urodzin kompozytora, rok jubileuszowy, w którym obecnośd Panufnika znaczona jest w sposób wyjątkowy i w związku z tym będzie przedmiotem osobnego raportu uzupełniającego. Raport podzielony jest na kilka sekcji, z których na czoło wysuwa się pierwsza, dotycząca wykonao utworów kompozytora. Z przyczyn niejako naturalnych wykonania orkiestrowe podzielone zostały na cztery kategorie – wykonania w Polsce, Wielkiej Brytanii, Stanach Zjednoczonych oraz pozostałych krajach świata. -
Rosanne Philippens PLAYS Szymanowski
CHANNEL CLASSICS CCS SA 36715 Violin Concerto no. 1 Rosanne Phili pp e n s Myths, Chant de Roxane NJO, Xian Zhang con d u C tor PLAYS s z y m a n o w s k i Julien Quentinm P i ano y t h Rosanne Philippens photo: Merlijn Doomernik “Der beseelte, in jedem Moment ungemein appearances at festivals in Germany, France, musikalische Geigenton!” England and Israel. Badische Zeitung, September 2014 Rosanne commenced the violin at the age of three with Anneke Schilt and later on with Coosje Wijzenbeek. She continued her studies with Vera Rosanne Philippens violin Beths and Ulf Wallin at the Royal Conservatory in Rosanne Philippens is considered one of The Haag, and at the Hanns Eisler Akademie in the greatest violin talents in the Netherlands. Berlin, graduating at both with distinction. Her open and communicative style of perfor Rosanne plays a beautiful violin made by mance won her first prizes at competitions Bergonzi in 1741; it is on loan from the Dutch including the Dutch National Violin Competition National Musical Instrument Foundation and was (Amsterdam Concertgebouw 2009) and the played for many years by Herman Krebbers. Freiburg International Violin Competition (2014). Rosanne has appeared as a soloist under Yannick Julien Quentin Piano NézétSequin, Xian Zhang and Stefan Asbury, French pianist Julien Quentin has established with orchestras including the Philharmonisches himself as a versatile and sensitive musician, Orchester Freiburg, the Rotterdam Philharmonic exhibiting great maturity and poise. His re Strings and the Dutch NJO, and she performs markable depth of musicianship and distinct regularly at the Concert gebouw Amsterdam, clarity of sound coupled with flawless technique, De Doelen Rotterdam and other prestigious make him an artist in demand as both soloist venues. -
Violin/Piano) - P
Polish Chamber Musicians‘ Association’s artistic offer 2019/ O 2020 Editor: Grzegorz Mania Catalogue number: SPMK 10b Skarbona – Zielona Gora – Krakow 2019 Polish Chamber Musicians’ Association (official name: Stowarzyszenie Polskich Muzyków Kameralistów) Address: Skarbona 4, 66-614 Skarbona KRS: 0000517330, REGON: 081227309 NIP: 9261671867 www.spmk.com.pl Office in Krakow: ul. Kwartowa 8/2 lok. A 31-419 Krakow phone number: +48 575 02 01 03 e-mail: [email protected] Management: phone number: +48 604 897 171 e-mail: [email protected] 1 Chamber ensembles under Polish Chamber Musicians‘ Association‘s management: Large chamber ensembles: Extra Sounds Ensemble – chamber orchestra - p. 3 Staśkiewicz/Sławek/Budnik/Rozmysłowicz/Kwiatkowski/Zdunik string sextet - p. 5 Lato/Cal/Lipień/Suruło/Lipień wind quintet - p. 13 Messages Quartet - p. 19 ETNOS Ensemble - p. 24 Trios: Herbert Piano Trio - p. 26 Francuz/Konarzewska/Kwiatkowski piano trio - p. 32 Staśkiewicz/Budnik/Zdunik string trio - p. 38 LLLeggiero Woodwind Trio - p. 42 Duos: Duo Molendowska/Samojło (soprano/piano) - p. 46 Duo Schmidt/Wezner (mezzosoprano/piano) - p. 50 Duo Hipp/Mania (mezzosoprano/piano) - p. 55 Duo Sławek/Różański (violin/piano) - p. 59 Duo Klimaszewska/Grynyuk (violin/piano) - p. 63 Duo Szczepaniak/Limonov (violin/piano) - p. 66 Duo Budnik/Mania (viola/piano) - p. 69 Duo Jaroszewska/Samojło (cello/piano) - p. 72 Ravel Piano Duo - p. 76 Zarębski Piano Duo - p. 78 LOSA Duo (percussion/piano) - p. 82 Duo Sławek/Zdunik (violin/cello) - p. 86 2 Chamber orchestra Extra Sounds Ensemble Extra Sounds Ensemble ESE brings together extraordinary young talents from Poland, England and Australia. It was formed in early 2010 by its leader and artistic director Alicja Śmietana. -
Myth and Appropriation: Fryderyk Chopin in the Context of Russian and Polish Literature and Culture by Tony Hsiu Lin a Disserta
Myth and Appropriation: Fryderyk Chopin in the Context of Russian and Polish Literature and Culture By Tony Hsiu Lin A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Anne Nesbet, Co-Chair Professor David Frick, Co-Chair Professor Robert P. Hughes Professor James Davies Spring 2014 Myth and Appropriation: Fryderyk Chopin in the Context of Russian and Polish Literature and Culture © 2014 by Tony Hsiu Lin Abstract Myth and Appropriation: Fryderyk Chopin in the Context of Russian and Polish Literature and Culture by Tony Hsiu Lin Doctor of Philosophy in Slavic Languages and Literatures University of California, Berkeley Professor Anne Nesbet, Co-Chair Professor David Frick, Co-Chair Fryderyk Chopin’s fame today is too often taken for granted. Chopin lived in a time when Poland did not exist politically, and the history of his reception must take into consideration the role played by Poland’s occupying powers. Prior to 1918, and arguably thereafter as well, Poles saw Chopin as central to their “imagined community.” They endowed national meaning to Chopin and his music, but the tendency to glorify the composer was in a constant state of negotiation with the political circumstances of the time. This dissertation investigates the history of Chopin’s reception by focusing on several events that would prove essential to preserving and propagating his legacy. Chapter 1 outlines the indispensable role some Russians played in memorializing Chopin, epitomized by Milii Balakirev’s initiative to erect a monument in Chopin’s birthplace Żelazowa Wola in 1894. -
The Shining (1980) Schindler's List (1993) the Silence of the Lambs
Wednesday, November 4, 2015 15 Jurassic Park (1993) The Book: A warning to mankind of the dangers of genetic fiddling, Michael Crichton’s 1990 novel captured readers with its scientific rationale for engineering real life dinosaurs to populate a theme park. The Movie: Steven Spielberg’s adventure flick lit up the box office during the summer of 1993, plunging a bunch of scientists, lawyers and kids into the depths of an island overrun with cloned dinos. He made Raptors a fixture in popular culture, and The Pianist (2002) placed the T-Rex at the centre of one of cinema’s most suspenseful sequences. Being on the edge of your seat never felt so damn enjoyable. John Hammond’s grandchildren Tim and Lex were opposite ages in The Book: The memoir of Jewish pianist Wladyslaw Szpilman and the novel. Lex was younger and keen on sports, whereas Tim was the older of the two fascinated with his ordeal hiding out in the Warsaw Ghetto during World War II, computers. penned by Szpilman’s friend Jerzy Waldorff. The Movie: Roman Polanski’s harrowing depiction of Szpilman’s The Silence Of The Lambs experiences avoiding the concentration camps was showered with critical acclaim. In particular for the performance of leading man (1990) Adrien Brody, he won the Best Actor Oscar. The chronology of the The Book: Thomas Harris’ serial killer pianist’s story is re-ordered in the film, making space for Polanski’s sequel to Red Dragon finds Hannibal own commentary on the period. His own experience in the Krakow Lecter once more right in the thick of it-- Ghetto inspired the changes - including an entirely new character, this time with FBI rookie, Clarice Starling. -
Cultural Importance of the 4Th International Chopin Piano Competition in the Light of Polish Music Life Reviving After the WW II
UNIWERSYTET HUMANISTYCZNO-PRZYRODNICZY IM. JANA DŁUGOSZA W CZĘSTOCHOWIE Edukacja Muzyczna 2020, nr XV http://dx.doi.org/10.16926/em.2020.15.08 Aleksandra POPIOŁEK-WALICKI https://orcid.org/0000-0002-6936-4721 University of Wrocław (Poland) e-mail: [email protected] Cultural Importance of the 4th International Chopin Piano Competition in the Light of Polish Music Life Reviving after the WW II Translation of the published in this issue (http://doi.org/10.16926/em.2020.15.07) How to cite: Aleksandra Popiołek-Walicki, Cultural importance of the 4th International Chopin Piano Competition in the light of Polish music life reviving after the WW II, “Edukacja Muzyczna” 2020, no. 15, pp. 327–345. Abstract The article aims at summarizing different activities undertaken to organize and run the first post- war Chopin piano competition. It is an attempt to collect facts, accounts and memories concerning actions initiated by Polish music culture environment after the Second World War. The author focuses on a detailed description of the organization and proceedings of the 4th International Piano Competi- tion, making use of information that has existed in independent sources so far. The article uses diaries, biographies, autobiographies, private notes, interviews with representatives of Polish culture, archive films and documentaries belonging to the Polish Film Chronicle. Press excepts were not used on pur- pose, as most press information was included in the aforesaid bibliography entries. The analyzed sources let us conclude that the organization of the first post-was Chopin piano competition in Warsaw was an event requiring both the engagement of all state institutions and personal contribution of mu- sicians and music teachers. -
POLISH HERITAGE CLUB-MADISON March Marzec 2010 , Volume 9, Issue 3 the Polish Heritage Club of Wisconsin, Inc
POLISH HERITAGE CLUB-MADISON March marzec 2010 , Volume 9, Issue 3 The Polish Heritage Club of Wisconsin, Inc. - Madison was founded in 1979 as a non-profit, non-political organization to promote Polish Heritage through educational, cultural and social activities. PO Box 45438, Madison, WI 53744-5438 http://www.phcwi-madison.org Email at: [email protected] Hope to see you at March events: Board of Directors LETTER FROM THE PRESIDENT 3/6 International Festival President 3/7 Chopin Concert Mary Schumacher Witaj! This is an exciting time for our club 3/28 Spring Festival 242-1779 and for me personally. I am very honored to serve as the club’s new president and to Vice-President work with a talented and dedicated Board John Benninghouse 442-5222 of Directors as well as our members. Welcome to our new Vice-President John Past-President Benninghouse, Secretary Julie Brania and Basia Pulz At-Large Members of the Board of 608-767-2921 Directors: Janice Czyscon, Butch Luick and Secretary Paul Vassalotti. They are bringing energy Julie Brania and fresh ideas to our Board meetings. Treasurer We will also be welcoming a long-time Barbara Lomperski 238-9189 member to the Board, Jerzy Brania, who has graciously agreed to complete the Membership Directories are a way for us At-Large Members remaining year of JoAnn Farah’s term. to get acquainted with other club members. JoAnn was unable to continue her The directory is updated annually and new Jerzy Brania participation on the Board. Welcome Jerzy! copies are available at the Spring Festival 274-6801 for $2, or by mail for $3.